pathologic but it's a lost 1920s german expressionist film [id under cut]
[id:
image 1: a digital drawing of a fake poster, using bright colours and rough, painterly brushstrokes. the title, 'pest' (german for 'plague'), is written at the top in spiky black text. in the foreground a man dressed as a tragedian is staring intently at the viewer, his hands raised and splayed as if in horror. in the background, the town is framed against a red sky, with the polyhedron in yellow behind.
images 2 and 3: fake casting sheets for the film, with the names of the actors and the characters they are playing above a black-and-white portrait photograph of them. all the text is in german. in english it reads:
'Pest', a film by Robert Wiene
Alfred Abel as Victor Kain
Ernst Busch as Grief
Lil Dagover as Katerina Saburova
Ernst Deutsch as the Bachelor
Carl de Vogt as Vlad the Younger
Marlene Dietrich as the Inquisitor
Willy Fritsch as Mark Immortell
Alexander Granach as Andrey and Peter Stamatin
Bernhard Goetzke as General Block
Dolly Haas as the Changeling
Ludwig Hartau as the Haruspex
Brigitte Helm as Anna Angel
Brigitte Horney as Maria Kaina
Emil Jannings as Big Vlad
Gerda Maurus as Yulia Lyuricheva
Lothar Menhert as Georgiy Kain
Asta Nielsen as Lara Ravel
Ossi Oswalda as Eva Yan
Fritz Rasp as Stanislas Rubin
Conrad Veidt as Alexander Saburov and Tragedian
Paul Wegener as Oyun
Gertrud Welcker as Aspity
image 4: four digital sketches of set designs for various locations. all are strongly influenced by expressionist imagery, using extreme angles, warped perspective, and dramatic shapes. they are labelled 'street 1' (a street lined with houses), 'street 2' (a square with a lamppost and a set of steps), 'polyhedron exterior' (the polyhedron walkway), and 'cathedral interior' (the dais at the far end of the cathedral).
image 5: four digital drawings in a black-and-white watercolour style, showing fake stills from the film. all are similarly distorted and lit by dramatic lighting. the first shows katerina's bedroom, with katerina standing in the centre of the floor. the second shows the interior of an infected house. the third shows daniil staring out of the frame in horror, one hand on his head and the other raised as if to ward something off. the fourth shows an intertitle with jagged white text reading 'the first day' against a dark background.
end id.]
459 notes
·
View notes
[ cw: violence mention / death mention / ]
Will never stop thinking about how Leo, all alone in an endless void and being beaten again and again and again by the only other living thing around, still finds comfort in that space. The situation he was in was completely hopeless, and in any other circumstances he would not have escaped, at least not fast enough to save him from permanent (or even fatal) damage, be it physical or mental.
And yet, despite the bleakness of his situation, despite the agony and helplessness, all he needs is one glance at a crumbled photograph, one glance to remember his family, and that’s enough of a reason for him to smile.
Maybe that’s why his powers center around manipulating space - because no matter how much space is between them, no matter how dire his own situation may be, just the thought of his family, alive and okay, is enough to give Leo hope.
275 notes
·
View notes
y'all really think we don't know coriolanus snow, son of crassus xanthos snow, is a (future) dictator and mass murderer who is responsible for the deaths of hundreds of thousands of innocent people, the vast majority of whom are children, including finnick odair??? y'all really think we don't know that even as a youth he's already a controlling, narcissistic, scheming, calculating, traitorous son of a bitch?
you've severely underestimated our powers of media literacy, and also of knowing the difference between reality and fucking fiction.
325 notes
·
View notes
WAIT A FUCKING SECOND. “WELL DONE”. SO YOU'RE TELLING ME WORDS OF PRAISE AND ACKNOWLEDGEMENT FROM THE MOST POWERFUL SKILL USER IN THE WORLD ARE THE LAST WORDS AKUTAGAWA HEARD BEFORE DYING??
195 notes
·
View notes
i think im just gonna start blocking people that engage in flowey age discourse <3 im not in the fandom for petty drama about nothing im here for analysis and art and its really irritating to be looking for art and all there is is arguments. i love uty dearly but the sudden uptick in pointless arguments regarding floweys character is infuriating. why can't we talk about how well hes written and that hes an extremely good example of ptsd why must we argue. if u disagree with something block and move on dont act like children
43 notes
·
View notes
omg reverse riko au is making me feel so ill..... please let us know if you have any more thoughts abt riko kayleigh and kevin legend.....
I DO my idea is that its around the same age kevin and riko met in canon so tetsuji kicks the bucket when riko is 7/8 and riko is (very forcibly) removed from the nest and sidelined to kayleigh as a new moriyama asset from the main branch takes over the nest. riko struggles a lot with the change because he is very young and very scared and he’s used to horrible things at tetsuji’s hand, which means that he doesn’t trust kayleigh and finds kevin entirely too weird. it’s honestly really cute because i think at this point obviously 7 year old kevin wants to befriend him but riko is such an anxious ball of anger that most of their interactions are like
baby riko: what do you WANT from me. go AWAY!!!! NOW
baby kevin: (heavy irish accent) nothing i think. do you want a bite of my sandwich?
anyway i think riko and kayleigh do get along but he never really considers her his mother or even godmother, for a long time he thinks of her as his Benefactor until the child therapy starts hitting and she becomes Aunt Kayleigh and then after a few more years he can be loosely convinced to refer to her as auntie once or twice a year. his second son syndrome never really leaves him; in the upcoming years riko struggles with the idea that he’s anything But an add-on to the days and still overworks himself to death trying to be acknowledged by kengo, but it’s leaps better just from being outside the nest and having people to look out for him
riko and kevin have some rough patches, especially during riko’s first years with the days. because kevin is an easy target and riko is afraid of kayleigh he ends up letting a lot of that anger out on kevin, though obviously at this point they are children and riko’s anger manifests in some mild bullying and name calling. i think kevin doesn’t even understand it most of the time 😭 riko has been around grown ups his entire life so his adult level insults make no sense to kevin’s seven year old mind. nevertheless after kayleigh tells him to stop picking on kevin riko does respect it (first out of fear, then later because they actually get along) and they go on to become brothers with only a slight tendency towards antagonism. riko’s jealousy of kevin is still a big part of their relationship and i think even more so when college applications roll around, and he’s even more worried when wymack comes into the picture, but it never culminates into anything as horrible as hand breaking because riko has an actual outlet and a support system :) it’s mostly a yelling match that eventually turns to getting scolded by kayleigh for acting like barbarians
19 notes
·
View notes