Something I miss from earlier eras of the creative side of the internet was things just being unabashedly low-budget. Just all unashamedly amateur, unprofessional, ‘I don’t own a good camera but I have a story to tell you’, ‘I can’t afford a good mic but I have a song to sing for you,’ ‘I don’t have any kind of background in editing or lighting and I only just picked up this guitar last Tuesday but here’s an entire musical me and my friends wrote about our favourite book, we filmed it on a potato and put it up on YouTube in ten minute segments because we thought it was pretty funny.’

clearly trying to stop fixating on "productivity" has actually improved my focus

If you could only show someone one episode of any Star Trek series what episode would you pick? :)

That one where Spock's tits are huge and it looks like he just forgot to wear his binder

i still find it very fun that technically Sadie Kane (and Walt and Anubis) is(/are) the first queer Riordanverse character(s), because Serpent’s Shadow came out before House of Hades and so Sadie being in a canon polyamorous relationship happened before Nico was confirmed to be gay, but nobody read TKC so nobody knows about this

The nice thing about reaching adulthood as a trans person is that there are plenty of instances where, before as a kid, your transness mattered, but now it doesn't necessarily

When I was in high school, I was required to take a P.E. class to graduate, and I was always yelled at for being late and bringing my backpack to class with me because I couldn't change in locker rooms like the other guys. I changed in a faculty restroom and brought my bag with me, my tardiness be damned. It gave me an unhealthy view of fitness because I despised how othered I felt, and I couldn't articulate why I didn't feel safe necessarily. I felt like transness would always be what others saw before they saw me, and I hated that feeling. I don't like being seen as The Trans Person, I just like being seen as me, where being trans is part of me but not the whole.

However, as an adult, I can join a gym and they don't fucking care. I get to retrain how to have a healthy relationship with fitness on my own terms because now, I have the freedom to be left the fuck alone about my transness. I love weightlifting, I love feeling physically fit, and high school was not the place for me as a trans person.

If any young trans person is feeling how I felt about their transness being front-and-center, just, please hold out hope. I know shit's scary, especially for you young people, and I do not blame you for how you feel. Just know that there can be good out there.

There's a stanza from Annabel Lee that's been tickling my brainstem for a while, and it feels even more relevant now that we know how John and Alecto are bound together, and that their love was and still is mutual:

But our love it was stronger by far than the love    Of those who were older than we—    Of many far wiser than we— And neither the angels in Heaven above    Nor the demons down under the sea Can ever dissever my soul from the soul    Of the beautiful Annabel Lee;

That's the heart of it, isn't it? The source of all of John's power, the reason he's God, it's because his soul is connected to his Annabel Lee's. To end all of this, they'll need to be dissevered.

I'd say that the angels have already tried and failed, and the demons look like they're winding up to take a shot. Odds are that'll go about as well for them as it did for Augustine and Mercy. But there's someone the poem doesn't ask. It doesn't account for Annabel.

I think that may be why it matters so much that that Alecto still loves John, and where the true horror of love comes in. If Alecto's soul is going to be seperated from John's, Alecto has to want it. No one else can do it for her. Annabel Lee has to become the subject, and not the object.

Netted jellyfish :) little clumsy on the execution but I do think the visions there and I ALSO think it would be a lot of fun in like a scene or something. Get my hands on a shoebox and go wild kinda thing

My take on a sonadow fankid💥💥

"Kneel before death."

[ID: Two panels from Dungeon Meshi. The first scows Senshi clutching his face as tears start to spill out of his eyes, saying, "I've always... always wanted to have this soup one more time." He's not wearing his helmet in this panel, so his face is unusually visible, detailed and vulnerable. The second panel shows himself as a youngster, surrounded by his old mining team, all smiling at each other, one of them rubbing Senshi's head. Modern-day Senshi continues, "Thank you. All of you. Thank you." End ID.]

Holy shit. I anticipated some tragic backstory from the "I must feed the young ones" panels, but what I'd guessed was that Senshi might have become so devoted to cooking and eating literally whatever because he'd previously survived a famine and had seen children starve to death. I did not expect him to have been the child who was the sole survivor of a doomed travel party, one of whom was determined to feed Senshi first because he was the youngest, and that Senshi has lived with the fear of having inadvertently committed cannibalism by eating stew that he'd never quite known the contents of. I'm happy for him that Laios deduced and confirmed for him that it was griffin meat, that he was able to taste the meal that saved his life once more and remember the friends he lost. Seriously, I'm crying, and also earnestly relieved that while his backstory is pretty dark, it's not the type of fucked up I'd been preparing myself mentally for.

man i think yosuke is like, more obsessed with the idea of women than he is attracted to them as people. i don’t think he’s so far gone that he doesn’t think women are people, and i do generally interpret him as being attracted to women, but i think the concepts are a little separated in his head, and a little mythologized. like for example, there’s such a visible shift in his behaviour when he’s thinking of chie as a person and when he’s thinking of her as a girl. like, i think he considers chie the person as someone that’s ultimately really important to him, a good friend that he cares about a great deal, but is also super irritating and not his first choice of person to spend very extended amounts of time around. chie the girl is a Girl. and yosuke Likes Girls, as like a relatively important part of his identity, so he hits on her despite having less than a snowball’s chance in hell. i don’t think he’s even all that attracted to her specifically, he’s just attracted to the concept of girls that’s been built up in his head

I'm not including a situation where someone might be injured because in that case I'm thinking the bed goes to them by default or they are nominated for it. anyone who wants to be chatty goes to join the living room floor gang.

What are your thoughts and headcanons? Do you have thoughts on how the boys tend to approach assigning beds in inns? Who do the chain choose to sleep near when camping and why? What are their dynamics like when settling down for the night and getting ready for the day?

In "Mirror Vs Open Closet Door: Fight!" by Gintrinsic (here) Four refers to the chain's decision on how to split up between inn rooms as the "Link-per-room ratio" which I find very funny. He, Sky, and Time also talk about their thought process behind why they do or don't want to sleep in a room with some of the others which I find fun and interesting.

So! If you have thoughts and want to share them! *gestures to the post!*

people demanding that august burns in hell like some kind of irredeemable villain is so weird because like. it's aof's show. alan mlc and wai bbs say hello. there's a very high chance that august and day are going to be besties again by the end of the series

beauty and beast au but Claire’s the one cursed because she’s the only one I can see literally pissing a sorceress off enough to get cursed. (If we’re going off the original movie Jim would probably offer them a hot meal and a room for the night, knowing him he’d make everything super accommodating)

modern games' "it's so realistic it looks like you could touch it!" will never be even close to the source engine's "you can count the polygons on it but you can actually touch it and if you throw it it breaks into little pieces and sometimes leaves a mark on the environment". you could have the most photorealistic graphics in the world but if the environment isn't interactable then it's no more than a fancy veneer