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#tried something a bit different for the artstyle!!
feelkindadizzy · 10 months
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[ID: 1. A digital bust drawing of Monde from the series Supa Team 4 in her green school uniform. The colors are vibrant and saturated. Monde is a young black girl with dark coily hair, and some of it is tied in a bun at the top of her head. She has little braids for bangs. She is leaning forward, her hands are behind her back and she looks left with a little smile. There are moving pink heart around her and her name at the bottom also wiggles slowly. 2. The same drawing as a still image without her name at the bottom. END ID]
eyestrain cw //
Monde aka M-Kozo, bringer of peace and the soul of Team 4 💗💗 The main characters are so cute and Monde is so sweet and a great character too 😭💗 Go watch Mama K's Supa Team 4 it's on Netflix and it's one of the best shows we ever watched!!!
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Yet another Au!
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So, I had mentioned a slime rancher au in the bowuigi discord, and soon enough me and a couple others were just brainstorming and slapping it together, and this is (one of) the results!
(also tried a different artstyle. its kinda a mix of my usual style and canon lmao)
So Essentially, the bros move in to their own ranch, and their neighboring ranches being home to Bowser, Peach, and Daisy. Daisy and Peach share a ranch, with Peach usually handling the basic care of the slimes and plants (hence why I gave her a more gardener-kinda outfit) while Daisy usually goes exploring for new slimes. their Neighbor, Bowser, mostly specializes in Boom, Fire, Crystal, and Rock slimes, preferring the more volatile ones since they can’t really do much to him. (he’s still a koopa here, mostly cause I just didn’t want to make him human lmao) He’s also best friends with Peach- no romance there or anything.
He ends up meeting the bros when Mario ends up disturbing his boom slimes somehow (either with extremely loud music or something else). The two end up in an argument and there is Immediate dislike between them. Luigi, knowing how intense and... dense, his brother can be sometimes, decides to come over to Bowser’s ranch and apologize for it, and Bowser ends up thinking “alright, his brother’s not bad, so I guess I can tolerate them being my neighbors” and they just slowly befriend each other over time.
As for the slimes, there’s bits of ideas on those too!
Mario seems to attract literally every cat-like slime in existence. He goes for a nap under a tree and then wakes up under a pile of tabby slimes. You turn your back on him and when you look over again he’s got Hunter slimes all over him. He has a single Saber slime that is his baby and definitely spoiled named Pawline. (I headcanon Mario with a Calico cat named Pawline, so this is her in the au I guess XD) Luigi tends to be swarmed by batty and phosphor slimes, mostly as a reference to the Luigi’s Mansion games, but also because Batty Slimes are cute. They don’t swarm him as much as the cat slimes swarm Mario though. He also has a Yolky Slime named Sunny. When the two first saw Sunny Mario wanted to try and cook them because they looked like a giant egg. thankfully, Luigi said no and took Sunny in (and away from the stove). Sunny usually just sits around in the chicken coops, though every now and then you’ll find them Hiding in Luigi’s hat.
Peach has a bunch of Pink Flutter Largos... I don’t think I need to explain my reasoning there LMAO And Daisy has a bunch of tangle slimes, mostly because she thinks their cool, but also their one of the few plant slimes, and well, plants, flowers, daisies... you get the idea... XD
Bowser, since he’s a koopa and essentially heatproof, just isn’t affected by boom slimes and fire slimes. he’s also too big for a vacpack, so he just. picks up a handfull of slimes whenever he needs to move them around. At one Point Luigi is just. watching, as Bowser moves a bunch of boom largos, completely unaffected by the largos exploding in his arms. We were a bit(?) torn on what to do with the Koopalings and junior? Someone suggested that their a bunch of boom slimes that Bowser babies, though Personally I prefer them still being his kids. Maybe at the start of the au their all on a trip with their grandpa kamek? I just find the idea funny that during their talks, Bowser mentions he has kids to Luigi, but doesn’t mention that he has eight. So when they do get back from their trip, Luigi is just stunned at the sheer amount of kids he has lmao
Anyway yeah, that’s.. essentially it I think. I have other ideas so we’ll see if I make more lmao. I won’t write anything for it though, aside from maybe a oneshot here or there. (though I do think there’s at least one person from the server who is writing a fic for the au. Memory ain’t that great...)
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squidpedia · 2 months
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What was it like for you starting out as a beginner artist? How did you improve?
I mostly just incessantly practiced, experimented, and observed a lot for as long as I can remember. I grew up on a lot of videos going over tips and techniques for beginner artists and mostly just observed their processes and would try to bring them into my art. Othertimes I would just constantly experiment with my artstyle (what if I made the shoulders more defined, what if I changed the size of how I draw eyes, what if tried drawing different body types, what if I tried a pose with a lot more foreshortening etc etc). I tried to push myself a bit further everytime like maybe spending more time on the overall piece, adding backgrounds, drawing multiple people interacting. Drawing challenges also helped a lot I think since they pushed me out of my comfort zone or forced me to approach my art in different way than what I was used to. Things like “draw something using only one line and not lifting your pen from the paper”, or “create a bunch of random shapes using a colored marker and then turn them into characters/objects”, or even just dtiys challenges were great for this. A lot of the drawings I made from these didn’t really end up being things I was super proud of after finishing them, but thats fine since I still learned a lot and they still helped with improving. A lot of it was honestly just not being afraid to draw something I might not be happy with later in the name of getting that practice in and trying new things all the time.
I hope this is helpful, but I’m not too sure so I’m sorry if it isn’t, this is the best way I could think of summarizing it!
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liquidstar · 8 months
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do u have any recs for folks newer to the yuri genre? I've never really read any manga other than shounen and some magical girl stuff
Omg i can totally give yuri recs. (And which ones to stay away from. Sakura Kiss has cousin shit in it, Citrus has stepsister dubcon, Dragon Maid has lolicon, Happy Sugar Life is also lolicon but it’s edgy about it and tries to act like this makes it deep, we can do better)
Anyway here’s my actual recs! I'm going to give details but if you don't wanna read them I bolded all the titles.
YuriKuma Arashi (By Ikuhara of Revolutionary Girl Utena fame), is about lesbian bears. But it’s actually a metaphor for the simultaneous objectification and demonization of lesbians, the expectation both for purity and predation. There are some nitpicks I have with it like the sexualization being a bit too much to bring the point home, but overall I do like its themes and its message. And I think the ending pulls everything together really nicely. There is both a manga and an anime, and I believe the anime came first. I’ve only seen the anime so I’m not sure if/how the manga deviates!!!! 
Bloom Into You is an absolute must. Like, for real, I think it’s one of the best romances out there, yuri or otherwise. It gets really deep into both characters' respective psyches and the ways that they’re both Very Screwed Up when it comes to love and romance, or really just life in general. Giving details would be doing them a disservice honestly. Both characters are very messy but also do try their best to genuinely communicate, and what comes of that is a lot of teenage lesbian drama, but the growth they both experience though it TOGETHER is just great, and you can tell they care about each other so much.
Okay this one I’m not really recommending for the good writing, it’s more-so just really cool. Liberta (EXPLICIT) is a series about a vampire who can turn her body into guns and a human woman who is sick of being seen as lesser in her ordinary life. And then they fall in love and are vampires together. The artstyle and character designs are awesome and it has some really cool fight scenes. However it also has full blown barely censored sex scenes. A few of them. One of the women uses her tail at some point. If that’s not what your cup of tea is, give it a pass. 
Anyway for something more wholesome you should check out The Guy She Was Interested in Wasn't a Guy at All, which I’m actually not fully caught up on bc life, but has still been a super fun read so far. It’s about a girl who works at a music store, and her classmate who gets a crush on her while she’s at work. The classmate doesn’t realize that they’re the same person, due to her looking different at work, and thinks her worksona is a guy. Hijinks ensue. 
Otherside Picnic is also highly recommended. Its manga adaptation is lagging behind the light novel, which I can’t find a translation of online (But if anyone can help me out w that 🙏). The story itself is about two college students who go on adventures to a parallel plane of reality, which contains cosmic horrors who can only communicate with humans through fear so intense it will make you go insane. They’re also looking for someone who went missing, and gain cool powers like Ghost Hand and Sans Eye. Yes this is still a yuri series and it’s also really really extremely fucking cool. 
She Loves to Cook, and She Loves to Eat, is a slice of life story about… Well exactly what it says. A woman with a passion for cooking, making lots of food and sharing it with her neighbor, and they end up bonding through this. It’s also like, cool to see a big butch woman for a change! The story itself is very straightforward but I love watching the relationship progress as well as the mc question her sexuality. This story will absolutely make you super hungry though.
Show Me Your Bust (EXPLICIT) is also exactly what it says on the tin, though it’s technically a webtoon. Again this is a series with explicit sex scenes, but it actually does have a story and actual depth to its characters. Honestly there’s a lot to unpack with all of them and a lot of the relationships aren’t totally healthy but it’s a drama so that’s the point. 
A Monster Wants To Eat Me is actually hard to describe without spoilers. It’s about a girl who lives by the sea, meeting a mysterious girl with eyes that remind her of the ocean itself. The girl says that she’s actually been looking for the mc for a long time, and it’s revealed that….
And lastly I wanna mention Hanamonogatari, a story about an old widow who begins to regain confidence in herself as she experiments with make-up with the help of another old lady who works at a local cosmetic store. Honestly it’s very very very sweet, it’s rare to get romances like this of old women when so much of the focus of romances (yuri or otherwise) is often on the characters being attractive. I also really appreciate how the make-up is being used specifically to accentuate their wrinkles. Not hide them. Because aging is beautiful too. Sadly IVE ONLY READ TWO CHAPTERS BECAUSE I DONT THINK THE REST ARE TRANSLATED IF ANYONE OUT THERE CAN HELP ME PLEASE DO 🙏
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tuesday again 2/27/2024
this is the longest ive ever been unemployed and media is only doing so much to beat back the horrors. so let’s talk about the media instead of the horrors
listening
Come Up For Air by We The Commas, off i think one of the autogenerated spotify indie mixes?
youtube
sort of a rollicking modern little surf rock thing, they describe themselves as "surf and alternate rhythm and blue" which is pretty bang on imo. they're all brothers (their last name genuinely is Comma, which i salute as a fellow weird last name haver), and cite john mayer (i don't really hear it) and the beach boys (yes i hear this very much) as some of their influences. a song i had on loop for an entire forty minute drive and did not get tired of. spotify
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reading
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three books that MUST go back to the library tomorrow bc their autorenew is up and i was emotionally unable to get a library card without tooling around and getting a stack of books a month ago.
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thank you philip.
i really only liked the Carmilla adaptation by Amy Chu, bc it really gets at what i didn't realize was the heart of the original 1872 lesbian vampire novella: a toxic gay housing situation you have fallen into and can't get out of bc your area is so so so expensive and housing is so so so tenuous. i have read the original but not in a while, this is an excellent modern adaptation centering around a nyc social worker in the late seventies that presupposes no knowledge and intertwines the original novella in the form of a stolen rare book. (nonconsecutive pages)
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i don't have much to say about the DC young adult comic about the circus career of one of the Robins (Dick Grayson). i didn't love the loose artstyle and am not in its intended age range plus it had a bit too much therapyspeak, but it did have a clever use of a very limited color palette.
let's yank the amazon description for the detective novel, which i grabbed bc it vaguely pinged something in my brain about one of the fallout 4 sidequests and i've picked books up for worse reasons (SPOILERS):
Jacob Rigolet, a soon-to-be former assistant to a wealthy art collector, looks up from his seat at an auction—his mother, former head librarian at the Halifax Free Library, is walking almost casually up the aisle. Before a stunned audience, she flings an open jar of black ink at master photographer Robert Capa’s “Death on a Leipzig Balcony.” Jacob’s police detective fiancée, Martha Crauchet, is assigned to the ensuing interrogation. 
i simply fucking hated this authorial style and tone and ditched it two chapters in. i don’t currently have the patience for reading about a clinically insane mother and hate crimes against Jewish people. despite the fairly dark premise, the first two chapters veer into cozy mystery with very short sentences, which do not a noir make. now, it does not advertise itself as noir or neo-noir, but as an homage to noir. it is for me unbearably smug. in my most unkind heart of hearts i want to say it's like if wes anderson tried to make a noir. this is a book that wants you to know it has read other noirs. yes thank you ive read several others, that’s why im reading this one, stop reminding me of better books i could be reading.
there's some weird descriptions of womens' bodies in here. chandler (my beloved) is certainly guilty of this as well, but he lavishes a sort of equal opportunity eye on the men in his mysteries. cf the infamous daniel lavery description.
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when i read a chandler description of someone’s physical appearance there’s a fruity bisexual aftertaste in my mouth. Howard Norman, below, saying a woman takes great care of herself puts my hackles up. i understand the difference between an author and a character believing something and i don’t want to read a book where either the author or the character have this sort of pitying condescension towards a woman’s body. im feeling extremely terrible about my own body right now due to the various maladies, and another sort of breaking point for me is when an author repeatedly describes "naked breasts" (exact wording) pressing against someone's torso. it feels so juvenile. that's the sexiest thing you can possibly think of??? that's the sexiest way you can think of to describe an early mornign moment of intimacy???? augh i read the NYT review and it gets worse.
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shut the FUCK up. i left my apartment at 1130 PM to go put this book in my CAR. i don't want it in my HOUSE.
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watching
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Bullitt (1968, dir. Yates, free on Tubi). the baddie in this is Robert Vaughn (who i know from cowboys), a guy i fucking love to see. i can take or leave Steve McQueen but he does such a killer job parallel parking in this movie and i wish all driving movies made their leads parallel park. shockingly realistic hospital, morgue, and police work scenes, apparently was one of the big films to popularize blood squibs. also love to see a haunted man splash water on his face and stare into a mirror.
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if you asked me how long the famous car chase was i would have said like 2:30? substantial but snappy. no!!! eleven minutes!! (video a bit trimmed). also a rare movie that makes a foot chase through an airport as exciting as that eleven minute car chase!!!
the mob dodging plot was a little hard to follow, but i was operating on like four hours of sleep and a rum and coke. this has got to be a tremendous movie to watch when you’re home and sick on the couch huddled under a blanket. i mean this as a compliment, as someone who watches Escape from New York whenever i feel very sick
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playing
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really wanted to get to 69 shrines before writing this post and finally did it. all the little divine beasts walking along the loading screen are SO cute i've never gotten all four before
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all the divine beasts are unlocked and the champions laid to rest! im feeling some type of way emotionally speaking about all of them telling link IMMEDIATELY that it wasn't his or zelda's fault they died
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rudania has the worst boarding mission (in order of ones i most enjoyed it's camel [SO fast and SO fun], bird [lots of time to think and plan and aim], elephant [did not make me do a tedious stealth mission but i am bad at locking on to rapidly moving things behind me, much like in real life], and lizard. the lizard stealth mission is simply unpleasant). however, my brain really clicked with the puzzles in rudania: i had to consult a walkthrough once for an optional chest. in order of interior beast puzzle enjoyment for me it's lizard, bird, elephant, and camel. really got stuck for a long time on the waterwheels with the elephant before consulting a walkthrough.
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the yiga clan stealth mission was not as hard as i thought it would be. i don't know why i put that off for two real life weeks but i will not learn my lesson and i will never improve. this boss battle was just silly.
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the vah naboris interior puzzles were not fun. idk what it was about them or my brain that made me have such a bad time, but i spammed revali's gale and skipped a lot of chests bc i was not having fun. this is why god invented the walkthrough but sometimes. shit is just too fiddly.
i did succeed on the thunder ganon boss battle first try, but i came in with extra hearts from mipha's grace, used another mipha's grace in the fight, went through five fairies and seven hearty simmered fruits that were 5x durians (which gives you 20 extra hearts or some shit). fucking nightmare. i was stuck on one hit left on ganon for like five minutes bc he got stuck in the very fast flurry attack cycle. unpleasant. deeply grateful it only made me smack him with the magnesis pillar once bc that was also really fiddly with my poor reaction time + poor fine motor skills + previously mentioned ancient controller with some drift. in order of boss battle enjoyment i think it's lizard (made me think and kept me on my toes a little but i did have to look up how to break the shield), elephant (you can just kind of tank it), bird (same), and camel (extremely not fun).
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this was WITH a fully upgraded gimp suit btw. that shit (ganon) just hits hard.
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shrine shenanigans:
crowned beast very fun, i have one or two of kass' songs left and then i hope i get to see him back in rito village with his family??? a little nervous bc i went right to the jungle spring without hearing his song first so idk if that will. count??? or softlock me.
the MOUNDS of failed cooking attempts around this shrine on the grasslands side of the gerudo barrier mountains were SO funny.
unlocked all the spring shrines. what a fun mission. what a fun climb.
went to my FAVORITE shrine!!! going into what you think will be a normal cave and discovering it is DEEP with a BIG WHALE INSIDE is top three video game whale moments (the other two are diving with the whales in ABZU and meeting the last whale in the first dishonored).
other bits and bobs:
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eggman rocks???
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this quest was really cute and i wish there was a corresponding quest for the guy hanging around the broken heart pond, but it always makes me laugh whenever a dragon shows up in the background of a screenshot. a really great touching moment but watch out for the elemental orbs rapidly approaching us
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also made me chortle. get it together barta.
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i wish the helm was upgradable but i think making me kill a molduga in order to borrow it is a pretty fair trade actually.
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making
i originally had a really long thing here about litterbox trials and tribulations but i have decided to spare you all. you're welcome.
many balcony improvements, including putting up trellises and installing bird spikes to hopefully keep a very persistent orange tom off my balcony and away from my girls.
there are a goofy number of obstacles in the way of me making a proper planting diagram (sketchbooks buried deep in closet. flung the seeds in a box on a shelf i need to find my stepstool for. can't find pencil sharpener) so for the second week in a row that's not happening. however, sprouts.
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baby italian lettuce blend
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bush beans in the front and cucumbers + sweet peas in the back.
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starrysharks · 9 months
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ive sent like 20 asks to you atp but i really love ur art soooo so so so much like ur like my biggest inspiration fr like seriously i could blab all day abt how much i love your art and your arts almost singlehandedly motivated me to start working on shape language more bc i think thats like the key part of your art (to me at least) and youre like the true embodiment of "same face syndrome fears me" but like fr because all your ocs are so distinct and unique
do you have any tips on creating unique silhouettes / just general character design tips?? also id love to hear abt how your use of shapes and shape language evolved over time if ur fine sharing that!!
ok this is literally the sweetest ask ever like first off thank you so much ;_; i'm glad i was able 2 inspire you!!!
for me if you look at my old art there's little to no focus on shape language cuz i wanted to express a 'pointy' animeish style. examples are from 2020, 2021 respectively
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as you can see i did NOT flip my canvas and my art was samey as hell,,, but in 2021 i started going for softer colors and shapes rather than points and spikes and brighter shapes. but, if you were to look through all of my art from either era, you'd see it's identical cuz i didn't care for shape language. this went on for quite a while :,)
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then i discovered worlds end club in late 2021 and everything changed !!! i watched playthroughs cuz i didn't have a means to play at the time, and decided on making my artstyle a blend of cartoony and animeish - which ended up in choosing more expensive silhouettes and faces in turn
honestly i'm too tired to actually chronicle my artstyle change so i'll just skip to late 2022 in this timeline, sorry 😭
so by now has my artstyle evolved into aomwthing super cool n expressive ? no actually i think my art got worse in late 2022
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as you can see, my colors got super washed out and i didn't really take risks, i guess? but i was finally starting to come into my own in terms of artstyle and was finally acknowledging shape language a little bit.
very early 2023 is the same, so let's skip to the one thing that changed my artstyle - the big 8 lineups
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suddenly everybody was like 'wow your shapes are so good!!!' this was because i had tried to challenge myself with character design in these drawings. so i tried to emphasise interesting shapes more - using a technique where i'd just take an interesting shape or line that corresponded with a character's personality and repeating it as much as i could across the design.
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like this deep cut art, where i tried to 'dial up'their already exaggerated shapes and design aspects (such as making frye's pants sag more or changing up shiv's hair. big man is perfect and needs no changes)
but this journey is still not over because a few months ago i rewatched all of panty and stocking and watched clone high for the first time, and both of these shows emphasise shapes a LOT in their designs, and i picked those up. here's art from a few months ago - in short, i tried to find the 'focal point' of the design, something that set it apart from other designs with similar body types or clothing, and built around that, if it makes sense? here's some art that i think expresses that well
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comparing the new quintet art to the old one, i think you can also see that i started to try and use different body shapes and shapes in general (such as clyde having a more triangular build ig) . and tumblr doesn't let me add more pictures so this is where the overview ends !
my advice is - watch and rewatch anything that might inspire you, because it has the ability to push you in the right direction. for technical tips, id say -
draw different body types and age ranges (often times same face syndrome is born from only drawing the same age range, usually 15-20 for most sufferers)
play around with style - do you want a more western inspired style or something more akin to modern anime ? maybe something entirely different! try drawing in different styles that you like and see which ones stick
research fashion if only a little bit - it can help understand visually pleasing silhouettes (such as the famous big jacket or big pants silhouettes)
speaking of big jacket or big pants, contrast is key !!! top or bottom heavy designs are an easy way to express personality and an expressive silhouette ig
ummm thaz it ithink. once again thank you for your kind words and remember to take advice from multiple artists im just one guy!! i hope anything in here helped or was at least interesting to read
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marbarmars-arts · 1 year
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So...I MAY have been collecting Fawfuls like pokemon cards <3
(and what the heck do I mean by that exactly??) WELL in a discord GC my friend Parmy suggested we’d imitate each other’s art styles as like a collab of sorts? Well...I kinda took that a step further heheh ^^
(And fun fact...this was supposed to be something I was gonna do for AU day of Fawful month too, but that idea got cut due to time)
So may I present...the different Fawfuls I drew!! For my friends/cool acquaintances!
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So the one who led up to this in the first place, Fawful from @parmsnik AU!! He is dating/eventually marrying Naspi depending on where you’re at in the AU haha! Your way of drawing Fawful seems to change a little bit each time you draw him, so I tried to my best to guestimate a consistent looking Fawf! Very cute!
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Up next is Fawful from @the-spacewaffle AU!! Yippee Ronnie’s AU! Thanks for being my friend for so long,,to talk about Fawful and all that stuff y’know? I’ll be cheering you on to complete the story qwq your Fawful is always so nice to my OCs when we crossover khskdjh also...pet the Reddo!
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Eee yay now it’s @snuffydoo Fawful and his AU title I totally made up on the spot! I know you don’t really have a name for that kind of thing and it doesn’t have to be canon but I hope you think it’s cute anyways haha! I had a lot of fun drawing this one!! It’s so stylized! AND IT HAS DIMMY (I enjoy your Dimmy artstyle sm) but I don’t draw Spamton very often kjhskgh
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Here’s @federthenotsogreat Fawful AU of sunshine goodness~! HE RETURNITH (and since I couldn’t think of another character to feature with your AU...not knowing if Cackletta is there or not jhgskg I gave him a cute little swirly sun!) I admire the fact his outfit is mostly YELLOW and also blue those are cool colors OH AND THAT LEG TOO, also super cool :)
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The smol and cute @omgtheywereroomates Fawf! Your ask blog is so neat! I know I don’t ask too many questions there but I just,,,the cartoony fluffy hair?? Love that, and also thank you for your support and the super cool ship as well ^^ 
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Heheee yeah hey it’s @cammiluna Fawful from Immortal Fool! Before you say anything YES I’m aware he’s got the new design since it’s near the end of the comic, you released the page that featured said new design while I was already working on this drawing xD So whoops! I just wanted to give appreciation to your comic series that you continued despite everything, and well...I know I haven’t shown much progress on it, I also want to make a comic series...so you’ve inspired me a lil :D
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Deep down here there’s a little AU by @aliencatwafers which features Fawful in the sewers! With the little baby bros!! You’re a very insightful and inspiring writer with plenty of neat headcanons and ideas for the bean! Ik you mostly draw in pencil but I took the colors from your submissions to Fawful month this year and used em here! Hope it looks cool!
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This little gremlin here with the two moms is Fawful from @bean-n-shroob ask blog! He looks very silly and unhinged (in a good way) and I hope he’s having a good time since after BIS! I love how round your designs are and Fawf is no exception :D
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Last but not least is this VERY soft Fawful from @localdealmaker​ and their AU, whose title I made up too (again doesn’t need to be canon or anything if you don’t want it to be, I just wanted to give every drawing a cute name ^^) I think yours was the most complicated to draw for me but I love how he looks, so squish!! Kaboo is cute too!
WHEW THAT WAS A LOT OF TYPING KSJHKGH but yeah I hope you guys have enjoyed this...I might make another part someday full of more Fawful designs from friends but I AM A LITTLE BURNT OUT...doesn’t mean I didn’t have fun tho!
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squircatlies · 7 days
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Today is the day I unleash my Mr. Bonzo fanart upon this webbed site.
This post is relatively safe up until the cut.
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Is the *tips fedora* meme over a decade old? Yes. Do I care? No, absolutely not.
~
Now this is where I recommend "getting off" this post to anyone bothered by graphic depictions of body horror, blood, violence, or Mr. Bonzo (monster, not mascot like above).
I know the first image is silly, but I cannot stress enough how serious I am when I say:
Proceed at your own risk.
Now that you have chosen to continue, I have arranged the images in order of least to most vile and disturbing (though that might be slightly subjective on my part).
Remember that you can click off this post at any time.
Final warning: split tongue Bonzo.
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I tried channeling Julia Drawfee with the lineart a little bit. Didn't feel like shading that one, so it's a bit flat.
Where did I lose my colours? Plot twist: the first image in this post is actually the last I've made, so technically I gained the colours. I wanted it to have more of a cheery vibe, unlike the ones under the cut, which I wanted to be kinda dreary and I feel like adding too much colour can mess that up.
Alright, I'll address the tongue. Remember how his head splits in tmagp 12? Yeah, it's a nod to that and also I asked myself "how do I make his design worse than it already is?" and that's the only answer I could come up with. I debated adding stitches connesting the two halves of the tongue but couldn't figure out how, so you're welcome. It will be present in all the upcoming drawings as well.
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The next one is bloody, but it's not that much worse than the previous one overall.
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I was playing with filters after I was done with this piece, because I felt like it lacked something, but didn't know what. Really liked this one, I think it's some sort of a gradient map. It pixelised the image and adjusted the colours a bit, it also really made the blood pop out, though it covered up some of the details.
Why did he lose his hat? It's stupid and hard to draw.
You may have noticed the artstyle change a little, the previous images having neat lineart and little to no shading. That's because I am using different tools, sketchy and soft brushes, that allow me to experiment with lighting and textures more (plus the aforementioned filter altering the image even further).
~
Alright, I feel like this last image deserves a separate warning. It references episode 12 (spoiler ahead), specifically the moment before the bartender loses a hand, though it's not entirely accurate. It's rendered in more detail than any of the previous images, so keep that in mind before scrolling down.
Basically it's pov: Bonzo licks your hand.
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I feel like I could've made his tongue bigger in this one, it seems kinda small compared to his mouth. I really like how the skin on his face ended up looking. It took a lot of work.
The spit makes it look weirdly sexual, doesn't it? Listen, that was not my intention, but I'm not erasing it. I set out to make the worst thing I could and, though not without cost, I have achieved it.
I tried splattering Bonzo in blood, but it wasn't really working for me and it covered up a lot of the detail I liked, so I just put it in the background.
The human hand is drawn from reference, which I found by googling "hand reaching out away from the viewer". And let me tell you: google is shit at looking for drawing references, but I figured it was just going to be a sketch to explore an idea, so I didn't bother trying to get a better one. And then I fixated on it for a couple hours, you know, like a normal person.
I literally (and I mean no exaggeration) dusted off my drawing tablet after a few months of no use to spend the entire weekend, after tmagp 12 came out, glued to the screen making those images, except for the b'onzo one, which I made this evening.
Just to clarify: I drew all of those by myself. No filthy AI image generation is allowed in this house. I am capable of committing far greater sins than an artificial intelligence ever will.
The only thing left here is to extend my sincere congratulations/condolences to whoever got this far. It's up to you to either think you're brave or realise that you're foolish for doing so, but be comforted by the fact that at least you didn't make this post, which I cannot say for myself.
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sapphicteadragon · 1 year
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Spent 3 days solid on this one, probably the most time I’ve ever spent on a single piece of art. But I think it was worth it :))
Also my second ever attempt at a kiss too!
I tried something a bit different this time and decided to colour the lines (a la show’s artstyle) and add a bit more detail in the shading. Wasn’t sure how it would turn out, but I’m pretty happy with the result.
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chiricat · 1 year
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another ramble about art again so i’m hiding it all under a ‘keep reading’ thingy so as to not clog ur feeds :]
aka thoughts about imposter syndrome, fanart, and what it means to draw stuff loosely disguised as a ‘ramble’. maybe a bit of akito almost-kinnie-isms (and probably ena) in there too because why not. also sorry this gets a lot less coherent as it goes on (i lost my train of thought near the end. it’ll come back someday)
i want to keep getting better. i want to keep growing and improving, so that i can convey the ideas in my head to others. i’m afraid to stagnate for too long, because what if it means i’ve hit my limit? what if i’ll never get better than i am right now? an irrational thought, really, but that doesn’t mean it’s impossible. hell, i felt like i hadn’t improved all that much from a year ago, when i tried to redraw a few of my older posts.
part of this stems from the question ‘how do people see my art? what kind of artist am i to them?’ which comes from when i got into fanart and fandom spaces, a long time ago. i would categorize the people i looked up to, my idols, my role models. there was the one that made comics that felt like home with your friends, and there was the one that made pieces that felt like i was sitting in a café in the middle of a busy city, and there was the one that made renders that felt like i was looking at liquid gold. i was fascinated by the effects of all these different artstyles, and decided that i wanted to do the same. i wanted to make art that made people feel at home, like a fic that you keep coming back to, or art that conveyed how i felt well enough that others felt the same way, or could understand it at the very least. 
naturally, as i continued to draw and admire these artists from afar, i wondered why exactly their art appealed to me. at first, the answer was simple: i like looking at it. but that wasn’t good enough - what about the things i didn’t really care to look at, then? what made this piece any different?
so i tried to understand, why i liked something, or why others liked something. after studying art for a little (yay classes) i understood more, i understood why those artists made the choices they did. for one, it was their powerful composition, and how they wanted to pull the viewer in with the characters. for another, it was their color palettes, which were always balanced yet strong and guaranteed to catch your eye because of it. other times, it would be the lighting, angled to present the characters in such a way that it made you feel like you were there too, or linework that made you feel just how much the artist cherished the characters. there were other, less technical things too, but i was trying to build a foundation before diving into things that were harder to learn.
in short, there was so, so much more to everything than i had realized as a kid.
so i asked myself the same question. why do people like my art? why is my art appealing and worthy of your time? and where did i fit in, if i were to categorize myself? 
these questions got a little worse. incredibly irrational. imposter syndrome was kicking in when i saw that more people were liking my art, especially when i compared it to myself from a year ago. or when my favorite artists were following me back. (it was weird, somewhat. i had always seen them as worlds away from my own space, artists that i had admired from afar and thus never believed that they would turn around and see me.)
‘do people actually like my art? is my art actually worth anyone’s time?’ i wonder. ‘do i deserve these nice comments, or even these likes?’ 
‘am i even getting better at all?’
these are a bit foolish of me to think. it shouldn’t matter, really. as long as i’m enjoying drawing and having a fun time, then why should it matter whether others like it or not? i don’t have to be doing my best, giving it 110% all the time, i’m allowed to make goofy art or self-indulgent art. this is my motto, for the most part. as long as you’re enjoying the craft, then it’s worth it.
but with the goal of improvement, i don’t always want to stay in my comfort zone. i want to keep pushing my limits, even if its just a little at a time, so i can make something impressive, something that really resonates as much as i want it to, as much as certain pieces resonated with me when i was younger. the same way that i kept coming back to certain pieces (and still do), i want to be able to do that too. i don’t want to feel like a kid playing at an adult’s game, like someone who doesn’t know what they’re doing and it shows.
it’s a tricky balance. i’m not sure if i’ll ever truly feel like i’ve ‘finally done it’. i think that most artists are never truly content with their work as a whole, anyways, and that’s okay. that’s something i should be more okay with. i can make art just for fun, and i can also make art with the intent of solely improving or practicing. i can even combine the two, and most of the time, i try to anyways.
(sorry, i lost my train of thought after writing the last few paragraphs... i dunno where i wanted to go with this exactly HHH.
tldr; i’m always stuck between ‘i’m happy making this art even if its bad’ and ‘i need to get better and leave people in awe to feel like i deserve the love and nice comments i receive’.
if you somehow managed to get to the end of this, ty for reading, even if it was a hot dumpster fire LMAO)
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lunyselene-art · 2 months
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talk shop tuesday! do you prefer drawing in your comfort zone (i.e. specific characters/fandoms, composition, artstyle etc) or do you challenge yourself with every new work?
hi vryfmi!! thank you for the ask!!
I stay in my comfort zone in my little doodles I draw throughout the day, but once I'm actually drawing something substantial I like to experiment a bit!!
in my doodles, I don't colour anything in and only draw shoulders up
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I've been trying some new stuff out though!!
I'll post a drawing I made of Link soon, I tried to draw a full body in a different artstyle and use watercolours! I think it turned out pretty good but we'll see lol.
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I'm also working on another drawing of Link :) this is way out of my comfort zone since I'm not using lineart and directly painting with watercolour, and also experimenting with poses and multiple bodies in one drawing... we'll see if I ever finish it though lol
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fujoreads · 4 months
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To Strip the Flesh // Review
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To Strip the Flesh is a short tales collection in manga format, containing 5 stories in total—the main one going by the book’s title.
I remember someone mentioning this in a book-related podcast I listen to, but I don’t remember which one. I found it at a bookshop when I went on a little date last year, and I just had to buy it! It took me a while to finally read it, but I’m glad I did.
CW: Gender Dysphoria, Explicit Nudity; Organs; Hunting; Animal death; Sexism; Transphobia; Body Horror
This manga was something else. I may not have the exact same experience as our protagonist Chiaki, but I related so hard I cried—thrice, in fact. I got such a headache from crying I had to end the day that evening. Powerful stuff.
I knew I would probably enjoy it because of the art and the topic of trans issues. I myself am a transmasc bastard, so it’s always nice to see manga talking about these things.
When I finally finished it, I had to pause for a minute or two. For the first half, I read many scenes where I felt dysphoric together with Chiaki, but the way the story ended made me actually try to be stronger and fight for my right to happiness, even if I have to face transphobic doctors on the way.
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Chiaki Ogawa has never doubted that he is a boy, although the rest of the world has not been as kind. Bound by his mother’s dying wish, Chiaki tries to be a good daughter to his ailing father. When the burden becomes too great, Chiaki sets out to remake himself in his own image and discovers more than just personal freedom with his transition—he finds understanding from the people who matter most. (The StoryGraph)
Although the main story is this one about Chiaki, there are many others who are also just as enjoyable, albeit shorter.
This tale is condensed in about 100 pages, but packs an emotional punch enough to leave you in tears. It made me realize that I have my own found family and I don’t need to keep living a lie.
The flow of the story may have been somewhat rushed due to its overall length, but it still felt neatly presented. I do wish I could have seen more of Chiaki and the rest of the cast, especially his late mother.
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This manga’s artstyle is interesting. It feels very anime, but it does feel different in some aspects, like how soft the eyes are. I really enjoyed it.
As someone with a big chest, I personally related to Chiaki’s struggles and the way it was visually presented was just wonderful.
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Chiaki is the son of a hunter (who also butches his own kills). He lives as a closeted trans man and desires not to betray his parents’ wishes for him—to be a bride—hurt as it may. He struggles with trying to impose his masculinity to his father, who refuses to see him as anything else but his daughter, saying how “women don’t hunt”, and never letting him get hurt, seeing him as a frail girl. However, we also see his weaknesses: how he never lets his father know his true feelings, even when his father clearly shows he cares for what he thinks is best to Chiaki. It’s understandable, but also what strains their relationship at some point, even if from Chiaki’s perspective.
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It’s so sweet to see Chiaki’s growth after a big moment where he has to make an important decision, both for him and his father, and how that improved their overall relationship.
His father was an interesting character to follow as well, even if we see less of him, and usually accompanied by Chiaki. I wish we could have had more moments with him.
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I enjoyed Takato as a friend of Chiaki’s, but while he is sweet and supportive, he’s also a bit annoying. Maybe having him grow more throughout the story instead of a last-minute development would have made him more justice.
This was a lovely read, and not just for the main story. Personally, the Hot Watermelon short story was my second favorite, followed by David in Love.
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I got even more excited seeing how Oto Toda, the author, worked as an assistant for Tatsuki Fujimoto on Fire Punch—one of my favorite works ever, as despair-inducing as it was.
If you care about stories centered around trans issues, you’ll certainly like it. It’s also a tale of father-son love, and how old wounds can be treated, even if it seems all too late.
This is a very short story, followed by other even shorter stories, so if you desire a more detailed and lengthy tale, you might not enjoy this. It’s a powerful narrative, but it’s rushed at times and unless you personally relate to Chiaki’s struggles, you might feel less emotionally affected.
✩₊˚.⋆☾⋆⁺₊✧ ✩₊˚.⋆☾⋆⁺₊✧ ✩₊˚.⋆☾⋆⁺₊✧ ✩₊˚.⋆☾⋆⁺₊✧ ✩₊˚.⋆☾⋆⁺₊✧ ✩₊˚.⋆☾⋆⁺₊✧
Thank you for reading it all to the end! Hey, kind stranger! Would you be so kind and consider giving me a little tip? It can be as low as 3 bucks and it’d make a huuuuuge difference!! If you tip 10€ (or higher), you can dictate my next read and be credited (if you’d like) on that review! Have a nice day!!
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spinningbuster98 · 7 months
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youtube
I love this game
I REALLY love this game
If I had to choose a favorite game of all time then I feel it would come down to either Sonic 3 & Knuckles or this one, the former shaped my gaming tastes during my childhood while the latter did the same for my adolescence
I have a lot of great things to say about this game, but also some negatives as well because no game is perfect and this is very important to remember especially in the case of games that have become so universally beloved that people have come to believe they have no flaws or areas to improve, which is never truly the case
I think the first thing to note about Super Metroid, and one of its most beloved aspects, is its atmosphere and general aesthetics
It's often said that Metroid has a dark and foreboding atmosphere and nowhere is this more evident than in Super Metroid
This game's spritework is detailed, grotesque at times. Its locations dark, eerie, grimey, organic. The colors are dark yes, but not washed out, in fact I'd say the color pallette is rich just enough to keep the game from looking dull while not compromising the element of general creepiness and darkness
The music is booming, melodieìc, creepy, cavernous, everything in this game is meant to make you feel like you really are going deeper and deeper into the inner bowels of an alien planet
I especially love how the overall artstyle feels like an evolution of Metroid 1's: the old Tourian looks like an SNES upgrade from the original, as does the beginning of Brinstar and the returning enemies from that game, though of course guys like Ridley and Kraid have been given massive redesigns. It really drives home the idea that this is Metroid 1 but MORE, it tells you "hey remember this place on the NES 8 years ago? Yeah here it is now like you remember it but looking better than ever". It truly is SUPER Metroid. Just compare this with how Zero Mission just completely altered the artstyle for something much more stylized and cartoony
The beginning acts are just a masterclass in atmospheric setup: from Samus narrating the prologue while mostly encased in shadow while the game's unnerving theme plays, to the Ceres Colony being all dark and lifeless with only the low humming of machinery keeping you company, to how deserted and foreboding Crateria looks at first before springing to life. A true masterpiece
I mentioned before that no other game after the original trilogy managed to truly recapture this kind of atmosphere and I believe it's true: no other game feels this ominous, so foreboding, so cavernous, so....dark. All the other 2D games after this usually go for a more....generic kind of atmospheric feel, the kind that checks a box off a list
Fusion can be creepy and unsettling yes...but the actual areas themselves are pretty standard
Zero Mission barely even tries to feel atmospheric, mostly just being really energetic and adventurous
Samus Returns and Dread, again, are a bit generic in the atmosphere department, save for specific moments such as the EMMI zones.
The Prime games on the other hand are indeed very atmospheric, even more than Super, but they mostly go for a different kind of atmosphere than that of the OG trilogy, which is all fine of course
I think a good way to illustrate what I'm saying is to compare the various versions of the Theme of Super Metroid that have been made over the years: they're all good versions in their own right, but none manage to capture that sense of pure menace, of sheer foreboding that the original has, rather mostly focusing on the more upbeat parts of the track
To change the subject: poor Kraid. He was the toughest of the two main bosses in the original game but now, despite having received a literally colossal redesign and looking more menacing he's actually much easier now and has been reduced to "first boss bitch". Unfortunately for him this is only the start of his misfortunes :P
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bon-is-gone · 16 days
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https://www.tumblr.com/bon-is-gone/748757237890170880/fluttershy-so-yeah-i-made-mlp-infection-au?source=share
*perks up* found this trend a while ago and I loved seeing mlp infection aus...idk why but I think mlp horrors are the best horrors! Like human horrors make me feel uncomfortable but replace the humans with colorful ponies and I wanna see it! (My random guess is, not knowing if I'm right or not, because I'm scared of it being transmitted to humans?) Anyway, now I'm curious about it!
What are the stages? How did it begin? You planning to make a bunch of art for it? Write a story via comic or written or as I've seen some do...videos? Or just draw a bunch of ponies infected? Sorry if I'm pushy or nosey...just fluttershy went from 0-100 so fast in your pics of her and looked so good...she looked so cute before infection and terrifying after! You have a great artstyle! I just had to learn if this was a one hit-thing or if it will bloom into a story or something!
AGDHAGDHSGDHAGSHGA I STILL CANT GET USED TO THE FACT THAT PEOPLE LIKE MY STUFF AND IVE BEEN HERE FOR A YEAR NOW HDGAJGXISHDJ THANKYOUTHANKYOYTAHNKYOUTHANKYOU-
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Ah yes, my favorite subject
Dying ponies with rabies 😌
Imma try and answer all the questions amigo, however I'm writing this in 2 in the morning with a sh*t ton of adrenaline from the fact that you asked (I'm gonna have a heart attack oh lord) so do forgive me if I missed one-
Oh ehem-
Stages
So the sickness which I took for this au is Rabies! Which I think a lot if you might know what it is. Ofcourse, this is a more messed up type of rabbies. There's only 3 stages since the person transforms quickly(in a 1 day). 1st stage: after the pony gets bit by a subject with rabbies they start feeling weak, tired and nauseous. They also all of a sudden get scared of water 2nd stage: the ponies body starts to hurt, usually specific body parts feel the most pain (for example with fluttershy its her front hooves), which then start to get longer, stretching. 3rd stage the ponies body becomes disfigured, they become extremely aggressive and blood-thirsty, foam will start pouring out of their mouth and completely forget who they were before.
How did it begin?
Some chemist pony probably tried to find a cure for different types of sickness in the mlp world but instead made a potion for the missed up rabbies. He tested on some animals and one of them escaped. The animal got to fluttershy(because she's always with animals so she shall be the first victim) and bit her. The infection would continue on with twilight who wanted to go check up on her but instead got attacked.
You planning to make a bunch of art for it?
Oh buddy. OH BUDDY- I already nade some sketches of how twilight and Pinkie pie are before and after getting infected. I do want to draw some background ponies with those meters (you know those ones with like "hunger: 50%" or something) specifically this guy
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SILVER ZOOM 😎 I found him whilst browsing the mlp wiki for background ponies and omg I LOVE HIS DESIGN AJGDHSHDHWHDHDH
Also this fella
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Crystal earth gives me "I FELL INLOVE WITH AN EMO GIRL" vibes and I'm DIGGING IT
Write or make a story/comic/video? Or just draw a bunch of ponies infected?
I'm not a writer so hard pass on the story. Comic would LOVE to do that, however I'm not used to drawing ponies like, at all, So it takes me a really long time to get the look right(especially with all the different angles of the head, yikes). Now, the video? Hell f*cking yeah. I planned on making a video 100% doing it like people do on tiktok (or in my case youtube because I am not going to that wretched place, no offense to anyone who goes there) but never made it since I got sidetracked with other stuff lmao. So currently I will stick to just solely making art, but I will make a video about it no doubt. Complete story? Probably not.
Again thank you so much for asking! It makes me super happy when people ask me about my stuff or just opinions on anything. (I did not get held enough as a child God damn-) and no worries about being pushy! (You weren't honestly)
This was Bon, signing out
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Some thoughts about the new trailer!
below the cut
It's been so long... and finally... it's here!!!!
theories! theories first.
So, it seems like Homura might be doing her own version of the incubator pitch? (become a magical girl and all that) which would mean that she's been doing that part, presumably to keep things stable (to fight off the curses caused by her honestly still not ok soul gem so that madoka doesn't have to awaken perhaps?) I think that the new girl is going to be meant to show that- how things work in this new world, and why they maybe don't. (her outfit probably looks similar to homura's because homura made her a meguca, maybe?)
there's some telephone symbolism, but idk much about that kinda thing. the sounds for it are great though. I noticed that one of the voices over the phone was calling her "akuma-sama" (devil), and though this is absolutley a stretch i'm just going to connect that to my opinion that Homura isn't really a "devil", she just thinks of herself as one (because of guilt, going to catholic school, something something)
the voices on the phone also mention, multiple times, "bring hope". once again, something something madoka, the world is trying to set itself back to normal and Homura wants madkoa to not have to go back to being the law of cycles. the phone also says "release that girl" so yeah.
now! the designs! wow those're different!
I think sayaka's mummy wraps is because of what homura did at the end of rebellion- it's reminicent of the sayaka from the concept movie, so i'm going to assume that's what it is.
but all the other outfits are different too! Mami and Kyoko, the uniforms, everything! obviously, if it's all of this, then it's intentional, and it means something.
everything is almost, but not quite the same- if you saw a silouette, or from a distance, then you could maybe think it's the same, but not up close. the first thing this made me think of was like, the fading of memories? currently, this world is sustained by homura. but if her memory of some things starts getting a bit muddled, then would the things themselves change too? it could also be indicitive of a timeskip of some kind. maybe we'll see high school mami lol.
the last thing! as a tried and true magia record fan, I hope that this movie has nothing to do with it. I don't want it to be influenced by the game, connect to the story, none of it. one thing that i noticed though, was that the animation looks a lot like the artstyle of the magireco anime.
i'm... not really sure about this? mostly because some of the high-intensity action scenes from the magireco anime could get kind of hard to follow, which isn't a problem that the main series has ever really had all that much. it also looks kind of off in some scenes.
but! I'm going to give it the benefit of the doubt. the slightly off artstyle could be like the outfit chagnes- to show that something is wrong here, things are off.
also i love the crazy enviornments and "everything is 7 medaphors deep" artstyle of rebellion. glad to see it make a return!!!!!!! the music is also so good!!!
overall: I am excite!!!!!!!!!!!!!!!
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starrysharks · 8 months
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could you show a little bit of your art progression over the years? your style is absolutely magnificent btwbtw!!
sure ! i've done a similar post, but that was focused on shape language and didn't go over all of my art progression. i'll link it at the end of this post!
anyway, i started digital art around 7 years ago, but all of the art from that period is essentially lost. at that time, it was just deviantart bases and various furry/warrior cats fanart made in MS paint. while i'm not a fan of vivziepop anymore, she was a big inspiration at that time, as well as a handful of popular animation meme artists at the time. around 2019, i started making art in krita using a mouse. and later that year, i started making art in ibispaint (mostly skullgirls fanart). unfortunately, practically everything from before 2020 is lost because it was on reddit accounts that i had deleted out of cringe. don't delete your old art ever!!! i do have this piece though, made in 2020 on krita with a mouse. my main inspirations were invader zim and other cartoons.
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my artstyle took a lot of dips and turns around this time. i got back into anime, and it influenced my style in a way that i think made it really ugly and bad looking. i also refused to ever flip my canvas. i think this era actually held me back. here's an example.
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anyway, by 2021, i had gotten into more anime that influenced my style in a different way. i forget the exact ones, but i did watch a lot of stuff from trigger (like BNA and LWA) at the time, and also got into enstars which influenced my compositions a lot. it's also around the time that nova in her current "space astronaut bunny" concept was born. i started experimenting with backgrounds, color palletes, and colored lines, which was crucial. i look back at this era pretty fondly. though i still refused to flip my canvas :D
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by 2022, my artstyle looked like this -
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(this is actually from dec 2021 but like. it's still what my artstyle looked like)
i had played world's end club and rewatched panty and stocking, and it changed my brain chemistry. i decided that my artstyle would be "60% anime, 40% western cartoon", and despite some shortlived phases where i'd go for a slightly different style, i still kept it up. looking at least year's art summary, though, you can see that i broke away from that style for something more anime. and also, i hardly ever experimented with colors anymore because i was focused on character design. i'm gonna be real i think everything after july looks like absolute bootycheeks. i hate this weird single tiny dot reflection style i had going on it looks like dogwater.
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after 2022, my art was in a miserable transitional period where i had zero clue what direction i wanted to go in. but despite all that, this piece in particular is crucial. because i used halftones in the background. it's foreshadowing!!!
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i continued like this for a while, until the time where i decided to play around with shapes with those vocaloid big 8 drawings. people really liked the shapes that i used in that one, and i found them fun to draw. so i started exaggerating more, and after i rewatched panty and stocking for the 307492020506th time, as well as invader zim for the 2nd time, my cartoony roots came back.
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and then, when my art was already steadily improving, across the spiderverse dropped, and i watched it. funnily enough afterwards i had a big art block because i was just thinking, "you need to draw if you want to work on something as big as that! improve!!!!" which kind of held me back. but after all that, i decided to take a note out of ATSV (and comic books in general)'s book and start using halftones in my work. as well as that, i started focusing on lineart way more, and tried to play around with lineweight. which brings us to present day, where my latest art pieces look like this :
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i still think that my artstyle needs a lot of work. even these pieces have issues when it comes to symmetry, values, and the like. but nowadays, though my art takes far longer now (as i've abandoned special pens and just do lineart with the hard dip pen in a kind of tedious way), i'm having more fun with it than i have in years. i think halftones fit my artstyle really well, and they're a unique way to "fill up" areas. now that i pay attention to lineart, i think it makes my art feel 'fuller', at least with more depth. did i mention my inspirations for this current 'phase' of my art? :0 i've been playing a lot of muse dash lately, and my pinterest boards are always full of stuff from TWEWY and megaman. there's far more than that, but in short, i want a sharp and striking style with bright colors. i know that you said a little bit of my progression and i basically dropped a whole essay 😭 ,,, but i really like talking about art in general even if i'm not very good at it. i hope this was interesting at the very least! here's the other post also:
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