“and what if i said come talk steve to me 🤲”
i would say here i am! 😌 i love talking steve (especially with you) so i’m coming in hot! all that’s been on my mind today is how soft and sweet steve is?? i’m talking everything from making you dinner when you’ve been busy to doing little things for you to make you feel better…but i’m also talking steve begging you to let him make you feel good…maybe you’re all tense and in your head and he’s there, rubbing your thighs and whispering “let me make it go away, honey. come on, let me take care of you.” and also hot take but if you weren’t particularly enjoying a part of sex you know damn well he’s stopping to check in and see what you’d like better all “oh i’m so sorry, baby.” while he kisses your whole face, “didn’t like that, i know, i could tell honey. let’s try something else, yeah?”
anyway…sorry for this..steve and i love you, jay <33
autumn!!! oh thank heavens ur here and you've brought... soft and sweet steve? baby, you spoil me :)
we already know he basically invented boyfriendism, that's like, the most steve thing around— like brings you flowers to surprise you, will offer to swap plates if you don't like your food, will always always give you a kiss, even if he's a little bit mad at you, kind of boyfriend <3 and that 100% includes him wanting to make any of your bad days a little bit better, to take care of you :( especially if that includes getting his mouth between your thighs- it's a shower of affection, always, a dozen kisses on each thigh and never any teasing— just bright eyes drinking in every reaction, murmuring praise into your skin, "that's it, that's a good girl, you just let yourself feel good, hm?" his free hands just soothing up and down the outside of your thighs, thumb just swiping comfortingly on your hipbone as he builds you up to an orgasm and god nothing makes him more lovey-dovey than when you start mewling out his name, chest panting, and your hand searches out for his so you can hold it when you cum— steve is always waiting, always intertwines your fingers together and squeezes your hand, cooing as you fall apart beneath him, "oh, so pretty when you cum, sweetheart,"
your hot take is delicious and i raise you: steve sometimes notices before even you do— it'll just be like a new position you've never tried before and you can't figure out why you can't relax- it feels strangely too exposed and it takes about thirty seconds of it before steve is pausing, hands brushing your hair back as concern pinches his brows, "oh, don't like this one, huh? that's okay baby, me neither," and is readjusting you both before you even realise that he clocked you so fast and is already moving to make you comfortable <3 if it's something he does, a new way to fuck you with his fingers that's too different, the moment there's even an inkling of a wince or frown, steve's noticing it and switching it up, “oh i’m so sorry, baby.” while he kisses your whole face, thumb tracing over your cheekbone softly, “didn’t like that, i know, i could tell honey. let’s try something else, yeah?” and you don’t even get a moment to think about it because steve knows what you love, his thumb slipping up to rub your clit so perfectly that any thought just melts away as he works you perfectly <3
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appreciation post for Lise Mayer!! she co-wrote The Young Ones (and The Bachelor Boys book, additional material like when they did Comic Relief, etc), which is well known. but she also wrote for other things in the alternative comedy scene like Rik Mayall and Ben Elton's comedy tour (source: BBC Breakfast Time interview)! and, something I didn't know until recently: she co-wrote/wrote for Kevin Turvey! she's not credited in his television appearances, but see below for sources.
i really loved the podcast episode she did with Alexei Sayle about TYO, you gain a lot of insight into her perspective! she also mentions misogynistic treatment like being asked to go make tea when they were doing script readings, not getting invited to a big BBC party because it was presumed she'd be Rik's plus-one, and getting groped at the BBC bar. it pissed me off on her behalf and partly prompted this post.
some specific accolades/accreditation/fun facts:
Rik crediting her with writing/conceiving the Kevin Turvey non-joke "All right, biting political satire: What do Lech Walesea and Menachem Begin have in common? They’ve both got foreign names! What do you mean it’s not funny?" (x)
Alexei Sayle in Thatcher Stole My Trousers crediting Lise with co-writing Turvey: "Lise was, like Linda for mine, a vital part of Rik’s career, co-writing both The Young Ones and Rik’s character Kevin Turvey..."
a 1987 source for Lise co-writing Turvey: "The assumption that women do not write comedy scripts was one with which Lise Mayer, co-writer of The Young Ones television series, has also had to contend. She started writing for Rik Mayall’s Kevin Turvey in the television series A Kick Up the Eighties..." (x)
Rowland Rivron (comedian who toured with The Comic Strip gang and lived with Rik and Lise) in What the f*** did I do last night?: "[Lise] also had the unenviable job of standing at the side of the stage when Rik was performing, and jotting down anything he said that was unscripted. If it got a laugh, it would be woven into the next night’s routine."
the only time i've ever seen a Rik Mayall/Ade Edmondson/Lise Mayer writing credit: for a poem called Distance which was collected in this anthology! Rik and Ade seem to have acted it out (or at least a version of it) in this 20th Century Coyote performance
Rik on Lise writing TYO: "‘She discovers different things: the comedy of embarrassment and awkwardness – she draws out the cheating and stealing that goes on in the house.’" (x) (Lise also says her "favorite comedy was always the comedy of embarrassment" in the Alexei Sayle podcast)
Rik: "... Lise Mayer wrote this great scene where I find a tampon in a handbag and it's my birthday party and I think it's a present because my character is Rick, who is such a git, he didn't know." (x)
Helen Lederer in Not That I'm Bitter, writing about being on The Young Ones: "[Lise] was known to be the brains behind it all, particularly the more surreal elements…"
she and Rik chose the bands (x)
Lise: “We’d have a table read at which point we’d discover that the script ran over an hour long, and then I’d have a sleepless night editing it.” Alexei: “You did that?” Lise: “Usually me, yeah…” (she later explains they'd present the script Monday and rehearsals were Tuesday, Wednesday-so she literally had one night to edit!) (x)
facts from the blu-ray commentary tracks:
Rick's yellow dungarees in Interesting were based off a picture of Lise in a similar pair
Lise wrote an essay about the tampon joke in Interesting so that the BBC didn't cut the scene (though they still edited it)
Paul Jackson (producer) credits Lise with arguing "you are seriously telling me that we cannot refer on television to something that happens to 50% of the population for about 30 years of their life? and we're not allowed to even refer to it" to make an executive back off about the tampon joke in a meeting
Lise came up with Neil's flowerpot covering in Nasty
Vyvyan/Vivian's name comes from Lise having lived in Vyvyan Terrace, Bristol
Lise thought of the cast switching costumes in Bambi (one of my favorite moments!!) (/end of commentary track facts)
this is guesswork, but i've seen Ben Elton and Rik Mayall's handwriting and i'm pretty sure the editing/handwriting on the bottom left on this script must be Lise's, which gives insight into what/how she wrote: (x)
i feel like it's easy for people to overlook or minimize Lise's impact, something that happens to female creators far too often. i hate when women's identities are framed around their association to a man-girlfriend to Rik in this case-which was the norm whenever i saw Lise discussed in articles/books/online discussions about TYO. it's important to know she was a writer and co-creator with her own identity and (underappreciated) contributions. The Young Ones (and Kevin Turvey, and things we don't even know she goes uncredited for) would not have been the same—or wouldn't have even existed—without her!
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been learning to play ironsworn (gritty fantasy ttrpg which you can play with a gm but is mostly suited for solo or small group co-op gmless play) after having the rulebook pdf for several years (stars finally aligned to remove invisible thing blocking me from reading it idk) because i'm on another solo ttrpg kick & i don't know what took me so long to get around to this game because it genuinely is exactly what i was looking for. years ago when i was playing through solo 5e modules i should have just been playing ironsworn (believe it or not, 5e isn't very suited to solo play and is extremely clunky when you try lol).
also though i have dabbled in some other solo ttrpgs, a considerable amount of them are journaling games which is fun but imo considerably more work (usually by the time i'm a quarter of the way through the journal entry, i know how to entire scene played out and i want to move on to the next gameplay thing, so i get frustrated and bored quickly. it feels like when you solve a level in a video game but don't have the coordination to pull off the necessary move so you have to spend 20 extra minutes doing something you already figured out), so i really appreciate like not needing to write something for the game to progress (ive been taking notes for my own record since im playing solo and thus am not really out loud roleplaying the way you do in a group, but i definitely could do that instead and not take notes and the game would still function perfectly)
& ive been playing by myself but also in the past ive played a lot of ttrpgs in very small groups which has been other games but is mostly dnd and like. we also should have been playing ironsworn so that having a gm was not necessary. have definitely played games where we had to adapt the rules soooo much to do something that is just base game included in ironsworn. plus it's rules-light enough to do pretty complex moves that pose difficulties in bulkier games (ever introduced someone to dnd and they tell you they want to do a sick backflip and catch something and then attack and you have to tell them that will require several different consecutive rolls and some creative liberties with how the rules are 'supposed' to let you move? you can just Do That in ironsworn. use the strike move and describe it. done!)
the one thing is that although it's rules-light enough to theoretically play any setting or genre (some with more difficulty than others), ive found so far that like... the grittiness and sense of threat is very built into the mechanics so that would be sort of difficult to work around or change (but i think it's great from a game design perspective). what i mean is like, okay: you start with 5 max hp. there isn't really a way to raise this max hp, you just slowly gain abilities (assets) that make you less likely to have to lose the hp in the first place, or that make it easier to recover. when you encounter foes, you rank them on a scale of 1 -5, and enemies on the lowest side of this scale do one harm to you, while enemies on the highest side do five harm to you. so even though encountering an epic enemy won't always be deadly due to the assets you have, they are ALWAYS capable of taking you down to 0 hp with one good hit. so the feeling of threat is much more present compared to games where your character starts to be able to just tank and push through a failure or huge threat.
admittedly also i'm playing solo, im still learning how to balance combat, and also i built a character who has NO combat talents and iron (the close quarters fighting stat) is one of my lowest stats so i personally am under much more threat than if you built a character who knew how to fight or who could do deadly harm. but also the other thing about combat is it's extremely difficult to maintain control of the fight; you have to score a strong hit to do it on basically all moves, and there's a really limited pool of moves available when you don't have the initiative, and obviously none of them really favour you. i don't know that this makes combat genuinely more difficult, but it does make you feel like the fight is always about to spiral out of your control. every second you let it drag without decisive action feels like it brings you closer to dying. like i said, this is a feature of the game design and not a problem in any way. just thinking about it because when i was initially learning i was going to try to supplant it into a homebrew fantasy world of my own but the tone just wouldn't be right. and that it is somewhat difficult to replicate the kind of worlds that i typically play or run for dnd, which tend to lean somewhat sillier and definitely much higher fantasy
but i like to try new things and tbh especially in dnd i find that i very rarely feel that sense of threat and when i do feel it, it has nothing at all to do with the actual mechanics and reality of the combat and everything to do with how well the dm sells it to me and makes it sound and feel scary and dangerous. which is a testament to what a good gm can do for you but i do appreciate the threat feeling more built-in and also being actually real.
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an uncle nina check in <3
hi team! thanks for sticking around! i know my blog isn't always the most exciting and enriching place in the world in terms of content, but i am very /content/ to have you all here. <3333
i promise, oddly enough, i have A TON of inspiration and ideas for all my weird styles ( if you're curious about anything please lmk! i've been trying to flesh out my aus out lately ), i've just been in a major bummer depression era lately, so it's hard for me to get my asks done and i'm having a hard time committing to finishing my writing. :<
i think it's because of stress and my bipolar, but i am trying to get back on the horse! ( are we all laughing at the idea of me trying to get on a horse? i'd start crying help city girl fail moment for me ) yeehaw!
and while, unfortunately due to the instability ( fabulous legendary iconery ) of my pretty girl popstar personality, i do not know whether i will be answering almost no questions or one million, regardless of that, i just wanted to let you know, i'm still here, still kicking my feet, twirling my hair, cooking...i'm just really trying not to force myself to put out anything i don't like...and only do what makes me truly happy.
however, nothing, my dear sweet e-darlings...
makes me happier than coming home to all of you. <333
so thank you for flooding even the darkest corners of my life with bright light, supporting my phantom fics and being wonderful,
uncle nina xx
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