wait hey i just realized that greater boston has 5 seasons like the 5 stages of grief. hm. oh no. i kinda wanna see if there’s actually anything there, so im just gonna speculate...
season 1: denial. leon’s ghost isn’t yet confirmed to truly exist, so his haunting is much more... metaphorical in tone. there’s a seance made in an attempt to speak to him and a persistent theme of michael claiming/believing himself to be haunted by leon’s ghost, saying he’s still there, helping him, which sounds pretty denial-y to me. (yes, even though he was right. he was both right and also in denial. you understand.)
(chelmsworth tries/succeeds at starting red line, and leaves before he can become mayor. michael tells him that there will be consequences, and chelmsworth ignores him.)
season 2: anger. red line is officially a thing, and so is leon’s ghost. i don’t remember a lot about what specific events occurred in season 2, actually, other than that there definitely was anger, i think? the anger isn’t exactly unique to this season, tho, there’s a lot of anger in season 1. emily feeling angry about her marriage, isabelle, angry about injustices, nica, angry about being abandoned, lashing out at complete strangers all of the time. i guess anger might be the driving point of season 2? it’s why emily is even a problem, and why nica stoops so low.
(one thing that IS unique to season 2 is that this is where EVERYONE starts being angry at CHELMSWORTH for leaving them behind,)
season 3: bargaining. (chelmsworth comes back, with the intentions to make amends!! he even offers gifts!! he is turned down. hard.) michael gets to talk to leon again and michael pleads with leon to play chess with him, forgoing sleep and food. one game? it’s just good to hear your voice again... and leon, at first, relents, but once the game is done, leon tells michael that he needs to let him go, once it’s obvious that this isn’t good for him. again, michael’s pleading- no, he’s bargaining, that there’s so much value in the way that michael’s person-hood is being overwritten with leon’s own, in the way he’s losing himself in leon’s thoughts, his feelings, his memories.
leon’s a CHARACTER again, and his friends are looking for him. sure, leon’s a ghost, but he’s right there! within arms reach and not behind the inconceivable barrier between life and death! it’s almost like he never died! ...but.
speculation:
season 4: depression. it’s not safe to hold on to leon that way. as evidenced by michael and poletti, talking to leon is too dangerous for most people. it hurts them. badly. deeply. leon is dead. he killed himself, and his return as a ghost doesn’t change that. everyone has to move on, for their own sake and his. leon hasn’t exactly “come back to them.” not by choice, anyway, and he’s leaving once he gets the opportunity to do so. that’ll probably be pretty disappointing, and, y’know, really depressing.
season 5: acceptance, leon doesn’t want to roam this world as a ghost anymore, and wishes to return to his rest. he needs help to do so, and he’ll most likely need it from those who loved him most. they finally let him go, and accept that, this time, they’ll really never see him again.
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theres a million blogs these days with names like "puppygirl-macrobulge" and "netflix-for-girl-balls" and whatnot who make 150 posts a day like "theyre all out of 'piss from a girl who's been holding it in all day playing factorio' at trader joes, whats the fcuking point of it all" and i gotta say, i didnt expect that to be its entire own genre of posting in the 2020s.
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leverage is so fucking funny. man manages to find the most mentally ill and neurodivergent group of thieves on the market + an even more mentally ill guy whose literal job description was trying to chase all of them, and forces them into a found family speed-run by trying to blow them all up. they lowkey stage a full fucking country wide coup and are like eh 🤷 just another wednesday. this might be a fun place to vacation tho i guess. sophie shows up to her own funeral twice. they're so good at convincing people of their shit that they make a guy's body start reacting to an illness he doesn't have because it isn't real. go completely out on a limb and basically hand this one guy a new password for his computer so they can get into it and he goes with it. parker and hardison have straight up just "fake it 'till you make it"d into the fbi without even attempting to cover their tracks beyond just These Two Guys. half their clients never asked to be their clients and don't know they're their clients, and the other half are random people who find them who fuckin knows how, meanwhile no government agency can track them down without selling their soul to sterling. they make a point to have a dramatic scene w a Big Bad Shadowy Government Guy who doesn't actually get caught or brought to justice or anything telling them he's going to hunt them all down, and in any other show this would probably earn at least a minor arc later on but he literally never shows up again. an entire season finale hinged on a cake and a bunch of clams. they accidentally made eliot a celebrity not once, not twice, but three times. parker blew up her foster parents' house when she was like. nine. and it's hardly a footnote. hardison is just casually an artistic prodigy but it's only ever brought up for the most background of background gags. eliot's biggest beef with parker and hardison for like two and a half seasons is that they won't stop making weird food with lasers and refuse to realize they can't make a decent beer to save their lives. sophie's immediate response to being shot is to call her shooter a wanker. there's a character who has literally killed a man with a mop and they had the audacity to only put her in one episode.
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The Bat-Adoption Papers are literal Magic Contracts
So! In the Deified Batman AU (the AU where the Belief of the peoples of Gotham accidentally Ascended Batman to minor godhood), the Bat Adoption Papers would be a fun concept.
Batman is a God of The Night, Fear, and Protection. Specifically, the protection of Children, which is one of his biggest motivators. Meaning, it's a big part of his Divine Domain.
So when he, a God of Protection and Children, adopts his own Child? It's kind of a big deal.
His Adoption Papers basically become Magical Contracts that claim Dick to him as his own Son, basically turning Dick into a Demigod by the fact that he is the Son of a God.
Then each time Batman adopts a kid, they become a Demigod as well. Maybe after enough time, and after they forge their own Identities, they could become Minor Gods of their own? Idk, fun idea
Why do I bring this up?
Well, when Danny eventually joins the JLA, and runs into Batman, all he sees in a God of the Night, who takes one look at him, and then pulls out a Magical Binding Contract from his Belt.
Needless to say, he books it.
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There's a level of Hell that Constantine loves and hates in equal measure.
The Level of Lust and Debauchery.
He loves it for what it is, but he also really, really hates it. The beings in it are unhinged at best, completely insane at worst. Stronger than Demons, but weaker than Gods-it's always more stressful than fun dealing with them.
So needing to summon the King of that level is...well. John can already feel the exhaustion.
But instead of exhaustion, he feel rage. Disgust.
The King that shimmers into existence is a fucking child.
And John honestly loses some time after that.
He comes back from ranting with the tiny King forcefully yanking him to a stop.
"Wait, you thought the Infinite Realms were what?"
Turns out, that wasn't the Level of Lust and Debauchery at all. Turns out, the Infinite Realms has a Red Light District.
Turns out, that is a very, very small part of the Infinite Realms, and this tiny child King had no idea it was there, and now he has to explain what a Red Light District is to an increasingly mortified Royal Teenager.
All around, it's not a fun time for anyone present.
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A new transliteration of the Rain World scripts
An update to this. I am the original creator of that interpretation, and to be fair I'm a little tired of not getting proper credit for it.
The entirety of this was done by comparing the 'alphabets' to our own, and assigning phonetic values from there. The logographs were interpreted similarly, but with Mandarin 'etymology' instead. I wrote...quite a bit! About it! You can read the individual interpretations for each symbol in the doc below:
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