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artytaeh · 2 hours
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I absolutely adore the way you wrote Tom Riddle❤️❤️
and i absolutely adore how sweet you are! 🌷 i'm glad you liked it <3 i feel like sometimes the fandom jokingly (or not?) perceives as tom being too impulsive and straight up rude when (personally! ofc!) i feel like he's otherwise. 😦
i'll try to write a little more of tom riddle! tysm for the feedback <3
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artytaeh · 3 days
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can i disagree with some of this fandom's perception of tom riddle? surely he won't be a sweetheart like lorenzo, but...
┊ i also don't think that he'd be so intentionally rude, so cold towards his significant other. i honestly think that if tom ever becomes infatuated with someone, he would take pride into getting this someone to belong to him. willingly! 🌷
౨ৎ i guess i'll never know the reason why you ♡ ͡
love me like you do; that's the wonder of you . . .
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... tom riddle is a smart man, you see. love, romantic feelings, to act like a couple and all of those things— these might be the most confused that tom riddle will ever be, because otherwise, he's an extremely competent, capable young man.
tom riddle does get confused, a little lost on what to do; he'd torture himself by discreetly watching couples at hogwarts interacting, maybe make some research (= read novels. romantic novels. it was a discovery of a new medieval torture for tom, seriously, to waste his precious time reading some sappy crap like that.) to better understand how to handle you.
how to deal with you.
how to cherish you, so that you don't ever entertain the idea of leaving him. you see, tom is a practical man— he'd rather not commit mistakes, because to fail, means to spend extra time fixing his error and doing the same thing twice, so that this time, it's done correctly.
applying this ideology to you, it means: that 1) tom riddle prefers to always keep your heart happy, so that you don't have doubts about him; so that 2) he won't have to take twice the effort to conquer the city of your heart again.
some think that tom wouldn't like petnames. to be fair, tom would frown at many of those, at first— thinking that they were cringe, disgusting or a psychological way to acquire diabetes. however, when tom gets used to this stir on his heart, those loud heart beatings that cloud his rational thoughts...
... it's excused to say that tom's preferred petname to call you by, is 'my love'.
tom reasons that's because it isn't a lie at all. well, you're certainly his— and because of you, because of your existence, of this enchanting aura of yours; that's how tom riddle discovered love. there are few things that tom is attached to. even fewer that he shows to care about, to have affectionate feelings for; one of them is the basilisk. others are his favorite books, all of them first editions that were troublesome, but endlessly worth it, to get. nevertheless, at the peak of the pyramid, there's you.
you. oh, how your name sounds so angelic, so right, so perfect on his lips. sometimes, tom doesn't call you by any petnames, so that he can mouth each syllable of your name, tasting the acquaintance of the name of his darling on his lips.
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he might call you by other petnames, depending on the occasions:
darling; which, in his opinion, is fairly one of the best petnames to be shared between a couple. because you, reader, are endearing to his eyes— a darling, really, whose presence immediately softens (ever so slightly, because tom riddle still is tom riddle himself, and that mask of stoicism of his won't be broken without putting up a fight.) those previously icy, cold eyes of his.
dearest; if tom is trying to reason with you. unlike what many think, tom would take a deep breath, put on that handsome smile of his, and use a gentle tone to convince some words inside that pretty little head of yours. 'dearest', he calls for you— so gentle, so full of affection; as if reminding you that you are the object of all of his affections and desires. you, his dearest, the one he adores the most. the reminder of such a fact easily melts you in less than a few seconds, which tom sees as too perfect of an opportunity to lose to convince you much faster.
doll; if you look rather ravishing to his eyes, whenever you dress up even prettier than other school days, and wear such pretty clothes and many accessories to further optimize your beauty. beautiful, perfect, flawless; like a doll. a carefully made doll. a doll, that sits there quiet and all pretty, obedient, doing as she's told.
( i must warn you, though, that tom won't entertain silly nicknames from you. tom riddle will ignore you, march forward without sparing a glance at you, not even acknowledging your presence should you insist on the matter. tom won't answer you, should you refer to him by such hideous petnames. you could be about to fall from a mountain, and yet tom won't help you until you address him properly. baby? he's not a child, for salazar's sake! pookie bear? now that might make tom riddle himself throw you off from the mountain's edge— call him such a monstrosity like that, and tom will lose every drop of faith on you. you're a lost cause. )
if he had to choose; yes, tom would prefer if you were obedient. contrary to popular belief, tom riddle is quite fascinated with sweet personas. to have a sweet significant other, who's all smiles and considerate words— it's so, so much easier for tom.
between a brat that trashes around for his attention, and a sweet girl who gently tries to indulge (purely out of concern, wanting him to share his problems with her!)— tom would rather choose the latter.
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quite the darling you are. to boldly take tom's hands between your own, with that frown of yours. no, you're not being whiny; yet tom can see that there's consideration, there's time spent on that little brain of yours, that tries to find the right words to speak with him.
then, when you voice your concerns— that tom spends some time alone from time to time, seemingly hiding something from you, as if to shoulder all of those burdens all by himself...
tom takes a deep breath, swallowing his temper. trying to keep his composure, because tom hates having to justify his actions. with a smile, tom puts on a facade, with a too much convincing tone: "oh, dearest, no. i'm flattered that you noticed that i haven't been having the best days; however, your presence makes everything better. in fact, being with you now, makes all of my problems seem insignificant in comparison."
should his sweet words not be enough to keep your nose out of his business, then tom takes a step further. holding your hands, tom squeezes them between his fingers, gently at first, tightly when you're too stubborn: "my problems are mine to solve, my love. i would never put such a heavy burden on you; your smile is too precious for me to ruin."
sweet, sweet words; some that tom mentally grimaces at, but knows that are necessary and effective with you. talking as if he's doing you a favor on keeping you away from his PERSONAL thoughts and goals.
and that's how tom pushes you way. gently, smoothly— so that you'd have to rethink this moment over and over, for you to understand that once again, tom riddle has tricked you; tricked you into doing what he wants. because without a fight, without you daring to bother him further... tom riddle made you go back to your own business, and leave his alone.
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however, when tom is in a better mood and less stressed with his own goals, he'd find it funny, entertaining even, if his darling tried to be bossy. to pout, to want some sort of control. it's hilarious for him.
so, he indulges you. well, sort of— tom tricks you into thinking that he gave in to your commands. to your whims. in a sneaky way, tom makes you think that you're in control!
the one who's in charge is you. yes, darling, of course. he pats your head, gives you that charming smile of his. with such a serene expression, tom briefly raises his eyebrows, mocking you inside that devious mind of his, as he says: you are absolutely right, dearest.
tom riddle doesn't really mind that you aren't consciously aware that the one in charge is him. that's fine; no, seriously, go and brag about it!
because ultimately, tom knows that what he says, goes. that with some sweet words of his, a little touch here and there, that you'll soon see the reason and comply to whatever tom wishes you to say, to do, to behave.
he does is so smoothly, that even for the outsiders, well... it'd be hard to realize that all that tom riddle is doing to you, is nothing but manipulation. and you're oh so easy to manipulate— it was a challenge at first. now, it's more of a chore; tom barely blinks through it. he knows you so well.
however, so that you whining and getting used to think that you're having things done your way, tom throws some praises and compliments here and there.
touching you chin, gently brushing his thumb on your lower lip; tom's gaze intentionally softens, as he praises: 'you're just too good to be true, my love.', whenever you act accordingly. when you do as he says.
brushing a strand of yours away from your face, so that he can further admire the physical features of his beloved: 'i sincerely can't take my eyes of you, darling, when you are so good for me like this. pardon the way that i stare— you're too beautiful.'
and with even more sincerity, tom riddle isn't sure where his manipulation ends and his genuine care for you starts; tom isn't sure, whether his words are now a muscle memory of his, or if he truly means them.
but he never allows himself to discover the roots of this thought. to actually find out if he truly is such an emotionally shallow person, or if his weakness for his darling is deeper than he realizes. no— this is one of the few matters, in which tom would rather remain ignorant about.
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because tom is such a gentleman with you...
opening doors for you. walking two, three steps ahead of you as soon as the entrance is upon sight, tom will open the door for you; his arm keeps it open for you to enter or leave the room first, and so those grayish-green eyes of his watch you, as you pass by. then, tom will enter just behind you, following your lead, quickening his steps to go back to his rightful place by your side. he lies to himself, saying that he only does such a small gesture to effortlessly keep you by his side. tom would be telling the truth, if he doesn't interrupt the thought that he enjoys to escort you— because, deep down, tom genuinely appreciates your company. every step, every minute you spend together. 'here, love. please, continue; what did you tell your housemate, then?'
tom riddle refuses to let you carry heavy books. so, as if it was muscle memory and so smoothly that you can't do anything about it, tom will carry your books along with his, as soon as you leave the classroom. it's not that he finds you useless, incapable; rather, tom riddle perceives you as a... preciously delicate, fragile little thing. most of the times, tom does it so nonchalantly that you don't even notice; you're too distracted by your conversation, to notice how tom carries your stuff, busying his arms. however, should you notice or worry that you're being a burden to tom in any way; tom shakes his head at you, waving off this silly insecurity of yours: 'i know you can carry them, beloved. however, allow me to do it for you. i am your boyfriend, am i not?'
offering his hand for you to take, whenever there's a higher step to be climbed up, or tricky stairs on your way. tom will do it too, to give you some kind of support, should you jump off of a particular high edge. whenever you wear high heels, tom would be specially careful with you— he offers his arm or hand for you to take, walking in a much slower pace than usual, so that you won't overexert your feet. we can't have his darling getting hurt, now can we? no bruises, no pain, no redness on your skin undesired by him, nothing to interrupt the lovely time you're spending together. 'take my hand, my love; it's quite high for you. that's it, darling, good girl.'
whenever you're about to sit, tom grabs the back of your chair, pushing the seat backwards for you to take, then helps you settle closer to the table. only then, will tom take his own seat in front of you. it's something that becomes so, so common between both of you, that sometimes you find yourself taking a few more seconds to sit down, whenever you hang out with your friends; unconsciously, you'd wait for tom to gently guide you to your seat. oh, you're spoiled.
leaning down to get the material you accidentally knocked out; if he's not quick enough to notice, then tom will keep his hand on the edge of the table, so that there's no chance for you to hit your head. 'quite the klutz, aren't you, darling?' — with a lighthearted tone, so that he doesn't come by as mean, tom couldn't help but to tease you just this time, — 'next time, let me get it for you, dearest. now, careful with your head.'
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... and because he's always so soft-spoken with you, well, how could you listen to your friends, in case they notice that maybe tom riddle isn't as a good guy as he lets on? that perhaps, he is a little controlling. that maybe, he's too overprotective of you.
→ and of course, being the fool you are, you stroll to the lion's cage (or should we call it snake?) and deliver all of this information on a silver platter for him.
SAT SIDEWAYS ON HIS LAP, tom settles your thighs to rest on top of his, while a hand is respectfully kept there; caressing the smooth skin, rubbing circles on the bare skin of your thigh, just inches underneath the hem of your skirt.
tom riddle keeps up a serene expression, sometimes humming in acknowledgement, to show you that he's listening to this ramble of yours. if it's a topic that seems to have bothered or upsets you, then tom will keep another hand on your lower back; he soothes you with small movements of his fingers.
oh, how funny. so this ravenclaw friend of yours, told you that it isn't normal for tom, your boyfriend, to comment whether you roll up your skirt during summer? that such a thing is being controlling? now that's something tom will have to deal with. perhaps, he'll only have to frame this irritating ravenclaw girl; have you ever thought that maybe, she's interested in tom? that must be why the ravenclaw is filling your pretty little brain with such absurd exaggerations of his doings. how lucky you are, to have an attentive boyfriend that easily notices when a friend of yours has bad intentions.
( for obvious reasons, tom despises amortentia. he finds it disgusting, but more than that, tom riddle perceives amortentia has a rather pathetic tool to get someone's affection. tom will never use it on you— he doesn't need to! however, he will get his hands on one, to use it on that nosy, insufferable ravenclaw friend of yours. only to prove his point. so that this nosy girl acts disgustingly flirty around tom, so that you'll come running back into his arms, crying about such an awful friend and that once again, tom was right. you apologize to him, for doubting his assumptions. you end this friendship and cut ties with the ravenclaw girl. and tom, well, tom riddle has once again rid both of you from troublesome outsiders. )
ah, now this is entertaining! so these friends of yours, housemates, have noticed that tom has been keeping an eye on you. now, dearest, that's rather silly, don't you think? so what if you seem to find the same familiar faces in the same space as you? do you really believe your friends' theories? that he sends his followers ''friends'' to follow you around the school? darling, hogwarts is quite enormous and spacious, yet all of you study together in the same castle. it's inevitable, to see familiar faces, here and there.
( however, tom will blame his followers. how difficult can it be, to follow, to stalk a girl like you? and to go unnoticed as they do that? sincerely, tom stares at them with such disgust, such disappointment, that his followers tremble under his gaze— the future dark lord even mentions the idea of getting rid of them. of throwing them away. after all, why would he need such useless, such incompetent boys like them, if they can't follow simple orders correctly? it's excused to say, that you'd never suspect being stalked again. 1) because tom reassured you that such a thought is rather silly; and 2), because these followers of tom riddle do a much better job. out of fear. )
oh, darling, what silly friends you have! sincerely, it seems like you only attract observant delusional friends, or attentive paranoid companies!
in the end, it doesn't matter if your friends tried to alert you about tom's toxic concerning flaws traits. because in the end, at night, he will have you nuzzling on his lap, holding you so tenderly; all of these warnings disappear into thin air, when tom makes you laugh at such accurate ridiculous accusations.
in conclusion: no, tom riddle would never be rude or snap at you; not if he can help it, not if he can keep his temper in check. he believes that the best way to keep you so effortlessly devoted and infatuated, to keep you willingly by his side, is to treat you with care (even if sometimes he has to manipulate his way into it). how lucky you are, to have such a obsessive caring boyfriend!
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🪻 ; . . . fandom : harry potter.
— i'm endlessly faithful to theodore nott. however. the first to kick the entrance door to my heart was tom riddle. and what a man (i can't fix him. i would let him ruin my life him tho!), ladies and gentlemen.
the headers + gifs + icons aren't mine. credits to the respective creators ! 🌷
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artytaeh · 7 days
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i'm tempted to write about theodore nott being absolutely high and rambling to reader about their wedding because he CAN'T shut up while he's high.
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artytaeh · 12 days
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oh i love the way you write theo !!!! please more more more whenever you feel like it i will eat it all up
this is so sweet i can't </3 seriously i'm so happy for all of the comments + love that the drabbles are getting! tysm 🌷
i have in my drafts more of theo actually! i've brought a little angst, then fluff, who knows the next one will be a smut or something that breaks your heart a little more 💭 once again thank you sm for the sweet words!
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artytaeh · 13 days
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. . . this is a silly thought, but indulge me!
( i might write more elaborated headcanons about it, though. let's see, let's see. 🌷 )
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thinking about reader having kids with mattheo or theodore. and despite these two being so similar in some things, they'd be the opposite on this:
because there's a vital part of your baby growing up, where they start babbling, threatening to say their first word. the silent expectation to see which of you the baby will call for first— their mama, or their papa.
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THEODORE NOTT is a mama's boy; even at his adult stage, having left hogwarts with you and putting a ring on your finger, it's inevitable that theo's mother always had, always will have such a special place in his heart.
theo looks at you, looks at the baby created from the strong love you feel for each other— and his heart aches, somewhat bittersweetly, as theodore imagines his mother there with his little family; making the scenario even more perfect on his eyes. theo constantly thinks about how much his mother would absolutely adore you, and be the best grandmother possible for your baby.
so, being a mama's boy— and seeing the tenderness you have for your child as a parallel of the unconditional love that theo's mother had for him...
... theodore nott isn't competitive for the first time on his life, because truly, theo wants your child to call out for you first.
not because he's uninterested or doesn't care for your child! no, it's the opposite— theo loves you both so, so much, that his heart feels like bursting from so much love, so much tenderness and happiness. it's just that you deserve it more!
both of you made the child, of course; a human being isn't made alone. yet, as much as theo supported you as much as he could— it was you whose body developed this little human that theo adores so much. you went through all those morning sickness, all of those cravings and body changes; it was you who spent hours in labor to bring that child to the world— it was you who fed them on their first weeks of life.
so, seriously, with all his heart: theo felt like it was only fair for this little human of yours to call for his beloved wife first.
and he even makes sure that such a thing happens!
on a sunny day, you'd find theodore sat on the garden; during these first months of this little human's life, it was a joint decision to spend them in theo's childhood house— where he grew up with his mother, on these beautiful grounds of italy.
sat with his back against a tree, theo uses his knees to support the baby's back, as the little human giggles and trashes both chubby arms and legs, amused by the tenderness of their father; theodore nott. he makes sure that the baby has their beautiful eyes looking at him— pronouncing the syllables with patience.
'ma-ma. mama. maaaaaa... ma.' he'd say, slowly for the baby, exaggerating the movement of his mouth, so that in a way, it would be easier for them to imitate.
it didn't matter how long it took for the baby to properly say those two simply syllables— theo would keep mouthing 'mama' over and over again, carrying the baby on his arms, to then point at you: with a cheeky smile (proud to be the father of this little human, whose also your child. you're their mother. and his wife.), theo gestures to the baby.
'mama. that's your mama; the woman i love the most. ever since i saw your maaaa-ma, i knew that she would be la mia futura sposa.'
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MATTHEO RIDDLE, on the other hand, doesn't know how to lose; unless his loss brings some sort of benefit to him, obviously.
however this time... no, there wasn't much of a benefit, of a reward to let you win this time. it was a question of honor, of duty! to get this child of yours to call for mattheo first. (as silly as it is, mattheo needs a way to subconsciously assure himself, that he'll be a better father than his. that he'll offer support and unconditional love to this baby— not fear, resentment, and vicious bad habits to deal with the damage.)
and despite this tiny human being days, weeks or few months old— that doesn't really matter to mattheo, because he'd sooner than later teach your child about this corrupted world you live in. that this society, the human beings are nothing but weak meat, meant to fall into temptation, to indulge corruption and...!
long story short: mattheo tries to bribe the tiny human into loving him more.
and mattheo riddle is a creative man, you see; bribe is not just made with money, no, no. bribe comes in various ways:
demanding to be the one to mostly change the baby's diapers, so that mattheo could have more time alone with them, to manipulate that little brain to find it easier to babble the letter 'p' instead of 'm'— and one day, he might oh-so-dramatically say that he was the one to bear with the smell, who had to do the dirty work of changing diapers! because this being said, he deserves more acknowledgement, seriously!
encouraging this tiny human to talk. and when i say encouraging, i mean that mattheo indulges all those gibberish as if they were proper words, ones that mattheo assures to understand, and so mattheo and the tiny human engage a serious conversation. when the baby is quiet (which is rare), mattheo disturbs the peace and quiet, so that he can trick the tiny human into saying that simple, easy word. 'paaaaaa.... paaaa... papa. paaaa! pa!' he sing-songs.
by playing so much with the baby, be it with the amount of toys they have on their nursery, or by tickling, making sounds, already teaching the tiny human how to throw punches (just like his father! 🎀)— mattheo believes that he's associating himself to the feeling of having fun. so if not him, who else would they call for?! (you. because you're the most amazing mother, and mattheo knows that; he tells you that every night, so proud of this beloved family of his.)
another silly thing he does is pronouncing the word 'papa' really slowly, mouthing with such a dramatic and exaggerated movements, that it always makes you laugh when you testify it. however, when mattheo points at you, he says the word 'mama' in a faster way, purposefully making it sound very confusing for the little human on his arms.
and when you caught mattheo doing all of these things, so that he gets to be called by this baby of yours first— well, mattheo is already expecting a lighthearted slap on the nape of his neck, but oh well, the punishment and the effort are worth the prize.
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🪻 ; . . . fandom : harry potter.
— i'm on a huge slytherin boys brainrot. no, seriously, i have so many drafts about headcanons and drabbles about them; the comments and reposts of theo's drabble melted me into a puddle, i swear. :( tysm!
the headers + gifs + icons aren't mine. credits to the respective creators ! 🌷
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artytaeh · 18 days
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THEODORE NOTT— a popular slytherin, an introvert at heart, despite his reputation as a womanizer. theodore nott, who has a big, terrible communication problem.
with the pure terror of displaying his vulnerable emotions, theodore smokes cigarettes to force his emotions to disappear with the wind; bites his inner lip and cheek until his mouth bleeds, so no tears threaten to make way to his eyes.
when theodore nott cries, he stares blankly into the wall. he doesn't sob— sobbing would make him even weaker, more vulnerable, less capable and definitely useless, in his father's eyes.
silent tears are the epitome of theodore's sadness, because other than that, his sadness, stress and troubled thoughts are never known. hidden by a mask of stoic expressions.
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theodore nott is 'stupid' smart. if he wasn't a slytherin at heart and soul, then he'd be a ravenclaw, or at least that's what the professors comment amongst them. theo enjoys reading, and would easily spend his afternoon on a silent, vacant corner of the castle, devouring a book in few hours.
he lies, saying that it's simply because knowledge is a good weapon. he'd be saying the truth, if theodore confesses that he reads this much, because whether be it fiction or not, he can escape his thoughts to fully concentrate on the book's contents.
theodore nott is knowledgeable, theodore nott is a good, straight-A's student. theodore nott is quick-witted; you wouldn't want to banter with him, because usually, he gets the last word with a victorious, cheeky smile— an insufferable cocky grin.
and yet, shamefully, theodore nott has no idea how to verbalize his feelings.
every good liar is like this, he'd argue. in exchange of spilling the most atrocious lies with a straight face and nonchalant tone, theodore finds it awfully hard to tell the truth.
ask him what's wrong— you can do that, sure. now, if theodore will answer you, that's another story. and to give you a genuine answer, if he doesn't snap? then an angel must have fallen down its altar.
then, if he can't verbalize or trust anyone, not even mattheo riddle or lorenzo berkshire on a good day— what does theodore nott do, to deal with his full mind and empty heart?
theodore nott destroys.
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he destroys other living beings,
being the first one to join mattheo riddle, with a smile on his face, when his best friend snaps at the smallest hint of disrespect. throwing a (not really) deserved punch at a guy that honestly, if you ask him afterwards, theodore has no idea what he done wrong.
when lorenzo scolds mattheo for starting a fight and reprimands theodore for indulging it, the slytherin simply shrugs. he's "looking out for his bro", he says. that's only partially true, as much as he deeply cares for mattheo.
everytime that he starts fights, like a rabid dog. theodore doesn't really know when he stopped being il dolce ragazzo of his madre. when he became a dog that bites without thinking about barking first. "so much for claiming to be the logical one," — lorenzo muses.
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... he destroys himself.
which would explain the concerning amount of muggle, wizarding, flavored, all shaped packs of cigarettes he owns. there isn't a brand that he didn't try, at least once— the more harmful, the better.
smoking until his lungs become as black as his heart, as his dark thoughts. smoking, until he drops dead with his worries. smoking, until theodore nott becomes a better man (something that he doubts he could do, for he was born a broken man— born from a couple that should have never crossed paths with each other).
consequently, damaging his hands. skin that becomes calloused and slightly scarred from the cigarettes. knuckles constantly bruised from throwing punches at gryffindors or smartass ravenclaws.
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so, theodore nott starts believing that he's unlovable. that loving him— oh, that would be torture. pure masochism, that he wouldn't wish to anyone, not even the witch he dislikes or rolls his eyes at the most.
and that becomes a creeping fear of his. oh, theodore is terrified, when the thought of becoming like his father plagues his mind.
to think that he'd become such a disgusting man, the man who brought so much pain to his mother, that killed the only person who truly loved him.
what would his mother say, if she saw him like this?
would she be disappointed, would she be ashamed to even spare a look at him? would her beautiful porcelain face become a frown, would she walk away, disgusted?
theodore consumes three more cigarettes on that thought alone.
... or would she give him a sympathetic look, gazing at her dolce, bravo ragazzo with those tender eyes of hers? a shade of blue, that theodore was fortunate to inherit.
a sad smile makes its way to his lips. because now, even for a brief moment, theo is himself again. he's not a casanova slytherin, he's not the heir of the nott family. theodore nott is simply his mother's little boy, her teddy.
in honor of such bittersweet memories, theo drops his cigarette and doesn't smoke for at least 24 hours.
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theo doesn't know how to deal with comfort. genuinely tender touches, fingertips grazing his skin so lightly—
of desperately needy, lustful touches, he knows. he knows them very well, from all those times he slept with a woman, ruined her for the next guy. from the times a slytherin girl gripped and pushed his hair, needing, begging more of his mouth on her; or when a gryffindor got so lost in pleasure that she left the mark of her nails on his back; when a hufflepuff senior clenched her fingers on his torso, hips and shoulders, screaming for more, deeper, faster; that time when he found a way to shut up a particularly insufferable ravenclaw know-it-all by fucking her mouth, and when he felt the back of her throat on him, the stubborn ravenclaw gripped, scratched, protested on his thighs.
of harsh, violent, cruel, merciless touches, everytime mr. nott decided that a disgusted, disappointed gaze wasn't enough to educate his son. when those knuckles adorned with rings curled into a fist, and theodore was beaten into discipline. all those times he started fights and consequently got hit by a punch or two, even though theodore is a good fighter, and makes sure that even if he does get hurt, the receiving end is in worse state, in need of more than one night in the infirmary wing.
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... but comforting, meant to soothe, gentle touches? oh, theo is terrified of them. rather than flinching away from a fist coming his way, theo looks like a scaredy cat when fingers come to brush his hair away from his face, with all the love and care of the world.
theo doesn't know those touches. to be fair, yes, he was acquainted with them once— but that was long, long ago, when his mother was still alive. a life ago, really, because sometimes theodore wonders if he's the same teddy he once was, under the protective but loving arms of his mother.
so at first, theo panics when you hug him, when you physically bring comfort to his broken, damaged heart.
but then?
then, after he gets a taste of how heavenly it feels to be held by someone he loves? then, theo embraces the fact that he is indeed a touch starved man. then, theo completely and shamelessly melts under your touch, relaxing in your embrace, wishing to never leave this safe haven.
( or maybe he does. a little voice on the back of his mind, menacingly suggesting that this safe haven, this loving harbor — you — might disappear into thin air by the cruel hands of his father, the same he did with his mother. )
but before his truly prodigious brain dares to overthink once again— your hands comb through his hair, brushing it back along with his worries, massaging the scalp and melting the troubled thoughts away. that's when theo closes his eyes. that's when he, finally, is in peace with himself.
and if you'd ask him; this is when and where theodore nott is the happiest. this is when theodore nott is teddy again.
౨ৎ these voices in my head screaming ♡ ͡
run now. i'm praying that they're human . . .
🪻 ; . . . fandom : harry potter.
— my motivation? it's a silly little drabble, about my favorite slytherin. theodore nott deserves love, seriously.
the headers + gifs + icons aren't mine. credits to the respective creators ! 🌷
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artytaeh · 1 month
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listen. i am slighlty obsessed with mamma mia— which means i adore abba's songs. so just yesterday i decided to listen to the songs from the movie.
and, because i'm in a huge harry potter brain rot, guess what: amanda seyfried and dominic cooper's duets could so easily be you, reader, and the weasley twins singing with you, because they know just how much you love listening to abba.
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so yes, to the point where you, fred and george know every single line. and on karaoke nights? the twins know by heart when it's their turn to sing.
i feel like fred is the most enthusiastic about it. lay all your love on me gets more tension between you, staring into each other's eyes, feeling every line:
no, fred wasn't a jealous man at all when he met you! but yes, every man fred sees now is a potential threat, trying to take you away from him — usually, he lifts you up on his arms, looking around with a serious look, as if to watch out of his best-friend-slash-love-of-his-life thieves.
george is possessive! which isn't nice. he uses his fingers to pretend that he was holding a cigarette, blowing air like a smoker would, because now he has another obsession, a bigger vice: you!
now all of this isn't true. now everything is you— and this is when both twins make their way to you, crowding, surrounding you, leaving nowhere to run.
all that the cheeky twins have learned as overturn: so they beg of you, george kneeling on the floor, fred pointing at his bleeding heart, making you laugh everytime.
you get to sing the other part of the song freely, with even more enthusiasm as them, knowing every low and high of the song, and the twins can't help but smile everytime you are this happy.
on the chorus, though? the three of you are screaming, yelling your lungs out.
unironically, i feel like at least one of the twins finds out they're in love with you here. fred, probably because he feels the song too strongly, feeling selfish of you, wishing all of your love to be layed on him— george, on the other hand, realizes how insanely in love he is for you. how (healthily. he hopes.) obsessed he is for you, and all of the moments you spend together.
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however, one of us gets a playful yet theatrical vibe, exchanging smiles and dramatic expressions, as if you and them really had just argued. as if you're a couple on the verge of breaking up, as if you were rotting on bed, wishing to be on george's arms or listening to fred's schemes— at the burrow, a place that feels like a second home to you, because it's where fred and george are on their most domestic displays.
once the music starts, the three of you get a neck ache, snapping your heads to stare at each other, grabbing any cylindrical object to be your microphone.
you have enough seconds to change your goofy, enthusiastic smiles into sorrowful expressions, frowning as if this was a painful truth to be sang.
you sing. you point at them, accusing them of breaking your heart— everytime, george looks at you, offended that you think he'd do such a thing! fred, on the other hand, nods as if he was accepting his fault.
they sing together the lyrics, fred finishing with ''waiting for a call...'', looking at you a little too lovingly— secretly, fred hexed a box with all of your letters, which he reads during vacations and holidays that you're far from him, dearly missed by him. every morning does fred weasley wake up in hopes that mixed with arthur's work letters, harry's letters to ron and ginny's friends giftcards, there's something written by you to him.
they sing together a few more words, because this time, it's george who finishes the chorus by himself: ''wishing he had never left at all...''; a feeling he remembers all too well, every single time he has to leave your company to go to his own classes, classes that you don't share due to belonging to different houses. that little heartache, of seeing you turn your back and leave, after waving him goodbye— you live in different houses, sometimes too far for him to chase your company in the middle of the night, or to straight up tell you something stupid he just remembered.
deep down, everytime this song is so passionately sang by the three of you, the twins wish to never get to feel exactly as the song proposes. the feeling of things getting so bad, that one of you has to leave.
being the most patient and more of the "good" twin of the duo, george is hopeful that being on no-speaking-terms wouldn't happen, and if it did, only lasts a few hours. george is hoping that you and him are such a good match, a match made in heaven and hell, never fight this hard.
however fred, the "bad", 10% more devilish of the duo, fears that his impulsive words might hurt you so much one day, that he'll be laying on his bed and wishing to be with you instead, knowing he messed up.
at first, the twins frowned at your music taste. sometimes abba's songs are frequent on dorms' parties, fred too focused on dancing and jumping amongst the other students' enthusiasm. george, however, is a little more observant of the others' fun, watching his friends dance and other boys trying to make a move on the girls they fancy— which means, watching is baby brother ron trying to get a dance with hermione.
it gets them a little effort to like abba as much as you do. george is the first to learn the lyrics, making an effort for you and to sing a long on car drives. fred struggles at first, but gets surprised when his voice naturally sings along.
when did he learn the full song? the full album, even? he accuses you of bewitching him.
( truthfully, fred becomes a bit of a bigger fan of abba than george, now that he gets to dramatically and theatrically sing the songs with you. )
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pretending that you're a little younger and flirting with him on does your mother know?, or you singing it out of spite when the twins mess up, when you just know that they will, sooner than later, listen to molly weasley's wrath for what they did.
all brotherly and stupidly supportive, being the one who remembers to sing chiquitita of all songs, fred starts the famous ''chiquitita tell me what's wrong...'' when you're sad about a low grade or crying— yes, this makes george wheeze his voice out everytime even though he tries so much to take your problems seriously.
waterloo is a song you feel... personally. because everytime you are defeated— fred and george won the war: convincing you to join their schemes, silly pranks, and future plans. the history book on the shelf is always repeating itself: you, fred and george at the crime scene once again. you promise to love fred and george forevermore— fred teases that you couldn't escape even if you wanted to (mf is tall, has long legs and is capable of running FAST after you); george, on the other hand, assures that he knows, fred knows, you know that your fate is to be with them.
going to detention, fred opens his arms to you, and soon george gets what his (slightly) older twin is about to scream: "can't you hear me? SOS!"; when you're gone, though they try, how can they carry on? detention is a little more bearable when you're caught red-handed with them, and so, you, fred and george have a date later at evening, to clean the great hall or other part of hogwarts. "and the love you gave me, nothing else can save me, SOS!" is a lyric you know all too well, because if you decide to be a little more sarcastic, slightly cold to them, george wraps your shoulders with his arm and tilts his head to look at you and sing it to you, meanwhile, fred shows up in front of you with a forearm on his forehead. a true damsel in distress, now that he sees the little sassy monster he and george created.
super trouper is a core memory to you, the twins, and dear ginny weasley, once again crying because of her first unrequited love on harry potter. something only you know, because you and ginny wouldn't want poor harry to suffer too much with fred and george's pranks. this time, each of your hands pull one twin to the side, then you point at ginny, who's a little more calm after crying her eyes out, and sing the first part of the song. fred thinks it's a good idea, honestly, since you always laugh at chiquitita, and for a second george seems to regret this friendship. because, are you serious? but then, when ginny smiles and accepts your invitation to join the spectacle, george decides that super trouper is a favorite of his— specially because he and fred know that somewhere in the crowd, you'll be there. and they'll be there when you arrive. always. forever, if fate allows them.
on valentine's day, george is the one to start this whole abba epidemy you're having. take a chance on me starts shyly with george, because you haven't received any letters or chocolates despite your popularity (which is cough more of fred and george's fault cough after effective threats on any funny little guy who fancies you). fred laughs incredulously, because as bad with seriously sweet words as he is, he doesn't believe that is identical twin is starting this conversation with an abba song. but of fucking course. and if you're wondering, yes, it did work. you took a chance on them.
voulez-vous is sang by you, the twins, and everyone else at the hufflepuff's party, when the team wins against slytherin. it's then that fred, if he wasn't an official fan of abba, admits that you have a good taste— because it's easily one of the funniest and enjoyful moments of the party: if there were students outside the dance floor, with voulez-vous, everyone is standing up and crowding hufflepuff's common room. layers of circles of students move to the left, the layer behind to the right, and so on. the whole time you're singing to fred and george, and when it's time to your students' circle to move again, fred gets on your left so george stands on your right, making sure that the enthusiasm of other students don't push you to the ground, or hurt you unintentionally. even when they're having the most fun, fred makes sure you're in the middle of them— for the first time, being the slightest responsible twin.
and yet, when you're being the kindest soul to help the weasley twins decorating their shop, money money money is the mandatory song to attract good business, good luck, and good clients for them. it'll be a rich man's (men) world indeed, when weasley's wizard wheezes starts getting so famous, that fred and george promptly have a jar of savings— money to be spent with you, on you, for you. to spoil their best-friend-slash-love-of-their-lives.
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should i make a series?
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artytaeh · 2 months
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I LOVE THIS SO SO MUCH this is my favorite thing on tumblr. leviathism i love your brain.
gender neutral reader
“Goodnight!” You shouted down the hallway before you shut your door, unable to not smile after you heard the muffled replies of the brothers shouting back to you.
Climbing into bed had never been a difficult task and today it was no different. With you safe under your covers and your phone to distract you, you were perfectly content.
But, then, of course,  Mammon came marching in as he had always done since your first week here. However, you had grown so used to this that it no longer disrupted the peace anymore.
So, you ignored him and simply lifted up the covers for him to slide into.
After a few minutes of DevilTok, you threw your phone onto your nightstand and covered yourself up with your blanket. You were finally ready to sleep.
Mammon curled closer, his face hidden in the blanket over your stomach. You smoothed his hair down, smiling at how he only pressed closer at the touch.
Your door creaked open. You raised your head but you were unable to tell who it was. They settled on the side opposite of where Mammon had gotten in and rubbed your shoulder gently instead of saying anything.
The lamp turned on. It was Satan. You rolled onto your stomach, trying to shield your eyes from the light. Mammon grumbled, annoyed that he could no longer hide his face in your body comfortably.
Your door once again creaked open. You groaned.
Another weight to the bed. Someone had decided to lay on your back. Four people in your bed was too unusual. You peeked an eye open.
Mammon was baring his teeth like a feral animal at whoever was on top of you. You would bet a thousand Grimm that it was Belphie.
You looked to your right. Satan wasn’t even reading his book and was instead looking at you.
You rolled your eyes. You knew what was happening. Your demons had once again came to the conclusion that you were human with a human lifespan.
You decided to just let them angst this one out.
The door opened and this time, two pairs of footsteps wondered to your bed. “Sorry, hun,” Asmo whispered as he crawled over you and Mammon. “Wanted to see you.”
“Uh huh…” Levi took his spot on the outside of your legs, your left calf acting as a cushion for his head. You prayed that you wouldn’t accidentally kick him in your sleep.
Then you heard the crunching of chips and a crinkle of a bag. You hadn’t even noticed him walk in.
You moaned into your pillow, exhausted beyond belief. “Beel, please stop eating. I know it sucks to be told that, but go outside if you’re going to crunch.”
There was an incoherent reply and then silence. The edge of the mattress dipped down. Satan turned his lamp off.
You worked on ignoring all of them, closing your eyes tightly and hoping for the best. Asmo dragged his manicured nails up and down your arm and it pulled you into a sleepy haze. You hummed out your appreciation and Asmo giggled tiredly in response.
You felt yourself rocking in and out of sleep, even drooling with how at peace you were. Maybe it wasn’t so bad having six demons in bed with you. Maybe it was worth it for this amount of comfort.
And then your door slammed open.
“Get out of their room, now.” A deadly aura made you choke on air, shivering violently. Lucifer was in his demon form and livid.
Belphie jolted awake on your back, making you gasp in pain as his elbows and knees dug into you. Mammon reacted, scrambling to pull you out from under him.
“Mammon,” Belphie growled, easing his weight back down onto you. “What do you think you’re doing?”
“What do ya think YOU’RE doing?!” Mammon huffed, irritated. “You’re hurtin’ ‘em!”
“They’re fine. They can handle it.” He patted you on the head. How were they ignoring Lucifer? You shifted warily under his weight, unable to see anything happening.
Lucifer started stomping over. You shrunk under Belphie, trying to hide.
“Who do you two think you are, ignoring me?” Lucifer loomed over you three, Levi rolling away to avoid confrontation. “You will all go to your own rooms immediately. The rest of you as well.”
“Lucifer!” Asmodeus whined, leaning into a dozing Beelzebub’s side. “Why can’t we stay? What’s the harm?”
“They were just about to sleep but someone decided to wake them back up,” Satan glowered up at Lucifer. “I think you should be the one to leave.”
“Oh my god, Lucifer just let them stay.” You took matters into your own hands, rubbing at your face tiredly. You wanted no more arguing tonight. “Thanks, but if I didn’t want them here I would’ve gotten rid of them long ago myself. Stay or leave, I don’t care just please turn off the lights.”
He walked away and flipped the switch, darkness fortunately covering the entire room once again. You relaxed and felt Belphie nuzzle into the nape of your neck.
You heard a chair being dragged on your wooden floor and then Lucifer sitting down. You rolled your eyes. Of course he would choose to stay but not be in the bed.
Now, with everything and everyone finally settled in for the night, you got to thinking.
How could all of them be upset over the same thing at once? You think quietly as you can in your bed filled with eight people and come to a damning conclusion. One that makes your stomach twist painfully.
“You had a family movie night without me, didn’t you? And it had someone dying long before someone else, didn’t it?” The sound of breathing stops, seven pairs of eyes stare at you, all conveying different degrees of guilt. “What the hell?”
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artytaeh · 2 months
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for the dearest headcanon writers .ᐟ
fear not, in case you're bored, here's some
suggestions of headcanons you could write
about! ( and that i personally would love to read
about, but shh. )
𐀔 with a s/o that frequently hides behind them and peaks over their shoulder. could be out of shyness or because she's surrounded by people she's hesitant about.
𐀔 type of date they like the most. maybe a headcanon about where they would like to go on a date, where they would have fun, if they'd think too much about it, for how long the date would go on, if they take them home, etc.
𐀔 when travelling with s/o. are they the ones who plan everything? or do they go with an unplanned schedule? which transport they'd like the most, and to go where? stuff about hotels and shopping would be fun to talk about too.
𐀔 with a s/o that is a perfeccionist about their hobbies. could be something about painting, playing any instrument, dancing, writing, etc. could be about them both being their #0 stans but also helping s/o cope with not being satisfied with the 'product' (painting, choreography, etc!) of their hobby.
𐀔 with a s/o who's avoidant with problems. here you could go 2 ways: a) s/o hates conflict so the relationship becomes a little bitter for their avoidance of 'fighting' or trying to solve the problem; or b) s/o that runs away from her problems. she's too scared to go out to do something? she doesn't go. so the partner helps the s/o dealing with this.
𐀔 when they use glasses, and s/o thinks it's attractive. hear me out; a character who usually doesn't wear glasses, only on rare occasions (to read, for example!) and s/o simps over it.
𐀔 with a s/o that has a style totally opposite of them. for example, if the character uses darker colors = s/o wears lighter colors. how would they react? do they think it's a funny thing?
𐀔 moving together with their s/o. who took the initiative to suggest them moving together? unpacking, their first night sleeping on their bedroom, settling rules / sharing tasks...
𐀔 when the group asks reader who would be the best partner out of them, and reader answers their name. it could be the reader's opinion about who would be the best partner, or who matches reader's ideal type the most. it would be funny to see the character's reaction, and if they would act on it or not.
𐀔 and the petnames they'd used with their s/o. do they still call s/o by their name? which kind of petnames are they fond of? maybe include ones that they'd like to be called as, too!
𐀔 with a reader whose love language is physical touch, and ask character to hold their hand / for a hug. this would be before reader is their s/o, this also being the first time that reader asks to be comforted or held by them as well.
𐀔 with a reader that constantly has nightmares, and is afraid to be alone afterwards. how would they react when reader calls for them? what would they do to sooth / help reader to avoid nightmares?
𐀔 when they plan a date / surprise for reader, but they didn't know so on that day, they hang out with other people.
𐀔 with a reader who has arachnophobia. as someone who has this, i promise you that this is awful and that i need someone who acts like my knight in shining armor about this.
𐀔 with a reader who has claustrophobia and they end up stuck inside a small room. for my claustrophobic moots. </3
𐀔 with a reader who was hit with an ability / spell that makes her eyes change color according to their feelings. reader is angry? red eyes. reader is sad? blue eyes. reader is flustered and shy? pink eyes. reader can't lie about their emotions now, would the character take advantage of this?
𐀔 with a reader who secretly has a nerdy side, and could talk about their favorite thing (animal, anime, series, book, game, etc) for hours.
𐀔 with a reader who is a picky eater. would they help reader with this, or would they complain about it?
this is all i could think of right now,
but if i get more ideas, i'll post another
one of these in hopes that some
writer will post headcanons about
these. 🎀
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artytaeh · 3 months
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don't mind me, i'm just fond of thinking about SESSHOMARU having a human s/o that ends up targeted by other humans, who judge her for being a youkai's wife / partner. i imagine them trying to kill her because of that,
and she ends up dying with an arrow on her forehead, while she tried to run away.
of course, SESSHOMARU didn't hesitate to return her to life with tenseiga. but the image of his s/o dead, dropped on the floor with void eyes, and an arrow stuck on her forehead as their pale face contrasts with the blood dropping from her wound...
... to the point where it becomes a habit of SESSHOMARU, to always kiss his s/o on that spot, where the arrow was. he does it almost to be sure that his s/o is alive, there with him, as if that death never happened and that arrow was never stuck on that forehead.
i like to imagine that despite tenseiga's healing, his s/o might have a tiny scar, or even something very light where the arrow penetrated her head.
this was a totally 4am thought. 💢
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artytaeh · 3 years
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atsushi: did you know that one in every four people are gay?
akutagawa: that means one of us is gay.
dazai: i hope it's chuuya.
chuuya: we're all gay, you idiot.
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artytaeh · 3 years
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dazai, holding a python: guys the book said snakes could kill you so i impulsively bought a snake, what do i name him
kunikida: you did WHAT–
ranpo: william snakepeare
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artytaeh · 3 years
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shaun: isn’t it weird that we pay money to see other people?
ricky: concert tickets?
ram: plane tickets?
lou: prostitution?
shaun, holding his broken frames: glasses.
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artytaeh · 3 years
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shaun: my partner must be of the utmost logical mind, graceful and-
emilyko: [trips over a plant and apologizes to it]
shaun: -i want that one.
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artytaeh · 3 years
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louise, mirabelle, isabelle and sarah sitting on a bench.
kate: why do you guys look so sad?
louise: sit down with us so we can tell you.
kate: [sits down.]
sarah: the bench is freshly painted.
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artytaeh · 3 years
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kate: guys, i’ve been meaning to tell you… john and i are dating.
louise, patrick, and john: [gasp]
kat: john, why are you surprised?!
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artytaeh · 3 years
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venti: what if you hit your alarm clock one morning and it hits you back?
kaeya, smirking: that would be alarming
diluc: get out
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