I’m so happy for them

[Image Description: Castiel from Supernatural is saying I love you, underneath is an image of Dean Winchester with the caption: “After four months of striking the WGA has a reached a tentative agreement & finalizing the contract. If all goes well writers will get to return to work with better pay and protections. They did it. Go unions”]

(Source)

Possibly the greatest NPR exchange ever recorded

during the wga/sag-aftra strike, we may see:

film in other countries continuing as usual, but those actors/writers are NOT crossing picket lines! other countries unions often have rules where they can’t strike in solidarity with american unions.

new indie movies separate from hollywood studios. indie movies can continue as usual too, and may even use union actors if they follow certain guidelines and/or get permission from the union.

awards shows, although they might look different and may be postponed. if there are award shows during the strike, there’s a chance they will just be live conferences announcing winners with no celebrations attached.

celebrities will not be promoting their work during this time— that WOULD be crossing the picket line! yes, this includes social media. they can still post on social media, as long as it doesn’t pertain to their work.

a lot more reality tv. this happened the last time there was a writers strike, and it will certainly happen again.

actors will also not be able to campaign for awards. this awards season is going to be a strange one.

propaganda from hollywood. they are already trying to flip the narrative by claiming they can break the unions, but they can’t. the strikers have the power. stand with them for however long this takes!

I think we should let Ron Perlman burn a house down. You know, as a treat.

Thanks @ingdamnit for bringing this to my attention.

No TV show or movie I will ever watch is worth starving a writer from their home.

"Your show might be delayed by the wga strikes!"

I watched Sherlock, mate. We waited three years for the 3 worst episodes you've ever seen. This is nothing

So Universal Pictures may have just intentionally over-pruned all of the city owned trees in front of their LA corporate office in an effort to fuck with the WGA/SAG-AFTRA picketers during what is predicted to be the hottest week of the year so far:

And the LA City Controller is looking into it:

Once again it looks like it's time for:

Sean Astin has been out on the picket lines daily outside Paramount, Netflix, Disney Studios, Amazon, etc, explaining the issues as he sees them.

Hi folks. There seems to be a lot of confusion about what we as fans can and can't do with the striking happening. So I made a flowchart.

Let me make this SUPER DUPER EXTRA CLEAR. Unless an AMPTP studio reaches out and says "We would like to give you X (money/swag/whatever) to create content for us" (that would include writing or acting in anyway on your part) you will NOT be crossing a picket line.

Cosplay, fanart, fanfic, going feral, sharing marketing posts, watching your favorite show, getting your friends to watch your favorite show, etc does not count.

It is ONLY scabbing if you are getting REIMBURSED by the STUDIO.

Please take this flowchart, repost it, spread it everywhere!

The studios benefit from us being confused. The studios benefit from us not promoting and not watching and cancelling our subscriptions. The unions, the actors, the writers, they all benefit from us promoting in their absence, they get paid when we watch the shows, we bolster their argument when we boost the shows numbers. If we make the media popular and successful the studios have to meet the writers and actors at the table, and the writers and actors will be in the position of power.

writer's strike is amazing actually go girl get that fucking marvel show UNMADE get that fucking gay pirate show CANCELLED get these chronically online fandom bitches' obsessions on HOLD until the corporations learn to pay you your mf money that you deserve

he came. he slayed in this little see-through black number. and then he walked out of his own premiere with the rest of the cast in support of the strike... cunty af

Last year, Warner Bros. Discovery chief David Zaslav made $246.6 million; Disney’s Bob Iger made $45.9 million; and Paramount Global CEO’s Bob Bakish made $32 million. These individuals make more money per year than almost any entertainment executive before them. Just a small portion of each major CEO’s annual salary could cover the cost of the guilds’ reasonable structural and financial demands, and yet, they say it’s not possible. How could that be? Because it’s not about the money. It’s about power and perception. Almost none of these CEOs built the companies they run. We are not negotiating with Jack Warner or Walt Disney. We’re not even negotiating with the people who enriched these companies, like producer Robert Evans at Paramount in the 1970s. These CEOs are basically people who just work there—and who have contracts that allow them very large amounts of money. And right now, they don’t want anyone to know that. They don’t want anyone to know that they don’t actually build anything. They don’t want anyone to see them capitulate and bend the knee to any degree by making a deal with the writers and actors who build the product they fund and distribute. They don’t want to reasonably negotiate with these artists, because they think it will make them look weak. They think it will make them look like chumps, make them look simply like the employees of these companies that they are.

Justine Bateman on the Destruction of the Film Business

“Hollywood is gonna grind to a halt!! Nothing new will come out!! What then??” The shows and movies I haven’t seen already are literally countless and also I am a serial rewatcher

I really hope the effects of the WGA and SAG strike bleeds into all sorts of entertainment industries, especially the ones that don't have any unions. I want to hear animators, music composers, voice actors, and translators all go on strike.

THE NANNY – s2e13: THE STRIKE (1994)

Congratulations to Fran Drescher, SAG-AFTRA Union President, for standing in solidarity with the WGA and for her incredible dedication to ensuring fair treatment and better working conditions for all. Never forget that Fran has always been pro-union!

I’m just going to say this here so people aren’t concerned.

I am a writer and actor. I am based in the UK and Ireland.

We are not currently striking.

We are being affected by the strikes, there’s certainly not as many jobs around, but we aren’t striking.

If I take a UK-production company job, I am not scabbing.

We have different unions. There are actors represented by both Equity and SAG-AFTRA, but I am not one of them.

(I’m actually not even in Equity yet, I’ve only just earned enough to be accepted and I can’t afford the membership fee at this moment)

We are not allowed to strike in the UK. We have terrible anti-strike laws. We are also being screwed over a lot, but I’m hoping if WGA and SAG-AFTRA succeed we might get some trickle down help.

It’d be totally different if I took an American based job, which I won’t because I want the writers and actors to break the big studios.

Support the strikes, but please remember not everyone is American.