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#was this a crazy thing to write
overleftdown · 5 months
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this is going to be my somewhat-brief analysis (buckle in, it's not brief at all) of preluding scenes to farleigh and olivers... scene, lmao. because i can't read micro-expressions and social cues IRL, but i can for movies! also, i want to give my understanding of farleigh's character using the most substantial part of his arc. i disagree so much with a lot of people's takes on farleigh. i needed to talk extensively about it.
[0:58:46] farleigh makes eye contact with a footman. this is one of the footmen that farleigh mentions to felix in a later scene, which i'll also go into. what's interesting about this subtle interaction is how wildly differently you could consider it, depending on how you choose to view farleigh as a character. if you go the "mirror of oliver," route, then this eye contact could be the moment farleigh decides the route he's going to take to confront felix.
on the other hand, the hand that i believe makes more sense, farleigh is genuine in his confrontation with felix. the eye contact he shares with the footman is reciprocated; the footman holds it, even as his body pulls back and his head turns. this gives the idea that they are making a connection. the expression farleigh makes afterwards is also an indication that farleigh isn't plotting or scheming to earn pity points; he feels a connection and comradery with the only other black people at saltburn. when the footman turns away, unneeded anymore (this can be a parallel to farleigh), farleigh glances down, back up, then purses his lips. he looks dejected, in my opinion. this is immediately followed by farleigh's dig at oliver; "i think oliver looks like he'd rather throw himself out of a window.
food for thought.
[0:59:9] elsbeth: you can invite all your friends. farleigh: what friends?
this can obviously be a petty dig. and it is, in some ways. but i think a lot of these petty digs are because farleigh has been here before. he has watched his cousin drag home mediocre and tragic (presumably) white boys for perceived self-benefit. whether felix wants entertainment, wants to quell his guilty conscious (both of which are motivations for his mother), felix seems to have these fleeting possessive relationships with the friends he brings back to saltburn. he could also be queer and deeply repressed, lmfao.
i digress; farleigh is sick and tired. the first thing he says to oliver, before oliver even got to felix, was bitchy as all hell. after that, farleigh had more incentive to belittle oliver; yes, his comments about mannerisms, class, and overall character were petty. they were also all of the qualities that farleigh couldn't afford to have. farleigh is pointing out that oliver has no social life, yet still gets a 200-person party full of people that don't even know his name. this is tragically unfair, at least in farleigh's mind.
[1:01:25] felix: and fucking farleigh, what a little shit stirrer. oliver: well, someone has to entertain us all. felix: ...right. oliver: that's why we love him.
there's a clear disregard of humanity and depth, when felix concedes that farleigh is "entertainment." the sheer fact that felix would immediately believe oliver, a "stranger (as venetia so eloquently puts)" over a close family member, is odd on it's own. there are probably more reasons for distrust; everyone in saltburn is a shit stirrer, and farleigh does put on a particularly good show.
that's intentional, though. farleigh is very intentionally entertainment. otherwise, why would the cattons keep him around? they're welcoming people to their house as family, because they want a break from the reality of soul sucking wealth. because they want entertainment. elsbeth with her friend, who's only real personality traits are being pitiful and visibly different. felix, with his summer pet projects like oliver. farleigh can't be a temporary show; he needs to keep coming back. he needs sir james to support his mother.
[1:02:40] farleigh: i'm not saying my mother isn't completely idiotic when it comes to money. felix: you just have to be firm with her. farleigh: well i can't call her and tell her no! felix: i know, i know, you've said that. i know, i understand. farleigh: no, you don't know! you don't, it's humiliating. felix: it's very hard.
felix's approach to discussing other people's issues--that he does not relate to--makes me giggle sometimes. not that he's malicious or a fumbling idiot, but because of this scene specifically. in just this chunk of dialogue, you have the "i understand" and "you don't understand" conflict. an age old one. a common representation of someone who has never lived a specific struggle yet frames themselves as knowledgeable. felix seems to enjoy the "it's very hard" verbiage. the manner in which he speaks to oliver about his supposed impoverishment and struggles is very similar to the way he speaks to farleigh, in this scene.
i don't know what else to say about this. you can make your own inferences on felix's dialogue, i suppose.
[1:02:50] farleigh: i'm sorry, but it's a bit fucking shitty. you're all throwing oliver a party for 200 people while my mother lives in squalor. felix: well, she's hardly living in squalor, mate. farleigh: well she can't pay her bills so she will be! okay? at the rate she's going, she will be.
GAH. again, this dialogue can be considered in two different ways. farleigh could be hyperbolizing in order to play into the catton savior complex. or he could be completely genuine in his anxiety surrounding his mother's finances. it's very important that you recognize the fact that farleigh isn't arguing about himself, in this situation. he's talking about his mother. later in the conversation, he recenters himself as a person of color. but the original conflict is about whether or not his mom is living comfortably. this arguably affects him, but not entirely. he could continue to maintain his oxford-student-and-saltburn-resident character and continue to frolic around while his mom struggles to make responsible decisions.
[1:03:02] felix: right, well that's exactly why dads concerned about helping her. he doesn't want to enable her. he wants her to learn how to stand on her own two feet. farleigh: yeah, like he does?
and farleigh ate.
[1:03:09] farleigh: i mean, you know how this looks, right? making me come to you with a begging bowl. felix: what are you implying? farleigh: i think you know what i'm implying, felix. why don't you ask liam and joshua? felix: who... who the fuck are liam and joshua!? farleigh: ...your footmen.
farleigh's mannerisms in this portion of the scene GAG me. the easy confidence, the self-assured and confrontational attitude. the cocky wave of his shoulders and tilt of his head. he smirks, scoffs, makes and holds eye contact as emphasis to what he is accusing. the way he says "i think you know what i'm implying" even though i'm not quite sure if felix did. this really hammers in the implicit nature of the cattons' treatment of farleigh.
[1:03:33] felix: oh, oh. that is... that is low, farleigh. farleigh: okay. felix: jesus christ, mate! seriously, is that where you wanna take this!? farleigh: right. felix: make it a race thing!? what the fuck! i mean, we're your family, we hardly even notice that you're... different, or anything like that! farleigh: mmm. felix: i never know our footmen's names!
GAGGED. i eat up this scene and lick my fingers. "wohohoho, i don't see color! i can't believe you'd make it a race thing!" i know i should cut felix some slack, but this is just a little too real. although i've cut farleigh some slack for his classism.
the complete change in farleigh's mannerisms from the previous timestamp to this one is EDIBLE. i can't cope with it. his smile as felix says "that is low" is so painfully real. it says "i've been here before and maybe i was expecting this." for a second, felix is almost entertainingly cliche. then the exasperation hits. farleigh just looks tired. he blinks rapidly, smooths over his eyebrow with his hand, vocalizes his disbelief in felix's denial. "we hardly even notice you're different," to which farleigh crosses his arms (defensive), raises his eyebrows, nods along.
i won't include the final few lines of this conversation cuz i'm blabbing FAR too much, but farleigh's expressions of absolutely exhaustion and disappointment as felix says they've "been more generous then most"... i'm so sick. it doesn't matter what other families would do, because this family passes out charity like it's their favorite pastime. farleigh is your best american girl.
oliver, overhearing this conversation, immediately knows what his next plan of action is. compare himself to farleigh. and really, it's funny, because oliver misses the obvious differences between him and farleigh. just like everyone else. he will never feel different, not in the same way farleigh does. not with farleigh's relationship to the cattons, the legacy of his parents, and his blackness.
[1:06:32] (godfather's karaoke scene, AKA apple bottom jeans. he's a disgusting manchild and he throws his jacket at his wife.) is it odd to point out that another one of the only visible black characters is being degraded/mistreated/disregarded? not crazy, right? especially following the conversation about bias two scenes ago.
[1:07:02] farleigh: y'know, i think i'd fuck richard the III. he's so insecure, so you'd know he'd put in the work, right? oliver: or you could just fuck me, right?
here, i think there's a level of projection that farleigh is using in his line about insecurity. not only is it made known that farleigh uses sex as a tool (with teachers, specifically), but it's also made known that farleigh believes/knows that he is treated differently due to his race and/or family history. oliver seems to have clocked this, considering he relates himself to richard the III, then tells farleigh they have similar experiences.
[1:07:34] oliver: y'know, if you ever wanna talk to anyone, you can talk to me, farleigh. farleigh: ...what do you mean? oliver: well, i know you're going through a hard time at home. i know how that feels, when things are so precarious. it's terrifying... and lonely. and it must be so fucking weird, having to ask them for everything. and i know you fucking hate me. farleigh: i... i don't hate you. oliver: but... if you ever wanted me to talk to them, to see if there's... if i can help in any way... just ask. farleigh: ...okay.
i love this movie. have i said that yet? i bet you definitely couldn't tell by this post. this conversation is so... there's so much to talk about.
i'll start with some of my favorite of farleigh's mannerisms/expressions. when oliver first cuts their... tensions with "you can talk to me," farleigh pulls back slightly, sits up slightly, looks across oliver's face. there's a level of shock to it, but. farleigh was comfortable with oliver, his sworn enemy, flirting with him. yet, he pulled back at a genuine offer of support. some see this as farleigh always wanting oliver sexually, but i think it's more nuanced than that. when oliver says "terrifying... and lonely" that's when the camera cuts back to farleigh. he previously wore a half-smile that is now dropping; "lonely" was the hardest word to swallow. his lip is quivering. he looks up in an almost-eye roll when he says, "i don't hate you." he's laughing when oliver finishes, like he finds it all funny, yet the way he says "okay" makes him seem genuine. however... clearly not, considering the next portion of this scene!
even though oliver is lying out of his ass, everything he's saying is a description of farleigh. people grossly misunderstand farleigh's character, even when it's laid onto a banquette sized table through this portion of the movie. he's insecure, desperate, terrified, unsure, and lonely. farleigh, with so many friends and so many scandalous choices, is so fucking lonely. he knows he doesn't belong here, so he jams his ill-fitting puzzle piece into the saltburn jigsaw and crosses his fingers.
he tells oliver he doesn't hate him, and he looks like he's struggling to spit it out. he looks up towards the ceiling, closes his eyes like he's gathering himself. again, people take this as a bonding moment. the next portion of the scene contradicts this. honestly, i'm not completely sure, either. i think he's honest when he says he doesn't hate oliver. so, what? he's jealous, definitely. he wants to hold the same power as oliver, a foreign entity with somehow so much more privilege than farleigh. maybe that bred a certain kind of infatuation; the need to emulate what you'll never be. of course, he sees himself in the boys felix brings home; they, just like farleigh, need or want something from the cattons (although i object to the idea that farleigh is somehow "a mirror" of oliver). do what you will with this word vomit, i don't know where i'm going here.
and OH MY GOD "if you ever wanted me to talk to them, to see if there's... if i can help in any way," is diabolical. so terribly diabolical. the sheer idea that oliver knows, is pummeling it into farleigh's face, that he has authority over farleigh's life like that? that he knew felix for six months and he can somehow "talk to" farleigh's family about treating farleigh better... vomit inducing. farleigh is actually your best american girl.
[1:09:39] (karaoke scene) elsbeth, so uncomfortable with the idea that oliver is using them. i suppose that's the manner of wealthy people; they don't want to believe that they're only good for their money. but... they did that to themselves, in a way. they enjoy the pet projects, the charity work, the ego boost that comes with inviting the "lesser" to saltburn. hanjob on a haybale, golden big boy summer, right? everyone in the room is scandalized. farleigh is having the time of his fucking life. yet, here's the kicker,
[1:10:10] oliver: this is your song too, farleigh. come finish it. farleigh: only if you insist!
and then farleigh gives the performance of his life, by the way. people died. but... nobody is uncomfortable. literally no one. no one shudders or gasps at the scandal of oliver saying "this is your song, too" over the karaoke microphone; everyone heard. nobody cares. they all know. they start clapping farleigh on, cheering. elsbeth relaxes back onto her bed of cushions, because farleigh is entertaining. the change in mood is soooo... interesting.
[1:10:45] curse this scene, i don't even want to talk about it. it was hot, oliver and farleigh are so homoerotic, whatever yadayada. just like every other sexual scene in this movie, it is riddled with a suffocating kind of uncomfortable tension. we are made intimate third-party witnesses to carnal, sinful, emotionally ambiguous scenes. when i pointed out farleigh seemed more comfortable with flirting then comfort, when i said farleigh uses sex as a tool, when i said farleigh was projecting with "he's so insecure, so you know he'd put in the work." i just overthink. but any person that has sexual relationships with teachers needs intensive therapy and that cannot be denied. however, it's oliver, that uses sex as a tool throughout this movie. another uncomfortable parallel between the two characters.
something about farleigh's expression throughout this scene is... kind of hurtful. the way the moonlight just barely illuminates the light in his eyes, whereas any detail of oliver's face is shrouded in darkness. it make's farleigh look young, innocent, real. (sidenote, as i'm watching, i have to mention this. the way farleigh says that second "no" is so funny. "...no...?" LMFAO). man, i don't even know what to say, past this. the whole dominant dynamic, farleigh saying "i'm going to behave" is a little too painful considering the context leading up to this scene. it's freaky. it's so very oliver.
this is way too long but i could make so many more connections with their final confrontation at oliver's birthday party. i'm drowning in thoughts. what i really wanted to highlight was how ambiguous farleigh's character is, and how differently a lot of his scenes can be perceived. i've decided that farleigh is a sympathetic character, similar to oliver but so much less powerful. some people hate farleigh! so. there's that. the end! thanks to anyone who read this whole thing!
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mrtequilasunset · 8 months
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Unprovoked
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milkweedman · 1 year
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fiber arts really is such an insane category of Things in how it can draw you in. like, 6 or 7 years ago i learnt to crochet and made a few terrible hats and scarves. then i learnt to knit because i wanted to knit a scarf for my friend (now fiance :D). then i realized it should be a woven scarf so i picked up weaving instead, but i still really liked knitting so now i was doing 3 crafts. somewhere along the way i started dyeing yarn as part of my kitchen experiments, and then i was like fuck it i wanna make my own yarn ! and that is where the problems happened. in the span of like 5 years ive acquired like $2000 of various tools (spinning wheel, combs, cards, blending board, several looms, etc), bought dozens of fleeces, and now my bedroom is basically a craft room with a bed, i have wool covering every flat surface in there as well as a huge dresser full of wool and several large drawers full of wool, i meticulously scrape every last bit of avocado out of the peel so i can use it to dye fleece, and i don’t go anywhere (including in my own house) without at least 2 knitting projects and a spindle.
im not complaining or anything, but the rapid shift from ‘guy who does stuff, idk’ to ‘guy who is worryingly obsessed with wool and will infodump at length about medieval sheep husbandry and the history of nettle as a textile if you give him half a chance’ is like. extremely funny to me.
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taohs · 10 months
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(some) Balalaika moments that lives in my head rent free
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blueskittlesart · 6 months
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Now that you're gone
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steddieas-shegoes · 5 months
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AU where Eddie’s mom manages to get away from Eddie’s dad when he’s a small child, goes to the only place she knows is truly safe: Wayne.
Wayne takes them in no questions asked, helps her raise Eddie, makes sure his dad never comes around (maybe works with Hopper once he’s named Chief to make sure he gets behind bars as soon as possible).
So Eddie gets the love of his mom, and the love of his Uncle Wayne, and shit is still hard, money is still tight, he still has trouble fitting in, but it doesn’t distract him from school so much.
He graduates his first try, squeaks by with Cs and Bs because he’s smart, he’s just so easily distracted. Even gets into the community college, but has no idea what he wants to do until his mom is helping him with a pre-req English course. She says he’s naturally good at unpacking a story for anyone to understand it -“even when I ain’t the brightest star in the sky”- and he realizes maybe his talent of telling stories and helping people understand stories could make him a good English teacher.
Now that he has a plan, he’s focused, invested on getting into a university so he can be certified to teach. But he still struggles with math and unfortunately, he has to pass to move on.
That’s where Steve Harrington, freshman at Hawkins Community and Technical College, comes in. This isn’t the Steve that Eddie remembers from high school at all: he’s quiet and shy, doesn’t make eye contact, is really fucking smart.
Steve agrees to tutor him if Eddie agrees to help him with his final paper in his English course, a 10 page fictional exploration of a time in history.
“Use your imagination!” “Just pretend you’re writing a memoir.” “This is the longest sentence I’ve ever read and that includes Tolkien books.”
Steve blushes, makes corrections when Eddie suggests them, makes flash cards with formulas for Eddie to memorize for his exam.
They spend nearly every day working together, studying together, tutoring each other.
When Eddie passes his exam, he’s so excited, he runs right to the library, where he knows Steve is putting the final touches on his paper. He doesn’t even wait to catch his breath from running across campus to kiss him.
And suddenly Eddie isn’t the only one out of breath.
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starry-bi-sky · 4 months
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(Part of this post with older brother danyal al ghul)
...Okay, look. Sam knows she's staring. She knows very well that she is staring. And that if she doesn't stop staring it's gonna draw her unwanted attention, and that will only have to make her explain why she's staring. Which she doesn't want to do.
She's trying not to stare, which she thinks she should get brownie points for. She tries to look away, to find a spot on the wall to stare lifelessly at, maybe she can burn holes into some of these annoying socialites' heads. But eventually her eyes drift, and suddenly she's back to staring again.
Can you blame her though? Damian Wayne looks like a very close mini-me of her fucking best friend. Seriously, it's like looking into a mirror to the past. If that mirror to the past had green eyes rather than blue and a distinctive lack of a facial scar.
The first time she sees him when her parents drag her over to Bruce Wayne to butter up to him she has to do a doubletake. Then a triple take. Then a quadruple take, just for good measure that she was seeing what she was actually seeing. She was sure she looked like one of those stress toys that when squeezed had their eyes pop out comically like a Saturday morning cartoon, that's what she certainly felt like anyways.
Look, Danny's come a decent way from being that scowl-y, jerkish little ten year old she first met when he arrived like the wind to Amity Park five years ago (even if he was still occasionally scowl-y and jerkish), but one thing that's stayed the same is how reserved he is about his home life prior to being taken in by the Fentons.
He doesn't talk about it much, and Sam's come to know that he's very good at changing the subject when it gets brought up. Even after being friends for nearly four years, the only thing she and Tuck know for certain is that he has a little brother that he refers to as 'starlight', whom he cares a lot about but left on really bad terms with. And that he's never met his father, but wants to and knows who he is.
He's never told her or Tucker who he was though, and glancing at Bruce Wayne, Sam is realizing why. She can begrudgingly acknowledge all the good he's done for Gotham, but... well, if Danny told her that Bruce Wayne was his dad, she wouldn't have believed him at all.
But she's starting to see the resemblance, as subtle as it is.
And she sees the resemblance to Damian Wayne, her eyes dropping back down to him as he wears a very Danny-like scowl on his face, arms crossed behind his back as his eyes swept around the ballroom. He was five years younger than Danny, and god it was so, so weird.
His eyes turned on to her, and they locked gazes for a moment.
Involuntarily, Sam makes a startled noise and looks away. Fingers tap against her purse, black and purple and unfortunately a clutch that only held her phone and her wallet in it. She would have kept a knife on her, but her parents put their foot down and there was a security detail at the door. Only in Gotham.
Silently, she was hoping that the little Danny-me didn't say anything. Or at least, he hadn't noticed her staring. Which was a tall order if she ever heard one -- and unfortunately, her silent prayers went unanswered as her mother's eyes dropped down onto her.
"Did you say something, Samantha?" She asks in a sickeningly sweet voice, a sound that makes Sam's skin crawl. Her dad and Bruce Wayne's attention also turns onto her, and she glowers at her mom from the corner of her eye.
"I didn't say anything." Sam says, barely keeping her tone polite as she turned her head away. Her mother clucks her tongue, disapproving, but from her peripherals doesn't pester her more
Bruce Wayne, the bastard, takes that time to turn to Sam and grace her with his dime-a-dozen billboard smiles. "I've been talking with your parents this whole time, Miss Manson, you must be terribly bored. How is your schooling going?"
Sam eyes him up and down. On one hand, she immediately wants to be snarky. It's none of his business what her school life is like, she doesn't care for his fucking small talk.
On the other hand, this was Danny's whole father. Someone who she knows that Danny has wanted to meet for, what she's assuming, his whole life. He's never brought it up much, but she remembers that very quiet, solemn conversation she and Tucker had with him where he admits to having never met his dad. But god does he want to.
And... wait. Sam's eyes narrow, and she meets Bruce Wayne's eyes. Does this man even know Danny exists? She drops her gaze down to Damian, who was staring at her suspiciously, and then back up to Bruce, and she alternates between them.
Why was Damian living with Bruce, but not Danny? Why hasn't Bruce done anything to reach out to him - what was going on with Danny's biological family that Danny had to be separated from them, but not Damian? Danny's always been kinda mysterious, but now things weren't adding up.
Was Danny given up? Does Bruce just not want Danny, but wanted Damian? Why the fuck does Bruce Wayne know about Damian but not her best friend -- or does he know and just not care? He's fought for custody for his adoptive kids before, does he just not want to fight for his other biological son? Does he think Danny's not worth it?
She's never cared much about the Wayne family before, other than to hear about the advancements on WE's eco-friendly tech, but Sam thinks she's gonna have to look into why Damian Wayne was living with the Waynes.
Slowly, with a protective anger beginning to burn in her gut and crawl up her throat, a scowl slowly curls at the corner of her lip as she redirects her glare from her mother onto Bruce. "It's going fine," She says curtly, jutting her chin out defiantly. "Me and my friend Danny started a petition to fix the leaky faucets in the girls and boys' bathrooms in order to conserve more water for the rest of the city."
She eyes his face, waiting to see if anything like recognition flashes through it. And- and nothing. Sam breathes in slowly through her nose, trying to quell the red that's blurring the edge of her vision -- does he just, not know where Danny is?
Her parents however, make vaguely displeased expressions. "Our Samantha is... quite passionate about her pet projects." Her dad says, laughing low and nervously, "she's very vocal about silly things like that."
"Her friend Daniel is perhaps even worse than she is sometimes." Her mother adds on, fanning her face with her perfectly manicured hands with a sigh. "I swear, he's the one that keeps dragging her into these things."
Sam's anger turns on its head, and she whirls on her heel like a fire-breathing dragon. "It's Danyal." It rolls out like instinct. Danny's told them both that he hates the Americanized pronunciation of his name, but in a rare moment of restraint, puts up with it for reasons unknown to her. "And Danny doesn't make me do anything, it was my idea."
The name, Danyal, seems to ring some kind of bell in Brucie Wayne's head, because she sees him and Damian quietly perk up like two cats pricking up their ears. Her eyes flick onto him immediately, something dangerous rearing its head. So Bruce Wayne knows about Danny. And he's not reaching out to him. Is he? She's not sure.
She does know that she's gonna rip his throat out if she finds out that he's known about Danny this entire time and has been ignoring him while favoring his little brother. She'll hunt down Aragon herself and steal his dragon-shifting amulet and wreck house on Bruce Wayne if that's the case. Batman and his league of vigilantes be damned. Her parents don't notice her slowly turning head towards Bruce.
But Bruce does, and she makes direct eye contact with him. His smile doesn't falter, he just tilts his head like a curious puppy and looks at Sam's parents. She hopes Bruce can read minds, she hopes he can hear her threatening him.
"Danyal?" He asks, and Sam doesn't know if she hates the fact that he said it correctly or not. She just continues burning holes into him and hoping he might spontaneously combust.
Her mother waves her hand dismissively, tilting her nose up poshly into the air. "Our dear Samantha's little... foster friend from school," she says, not even bothering to hide her disdain, "a creepy little boy with the most garish scar on his face. He's a rude little thing, not good for polite company."
Scratch that, Sam mentally alternates between ripping into her parents and Bruce. She whirls on them. "Do not talk about Danny that way." She all but snarls, and they all but ignore her.
(She's tearing up the upholstery when she gets home. She's going to paint over the fine china. She's going to do something to make them pay for this.)
"Oh yes, he was taken in by that freaky Fenton family a few years ago." Her dad continues in lieu of her mom, and they both shake their heads disapprovingly. "It's just what our city needs, another menace."
"Danny is not a menace." Sam continues, raising her voice while her hands shake with rage. Her parents finally look at her, but she can already tell that they're going to scold her for raising her voice. She bulldozes over them and jabs her black-painted finger at them. "He's got a bigger heart than the both of you combined."
"Samantha, please." her mom says, exasperated. They both give her disapproving looks, Sam thinks about grabbing champagne off the tray of a nearby waiter and throwing it in their faces. "You defend that boy far too much. What do you actually know about him and his family?"
Sam sets her jaw, puffing herself up like a dragon protecting its hoard. She steps into her mom's space. "I know that he loves the stars; you can ask him anything about astronomy and he could give you an entire lecture on the formation, class types, and various gasses that stars are made up of. He can tell you how the Earth was formed, he can tell you about the visible light spectrum and about light curves, and a whole ton of other stuff that I don't really understand. But Danny loves talking about it."
Her face twists and scowls, "I know he cares a ton about the environment and about fixing light pollution, and preserving the forests and natural habitats of animals." She nearly jabs her finger into her mom's chest, "I know he loves dogs, and that there's one he feeds every day on the way to school that he calls Cujo, its a St. Bernard puppy and Danny carries him around whenever he sees him after school, and is in the middle of training him."
It's not a total lie, but it's not the whole truth either. Cujo doesn't need food, but Danny gives him it anyways. "I know he likes spicy food and loves movies but specifically only sci-fi and horror, and he hates most martial arts movies. His favorite superhero is the Martian Manhunter, but Batman comes in at a close second." For reasons to her that were pretty unknown, but it didn't matter.
"I know he loves wordplay and making puns, which I would have never expected from him when we first met, but it's so unbelievably Danny-like that I can't imagine him not making puns." And she smiles a little to herself, she remembers the first time Danny intentionally made a pun once and it got startled laughs out of both her and Tucker.
Her smile suddenly falters, and she swallows. Her lips purse up, wobbling, and she very quickly glances over to Damian Wayne, of whom is watching her with a vaguely bewildered expression alongside Bruce.
She turns her eyes back onto her parents. "And I know that he worries a lot, even if he has a shit way of showing it. I know he had a little brother that he hasn't seen since he was adopted by the Fentons, and he doesn't talk about him often but when he does he he calls him 'starlight'." From the corner of her eye, she sees Damian jerk.
"So- so, so what if he's not 'good for polite company'." Sam's voice, embarrassingly, cracks down the middle. But she's so angry over Danny's behalf that she doesn't really care. "Or that he can be mean, and critical, and stubborn. He's learning, and he's becoming kinder by the day. That's more than I can say about you."
(She remembers when Danny finally admitted to her and Tucker being his 'closest friends'. It was sometime before the portal incident, and it felt like a milestone because beforehand he only really referred to them as his companions or allies.)
(At the time, he'd looked unsure of himself. Skittish like a stray in the back of an alleyway, almost shy in his own way. It had come out stilted, slow, like an infant taking its first steps, and it would have been endearing if it hadn't been heartbreaking.)
Her parents rear back like she'd struck them, and her mother holds a hand against her chest in aghast. Sam doesn't care, she blinks the sting out of her eyes. "Samantha." Her mother starts.
Sam cuts her off, "I don't care what you have to say, you-- you pricks." she snaps, around her, there are gasps. Belatedly, she realizes she's grown an audience, but again she doesn't care. "Danny might be an asshole, but he cares. And I'd rather be around someone whose mean but cares, than someone whose nice but doesn't."
With that, she whirls on her foot and turns on Bruce Wayne, who has been silent the entire time with a surprised expression on his face. He starts to shake out of it when Sam turns to him, but she doesn't give him the chance to speak. "Enjoy your party." She snarls, and then stalks away.
#dpxdc#dp x dc#dp x dc crossover#danny fenton is not the ghost king#dpxdc crossover#dpdc#danyal al ghul au#older brother danny#sam is one protective gal. this scene went differently in my head. way differently. but alas. i am not complaining.#sam: if bruce wayne abandoned my best friend i'm gonna physically transform myself into a dragon and incinerate him. how dare he.#bruce and damian got to watch in real time as a random girl who knows danny suddenly realizes he's related to them. which is comical to me#because she suddenly goes from being disinterested but weirded out by damian. to suddenly looking at bruce like she's gonna kill him#which is very funny to me bc from their pov at first its like this random girl just speedran hating bruce. and then her parents bring up he#friend danny and then she calls him danyal. and suddenly its starting to click into place like 'oh fuck wait we may just have a lead on --#-- finding danyal and his whereabouts.' especially after sam's mom mentions the scar on his face. like wow. what a crazy ten minutes.#not seen but def happened: sam gets her phone out to go text danny in the corner. she's not gonna bring up the bruce thing yet. she needs#a pick me up. related note: danny and tucker know she's gone to some gala thing with her parents but not to a wayne gala. if danny had know#he may have told her that he was related to damian wayne. just to prepare her for that. not so sure on the writing in this one folks#but i also dont wanna go through and edit anything its like half past one in the morning and i also dont wanna wait until morning to post#when i can just do it now. and get instant serotonin. i thought of this scene in various ways. like sam calling damian 'danny' out of shock#and then quickly correcting herself. and then excusing herself very quickly. or her mentioning that damian resembles her friend danny a lot#so she was just thrown off by him. because i def think that could happen if sam has no reason to think that she needs to hide danny from th#waynes. i also thought about her parents mentioning that damian resembles danny a little bit. only for one of them to go 'oh no no couldn't#- be. how insulting to damian since the daniel they know has this horrid scar on his face.' and then go from there. either way i thought#a scene like this would be fun. get to also kinda explore how danny looks like from his friends' povs. of which he is#'our lovable jerk who is an ex-cult member and whom we will maim someone over.'#not a scene that was added but i wanted to: sam mentioning in parenthesis that she and tucker think danny was part of a cult prior to the#fentons. and that sometimes danny will say something alarming and sam and tucker will stare at him until he frowns and goes#“that... isn't normal. is it?” and tucker will clap his shoulder and cheerfully go “no buddy. no it isn't” bc i think the idea is funny.#sam is so focused on the idea that bruce abandoned/ignored/was unaware of danny's existence that she momentarily forgot that bruce may have
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cashmoneyyysstuff · 6 months
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katsuki likes to bite you. it’s his weird way of showing you affection. whenever he feels like annoying you (because he can’t live for more than ten seconds if he’s not being a nuisance) but he also wants to you to know he cares, he’ll find whatever part of your skin is exposed and just—bite.
you don’t remember when he started doing it but you’ve never stopped him so he hasn’t stopped. he bites your exposed shoulder when hes walking by and your lounging in the living area of the dorms, he grabs your hand and bites at your fingers when you’re alone and he bites at your cheeks and nose when you get mad at him for ‘being mean’ and teasing you. to which he always replies with “you love it.”
“why do you do that ?” you asked randomly after he bit your cheek again while you were watching a movie in his room. he looks down at you and his brows furrow in confusion “ do what ?” he asks.
“ bite me,” you play with the ends of his hair a little, it’s been getting longer and he’ll complain about it soon(the only reason he hasn’t cut it yet is because you said it looked good on him) “ why do you that ?” he goes quiet for a moment, gauging to see if you were upset, was it suddenly bothering you ?
he frowns. lips already unconsciously forming into a pout when he speaks “ ya don’t like it when i do ?” he tries to sound self assured, but his question comes out whiny. you smile lightly at him, nosing at the underside of his jaw. “it’s not that, dummy. just wonder why you do it.”
his nose scrunches at the nickname but he pays it no further mind. he huffs out a little breath and looks away from you towards the tv screen, a pink tint grows on his cheeks. having to tell you why he does it suddenly makes him embarrassed.
“jus’ feel like it. f’ya don’t mind when i do it why’re you questioning me about it.” you feel his hand heat up from where he has it pressed against your stomach under your shirt, no doubt getting more and more embarrassed having to explain why he has this weird little habit.
you shrug, sighing and nuzzling into him a little more. you press a light peck to his neck and his hand heating up even more makes you smile “i don’t mind it, just never had anyone bite me before.”
“good” he huffs, suddenly pressing you closer to his side. a sudden rush of protectiveness washing over him “get used to it. m’the only one who’s gonna be doing that from now on, got that ?”
“alright” you giggle. you suddenly get an idea and you look up at him. “you wouldn’t mind it if i bit you, then ?” a teasing smirk appears on your face when he almost cracks his neck when looking down at you, wide eyed and cheeks absolutely set ablaze. he sputters and looks away, unable to keep eye contact as he looks to the screen again.
“knock yourself out.” he tries to sound indifferent but his voice cracks a little at the end of his sentence and he cranes his neck to the side a bit to give you more access. you don’t mention either. instead you lean closer to him and nip at his neck lightly. his hold on you tightens for a moment before loosening up slightly and he suddenly won’t look at you anymore. not even when you laugh and poke at his cheek, asking him what’s got him so red in the face. his eyebrows are furrowed and his eyes are so laser focused on the tv you fear he might burn a hole through it. he offers you nothing more than a harsh glare and a muttered out “shush.”
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hoshizoralone · 9 months
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a series of comics about the time where flora is left alone with clive
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mummer · 11 months
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just saw asteroid city last night, pls explain the proposed significance of the kiss!!
answering this publicly hope thats ok! cant do a readmore im on mobile *****asteroid city spoilers below beware*****
i dont remember anyones names so this is gonna sound partly unhinged. okay so the edward norton playwright and jason schwartzman actor (not character, in the black and white parts) are lovers right. tbh i thought this was kind of a gag and forgot about it. but later we find out that the playwright died 6 months into the production. i didnt make the connection that THAT’s why the actor-jason has to suddenly leave the stage and freaks out backstage about how he’s not sure he’s Doing it right. hes not talking about acting!! because he himself is literally grieving his lover while he’s playing a character who’s grieving his wife written by his lover so obviously it’s too much!!! actor-jason is trying to find meaning in his death through his writing but there isnt any meaning in death [gerris drinkwater voice] which is what the play is trying to say anyway. he doesnt think he’s performing grief right even in his own life!!! (and tbh it’s the 50s so he wouldnt be able to perform grief publicly anyway!!!!) the play starts with a car accident… anyone would search for some hidden meaning there, some sign…. so when he talks to margot robbie outside it’s not really about finding the CHARACTER’s motivations it’s about the actor himself being able to process the playwright’s death! and adrien brody director was probably also dealing with that too (him and norton seemed to be good buddies) so the whole “sleeping backstage” thing gets a bit sadder maybe? maybe everyone else got this in the theatre and im just stupid lol but crazy making stuff to me!!! the whole story is about sublimated gay grief that cannot be expressed?!?!
the tweet that caught me onto this was here which posits that the playwright’s death was a suicide but i think that’s pretty stupid and unnecessary because the whole thing about the play asteroid city is that death is random and meaningless. im pretty sure that’s what the alien represents— a shocking and absurd event that isnt outright evil or menacing, not something anyone can predict or make sense of, it’s just a thing that happens to you out of nowhere, it doesnt mean anything. he’s a little black figure, he’s death! giving and taking! aagh
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apomaro-mellow · 11 months
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5 times eddie singled out steve during a concert and the one time steve did it back
Corroded Coffin fans were no strangers to the deep love shared between frontman Eddie and his boyfriend Steve. To the point where magazines barely cared to feature any candid pics of them unless Eddie was flipping off the camera. "Two Very in Love People Share a Kiss at Cafe Date" didn't really sell much when it was the 50th story like that.
So when Eddie slowed things down in the middle of the concert, getting that very familiar 'heart eyes' look.
"I know my baby's in the audience. Even though he has a very comfortable room backstage. Show me where you are beautiful." Eddie's voice was slightly rough from the first half of songs.
His eyes scanned the audience until he heard a bunch of screaming from his right. The crowd was vibrating and he knew someone had spotted Steve.
"There you are." Eddie bit his lip, grin threatening to split his face. "This next one's for you."
The crowd was a mix of screams and awws as the beginning melody of It's Always Been You was heard.
2. Another day, another venue. This time, the afternoon crowd at a music festival. It was one of Eddie's favorite kind of scenes. People of all types, letting the music take them in broad daylight. A good mix of diehard fans, casuals, and people who had never heard them play before.
Eddie knew for a fact that Steve was sitting in a little foldable chair, with some drink from one of the booths. He always looked so unassuming with his soft hair and even softer clothes. But Eddie could never let him forget his inner badass. Nor did he let anyone else forget.
"Lil pop quiz for my fans", Eddie started. "One of our fan favorites The Knight's Arrival is inspired by someone very special in my life. Can we get a chant going for the man who has always been my knight in shining armor?"
A very enthusiastic chant for Steve started and Eddie thought his heart might burst. It was like a triumphant reprisal of those times the school would cheer on the ex-king on game night.
3. Sometimes the band put an age restriction on a concert. Now Eddie was of the mind that children didn't need to be coddled or have things censored for them. But also, he didn't need to lay it all out when there was a kid in the audience.
It was these kinds of shows that Eddie let it all hang out. More than one song was inspired by his nights with Steve. His angel's voice even featured on one track, letting out husky moans as Eddie brought him to the brink in the recording booth.
And tonight Eddie was hot. Hot enough to have already taken his shirt off and throw it to the audience. Hot enough that when he went backstage and saw Steve, he was only thinking of one thing. Eddie kissed him deep, tongue licking at the roof of his mouth before a word could leave his lips.
Crash was keeping the audience going with a drum performance. One that started with a simple beat that slowly intensified.
"I want them to hear you", Eddie said against Steve's mouth.
Steve's hair was already tangled in his hair. "You wanna dangle me in front of them?", he smirked.
"Show them you're mine", Eddie started nibbling at his jaw. "Show 'em how good I love you down."
Eddie got the headset mic rigged onto Steve. His sweet boy was already hard, just as turned on from seeing Eddie in his element as he ever was. Eddie slid down to his knees and unzipped his boyfriend's pants.
It started quiet. Not even audible as Crash really got going on the drums and got close to the climax. The room erupted as he reached the end. And it was in the calming of their cheers that they finally began to hear it.
"Eddie, mmmfuck."
They stirred in unison. Steve's voice rang loud and clear as he received a pleasure the rest of them could only speculate on.
"Fuck, sso good. Don't stop. Don't stop-ahh."
For a moment all they heard was Steve's quickening breaths before he called out Eddie's name, dragging it out like he was falling down a well.
Eddie came out moments later, licking something off his lips to cacophonous cheers. The bassline to Take a Bite began. He wished he could've told his high school self that one day he'd get a standing ovation for blowing a guy.
4. "Before we get started tonight I gotta make an announcement!", Eddie came out, already on 100. "First, where's my angel baby. Help me find him."
As usual, a particular part of the audience went wild and moved in a way that could only mean Steve was there.
"Can I get a parting of the Red Sea?", Eddie asked, moving his hands apart and getting that part of the mob to split like Moses. Steve stood there in the middle.
"Get used to that gorgeous. My fellow rockers, scholars, and mischief makers - I am officially a kept man." He flashed the ring on his finger to a din of screams. "Wedding's next fall and we're registered at every corner liquor store! 5-6-7-8!"
5. Eddie felt like he was home. In the middle of a set, shredding in a way that made him feel alive. The current song made it even better. One of the best collaborative efforts of the band. All of their fingerprints were on this track.
The crowd was just as amped up, giving back everything they got. There truly was no place he'd rather be.
Then he caught sight of his Steve, standing just off stage in the wings. And he was overcome. None of this would be possible without him. And even if Eddie and his boys somehow made it to stardom, it all meant nothing without his sweetheart.
Eddie casually walked over, fingers still moving as he got closer to Steve. He only took his hands off his guitar to grab his fiance and dip him as they kissed. Steve wrapped his arms around Eddie's neck. This wasn't his first time being kissed on stage.
And just as other times, the crowd went wild, while Jeff, Gareth, and Crash rolled their eyes through the playing.
6. Steve watched, absolutely lovestruck as Eddie sat on the couch, eating cereal. Dustin's baby, little Deana was propped up on cushions next to him, clearly satisfied as she sat there content. They were uncles babysitting for the weekend.
Steve walked over and grabbed the remote from off the coffee table, holding it like a mic. "All the babes out there, are you ready to rock?", he pointed to Deana.
Her new eyes got large at the movement and sound and her little fists waved in the air.
"But before I go on, I gotta give special love to someone tonight", Steve turned his gaze to Eddie. "To the greatest thing since sliced bread, I could watch you eat Coco Puffs all day."
"You're such a cornball", Eddie beamed, cheeks turning pink. "Can't believe you're doin it in front of a baby."
"Oh, don't tell me the god of rock is getting bashful? So when I wanna shout you out in front of our niece, it's cheesy. But when you call me out in front of thousands-"
"Shut up and kiss me." Eddie put the half finished bowl on the floor and grabbed Steve by the wrist, pulling him right into his lap.
Steve let out a little breath between kisses. "Dustin's gonna have a fit if he finds out we made out in front of his baby."
"What he don't know won't hurt him."
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bumpereatspants · 1 year
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aftg is wild because kevin says "give your game to me." and "close your eyes and tell me what you see" and neil just says "you." and andrew has to watch the whole thing. and then andrew is the one he falls for.
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fukcnoplease · 2 months
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Things Always Go Wrong Pt3
Pt1 Pt2 Pt4
Gotham was truly testing her abilities. Usually she could vibe check the building and be good but the vibes of Gotham were rancid everywhere she went. Every building and street had some varying level of unsafe and she could feel Danny slowing behind her. He wasn't going to stay on his feet for much longer. Thankfully there were plenty of alleys they could probably hide in and even though it was already midmorning the thick smog on the city made it look like the dawn had only just broken. The alleys were still dark and as soon as she paused at the back of the alley she felt Danny collapse into her. His breathing was ragged and he was slick with sweat. She tried vibrating her core at him and the response she got was uncoordinated and harsh. It was as if two things were trying to respond to her, attempting to drown each other out.
“Shit.” she said. Jazz would be mad for her language, you know, if she didn't kill her for killing her brother. 
“Found you, wretch.” A voice said and Dani shot up into a fighting stance. The entrance of the alley was blocked by five people, all dress head to toe in white and aiming several weapons at them. They were all men and significantly bigger than her. That would be fine in her ghost form but transforming in front of them was risky.
Danny groaned from the cold alley floor and Dani grimaced. She growled, inhumane and low, and punched her palm as she went ghost. Showing her transformation was a small price to pay to protect Danny and they probably had her, or Danny’s, ecto-signature if they had managed to follow them cross state lines so accurately. 
Their weapons hummed as they charged and Dani caught a glimpse of color above them. Praying she had seen right she took in a breath and shouted her words.
“I am the princess of the Infinite Realms. Any harm that comes to me is a direct attack on the entire dimension of the Infinite Realms and cause for a war between our worlds!” Internally she cringed at her words but she prayed they had the right effect. 
“Ha! Like you could fool us, you manipulative ecto-sum! You’re coming with us. If you're lucky you might even make it in one piece” The leader, she assumed as he was standing at the front of the group, said. She tensed in case her gamble went south and prepared for something to hit her. 
Thankfully she didn't feel anything and a yellow hero came crashing down on the agents with a ferocity she wasn't expecting. He used what she thought were escrima sticks but they were connected together with a long wire and looked modified. He downed the panicked agents in seconds and turned to Dani. Unconscious agents littered around him.
His sudden movements made her drop into a defensive stance and he froze. Gently putting away his weapons as he raised his hands to show he meant no harm.
“Sorry, I didn't mean to scare you. I was just trying to help.” The man paused as he looked over the two disheveled siblings. The white haired girl was glaring at him but looked more wary than aggressive and the dark haired boy on the floor looked incredibly ill. “Would it be ok if I helped you? I can call some friends and we can get you to a safe space.”
Dani stared the man down. He could fight, and right now she wasn't confident she could take him. Not while protecting a very incapacitated Danny. He had a black bat symbol on his chest which was good but also bad. Good because Batman was a hero and helped those in need. Bad because Batman was famous for not liking metas and while she and Danny weren’t metas she doubted Batman would care enough to make the distinction. Hopefully if she played up the royalty bit she could get maybe some leeway.
“Ok, bumblebee, but I want you to promise you wont hurt me or my… ambassador,” Danny was going to be so mad when he woke up, “or I will bring the entire Infinite Realms down on this world.” She did her best to sound threatening and maybe using some energy to make herself scarier but she wouldn't admit it.
“Of course, your… highness?” Bumblebee asked. Dani frowned, she didn't like ‘your highness’ but she couldn't give her actual name…
“You can call me… Elle.” She felt her insides crumple up at how cringey that name felt and she was very glad Danny was out cold for this conversation. The bumblebee hero nodded and said something into what she assumed was an earpiece. After a few minutes of discussion he went quiet and began watching the roofs. Dani floated off the ground slightly, trying to see what he was looking for. She didn't notice the surprise that flitted across his face at her show of power or the silent black hero who landed gracefully beside Bumblebee. 
“Hey Black Bat. Can you help me gather these guys up? Batman should be en route but might take a minute to get here.” Bumblebee said. Dani whipped around to see the new hero, black bat apparently, silently working her way through the knocked out GIW.
“Batman is coming?” Dani asked, anxiety making her fidget with her hands. That wasn't good. She couldn't pretend to be a princess around him, he could practically smell lies, or fear, and maybe she could be the princess of the Infinite Realms but she wasn't officially! Not yet at least. And Danny definitely wasn't her ambassador. Shit, maybe if she played up with the sad little girl image? Batman was known to take pity on kids… or was that one of his allies. She should’ve listened in on the conversation the bumblebee had had earlier, maybe she would have had something to work with then.
Black bat and bumblebee worked together to tie up the GIW and leave them in an easily accessible spot for when the police came around. Black bat touched bumblebees bicep and he looked up to see the scary shadow of Batman looming over the alley. Dani notices him too and landed in front of Danny, spreading her arms to block him from Batman's view as he landed beside the other heroes.
“Report.” Was all he said as he looked over the scene. His gaze lingered on the unconscious boy and Dani had to resist growling at him, in case that ruined her case for receiving help. Bumblebee took a breath and nodded.
“I found these two as they were about to be attacked by a group of people,” he gestured to the tied up men in white, “it looked like meta trafficking and I stepped in. Elle,” he gave a smile to Dani who cringed internally, “gave the men fair warning about their attack being against royalty and at risk of ruining dimensional relations, they refused to back off.”
Batman responded with a noncommittal ‘hn’ and narrowed his eyes at Dani who prickled under the gaze.
“For the record,” Bumblebee added, a little hesitant, “I believe her.”
Batman nodded and took a step closer to Dani and this time she did growl. The man stopped and regarded her. She glared back. He wasnt coming near her or Danny. Not in his state.
“Would you like to come with us?” Was all batman said. Stern and quiet. Dani didn't move, she looked over Batman’s unmoving face and then back at the bumblebee and black bat. The bumblebee hero looked worried but more for Batman than Dani and the black bat seemed relaxed as she watched.
“Where are you going to take us?” Dani asked. Batman frowned slightly and Dani worried he would just try and grab them. 
“A place where we can keep you safe and confirm your royal status,” he said. Dani didn't really like the sound of that but she could feel Danny getting worse and she was running out of time to make a decision. When he chose that exact moment to let out a pained groan Dani almost smacked him. Batman’s frown deepened and Dani felt her throat bob.
“We might even be able to help your friend.” He offered.
“My ambassador,” She corrected, if she was gonna sell this she had to go all out, “And I don't want you to lay a hand on him.”
Batman gave her the slightest, stiffest nod she had ever seen and she relaxed. Batman nodded to the other heroes and black bat vanished, bumblebee paused before leaving himself. Dani felt her anxiety come back threefold at being left alone with the big bad bat but in a few seconds a fancy black bat shaped car skidded to a halt outside the alley. In the passenger seat was the familiar bumblebee, he grinned and waved at them. Batman stared at him in what Dani thought could be disapproval but said nothing. The doors to the suped up car popped open and bumblebee stepped out.
“You can get in the back seat. Do you need help with your ambassador?” He said as he stepped back into the alley. Dani shook her head and Batman made a grumbling sound.
“Signal.” he said. Bumblebee, signal apparently, shrugged and continued towards Dani until she stiffened.
“I just wanted them to have a familiar face so the journey wasn't too stressful. Black bat and Spoiler are covering me while I stick with them.” He said, smiling at Batman and then turning back to Dani. He moved to help her pick Danny up but she shook her head at him and he stepped back. Batman made another ‘hn’ sound before retreating to the driver seat of the car. 
Dani moved Danny around and picked him up by throwing him over her shoulder. He wasn't heavy but he was bigger than her and it made him difficult to carry. Signal, she preferred bumblebee, hovered around her but was careful not to touch Danny as she carried him to the car. They managed to get Danny securely in the back seat of the batcar and Dani slid in next to him. He looked worse. Maybe moving him wasn't the smartest idea but Dani didn't know what else to do. If the GIW had their ecto-signature there wasn't a safe place to hide. Maybe Batman would be able to protect them but it would only last so long. She pushed aside her fears and gripped Danny’s too warm hand. The scenery went passed too quickly for her to see and the drive was silent. She was starting to hate road trips.
~~
This is short but the next one is gonna be LONG I got distracted anyway I love that people are enjoying this, i like writing it :)
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hobidreams · 25 days
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minis: july 1874.
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time goes on, and so does your love stretch and grow alongside it.
pairing: joseon king!yoongi x reader genre: angst, fluff words: ~800 contains: historical au, talk of pregnancy
moonlit throne index. this is drabble 47. start from the beginning?
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"...Not this time. Again."
In the starlit darkness of your apothecary, your voice comes out tender, red and raw as if the words scrape your throat on their way out. Your hands are flattened on the wooden table, your knees shaky but still thankfully enough to support you as you try to maintain your bravest face. But it's always futile when it's him you're facing. Your Yoongi.
Your Yoongi who only lets a small, sad smile flicker onto his lips before he is pulling you into his warm arms. He buries his face into the dip of your neck where your scent gathers, presses a tiny kiss beneath your jaw.
You feel the silk of his robes softly drag against your wrists. Feel his limbs tremble ever so slightly, even though he must be trying his utmost best to keep himself steady.
"I'm sorry," you whisper into his shoulder, wishing for yet another month that you had better news to give. More than blood staining your undergarments that you handwash until the red disappears into the water as if it had never existed in the first place, each scrub a fresh sting in your heart.
"Don't you dare."
Against you, Yoongi twitches, tenses. He breaks from you reluctantly, shifting until he's far enough away to look you in the eyes, hold you captive in his strong gaze.
"This is no fault of yours, janae," he says, tracing your cheek with the backs of his fingers. "Never."
This small act of affection makes the threat of tears known behind your eyes. Though you've grown hopelessly used to them in the past years, his kisses, his warmth, to have his kindness in the face of such failure is...
"Isn't it?" You pull away from him then, take a few steps away to your table where herbs and fine powders litter the tabletop, remnants of your day's work. "None of my brews have been effective."
"Yet," he says instantly, the word pressed out so intensely you almost believe him. "Effective yet."
"...It's just hard to watch her."
The beautiful queen. Well in the fifth month of being with child, her growing belly swells with love and happiness. She rubs oils you provide on her skin daily, willing to drink any bitter health tonic to ensure her babe's safety. As much as you love visiting her, chatting with her about all things related to the future heir of the country... You can feel your heart whimpering each time you see her. Ugly and jealous.
"We have time," Yoongi whispers, brushing a tendril of hair away from your forehead. "I promise."
"Okay." You exhale, letting him soothe your hurt. "And... I suppose being a while behind the queen will allow us to make good use of the clothing her child outgrows."
Yoongi raises a dark eyebrow at you. "Please. You think I would not personally order the most luxurious, newest clothing the country's top seamstresses can make for our precious baby?"
"Technically, her baby is yours too," you say with a small grin, even though you all know the truth.
He hums, amusement now playing on his lips. "Hoseok still has a difficult time keeping a neutral face when the advisors say the same. I had to order him to leave the chambers on more than one occasion already, lest he give everything away with that ever-changing expression of his."
"He can't help it. He's just so excited." You're grateful for this slight change of topic. "Do you think he'll tell Aera?"
"I don't know." Yoongi says that more often now, at least in your presence and Eunuch Kim's and sometimes even in front of the Queen. He's learned that kings don't need to know everything. That so many people within the palace are there to support him, even in his moments of falter. "I don't know if she is old enough to keep that secret. But eventually? Yes."
You place a hand on his chest and feel the thump of his heart beneath your fingertips. "And... will you... Will you tell their child when it is time?"
"Of course." His breath is warm with summer as it brushes over you, slightly bitter with the tea he uses to keep himself awake on advisor assembly days. "We are... one joined family now, as unconventional as it is. And if I have learned anything from my mother... every one of you deserve the truth. The queen, Hoseok, Aera, you..." His gentle fingers drift down to your stomach. "... and the little one that will join us eventually."
"Okay." You take his hand as you look into his eyes, read the absolute love, the sureity written there. You will trust in yourself as you do him, as you do the small pond rock that sits snugly in your right pocket, accompanying you through even the hardest hours. "Okay."
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a/n: hey all! long time no see! if you're still here to read this--i'm SO grateful for you. i recently watched the Yoongi Road to D-Day movie and as soon as Daechwita came up, i was thrown back into this story and i just missed it so much. this mini was originally begun like a year ago in response to some comments from readers who were curious about what happened with our dear uinyeo-nim's wish to have a child! i wanted to show some of that struggle, some of the tenderness between them and how the world has changed in the few years since the end of the series :)
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formulaonedirection · 11 months
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hey batter batter hey batter batter swing ⚾️
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luxaofhesperides · 4 months
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Human/Mer AU + Bioluminescent Siren Duke ; requested by @justwannabecat!
The human hadn’t been in his territory recently. 
He wasn’t attached or anything, but Duke had started to look forward to seeing him around. It was equal parts exciting and terrifying to be under the curious, watchful eyes of a human who could so easily be dragged down into the depths. 
He knows he shouldn’t be doing this. He shouldn’t be indulging this human’s curiosity, trying to lure him closer time after time. Holding the attention of any human is dangerous; Duke’s heard the stories plenty of time. He’s seen the damage humans can do even more. 
There’s just something different about this human, who never dives too deep, who smiles at him and leaves little gifts in the tide pools tucked away from the rest of the beach, hidden from sight. Or rather, usually hidden from sight, since this human is the only one to go there. 
It’s foolish, but Duke actually misses his human. 
It’s not the first time he’d been gone for long stretches of time, but something feels off. There’s worry curling up at the base of his throat, making him swim to the surface more frequently. Steph had given him a look when she caught him, but didn’t say a word. She shouldn’t, really, when she’s been sneaking up to the surface for her own human friend, some small, dangerous human with dark hair and hands that speak more than a voice.
He’d seen her, just once, when he had gone up to splash water and his human then swim away.
Somehow, things felt easier back then. Like the horrors of the world couldn’t reach them among those tide pools. 
It’s reached them now.
Duke’s not expecting to see his human when he swims up to the surface. He’s expecting another quiet night, an empty beach, a dark sky with only the moon casting its lonely light down onto him. 
But when he swims up, his eyes go to a figure on the beach instantly. 
Even from this distance, Duke knows: that’s his human.
He doesn’t think before he’s swimming over, pushing himself faster than he’s ever gone before. It’s low tide, so he can’t get as close as he wants and can’t reach most of the tide pools at all, but it gets him close enough. Human and merfolk vocal chords are different; he can speak in water, but can’t make more than a few hums in air, and humans can’t really do anything in water at all. 
His human is sitting with his knees tucked into his chest on the beach. He’s hiding in his clothes, a hood pulled over his head, but he looks up when Duke drags himself onto the sand. 
Duke can see bruises. Dried blood. A stray tear slipping out of his eyes. 
He wants to ask what’s happened? But all that comes out is a low crooning noise. 
His human laughs, a quiet, bitter noise that makes Duke’s chest tighten uncomfortably. “Hey,” he rasps in a low voice. “Been a while, hasn’t it? I hope you’ve had a better time than I did.”
Duke can’t reach his human. The distance between them isn’t great, but it’s too much. He’s already partially out of the water, hands sinking into the wet sand just out of reach of the waves, and he can’t get any farther out. He reaches a hand out, silently pleading for his human to come closer.
The move makes his human soften, some of the hard edge of tension in his body melt away. He gets up and walks into the water, then sits down next to Duke, taking his hand. 
“I missed you,” he whispers. 
If they were underwater, Duke would be able to say I missed you too. Don’t ever go away so long again. But his human is in no shape to go underwater right now, so Duke presses his hand against his lips and hums lightly. 
They sit in silence for a moment, and Duke realizes that he’s never been this close to any human before. It doesn’t feel dangerous. It feels like relief, to finally have his human in his reach, safe from the rest of the world. 
He gives him human another moment, then reaches out and carefully pushes his hood back. His human allows it, blinking at him slowly. Without the shadow of the hood, Duke can clearly see the bruise coloring his cheekbone and the cuts going down his temple to his jaw. His split lip is still red with blood, and what little of his throat isn’t hidden by his clothes reveals more bruises wrapped around the delicate column of his neck. 
Duke ghosts his fingers over each of these injuries, hating how easily humans hurt each other. His human leans into the touch despite how it must hurt, something devastating in his expression. 
Who hurt you comes out as a questioning trill. Somehow, it gets the point across.
“It’s alright,” his human says. “Really. I’m not even that hurt. It’s just been a long few months. We never talk much, so you wouldn’t know this, but I have to fight a lot of people. Perils of being a hero, you know?”
Duke knows about heroes. More specifically, he knows about mer heroes. He’s considered being one himself, but the currents shifted and he ended up more a loner, banding with the other rejects of the city to live in the fringes and help only those who wander out too far from the marginally safer waters within. 
He hasn’t heard of any human heroes, but then again, he doesn’t know much about humans at all. Nothing beyond the stories all parents tell their children to scare them away from the surface, or the horror stories kids tell each other in the middle of the night when they want to scare each other.
He hums again to let his human know he’s listening. His human has such a nice voice. Why haven’t they done this before? 
It’s always been a push and pull between them, carefully keeping their distance but always circling back to each other. Duke would let his human swim with him, and his human would let Duke sit safely on the other side of a tide pool, tossing sea shells back and forth between each other.
They don’t even know each other’s names. 
He wishes, just for a moment, that he could go back in time and do things better. But he’s happy here with his human and he doesn’t want to lose this either.
He’ll just have to make the best of what he has. It’s how he’s always lived after his parents disappeared.
“This really isn’t that bad,” his human says, “I’ve taken worse hits before. It’s just that I couldn’t transform before the attack started, so now my human form is bruised too.”
…Human form? The more Duke hears, the more questions he has. 
Duke hums at a lower octave, placing a hand over his human’s chest. 
His human laughs lightly. “Yeah, I guess we’ve never really talked much about ourselves, did we? I’m human, don’t worry, just not all the time. I… actually, I died a few years ago. But I came back partially. So I’m also half dead still and I can transform into a ghost to fight threats. I’m a hero called Phantom. Actually, Danny Phantom since I was stupid enough to just give out my first name when I started out. In my defense, my brain was still a little fried.”
There is so much he wants to say to that. He tries, and makes a series of low hums and clicks in the back of his throat, staring at Danny (he finally got his human’s name!) incredulously.
“I promise I’m fine,” Danny continues. “It was just a bit rough. As soon as I get some time to recover, I’ll be good as new! And I really did miss you, you know. Didn’t even go home first, just come straight here.”
That’s honestly really sweet. Duke hums again, a lighter pitch, and takes hold of Danny’s wrist and tugs him towards deeper waters. 
“What? You want me to go in?”
Duke nods, already shuffling his way back out of the sand. 
He expects to look awkward during the process. What he most definitely doesn’t expect is for Danny to easily pick him up and walk them both into the ocean.
Listen. Duke is not a small mer. He’s big. He’s got a long, heavy tail and wide fins going down his back, his forearms, and the sides of his tail. It’s a struggle for him to fit into seaweed nests with his friends during the colder seasons, often left to balance on the edge with his tail hanging out. His friends struggle to pull him through the water with his weight. His parents weren’t able to hold him much after he started growing.
None of this matters to Danny, who acts as if Duke weights nothing at all. 
To his great embarrassment, his fins flare in appreciation for Danny’s strength. He was not expecting a human to be so strong, but Duke’s not about to lie to himself and say it’s not attractive. 
He trills to Danny, who laughs again, then falls into the water, taking them both under. 
Duke doesn’t hesitate. He grabs hold of Danny and swims them further out. He stays close to the surface so Danny can rise for air as needed, but he makes no move to leave Duke’s side even after a few minutes.
He glances back, concerned, when he sees that Danny is watching him with dark eyes, not breathing at all despite being conscious.
Danny holds up a finger and closes his eyes. Two rings of light appear around his waist, then split apart and pass over his body. Instantly, Danny’s body becomes lighter, as if Duke’s hand is grasping at a current on the seabed. His hair turns white and his eyes glow from how bright of a green they are, but there’s something inhuman about his features now, something that makes him look different beyond just physical features. 
Well. Danny did say he could transform.
Now that they’re underwater, Duke can finally speak. The first thing he asks is, “What was that?”
Danny grins at him. “That,” he says, speaking with ease as if he’s not underwater at all, “was my transformation. And this is my ghost form. Quite the look, isn’t it?”
“You can talk down here?! Also, hi, my name’s Duke. Since I never introduced myself.”
“Ghosts can do a lot of things,” Danny answers with a cheeky grin. “It’s nice to finally know your name. I’ve been calling you glowfish in my head this whole time.”
“Glowfish?”
“Yeah. Because you, you know,” Danny gestures vaguely at him, “Glow.”
Duke glances down at his back fins, which are indeed glowing. They flare a bit from embarrassment, which just makes the dots of light lining the fins more visible. He doesn’t glow a lot, keeping a tight hold of that ability, but sometimes it comes out anyways when he’s feeling especially happy.
And apparently, he’s always very happy around Danny. 
It’s a good thing Danny doesn’t know what that means, because if anyone of his friends found out, they’d laugh at how obvious he’s being. Drawbacks of being somewhat bioluminescent: anyone familiar with mers who have this feature know exactly what the glow means. 
“Right,” he says just a beat too late. “Well, now that we know each other’s names, can you tell me how you really feel? Those injuries didn’t look too good.”
“It’s fine, really! I take harder hits all the time.”
“That doesn’t mean it doesn’t hurt.”
Danny doesn’t answer for a long moment, then sighs. “Yeah. It still hurts.”
“Stay with me for tonight,” he says. “You’ll be safe. You can rest and heal and I’ll keep you safe from anything that comes looking for you.”
“You don’t have to—”
“I want to.”
Danny doesn’t put up much of a fight. He must be exhausted. “Yeah, alright. Take me away, Duke. You know, this is like those stories about sirens luring sailors down into the depths.”
“Well, I am a siren.”
“Wait, really?”
“Yeah. I take after my mom. She’s the one who taught me how to sing.”
“I guess it’s a good thing we’re friends so I don’t have to worry about being dragged down to my watery death.”
Duke snorts. “Good thing you’re already a ghost then. Not much I can do to you down here.”
He swims down, heading towards a small cavern in a sea rock that he’s claimed as his own, leading Danny into it. The light from his fins illuminates the entrance and the rocks within, a narrow passage that goes in for a few meters before opening up into a larger space full of carefully tended to seaweed and starfish decorating the walls. 
There’s a nook tucked away in the back wall where he’s set up a seaweed bed, the plant braided together into something more solid. It’s big enough to fit his tail, which means it’s big enough for him and Danny. 
“Here,” he says, helping Danny down. “Get some sleep. Then you can tell me about what happened in the morning and we’ll take it from there.”
“I’m glad you’re here Duke,” Danny whispers, curling up on his side.  He holds Duke’s hand, twining their fingers together, and it’s as nice as it is strange to feel how cold Danny is in this form when he was so warm as a human. 
“I’ll always be here for you. You just need to come back to me.”
Danny hums, but doesn’t answer. It’s alright; Duke’s used to his loved ones leaving. He knows he can’t make them stay. All he can do is hope they return one day.
It’s been a long time since he’s had anyone in his home. There’s a communal cave where his friends stay that he visits when he gets lonely, but this place used to be for his family. Now it’s just him.
Him and Danny. 
The last time there was song in these walls, his mother was still around, singing him lullabies. 
Looking down at Danny, curled up and so strangely fragile looking, Duke feels the song build up in his chest. It slips out in low, soft notes, an old melody passed down through generations of their family. 
He sings Danny to sleep.
He sings and sings and sings until all his nightmares are soothed and dawn is almost upon them. 
It’s all he can do, so Duke sings and hopes it’s enough to keep Danny close to him for just a little longer.
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