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#usually i don't respond to that kind of stuff but i've been seeing a lot of sp hate on the sp tag for literally no reason
steeklover · 1 year
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You guys will not BELIEVE what I just saw...
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taffywabbit · 1 year
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idk if i'm way off the mark on this, but the way some people are responding to that Guillermo del Toro interview about the decline of studio animation is a bit frustrating to me. specifically the bit where he talks about "emoji animation" and how everything is over-animated and pushed too far and things are rarely allowed to not be ultra-cartoony (y'know, because animation always needs to be marketable to children who are never trusted to have attention spans, right?). like, i think he's generally correct about it! but some folks are taking the wrong message away from that.
i've seen people going off about how "soulless" and "corporate" various recent examples are, and talking about these pieces of media as though they're the result of some kind of personal failing or lack of skill/range on the part of the animators, and it's just like. do people realize that's the only animation you're usually allowed to DO in the industry, unless you get incredibly lucky and land yourself on a project/studio that's unusually cool?
when i was in college for animation it was literally drilled into us nonstop that everything had to be pushed more, that exaggeration was not a guideline or a sometimes-treat but a hard rule that always had to be applied regardless of what was going on, because the viewer couldn't be trusted to pick up on subtlety and we sure as hell couldn't be trusted to convey it. you ever wonder why there's such a specific vibe to a lot of self-directed student films, particularly ones that are focused on character acting/interaction or deep emotions and introspection (especially when there's minimal/no dialogue)? it's because for a lot of young animators, they haven't had the freedom to experiment with realism and subtlety up to that point and they're likely not going to have it again for a while (or at all, unless their career path leads to higher positions where they might have more creative direction over the things they work on. which also becomes a lot less likely if they're anything other than a cishet white dude, for what it's worth).
i would LOVE to see more nuanced, realistic, understated motion and acting in animation. i WANT more characters to be able to express what they're feeling through natural body language and facial cues and for scenes to allow me to breathe instead of spelling everything out in giant bold flashing text all the time. what del Toro wants to see changed in the animation industry sounds great, and i hope others join him in seeking to revamp what modern animation is allowed to be.
but as things currently stand, and as they've stood for a long while now, most artists doing the grunt work on the shows and movies you see are completely at the mercy of corporations and networks who have a vested interest in producing a very specific kind of marketable and cost-efficient media all the time. (and by extension that style is ALSO what's taught in most animation schools, because their job more than anything is to grind you down into a perfect little sweatshop worker who will bend over backwards to meet quotas and get your work approved and not question the higher-ups, even if you have little to no personal investment in the projects you're working on, so that the studios who employ you can maintain their good reputations or whatever)
anyways idk what my point was here, this really just sorta became a rant and my views have undoubtedly been coloured by my own personal experiences (this kinda shit is largely why i dropped out before my last year of animation school, for the record).
i guess just be kind to folks in the animation industry? they've had it fucking rough nonstop for well over a century (the majority of them are still not unionized and there's HUGE pushback against doing so in many places). i assure you they are doing their best to infuse the latest uninspired illumination flick or weird spinoff kids' show with literally any amount of soul they can. you don't have to like the stuff that gets produced by any means! be a hater! i'm certainly not gonna stop you. just remember where these creative decisions come from and why these conditions exist, and consider that when YOU watched something and thought "hmm that could've been done better", you can bet your ass someone actually working on it probably thought the same thing but couldn't do anything about it. these things WILL change as the industry itself improves, but in the meantime folks have to pay their rent, and that usually means doing what they're told and working in a way that will minimize revisions and meet quotas so they can keep their jobs. it sucks, but it is what it is.
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factual-fantasy · 4 days
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Greetings Factual! I just realized I completely forgot to congratulate you in my last Ask- so although it's a tad late, allow me to say, great job getting to yet another milestone in the form of 27,000 followers! As I've said before, you deserve every single one and more- your works, both big and small, make bad days brighter and good days even better! I've especially enjoyed the pixel art gags these past few days- "human sans" and "Bingus" in particular- and it seems like many others have too- at this rate, 30,000 is just a few steps away! Almost their!
Also, thanks a million for responding so kindly to my idea regarding the gangs reunion with patty and meeting with Baragara! I'm glad you like it, and regardless of what details you decide on, I just hope we get to see the moment illustrated some day, as emotional as it is epic!
As for my actual Ask today- I was wondering about Grimaces Gigantamax status. As you probably know, some Pokemon species, including Gengar, can take mega evolution to the next level and temporarily grow to Kaiju sizes when exposed to certain types of legendary energy. However, of the 26 compatible species, not all members have the genes necessary to do so. So, even though he is unlikely to be exposed to the energy required to Gigantamax, if he was, would Grimace be among the lucky few of his kind to react? Or does he lack the Gigantamax genes- which, if he does, certainly wouldn't make him any less awesome!
Oh, and also, small goofy side ask I just thought of- since the group usually seems to sleep together, do any of its six ( later eight ) members snore? And if so, have the others grown accustomed to the noise? Or do they "throw a pillow at the problem" so to speak?
(27,000 followers) (Human sans) (Bingus)
THANK YOU SO MUCH!! :DD I'm glad to hear that you've been liking my pixel stuff!! :DDD
As for the Baragara ask, awe! No problem!! :D I've been thinking about his story and how I would draw it.. it just seems like a hefty project to take on in my current state.. <XD
Now hmm.. Gigantimaxing.. Funnily enough the discord server an I actually talked about Grimace potentially Gigantimaxing or mega evolving. You know, for angst reasons XD But the general take away I got is it would requite too specific of an environment and situation for him to mega evolve on accident. If mega evolving on accident is even possible- (I say accident because the group are not intended to know what megastones are or how they work. So its not like Grimace could mega evolve intentionally-)
Gigantimaxing had a similar problem. Requiring too specific of an environment/situation for him to Gigantimax unintentionally. They're not in/from the Galar region, so they don't have access the things needed to Gigantimax.. and since Grimace isn't from Galar, I thought it would stand to reason that he wouldn't have the gigantimax genes..(do only galar region pokemon have the genes..?)
And even if they were in Galar and Grimace had the genes, Gloria would be a roadblock.
If they found like.. a gigantimax den.? She would surly sense the powerful aura and be sketched out. Thus steering the group away. And since Gloria has never steered them wrong before.. no body would disobey her.
It kind'a sucks that I cant find a way for these two scenarios to work out! 😭 I had a lot of fun imagining Grimace mega evolving in a panic to protect the group and then needing Sylvester to talk him down. But needing a megastone, and a keystone..? And somehow having Gloria not get sussed out by the stones powerful aura and not taking it away from Grimace just seems pretty far fetched. Darn you Gloria for being so observant and caring for your friends. 😔
I'm open to ideas of how I can make either idea less specific and more possible though.. 👀👀
As for your last ask, I'd like to say that thankfully none of them snore <XD it would be pretty hard to stay hidden in the forest if you snore!
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Would I be the asshole if I start hooking up with my hook-up's friend?
Some background info is necessary here. I'm aromantic and I've always been completely open about that and as upfront about what a relationship with me will (and, more importantly, won't) entail. I met this particular guy on a dating website like OKCupid or something like that, I don't remember exactly which one. We got along and were attracted to each other so I sat him down and had my usual talk with him about what he could expect and what he should never expect and whether or not that was a relationship he was okay with having. He said yes, so we started doing basically a FWB thing.
He's incredibly hot and we are very compatible sexually (which is honestly not super common for me tbh lol). The problem is, he often gets clingy and weepy and complains to me about how lonely he is and that he really wants a romantic relationship, complete with things about how no one will ever love him and those types of sayings. I've talked to him about it a few times and asked if he was sure he wanted to keep doing this with me when I will never be able to meet that need. We're also not exclusive at all, so I usually respond to this kind of thing by encouraging him to keep seeing other people/keep putting himself out there/etc and hyping him up and stuff. Every time we talk about it he says he's good to go, that he totally understands my aromanticism and he won't try to push for romance from me, and like I said it's kind of difficult for me to find people who also want the sex I want (I guess I'm kind of kinky and a stone top which in my experience a lot of guys are not into idk) and especially to find people who are interested in sex and dating with no actual romantic feelings or intent. So I've been sticking with him even though he keeps bringing this up and kind of (seemingly) implying that he wants things from me I've told him repeatedly I can't give. I don't want to hurt his feelings by still sleeping with him if he wants love, but I'm basically operating on the assumption that he's a big boy who can make his own decisions and I've been honest with him and understanding, at least as far as I'm concerned.
That's the backstory, now we reach the issue I'm actually asking about. A few days ago, maybe as an early birthday present for me or maybe just coincidentally, this guy had a friend over at the same time as me and we ended up having a threesome. It was great! I really liked the other person involved and we were all compatible and had a lot of fun. They gave me their number on my way out.
So I've been texting with this person, that my long term (I guess, depending on your definition of "long term") hook-up introduced me to via a threesome, and they have asked me if I want to hook up again with just them. Which I totally do. I know I wouldn't be an asshole to start seeing them in addition to the first guy because we're not exclusive and never have been, and I've made myself clear from the beginning that we never would be. My question is would I be the asshole if I started seeing this person that he introduced me to via a threesome, and also stopped having sex with him (I would be open to still being friends who don't have sex, but somehow I doubt he would be very interested in that).
The thing is, this new person is also aromantic, so I know that a non-romantic sexual relationship that stays non-romantic would actually for sure be okay with them. I wouldn't have to worry a) about hurting their feelings because they want something from me I can't give, or b) them repeatedly implying they want more or thought I could change my mind eventually or whatever. But... It just seems like it might be a bit of a dick move when he introduced us for group sex and then to... cut him out of the group, I guess.
So... would I be the asshole?
What are these acronyms?
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phantasmiafxndom · 1 year
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Hello! I really love your writing! Since the kny requests are open, can I request Kny Pet AU hcs for Hantengu's clones (the main 4) ? It's up to you if you want to add nsfw stuff, i don't mind🌸
I've been issued a challenge, I see. XD I really didn't care about these guys until I started really thinking about their characters, but now I'm getting kind of invested...
(Shout-out to @krystalwithakay, who helped with this one~)
. . .
General/Group
• In this setting, the four of them are more like brothers than clones; at the very least, the "original" isn't around anymore. They were too much for their original owner to handle, so they wound up locked away in an overcrowded cage and left to fight over whatever minimal scraps of food and care they received. This did not do their mental states any good— before long, they devolved into constant squabbling and competition, to the point where restraints quickly become necessary to prevent further harm.
• By now, all four of them are half-feral and extremely difficult to handle. Nearly impossible to get close to, they're dangerously aggressive with humans, other demons, and each other; and being kept constantly starved, restrained, and agitated has done absolutely nothing to help that. The concept of a better life is always out of reach, leaving all of them hopeless and miserable.
Sekido
• He's been used in fights before (as one attempt at finding some use for him), and the results are messy. Without enough food and rest to heal properly, Sekido's body is covered in scars and old, poorly healed injuries. The extensive damage results in near-constant pain— and always feeling hurt and threatened only makes him more aggressive. He lashes out like a cornered animal, responding violently to everything because he can only anticipate more pain. A lot of his outward anger is a defensive mechanism.
• All of that rage usually hurts him more than anyone else. Sekido is so tense that it becomes an extra strain on his body; he struggles until he's worn down what little spare energy he had, to begin with, and his unfortunate habit of fighting restraints until he messes up his body too badly to keep going is responsible for a fair amount of his scars. And yet, there's no making himself stop. He's reactive to the point of being unable to control it anymore.
Karaku
• He's been used for sex before, with a very specific condition to keep him from mauling anyone who tries. Karaku has an odd, unintentional reaction to any kind of physical pleasure— his brain all but shuts off completely, leaving him pliant and non-aggressive until the response wears off. Thus, if he's drugged or handled just enough to make him shut down, he's plenty easy to use. The brief respite from misery, even if it means being put through such unpleasant handling, is too much of a temptation for him to care.
• It's easy for him to grow addicted to anything that makes him feel good, even if the aftermath is worse. Karaku has some highly escapist tendencies, where if he gets any chance to stop thinking and feel something other than pain, he gets desperate for it. He knows by now that most humans won't ever offer that sort of thing, though, and is every bit as aggressive and volatile as the other three until some possibility of pleasure arises.
Aizetsu
• In a constant state of misery, he's reached a point of barely being able to do more than lie around and wait for someone to finally decide he's better off dead. By now, Aizetsu doesn't have any hope left for himself (or any of the rest of them), and his naturally pessimistic nature doesn't help that. Crying himself sick only adds to how awful he feels— and he's most often too caught up in his negativity to respond to much of anything. He's the only one who (mostly) stays out of the four's constant fights.
• Aizetsu is prone to semi-accidental self-harm; tearing gashes in his skin from clawing at himself in distress, biting and chewing his fingers until they bleed, and making himself physically ill from sheer stress. However, he's also unconsciously drawn to self-comforting behaviors in any form that he can get. He lacks enough appetite or will to live to make himself fight for whatever scraps they're all given, so his body is weak and wasted away.
Urogi
• He's way too high-strung for his own good, and far too easily overexcited. Urogi is the one who keeps getting his hopes up over every little sign that anything good might happen... and suffering all the more for it when those hopes are inevitably crushed. He's always agitated and fidgety, and tends to pull at his restraints well past the point of blood just because he can't stay still. Thanks to his utter lack of volume control, he's often kept in a sound-triggered shock collar just so he'll be less of an annoyance.
• Urogi's wings were once cut off as a way of trying to make him easier to contain. They grew back soon enough, but his poor living conditions meant that the regrowth didn't happen how it should. He's incapable of flight in his current state, with near-constant pain from the poorly healed limbs. They only become more unbearably uncomfortable when the feathers molt, which is a process awful enough to put even him in a miserable mood.
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statementlou · 7 months
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Louis might not be chucking bricks at No. 10, but people are responding like he’s never displayed leftist politics or challenged a government position on anything. He supported demands to the government about a fix for UK touring musician post Brexit and Marcus Rashford’s petition about food insecurity. He fought the police about their social media use in 2018 and criticised the UK government position/support for factory workers in the pandemic. The things he speaks about are usually UK issues and meaningful to him or his family and friends. He’s also most likely to speak when he isn’t working. Also that specific anarchy has a punk anti authoritarian message as well. That statement fits Louis pretty well. He has been a poster boy for not sitting down and shutting up and doing what you’re told since 2012. If he was he probably wouldn’t have a solo career and he definitely wouldn’t have sold out the O2.
I like this point about him speaking out more when he's not working, I think that's a really great and useful observation and makes so much sense. I feel like it makes sense in two ways right now: like first, I don't blame him for not wanting to do things that would jeopardize how beautifully everything is going for him right now after the number of setbacks and troubles he's had to get here, it must feel so precarious. And knowing for a fact that any political statement you make will spawn a dozen tabloid stories and all kinds of outrage is bad enough, but add to that the fact that it's simply impossible to predict which thing will turn into a huge viral mess- it's a lot. And second, he's not just working, he's been on TOUR! I've been around musicians my whole life and one constant is that tour is time outside of normal time and life, it's a bubble, it's only paying attention to right where you are and what's in front of you and the people there with you and everything else is put off and neglected, is for when you get home (and have massive post tour letdown depression and fatigue). I'm not saying he can disconnect with the outside world entirely... but putting everything on pause? I would be surprised if it were any other way, and I would be surprised if he's been following the news and counter news and so forth closely enough to feel comfortable speaking out publicly about anything when it will be so scrutinized and picked apart. I would add to your list supporting the rail strike (something we wouldn't even know about if it hadn't been tossed in as an aside by an interviewer in the print only version of a piece, he didn't post about it or anything) and attending and posting about the BLM protests (not to mention telling people to pirate his stuff come on how punk is that), and I agree he is much more likely to speak out about UK issues which makes sense: most people are most moved by issues that are close to their lives in some way, and it's his brand. And I agree that even though as an anarchist I love talking about what anarchism as a political ideology actually is, the symbol does also have a common meaning in the world as just basically standing for anti-authoritarianism, and Louis as a guy who rejects authority and the status quo is nothing new at all and one of the reasons we love him, and in the last few years I feel like he's been going further in that direction both aesthetically and politically, and we love to see it! Plus he has pretty much always sported this slightly punky aesthetic to some degree, even when he was being dressed up like a little ken doll he snuck in skater looks and indie band tees and so forth (something something it's part of why his fanbase was so primed to love his new sound and it wasn't the risk he feared it was because people were always drawn to him who were already into that aesthetic even when his sound wasn't that yet) it's not like it's just a brand new out of nowhere side of him or something.
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autisticlancemcclain · 7 months
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thank u @zenstrike for the tag <333333333 i see ur mic and i'm elated about it
1. how many works do you have on ao3?
185! but i haven't updated in like a week and a half so we're probably closer to 190
2. what’s your total ao3 word count?
556,104. i am very excited to watch it jump up when i finally finish my longfic teehee
3. what fandoms do you write for?
literally just voltron lol. well not counting baby me's wattpad lol. i started writing almost two years ago and just went ham basically. i've been intentionally avoiding things that i know i will get hyperfixated on bc i don't want to stop my writing obsession lol
4. what are your top five fics by kudos?
ooooou i'm excited to check. i know it's changed quite a bit over time. i usually sort them by hits!
i will grind you to sand (beneath my louboutin heels) [voltron, 2573 words]: bamf lance fic where i give him a revolver and let him go ham basically
mr. snuggles [voltron, 1656 words]: one of my very earliest fics! lance, lover of weirdo animals, finds a demonic cat-sized spider and adopts it despite his friend's freakouts
he might not look like he gets bitches (but honey that dick was eleven inches) [voltron, 1136 words]: this one is so dorky lol but it's just secret relationship klance coming to light in the most embarrassing possible way
does anyone know where the love of god goes (when the waves turn the minutes to hours) [voltron, 4283]: a canon divergence au where lance is a seer and convinces the skeptics on his team of his abilities by ending the war
this is the part of me that you're never gonna ever get away) [voltron, 3262 words]: a lance & shiro hurt/comfort with a small autistic lance character study! i'm very proud of this one
5. do you respond to comments?
i definitely do on tumblr! it's one of the first things i do when i wake up actually. on ao3, though...i'm pretty sure i have about eight hundred unanswered comments sitting in my inbox 💀 it's an ongoing issue
6. what’s the fic you wrote with the angstiest ending?
i'm almost sure it's this post-game show lance leaving fic, because i got comments and asks for weeks begging me to write a happy ending lol. but this fic from the hana universe, from when keith is little and shiro is fighting for custody and they haven't figured things out yet. that one is sad. this dream pov adashi fic is also sad and has no happy ending bc, you know. shiro is in space and adam thinks he's dead and everything. my loneliest series is also still in progress and as such there is no happy ending. and this is my earliest angsty-ending fic with MCD
7. what’s the fic you wrote with the happiest ending?
oh god pretty much everything i write has a happy ending?? if i’m being serious?? frankly i don’t do a lot of linear plot. i just write Scenes that are vaguely connected. BUT my h2o fic had a plot that ended happily, as did my cowboy fic, but truly i’m more of a slice of life kinda gal. all my active wips are plot-driven, though, and i plan for all of them to end happily.
8. do you get hate on fics?
oh god yeah. i get it on brown eyed lance, autistic lance, adhd keith, allura just in general (are you sensing a pattern), my refusal to use readmores, and lately just some demands for me to write differently/more?? most of it is just funny so i post it to goof on it lol, but some of it i just delete and pout about until i forget about it 💀
9. do you write smut? if so, what kind?
yes and it’s nasty and i will literally never ever post it. although i guess i’ve written some softer stuff that’s more allusion than anything, like in my loneliest series.
10. do you write crossovers? what’s the craziest one you’ve written?
not anymore, but i did when i was a kid?? i think i wrote a pjo/hoo/divergent/the mortal instruments/homestuck/a bunch of other shit fic when i was 13. i’ve successfully blocked that era out of my mind tho so i’m not sure. i do a lot of insane aus, tho. i wrote a fic based off a country song written in the sixties. so.
11. have you ever had a fic stolen?
i’ve had people write continuations of my wips?? which i didn’t rly like. i just ignored it.
12. have you ever had a fic translated?
someone has asked me about translating a fic before! haven’t heard anything since tho.
13. have you ever co-written a fic before?
i have tried. i’m not very good at it. i have very Specific ideas about things and can be very controlling, so it’s honestly better that i don’t lol.
14. what’s your all-time favorite ship?
klance, easy. been in the trenches of this goddamn fandom since i was 13 years of age. it’s been a Journey.
15. what’s a WIP you want to finish, but doubt you ever will?
god, the butterfly effect. i get people asking me to update all the time and i genuinely feel bad, because i have absolutely no ideas or plans for it. i might try to come up with an ending of some kind?? but i wrote that like two years ago, so i have changed a LOT about my writing since then.
16. what are your writing strengths?
dialogue and humour, i think. and sometimes writing lack of emotional communication (if that makes sense — i like to try and write around an emotion).
17. what are your writing weaknesses?
i over explain a lot. and i overuse dialog ur tags sometimes. i have a Very Specific scene playing out in my head and i want everyone else to see it like i’m seeing it, which is my downfall a lot. i’ve been trying to work on implicit stage directions.
18. thoughts on writing dialogue in another language for a fic?
i think sometimes it’s necessary? it can be a good tool for humour, like with cussing that can’t be achieved in english. but while i understand and read several languages i have always always struggled to speak or write in them. it’s very frustrating so i often avoid the subject entirely lol.
19. first fandom you wrote for?
i’ve been writing fanfic in my head since before i knew what it was, but i started typing things at around 11 when i used to homestuck roleplay with my friends lol. messy messy times.
20. favorite fic you’ve ever written?
oh i am my own target audience. i have several.
i need a man (who’s patient and kind): keith-centric post canon (divergence) fic where lance takes him to his family and keith is good with kids and just keith being loved is the whole point. always.
what if i lose it all: an alternate universe where lance, as a baby, loses both his parents, and then is raised by his oldest siblings. in luis’ pov.
when does a ripple become a tidal wave (when does the reason become the flame): brogane fight & angst canon divergence post season 6; covering shiro’s guilt complex and keith’s unwavering loyalty
he’s into superstitions (black cats and voodoo dolls): halloween verse with witch lance and vampire keith! i have barely spoken about this au on here but rest assured i’m thinking about it all the fucking time
the applebee’s universe: modern au with young keith and lance learning how to love each other
ceilings (plaster): non-linear dream-like fic that’s just so trippy and strange i’m obsessed with it
if the sky comes falling down (for you) there’s nothing in this world i wouldn’t do: a keith character study about how the biggest bleeding heart in the universe loves
the hana universe: brogane-centric universe as their family starts rocky and grows
thank u again for the tag zen <33 open offer for anyone else who would like to hop on!!
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yellowocaballero · 2 months
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Anyway.
How many works do you have on AO3? 54. Hm. I don't remember writing 54 fics. That's weird. But I've been posting since 2017 so when you THINK about it 54 fics over 7 years isn't weird at all.
What’s your total AO3 word count? 2.4 million. What's your point.
What fandoms do you write for? A fuckton. I write both things I'm hyperfixated on and for random shit that comes in my head. I was into TMA for like two years so I have the most TMA fic (16), but most of my fandoms are 3-5 fics maximum. There's also a lot of random-ass fics for random-ass fandoms that just jumped in my head. Artemis Fowl, Beetlejuice, Animorphs...demons that overtook me for two weeks or so and never bothered me again.
What are your top 5 fics by kudos? The Great Gender Heist (Artemis Fowl, no surprise there.), stay out of trouble (Detroit: Become Human, I reliably forget that one exists and I'm still mystefied as to why so many people read it), meek shall inherit (I'm constantly attempting to forget the Be More Chill phase ever happened), someone will remember us (Batman, fic's not great, am still very fond of that au) and dead or alive (DBH, mediocre). Why the hell are the two Detroit: Become Human fics so popular? I hate DBH so much. I was so angry while writing those.
Do you respond to comments? I am absolutely terrible about responding to comments. I am sorry. I do read and appreciate all of them. It's because I always need to give a dialectical so comments take ages to write. If you do want to hear my thoughts on something, my inbox is your best bet for a way too lengthy response.
What is the fic you wrote with the angstiest ending? Hope, Etc for certain. I try really hard to write bittersweet at worst endings, and even the sad endings in my fics have hope in them. Hope, Etc definitely ends in a better place than where it began. But it's still very sad. I was thinking about a lot of lost loved ones while writing it. Fishhooks and reel to reel also have downer endings but that is because they are LITERALLY Star Wars.
What’s the fic you wrote with the happiest ending? Uhhhh. The ending of Solitaire (and the MLM/WLW hostility series in general) is very sweet. It's meaningful because it demonstrates so much growth from everybody with very little cost. I almost said Go Straight At The Cul De Sac, because it showcases a happier world where horrible historical events were averted, but the ending will always be a little bittersweet because we understand how much Protag sacrificed to create that better world.
Do you get hate on fics? Sometimes people are kind of weird. The worst of it is usually just useless comments, though. I had somebody get pedantic about how briefly mentioning an SUV would be historically inaccurate, and how I should have mentioned a minivan instead - like, did you read that fic and think I was from the suburbs? Do I look like I know what a minivan is? Lol? If I've received any actual more severe stuff I have no idea, since I delete the comment and delete it from my memory. I've never gotten anything too bad. I've been called ablest like three times, which is objectively hilarious.
Do you write smut? If so, what kind? If I could write smut I'd be making bank on Kindle Unlimited right now.
Do you write crossovers? What’s the craziest one you’ve written? Probably the FE3H/BNHA one I'm writing right now that will never see the light of day. Just kidding. I don't actually think I've posted any real crossovers - I DO write them, I just kind of feel like they're cringe so I never post them. I write a lot of cringe shit that never sees the light of day.
Have you ever had a fic stolen? Not nearly popular enough for that.
Have you ever had a fic translated? Several people have mentioned wanting to do that, but nope.
Have you ever co-written a fic before? Not technically. But I do want to give due honors to all of the friends who are SO instrumental in the building of the AUs, stories, characters, etc, that they've had a huge impact on the story itself. I try to recognize them by name in the fics themselves but my stories would look completely different if it wasn't for my friends. Definitely much worse.
What’s your all time favorite ship? I'll differentiate favorite ships and favorite fictional romances. For ships, it's much less about the ship and more about the role in the story. I tend not to pay a lot of attention to that while writing, but sometimes I get lost in my own sauce and I drive myself a bit nuts. I am very fond of Hanyookim, especially in my own ORV story. For romances? My top ten list of fictional romances is as follows: number one: naturally, Sasunaru -
What’s a WIP you want to finish but doubt you ever will? If it's up on AO3, it's done (with one or two very small exceptions - The Ending of Han Sooyoung epilogue I'll get to you I PROMISE). There's plenty of unfinished docs on my drive that I'll never finish, but that's because I decided that they weren't worth finishing.
What are your writing strengths? Dialogue and characterization. That's always been the case. I'm also pretty funny.
What are your writing weaknesses? Plotting. Action. Having stories that are not entirely dialogue. Where things happen and it's more than just people walking around talking. You know. Real stories -
Thoughts on writing dialogue in another language in fic? Always valid. I remember reading one Hispanic author talking about how he doesn't like italicizing the Spanish in his stories because it's otherizing, and I agreed enough with him that I don't tend to italicize other languages either. Sometimes I do. I try to do it purposefully, and to convey something that can only be conveyed through the extra language. I'll also only do it if I can have a friend who speaks that language write it out for me, since gtranslate sucks and I want to ask the friend how such a thing would actually be said and colloquialize it. I like using ASL in fics, and I am just in general begging people to a) write it like any other language, and b) understand that it's different from other languages and can't be written exactly the same. If your Star Wars fanfiction has so much gratuitous Mando'a that I can't understand anything the clones or Mandos are saying I hate you.
First fandom you wrote for? Batman Beyond. Yes, I have a FFN account somewhere. Yes, I was eleven. Yes, it was Batman Beyond.
Favorite fic you’ve written? The best thing I've written is Twilight on Owl Creek Bridge. Favorite is New Wave. That sucker took two years to write (INSANELY long for me) and it is exactly the story I wanted to write. Stephanie's a character I've been writing since I was 15, and the feeling of writing Stephanie and NAILING her for the very first time was so satisfying.
Tagging @usaigi and uh any other writer mutuals you all know who you are.
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mdhwrites · 9 months
Note
Thank you for defending Amphibia S3A!!! You don't know how many times I've had to read people saying that Anne should've had an angst arc like Luz did in TOH over what happened in True Colors. That kind of take completely ignores that a.) Anne is her own character who responds to things differently (by compartmentalizing and trying to fix what she can), b.) Amphibia was trying to preserve its essential Amphibia-ness and not become a dreary angst-fest, and c.) Luz's arc wasn't even good lol so why compare it to that? I think there are a couple story things that could've been streamlined in 3A but overall it is a perfectly good entry into Amphibia canon and it wasn't "filler" or "pointless" by any means. (P.S. I would love to hear your thoughts on Commander Anne since I also think that's a really strong episode!)🦎
Send me another ask about Commander Anne because that is one of the episode fragments in Amphibia actually dense enough for me to talk about on its own. For now, I'm actually carjacking this ask to talk about trauma reaction in fiction using Anne, Sasha, HOP POP and Luz with Hop Pop and Luz being the extremes you need to avoid and then talking about both where Anne falls and why she's so good.
Though with any discussion of this, I do actually just want to quickly mention that I did a whole teaching blog a good long while back about Fantasy Trauma and why Luz's just plain sucks. I'm not going to talk about the event here but more the reaction but I still think it's worth mentioning that fantasy trauma like what happens to these characters is a trope in and of itself.
Also, welcome Amphibia fans, I like to use asks as a way to teach and your show lets me be POSITIVE while teaching for once which is a nice change of pace... But let's start with the bad.
Or let's start with some defining. See whenever you have a major event happen in your story, there's a pendulum of reaction. On both ends of the pendulum, you have equally bad reactions to it but in different ways. Those ends where either:
A: You don't react at all. Despite the fact that the event should have had an effect on you, you're seeming to be mostly fine and yourself. It often can make the character come off as callous or stunted in some way if they just don't even seem to be needing to cope with it in someway. Stuff like Sprig focusing on being a part of the family and Polly focusing on Frobo stop them from quite getting to this extreme because they're more genuinely interacting with the new world they're in and their problems. Hop Pop is the problem one here but we'll get to it.
B: You ONLY react to the ONE event. The rest of the story and your character DON'T MATTER now. You are only your angst arc. This actually works well for VILLAINS because the single minded obsession and refusal of logic is actually usually useful for justifying them going to such extremes. The problem comes when a character should theoretically know better, the level of reaction is unwarranted or you can point out that they're just wangsting (whine/angsting) because they have sunshine and rainbows around them they're blatantly ignoring. This is Luz's side of the problem.
This is technically an Amphibia ask though so let's start with Hop Pop. For some very, very minor proof I'm not a contrarian: Hollywood Hop Pop is easily the worst half episode in S3A. There's something to be said about there being about two episodes before the mid-season finale that are kind of janky. The problem isn't just with Hollywood Hop Pop.
Hop Pop has a lot of internal issues with danger, change and worry. A new world should panic him in some way. This is actually the greatest sin of Hollywood Hop Pop because the lesson from that one feels at best like an over correction to... The majority of S2A's characterization of Hop Pop. Similarly goes to him just enjoying being a house guest. Even if yes, this is his adopted daughter, he should have an episode segment dedicated to being worried about the new world they're in, trying to protect Polly and Spring, etc. like that, especially since his old world just turned inside out. SOME sort of reaction would be warranted... And we don't get it.
Instead we get him being overly trusting and thus getting scammed, his stuff about making the Boonchuys hating him is good but it's entirely disconnected from the trauma you would expect of the character and then he honestly takes the BIGGEST risk of them all, even using his actual name instead of a codename like Sprig does for Spider Sprig.
It genuinely feels like he is treating coming here like a vacation, not helped by that explicitly being a part of one of his episode segments and that's bad.
So what's the good version of this side of the pendulum? Well, if this side represents underselling the reaction to trauma, the good version is subtlety and that's what we get with Anne and it's done really well. It mostly is in the first couple episodes in S3A when the wounds are most fresh which makes sense. As she processes it privately, she can return more and more to who she was.
The biggest thing here is that Anne is overloading herself. She is burning out from the second Andrias stabs Marcy. Not even once she's home, but even by the final trauma having just been overloaded. She's 13 after all. 15 if you want to go off of what seems to have been the original intent for her and the rumors that Disney forced the trio to be younger.
A 13 year old CAN handle death. They CAN'T handle seeing one of their BEST FRIENDS die and the other one likely doing so too, let alone right after she assumed her third best friend also died, even if he didn't. True Colors is a TIME for Anne. Anne is a very simple girl after all. Stakes like these are not what she is capable of even processing at that point. She's never seen anything that bad.
And her trying to recap and summarize it shows it EXPERTLY. Even trying to actually think about what just happened tires her out and has her constantly having to correct herself because she doesn't want to admit that not only is she powerless, it's also too much for her to handle on her own. And that's WITHOUT acknowledging the high probability of her friends being dead, something that was on her mind since her reaction to seeing Sasha is disbelief/relief that she's ALIVE.
Then there's the other elements where Anne is the one pushing research the hardest, the fact that she's brushing other things off to find answers that will make her less powerless, her protectiveness of those around her and then yeah, the one episode segment that has her burnt out and dead tired because she's working herself to the bone.
And this is all in character with Anne's arc. She's grown to do things. To want to help. To not just coast through life and just as she was getting used to the idea of that... She now can't do anything. So we see her doing what she can which is just not a lot.
Alright, let's move on to the other side of the pendulum though. I often talk about Luz in the second half of The Owl House as "In her angst arc" because that's how it feels. She may as well have put on a dark brown hoodie, flattened her hair and declared everything sucked. None of her optimism, none of her enthusiasm, little of her care and complete distrust of EVERYONE.
OH WAIT THEY DID THAT! They made her as close to her BETA design for S3 Ep1 as possible to finish out that miserable attitude for her. And I'm not going to say all of it is unwarranted. Just like Hop Pop caring about being a good house guest is in character, Luz getting more serious to match the stakes of the show is theoretically a good thing. It needed more of a real transition (Hi Commander Anne as a good example of this) but there is a nugget of a good concept in it.
One that's stabbed repeatedly by never letting it end or be affected by anything. Stuff she'll say to Eda and King she will act like will kill her if she tells literally anyone else no matter how much more justified it is for her to be honest to them, she CONSTANTLY lies to the point where she breaks her word several times and part of why Amity theoretically likes her is just GONE and then we get the theoretical conclusion to it which is "I want to be understood."
When the fuck haven't you been? This is the true crime of this side of the pendulum. Part of the reaction requires the character to entirely forget and actively ignore the actions around her. Those friends who have constantly forgiven you and backed you up? Didn't understand. That supposed found family who constantly told you you weren't at fault and to take care of yourself? Didn't understand. Your mom, who supported your interested until you backed her into a corner by accidentally assaulting people, including your principal, with wild animals? Never. Understood. You.
And even then, she still doesn't break out of it after the first TWO times in S3 where she is forgiven and she makes a statement about moving on. She just throws a dreamstate pity party and doubts herself until GOD tells her she has never done anything wrong in her life.
It's too long, the resolutions are too contrite or eye rolling for the amount of time and pain spent with it and they also rarely have anything to actually do with the trauma itself. It feels like the character is reacting to something BAD rather than something SPECIFIC which robs it of its bite just as badly as not reacting to it at all. And that's if it even feels like the character and Luz in the second half of TOH, especially S3, just doesn't feel like Luz. Period.
You know who does feel like herself? Sasha. By the time S3B comes around, she's had to deal with too much to really still be dealing with the trauma (and she still is to some extent with her constantly worrying about her relationship with Anne, obsession with second chances, etc. like that but that's more rounding out her arc to me) so it's really just her one segment in S3A that needs to be examined.
Except we actually have to roll back first. All the way back to Reunion. Sasha's reaction to this all starts with the end of Reunion. That moment when, just for a second, she decides Anne is worth more than herself. That "maybe you'd be better off without me," and letting go. S2 handles the fact that Sasha dying actually made a REALLY bad inner conflict for her, let alone once news of Marcy being fine without her too got to her, but that's the fun of character arcs. They SHOULDN'T be a smooth curve. *coughs at Amity and Hunter*
Keeping on track though, we have Sasha not only facing the end of her at her most powerful but also the potential end of her friendships. She betrayed Anne again and while they fought together, that was for survival, where are they now? Worse yet, Marcy almost died in front of her and she was POWERLESS. All that talk of trying to do things so they all could be happy, that she knew best... It was all ash.
So she at first doesn't know what she's doing. She emotional and ready to lash out but she doesn't know what her target is. She just knows part of it is her fault and unlike in S2, she can't ignore it now. It haunts her until Anne shows Sasha what having been a good friend could have gotten her. What they could have been.
And so now, it's time to make good on her word. To become a protector and try to see a bit more in people than she assumes. This is ALL a reaction to True Colors primarily. It is addressing it all VERY bluntly minus Marcy's lie (I have complicated feelings on Marcy at this point) but it's still working within the frame of the character. This is still Sasha and we know enough about her to genuinely follow her train of thought while also getting to enjoy the character we have grown attached to. She isn't gone... But she's changing and if this side of the pendulum represents replacement as its bad extreme, change and introspection like what Sasha goes through is the good medium ground.
I want to finish this by saying that you CAN use the extremes well. Someone reacting to a teammate's death with indifference can genuinely turn a character who seemed a little cold to being seen as callous or like they believe the ends justify the means, no matter the sacrifice. Someone letting an event consume them can actually be a great start to an arc where the point is to criticize their reaction, instead of trying to invoke sympathy through it. That they are going too far and letting this be too much of who they and they need to find balance. They need to properly introspect. These are not hard rules by any means but there is a spectrum. A pendulum.
And as always, the best thing a writer can do is recognize where on that pendulum they're writing and use it as best as they can.
======+++++======
I have a public Discord for any and all who want to join!
I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.
And finally a Twitter you can follow too!
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taffywabbit · 6 months
Note
im also anti proship but calling rugrats porn drawings "child porn" really dilutes the severity of actual child porn. we shouldnt be confusing actual cp that hurts real children with just weirdos drawing porn of cartoon characters that happen to be kids, the two things are not at all on the same level
ok i suppose this was inevitable, i may as well get into it.
(CW for some discussion of CSA and child pornography, obviously)
first off, "i'm also anti proship but" is a terrifying way to start your message, and to go and follow it up with some extremely common proship copypasta i've heard a million times about "taking attention/resources/severity/etc away from real CSA victims" or whatever kinda makes me wonder how "anti proship" you actually are...?
kind of the point of this whole debate is typically that "proship" folks insist that fiction, or in this case "porn of cartoon characters that happen to be kids" as you put it, has no effect on reality or people's mindsets. and so-called "antis" like myself generally respond to this idea with something along the lines of "well it sure seems to affect the reality of your cock and balls", and point out how repeatedly consuming media with a particular focus or message has been shown time and time again to quantifiably influence the way people view the world around them, in ways that subsequently affect how they act, or desensitize them to things that might otherwise upset/offend them. y'know, like political propaganda! or blockbuster movies about killer sharks! obviously some people are going to be more resilient against that sort of influence when the real-world equivalent of "porn of cartoon characters that happen to be kids" is something so blatantly unacceptable, and nobody is really claiming that the impact of fictional CP is "on the same level" as its IRL counterpart.
but at the very least, most people who would be considered "anti proship" WILL tell you "hey, i'm not trying to say that you jerking it to twitter porn of Gwen Tennyson or Tails or whatever is LITERALLY THE SAME as committing CSA, but it's still really fucking concerning and creepy that the majority of your sexual fixations are all specifically cutesy vulnerable cartoon characters under the age of 12, many of whom also have canonical adult designs that you conveniently avoid in favor of sexualizing the ones that are barely old enough to learn long division. you should maybe do some introspection and figure out why that is and whether or not you're really comfortable with what it implies about you. personally i know I'M not comfortable with that shit and i'm not going to keep hanging around you unless you make some serious changes." except usually in my experience the conversation ends up being a lot shorter and ends in a block pretty quickly. like i'm not a psychologist and i don't keep a bunch of studies on hand to throw at you about how fictional CP is often a factor in grooming, but i DO have a brain and can pretty clearly see when someone is rationalizing behavior that will lead them to places i'm not willing to follow.
ANYWAYS to focus more specifically on the actual reason we're talking about this (which was, to be clear, a mobile ad Tumblr served me that depicted one of the dads from Rugrats having sex with his 3yo daughter): yes, actually, that shit IS illegal to create or distribute. it's not the SAME as literal photographs of real children, OBVIOUSLY, but it's still also extremely fucked up in its own right, and any reasonable person in your life would probably stop talking to you if you told them you got off to it.
don't believe me about the legality part? check this out:
Tumblr media
so like, I GUESS you might get some legal leeway with cub furry art or sonic porn or stuff that isn't always obvious in how much it's intended to parallel real children? if you really care? but this ad was literally multiple illustrations of a human adult man having intercourse with a human toddler. it's pornography centered around openly fetishizing the sexual assault of a child by a parent. i fail to see how referring to that in shorthand as "child porn" is inaccurate in any way that matters.
and Tumblr is a US-based company, beholden to the laws shown above, so they are at least somewhat responsible when illustrated pedophilic incest porn gets shown to thousands of their mobile app users in an ad they got paid to display. THAT was the original point i was making in my post. but thank you for trying to derail it to interrogate my "anti proship" views or whatever, i have had multiple people send me fairly nasty asks about it in the past year and you finally caught me in a moment when i was already pissed enough about something else that i felt like going off about this stuff. sorry if you actually agreed with most of this and i came off as overly rude/harsh, but if that's the case then this response is for all the other anon asks and replies i've gotten too, i guess.
now we're all clear about where i stand and i hopefully don't need to talk about this again - it's kind of a fucking bummer to think about this stuff and i've been avoiding the subject intentionally. you are always welcome to just block me if you have a problem
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Text
20 Questions For Fic Writers
Tagged by @dandywonderous
1. How many works do you have on AO3?
19. I'm fairly new to fanfics, I only started reading and writing them in 2020.
2. What's your total AO3 word count?
356,543
3. What fandoms do you write for?
I'm currently writing for The Sandman, but most of my works and my WIPs are for Twisted Wonderland, and I had written one chapter of a fic for Love Never Dies.
4. What are your top 5 fics by kudos?
1. Granting Favors (Twisted Wonderland) 2. The Two Princes (Twisted Wonderland) 3. A Way In (Twisted Wonderland) 4. Tomorrows Over Centuries (The Sandman) 5. Post-Gala Celebration (Twisted Wonderland)
5. Do you respond to comments?
Yes! I love interacting with my readers in the comments section~ Sometimes it takes me days to respond sdkjfkdslfj but I do respond! And I'm trying to make a habit of replying sooner.
6. What is the fic you wrote with the angstiest ending?
Hmm, I always write happy endings, but currently The Repertoire Continues (Love Never Dies) and A Dragon's Soft Spot (Twisted Wonderland) have angsty endings, but only because so far I've only written their first chapters 😅
7. What’s the fic you wrote with the happiest ending?
Probably Tomorrows Over Centuries (The Sandman). Mostly because almost the entire fic is the characters just having a fun time. (Also it's Explicit because of the third chapter, just a heads-up in case you wanna check it out.)
8. Do you get hate on fics?
So far no. I'm actually low-key scared of getting some, haha.
9. Do you write smut? If so, what kind?
Yup. All smut I write have a lot of Feelings, even if there's no plot to the fic. It's always romantic smut. It's just fun to write.
10. Do you write crossovers? What’s the craziest one you’ve written?
So far no. Though I really wanna write a The Sandman and Good Omens crossover someday. The idea itself is a bit daunting for me, haha, but I've read a fic with that crossover, and I genuinely wanna attempt it myself.
11. Have you ever had a fic stolen?
Not to my knowledge.
12. Have you ever had a fic translated?
Nope, that would be super cool, though.
13. Have you ever co-written a fic before?
Yes, I've co-written a few fics with @patchyegg87~
14. What’s your all time favourite ship?
Dream of the Endless/Hob Gadling (The Sandman) Azul Ashengrotto/Jamil Viper (Twisted Wonderland) is a close second!
15. What’s a WIP you want to finish but doubt you ever will?
I would like to believe that I can finish all of my WIPs, haha. But the one that would probably take the longest to finish is The Repertoire Continues (Love Never Dies), which I realize is ironic given the title alskjdfsldf. I rarely see any other content from the fandom so my brainworms for it don't get activated. I would still like to finish it someday, though.
16. What are your writing strengths?
Dialogue and emotions. Character voice is one of my favorite things to write, discovering how different characters would have various reactions to the same situation. I've often had to modify outlines because I'd realize that the original flow of the scenes didn't make sense anymore because the characters' reactions wouldn't lead them to that outcome. And bringing emotions out of characters is fun too, especially the stoic and tsundere characters. It's why I like writing Hurt/Comfort, haha.
17. What are your writing weaknesses?
Writing descriptions for places, outfits, and food 😣 Especially places. I have a hard time imagining what a place might look like. That's usually what I ask @patchyegg87 for help with when we co-write fics. And she has recently taught me how to use Pinterest as a reference when writing descriptions for stuff, and I'd been practicing that. I really wanna get better at writing visual descriptions, it's always so cool when I read a fic that has such vivid imagery.
18. Thoughts on writing dialogue in another language in fic?
I have no problem with it. The very first fic I'd written, A Rival in Scarlet (Twisted Wonderland), has some French sentences in it that were translated into English when the POV switched to the French speaker's. Fanfics are for having fun, and sometimes part of that is incorporating another language you know or are trying to learn~
19. First fandom you wrote for?
Twisted Wonderland
20. Favourite fic you’ve written?
Ooh, I don't know, that's a hard one. Granting Favors (Twisted Wonderland) would always have a special place in my heart because it's my first multi-chapter fic and I honed much of my writing skills in that one. "I Do": The Long-Term Deal (Twisted Wonderland) is also very fun to write and that's the fic where I really learned to write character voice well because it's post-canon and the characters have aged a few years, and it was fun to figure out how they had changed in that time while retaining their core personalities. And of course Tomorrows Over Centuries (The Sandman). I'd read a lot of Dreamling fics before writing that one, and I was so happy to finish a Dreamling fic of my own. I love them, Your Honor.
Tagging:
@patchyegg87
@signiorbenedickofpadua
@cerealmonster15
@hardly-an-escape
@beatnikfreakiswriting
@takohebi
and anyone else who wants to do this!
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silver-studios · 6 days
Note
Okay I keep writing comments for gravity of tempered grace in my head and then getting distracted before I can actually post them so I'm just. going to comment here instead because it's in front of me now
First: WOW you write so fast. This isn't actually like, important, but still. I am in awe
I love Izuna's cousin. "Suffer with me" he is exactly the kind of cousin Izuna (and really all of these characters) deserves. Also can't WAIT to see if Tobirama ends up finding that copy of his paper and assuming that if Izuna has it, that must mean he understands it and Tobirama can talk theoretical physics with him. I'm sure Izuna would have the FUNNIEST things to say to his cousin for causing that.
I also enjoy the chapter titles and how they tie in to each chapter. And the explanations for each of them, because I would NOT know what most of them are on my own at all.
I also like the butterfly effect/plot in general, how Tobirama got surprised by things changing in response to his changes, and now he doesn't really know what's coming even though the extra knowledge is still really useful. Can't wait to see what happens with that Nara he saved, and whether there's more fallout from the Uchiha invading.
I don't have a lot specific to say about the Hatake scenes, but I enjoyed them a lot! All the worldbuilding is fun, and very interesting.
Tobirama's characteization is also great and I love... all of it, honestly, but in particular deciding to just get a few graduate degrees on the side while he's with the Uzumaki, and his solution to people possibly not being loyal to Hashirama (even if I would also like to shake sense, or maybe just an iota of self preservation, into him for that last one).
Also while I am not the anon that asked about inspiration originally it was that ask that reminded me that oh yeah I had stuff to say, and actually I HAD heard Non-Stop... a few months ago probably? and went "this is Tobirama and Izuna exactly." So you are not alone!
Yeah I try to maintain a personal deadline so I never hit that point of losing interest because it's happened in the past. It really helps to develop a detailed outline beforehand for the whole story. Recently I've been trying to outline chapters before I write them too to see how that works for me.
I love the vision of reticent and usually quiet Tobirama just rambling about his interests. I think it'd catch Izuna off guard a little but he'd probably find it cute once he can admit that to himself. I also headcanon the Uchiha as being attracted to competency so I'm sure that'll kick in sooner or later.
I'm glad you like the chapter titles and explanations! I thought it'd be a fun way to tie everything together especially with a scientist protagonist. It's been really fun but as the story gets longer than anticipated I'm nervous about running out of relevant topics to reference lol.
The Nara will definitely be back once his clan stops mourning the death of his father. It's great that people still remember him.
It's been such a blast to dive into the worldbuilding with this fic a little bit because Naruto has such fascinating lore that wasn't explored. My biggest struggle is making sense of just how modern the time period is because it seems like the Edo period but then 60 years later Naruto has a fridge and television so who knows really. I'm making it up as I go.
Sorry for rambling a little bit but I get really excited whenever I receive a long message and it's always a delight for me to respond. Thank you so much for the ask and for reading my story!
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northern-passage · 1 year
Note
honestly same...I also only stick to reading the same ifs I've been reading since like 2 years ago + as a disabled lgbt person this community has gotten to toxic to interact wth tbh
hmmm putting this under a read more but here's some ramblings about my personal experience as well as some advice if anyone wants it
before i started writing tnp, when i was just a reader, it was very easy to curate my space and avoid a lot of the nastier people (especially back when the forums were the main space for people to talk about IF. i didn't go on the forums at all) and i was very much outside of the fandom and followed only like one artist whose recommendations i started off with before finding more stuff on my own.
once i became an author though it is impossible to avoid certain groups of people and it's really hard to hold on to that comfortable space. over the last like 3 years now my audience has definitely changed and dwindled a lot due to my.... Big personality but before that i had to endure a lot of harassment, people stalking me, people harassing my friends just for being my friend, almost constant transphobia and racism, and even now i still have people that seem to just camp in my inbox waiting for any opportunity to try and hurt me/get a reaction out of me.
i've been pretty open about all of this stuff happening too which most people also don't like, though that seems to be pretty standard across any fandom when you try to talk about how bad they are. i'm never really surprised when other authors delete without any warning or they just slowly stop posting and never come back. it's definitely something i've wanted to do more than once and still think about sometimes. even now after finally seeming to find my "niche" and a more understanding audience, it's really hard and i struggle with finding inspiration and motivation because of how people have treated me.
unfortunately i think it's always been this way, it's the nature of sharing work online and especially with IF feeling so "collaborative" people really feel entitled to it. and i also see readers facing this same kind of harassment, too, so it's definitely not just an author problem.
my advice is to just block and ignore people as best you can and just stay in your own little bubble with your friends or at least people that you trust. if you're an author going through any of the things i mentioned then just know there are a lot of other authors that have had to go through it, too, and that you should also just block and ignore to the best of your ability. just because you're an author doesn't mean you have to tolerate it. i used to respond to a lot of messages which is why i feel that a lot of my harassment lasted for so long, because they thought it was "funny" to upset me, but the more you respond and give them attention the more they'll keep doing it. so just block anons and move on (i know i make it sound so simple. trust me i used to be really bad about it, now i try to take at least a day or two before responding and usually by that time i realize how stupid it is and i just delete it without any fanfare)
at the end of the day though it's your decision, and your well-being comes first before anything else. i say this to both authors and readers, there's no reason to force yourself to stay in a place that makes you uncomfortable or is triggering. sometimes it's better to just let go and move on, though i know that's easier said than done. i'm a prime example as someone who still logs into tumblr daily despite trying really hard not to do that.
and i'm not saying to give up on your work, but rather that writing privately is always an option, and it's what i've been doing now with my other projects ever since i took siren's call down. i know the desire for outside validation can be overwhelming but i think it's important to remember that you should be writing this for yourself first and that there's no harm in keeping your work private until you're ready. tumblr is fun but there's also a lot of problems that can be difficult to deal with while you're also trying to keep motivation and creativity up to write your story, and it can be really discouraging.
like i said, your first priority should be yourself, and if you have to step back away from tumblr/fandom then you should & you shouldn't feel guilty about it.
all of that to say that there are nice people out there, too, i've made really good friends here and i really value their friendship and their understanding, especially when i was going through the worst of it. and there are a lot of readers who have been very kind to me and that have sent me very nice messages and drawn lovely art over the years and i always try to focus on that over everything else.
it can be really easy to get overwhelmed by all the negativity and hostility which is why it's so important to find your people and be supportive of each other.
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lostmyremembrall · 1 year
Note
Okay! Uh... better do this before its ended, haha!
People call me 'Moon' and I'm kind of usually the shy type? I don't talk much in groups unless spoken to though I've been told when someone gets me started I can have a lot to say. I like to write a lot and people tend to say I'm usually in my own world. My love language is physical touch, but I'm usually a little nervous to start it, though I get pretty affectionate when I understand that its okay to do so. I also like to cook, sometimes I'd make treats for them if they want to or if I feel like they need it ^^.
(Is this okay? I've never done this sort of thing before @-@ i can send more info if you want!)
🐍
🐍 𝐘𝐨𝐮𝐫 𝐃𝐚𝐭𝐞 𝐇𝐂 𝐰𝐢𝐭𝐡 𝐓𝐨𝐦
𝓜𝓸𝓸𝓷
A/N: I'm so sorry it took so long to get to yours! I hope all the teeth-rotting fluff will make up for it. I so enjoyed writing yours; you and Tom are just so cute I cannot. Thank you so much for your patience!
𝐶𝑜𝑚𝑒 𝐽𝑜𝑖𝑛 𝑡ℎ𝑒 1𝐾 𝐸𝑣𝑒𝑛𝑡! Now closed
It started with you catching Tom’s glances.
You’d be staring out the window, going back and forth between staring out and scratching some things in your note.
Out of the corner of your eyes, you spotted a dark haired slender man —your classmate, Tom Riddle, was it— blatantly staring in your direction.
When your eyes met, he didn’t even shy away. He just kept staring at you.
Noticing your gaze, his eyes softened, the corner of his lips quirking just slightly in a smug way.
He wasn’t even paying attention to the class. His notes already filled with everything they were covering today.
After class, he appears around the corner with a smirk.
“What were you writing?”
You pulled your parchments closer to you. “Just notes.”
"Of course," Tom responds melodiously, a knowing glimmer in his eyes.
"Studious as ever, Moon," is all he says before walking away.
-----
It's his curiosity that brings you two closer.
What are they thinking about?
What do they write about?
His uncontrollable desire to know everything-and perhaps a bit of a toxic need to have everything within his control- had him obsessively studying you.
He finds you more and more fascinating the more he learns about you.
-----
He loves hearing you talk passionately about the topics you're interested in.
He adores the shimmer in your eyes that appears when you get going.
Usually, when you get going, he just sits back, tilts his head, and enjoys the sight.
He finds himself smiling at you as you continue to speak.
No interruptions. Only spectating the fascinating thoughts and emotions that go through your mind.
-----
At first, Tom was too proud to admit that he enjoys anything sweet.
He prefers to think he enjoys the finer things in life - espresso, caviar, truffles, etc. All the things that his pureblooded friends grew up with.
A massive secret that nobody else knows, is that he actually has a massive sweet tooth.
Sugar was a delicacy hard to come by during war-time, even more so in an orphanage.
When you first brought him a treat, you were shocked to find Tom reaching for one. And another. Then another.
Eventually, he wiped his mouth with a napkin.
He cleared his throat, and murmured a small thanks.
His cheeks blushing as he complimented on your baking and cooking skills.
You could see a glimpse of the boy he used to be - a rascal from a low-end London who used to stuff his face with stolen chocolates.
-----
It was endearing. And you knew he was too proud to ask you for more.
Being the kind soul that you were, you would often bring him baked treats and home-made meals.
Over time, he's grown more accustomed to being honest in front of you.
His eyes widen with excitement as you reveal a basket.
His tongue involuntarily licking the bottom lip, wondering what you've brought this time.
He stuffs his mouth with it, humming in satisfaction, the voice muffled with his mouth full.
"You like it?"
Tom can't even respond, only humming more appraisals.
"Merlin, Moon," he moans as he licks his fingers clean, "If I could eat whatever you make for the rest of my life, you might just make me the happiest man alive."
-----
He actually gains a bit of weight from you spoiling him.
He is devastated and disappointed in himself, only more determined to keep himself in shape so that he can continue being worthy of you (and your food).
Can get selfish about hoarding your food.
But eventually and reluctantly learns that he doesn't get to have all of your affection and care; some of them need to go to your friends.
-----
His love language is physical touch as well.
He is very open about PDA, eager to show that you're his.
You would be in the middle of a public space, (in the Great Hall, after class as students file out of the classroom, in the courtyards), and he would suddenly grasp your arm.
He would wordlessly pull you into his arms in the middle of the crowd.
Followed by a long, gentle kiss on your head, your forehead, or your nose.
When he has the time, he would pull away to look down at you.
His hands holding your chin, your neck, or if he's feeling spicy, your hips.
He loves seeing the adoration in your eyes as you look up at him.
He finds himself smirking, content that he has this effect on you.
When he does this, there's a part of him seeking reassurance that you still care about him, but it will take a long time for him to realise that.
-----
Physical affection behind closed doors is more intimate.
It's quiet. And personal.
There will be days when Tom is overtaken by emotions.
He'll come dragging his feet into your room, asking you to hold him.
He doesn't say anything. But he clings onto you like a child. Listening to your breathing and steady heartbeat. Taking in a lungful of your scent that helps him relax.
-----
As you get more comfortable around Tom, you start getting affectionate as well.
Surprising Tom with holding hands in corridors, a peck on his cheek at the Three Broomstick, a hug from behind when he's walking alone.
His expression is unforgettable - his eyes wide open, taking a few seconds to process what has happened.
And he absolutely loves it. His eyes soften with an absolute infatuation with you. And is that a blush creeping up his cheeks?
In those moments, you can be sure he'll be returning the gesture 10 times fold.
Peppering your face with quick kisses, holding you and burying his face into the crook of your neck, kissing the back of your hand...
He doesn't know why he does these things. But there's a part of him that gets all giddy like a schoolboy when you give him affection.
-----
Your date would be a picnic under the moonlight.
(Cheesy, I know). But Tom thinks himself quite proud of coming up with a romantic date.
And boy - he did go all out.
Floating candles. Roses. A bottle of wine (God knows how he got his hands on it).
And... his attempt at baking. To return the favour.
It's not great.
But he tried.
And him feeding you the treats does improve the taste by a considerable amount.
When you find yourself gazing at the mystical environment, lost in your own world, Tom tilts his head again.
Studying your profile with that smirk of his. Wondering what could be going on in that fascinating head of yours - and if he could guess it right.
Tom is far too embarrassed to say, but he finds you breathtakingly beautiful - almost ethereal- under the moonlight.
Again, he would be too embarrassed to admit, but he likes to think of you as the moonlight that guides him, when he's been stumbling in the dark his whole life.
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jiubilant · 2 months
Text
20 questions for writers
thanks @wispstalk for the tag <3
tagging @zurin @ghoulsbeard @danse--macabre @menzoberranyr @nulfaga @trinimac. no pressure!
1. How many works do you have on AO3?
i have 113 works on ao3. one of them is a multichapter containing two separate-but-connected short stories, which brings the tally up to 114. this is what happens when you publish a series of standalone flash fiction pieces individually lmao
2. What's your total AO3 word count?
oogh let's see...68,128 words
3. What fandoms do you write for?
i've now written for both tes and bg3! getting attached to a customizable player character and wanting to develop their story is usually what moves me to start writing fanfic. if i stopped playing rpgs i'd probably stop writing fanfic
4. What are your top five fics by kudos?
a simple solution threescore and nine the way an esteemed and venerable office silly
5. Do you respond to comments?
on ao3, i try to respond to all of them! i don't respond to tags that people leave on my work here on tumblr, but i read them all and really appreciate them
6. What is the fic you wrote with the angstiest ending?
i'm thinking that it's a tie between the stomach for it (which ends the story of shurri as a plucky orphan learning about the good in people and starts the story of shurri as a traumatized pawn of empire) and as of the world untwisting
7. What's the fic you wrote with the happiest ending?
most of the pieces about ravi and little shurri (in vignettes: solitude) end on a deliberately sweet and hopeful note—i try to write them so that it's possible to read them as standalones, without prior context about the characters, so it's important to finish them up in a way that suggests the overall tenor of their dynamic but the form's a little restrictive sometimes! if i wanted to really delve into the ways that they made each other's lives difficult and frustrating (the ways in which they were an average family, in other words), i'd have to write a novel
8. Do you get hate on fics?
it's never happened, to my recollection
9. Do you write smut? If so, what kind?
i've included sex scenes in original works that called for sex scenes...i haven't yet run into a narrative reason to write any fanfic with on-the-page sex in it, but i've hinted at the sex lives of my characters in a few pieces, when relevant. it's not usually relevant! the style of my tes stuff is fairly middle-grade. not that diana wynne jones didn't write about sex but you'd be surprised to find a sex scene in the middle of howl's moving castle the likeliest scenario for future work is that i'll write about a character in flagrante if it's funny. enthir's in the faculty lounge smugly hinting that he gets around more than anyone else in the college (he sometimes flirts with birna, who ignores him) (smash cut to urag and ravi smoking in bed)
10. Do you write crossovers? What's the craziest one you've written?
i've never written a crossover
11. Have you ever had a fic stolen?
not to my knowledge! i've occasionally read bits of things that felt inspired by my style or subject matter and i love that. it's very flattering. i think i remember someone quoting one of my posts in their fic summary once?
12. Have you ever had a fic translated?
don't think so!
13. Have you ever co-written a fic?
gf and i have had one in the works forever. that it's not done yet is my fault. it takes me ten thousand years to write anything
14. What's your all-time favorite ship?
obviously it's potemaphine
15. What's a WIP you want to finish but doubt you ever will?
i hate to say that the future of peace in any season ("the big wip") is in question but it's been in question since i started it...i chose to focus it on a series of events ten years out from the main storyline of tes v on purpose, so that readers wouldn't miss anything too crucial if i stalled out on it but i still have a lot of love for the project and work on it when i can. i'd really like to bring this one to you
16. What are your writing strengths?
what i often hear is that people like my dialogue. i'm glad...it's my favorite part of a story to write
17. What are your writing weaknesses?
very often i lose interest in a piece too quickly to finish writing it down. i have to set it aside until i get the urge to pick it up again. i'm working on a (currently) 1300-word piece right now that i started three years ago, and i wrote 900 of those words last week
18. Thoughts on writing dialogue in another language?
if cormac mccarthy can do it...
19. First fandom you wrote for?
that'd be tes lmao. before playing skyrim i got a lot more of my original work done
20. Favorite fic you've written?
it's a tie. before the world had skin and cruel and unusual!
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dareactions · 1 year
Note
SO SO SO HAPPY TO SEE YOU BACK
Don't you mind writing Dorian/Inquisitor marriage proposal? We were so robbed at the end of the game please.
Okay, so I haven't played Dorians romance in a while, so excuse me if its a bit OOC here. Tried my best to keep his personality in check lmao.
I decided to do the Inquisitor proposing to Dorian rather than the other way around, bcs our man deserves that. (Altho I do have an idea for him proposing as well maybe.)
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Dorian can feel that something is off, it's in the air. It's that odd peculiar shift that sometimes passes by unknowingly and gradually but he can pinpoint the exact moment it occurred, it was two weeks ago during dinner. His amatus, the love of his life, the savior of the world- all that very important stuff, looked up at him with the most peculiar look and ever since it's been off.
''You'd tell me, if the world was ending again, wouldn't you?'' He speaks up from his seat near the open fireplace, his love glancing up from the mabari that had kept his focus for most of the night. Dorian didn't actually mind the dog as much as he thought he would. It's kind of cute, in a saliva slobbering kind of way. ''Yes, I'd like to think so. Why? Am I glowing green again?'' The joke falls horribly flat, Dorian does absolutely not smile whatsoever thank you very much.
''No, you're not glowing green. You're just being weird lately. Weirder than usual.'' Dorian can't help but huff, putting his book on the side-table with a lazy arm, it makes an uncomfortably loud 'thud' sound upon hitting the wood and he can't help but frown. ''I'm not being weird, you're being weird.'' Is the lame counter his boyfriend offers, focusing back on the mabari with a laugh.
Except Dorian knows that isn't it, not quite. ''No. Something is off, what is it? You told me after- after everything you'd be more honest.'' After the arm. After the mark almost tore him apart, he'd promised Dorian wholeheartedly to not keep a single thing from him.
His amatus stares for a long moment, long enough for Dorian to fidget in his chair. He pulls at the fabric of his linen shirt, and pushes a hand through his hair in an attempt to look less nervous at bringing up the promise. ''It's not the right moment.'' He finally responds, soft words that are barely heard over the crackling fire. ''I don't care about it being the right moment, if something is wrong I want to know.'' His words have far more bite in them than Dorian intends and he sighs after a while.
''Nothing is wrong, I promise.'' His lover stands up and makes his way across the room, and Dorian tries to not pout as a warm hand makes it to his knee. It's such a gentle motion he probably would've cried had it been done a few years ago.
''Then tell me.'' Dorian pushes and his love dares to smile that stupidly charming smile and make his chest clench in affection. He'd love this man until he died, well and truly. There was no other way around it.
''Very well, but you can't come and complain to me that I didn't do it properly later.'' He sighs and Dorian perks up, sitting up attentively and ignoring the laughter that makes the smallest hint of embarrassment rear its head.
''We've been through a lot, too much probably. And I honestly wasn't sure if I'd survive long enough to ask this. For a while it seemed like I'd be robbed of the chance to do so before it even seemed a possibility.'' Their hands interlink and Dorian for the millionth time notices all the small scars that cover his lovers hand. They speak tales of battles fought before and after they met, struggles nobody could ever dare to try and understand.
''But there was never a doubt in my mind. Because you are the most brilliant man I've ever met, compassionate enough for both us and snarky enough.'' ''Excuse you, I will have you know-'' Dorian interrupts but quickly gets shushed with a grin. ''Shush, I'm being romantic, love.'' His love laughs, pressing a kiss against Dorian's hand and sure enough its enough to shut him up.
''What I was saying, before I was rudely interrupted. Is that you have enough positive qualities that I could write more than a few books about it. You know, normally people have enough time to write speeches down for these things- but you just had to be so perceptive.'' Dorian should probably be annoyed at that, but he just grins- the most proud smug look that he could manage right now when he feels the need to cry sneak up on him.
''You're tearing up, oh, andraste's tits-'' ''Amatus, hurry up and ask so I can say yes.''
''Dorian, will you marry me?'' The question is barely asked before Dorian kisses him, all giggly and warm and far too eager. They stumble to the floor and their laughter bounces off the walls of the study, Dorian's tears an annoying addition he'd lie about later if asked.
''Yes, I'll marry you. I'll marry you a hundred times over, fall in love with you in every life possible- you absolute fool, I followed you to the ends of the world, of course I'll marry you.''
Dorian followed him to the ends of the world and he'd do it again, but this time he'd much prefer if they had matching rings for the occasion.
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