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egophiliac · 26 days

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Serious question.

Do you think we’ll see the parents/family of each of the guys???

Like, We’ve been TEASED with Ace’s brother, that I’m starting to think it’s just a reference to that Alice in Wonderland park character in Japan and nothing else….

Jack’s family, Ruggie’s grandma, Falena, Maleficia, Ms.Rosehearts, Just now Vil’s dad is in the picture which I am really happy but now I’m wondering about his mom, and so Deuce’s mom.

I mean, some HAVE a silhouette!! It could mean they do have a design in the making/ready to show. They could’ve shown us Falena in the Tamashina (hope I said that correctly) event, but didn’t (prolly to make Leona not so σ(▼□▼メ) and it’s understandable)

Anyhow, any idea/headcannon about this? Who do you want to see first?

I'm wondering if everyone might eventually get a travel event? like they've now introduced with Vil's that it doesn't have to be specifically hometowns, so that opens things up a lot! (especially if they have to figure out how to do three separate Coral Sea visits) (how would that even work otherwise)

but yeah, I hope everyone gets a chance! there's a lot of backstory characters I would LOVE to meet. :D :D :D though I do think some of them don't really suit the more light-hearted tone of the events (pretty sure you're right about that being why Falena wasn't in Tamashina-Mina, that would've just been. too much for Leona.) so like...we're probably not ever going to meet the Rosehearts. or Maleficia (although I maintain that this would be THE funniest possible way to introduce her outside of the main story, and actually I would love this a lot, can we please Twst) (I need to see her to put Malleus in a froofy little outfit and tell him what a handsome boy he is). but they've sprung surprises like Kifaji on us, and honestly anyone who shows up and tells embarrassing stories about characters' childhoods is good in my book!

characters off the top of my head who I most want to meet: literally any of the Zigvolts, Azul's mom, Ace's brother, Che'nya's grandfather (<- I think he would be a good one for Riddle) (please just any non-terrible adult in his life), any member of Rook's family because I need to see how they managed to produce him, and...really just whoever they can come up with for Silver.

#art #twisted wonderland #twisted wonderland spoilers #tapis rouge #tamashina mina #i think it's just those two #(i am very very sorry about how long it took to reply to this)#but yeah i don't know if everyone is actually doable! i just want to ~believe~#though silver would also have one of the zigvolts honestly #(they are the only reason lilia managed to actually raise him without silver like. falling through a manhole looney tunes style.)#so let's say he gets sebek's mom and sebek gets his dad. just because it would make sebek VERY annoyed.#god i want to meet azul's mom though. everything we know about her makes her sound AMAZING #i want her to feed me lunch and teach me how to take no shit #ANYWAY i do also wonder about vil's mom...#i had been thinking we might learn something about her during tapis rouge. but nope! not a mention.#i guess we did establish that vil either went with eric or was cared for by the house staff when he was traveling #so i dunno! it doesn't necessarily mean anything she might just be a busy lady doing busy things #i just wonder!

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erwinsvow · 25 days

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i feel like pogue!reader with rafe would have an interesting dynamic with barry. like, he doesn’t particularly like her - knowing her connection with the pogues, especially jj but at the same time he’s dealing with rafe and pogues as a collective have gotta stick together. he’s also just morbidly curious about how she and country club have became a thing.

barry laughs when he sees you walking into his place, attached to rafe's side.

"ain't that-"

"that's my fuckin' girl. so watch your mouth." rafe cuts him off before he can finish the rest of his sentence, which is sure to have something to do with the fact that the few times barry's seen you before, you've been with the pogues that rafe supposedly hates so much.

"your girl? is that right? well, pleasure to meet you again, m'barry-"

you look up hesitantly at rafe, wondering if you should say something back, and you briefly reflect for a moment just how different things used to be. with your best friends, with jj and john b and pope at your side, the group of you would go and make yourselves comfortable anywhere. they'd charm their way into the good graces of the host and you never felt like you couldn't just speak your mind.

rafe is different. you don't know if it's bad, if he's bad for you, or not. talking to someone when you know he doesn't want you to feels wrong, feels bad. and you like him taking lead, him showing you the way and calling all the shots.

so you smile at barry but don't engage, looking up at your boyfriend instead. he looks down at you for a second, but you can tell you did the right thing.

"sit down and shut up. c'mon, we got shit to discuss."

"tells me to sit down. in my own fuckin' house. i gotta tell you princess, you picked a real winner here in rafey boy-"

"did y'not hear the shut up part?"

a laugh escapes, though you try to keep it quiet. they go on discussing something that doesn't mean much to you, while you go on your phone and text your friends. rafe's phone rings, and he just steps away for a minute to answer. barry doesn't hesitate a second to get the answers he needs from you.

"so. you and country club. how long's that been goin' on?"

"um, a couple months."

"your boys know 'bout him?" you bite your cheek. they don't, yet.

"not yet. but, soon, i guess. waiting for the right time.." you mumble, playing with a loose stitch on your skirt.

"yeah. i'd get on that. not gonna be too happy, are they?"

"maybe."

"don't they hate your boy as much as he hates them? ain't that.. awkward?"

you think you should be offended by the line of questioning, but rafe talks about barry often enough for you to know that he's not a snitch, that he doesn't care. he's just curious.

and he should be. up until a few months ago, you were never seen without your boys, as barry put it. you used to be attached to jj's arm, permanent passenger princess in pope's truck and the twinkie. it all feels like a lifetime ago.

"i'm hoping we can all make amends," you finish softly, fresh waves of guilt washing through your body. it burns where it goes, a stinging similar to what your friends are gonna feel soon, when they find out you've been dating the boy who's been terrorizing them.

"for your sake, i hope so too."

"what're you two talkin' about?" rafe asks, coming back inside and taking his place next to you. he puts his hand on your knee, brings you in close without having to ask.

you hope it's all going to be worth it.

"nothing."

#hii angel sorry it took so long to reply!#this was really nice to write and actually deeper than i thought <3 #ty for sharing your thoughts ! i completely agree hope i did it justice #rafe cameron #rafe cameron x reader #pogue reader

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crabsnpersimmons · 1 month

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New Do Same You Clip is so huggable looking..

he is! he has four arms! perfect for hugging! he loves giving hugs

Clip: if my post gets more notes than Moon's, i'll show you all my special trick!

Moon: it's... not a competition, Clip.

Moon: Starlights, come on, don't let me down, he won't ever let me hear the end of it!!

#fnaf eclipse #New Do Same You AU #Clip New Do Same You AU #dca fandom #dca oc #crab art #traditional art #traditionally drawn digitally edited #sorry i took so long to reply!#went with the meme's original wording cuz i think it fits Clip more as a gamer #Clip is a memer #because i'm a memer #i guess this means i gotta do one for Sun eventually #wonder which colouring style i'll go with for Sun's hmmm

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lunapegasus · 7 months

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Your Chaos Shadow gives me Snapcube Shadow vibes, and I don’t know how to feel about that

anon you are so fucking right and correct

#sorry it took me so long to reply this I am... a little stinker #blanswers #chaos shadow #chaos sonic #sonic prime #beepo #sth #my art <3

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theysangastheyslew · 8 months

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if there’s inspiration or anything, is it possible to have a LH “In another life, I would have really liked just doing laundry and taxes with you." Art 😭

Hi anon! I’m sorry I didn’t know if this meant showing them desiring that life w/ each other, or if you wanted to see them actually living it but! since it’s Hange’s birthday I went with the latter bc they deserve it and breakfast in bed is a far better present than the one Isayama gave to them :')

#levi ackerman #hange zoe #hanji zoe #levihan #attack on titan #shingeki no kyojin #snk fanart #aot #snk #requests #modern au #replies #if you see this nonny sorry it took me so long to answer >_<#click for better quality #i maed dis #happy birthday to the most stunning selfless and slightly feral commander of my heart

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nkjemisin · 11 days

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Hey there. I'm writing a story set in New York City and am not American. I have few characters, but most of them are arab or white. I can't help but feel a bit wrong about it, given that America is much more diverse than that, and NYC being an emblem of that. Do you think I should force myself to include more representation or should I just tell my story, and leave that more diverse cast to some other story I could write? I know this is a neverending debate and there are many opinions about it, but I've always agreed with everything you've said in matters of representation in fiction, and so I'd be curious to know your personal answer on it.

I'm a little confused by how you're using "representation," here. It sounds like you think representation = "randomly sticking BIPOC everywhere." I think when most people use that word, it means something more like "create an accurate or at least plausible depiction of a group or place." In actual New York, there are plenty of Middle Easterners and white people who live in relatively homogeneous small communities where they might only see someone of a different ethnicity on the subway. If your story is set in one of those communities -- and you do stick some random BIPOC in that subway scene, because that's plausible -- then it sounds like your characters might be an example of good representation.

(Note: if you're not writing something set in the real world, but it features human beings, it needs to represent humanity as a whole, unless there's a good in-world reason not to. But if it's our world? You can get specific.)

Here's the catch, tho: plausibility is relative. If you've absorbed some biases and haven't done enough research, then you might end up writing something that feels plausible to you, but which isn't actually representative or plausible to anyone else. The way to avoid this is to do the research and check (to the best of your ability) your biases. For example, you aren't American, I assume you've at least visited NYC? If not, you should. You can visit some of the communities I mentioned! You can eat in restaurants, visit mosques, have conversations with actual real people who are living the life you're writing about! If you don't have the time, money, or spoons to do that, there are other ways to do good research -- films and YT/Tiktok videos made by people from the communities in question, for example. But you'd need to watch a lot of them to get a good representative sample.

I recommend this book to all the writing students I've taught at Clarion, and other writer workshops: Writing the Other, by Nisi Shawl and Cynthia Ward. There's a particular part of it that seems relevant here, which is a kind of hierarchy of "appropriate" appropriation, I think first mentioned by Diantha Day Sprouse but included in Writing the Other. Basically it says that if you want to write about a culture that isn't your own, you can learn about that culture in one of several ways: a) You can be an Invader, and just go take whatever intellectual and artistic tidbits from that culture that you want, regardless of how damaging this might be to members of that group. Example: non-Indigenous people who write about actual secret practices, or who encourage the desecration of sacred places. b) You can be a Tourist, in which you're still mooching from that culture, but at least you're figuratively paying someone for it and accepting tidbits that the culture has chosen to sell. Example: getting a sensitivity reader. Or c) you can be an Invited Guest, who brings in as much as they take out, and who has formed relationships that are beneficial to all involved. Example: being part of an exchange program, both as a student and later as a host, and maintaining those friendships outside of the program.

The goal is to be an IG, but that isn't always possible. Tourist is still better than being an Invader. (...I feel like I'm leaving out a category. It's been a while since I read the book; any more recent readers want to check me here?) But the closer you can get to actually participating in that culture, the more your work will be informed by reality instead of biases or misinformation, and the more likely your work will read as plausible not just to you, but to your widest possible audience -- people familiar with the culture and people who aren't.

(I'm a little concerned about your phrasing of "force myself to include more representation," note. Why would that need to be a forced thing? A writer's goal should be to write something that feels lived-in and authentic to [if it's a real place] most people's experience -- not to meet some arbitrary standard, but because that's how you master immersion and characterization. If good immersion and characterization feel forced to you right now, that suggests you need more practice. I recommend writing short stories!)

#answered asks #long #sorry I took a while to reply #some asks require more nuanced replies #and I put this one in drafts because it was so long #then forgot it was there #and yeah I'm aware this might be a disingenuous ask #but I am choosing to treat it as good faith

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illuteridae · 27 days

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I absolutely love your doodles of Asta and Harry they are so cute in your style, do you happen to have any more?

thanks so much! here's a little doodle of them visiting roswell NM just for you

#resident alien #asta twelvetrees #harry vanderspeigle #asks #sorry i took so long to reply lifes been busy :^)#rogart

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oathkeeper-of-tarth · 17 days

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So, I'm curious: What's your take on Aylin's experience after/if she kills Lorroakan?

Allegedly, there's some information floating around somewhere that said Aylin was angry with Selune after she killed Lorroakan, but I can't find where this info is.

If you saw posts about that here on tumblr it was probably posted by @justanotherignot! I've actually been meaning to gather up all the devnote tidbits about Selûne from Aylin and Isobel for a while now, so thank you for the excuse to do so and ramble a bit.

Player: I was just wondering what it was like in that cage of Balthazar's. Aylin: Let us not dwell on those dark days. Their memory is a vortex within my heart that leads directly to the Hells.

What is happening is, well, it's the century of unthinkable horror catching up to her. It's the Trauma(TM) - in one of the conversation options she's literally triggered by the mention of someone being run through repeatedly! It's the growing awareness that although she's been freed (and possibly reunited with her love), the secret is out and there are always going to be assholes gunning for her, aiming to use her as an "artefact" and power source to fuel their ambitions, without any regard for her, you know... basic personhood and well-being. Also, Lorroakan was blatantly lying. He didn't find any super special way to siphon her immortality with "no harm, no pain of any kind", he was just replicating Balthazar's soul cage (you can even find a letter from Ketheric to him, showing Lorroakan was pestering them).

On to the stuff from the game files! First, the conversation with Aylin directly after the Lorroakan fight in the tower. I'm going to be putting the context notes in square brackets next to the lines they apply to. I also plucked some audio out from the files for some of these because I love the delivery.

Aylin: The fire-haired fool is dead. Yet as I stare upon his corpse, I feel… sadness. Why? [Slow and curious, angry and confused by all that has happened.] Player: What kind of sadness is it? / I know something of sadness - or at least the ballads do. What does it feel like? Aylin: A gripping in the chest. As though I'd lost someone, something. [Lost in thought for a moment; confused.] Aylin: A paladin's fatigue, no doubt. You were excellent in battle, as is your way. And I am proud to fight at your side. [Remembering herself. She is Dame Aylin.] Aylin: I will catch my breath, then to camp I will bring my bones. Moonmaiden be with you. Player: Smiting is a weighty duty - sometimes it can be tiring. / Perhaps smiting has lost its pleasures. Aylin: Say it can't be so. For I am Selûne's sword. And ever must be. [She means it, but on the periphery of her consciousness is a tiny crack. Wondering about her fate.]

The above never fails to get me - she is Dame Aylin! Sword of the Moonmaiden! Glorious immortal paladin, champion of a righteous cause! She smites evil-doers for breakfast, that's, like, her whole thing! What do you mean she can't just pick up where she left off and go about her merry smitey way? What do you mean the thing that is supposed to be the literal core of her entire being (forever) doesn't feel good and glorious anymore, but just makes her feel sad and empty? No, no, no, we can't have that.

Player: One of the greatest tragedies of revenge is that it can only be taken once. / Because you won't get to kill him again? Aylin: Perhaps. Yet if I could run him through a thousand times, I wonder-- [Lost in thought, she's been triggered to remember her own fate being run through over and over.] Aylin: Battle has tired my mind, made me susceptible to flights of fancy. You were excellent in battle, as is your way. And I am proud to fight at your side.

Aylin: I will return to camp shortly. I just need a moment to… to… [Lost in thought.]

She so very desperately needs some rest and a chance to come to terms with everything that happened and that was done to her. And it's clear it's going to be hard because she is defaulting to trying to deny anything is wrong, is clearly trying (and failing) to just be her old self immediately, has blatantly internalised a lot of that classic I Am A Sword stuff on top of everything (even though her mother is huge on free will and choice!), and is just really not well-equipped to handle any of this at all.

Next, this is the post-Lorroakan convo you get if you have both Aylin and Isobel in camp.

Aylin: Ah. Ally mine. We are reunited once more. [Warm, but drained. She's not feeling like herself.] Aylin: I was just regaling sweet Isobel with tales of our prowess. Isobel: Very impressive. Thank you for helping Aylin - that wizard sounded absolutely dastardly. [Good humored. Soft in tone. A little uncertain - she's not sure why Aylin isn't herself.] Player: My pleasure. He had it coming. Aylin: He did, and it came. Now, my friend: bask in your victory. I will do the same. Aylin: But fear not: when the time comes for you to face the foe of foes, Isobel and I will stand by your side. [Rallying her soldierly spirit, but still a little drained.] Isobel: We wouldn't miss it. Not for anything. Aylin: Go well, friend. We will see you soon. And with our great powers combined, this city will be saved. Player: Hopefully he'll be the last. Aylin: There are always more bastards behind bastards. But we will run through them all, each by each.

Player: I hope you can rest easy now, Dame Aylin. Aylin: I always do, with darling Isobel by my side. Aylin: Enjoy the spoils of your victory. Spin memories of Lorroakan's death in your mind like silkfloss.

If Isobel isn't there (meaning she died in Act 2), you get this version:

Aylin: Ah. Ally mine. We are reunited once more. [Warm, but drained. She's not feeling like herself.] Aylin: I was just reviewing our fight against foul Lorroakan; your moves and mine. The victory was soundly won. Aylin: Don't you think? [Uncharacteristically, Aylin is seeking input. She's usually so confident about everything, but killing Lorroakan has not had the intended effect on her.] Player: Indeed I do. Let his demise serve as a warning to anyone else who'd seek you out. Aylin: Let him be the last. If my dear mother has any mercy, she will ensure it. [Trying to stay her usual self, but her mask is cracking a tiny bit here. Privately, Aylin is dealing with a great deal of anger toward her mother, the goddess Selûne, But she's not yet willing to face it. How could her powerful mother let all this happen to her?]

Player: We fought well - though I was a little worried about you afterward, in truth. Aylin: Set your mind at ease, my friend. Dame Aylin is more well now than she has been this past century. [Good humored. Soft in tone. A little uncertain - it's true she's better now than she has been, but why does she feel so shitty, then? (She's in the beginning of reckoning with the trauma of what happened to her).]

Player: I hope you can rest easy now, Dame Aylin. Aylin: Yes. I wish for the very same. Aylin: Enjoy the spoils of your victory. Spin memories of our prowess in your mind like silkfloss.

So, a few things pop out for me here. First, you get the more explicit anger at Selûne if Isobel isn't there, as opposed to the "hahah, I will smite all the bastards who dare come after me, no matter how many there are" line. "How could her powerful mother let all this happen to her?" just... damn, hits hard, even if you subscribe to the theory that Selûne simply could not intervene in the Shadowfell imprisonment beyond sending those poor people whose graves you find in front of the mausoleum.

And here Aylin really lays it on thick with the denial that there's anything wrong at all. Combined with the letter you get from her in the epilogue if Isobel is dead, it just paints such a bleak, sad picture. I can just see her going all out on the Sword of Selûne duty-bound paladin side of things, no rest, no healing, no stopping even for a moment, no dealing with anything at all, from the trauma to the bitterness towards mum. Until whatever horrible breaking point comes, a year or a century from now. The need for Isobel's humanising influence is so clear. I've touched on Isobel's side of things here.

Speaking of having a bone to pick with Selûne, if you're playing as a cleric/paladin of Selûne, you can get some extra very honest dialogue with Isobel in Last Light:

Player: Why has the Moonmaiden waited until now to take an interest in this curse? Isobel: Maybe she was waiting for one of us to find this place ourselves. Free will, and all that.

Isobel: Though if it were my place to ask why she let Ketheric turn; why she allowed this village to rot at his hands - believe me, I would. [A cold edge in her voice]

Player: Are you faring all right? It can't be easy holding a lone candle in such darkness. Isobel: All things with her strength. You know the litany. [A little sarcastically. She's got a bone to pick with Selûne but isn't being too overt.]

Side note: the amount of devnotes for Isobel's lines that say she's delivering them "with swagger" and being "cheeky" makes me smile every time. Love her. Love her snark.

Also, to get it out of the way: no, I'm fairly sure Aylin did not break her oath. I see this brought up a ton and I just see no way for it to be the case. There is nothing to suggest this outside of a wording similarity and it just makes no sense. Girl is clearly some flavour of Oath of Vengeance (she uses Abjure Enemy, so this is the case even mechanically, even though she's obviously an NPC and not a standard player-build paladin) and she killed a very shitty guy who was also explicitly after her in godawful ways. You can do far worse things in the game than her dramatic speech and backbreaker and not break your OoV.

#sorry this took so long!#baldur's gate 3 #bg3 #dame aylin #isobel thorm #lorroakan #datamine #voice lines #audio #i'm stopping myself here but i could go on about this FOREVER #time for the comfort part of the hurt/comfort let's goooooooooo #oathkeeper replies to things

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mayasaura · 1 year

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One of my biggest hopes for Alecto is that Harrow has a minute of going full Carrie revenge insane upon finding out what they did to Gideon’s body. Like. Throughout Canaan House and especially in the AUs, we get the sense of Harrow having a deep desire to protect Gideon’s body even if it is in her own solitary goth nun way. She wants Gideon to put more consideration into the danger of avulsion before agreeing. She tells her afterward not to price her life so cheaply. She makes Cam and Pal check on her multiple times. She leaves her bread in a drawer. She’s fully on board to throw Camilla towards possible death in the interest of keeping Gideon safe. And then when she finally sees her in the coffee AU her description is just so soft and loving even when she’s about to pass out because she saw her arms, and continues that way until the end of the book. When Ianthe thinks it’s Harrow in Nona she’s surprised she isn’t violently storming the compound to recover Gideon’s body. Anyway she should find out how BOE and Jod treated her body and go on a tiny insane revenge spree. As a treat.

You are SO fucking right. Deep down inside Harrow is that one gif of the girl holding puppies and crying because she can't protect them, only the puppies are a butch lesbian determined to throw herself into a meat grinder.

I think Harrow might be a little grateful for the unbreakable bones and indestructable skin part of Jod's deal re: Gideon—she may have done that herself in Canaan House, if she'd known how—but the rest of it? The gaping wounds, the leaving her dead? Kill Bill sirens. She has been trying so hard to protect and preserve Gideon, to give Gideon a life, and when Gideon's own father has the chance to restore her he just slaps her together with crazy glue and calls it fine? That is not fine.

If she ever finds out how Gideon's corpse was being treated while her murderer lay in state on a bed of flowers... Man, I would not want to be in the room where that happened.

It would be so cathartic to see her tear into John over his part of it. Gideon already went apeshit on him for how he treated Harrow, so it's only fair Harrow gets to have her go. It's equality!! If We Suffer could somehow be there to be held accountable, too, so much the better.

And after that, what I really really want to see is Harrow turning the soft and loving vibe from the Baristar AU on the real Gideon, and channeling that protective fury toward protecting or restoring Gideon. I know it's probably not going to be exactly how it happens, what with everything else going on, but that sleeping beauty fakeout has me hungry to see Harrow try to ride in and rescue her prince.

In abscence of her body, Harrow's soul dreamed of Gideon's eyes; and in abscence of her soul, Harrow's body dreamed of Gideon's hands. If we don't get to see some pay off when she has those hands to hold again, I'm gonna have to chew my own fucking leg off.

#the locked tomb #gideon nav #kiriona gaia #ntn spoilers #nona the ninth #alecto speculation #atn wishlist #I'm pining for gideon almost as bad as harrow pls tamsyn pls let harrow protect her girl like she's been trying to since the beginning #sorry it took so long to reply to this. things happen so much

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hotjaneaustenmenpoll · 2 months

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Hullo! No “Death Comes to Pemberley”? Matthew Rhys is my all-time favorite Darcy.

As Death Comes to Pemberley was set after the book I didn't put those men in (I was very tempted as I love Matthew Goode as Wickham) but here is another mini-poll

#hotjaneaustenmenpoll #sorry it took me so long to reply to this ask! I'm just trying to spread out the minipolls a bit more #lost in austen #Death Comes to Pemberley #mr wickham #mr darcy #mr bingley #james norton #matthew rhys #matthew goode #minipoll #asks

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poorly-drawn-mdzs · 1 year

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Concept: LQR big naturals but also with the flattest ass. Make him a titty dorito

Lan Qiren Breasted Boobily down the stairs of Cloud Recess

[First] Prev <–-> Next

#poorly drawn mdzs #MDZS #wei wuxian #lan qiren #jiang cheng #nie huaisang #lan wangji #lan xichen #bonus comic #The trio gets away with all the hijinks because the sound of their headmaster's big baps alert them to his positioning #and provide bountiful shade #ANON.....I am so sorry for how long I had you waiting for a reply #I wanted to wait until I had introduced NHS and it took a while to get to that point #I bounced back and forth between whether this was funnier with or without the twin jades being present but I like them being there #their inclusion makes it more relevant to where we are at in the story #and i guess this sets up the next comic (which had its spot stolen by this) pretty well?#I don't know if LQR's honkers are gonna stick around in my comics; even if it makes for good comedy #I so deeply love the big naturals meme. So of *course* I was going to draw this #Oh Oh OH Speaking *of*#theres one tumblr user who i see in my activity feed who always makes my day more than anyone else #If you're out there....yodas big naturals.....Thank you for making me laugh

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cosettepontmercys · 28 days

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I truly can’t pinpoint when/what exactly changed about Taylor’s fans/fandom but the last few years (especially the midnights release) has really soured things for me and it’s honestly quite disappointing as someone who genuinely enjoys her music and thinks she’s a great artists. how did we get to the point of not even being able to voice an opinion about taylor without being crucified online. or if heaven forbid you dislike a song/album or enjoy the work of one of her exes (john mayer, the 1975, calvin harris, etc)

i’ve always been very fascinated/intrigued by the relationship between celebrities and their fans. and i think it’s really interesting to look back and think about how taylor built her fanbase by making herself as palatable/relatable/approachable as possible. like secret sessions, t party/loft 89/rep room, swiftmas, lover diaries, etc — all of which allow for fan interaction — but also relies on people getting noticed which then in turn encourages people to be as vocal? extra? whatever it is. which then feeds into the "who is a bigger / better fan" competition. i'm speaking from personal experience here, as someone who has liked her since debut — but i think a lot of this is also rooted in how much of the world hated taylor swift prior to ... i want to say folklore, really — like it was deeply uncool to like taylor swift, to be a swiftie, etc. and because a lot of that early criticism was rooted so much in misogyny, i think fans felt the need to (over the years) defend her — and i was one of those! i still am, when i feel like people are criticizing her unfairly. but i think that lends into the "taylor swift has never done anything wrong, and she's perfect and if you disagree then you're against us and you're a fake fan" mentality.

and then i think there's an element of ... not necessarily a superiority complex, but a something among fans who have met taylor. it's a genius marketing move, intentions aside. taylor's music is very personal — and taylor's marketing, and persona is very personal, in a way that other artists prior to taylor weren't, i think. relatability sells. you can see it in the way that people talk about her, and her music. which is very different from the way people talk about other artists — and obviously there isn't anyone else out there with the amount of fame/popularity as her, but you don't see the same amount of fanfiction-writing personal-life-speculating-projection onto other artists' lyrics as you do with taylor. and i think that when someone is that vulnerable with their thoughts, it makes it easy for people to think that they know them personally.

and i think that — as much as i love taylor — it's important to talk about her white woman feminism mentality. and i think that also seeps into how her fanbase interacts with her. the ginny & georgia "joke" is what comes to mind the quickest, but there are countless instances of taylor's white woman feminism — and her benefiting from it. and obviously it was in her right to call out a misogynistic comment, especially one directed at her, but not saying anything when the actress got so much hate for a line she didn't write ... made me feel a bit 🥴. it's interesting to see who taylor will choose to align herself with, i guess is all i'm saying.

i've really taken a step back from taylor — not just because the fandom is exhausting ( the amount of things i've seen about her, joe, travis, etc. is ... something! it's all projection! we do not know anything about these people other than what they choose to show us! ) but also because of her saying that she wanted to be on the right side of history and then over and over again choosing to be increasingly passive and silent. she will call herself an ally but won’t even talk about queer rights; she won’t talk about the literal genocide that’s going on. gun control, abortion rights, anything at all. it's just "go vote" but even that is incredibly passive. but she will take time to remind us to buy new variants, and to stream her music, and that her ex sucks.

i think there was a huge shift that started with folklore/evermore, just given that there weren't a lot of albums being put out during that time, the overwhelming public reception to it — a lot of people who previously didn't care for (or disliked) taylor started to like her, to give her a second chance, etc. then we get into the rerecordings era/midnights/etc., which started off with fearless and nostalgia and then became "how quickly can i put out the next thing". and bailey @placeinthisworld posted this earlier, which i fully agree with. it's about the next award, the next milestone. it's just all quantity. it's overexposure.

and then we have the joe alwyn breakup and the public response to that was also ... interesting. like i saw people crying over it, or saying that love is a lie, removing things from their playlists, acting like they were the ones who had been broken up with. which is just ... odd, given that we aren't the ones in the relationship. and now there are all these comments about being a "joe defender". and then with taylor dating travis, it feels almost like some weird american pipe dream unfulfilled fantasy for so many people — the singer and the american football player. and obviously, i want her to be happy! i don't care who she dates! but i do think the public reception about her and travis has been ... incredibly odd, and i think that the way people talk about her and travis is just ... very ... off-putting and is very rooted in some weird ... stuff. "she finally gets to be small :(((((" is such a weird thing to say. it feels like there's even more projection and self-insert-y stuff with her dating travis, which is a level i did not think was possible from her fans (and more so, the general public).

i have not felt this ... detached and impassive about a taylor release, ever, and it just makes me incredibly sad because i love her music, and am excited about the work, just not excited about the public reception, the public autopsy of her and joe's relationship, or the noise, and i know that internet spaces (and spaces in general) are what we curate, but it's also difficult when she is everywhere.

#so sorry this took so long to reply to! i was out of town!#post: answered #ts critical

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