I saw an interesting post a while back that said “Capcom made us [Miles and Diego/Godot] only have like two(?) interactions because they knew we would be unstoppable with a brother dynamic” and tbh it stuck with me bc it was intriguing.
So yeah that potential brotherhood, but that Godot/Diego AU I made (that I still need a name for)
Also I bet Gregory Edgeworth would have smelled like a bit like coffee, and so Diego just reminds Miles of that comforting presence 😭 (the von Karma estate was a tea household, so he didn’t smell much coffee after DL-6 and didn’t realize how much he missed it/reminded him of his father)
1K notes
·
View notes
I love your art soooo much-it gives me life!! 🥰🥰🥰
I have a question about Milek and Jaskier! Milek says they fought before Jask went missing-what did they fight about? Did Milek say something he shouldn’t have? 👀😢 is there ANGST?
Also does Geralt know Mileks plush friend is called Roach? Because surely that’s a clue that Milek is his…(I love this universe so much)!!🥹❤️❤️❤️
[MASTERPOST] That was the last conversation they had before Milek stormed out - and when he came back, Jaskier was. gone.
The thing is, Jaskier knows what Milek is interested in (and he is not even wrong about that, Milek has an interest in medicine, and helping people, and I think when they met he was Shanis biggest fan) and I think Jaskier is aware that some of the conflict does have its roots in Milek not wanting to leave him, even if they get really heated and ugly in their arguments. Milek shouldn't feel like he has to care for him, or have to protect him and at times I think Jaskier feels quite ashamed, which leads him to being way too unrelenting at times - especially if he thinks he's doing something to protect Milek.
654 notes
·
View notes
I sort of feel like the fact the woman in anatomy of a fall fits certain stereotypes typically exploited in court and in public perception for negative effect / to make us mistrust her is one of the reasons why I don't actually think she killed her husband (though the film does leave the truth deliberately ambiguous). by this I mean she's a bisexual woman in a tense and crumbling marriage who has had affairs, she's quite straightforward and 'cold' in her manner as opposed to overly people pleasing and forthcoming emotionally, she will defend herself in argument with her husband without qualm or an attempt to claim blame for things she doesn't believe she's culpable for, etc etc.
her husband calls her icy and uncaring, the prosecution accuse her of seduction of an attractive female journalist, and she continues to not let up in court and to fight her corner. and after having conversations with people, including men, after watching, I wonder how many people in the audience, especially men, realise that these are common tropes used against women in the legal system to incriminate them. women are punished much more for being promiscuous and straightforward than men are in comparable situations, and this is why these tropes are played up as being so indicative of guilt in the first place. but interestingly it's the inclusion of all of these stereotypes that make me think we're probably supposed to believe that she is innocent, or at least that makes me think so, in spite of the use of tropes made to suggest she's incapable of loving her husband properly or feeling the correct amount of sorrow over his death.
but anyway, that's just my two cents. I'm actually really interesting in hearing from others whether they think she killed him or not!
268 notes
·
View notes
I think Neil Gaiman and Terry Pratchett must have planned originally for Aziraphale to be involved up in Heaven leading up to when the Second Coming starts, or whatever actually happens in s3. Gaiman’s said he wrote s2 as a bridge to get them to the events of the sequel they’d plotted — and he spends most of it showing us again how they love each other and the world, how close they are to a truly shared life. And then he splits them. It feels like such a shock.
And he said he and Finnemore didn’t know till quite late how to write that bit. So I think that that must have been the decades-old plan. And s6 must have been the only way he could imagine it happening — the only way Aziraphale would ever leave Crowley to rejoin Heaven after everything — only if they promised to welcome Crowley and to offer Aziraphale the power to preserve the world. (Lie that that was.)
So in the end I’m guessing that, since it’s only a second installment/interlude instead of the entire sequel Pratchett and Gaiman envisioned (which would end happily), that’s why they made Crowley confess at the end of this season — so we had one hopeful thing amid the shock. At least we could imagine the eventual happy ending, the finally-together-after-all. It would have been an entirely different kind of crushing if Crowley hadn’t spoken — if he’d broken his heart over Aziraphale leaving in utter silence. That would have done me in. As it is I’m only mostly dead.
435 notes
·
View notes
Headcanon that the boys were first introduced to Lou Jitsu through Splinter scrounging up an old movie to watch through a grainy projector. Splinter wanted to hype himself up at the time, to see a version of himself - however fictional - succeeding and being happy.
He watches, and smiles, mouthing along to the dialogue and outright whisper-shouting “HOT SOUUUP!” whenever it comes up.
Nestled in his lap are his four new sons, still learning the world around them and heavily reliant on their new father. They watch with wide eyes how lively their guardian looks, how happy he sounds, and they turn to watch the movie closely. Because, for as young as they were, they could recognize the source of their father’s joy.
So naturally, they come to associate Lou Jitsu with their father’s smile, and in turn, they feel happy themselves. To them, Lou Jitsu will always be a source of joy, and always make them smile, even if they forget why as they grow.
They’re not just movies for the four of them - they’re the distant memories of a warm lap and a smiling face.
381 notes
·
View notes
house md wildest show on earth. a main character outright assassinates a known dictator, a moment that would be the very beginning or the mid-series crisis in any other show - an act which creates a power vacuum in a foreign nation already filled with child soldiers and genocide, and it's literally only brought up again throughout the season because that guy's wife divorces him over it. and occasionally to explore his relationship with who he is as a person and a catholic after having deliberately taken a life for what he calculates as the greater good, but mostly it's about his divorce
619 notes
·
View notes
putting my hands on your shoulders looking directly into your eyes why are you so insistent that Dazai is faking every emotion every second of every day except when he's acting mean or evil why do you think his dark side is more true than his happier or sillier sides
do you not also have multiple facets you show different people? are we not all beautiful multifaceted individuals? are your actions and reactions not influenced by your emotions and state of mind?
can't he laugh at his own jokes? can't he fondly think of the Agency? can't he be dramatic because he wants to? can't he be surprised by something suddenly happening, even if he knew it would happen? do you not jump when the jack in the box gets out even if you were the one working the mechanism?
why would the mean persona be more real? why would any and all joy be faked? why are you only allowing him misery?
314 notes
·
View notes