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#(But he'll come in later)
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2.12 Chimney Begins - 2.09 Hen Begins - 2.16 Bobby Begins Again - 7.04 Buck, Bothered and Bewildered
Tommy's family arc
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caycanteven · 9 months
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"You are a stubborn little thing, do you know that?"
"I do. Though, would you have me any different?"
"No, I would not."
"Why?"
"I would miss the way your soul burns with passion for what you believe in."
"How romantic. Anything else?"
"...and with how adorable it is that you think you can challenge me."
"Ah, there it is."
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raiiny-bay · 4 months
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sleepy morning with the boys
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dragon-ascent · 1 month
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No thoughts just Adventurer Reader coming home from a dangerous expedition to their husband Zhongli where they ecstatically tell him about how during their adventure they got into quite the pickle but then a great dragon showed up and saved them!! And even cooler the dragon looked just like the Rex Lapis!!!! Of course it couldn’t have actually been him since what business does he have paying attention to some random adventurer like them (Zhongli: 🙂) but still!! Isn’t that amazing??!!
Aaaaa imagine!! Bonus points if you become a full-on devotee of Rex Lapis, going to his temples every week to leave offerings. It warms Zhongli's heart, even though he doesn't think you have to do all this, but he's not going to let his cover get blown just yet :]
...except soon you start getting into even more pickles on purpose just to see if that dragon will come save you again, to affirm that that wasn't a dream or a one-off. Poor Zhongli now has to work overtime, tailing you secretly during your commissions so he can make sure you're safe.
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zishuge · 1 month
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The Spirealm 致命游戏 (2024) | Ep. 33
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nicomoru · 1 year
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Figment Ms Paint doodle dump. He is my little guy <3 My skrinkie <3
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"Promise Me" | Gojo x Reader
Fandom: Jujutsu Kaisen Pairing: Satoru Gojo x Reader Words: 2.3k
A/N: no one talk to me, this is my way of coping with the latest chapter. This week is not a fun one for us Gojo lovers. Also this scenario has probably been written a thousand times at this point (thanks a lot Gege) but here's my two cents on the matter (go figure, my first official Gojo post and he's fuckin dead)
Warnings: JJK 236 SPOILERS, mentions of fem!reader, nightmares, brief mentions of violence/gore, pet names (baby, sweets, pretty girl), very self-indulgent and I apologize for that
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Nightmares are a common occurrence in your line of work; you knew that even before you agreed to take the job. Usually you can stand them when they hit. Staring into the shadows of your bedroom, wide eyes raking over every little thing inside, too scared to even move a muscle. Knowing that, once you do, the illusion will vanish. The fear will go away, bit by bit, until you feel comfortable enough to fall back asleep.
Till the next morning, when you can’t even remember what you were so afraid of.
But this time is different. Your body isn’t frozen at all; you don’t snuggle deeper into the blankets, praying that they’ll be enough to protect you from whatever creatures lurk in the night. In fact they’re suffocating—but even when you throw them off you’re still heaving like a madman. Cold sweat clamming up your skin. Hands trembling at your sides. Eyes nearly bursting from your skull when you realize the other side of the bed is empty.
Empty, empty—where is he? Where did he go?
Was your dream not actually a dream after all?
You’re shaking so hard when you force your way out of bed. Nearly toppling over your own two feet as you stumble out of the bedroom. The door’s cracked open, but there aren’t any lights on, where is he, where the fuck is he?!
Another step, round the corner, and suddenly you smack face first into something hard. A soft oof reaches your ears, and through the darkness and the veil of your tears, you can barely make out the two blue lights glowing at you from above.
“Whoa, careful! Sorry about that, almost didn’t see you there. What’re you doing up so late, baby?”
Your eyes are still blurry, no matter how many times you blink. But you can still see him, his hair messy from sleep, wearing nothing but a pair of old sweatpants. He offers a lazy smile, but it drops almost instantly when he sees the tears spilling down your burning cheeks.
“…Hey, what’s wrong?”
Maybe it’s the tender tone of his voice, the soft way he speaks those three simple words. Or maybe it’s the fact you can see his eyes dim ever so slightly, signaling he’s turned off his technique for the moment. Or maybe it’s just knowing that he’s here, still alive and breathing and in one fucking piece, that makes you lose control. (Not that you had very much to begin with, but still.)
He visibly jolts at the shrill wail that rips from your throat, his whole body rigid as you throw yourself against his chest. Tiny arms wrapped around his waist, nails digging into his muscular back. Almost as though you’re scared he’ll disappear, anchoring him to you with every bit of strength you have.
What does he do? You’re obviously in distress, but why? He’d just left to get a glass of water, he’d been gone for less than five minutes! And now you’re blubbering like a child into his bare chest, sobbing so loudly he’s surprised none of your neighbors have come banging on your door.
“Baby, come on,” he tries, but the pet name only seems to make you cry harder. He winces before taking hold of both your shoulders. He doesn’t bother trying to pry you away; no need to make you even more upset. “You gotta tell me what’s wrong. I can’t help you if I don’t know.”
Damn it, everything he’s saying is just making it worse. He hates seeing you cry like this. So tiny and frail, curling into his chest, incoherent words and noises spilling from your lips. You won’t answer him or let go of his body, no matter how many times he tries to convince you.
Does he just ride it out and let you finish? What if you pass out? Will you still remember any of this by the time you wake up tomorrow? Was it something he said earlier that made you this upset? He wracks his brain, trying to see if any of his earlier teasing struck a nerve within you. He doesn’t recall saying anything that could prompt this kind of reaction out of you…
Then again, what could? You’re his girl, his other half (as he’s quick to remind you and everyone else within earshot). Strong but soft, a capable sorcerer climbing the ranks with ease. You have an unshakeable character, sticking true to your values and morals no matter what. It’s one of the reasons why he fell in love with you in the first place. Not just anything could resort you to a crying, trembling mess in his arms.
He sucks in a deep breath and tries again. “Come on, tell me what’s wrong. I promise I’ll make it all better, I swear!”
And he’s just about to bribe you with some of the sweets he’s stashed away in the kitchen when you lift your head from his chest. Cheeks hot and tearstained, and yet you’re still so beautiful.
“S-sorry,” you barely manage to choke out. Your throat’s practically on fire, and you can already feel a monster of a headache coming on. “I…I had…”
He doesn’t say anything. He simply wipes your tears away with his thumb, waiting patiently for you to finish.
“…I had a bad dream…”
It sounds so fucking childish when you say it out loud. Should’ve just kept your mouth shut, gone back to bed once you saw he was okay. What do you expect he’ll do about it, huh? Not like he can erase your bad memories, no matter how strong he might be.
But that hole in your chest is still there, even after all that crying—
And you can’t help it anymore. You press your palms to your face, desperately trying to rid your fact of all those tears. Wanting to save at least some of your dignity before the night’s over.
A pair of warm hands close over your wrists, his touch surprisingly gentle as he pulls your hands away. Exposing your teary, blubbering face to those beautiful blue eyes. The mere thought makes you want to cry all over again.
“C’mon now, you’re too pretty to cry like that.” The corner of his mouth is quirked up in a smile, his messy hair hanging over his eyes as he tilts his head to meet your gaze. He catches another tear on his thumb, making sure to wipe it away before pressing a kiss to your cheek. “I don’t like seeing you all upset like that.”
“B-but”—oh fuck, here you go again—“you were…you were dead!”
You can still remember everything so clearly. The blood trickling from his mouth. The glazed look in those dull eyes. How fucking fast it all seemed to happen. One moment he was fine, breathing and smiling as usual, and the next he was staring up at the sky. You didn’t even hear his body drop to the ground.
So much blood, it’s not supposed to be out of your body like that, why couldn’t I save you, why couldn’t—
“I’m sorry!” you blurt out, even as he takes you in his arms and pulls you against his chest. “I wasn’t enough to save you! You were dead and I couldn’t do a damn thing about it!”
You don’t even know what you’re saying at this point, but for whatever reason, talking about this seems to help. Your chest feels a bit lighter than it did before, even if your heart’s as heavy as a stone.
“You’re not supposed to die! And I know that’s stupid of me to say, everyone dies at some point, but you always say you’re the strongest! No one can hurt you, even if they tried! So why—”
Your voice catches in your throat, tears still streaming down your face. He still holds you close, one arm around your waist, his other hand resting on the back of your head.
“…Why did you leave me? You said you’d never leave me, no matter what! But you did—and I let it happen—I’m so fucking sorry, Satoru, I just—”
You’re running out of steam, you can feel it in your bones. Too exhausted to cry anymore, probably too burnt out to even walk back to your room. But before you can even try he’s lifting your face in his hands, tracing your swollen lips with his thumb.
Smirking down at you like there’s nothing wrong in the world.
“Why are you sorry, sweets? If anything, I should be the one saying sorry. Sorry that dream version of me was such a cheap imitation.” He rolls his eyes with a scoff. “Like I’d let myself get killed like that.”
“S-Satoru, I’m serious!”
“And so am I.” And you can see it in his face—the way his eyes practically burn into yours, his mouth set in a tight line, his jaw clenched even when he forces out the words. “I said I’d never leave you, right?”
You sniffle out, “Y-yeah…”
“And I meant it. So no matter how many bad dreams you might have of me,” he curls his hands around your thighs and lifts you up effortlessly, securing your body against his chest, “just know that they’re dreams. Nothing more, nothing less.”
Slowly, he begins to carry you back to your room. Your arms find their way around his neck, fingers burying their way into his soft white hair. You’ll never get over how strong he is, how amazing he is—and how of all the people in the world, he chose to share the rest of his life with you.
Not strong enough to save himself from dying.
Your throat fills with bile at the thought, even as he settles you back down against the mattress. Back in the place where your nightmare occurred, where you saw his body and all that blood—
“Don’t leave me!”                                      
“Baby, I wasn’t even planning on it.” Damn, this nightmare really messed with your head, huh? “I’m staying right here with you, alright?”
You won’t disappear on me again? You won’t leave me alone like you did in that dream, right?
He seems to see right through you, given the soft expressing in those dazzling blue eyes. “I promise, I won’t leave your side. Not tonight, not ever.”
It takes a few moments for the two of you to get situated in bed; Satoru ends up having to do most of the work, since your arms and legs are still trembling uncontrollably. But the second the blankets are back around you, he wraps his arms around your shoulders and pulls you into his chest. Long legs tangling with yours, his breath warm against the crown of your head.
Lips soft as they press a thousand kisses to your forehead.
“I don’t know what kind of curse you dreamt of, but if I ever came across something like it one of these days…” He leans down, lips ghosting over the shell of your ear. “…I’d win, hands down.”
“You’d better.” Your head’s pounding something fierce, every bone in your body screaming for some proper rest. And it starts to feel normal, being wrapped up in Satoru’s arms. “…Otherwise, I’d have to kick your ass.”
He lets out a laugh before nuzzling his face in the crook of your neck. His long eyelashes tickle your skin, his lips sweet and warm when they finally find your own.
“I’m sure you would. Although, I’d never let that happen; I’ll make sure to win every single fight, I swear! Don’t wanna make my pretty girl worry about me.”
But you’re always going to worry about him. It’s in your blood, comes with the territory of keeping this relationship alive. And maybe it’s stupid, maybe he is strong enough to never have to worry about himself in a fight. But there’s always going to be that part of you that wonders if he’s going to make it home tonight.
You tilt your head, eager to taste his lips again. Like your life depends on it, and the thought makes him smirk.
“Aww, can’t get enough of me, sweets?”
“…Shut up.”
But he knows he’s right. And you know he’s right. Doesn’t mean you have to say it out loud, though.
“You know I meant it, right?” Suddenly he’s holding your face again, brushing his nose against your own. His voice strangely soft as he leans in close, warm breath ghosting over your face. “’M not leaving you. Never, ever, ever!”
That gets a smile out of you. Weak and pitiful, but a smile nonetheless. At least he’s earnest. At the end of the day, he means well when it comes to you.
“I know you won’t. …So thank you.” You return his hug, sneaking your hand between your bodies and pressing it against his chest. Your throat growing tight when you feel the familiar b-bmp of his heart against your trembling palm. “Thank you for staying with me.”
There’s that tiny voice in the back of your head, urging you not to listen to such pointless promises. Knowing that deep down, neither of you can stop death when it comes knocking at your door. No matter how much power he possesses, even Satoru Gojo can’t resist death’s clutches when they finally sink their claws into him.
But there’s time for you to deal with all of that in the future. Right here, right now, he’s safe and sound in your arms. Messy white hair tickling your neck as he nibbles on the skin of your earlobe. Making you giggle as he brushes the rest of your tears away.
And thanking whatever deity may be listening above that you get to spend just one more night with him, wrapped up in his arms with his lips against your own.
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ibetittering · 3 months
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I need someone to stage and intervention I can't stop making these
(Part 4)
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schmweed · 4 months
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malk1ns · 4 months
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1st sentence ask - "It's gameday so you better not knot me"
Zhenya blushes when he says it, but with the way Sid's been following him around all morning, from the weights room to video review and even into the trainer's despite Zhenya's protests, he thinks it needs to be said.
The team is already on tenterhooks, watching them like hawks—with Zhenya's heat approaching like a freight train and the way Sid's been haunting his footsteps, they're ready to pull the plug on the whole experiment if it looks like it's going to negatively impact the on-ice product, and Zhenya thinks both of them missing a game because Sid pinned him down and tied them together would definitely qualify.
"Hmm," Sid says, crowding into Zhenya's space; he's shorter, but the width of his body makes Zhenya feel small, even younger than he is, like he wants to curl up in the protective crush of Sid's arms and let Sid do whatever he wants.
Omega instincts are a real bitch, but Zhenya's made it to the NHL on nothing more than will and grit, and he's determined that he won't be.
Sid's voice is hypnotic when he puts his lips to Zhenya's year and murmurs, "I think you don't mean a word of that," and Zhenya shivers, because it's true.
first line ask game!
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Something rubbed against his leg beneath the table. Jon saw red eyes staring up at him. “Hungry again?” he asked. There was still half a honeyed chicken in the center of the table. Jon reached out to tear off a leg, then had a better idea. He knifed the bird whole and let the carcass slide to the floor between his legs. Ghost ripped into it in savage silence. His brothers and sisters had not been permitted to bring their wolves to the banquet, but there were more curs than Jon could count at this end of the hall, and no one had said a word about his pup. He told himself he was fortunate in that too. His eyes stung. Jon rubbed at them savagely, cursing the smoke. He swallowed another gulp of wine and watched his direwolf devour the chicken. Dogs moved between the tables, trailing after the serving girls. One of them, a black mongrel bitch with long yellow eyes, caught a scent of the chicken. She stopped and edged under the bench to get a share. Jon watched the confrontation. The bitch growled low in her throat and moved closer. Ghost looked up, silent, and fixed the dog with those hot red eyes. The bitch snapped an angry challenge. She was three times the size of the direwolf pup. Ghost did not move. He stood over his prize and opened his mouth, baring his fangs. The bitch tensed, barked again, then thought better of this fight. She turned and slunk away, with one last defiant snap to save her pride. Ghost went back to his meal. Jon grinned and reached under the table to ruffle the shaggy white fur. The direwolf looked up at him, nipped gently at his hand, then went back to eating.
Jon I, AGOT
It's interesting that GRRM would dedicate several paragraphs to a seemingly unimportant exchange between a boy, his wolf, and an unfriendly third party. But there's just something about this passage that has continued to nag at me for years since I first read it because, considering how heavy handed GRRM was with the foreshadowing in AGOT, this feels important.
Jon is sitting at table full of squires - aka would be knights. We don't really know who they are or what families they belong to, but it's safe to assume that they come from a certain level of privilege; this is considering the fact that it cannot be financially easy to be a squire. And these boys already have a slew of tales detailing all their previous knightly exploits regarding "battle and bedding and the hunt" which suggests that they have some capital. So you have boys who will soon be men. And they will, presumably, become men of some power.
These lads eat their fill of the chicken until only half remains, which Jon then gives to Ghost. The direwolf's name is not so important here but what he represents is. Throughout the series, we're told that Ghost is reminiscent of the weirwood trees (because of his red eyes and white fur). He's stated to be of and from the Old Gods and since he's a personification of the weirwoods, he might as well be one of them. It's almost as if Jon is presenting whatever is left on the table to the Old Gods (Ghost). He lets them devour his offerings while he silently watches. And the motif of watching is so interesting here because it's kind of like Jon takes on a stewardship role - to watch over land/people/etc. He oversees Ghost eating the chicken, so he's overseeing whatever has been given to the Old Gods. This is not new imagery to his arc. As a brother of the Night's Watch and eventually its leader, we have several instances where he leads people to adopting the Old Gods in some fashion. In ADWD, several recruits swear their vows to the Old Gods while he watches on as their Lord Commander. The Old Gods are also primarily of the North and we're told that Jon has more of the north in him than his brothers; interesting that this also includes Bran. So perhaps whatever is being offered to the Old Gods relates to the North.
We must also note that Jon initially thinks to give only a small portion, a leg, before pivoting and providing the entire thing. It feels to me a bit like the process of carving up a kingdom or something similar. The lords (represented by the squires) take what they want and leave aside what they don't; or perhaps they have eaten to their fill and can take no more. Then when his time comes, Jon first considers a small piece of land/group of people before eventually absorbing all of whatever is left behind. The concept of carving up a kingdom rings harder considering that we have several callbacks to the ideals of kingship in this chapter. Robert, Jaime, Tyrion, and even Mance though we don't know it yet, all play into this. And then there's the aspect of Jon letting the chicken slip between his legs which evokes birth/fatherhood, a very curious choice when GRRM could've just had Jon place the chicken on the floor. So land/people are carved up and Jon then uses whatever is left to birth his own type of kingdom. And this kingdom is one for the Old Gods.
This also touches on something that has been quite prevalent throughout Jon's arc. It's the concept of accepting the "others" or "those left over" who live apart from the accepted social norms. Arya (a tomboy), Sam (a gender non-confirming boy), the Night's Watch (criminals, extra sons, and men who have no future left or place to go), and even the wildlings are all examples of this. And Jon takes on a leadership/paternal role to every single one of them. He looks after them as a leader would/should. Sometimes, in the case of Arya and the wildlings, he's equated to a king. He's a steward/shepherd/king. There's messianic undertones to this:
Come unto me, all you who are heavy laden, and I will give you rest. Take my yoke upon you and learn from me, for I am gentle and humble in heart, and you will find rest for your souls. For my yoke is easy and my burden is light." (Matthew 11:28-30).
If you're familiar with Judeo-Christian tradition, you'll know that Jesus is often personified as one who spent the majority his time among the outcasts. The idea is that he came to save them too and that anew kingdom (or new earth depending on your translation) would spring up after the end of the world where he would forever rule as king; which presents the idea of a final king after the earthly ones are done away with. Now GRRM isn't so heavy handed with Christian allusions as other authors out there, but he does have a Catholic background and Jon is so overtly a Jesus figure. And in Revelation, Jesus is king and god at the very end....
One last thing: the mention of the mongrel who challenges Jon has always been rather interesting but confusing to me. A mongrel doesn't really relate to one specific type of dog. But it's interesting that Jon notes several roaming about where he is. They follow the serving girls who carry the food to be offered. Mongrels are used to describe antagonist/villainous groups in ASOIAF. Sometimes, they're used to describe slavers in Essos. But what's interesting is that most of the time, they're used to describe Euron's Ironborn especially in Victorian's POV. So I don't think the mongrel who challenges Ghost is a supernatural threat of death (i.e., the Others) but rather a human one. They represent those who are called to the scene once the lords have finished playing their games. It almost feels like a feast for (carrion) crows....
But it doesn't really matter because this mongrel isn't much of a challenge for Ghost. Though the mongrel is much larger, the direwolf is able to fend her off very effortlessly. Given that "mongrel" is used to describe Ironborn raiders, could this exchange between Ghost and the mongrel point to reavers or sea raiders who rise and fail challenge Jon kingdom? There is a historical King Jon Stark who did this....
When sea raiders landed in the east, Jon drove them out and built a castle, the Wolf's Den, at the mouth of the White Knife, so as to be able to defend the mouth of the river.[1][2] His son, Rickard, followed him on the throne and annexed the Neck to the north.
ref.
So this might shed some light not only on Jon's already published arc, but also on what we can expect in the future. We have some foreshadowing through Jon's ADWD dream that he will not only rise with the dawn (thereby live through the Long Night), but will be in a position to lead people (wildings in that chapter) to a new peace after a hard fought war. Also remember that the wildlings, rather enthusiastically, swear oaths to him as if swearing oaths to their king. In this instance, the supernatural (a dream of the war for the dawn) is followed by the natural/human. So perhaps this particular passage (and Jon's dream) can be used to predict that Jon comes out on top, and quite effortlessly too, as a leader. And he becomes a leader who rules by association with the Old Gods; or rules a kingdom for them.
To end, I think it's of note that this passage immediately precedes Jon's conversation with Benjen where he voices his desire to go out on his own - the hero's call to action. This is the adventure that's going to kickstart his growth as a man, warrior and most importantly, a leader. So it looks like before we even began, GRRM telegraphed how it would all end in just three short paragraphs.
#jon snow#asoiaf#valyrianscrolls#ghost the direwolf#some random extra thoughts:#the aspect of fatherhood is closely tied to kingship as kings are often regarded to be the fathers of their nations#so we might see a parallel where jon-like dany-doesn't have children of his own physical body#but rather rules a kingdom as its symbolic father#think of how odin-a mythical parallel for jon-is called the all father because he is father to all men/lands#also it's interesting to me how kingship is a theme but it's almost like the actual theme is that of kings coming of going#but jon remaining and prevailing above all#we have robert who is a disappointing/bad king and his rule doesn't last very long and neither will his dynasty#jaime looks like a king and even if grrm didn't go through with his original ideas he was never meant to rule for long#in the new story jaime is symbolic of rhaegar a would be king whose time comes and goes leaving jon to pick up the pieces#then tyrion who stands “as tall as a king” but not quite! he still is not as tall as jon and tyrion also says in a later chapter#that soon he'll be even shorter than ghost + tyrion wasn't hand for long#mance who is hidden also has his time as king but it's very short lived and jon later absorbs his kingdom to make his own#so we have the wolf devouring the “left behinds” in a way but the interesting thing is this happens in reverse doesn't it#might Jon's new kingdom not only be made of remnants of the nw and wildlings but also have those left behind from the rest of the 7k?#it's possible since jojen tells us that once night comes all cloaks become black 🙂#so yeah this is all just more jon endgame king of winter/a new north propaganda lmaoooo
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hoofpeet · 1 year
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(X) Spice sees his buddy again and Ingo has the most confusing moment of his life
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vampire-lord-garfield · 9 months
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I KNOW YA'LL DON'T SHIP SEBARD BUT PLS JUST HEAR ME OUT! Imagine servants greeting Ciel and Seb post Compania ark. And Seb is just covered in human bites (weird dolls) and has a massive fuck0you wound in the middle of his torso. Like even in canon he was pretty fucked up by that scythe and i headcanon that his body can't do it's usual demon healing magic on that wound. All energy goes in keeping him alive, so his injuries heal at human speed. So when they finally arrive at the manor who else then a army veteran wound treat his wounds. (You can't tell me Seb would allow human doctor look at his weird otherworldly anatomy, especially when you can see his freaking insides...). Imagine how triggering that would be to Bard. His mind would probably be on autopilot until he was finished. And then flashbacks to both war and his family dying. And like he thought of Sebastian as a "superhuman", a constant. Seeing him injured and in need of HIS help is verging on uncanny valley... (Also he saw this dude literally eat bullets. It would be kinda scary to think what was at sea that would fuck up Seb so badly... With human teeth no less.). --- Seb probably hasn't been so close to his own mortality in a long time so the whole experience doesn't sit right with him either... But even more weird is SOMEONE ELSE worrying ABOUT HIM. I like to think that he would be absolutely shit at comforting someone distressed about his wellbeing. Like his whole experience with that is comforting a bratty 12 years old and dealing with Ciel's nightmares. And here is a grown ass man with PTSD. He is so uniquely unprepared to deal with it. He tries his best, which is absolute worst, until Bard just asks him to shut up. And like he is probably not in a right mind either. He failed, he lost the fight, he got injured and then they basically run. And the whole "possibility of dying thing" is not a concept an immortals creature really thought about. He asks Bard to sleep at his room. Totally for Bard's sake. Not because of the latest events or because most demons don't like sleeping alone. Cause in hell that would just make you an easy target to others.
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thelordofgifs · 1 year
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the fairest stars: post iv
Beren and Lúthien steal two Silmarils, more sons of Fëanor than anyone ever needed or wanted get involved, things go extremely sideways: you know the drill. You can find the first 18 parts of this bullet point fic on AO3 here, and parts 16-20 on tumblr here.
We're starting out part 21 with a timeskip!
One year after the fall of Himring, north Beleriand remains bitterly contested.
The East is overrun. In Barad Eithel's great war-room the map of Estolad is covered in black arrows stretching from Lothlann down to the Andram Wall.
Caranthir and Amras maintain a last stronghold on Amon Ereb, with the people of Himring who fled there after its fall; but Ossiriand, they fear, will only remain undefiled so long as Morgoth's attention does not turn towards it.
Their Eastern allies, too, are unimpressed. Bór and his young sons were all slain not long after Himring burned; the few of their people who escaped the orc-raids have joined themselves to Ulfang in Thargelion, but they are none too friendly to the Fëanorians these days.
"And Nelyo says I'm bad at making allies," Caranthir remarks.
[yeah he's in this now. damn it why will they not stay in their place.]
"I wouldn't say this is Nelyo's fault," Amras says quietly.
It is a debate held, in one form or the other, in every free kingdom in Beleriand.
But anyway, the East does not seem to be Morgoth's main concern for now.
It is Hithlum, Fingon is sure, where the next assault will come.
Hithlum, the realm of the High King of the Noldor; Hithlum, where he reigns who once humilated Morgoth so thoroughly; Hithlum, where Maedhros holds a Silmaril yet.
If the last true stronghold of the Noldor falls—
And he is facing plenty of internal pressure, too.
His lords – many of them survivors of the Grinding Ice, and arch-loyal followers of the House of Fingolfin – are less than impressed by the rumours that have reached them of the fall of Himring, and Maedhros' actions there.
Fingon has tried to quell the whispers as best as he can. But it is impossible to deny the fact that the attack took Himring by surprise because its patrols were cancelled on Maedhros' orders, or that Maedhros left the field as their position worsened.
The healers who treated Maglor's stab wound have not been quiet, either, about the fact that it was an elvish blade that caused the injury.
And some of those who were at Himring have heard that Maglor was found in a pool of his own blood with Maedhros, subdued too late, unconscious beside him—
If only they knew, Fingon thinks furiously, they would not cast sly aspersions on his judgement and his taste in friends. They would not stop talking of anything consequential when Maedhros drew near, as if he is not to be trusted with the secrets of the war.
Of course when he dares to suggest to Maedhros that this might bother him, Maedhros laughs and says, "Finno, do you think this the worst humiliation I have ever endured?"
So. There's not much Fingon can say to that.
His father was a diplomat, a politician, a builder of alliances. Fingon is not doing a very good job of living up to that legacy.
Thingol returned no response to the letter Fingon sent him, informing him of Curufin's disappearance.
In fact, Thingol is kind of just Done.
So the Noldor turned out to be faithless. What else is new?
Also he didn't really want Curufin's head anyway. Where would he even put it?
Fingon cannot give him what he truly wishes for: his daughter.
In Lúthien's absence old age has fallen upon him, who has lived unwithered for long Ages of the Stars since his birth at distant Cuiviénen.
Melian sings no longer. The people of Doriath, who have known little but peace and splendour since the Girdle was first raised, begin to wonder if their blessings have been withdrawn.
So it is a Menegroth much changed into which Beren and Lúthien walk, hand in hand, one afternoon.
Their return is met with both joy and some consternation. Youth comes back to Thingol at the touch of his daughter's hand; but Melian knows that she will never smile again.
Lúthien bears it all, the feasts of celebration at which none can look her in the eye, her father's overwhelming gladness and her mother's sorrow, the halls that ring yet with the memory of her grief, for exactly two weeks; then she announces that she and Beren are leaving.
"Daughter," Thingol protests, "you have only just returned to us – and soon—"
(Thingol does not know how he will ever handle the parting that is to come.)
"Will you not stay?" he asks. "This is your home."
Lúthien is not sure she knows what home means any more.
"I am sorry," she says, regretful but firm.
The next day finds her and Beren walking through Brethil, debating their next course of action – just as they did not so very long ago, when Celegorm and Curufin attacked them in the woods.
It is of that little skirmish that Beren is thinking now.
"They say Curufin is still out there somewhere," he argues. "It mightn't be safe—"
"I sang Morgoth himself to sleep," Lúthien cries, "and you think I can't take Curufin Fëanorion?"
"Tinúviel," Beren says, with a laugh, "I do not think there is anyone you can't take."
Lúthien allows herself to be placated.
"I am not suggesting we dwell alone in the wilderness," she says; "you made your earlier thoughts on that very clear. But I – I cannot go back to being Doriath's Princess, Beren, as if every part of me is not changed irretrievably since first you called my name, as if – as if you didn't die there, and—"
"Sweetheart," says Beren, kissing her forehead. "It wasn't permanent." And when she chokes out a little laugh through her tears, he goes on, "I know you do not wish to stay in Doriath. But we must choose somewhere – and somewhere safe. It seems as though the Enemy's reach has lengthened in the time we were, um, gone."
"I thought to go to Ossiriand," Lúthien says. "My kin the Green-elves still guard those lands."
"But only those lands," says Beren. "Estolad and Thargelion are overrun. The sons of Fëanor keep no watch upon the Eastmarch. If Morgoth were to learn that you dwelled there—"
"I'm not afraid," Lúthien says. "And even if I were – am I never to venture beyond the Girdle again, for fear of him? Is all my father's kingdom to be naught to me but a prison, as Hírilorn was? I cannot stand it – I will not."
Beren takes both her hands in his one and looks at her. "Tinúviel," he says, very seriously, "I will never cage you."
Oh, he knows her. What a wondrous, terrifying thing, to be understood so completely.
Perhaps Lúthien is still a little delirious with the rush of living once more, for she dips her head to capture Beren's mouth in a delighted kiss, and for a time they both forget all other matters.
Plucking strands of grass from her hair some time later, Beren says, "I have another idea."
"What! I thought I argued my case quite passionately," Lúthien teases.
"You said you thought of dwelling among your kin," says Beren. "What of going to mine, instead?" And, when Lúthien shoots him a puzzled look, "The House of Bëor is mostly ruined, but there are still remnants of my people who escaped Dorthonion ere its fall. Some of them dwell nearby, with the Haladin. And others went north to Dor-lómin – my little cousin Morwen is the lady of that land now."
"I do not wish to stay in Brethil," says Lúthien; "it is rather too close to Menegroth for my tastes. But the Land of Echoes, on the other hand..."
Her eyes are alight with that same fanciful gleam they used to get when Beren told her stories of the world outside the Girdle, of holy Tarn Aeluin and the dread Ered Gorgoroth alike.
You would think, Beren muses, that she would have had enough of adventure by now.
"I have," says Lúthien, catching his thought. "We are to live a very peaceful and retiring life. I insist on it! That is what I told Mandos we deserved. None shall dare assail us, in Dor-lómin." She rolls the name on her tongue as if trying to taste it.
"They call it so because of the terrible cry of Morgoth when Ungoliant assailed him," Beren tells her, "not for any sweeter music."
Lúthien laughs and flings her arms around him. Oh, his living body warm and solid against hers! It is a gift she does not intend to waste.
"Luckily," she says, "I am good at changing the melody."
Another conversation between lovers:
"Do you think it could be done?"
“I have already told you what I think.”
"But you haven't explained," Fingon persists, "you have only looked at me dolefully and proclaimed that it is not possible."
"Well, it is not," says Maedhros. He is lying curled in Fingon's arms, their ankles hooked together, and he is loath to disturb their contentment with arguing. Keeping his voice measured, he says, "If our strength were doubled I do not think it would be enough, Finno."
"The attack will come either way," Fingon says, also without much vigour. They have had this debate so many times now that it is become well-worn. "Why not meet it head on?"
"Because you have a defensible position here," Maedhros says patiently, "and a greater chance of holding than you do of storming the gates of Angband."
"My father did it," Fingon mutters.
"Your father died," Maedhros says, voice suddenly sharp.
Fingon looks at him. "Don't look so worried, beloved! I am quite turned off the idea of wasteful heroics these days."
"Then look to strengthening your defences," Maedhros says, "and drop this fool notion."
"But if we did try," says Fingon, "if we united all the Free Peoples under one banner, and marched on Angband together – think what we could achieve!"
His eyes are bright with hope. Maedhros hates to crush it, but crush it he must.
"Finno," he says, "the East is lost. My brothers do not have so strong a position in Amon Ereb that they can afford to march north to join in a war that could prove ruinous. Bór and his people are dead almost to a man. Belegost will no doubt have heard the rumours—"
Fingon glances at him sharply, but he speaks without bitterness. Which is concerning in itself, but Fingon decides to let it slide for now.
"—and there is little help to be expected from other corners," Maedhros continues. "Doriath has strength to spare, but Thingol hates you."
Fingon shifts uncomfortably. He never actually told Maedhros why Thingol hates him now.
"Nargothrond," he says, to change the subject. "Orodreth will answer to his High King."
"Orodreth!" says Maedhros, dismissively. “A king too ruled by the whims of his people. If he had any spine he would have turned my brothers out of Nargothrond immediately, and Finrod might have lived.”
If Fingon were crueller he might say, You didn't manage to control your brothers that well yourself. Instead he says, "But the people of Nargothrond are many and valiant. We should not discount them."
"If Nargothrond wishes to stay out of the wars of the north," says Maedhros, "I think it would be prudent to allow them to do so." There is a thoughtful, uneasy look in his grey eyes.
Fingon gauges it correctly and says, "Are you worried for your nephew?"
Maedhros looks at him unhappily. "Everyone in Beleriand knows what a mess – Curvo – made of – everything," he says.
(A year might have passed, but Maedhros still does not much like to speak of Curufin.)
"Tyelpë is safe in Nargothrond, where his father's deeds cannot taint him," Maedhros says. "I would keep him so." Then he shrugs. "But my opinion carries no weight now, beloved. Do as you will, and I will support you, for all that is worth."
"It carries weight with me," Fingon says fiercely. "And I am not ashamed to say so. But you have not yet heard the key element in my plan."
Maedhros smiles despite himself, propping himself up on his elbows so that he can keep his eyes focused on Fingon's face. The mass of his silken hair is pooled on Fingon's bare chest. "Go on, then," he says, indulgent.
"Gondolin," Fingon says triumphantly. "My brother took a third of our host with him when he disappeared, and yet more of the Sindar went with him. They have lived in peace for more than three hundred years; their numbers must be great."
Maedhros does not seem as delighted with this idea as Fingon is. "Finno, you don't know where Gondolin is."
"The Eagles bring them tidings, clearly," Fingon points out; "else they would have opened the leaguer and come to our aid when they saw the fires of the Dagor Bragollach on the horizon."
Maedhros frowns, attempting to parse this extremely backwards logic. Eventually, he says, "If Hithlum falls, Gondolin will be the last stronghold of the Noldor in the north. I do not know if its position should be risked."
"All war is risk, beloved," says Fingon, "and if I were to call upon my brother, Hithlum will not fall."
Maedhros says, as if he has been saving this blow for last, "Finno, if you call upon Turgon, will he even answer?"
It has been more than three hundred years, since Fingon last saw his brother.
“Do you think he won’t?” he asks, more sharply than he means to.
(Turgon didn’t tell him he was going. He didn’t tell anyone. He just – vanished.)
Sometimes Maedhros thinks things were easier during Maglor’s long convalescence, when his only concern was his brother, when every sleepless night was because Maglor needed someone to sit up with him and every meal was whatever invalid's food Maglor could be persuaded to choke down – when Fingon was his strength and steadiness, and Maedhros could yet wrap his blue cloak around him like armour.
Selfish – selfish. Maglor is better now, and Maedhros is so, so glad; and Fingon cannot always be his strength. Sometimes Maedhros must be his.
"I am sure he will," he says, contrite. He presses a kiss to Fingon's tense jawline. "I just don't think it wise to ask him."
Fingon sighs and puts his arms around Maedhros. "Fine," he concedes. "Perhaps you are right."
But later, when they have extricated themselves from their warm tangle of limbs and risen for the day, he sits down to write a letter.
A few days later the High King's messenger, having ridden swiftly along the Ered Wethrin and into Dor-lómin, nearly collides with a small child playing near the road.
"Be careful!" cries Lúthien, dropping Beren's hand and rushing forward to snatch the child up.
The messenger gapes at her, for it seems to him as though she has materialised out of the shadows themselves. Then, when he gets better look at her beauty, he gapes even more.
Lúthien is not paying attention. All her focus is on the little golden-haired creature in her arms. "That was nearly very dangerous for you, wasn't it, sweetheart?" she coos. "But you don't seem frightened at all. What's your name, dear one?"
The little girl giggles and hides her face in Lúthien's sleeve without answering.
Beren feels a little dizzy, looking at the picture that they make, and at the bright tender look on his wife's face. Someday, he tells himself, someday.
He looks around. The messenger has dismounted; it seems the great house up ahead is his destination. A house of lords, clearly, surrounded by gardens as lovely as any in the chilly northlands, and with a bubbling stream running just past its walls.
Well, here they are.
He is pondering what the etiquette is here – should they knock? wait here until someone spots them? – when he catches sight of a second child, a little older, dark-haired, watching them intently from around a tree-trunk.
"Good day, lad," Beren says gravely. "Might I ask your name, and those of your parents?"
The boy regards him with suspicion for a while, before he finally says, "I am Túrin son of Húrin, and that is my sister Lalaith."
(One little-appreciated consequence of the fall of Himring: for the last year, Morgoth's attention has been on the final desecration of the March of Maedhros. He did not have time to send the Evil Breath to Dor-lómin.)
"Lalaith!" Lúthien says, delighted. "What a fitting name."
"Then, son of Húrin," says Beren, "we have reached our destination indeed. Might you do me the honour of introducing us to your parents?"
Túrin looks unimpressed. "Who are you?" he asks.
"My name is Beren son of Barahir," says Beren, "and we are kinsmen, son of Morwen."
Túrin frowns even more. "How do you know my mother's name?" he demands. "And Beren is dead."
Kind of hard to argue with that.
Before Beren can come up with a suitable response there is a small noise from the direction of the house: the children's mother has come out to call them in for the evening meal. She stands so still she might be made of stone, were it not for the wind whipping up her dark hair behind her.
Beren finds his own mouth is very dry.
He buried Baragund his cousin, and avenged him; and he has not thought of his slaughtered companions for a long time.
(There's only so much survivor's guilt one person can have, and it is usually the screams of Finrod and his Ten that haunt Beren's nightmares.)
Morwen is not now the thirteen-year-old he remembers, her face sterner and more sorrowful, but somehow she is the image of her dead father.
"Hello, little cousin," he croaks out.
Morwen stares at him.
Lúthien comes to the rescue. "You must be the lady Morwen," she says warmly, setting Lalaith down so that she can drop into a graceful curtsey. Her Taliska is hesitant, but beautiful. (Everything about Lúthien is beautiful.) "Beren has told me so much of you. And your children are charming."
"Beren's dead," Morwen says at last, shakily. "And – you—"
"I was dead," says Beren, "but now I'm not. I don't know how to explain it, cousin, but—" He holds his hand out to her, letting the Ring of Barahir gleam green upon his finger in the setting sun. "It really is me."
Morwen makes another small sound, swaying where she stands. Her hand rests on her son's dark head as though he is the only thing keeping her upright.
"Mother?" Túrin says nervously.
Before things can get any more awkward the lord of the house comes out to seek his family, perhaps wondering what is taking them so long. "Morwen," he says quietly, seeing her stiff posture.
But Morwen takes a breath. "We have guests, Húrin," she says, composed again. "This is my kinsman Beren Erchamion, and his – and his wife, the Princess of Doriath."
Lúthien turns her dazzling smile on Húrin. "A pleasure to meet you," she says gaily. "But call me rather the Lady of Dorthonion."
(to be continued)
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teatitty · 2 months
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Lambert, casually: We should fuck
Aiden: WE SHOULD (❤️ ω ❤️)
Lambert: Nevermind you're way too excited
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arashi-no-saxlphone · 1 month
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whats your opinion on asuka r kreutz
Buddy. Oh man. Either you know me and went on anon to enable me (in which case, thank you) or you're newer here and haven't seen me cry about Guilty Gear's saddest wettest cat yet.
I fucking adore Asuka R Kreutz. I think he's one of the most tragic and complex characters in Guilty Gear. I was gonna put "Well-written" too buuuut... it's hard to track down clear answers for some of the stuff that covers his time with Freddy and Aria as scientists and so I generally extrapolate what feasibly happened to the best of my ability based on what we have. (I am by no means a full-on expert, but I know enough to tell you this man does not deserve all the flack he gets).
In general, I find Asuka to be an immensely tragic and complicated man who at his core, just didn't want things to change and didn't want to lose his only and most dear friends in the whole world. Every single thing he has ever done was fueled by one of two things - his curiosity (which you can consider a flaw, as it often by his own account causes him to neglect right and wrong) or his deep love for Frederick and Aria (I find this to be his driving force for most of his actions in the story of Guilty Gear, right up until shit becomes so absolutely fucked that he has to spend most of his time trying to fix everything that goes wrong and banking on Sol to come through for him as a warrior). Asuka is the embodiment of the phrase "The road to hell is paved with good intentions" and that's probably why in lore he's labelled as "The Devil" in addition to "The Gearmaker."
When Aria gets sick, he suggests putting her in cryosleep until they can cure her disease. She refuses because she doesn't want to miss out on her time with Frederick. "Ok," he says, "well I can do something about that so please agree." And she agrees. And Asuka makes Sol a Gear and fucking immortal without telling him. Then all that crazy bullshit that kickstarts the crusades happens and Sol has to kill Aria because Asuka made her into Justice. This part is fucked up. It's a major fuckup on Asuka's part. In a drama CD, it's highlighted how important Aria's humanity and personhood is to her, and Asuka takes that away when he turns her into Justice. "What's the justification then?"
When Asuka found out that the government was going use their research to create gears as weapons and use them for war, he did EVERYTHING he could to try and stop that. Asuka isn't stupid - he's smart. He's a scientific genius. He could've easily taken the sleeping Frederick and Aria and fucked off, but he wanted to right a wrong. And it just... didn't work. He turned Aria into Justice, and though I think he probably intended to turn her back (after all, we see him demonstrate the ability to undo what he did to Sol at the end of strive) he never got the chance. Because the Universal Will overloads her and Justice just starts the Crusades.
In Overture's story, Asuka makes it clear to Sol that he needs him to be a warrior in order to be prepared for more horrors to come. Asuka realizes after the crusades that he can't fix it alone - everything he's done to solve a problem has so far ended up with him making things worse. Sol hates him. He knows Sol hates him. You know what's fucked up though?
He wants Sol to hate him. He feels like he deserves it.
I feel the need to point out that the crusades last over a century - Sol is immortal because of the gear cells and flame of corruption, but Asuka was just a normal guy - why/how is he here? Asuka created a synthetic body for himself that would not age, and transferred his consciousness into it so that he would not change. So that no matter what, Sol would recognize him. Knowing Sol wouldn't forgive him, knowing that he would always be able to find him, he didn't care - he never ever wanted to lose Sol.
Asuka clearly cares about people. He realizes the consequences of his actions, and he's clearly capable of feeling guilt over them. Look at what he does while working with I-No and Raven: He builds the Jack-O unit in the hopes that he can bring Aria back. He builds the Happy Chaos unit in the hope that he can help I-No regain her full self without going insane. He's Raven's only friend, a man who has been cast aside countless times and used for his powers. Those aren't the actions of a selfish or wholly callous man. If he was callous, he wouldn't try so hard to make SURE he could never escape Sol's anger by making himself permanently recognizable.
"Well maybe he just selfishly didn't want to let go of Sol." This is a legitimately fair point. However, let's recall what happens in the strive story: Asuka offers Frederick a choice between letting him remove the gear cells and flame of corruption from him, or letting Sol kill him.
I need you to look me in the eyes when I tell you I can't handle this part. I can't. Well over a century of fuckups and shit going wrong while Asuka desperately tries to make a million things right that weren't even entirely his fault to begin with - he didn't want to make Gears as weapons, hell he didn't even want to be a scientist! He laments about not having any control over his life and certain decisions. In all of that though, he fucking loves his friends Frederick and Aria. Now one of them's dead because of him, and the other one hates him, and after over 100 years of planning and thinking and work-
Asuka R Kruetz has no idea how to look Frederick Bulsara in the eye and tell him he's sorry. He only knows how to fix it, and also how to offer Sol a chance to feel better about it - I think he truly believes that after everything, if Sol killing him will make Sol feel better, that that's what he should let happen. I'm so fucking ill. Asuka thinks the fucking WORLD of Frederick - listen to this bit of his Strive theme, "The Gravity:"
"As the universe turned black / did the sun ever defy fate? / beyond it all do you recognize me?"
In case you aren't familiar with how Sol Badguy got his name, the government gave him the codename "Badguy" while he was running around wrecking gear compounds. "Sol" is a name given to him by Slayer, because he "shone brightly like the sun."
Now look at that snippet from Asuka's theme again - that line about the sun defying fate? That's about Sol. That's about how much he loves and values Sol, someones he repsect and looks up to, and the only person he had left to count on to fix the world that he feels like he fucked up.
As we know, Sol chooses to let Asuka just un-gear him, but after that Asuka just... leaves. He goes to the moon with the tome of origin to protect it from falling into the wrong hands. Do you know how fucking badly it fucks me up, that after everything, Asuka just ends up alone? He spent over a century trying to fix the world, nothing he did worked, and when it finally did everything was different. Everything. Aria is gone, Frederick is happier but not in his life anymore, and Asuka is alone. Everything he ever did started with his love for Frederick and Aria, and at the end of it all he's alone. And he feels guilty.
His Strive arcade Story rips me to fucking pieces - Asuka clones himself and when he does, the clone Asuka R # mentions specifically that Asuka made him "Chattier." He mentions that Asuka "Doesn't like himself." I read that as Asuka making an idealized version of himself - a self that wouldn't fuck up, a self that wouldn't be hated, but also
A self that would carry on his work.
This is where it gets heavy, but I personally believe Asuka intended to kill himself initially. He has no idea how to say sorry to Frederick, no idea how to atone, and no idea how to exist in a world that so far, he feels he has only ever fucked up in. Another snippet from his theme: "does existence have meaning? / the reality or the truth, the reality of the truth / what fact should we accept? / The reality or the truth? reality" He's trying to figure out if he can still live, if even if he wants to live, does he even deserve to? Have the right to? How can he atone?
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The clone states, though it dances around it, that it's worried for Asuka - worried that he's hoping he'll lose the fight, hoping he'll die. But two of the possible outcomes (as strive arcade mode dialogue tends vary based on performance) are listed below:
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In both of these conversations, the clone cites a desire to exist - which to the clone, since it is also Asuka in way, means that the original Asuka wants to exist too - and therefore that he can, and is trying to figure out how to.
I think Asuka, like a lot of Gear characters, is about trying to find a place in the world - even if the whole world feels like it's not built for you. All Asuka has ever done is tried - and failed. But he's still here. He DID manage to unfuck everything, and he did it because he DID still have Sol. Another bit of insight his clone dumps on him:
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that bit there: "I know you can't affirm yourself. But at least tell me you’ll keep walking. Even if you lose your way. As long as one person out there cares about you… It’s worth it just to try to keep them happy." This is a common theme in Gear: relationships, both romantic and platonic, saving people; connections to others giving people a reason to go on or to see a new perspective that makes life worth living. Jack-O found Sol, who treated her like her own person and made her realize she was more than just a replacement for Aria. Dizzy found Ky and vice versa, changing Ky's perspective on Gears and having Dizzy realize she could be happy even in a world that treated her like a monster. Here on the moon, creating Asuka R# to talk to, Asuka is trying his very best to see and understand the world through Frederick's eyes - a world that Frederick saw as worth fighting for:
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Asuka is a character who hasn't found his way yet, but all that matters is that he keeps looking.
Uh so to answer your question, I love Asuka R Kreutz - maybe you can tell by the fact that I dumped an absolute trainwreck mess on you after one small ask. Sorry! I apologize about this being a little all over the place and not having as much cohesion as I would've liked but this character is very dense and complicated and I did this kinda quickly so I had to sort through a bunch of weird feelings as I typed - I hope you found at least some of it interesting.
Thank you for the ask!
Ah, and a big fat huuuuuuuuge thank you to the stellar and amazing new Gear wiki, which is where I pulled those screenshots of his arcade mode script from! It's really a wonder how fast the wiki was put together and just what a fantastic resource it is for stuff like this; it saved me having to watch a video or, god forbid, try and do Asuka's arcade mode myself. Below is a link to the wiki page I pulled Asuka's stuff from - please check it out cause I didn't even come close to covering the full depth of what's talked about in his Arcade mode story and also because the wiki is glorious and deserves love:
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