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#[ and he still feels as incomplete as he did before if not more so bc now he has a hole in his chest filled with smth that still isn't him
avalior · 2 months
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@godblooded mama's boy
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"Half of my heart is in your chest."
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dmclemblems · 2 years
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I do feel kinda bitter over AG though because of all those things you mentioned since i cant look at AM the same way for not having a lot of those things
I can get that. I feel a little similarly. Overall I like AM more because it really delved into Dimitri’s trauma, but AG definitely handled the Blue Lions’ friendships better. What I didn’t like about AM’s characterizations for Sylvain and Felix in AM is that despite five years having passed, they didn’t mature nearly as much as they should have. In comparison, AG was only two years of a timeskip and it felt a lot more fleshed out with their characters. Ingrid was on a lesser scale, but she definitely got the better end of characterization in AG.
In part I think this is also because the writers have had time to decide on some things. When they made Houses, it was a new game. With Hopes they were working with pre-existing characters, so it was probably a lot easier to flesh them out and change their behavior. It just feels weird to look back at Sylvain from a five year skip and see that he hardly changed, but with a two year skip in an AU he’s a much more mature and composed version of himself.
AG also gives us the possibility of having Rodrigue to the end, and I’m wondering if that was a decision the writers made because they saw how he was received and decided to swap his position in the story with Gilbert who was a less popular character. Having the possibility of losing him is like a callback to AM, but we at least have the option this time. There’s also the chance for us to get supports for him with the characters that needed to be more fleshed out in their relationships with him.
Granted, in AM Rodrigue died because that was the final nail in the coffin for Dimitri’s mental state. He needed to have that moment where he gave up entirely and stopped caring about everything, planning to just go out and kill Edelgard or die trying. Byleth was also able to prevent it because they spoke with Rodrigue the night prior and could bring Dimitri to his senses through what they learned when speaking with Rodrigue. In that sense I think it was too important of a scene to leave out, because if not Rodrigue, I don’t believe any other death could have impacted his story to reach that point.
For example, in Ailell Dimitri behaves the same way to everyone around him. When they meet up with Rodrigue, that’s when his manner of speech starts to waver and he is, for the first time in five years, scolded and essentially told to shut up and listen. With Rodrigue being, as Dimitri literally says pre-skip, a second father to him, he didn’t treat that situation as he would have with anyone else, ending it with referring to Rodrigue as his friend (which is more than he did for anyone else by that point, too paranoid and being unconvinced that everyone wasn’t his enemy. The one person he knew would never be his enemy was Rodrigue).
Since the stories are vastly different in both games I do get why things were altered. Going back to AM will just be unfortunate that Rodrigue fans can no longer use him as a playable unit or get all the character lore we got in AG (which was a whole lot tbh for the parent generation, as well as his relationships with the people around him). We also have things like Gilbert coming back to the Kingdom much sooner and thus mending his family relationships, bringing back the old Gustave who is fiercely protective of his family to the point he won’t tolerate any enemy laying a single finger on his daughter and brother. I love seeing him in SB as an enemy and getting to see how aggressive he really is when someone tries to harm his family. To me that shows us who he used to be before Duscur.
I guess in the sense of like, for the sake of fanfics I’ll probably love keeping both stories in mind and mixing the two for things like characterization. Like I said, I understand that they were reusing already established characters so it was much easier to create new situations and improve the characters (to which tbh I’d say was usually hit or miss, like how I can’t even begin to imagine what they were thinking when writing Caspar for Hopes but they did so, so good writing for Lorenz).
Really I guess it’s just kind of what happens when they use existing characters and improve upon them when the original story was already so good. I’m going to hate going back and not having all the Rodrigue content because he’s one of my favorite characters in the franchise itself. On the other hand I’ll like returning to all the sides of Dimtri’s character, because having that aspect of such severe mental illness I think is really important to use in media, particularly in our modern day where that’s a big and largely important topic in our society. While I’d say they also made the attempt with Takumi in Fates, at this point Fates is not a very well loved game and due to how it was handled overall, I think a lot of the attempt at mental illness and suicidal behavior went over people’s heads due to of how poorly the rest of the game was received by players (and admittedly the writing wasn’t nearly as clear with Takumi as it was with Dimitri).
Houses kind of has the vibes of like... a whole lot of “what if” situations that AG used to show the answers of that. SB is more of like... another rendition of Edelgard’s story with not much changed except that we get to actually fight Thales instead of the characters defeating TWS post game. GW is the total opposite of VW, so rather than creating it as a “what if” timeline like AG it’s more of a “what if they went the opposite path they took in VW”. AG focuses more on the possibilities that existed in AM and builds upon those, rather than SB’s choice of the same route but handled differently and GW’s choice of seeing what it would look like if VW was turned on its head (no upside pun intended...).
Technically it’s not bad in and of itself for them to have written SB and GW in those ways, and that’s not to say AG is just absolutely the best because of it. It comes down to personal preference and I saw a lot of people saying the same thing that they see SB as more of a retelling but altered CF, which at that point it’s up to the individual if they prefer the new or the old. GW’s plot in and of itself wasn’t an issue, but it was the treatment of its characters and how the plot wasn’t focused on the characters but instead focused on altering its characters to the plot instead of the characters being what made the plot (ex. AM being written to follow Dimitri, not Dimitri written to follow AM).
Following that thought too, AG follows the formula of its characters being the story itself because in SB and GW, the characters go here and there and everywhere and they’re dragged along. In AG if you try to suggest that you go west during a civil conflict, you’re basically told no, we can’t afford to do that and have to stay here where we already are to deal with this problem and we can head west after that. You’re in one place and kept in that place until the conflict is resolved, rather than being pulled west and then having to go back to where you already were.
In some ways I guess you could say AG was written too well, because now when we go back to AM we’re missing all those improvements on the writing. I do prefer chapter 19 to chapter, what is it, 9 or 10? with the way Claude allied with Dimitri because it felt way more natural in AM and was rooted in a trust that was forcibly finnicky in AG because they were trying to sneak in concepts of GW Claude and how he wasn’t someone people ordinarily trusted. Instead of writing him as just a different path Claude, they tried to keep aspects of him that applied to very different routes and it wound up feeling wonky. AM was much more rewarding, and even more so because Gronder had already happened. Comparably, AG Dimitri and Claude had not even fought each other and yet everyone except Dimitri (and presumably Seteth and Rhea based on the dialogue when they all met up) was highly distrusting of him and treating him like he was some infamous slimy plotter who was going to jeopardize something. It was very forced and kept trying to nudge at GW/SB Claude, so for me that was extremely awkward to see considering in AM, nobody really highly distrusted Claude when he asked for aid. They’d never even fought or had problems in AG, but for some reason most of the cast didn’t want to trust him.
Regarding Thales though, for sure AG did handle it way better. I don’t really like Edelgard’s story in the second half of AG since I prefer AM’s ending for Edelgard (and it makes more sense because she was hellbent on fighting to the end, even if her path killed her. Dimitri gave her a final chance to end it alive, but she willingly chose her death and for her that could’ve been a matter of pride which is more in line with her character, but AG took her character away entirely so that just wasn’t a possibility). Thales imo should’ve been the final boss in AM too, having escaped as Arundel in chapter 19 and fighting the Kingdom later on. Considering how deeply rooted in Dimitri’s entire backstory Thales is, it’s kind of insane to me that he wasn’t the final boss. He has the least connection to Claude but is the second to final boss in VW instead.
For me the perfect ending would’ve been like... a mix between the two, where Dimitri had to come to his senses because Rodrigue almost died but he survives just barely. Perhaps he can’t fight for the rest of the war, thus rendering him unplayable as a unit and making sense as to why he couldn’t be playable from beginning to end. Sylvain, Ingrid and Felix would have grown into who they became in AG when you get to the five year timeskip in AM. Obviously Dedue would keep his story about saving Dimitri with others from Duscur, but then maybe soldiers from Duscur continue to fight with the Kingdom army the way they do in AG. We’d have AM’s version of the Alliance getting the Kindgom’s aid, and we’d have Thales escape as Arundel but fight the combined armies later on. Maybe while they were allied, the Kingdom gets news that people from the Alliance, maybe even Holst, located TWS’ base (since they’re near Goneril territory I think?). Since they were basically one big army, Dimitri could defeat Edelgard as we know their battle to happen in AM, but then they could travel to the Alliance territories with the war being over now and from there, fight Thales and have Dimitri learn the truth. Maybe Rodrigue joins as an NPC in the final battle so that he can be present against Thales, even if he’s not fully recovered because he feels he has to be there since it’s the battle for the truth that he’s been waiting on since he lost his best friend and son.
Whether or not Nemesis would be at the very very end idk, but I think Thales at least should’ve been the final or second to final boss like how he was the latter for VW. I think it would also be nice if Claude hadn’t left right away and instead joined the joint armies, even if just as an NPC since in this case you’d be traveling through the Alliance to fight TWS, and since they’re in Alliance territory I think it would make sense for the Alliance to be much more invested in that fight. It would give Claude the truth he’d be seeking in VW, thus giving a nod to his story in his route, and would give Dimitri and everyone else the truth about Duscur. It would be a complete story imo that way with all loose ends tied up, and if they had Duscur soldiers show up with Dedue in the timeskip then they’d be there too maybe as some NPCs in the final battle, so their story would be concluded too with the truth proving their innocence. Imo it would be a perfect way to resolve the whole Duscur storyline.
I know they were probably going for an imperfect ending in AM in the sense that we can’t have everything, but the only problem with the way they wrote that out was that Duscur was the focal point of AM. At the very least I think they should’ve tied up that entire story from beginning to end, concluding it with everyone learning the truth and Faerghus finally being able to heal when the truth gets around that Duscur’s people didn’t kill their king. Not only do the characters we’re familiar with have resolution, but the actual story we’ve followed right from the start is finished in full.
The problem with ending it with Edelgard for AM is that Edelgard... wasn’t really the true enemy of AM as a route. She was Dimitri’s personal enemy and conflict and he would have to fight her if he was going to end her war, but with the way the actual plot goes, Edelgard should have been AM’s penultimate battle, exactly like how Dimitri is CF’s penultimate battle before she reaches her actual enemy and goal, Rhea. Edelgard’s war was most specifically against Rhea, thus why her route made Rhea the final battle and not Dimtiri. AM should’ve followed that same formula, because Edelgard’s overall gripes weren’t Dimitri himself. Similarly, Dimitri’s story and the plot itself was centered around Duscur and the truth, which defeating Edelgard doesn’t solve a single part of. It concludes Dimitri’s personal arc with his step sister, but it resolves absolutely none of the plot of AM. While it resolves a character arc within the plot, the plot itself remains unfinished.
Like I said, I get the whole idea that we can’t get a perfect ending, but in this situation I don’t think it’s even about a “perfect” ending anymore. You could argue that this ending still should be present even if Rodrigue still died. AG is in a better position for the plot because it actually thoroughly explores the true plot of Dimitri’s background as a character. AM is a character centric ending, but AG is a plot centric ending, and I hate that we don’t get both in either of them. We either get a very good character heavy story, or we don’t get the full depth of the characters (ex Dimitri’s mental state not really being a problem in AG and is only sometimes given a nod to) and have a completed plot.
Hence, I feel like for fic’s sake and headcanon’s sake I like to think there’s more to the point of the Alliance fighting alongside the Kingdom as one army and that the plot related final battle would be against at least Thales if not Nemesis (since Nemesis himself isn’t relevant to AM’s plot or any of the characters, but Thales is deeply involved in multiple characters’ lives). Also, it could maybe give resolution to Dimitri’s personal story with Edelgard, learning that Arundel was killed and that was why he stopped donating, and realizing why Edelgard changed so much post her stay in the Kingdom. Just a final battle against Thales alone would conclude both the story and character plots and make a full, true ending. AG technically has a full, true ending to its story since Edelgard wasn’t in a position to continue her war, so whether she lived or died becomes irrelevant at that point since what happened to her, whether we enjoyed that aspect or not, did resolve that particular conflict. In that sense, yeah, AG solved pretty much everything in one shot.
So yeah, I totally get why you feel bitter about it. AG had an actually conclusive plot while AM was just left hanging as an incomplete story. CF was “complete”, i.e. TWS was defeated post game, and VW was a fully complete story. Instead in Hopes, GW is left a huge question mark and incomplete and SB is still basically complete unless Edelgard continued her war for conquest, so that one is more like... complete(?), with that question mark being necessary. AG is basically complete, since what happens to Edelgard doesn’t really affect the plot which was finished.
Considering TWS is the center of AM’s entire backstory and Dimitri’s most intense trauma, you’d think that would be much more important to the story in AM and that Edelgard wouldn’t be the end of the game. I wish they were still making DLC or updates or something for Houses, because it would be so great if they added that as a late attachment to AM (like how, if you know Tales of Graces, the game ended up releasing and then re-releasing with an entire post game arc added, though in that case it was more of a remake because it was titled differently, adding “F” to the end of the title to indicate there was an addition to the game and changes made/added).
#Three Hopes Spoilers#sorry this kind of turned into a whole analysis of like...#why AG is a complete story and why AM is not#and how that can absolutely make AM fans a little upset at how good but incomplete it was#compared to AG which was a great story and also a completed plot#I love them both but it's still gonna be a bummer for me as a huge Rodrigue fan to go back to AM and have less content of him#Felix's story was also kinda left incomplete in AM but was handled far better in AG whether Rodrigue survives or not#Sylvain's story got more substance both with his family and Sreng in AG and in AM that's pretty much loose particles in the air#technically Sylvain probably lived with Miklan again and if he didn't he at the very least had Miklan in his life again#and Sreng was a topic more often and even given a paralogue while in AM it's just kinda... a background ''this happens sometimes''#both of those aspects were extremely helpful for Sylvain as a character but he was given literally nothing in the timeskip#his substance is his supports and in the main game he has almost nothing that he didn't already have pre-skip#I feel like we sacrificed a lot by making AM so heavy on Dimitri's conflicts with Edelgard bc like#it's fine that the story centered around HIM since he's the lord of the route#but the overall conflict ending with her was only a resolution to a character arc and not the actual plot#so AM is just kind of sitting there like... if you happen to have Hapi she just happened to have defeated TWS post game#while CF did that too it happens no matter what but AM relies on a side character being alive and present for it to happen#meaning before the DLC there was no indication of TWS being stamped out after Thales died#AM is definitely a great route but its actual plot was a disaster. CF had a messy plot with a disaster incomplete ending#VW and SS had complete stories and full character arcs so I don't feel like GW really hampers VW#SB could be seen as a more complete and better version of CF (especially since it's LONGER than CF just for starters alone)#so I wouldn't be surprised if CF/SB fans felt similarly about SB being more complete like how AG seems to feel for AM lovers#it's kind of just a problem with Houses in general that a lot of story threads were left unfinished#DCE Ask
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skazoo · 10 months
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hit me with your killshot.
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↳ jeong yunho x f!reader
you trusted each other but now your words mean nothing and your actions speak the truth.
length. 1.6k
genre. angst until it's not..., fluff, secret au bc i can't spoil
warnings/tags. war language, weapons, non-explicit violence, betrayal, mention of death.
networks. @kflixnet k-labels
notes. oh, how i love writing this au it brings me sm joy you don't understand. hope you like it!
i'm desperate for feedback and i love comments with your opinion!
(cross-posted on ao3 only)
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all is fair in love and war.
your mother used to say it all the time when you and wooyoung were kids and fought constantly over the most stupid things. she always said it with an amused smile on her lips, like she knew something you were not yet privy to, and when you were younger the notion of being kept in the dark by the person you trusted the most angered you. scared you.
you couldn’t understand what those words really meant. what did love and war —irreconcilable antitheses, mortal enemies— have to do with each other? and why did it seem like everyone around you, your older brother included, had accepted the sad juxtaposition as truth? 
years passed, you and wooyoung got used to one another, fought less, and the enigmatic phrase seldom left your mother’s mouth to the point that it started to fade away under the new memories of your teenage years.
just when it was about to get buried by your twenties, something happened that you hadn’t thought possible. something you’d skeptically deemed ‘not for you’. he happened. yunho happened.
and your mother’s words finally made sense.
all is fair in love and war because the rules of normal civility do not apply during war-making, and when one is desperately in love; because love and war have universally accepted limits but if one were to break those unwritten rules someone would still find a way to justify, to forgive and forget.
but something in the old proverb felt incomplete.
love and war are not the only gods that rule over the earth and you wonder how did the people that came before you not realize the looming force of the third: business. 
what is fair in business? 
what about your business? where it costs little to play dirty and it pays off handsomely? in which love is a mere distraction and war is a means to an end?
and now you’re the lonely bearer of the weight of this third secret factor. now that you’re at war and you’re running from love, you think back about the times you didn’t understand and wish to be brought back there. clueless but free.
it feels stupid to think about all this while you’re tiptoeing around the upper floor of the dark arena —battlefield of the ruthless game you all play— but it’s really all you can do, high off adrenaline and anticipation, waiting for someone to distract the unfortunate victim you have chosen for this round just so you can fix the red laser beam on its unsuspecting back and shoot your shot, granting your team one more chance at victory, at survival.
you crouch down, rifle in front of you and you scan the ground sector through your scope.
from up here you can see what goes on in the maze below. every movement, every noise has you drawing a mental map of the players. 
you can see jongho’s head slowly but surely cornering a terrified choi san to the east wall of the arena, meaning that sooner than later you’ll have an advantage in numbers over the rival team. from the sound of his shotgun reloading almost faster than it shoots, seonghwa must be stalking down kim hongjoong —sworn enemy and skilled sniper— somewhere around the entrance gates. that leaves wooyoung staring at you from the ground, weapon in hand and eyebrows raised in a telling frown. one that shows you he’s ready to play his part in your minutely crafted plan. 
the high wall of the maze is the only thing separating him and your target of choice. kang yeosang leans idly against the hard barrier that cages all of you in like he doesn’t know he’s being hunted for survival, as if he doesn’t realize your brother has been waiting for months to see him fail at your team’s hands.
he starts humming something under his breath too and it’s then that you realize that something– someone extremely dangerous is missing from your mind-map.
when jongho hit one of his teammates in the stomach, your personal and complicated enemy fled the north section before you could follow his movements and with the quick plan of taking out yeosang in full motion you forgot to look for him.
your head snaps to either side of the narrow platform you’re standing on. the thought of his dark eyes watching you this whole time sends chills down your back and makes a heavy weight drop to your stomach.
how did you end up like this? 
before the arena, before you started to play this sick game for a chance at a happier life, everything was just as perfect as it could have been.
jeong yunho. same age and lifelong friend of your annoying brother. tall, built, and handsome, one of the most beautiful smiles you’ve ever seen and a laugh you still can’t get out of your head. 
your mother was so happy when wooyoung grumpily let the fact that you were stealing his friend away from his group activities slip during a visit home from the city.
and oh, were you happy. 
navigating the hardest periods of your young life, in a hostile environment with the sweetest words whispered into your ear every night before you went to sleep.
then the ragtag group of friends you found yourself spending most of your time with, made the cursed discovery. every and each one of you got sucked in before you could realize what it meant.
it stood at the core of the city, a dark monster of metal and neon, big enough just for the bloodshed it hosted. the arena with no physical public, just big screens that displayed what went on in hell.
it started as curiosity and now you face this nightmare every week, hoping to win the glory that you all adamantly desire for different reasons. wooyoung to finally end yeosang’s incredible luck. seonghwa to destroy hongjoon’s ego. jongho for fun. and you to escape the game of cat and mouse you play with the one you trusted with your life.
you shake from your trance and try to listen for any sign that the tall soldier is near. 
amongst the noise of the ground floor, you fail to capture the clang of his boots on the metal grate but yunho doesn’t care to hide from you anymore.
from the crouched position you still have, he looms over you with sad coldness, staring you down like he’s trying to understand where you come from.
then he speaks. voice low, gelid. you can feel the anger through it. “did you take mingi out?”
“yunho–”
“he tried to warn me about you, you know. did you?”
you shake your head slightly. your teammate won’t care if you tell on him. your bloodthirsty sniper wants people to know what he’s capable of. “jongho…”
“it was your plan though.”
it’s the truth but it still hurts. “yunho, listen–”
“it’s always your plans that put me in the worst positions.” he aims his gun at your chest, his hands trembling slightly from the strong grip he has on the weapon; knuckles white.
your voice breaks when you speak. “yunho, please i know you don’t want to do this. please.”
“are you really begging right now?” he scoffs. “mingi was your friend, Y/N! you were going to shoot yeosang in the back!” he nods the gun to the ground floor where wooyoung is still waiting for your move. “i’m done with letting you win, i’m sorry. i can’t watch you do this anymore.”
your rifle is your only source of comfort right now and you grip it with all your might. even now you can’t seem to point it at the man that stands before you. even now you can’t bear that you’re on different sides of the same battle.
“you have to understand…” it sounds like he’s trying to justify himself more than anything.
“understand what, yunho?” you spat. “you’re standing over me telling me to understand but i really can’t because you’re doing the same thing! you’re going to kill me and call it justice!”
he flinches.
“look at me in the eyes and tell me you never loved me. tell me that i meant nothing to you, that it was all a lie and then maybe i will understand you.”
“Y/N–”
“i love you.” your eyes cloud with heartbreak and a single tear makes its way down your cheek. 
everything is over. betrayed by your own lover. killed by love and war.
his finger moves to the trigger. time slows down. you close your eyes.
“i will always love you.” a whisper.
instead of the bang of the gun a loud siren that resonates throughout the entire arena.
“TIME’S OUT!” yeosang cheers followed by wooyoung’s groans.
mingi and san pop their heads from the exit door with small smiles on their lips. “it’s a draw but we all did great guys!”
the others find their way towards the exit, technical gear coming off while the lights of the arena switch back on.
“just– for next time maybe we should finally change teams so that those two up there don’t go full mr. and mrs. smith on us!” mingi’s loud voice reaches everyone.
“yes, please. it’s just laser tag you guys, no need to be that dramatic over it.” wooyoung’s clearly addressing you and everyone agrees with him with quiet grunts.
your boyfriend who still looms over you throws you an amused grin and offers you his hand to get up. when you’re back on your feet he dusts off your shirt and dries the cinematic tear off your cheek. big hands put your mussed hair behind your ears and cup your face.
“they think we’re too much.”
“they just can’t handle us, yuyu. let them cry.”
he chuckles loudly as you place a sweet kiss on his cheek.
“by the way, next week i’m finally taking you out.” you taunt.
“like, on a date or with a sniper?”
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crackedoutwalnut · 2 years
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Creature Comforts (Wandanat x Reader)
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Summary: Natasha and Wanda start to notice their girlfriends' cat-like attributes.
A/n: This is probably one of the cutest things I've ever written in my opinion. I wrote this bc the fireworks prevented me from going to bed. So, if it has more mistakes than usual I am sorry, I was tired and a bit pissed off at my neighbors lol. Enjoy! :)
Word Count: 1.5k
--
You cracked your eyes open as the hazy afternoon sun filtered through the window in sheets. You watched sleepily from your place on the bed as dust moats danced in the light. A sharp yawn fell from your lips as you sat up and stretched out your entire body. Your usual midday nap had left you feeling groggy and out of sorts. Not one of your best sleeps by far. For one, where were your girlfriends? You had been away from them for - you glanced over at the clock on your bedside table- an hour and a half. That just wouldn't do. You slowly got to your feet and made your way out of your shared bedroom and into the hallway. You heard your girlfriends chattering in the living room.
"Clint said Kate was coming along well as his new partner. They work well together in the field," Natasha explained. She lounged in the leather recliner adjacent to the couch; her copper hair was braided, and she wore a pair of sweatpants and a tank top. 
Wanda, who was sitting on said couch, her legs propped against the coffee table. You eyed the open spot next to her. It looked like the perfect place to get in a second nap. 
"Are you sure she isn't too young?" Wanda replied brows furrowed slightly.
Natasha scoffed, "Oh please, these days, they might as well hire kindergarteners to be Avengers. I mean, Parker was 14 when he first went on a mission." 
"I suppose so... but-" Wanda paused and looked over to where you were shuffling into the room. She smiled, "Y/n, how was your nap?"
You shuffled over to the couch and collapsed onto the cushion next to her. With your legs hanging over the couch's armrest, you buried your face in her lap and grumbled, "Incomplete." 
You heard your girlfriends chuckle as Wanda's hand rested atop your head. Choosing to ignore the sound, you let out a long satisfied huff into the material of your partner's flannel pajama pants. They smelled of vanilla and lavender detergent. The scent was cozy and familiar, just the thing missing from your afternoon nap.
"Incomplete? Honey, it was nearly two hours long," Wanda pointed out, her voice dripping with endearment. 
"I swear, when we agreed to live with each other, I never agreed on getting a cat along with an apartment," Natasha teased.
You grumbled and blindly flipped her the bird. At the sound of more laughter, you shifted so that your back was to Natasha, and your face was hidden in Wanda's shirt. "M not a cat," you muttered, "It's just comfier here."
"I'm flattered that you find me comfier than our mattress." You felt the witch's nails scratch along your scalp, trailing down to the nape of your neck. You hummed in agreement. As the patterns traced along your head slowed, so did your mind. You vaguely registered your partners' voices overhead as they talked in hushed voices. 
"What did he say in response?" Wanda murmured.
You heard Natasha shift in her chair before the sound of footsteps crept closer. Before you knew it, your legs were gently lifted up and into the assassin's lap. 
"He said that he would rather be impaled by an iron spike. The fact that he got killed with a nail gun was just karma, in my opinion," Nat said, her raspy voice whisper-soft despite the disturbing anecdote. It still warmed your heart all the same. 
Wanda's hands slowed to a stop, causing you to let out a groggy rumble of protest. A soft kiss was pressed right above your ear as the massage started again, "Sorry, detka," she amended, "I really think you have too much fun on missions, Natty." 
"Oh please, I only had fun on that one because he had it coming. You don't run a trafficking ring and expect to die peacefully in your sleep."
"Good point." 
You tuned out the rest of the conversation, no longer caring about anything other than the solid warmth of your lovers. 
--
A few weeks later, you were having a movie night with Natasha. Wanda was away on a mission, which left you and the assassin home alone. Although there was a perfectly comfortable couch for you to lay on, you chose to lay on the recliner. While Natasha was still in it. The woman's protests were empty and half-hearted at best as you settled onto her lap. The back of your head rested against Nat's shoulder while your body rested between her legs. 
The two of you traded the occasional kiss as the soothing sound of explosions resonated from Top Gun on screen. It was nice, some might say perfect. Then that monster had to go and ruin it completely. Your hands were resting atop Natasha's as hers wrapped around your waist. She was holding you as close to her as she could get. 
You let out a content sigh and lifted her hand to rest a kiss against the back of it. She kissed the side of your head in response. Then, the moment shattered. Your girlfriend lifted her hands off your waist and laid them on the armrests. She shifted slightly in her seat so that her front was no longer completely pressed against you. You were ripped from your comfort completely. The moment was ruined, and you were no longer comfortable. You hopped to your feet with an annoyed groan and threw yourself onto the couch. On the cold empty couch, life really was cruel. 
Natasha glanced over at you, confusion evident on her face. "Darling, are you alright?"
You frowned, "You moved." 
She furrowed her brows and gave you a baffled look, "What?"
"I was super comfortable with your arms around me and your body resting against mine, and you moved," you complained. 
Natasha's befuddled expression slowly grew into a smirk, "You dragged yourself off my lap and half-collapsed onto the couch because I slightly shifted my body?" You huffed but did not respond. "You are such a cat, holy shit," she grinned, her eyes glistening with amusement.
"Shut up, I was comfortable, and you ruined it with your squirming. Also, I am not a cat," your face was stained with a deep rouge from the tips of your ears to the base of your neck. You might have overreacted a tad; however, that didn't mean you had feline attributes. You just liked being comfy. 
"I don't know, kitty," Nat purred with a satisfied grin, "there is a lot of evidence that suggests otherwise." 
You groaned and buried your face in a throw pillow, "Don't call me that."
Natasha stood and made her way over to you. She scooped you up into her arms and shifted so that she was sitting on the couch and you were on her lap. Again. "Aww, I'm sorry. Would you prefer kitten?" She kissed your cheek, "Or maybe, kotenok?"  Her voice was saccharine and smug as you thrashed half-heartedly in her arms. 
"This sucks." 
"Then get up and leave, kitten." 
You did no such thing. 
--
The nail in the coffin came on a Sunday afternoon. The sun shone through the windows, casting warm squares of light onto the living room carpet. You had taken note of the warmth those patches had compared to the rest of the room and decided to move. With a firm shove, you pushed the coffee table out of the way and rested your body in the wide sunspot. With your eyes half shut, you soaked it in and watched TV. You found yourself unable to move as your limbs became leaden. You could have sworn your carpet was never this comfortable before today. 
Regardless you slipped into a light snooze... Until Natasha and Wanda returned from the grocery store and ruined the blissful atmosphere completely. 
"Y/n, we're back! We sushi for lunch if you want to come and get it," Wanda hollered from the kitchen. There was a rustle of bags as the women set about putting the goods away. 
"I'll be there in a minute," you replied. 
"You better hurry; I don't think Nat's gonna wait for you to have your share." 
"Can you bring it to me?" 
"You are five steps from the kitchen," Wanda replied in exasperation. 
"And you're five steps from the living room," You countered. 
"You're impossible." A smile spread across your face as you heard two sets of footsteps make their way into the living room. 
"Y/n, why are you lying on the floor, barely a foot from our couch and lounge chair?" Wanda asked. 
Natasha clucked her tongue, "It's because, Wands, our lover is more cat than human. Isn't that right, kotenok?"
You cracked your eyes open and glared up at the assassin, "The sun felt the best right here," you replied as if that would clear everything up.
Wanda nodded slowly, "Right... because the sun's position is how you decide where you are gonna lay?" 
"Yup."
"But... the recliner is also in the sun."
"It's not the same."
"Of course." 
Natasha snickered and tapped your side with her foot, "Well, if you want to sit up and join us, we got sushi. I know how much cats love fish." 
You hoisted yourself up to lean against your elbows, "Fuck off, Nat."
"Aww, I love you too, babe," Natasha leaned over to fake-whisper in Wanda's ear, "That's how cats show affection." The witch giggled as you grabbed the sushi and turned to face away from them. You ate like that for the remainder of lunch. 
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danothan · 7 months
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bigender yoshikage kira hcs 🫶
- kira's view of gender is very binary. interesting that he has a standard for women is to be hairless, meanwhile he can't stand having body hair on himself. very interesting
- i don't think kira would have the vocabulary to know about his identity rn, and if he eventually did, he would treat it as in-depth research, almost like a hobby. morbid curiosity, he'd claim
- as an extension of that "hobby" mindset, i think using killer queen as an outlet for his femininity would act as a barrier in his mind to express himself without having to actually apply it to Himself (the gender euphoria of using she/her for killer queen bc kira wouldn’t admit to it otherwise)
- KILLER QUEEN IS HER TRANSONA.
- the most heterosexual lesbian you will ever meet…
- the idea of transphobic transgender kira is so funny to me knowing her other values. she won't remember your pronouns bc she will not care to refer to you in general, but even if she did, any pronouns besides he or she are “gramatically incorrect and/or superfluous.” okay multi-pronoun user
- would claim that he doesn't need external validation for his gender and that it's nobody's business, but it's rly due to internalized transphobia and his fear of sticking out that he doesn't leave the closet :(
- she has her moments though. maybe one day, she's painting her “girlfriend's" nails a lovely shade of purple when she realizes it goes with her suit. she applies the polish to her own nails to test the theory, and sure enough, it's a perfect match. she tries not to think about why it disappoints her to wipe it off before work
- in his mind, it was never a feeling of choosing one or the other but rather the feeling of being incomplete. kira is someone who rly values routine and balance, so i imagine that this applies to gender too, in that masculinity and feminity are two sides of the same coin to him. i don't think he would want to medically transition even if that were an option, but his gender expression is very much real and tangible to him, even in the most seemingly inperceptible ways
- i think that she started questioning after getting KQ but never felt the urge to seek out answers or dig deep into it once she started being able to give herself freedom of expression at home. it only became a problem when she had to hide as kosaku and was once again having to keep those parts of herself hidden (i'm sorry that this follows so many story beats of kira's murder activities, it's not meant to be a one-to-one parallel 😭 just a result of the freedom vs repression of canon circumstances)
- HOWEVER smth that diverges from canon is that i think there's a way around kira's gender expression now that he doesn't have to perform in secret but rather express himself through a different outlet once shinobu becomes part of the equation. kosaku tends to wear dark/dull-colored clothing whereas kira is more inclined towards coloful pastels. i think shinobu would pick up on this difference and start having them wear matching outfits, slowly making his closet more feminine. kira would freak out at first thinking it was some kind of test that he had slipped up on, but shinobu would only lean harder into it bc honestly she just wants to bond with her husbandwife over smth as simple as clothes. it's the first time kira's even been called pretty. he doesn't protest
- when kira gets used to having someone recognize and even encourage her gender expression, i think this would be when she starts being comfortable enough to talk abt it and recognize it as more than just a feeling. she and shinobu might even have a conversation (probably initiated by shinobu through unsubtle questions that kira was too embarrassed to dance around and would rather address head on)
- as big of a revelation as this is for kira, i don't think much would change. he still prefers to do things as they always were and doesn't rly feel like he misses out on much when he goes out in his suit and gets called masc terms; in fact, it's a comfortable familiarity. but every time he puts on the subtle perfume that shinobu got for him, well, that becomes a familiar type of comfort for him too
- shinobu: “no wonder kosaku was so repressed before, he's been so much more expressive now that she's come out of the closet ^__^”
- this is how we can make the babygirl kira agenda real.
bonus: @f0rvalaka’s genius addition
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ihatepeanutss · 4 months
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steve harrington x byers!reader
warning: r is sick. It’s enough to be a love! 😩. diseases, isn’t it? reader’s nickname is cherry bcs i like cherries
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you took care of Dustin when his throat was swollen for a week and a half, when no one wanted to approach him and they left him at home isolated.
you healed Max’s wounds when he fell off his skateboard and sold most of his shaves, in addition to kissing his scars.
you took care of your brothers, Jonathan and Will, you fell asleep for more than two days to help Jonathan and his photographs, you helped Will with his campaigns and drawings, also with him, you took his hand and helped her in many things.
and when did your brother get lost? You also took care of your mother and it was your priority.
you did exactly the same with the adults, you took care of Robin when he had a stomach ache, you took care of Nancy when she had a problem sleeping and you stayed by her side until she managed to fall asleep, you helped Eddie when he thought there was no one for him and to be able to finish high school, you were with steve when he felt bad.
you constantly took care of everyone, that was your job.
tonight was the night when the basement of the vehicles with wheels was the main place, Nancy and Mike were the hosts, they all had pizzas in their hands, drinks, sweets and different sandwiches, steve and Robin arrived together with drinks and certain sweets.
the place felt incomplete for some reason, not only did steve feel it that way, but Robin and Eddie had also felt it.
“i took the ghost hunters to be able to use Mr. Parks’ benefit” robin spoke while extending the movie to Nancy and took it to put it on the old television that had happened here
“it must be jonathan , i’m going to open,” nancy spoke when she left the basement to go up and end up arriving with only two of the three byers
no one asked about you but if they noticed your absence, no one asked a question until Eddie realized your absence.
“jonathan, will cherry be late?” eddie asked while taking one of the cans from the table.
jonathan denied “she won’t come tonight,” he reported, “mom didn’t let her leave the house, she hasn’t left her room in days”
“because she’s sick,” will continued talking with a full mouth, “she got sick last week and hasn’t stopped-“
max let out a sigh and looked at will “but yesterday he helped me with a model for school and honestly she looks really sleepy i suggested that she could sleep but she didn’t want to do it so….”
“that makes her sicker, she forget to wear a jacket and she came back worse than yesterday” will watched steve stir in his seat, his hand was biting for getting up from his place, taking his car and going to your house just to be able to see if you were okay.
his hand stung him for exactly twenty minutes, it was his limit before he stopped and said that he would go to the bathroom, spoiler, he never went to the bathroom, took his jacket, his keys and went to his car, a small trip to the supermarket and on the way to the byers house.
joyce smiled when she saw steve’s car park in front of her house, looked at hopper and let out a laugh “i told you” he replied before opening the door “steve, did anything happen?”
“cherry…, will said she was sick and... it makes sense because she didn’t go to the store yesterday and-“ steve was nervous
“she’s in her room, hopper had to bribe her to give her a pill and she fell asleep. she’s woven some hard days and this has probably been the worst” Joyce pointed to your room at the end of the house and saw the paper bag in steve’s arms. “do you need help?”
“no, i only brought some of her favorite things,” he said, putting the bag on the table, “ice cream , cookies, I brought her favorite coffee and her candy”
joyce smiled and gave way to the fridge where they kept the things that had to be stored, with the bag full of sweet and salty things.
he knocked on your door but he still entered seeing your whole room made a mess, usually it wasn’t like that, your clothes on the floor and shoes scattered on the floor, he looked at your bed and you were there, made a ball forming a lump.
he thought about closing your window but thought that fresh air was enough to keep your breathing with fresh air and avoid fever. He began to accommodate and pick up some of the things that were in your room.
“steve?” you murmured between opening your eyes, he was arranging your room, two of your books in his hands, your CDs and your pink stockings “what are you doing here?”
“you didn’t show up yesterday on our date and neither did you today in the basement of the wheelers and- hey, hey, go back to bed” he make went back to bed when you started murmuring apologies and opening your sheets but he couldn’t help but touch it was hot skin “i’ll be back, stay seated” he ordered before walking to your mother and hopper
“hey, I’m sorry to bother you, i was just coming to ask if they had a thermometer?” steve asked making joyce get up from the couch and walk to the kitchen to give him a thermometer
“is everything okay?” hopper looked up at the television making steve deny “do you need anything?”
“i’ll take her temperature and see if she has a fever or a fever” steve started looking for a bottle of water in the fridge and observed Joyce “i’ll go see her”
you had a fever, 39 and a half to be exact worrying about steve who took off his sweater and stayed in a queen t-shirt and began to take care of you.
“you’re going to get sick” you murmured looking at steve sitting on your bed letting out a laugh “you should be in the basement of the wheelers”
steve denied before approaching you and kissing your cheek “i’m here with you, let’s see what we have here” he commented softly before taking the paper bag “in addition to food, i found this book and this magazine, boxed chips that you hate so much, gummies, chocolate, although now we no longer need it because ill go get the ice cream” steve commented looking at your red cheeks
“did you also bring ice cream?, god he’s a angel” you murmured as he left your room nodding, you looked at your neat dresser, your makeup was comfortable and your hairbrushes on your dresser next to your perfumes. when came back with a pot and two spoons you smiled
“according to Robin, the ice cream and the icy things lower your fever” Steve extended your spoon and opened the mint ice cream, the favorite of the two “you should have told me earlier when i called you but as Jonathan said you were sleeping”
“i know but I didn’t want to bother anyone” you replied by raising your shoulders, your head hurt a little but you were hungry “honestly i don’t know what happened”
“you collapsed, you had been bad last week and then you focused more on giving priority to Max, him and the others that you didn’t completely heal” steve scolded you by making you lower your eyes “you don’t have to take care of everyone, you know?”
you nodded “but everyone needs someone” you answered “max is alone, eddie is alone, dustin is-“
“dustin has his mother, lucas has his parents, the others have us, you are not the only one who has to carry responsibilities” steve interrupted you “the thin line between you entering a mental or physical collapse was really thin”
he approached you and kissed your cheek, curled you up and started playing with your hair, you felt safe, cared for, loved, loved and really cared for, it was a strange feeling but you could get used to it.
when they finished eating the vast majority of ice cream, you let out a sigh and steve began to move around your room, taking a towel, a pair of new pajamas and extended it to you.
“go take a shower” he smiled at you helping you get out of bed slowly “i’ll be here waiting for you when you get back, take all the time you need”
steve didn’t take long to get to work laying your bed and changing them to your favorite cotton sheets, using the soft duvet and fixing the pillows for your comfort, he called your room from the phone to your favorite pizzeria, Joyce told him that she would go out to dinner with hopper and that it would take a little longer than usual but there were no problems.
when you returned to your room with your new pajamas feeling fresh but still horny you saw your room even cleaner, your bed groomed and smelling of cherries, your heart was in your throat and there was a ball on your chest. did you feel like you feel cared for by someone?
you were very independent, you grew up being independent and taking care of others, you thought you did an excellent job taking care of yourself but it seemed that you had never felt the power to be wrapped and pampered... not since you turned 13.
steve looked at you from your door before showing up with your mother’s dryer and sitting on your bed to start drying your hair gently and with love, steve made you feel safe and loved.
“come here” steve whispered as you approached him after having eaten two pieces of pizza, you curled up close to his chest and the detoured your body starting to caress your hair gently “it’s good to ask for help sometimes” he murmured to you again
“you take care of everyone but tell me, who takes care of you?” steve let out a sigh and you got closer to him, their relationship was a strange development but you were sure of something, steve would never deny you and neither would you deny him.
“i take care of myself,” you answered softly and he denied.
“now i’ll take care of you, honey,” he murmured, kissing your forehead gently before seeing you fall asleep.
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jeffersonhairpie · 8 months
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Spoilers up to chap 336 of Jujutsu Kaisen
-
Sorry gotta get this out of my system
A slightly unhinged list of reasons that I'm Not A Fan of this Gojo death that I sincereley hope will make me look like an overreactive weirdo in a few weeks time:
He died offscreen. I know we see the body but we don't actually see the finishing blow. Bizzare for a character of his prowess and significance at this point in the story
Gojo in the 'afterlife' immediately talking about how much stronger Sukuna was than him hits really strange for a character defined by his casual arrogance. Gojo is fast as fuck so it's pretty clear that Sukuna could only get him with the Mahoraga-aided slashes if he caught Gojo off guard. Nothing we have seen in the Gojo vs Sukuna fight indicates that Sukuna is all that much stronger than Gojo and they're mostly pretty evenly matched. Nothing about this ending for Gojo looks to me like 'dying without regrets'.
Sticking Gojo in a box for 3 years real time (19 days in universe time) and freeing him just so the rest of the story can screech to a halt while all the other characters watch him die is fucking stupid. It's bad storytelling.
There are a few different things you could view as Gojo's character arc - whether it be the question he's asked of whether he's the strongest because he's himself or himself because he's the strongest, whether it's laying Geto to rest, whether it's learning that being the strongest is not all there is to being a complete person, whether its shedding his loneliness by learning that Geto is not the only person who he could be emotionally close to. Whatever you see it as, his arc has not reached its conclusion. Gojo is incomplete and him dying now makes his whole character feel like a waste. He didn't even really learn to value the people left alive bc how is he in the afterlife all smiling and happy knowing that Sukuna is about to rampage through the lot of them?
Gojo dying has always been so damn obvious. This is entirely personal preference, but I would have sooooo much rather seen him have his powers neutered so he was forced to understand tha value of an individual life than just wiped off the board. Also I think the universe could benefit from the notion that getting stronger and dying are not the only two things that can happen to a sorcerer.
I know they're not even on the same scale of plot significance, but I can't help comparing how Nanami's death was painful but felt well foreshadowed and entirely justified in the story to this death which very much doesn't (my thoughts on Nobara's death are more complicated). Nanami's death hurt because it felt true to the character, but Gojo's death has just annoyed me.
I never expected the final fight to be Gojo vs Kenjaku and I knew that something was going to have to happen to him in order to justify him not being part of the final showdown. Yuji as the MC and as Kenjaku's kid in this story about how the sins of the past shape the present is 100% the right choice for the story. Much as I thought it was taking the easy route, I hadn't discounted the possibility that Gojo would die, I had just expected him to, ya know, learn something and complete his character arc before he did.
This death just feels really cheap to me, in a way that I don't think even makes for a good fakeout. Maybe the fact that characters have already come back from the dead means that there was no way to have a fakeout feel entirely shocking, but I don't think I should be left thinking 'was that REALLY it?' after the fakout death.
BUT maybe hope doesn't have to be lost
Things I am holding on to hoping that this will be some kind of fakeout (copium is real and I am huffing it):
Gojo wasn't hit in the head, and in his fight with Toji he is able to come back from basically being dead because his head was undamaged
There is still one of the ten shadows that we haven't seen and given that it can't possibly be a stronger combatant than Mahoraga I'm betting on it having a healing ability, which would presumably be incredibly strong given that it's the last to be unveiled. The same healing could save Gojo and Nobara
When Yuji was presumed dead by his classmates and training with Gojo, Gojo comments that Yuji's body will eventually be scarred by Sukuna's cursed technique and he'll be able to use it as his own. Sukuna has the ability to bring people back from the dead so if Yuji can access those powers he can save Gojo (and probably Nobara).
Maki and Mai have something of an 'afterlife' conversation that is real but it doesn't stop Maki from returning to the land of the living.
Depending on exactly how you want to count 'coming back from the dead' several characters have done it at this point lol
In the afterlife Nanami has that random ass line about how curses and sorcerers can bring people back from the dead that doesn't seem to fit in with everything else being said. This could be foreshadowing.
Speaking of foreshadowing, maybe Gojo's line about not wanting to have two death anniversaries was an indication that he intended this to happen and has some sort of pre-established plan for how to win.
Shoko reveresed technique bass boosted by Utahime can heal anything #IBelieve
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the-darklings · 2 years
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okay so i read your sandman fic yesterday after i watched the first episode of sandman and now ive watched the entire series and then read your fic again and i just had to say i absolutely adore it!! even more so after reading it and then rereading it with my newfound knowledge!! i love your characterisation of dream; it feels very authentic to his depiction in the series (i haven't read the comics yet) but there's also the influence that wanderer has had on him which on one hand seems very slight but also so so impactful!! idk it's just very realistic to me?? if i hadnt seen the series i could've easily been convinced the wanderer was part of it all along bc it plays into his character development and growth so well
also another thing i have to add is that i can't believe you've written the fourth chapter before the last episode came out you've honestly depicted his devotion?? passion?? protectiveness?? i'm not sure what to call it but whatever he has going on when he cares about someone deeply so accurately without even seeing him with calliope (then again, maybe there's a bunch of situations in that in the comics that i've missed out on)
anyway i hope you have a wonderful day and i'll be waiting patiently for the next chapter <33
Thank you so much sdjghjsdh 😭💕
I always feel weirdly undeserving of such beautiful messages but I’m immensely grateful for them all the same. I think mainly because I consider my version of Dream to still be somewhat “incomplete” due to missing context in his past. I just yesterday got the full comic series in the mail and started reading them (so far can confirm it’s super faithful + changes made were all 10000% better) because my end goal is a morph (haha) between show and comic Dream.
But y’all. Guys. I…I need you to understand. The bonus ep dropped on Friday. My friend (who got me into the series in the first place) was blowing up my DMs all you will lose you mind, bestie // never doubt your characterisation ever again but I was gritting my teeth and editing part 4, promising myself it’ll be my strawberries and cream after I’m done. So ep dropped Friday (19th), but I only watched the ep yesterday (20th), so when I tell you I was losing my mind over:
“you came” “you called.” (Show) vs “why did you not you call for me?” (“today”)
And
“In the olden days you would have left me here to rot without turning a hair.” (Show) vs “Because I didn’t think you would come.” (“today”)
LITERALLY GAVE ME BRAINROT + ALL THE BODY LANGUAGE. BRAIN WAS AND IS CHURNING.
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sanstropfremir · 10 months
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hi hellooo pleasure to be here again!! i have come to rant
so last night i went a bit through your blog because i vaguely remembered that at some point there was a conversation about "stage presence" and how only kpoppies give a shit about it. and i found some asks from last year about this youtuber who made like a whole classification on stage presence with all this masculine overt dominant whatever categories. and i was mindblown because just yesterday i got recommended one of their videos and i was watching that stuff like wtf. that took me back to my early kpop days (which is like 2018 lol) when i also discovered the term stage presence and i thought i did something. anyway
i actually came here to talk about shinee's recent comeback!! from the little i've seen, there's some beef among shawols regarding wether shinee is really "shinee" anymore and i've seen some people saying they've unstanned bc of hard. like you do you ig
i've been thinking that i genuinely like the song, but indeed it doesn't have that classic shinee vibe. (also satellite best bside???) to me it's just like taemin key onew and minho got together to sing a song, but it's not "shinee" per se. and that's okay.
regarding performances i only watched the studio choom dance version and tbh for the first time in my limited shinee eras knowledge i thought that minho takes the cake for this one. idk if it's the fact that he's more stereotipically masculine (or at least coming across that way) or what, but honestly his part in the second chorus is my favorite. key is second favorite and again his part in the last chorus suits him a lot imo especially with the different choreo for it. as for taemin i'm glad he's bringing his poppiest pops forward because i swear i feels like that man's bones are snapping inside his body but other than that honestly i don't think he's enjoying this era too much fdjdvscg
hi hello again!!!
alksdjflksdafj not that youtuber again....they're a fucking plague i need them to read a fucking book for the love of god. just so profoundly uninformed, its mind boggling.
i've seen variations of this take since before the song even came out and honestly? i don't agree. you can not like the song for any number of reasons but the fact of the matter is that it IS a shinee song. what makes a shinee song is that it's their voices. that's all that makes a shinee song. for a group that has an extended history of genre experimentation, for fans to get mad or say it's "not them" when they DO do something experimental is cowardly and embarrassing. just admit that you don't like the song and move on. there will be a time when EVERY artist you love makes something that you don't. that's fine and normal. don't hide behind incorrect assertions like "it's an nct reject" or that it doesn't sound like them. they're artists that still want to explore and grow and they have agency to do that. it's not a failing to admit that you don't like something that your faves made, and i also think it's rude and denies them identity and agency to say that 'it doesn't sound like them', especially with this particular group.
personally what i think people are subconsciously getting at when they say a song doesnt sound like shinee is that it sounds incomplete because it's missing a voice. the same discourse circled around with dcm came out and people are not acknowledging that shinee is never going to sound the same as they did pre 2017 (2018 technically bc jonghyun's voice is still on tsol). they just aren't. the chemical makeup of the melodies is going to be different forever and people need to acknowledge and accept that. the four of them are doing their best to fill in that hole and theyre doing a great job, but there is still a hole.
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blueiight · 1 year
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i never really understood the pearl clutching wrt to claudia wanting to have sex. louis was experimenting with boys but he's scandalised that claudia at over 18 is interested in sex. did he really think they froze everything when they turned her? like the minute she asked about love between two men, louis should have known she was growing up.
also lestat knew exactly what he was triggering taking her to lover's lane. and i think he knew what would follow with claudia's sexuality awakening.
i think clauds asking lou about love between two men wasnt so much about her tryna understand her own sexuality but moreso the fact that lxl were prolly the first gay relationship shes ever seen in her life beforehand. cuz before that scene shes writing ‘they have a funny way of being nice with eachother’ and shes looking at lestat’s hand on louis shoulder. louis is pretty clear about wanting claudia bc he couldnt have children, bc he lost his family, whereas lestat sees claudia as a means to keep louis but grows to see her as his child too. mutual babytrap gone terribly wrong. but ur definitely onto something with how lestat takes claudia to hunt at lover’s lane..
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les is giving “back in my day, when u reached 14 u understood sexual innuendos” here lol. lestat & louis engorge claudia with luxurious items on their terms: giving her a diary, clothing, scraps of sentiment, and the knowledge of the hunt. an adolescent vampire possesses a reduced level of impulse control, and she shows such, her reactions are beyond control of what lestat + louis terms are even when shes mentally closer to a child in the beginning of her arc. she ends up gorging herself on flesh, to where lestat & louis come under heightened scrutiny bc of it.
now whether u mean fans or lxl characters ‘pearl clutching’, idk but it serves well to why lestat and louis have different reasons for wanting claudia to remain their child, even at the expense of her wants and desires.. if u mean fans i think its bc the costuming/acting on bass’s end suggest claudia in ep4 occupies far more of a childlike role bc she is still mentally young for some parts of the episode. her childish perspective girds our viewpoint in some parts, with the camera at lower angles, fantastical scenes of bones and flesh sticking out when the police inspect the townhouse that logically, could not have been there, the soundtrack even sounds childish if that makes sense. even tho she ages from 14-21 years old in this ep, she is living her second [or first, really] act of childhood. but at some point the ‘child’ wants to be free of their ‘parents’ terms and conditions.
u have a p clear violation of her boundaries when lestat and louis read thru her diary in an attempt to ascertain where she kept the bodies, but theyre also trying to read ‘their’ creation bc shes starting to explore a sense of self outside of being ‘their’ child.
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and that sense of ‘self’ includes also, a sexual self. charlie even says he cant believe claudia is a young woman [19 is the age she is at the time they meet?] bc of how young she looks. her killing charlie in a lust filled craze, lestat making her watch him burn, leads claudia to asking what her lot in life will be. why cant she have her lestat, her louis? she fails to make companions bc of her incomplete physical maturation as an adolescent and her weakness at the time as a vampire, killing any companion she tries to make. and its truly a sad lot in life to where creeps & freaks interested in perpetual adolescence/youth r what claudia feels is her only chance at a romantic, much less, sex life.
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gayspock · 1 year
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okdok (how my mam spells okie dokie; need to give her credit) some more bsg thoughts
okie btw i never properly said. i DO rlly love the themes of religion in the show. i have seen glimpses (i go through threads, bc im nosy, despite trying not 2 spoil myself) of ppl rlly rejecting it but sorryyyyy its just... yknow like- i loathe how patronising scifi can be of it sometimes, AND how bad fanbases can get. coming off of trek, well, youknow....
also completely . disavowing it .. is always soo silly 2 me bc... like im not religious myself, even, but i always find it one of the most interesting things to explore within fiction ^_^ esp esp with more scifi stuff, like... thats one of the best places to challenge and to play with it. smile. both with its relationdship between science but also how with its relationship between Humanity and how that might differ for different cultues.... and again its so disappointing the way its hanled so much of the time in many works, and by many Scifi enthusiasts. -_- bc its sooo reductive.
anyways i still sometimes feel like theres something missing from the show and i think thats just me im not sure why. like in terms of like... a certain incompleteness thats not JUST them pacing it out, or leaving things up for interpretation... but i cant uqite put my finger on it. its like i feel like maybe its just bc s1 was SO short for what it was and s2 has been very plot heavy. i think the show would have benefitted a bit more from some more establishing "filler" eps in terms of, like, worldbuilding, yknow? again- i really want to see more of the civillian side of things. i hope we get more of that ^_^ its deffo not like THE WORSTTT problem the show oculd have
BC LIKE OTHERWISE im rllyyyy loving the direction they took EVERYTHING in in season 2. omg. they set it all up so well and OUGHGHGHGG. i love how its testing everything theyve built from s1, wrt the command. absolutely crazy moves...
i was absolutely ITCHING for a presence like admiral cain and she delivered. part of me wishes it went a bit longer? just a bit. i dont think it was like... RUSHED... partially bc i do agree her takeover would have just been immediate, like it was, and i dont know what her role really could have been after they called off the assassinations. but idk- i wish we got to see a bit more of her, i guess! maybe even just an ep or so.
nonetheless she was still a really good contrast. her and the pegasus and how its run, versus galactica. and i do think.... i think i tlked before abt how sometimes i was unsatisfied with how, like, bsg kind of handled its own politics sometimes? like- specifically the roslin and zarek. i think thats moreso an issue with the latter, and again how... kind of lacking i find him, for what could be a really good and interesting opportunity to challenge roslin, who does have issues, unchecked, rather than just be kind of a minor antagonist ... & THATS EVEN MOREE the case with his presence back on kobol. like he was literally there just to cause conflict and idk like its FUNCTIONAL but its also like comeee on you can be more interesting with him! come on!
BUT here i do think with both cain and tigh's brief stint in command they did well to rlly explore it a bit more so im forgiving it. its not like that fixes that mess but this stuff was good enough for me to be like 👍uh huh, yaknow? b c it was soo good and argh im- SPEAKING OF, i am glad they did "remember" incidents like the gideon massacre, even after adama came back. again i do wanna see MORE of the civillians- but i think we're going to getthat soon, i hope? i feel it more in the air, with the introduction of that new number 6 and the cylon apologists which im rlly excited for... both bc theyre things i rlly wanted to see more from the show ^_^
anyway i feel like noneof this is that mad i just wanted to ramble in bc i haventttt properly eek and squeak i feel like i acc dont have much to say ^_6 despite rlly enjoying myself and the show LOL
sharon is still my favourite btw teehee smile
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oleander-grows · 2 years
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Can't stop thinking about your Irm girl, got any other tidbits about her?
irmgard essex (who i love dearly) was my pc in a fallout ttrpg run by @corsairesix (erin my beloved) and put aside bc of irl stuff. the game took place in new orleans and like holy shit. it was so good. erin is so deeply talented and i love her. i actually have a tag for the game, though it's pretty short. it was a homebrew system and like. god it was so fucking good. i also don't feel bad about sharing the google doc that's her character sheet lol. it's got some notes about her and stuff
here is an incomplete list of things irmgard esseks has done:
one time the party went into a super duper mart to get a single shopping cart. (we needed it for transporting a people maker tube) of course we got attacked by ghouls and out of the 6 of us, irmgard was the only fucking person who landed a single shot, and was the one who dealt with it. it was a moment that really solidified her role in the group for me, she suddenly realized she had a reason to exist. i still bring up about how i was the only one who landed a shot in that fight
basically had 0 personality at the start of the game. it'd been like 4 years since the institute kicked it and she stopped internalizing a lot of what she learned there. i think her thought process was "well maybe other synths don't go insane and crazy living like this but i have and i'm not a real person like those other synths"
eventually her personality became "i would die for by best friend dacian and sweet caroline, because she is very nice"
dacian is a pskyer and she didn't believe he could read minds and blast his thoughts into other people's heads. he proved he was able to and she decided to not believe it like it was some kind of religious thing.
she had 0 opinions about another party member, sylvester "the lonesome" but her existence made him feel insecure about his place on the team, especially after she looted a pipboy off a dude she killed. (he was the only one who had a pipboy before that.)
it was INCREDIBLY funny bc he was so jelous that she's like 6'3 and built like an action hero and meanwhile she's like "wow i'm so good at acting like a human. everyone here thinks i am a normal human. i am getting a good grade in being normal which is possible to achieve and normal to want"
sylvester was the only person in the party who wasn't keenly aware of how fucked up she was and pretending not to notice
one time got banned from the actual city of downtown new orleans bc she killed a guard, wore his uniform, snuck into the jail, and broke out one of sweet caroline's neighbors. this ended up getting everyone banned from new orleans aside from hannah.
one time the party found a terminal in an abandoned outpost that was filled with dirt on the current mayor/dictator of their favorite town. she made a fake email account and sent everyone who owned a computer in that town a zip file of all those documents. no one knew aside from the party and like 2 other people knew she did it
also thought that a good way to sabotage the current mayor was to find some random ass child and pay that kid to lie and say they're the biological child of the mayor and the product of an affair, and the mayor chose to leave his own flesh and blood on the streets to save face.
according to the stats, she's one of the smartest members of the party.
this is the only fiction i've ever written about her, and i've never bothered to uploaded it but it's her back when she was just X6-33 and killing people for the institute. she had more of a personality then bc she was secure in her place as being simply a weapon and nothing else
she picked the last name “essex” because it was close sounding to her designation of X6
lately we've been kicking around the idea of like. what would our characters been like 5 years later and this is her! she is butch and has resolved all her issues around the concept of her being a person! idk maybe she helps the railroad now. dacian and her have nail painting sessions though
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yourlunarspice · 2 years
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🎢 Which of your fics would you call your wildest ride?
⛔ Do you have a fic you started, but scrapped?
💌 How do you feel about comments and feedback?
🎢 Which of your fics would you call your wildest ride?
I'm not sure about my fics (most of them aren't long enough to be that wild of a ride), but I know my most recent series Pit Of Vipers is probably the wildest ride. My beta reader and I brainstormed the entire series based on this picture alone:
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I love 'Toshi, but I have to put him through all the bad things in the world. It's because I love him that I have to do that, you see? In this story, Hitoshi was found by All For One as a child and groomed to be a ruthless psychopath who did all of AFO's killing for him. Eventually, Hitoshi was discovered and rescued by Aizawa, who brought him to UA. AFO takes advantage of the situation and orders Hitoshi to ally with the UA traitor (whose identity is unknown) and kill Bakugou. This series is full of dark and scary moments that sent chills down my own spine even as I wrote it, but is also full of cute and fluffy moments. It's also somewhat sad in places, like how Hitoshi is confused when he doesn't see bars on his room at UA. I am so proud of this series; it's definitely my favorite because it's such a wild ride!
⛔ Do you have a fic you started, but scrapped?
I actually don't think so. At least not for MHA. I have a few incomplete stories from other fandoms (not all on Archive), but I haven't completely scrapped them yet. I just don't feel like continuing them for the time being - even though some of them have been incomplete since 2019! But for MHA, all of the ideas I've had are either still in progress or posted. If I felt like something wasn't completely working out, I revamped the whole thing. That's what I did with one of my recent works, Memories. I was a couple hundred words in, reread it, and realized I didn't like what I'd written at all. So I deleted it, restarted, and finished it within the hour. If I feel I (or my beta reader bc, let's be honest, his ideas are so much better than mine) have a really good idea, I'll get around to it. Even if it's unconventional and tragic (like my Dysphoria series) or super dark (Like Pit of Vipers) and gives me chills every time I reread it, I'll do my best to finish it, ideally before I start another WIP.
💌 How do you feel about comments and feedback?
Reblogs, reblogs, REBLOGS! I love getting all sorts of feedback on my fics (the more the better), but if no one reblogs the boost posts I make for the fics (I put as much effort into my boost posts as I do for my fics), I feel like that's bad feedback and it really discourages me. I love getting comments most of all, but not very many people leave comments. For days after I post a fic, I'll be going back to the page just to see how the stats are, and I get discouraged when the numbers don't reflect how proud I am of the story.
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ima-ghost-art · 2 years
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b, n, + w for the ask game!
OKAY!!
B- ima go with my current fav ship from my og fandom that, as much as I hate it, I still love it which is voltron. Technically no one themselves convinced me, but I saw the relationship in a fic by one of my favourite authors at the time that I liked, so ima count it (I'm usually the one convincing others with random rare pairs so) i was given Lance x Matt and utterly fell inlove. Like before hand I wouldn't have pared them but now i just want matt to marry lance to officially make him pidge's older brother!!!
N- 3 things I wish I saw more/in in stranger things is (1) kali, I really wanna see more of els sister tbh and I also really want to learn more about her escape and how she did that!!
(2) please please please can we adress Steve's truama!?!? My boy was thrown into this mess and managed to take down a demigorgan without even knowing what it was, got emotionally cheated on most of his relationship with nancy, was nearly killed by demodogs, then billy, then by the demodogs again in s2 all bc he wanted to protect these reckless kids (I dont even think he ever got an actual apology from nancy for the bullshit she put him through either) GOT TORTURED AND DRUGGED BY RUSSIAN SOLDIERS IN S3 no to mention the guilt he must feel for dragging robin into this mess aswell as putting the kids in danger, then watching billy die in front of max??? Then in s4 he has to watch max (someone he sees as his lil sister at this point) fighting this monster on her own with such a limited time left, then got literally dragged into the upside down, STRANGLED, PARTIALLY EATEN ALIVE, then after getting out, have to go back before he was even fully healed from the first time then the vines STRANGLED him AGAIN!?!?!?? Only to after severely hurting vecna, come back to Dustin (basically his little brother) holding the (potential bc I dont believehes actually dead) corps of eddie, his new friend he was definitely crushing on. Eddie who has apparently died the same way he was attacked before. LIKE THERE IS NO WAY STEVE IS OKAY AFTER ANY OF THIS?? YET SOMEHOW ITS STILL PLAYED AS A JOKE???? (I am very passionate on getting these characters therapy bro they've been through so much)
(3) let this fruit salad of a show be gay, we all know it is so just let it be gay!! Give steve his metal head bf!! let robin and vickie be cute band gfs!! Let byler be a thing and let them be happy!! Let max have both her gf and her bf el and Lucas!! Let us have our stoner bfs Jonathan and argyle!!! Let us have single queen nancy who knows shes bi but also knows she doesn't need to constantly be in a relationship!!!!!
(Bonus 4 bc I need to have wayne and eddie interact, they care so much for eachother and we were robbed of having them reunited)
And finally
W- (besides all the sex or die, sex pollen, and everything else that involves questionable consent) I have the most irrational hatred for time loops!! Idk what it is but even if it's the only completed, checks every other box for my dream fic, if it has a time loop? Fuck nope just no. I would rather read the fic from 2016 thats incomplete. I just despise it and I really have no clue why, no fandom would make me want to read that trope!?!?
Anyway hope you enjoyed this lol
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roobylavender · 2 years
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Personal question. I know law school is hard but like, idk how to ask this 😂 is it especially hard for someone with depression and anxiety? My great uncle is a judge at city hall and he's really wanting me to follow in his footsteps ever since I've interned with him and I did love it (despite being in the city) but I ended up majoring in psych (third year) though sometimes I still think about law. I just feel like I won't be able to do it and have a breakdown. What's your candid experience?
i haven't actually started law school yet (i will in the fall) so i can't speak to that specific experience, but to get a little tmi, it ended up taking me six years to graduate from undergrad (i graduated this month) bc i was dealing with really bad depression and anxiety as well. there were a few circumstances in my life that all sort of snowballed together by the time i was finished with my second year, and thereafter i honestly had a really bad time with my degree and struggled to complete a good chunk of my courses, often taking incompletes bc by the time the end of the semester rolled around i was just.. stuck in this rut where i didn't want to do anything and could only lie in bed all day and dread all of the things i wasn't doing. i no longer had any interest in my degree (biochem) but i had to complete it bc by that time changing to something completely different would have been a waste of money and time. so i was dealing with a loss of motivation, being isolated from people my age bc i was a commuter who went straight home after classes, feeling inadequate in comparison to a lot of my high school friends bc they were out there doing things, and it altogether really took its toll. i think undergrad has certifiably been the most miserable experience of my life and i am so, so happy to be done with it.
what i think has really helped me to sort of reset my life on course despite having to deal with all that is actually having an active passion for and interest in what i'm doing now. like i still deal with periodic bouts of depression where i'm incapable of doing almost anything and my anxiety is still an obstacle i have to fight every day, but it's a little easier and more bearable to do bc i'm working towards something i genuinely want. and i think the fact that i am more actively communicating with the people around me is a huge help as well. i kind of used to let all of my problems pile onto me and lie about the existence of every single one of them until things ultimately imploded in my face, and refusing to do that now is incredibly liberating. bc i can still struggle with things but now i'm more confident to ask for help and support to deal with them, esp since the people i'm asking it of realize that me asking is a mark of my trust and honesty. and this is obv not going to be the case for every person but i feel like having more of a commitment to my faith or just to like, anything spiritual that allows me to focus my mind on something not worldly or material has really helped center me as well. so ig what i am trying to say is that like initially i thought the idea of pursuing any kind of grad school was genuinely impossible for me but now that i've built this support system and have an active interest in what i'm doing the idea doesn't seem so daunting. like it'll still be hell obv bc the readings are so intensive but if i know that i'm going to take an interest in what i'm reading and i have people to support me all the way through then i don't have to feel as bad about my personal issues with depression and anxiety
ultimately i think you still have a while before you have to decide. a lot of people obv do go straight to law school out of undergrad but there's no set rule. you might try gauging your interest in a few other ways too, like maybe interning under a lawyer at a non-profit group, or even studying for the lsat and seeing how you do on practice tests to see if you can get into the same mindset that they're trying to cultivate in you. i feel like the nice thing about law is there's not really any prerequisites to apply like you can major in anything, the lsat is not content-based review so you don't have to memorize anything, just study question structure and logic games, and i think if you are someone who is as neurotic about analysis and picking out the nitty gritty details in things then it's definitely easy to get invested in. but i def wouldn't sell yourself short in terms of your ability to get through it while having these conditions, esp if you have a support system in place. that really is the biggest thing to me about pursuing any kind of grad school is making sure you have a support system and then like, having things in your life that you can ground yourself in so that the depression and anxiety don't consume you. like hobbies, spending time with family, the spirituality stuff. if you have those foundations then i think most people would agree you can get through pretty much anything, so long as you have the passion for it, bc you will care enough to make it work how you need it to work
def let me know if you ever have any other questions, and i hope this helps! idk how much time i'll have in the fall but i can try to provide updates or tips every now and then as i make my way through ❤️
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Beyond the Law (1968) may well be the worst movie I have ever seen but it is also delightfully fun. but God okay an incomplete list of sins: 
-Unreasonably long, kind of tedious chase scene with some bandits trying to stop the wagon Cudlip happens to be on. They keep showing bad guys getting shot and either falling off their horses or the whole horse going down and yet every time they show the bandits there are as many of them as there were when they first showed up somehow. (When this gang returns at the end of the movie, there will still seem to be the same amount of them.) 
-(funny: this was part of another Scheme between Cudlip and his buddies--the buddies shoot their guns in the air and scare everyone, during the panic Cudlip surreptitiously chucks the bag of money out the wagon for his buddies to pick up--which they do, but then start hearing OTHER gunshots, not from them. “must be real bandits” Preacher comments. Sampson: “REAL bandits??” XD guys believe in yourselves more. You are also real bandits you are literally currently doing banditry) 
-the menacing music switches to the jaunty happy music when Cudlip’s buddies show up for backup. The jaunty happy music is still playing when the wagon driver gets blasted right out of frame by a gunshot, never to be seen again. The abruptness is hilarious. It cuts to him just in time for him to go AUGH and disappear. he’s gone. that’s it. they mention that he’s mortally wounded later on. How can you tell when he was blasted right out of creation?? Has anyone seen him since?? 
-almost halfway through the movie the villain shows up, in an unreasonably long, extended, lingering shot of him riding his horse directly towards the viewer while menacing drums play. It’s daylight. He dismounts his horse into pitch black nighttime and the ensuing scene where he yells at his lackeys for failing him is in the middle of the night and, see next point, 
-THERE ARE MULTIPLE SCENES WHERE I CAN’T SEE SHIT BC ALMOST THE ENTIRE SCREEN IS BLACK. You just put these guys outdoors at night and went ok that’s fine we don’t need any lighting to be able to see what’s going on 
-I can’t believe the awkwardly long entrance of the villain (his name is Burton) was actually the best case scenario, I mean, at least they put him in good lighting so you could SEE what was happening. we could’ve been watching a black screen that whole time apparently. God. 
-In one of those nighttime scenes we waste several seconds watching one of the bad guys do a head-jerky gesture at the others to move along, pause for a while, and then do the same thing again when they don’t respond at first. there is no reason for this. just wastin time 
-In multiple scenes with Cudlip’s two buddies talking to him, Preacher and Sampson(? Is this his name? It’s the only thing he’s referred to as but it might have been a joke, he is credited as nameless on wikipedia) are both participating in the conversation but only Preacher is on screen. Sampson is just shouting his lines from somewhere out of frame (maybe he’s communing with the spirit of the driver who got shot right into space??) 
-The bored way Sally goes “papaa” after seeing him get pistol whipped to unconsciousness right in front of her (in her defense I feel like there was probably. bad scripting/direction) 
-the casualness of Novak wandering onto the scene of an attempted robbery and going “stop thaaat” and then having a fist fight with one of the bandits (who puts his gun down first). Like pacing/tone are just OFF in this scene to SUCH an extent I . what
-I am GENUINELY UNSURE WHAT HAPPENED IN THIS SCENE. The... bandits knocked out everyone who might have prevented them from getting what they came for (which was...? the.. silver? information about the silver...??) and then they just... leave? I’m...? what??? I mean yeah they went through everyone’s pockets before leaving but. why did they go there in the first place. I feel like there was some sort of plan supposedly but I have no idea what that was 
-one scene after the other, I’m like “god I can’t wait for this to be over it’s so awkward. surely the next scene will be better” 
-I think I might need to get slightly drunk for this. maybe that will make the awkwardness go down easier. I have to finish it bc I’m invested but God
-I was thinking of Cudlip’s little league banditry gang as kind of incompetent but they are the most competent bandits out here these other guys have spent bullet casings instead of brains 
-”we’ve got to take precautions, especially now that the sheriff is in no condition to take complete charge” whwgksjkdjk. who wrote this dialogue. well it’s Italian I think a lot of the awkward dialogue is a product of sloppy translation probably but mannnn. Please. Get someone who can not just translate but translate into good dialogue you guys ran this line through a paper shredder and went “yeah that’s probably fine. It says basically the same thing.” 
-ANOTHER DARK SCENE! I CAN’T SEE SHIT! note that I never actually got up to get myself a drink bc I’m still invested in this delightful stagecoach crash of a movie. but now that I’m thinking about it I might
-”mister cooper. Y’know who those men are? Burton’s men. I don’t like aaany of them... round these parts.” 
-Novak’s “listen, just take the sheriff badge and stop pretending to be a lone wolf who doesn’t need anyone, will you?” speech to Cudlip has better delivery than the above line but the writing is borderline incomprehensible. I think I’ve translated what he meant by all that 
-this movie is insane. this movie is insane. but Cudlip gets his horsie that he wanted :) cuts to him gleefully patting it while happy music plays 
-Oh God I was complaining about the dark scenes but now there’s one that is almost completely white and washed out with lightness and now I’m starting to wonder if this is more a case of the film being degraded and/or deepfried on upload to the internet than that it was that bad to begin with. bc SURELY it wasn’t right? surely... 
-Burton yelling at his men: “They saw that you’re NOTHING BUT A BUNCH OF IDIOTS!” yes correct. that they are. your men are brainless. they have no brains. have you SEEN them 
-I can’t. I’m not strong enough. I did get alcohol its not helping. please. Im. so conflicted about this movie I love it but I am taking psychic damage. noooo
-the DISBELIEVING SILENCE OF SHOCK when Cudlip comes in wearing a suit rather than his scruffy shirt unbuttoned halfway to the navel-wqit I’m doing sins this isn’t a sin its just funny sorry (and then Preacher after insulting it accidentally lets slip that he thinks it’s cool and Cudlip’s like HAHA YOU LIKE IT YOU LIKE THE SUIT) 
-Cudlip and Sally talking over each other in the beginning of their little tea party I can’t tell what either is saying (to be fair this could be on purpose to show how awkward the interaction is. bc it is very awkward. but that’s... illustrated far better by the entire rest of this scene.) 
-DID I GET A VERSION THAT WAS WEIRDLY CROPPED OR SOMETHING?? IT DOESN’T LOOK LIKE IT BUT?? HOLY SHIT?? there’s ANOTHER way too dark next to impossible to see scene and Burton is supposedly drawing on the ground with a stick but the shot only shows part of the stick and doesn’t show what he’s drawing. this has to be a badly cropped version there’s no way it was this bad originally what is happening please . but nothing else looks cropped--wait are those the lines that he already drew? is that what it’s showing in this grainy dark shot? but it didn’t show him pointing at them it--it was so bad I couldn’t tell what he was--WHAT 
(I had to stop watching for the night and finish later)
-when Burton's men are riding up to crash the party at silvertown it's. Tedious. There's one scene where they're just riding their horses slowly and menacingly across the screen and it lasts for so long that the "uh oh Burton is here!" scary drum music ends and there's just several seconds of clip-clopping and otherwise awkward silence
-oh my God I'm losing it I'm. I'm trying to ignore weirdly cropped stuff because of my theory that this upload is somehow just really badly cropped because of how many times it's happened now BUT THEN? there was like a single one second long cut to people dancing at the party with no audio and then the longer scene with Burton continues. Rapid cuts back and forth are not a thing this movie does we've been spending like a minute on each cut so far. What the hell was that (rewatches just to be sure I'm not imagining it. It's at 1:22ish I am not imagining it) WHAT
-okay this makes two times that Sally has been directly menaced by the bad guys when their only stated plan was to steal some silver and I don't know why she would be involved in any way. This poor woman was created to be a damsel in distress. What is the purpose of (watches 5 minutes longer) oh shiiiit she's being held for ransom this time ok so they did have a plan beyond "ruin this woman's day in particular and then just leave for some reason" this time
-everyone is so disorganized and impassive about hostage negotiations. No one is like "maybe we should check that he actually has everyone trapped in the church" they just wait for the first body to be delivered and then they're like oh he was serious. No one goes with Cudlip to negotiate. I just. Ghhhh
-yay there's a posse forming! Happy music suddenly! PEOPLE ARE STILL BEING THREATENED WITH MURDER
-I see why people say the ending of this movie goes off the rails like. The tone of it has been generally pretty comedic and then suddenly we've got a horse carrying some innocent woman's bleeding corpse down main street. I don't think we've actually seen any death or shootouts up to this point and when it starts it starts with THIS! ?
-1:30ish there's like one full second of just completely black screen. How does this happen. Who did this. Did this somehow happen along the way or was it always this bad. Surely it wasn't always this bad. How
-and now it's trying to be suspense but Preacher is so dang casual about this life or death situation that it's gone right back to comedic. Preacher noooo don't take out your handkerchief and slowly wipe your entire face while ignoring your surroundings during a shootout there's a guy sneaking up on you while suspenseful music plays (which is somehow making it even funnier)
-oh my God that was the funniest thing I've ever seen. Oh my God. He shoots the guy without looking (or did someone else??), goes "amen" and blows his nose. What the FUCK IS THIS MOVIE 
-(but anyways maybe that was on purpose? I can’t tell anymore. I think maybe I found it funny sooner than the point I was supposed to...?)
-rube Goldberg minecart roller coaster dynamite device. I'm not even surprised anymore. That's saying something
-listen I don't know shit about movies but this has some of the worst most confusingly shot stuff I've ever seen. There's like a close up of this.. observation tower? That Burton is climbing and it zooms around it close up before zooming out so you can see what it actually is it's extremely disorienting
-we watched a guy run slowly across screen for several seconds before of course getting shot
-oh everyone is doing this now. why does everyone keep leaving their cover to get shot by Burton he's like the last guy left and he's trapped up there it would be so easy for them to pick him off or just wait for him to have to come down without anyone dying but no. The posse is even stupider than Burton's gang
-oh my God the last guy realizes this was a stupid idea and changes his mind and tries to run back to cover before being shot in the back and turning a full somersault
-I have never seen such an egregious example of just. killing off all the redshirts. ALL of them in the span of like one minute one by one
-Novak, actually panting and frantic like he is in a shootout: give me your rifle! Preacher, just chilling, sitting down: 😐 *lets him grab it and switches to his pistol without a single fuck given* The "I just work here" vibes of this man.
-did he just create a scope out of a random piece of junk? I think it's implied he's an inventor but maybe they should have like. Actually mentioned this out loud before now! (Bc I love scientists I love nerds where is my nerd content. It was taken from me. I only got this finale scene and a brief line about him implementing new methods at the mine) 
-lolllll Burton looks like a vampire with his cape spread out like that. A deceased bat. Rip
-weirdly triumphant music after a very depressing ending :/
-Legend tells that the wagon driver who got shot right out of frame was glimpsed by the Hubble telescope, hurtling past the rings of Jupiter. He shows no signs of slowing down. Sampson flickers in and out of reality like he flickers in and out of frame in conversations he is desperately trying to be a part of 
-this was deeply gay and deeply unhinged. 10/10 this is a terrible movie and the middle was a slog to get through. Cannot recommend but will recommend anyway. what the fuck. Rare footage of a Feral and Unhinged Lee Van Cleef character, a departure from the Colonel Mortimer type
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