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super-paper · 6 months

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Truly Yours: A Defense of "Iron Might"

"My dear, In the midst of hate, I found within me an invincible love. In the midst of tears, I found within me an invincible smile. In the midst of chaos, I found within me an invincible calm. I realized, through it all, that… In the midst of winter, I found there was, within me, an invincible summer. And that makes me happy. For it says that no matter how hard the world pushes against me, within me, there’s something stronger – something better – pushing right back "

Disclaimer: The above quote is famously misattributed to Camus-- who seemingly only wrote the midst of winter/invincible summer portion of the original piece-- and the author of the expanded quote remains unknown. Nevertheless, it fits Toshi's character perfectly.

Iron Might remains a polarizing love-or-hate-it topic within the fandom, with many fans expressing their concerns that it ruins Toshinori's character/arc. It's no secret that I fall pretty firmly on the "love" side of camp-- and as is the case with all things I love, I can't love quietly or in moderation. So here's another really really really long post on all the reasons why I love it, and why I don't feel that this was character assassination in the slightest.

Breaking the key points down, I aim to discuss:

A) How Iron Might acts as a sort of resolution to Toshi's complex relationship with his body and injuries, and reconciles the divide between Toshinori's body and soul.

B) How Iron Might embodies MHA's definition of "love" and acts as a love letter to everything Toshinori wants to protect and everything he's ever wanted to protect. Iron Might is not meant to be read as a suicide mission, but as Toshinori weaponizing the joy of living as "Yagi Toshinori" and pitting the weight of his entire existence against AFO.

C) How Iron Might further cements MHA as "meta-fiction" through discussion of what being "quirkless" means on a narrative level + the dismantling of popular but overdone tropes that people have come to expect in comics. Toshi is also fighting for his right to exist in a battle manga against a toxic comic nerd who thinks that Toshi's role ended in Kamino and that he contributes more to the story by dying.

D) How Iron Might functions as a narrative device (i.e. It gets Toshinori to Izuku and Tomura). This is the battlefield where Toshi's character was always destined to end up because this is where all his unfinished business is at. Simple as!

"The body and mind are two halves of a whole" Iron Might as Toshinori coming to terms with his injuries and his body:

Kicking things off with this point bc I feel like... understanding how Toshi's relationship and struggles with his own body have been a major part of his character arc is something that's, like, absolutely essential when it comes to getting an accurate read on what Iron Might means to Toshi's character. Iron Might ultimately functions as a reconciliation between Toshinori's wounded body and heroic soul, so it's a bit sad to see people repeatedly dismissing it as "ruining Toshinori's character arc" without ever taking Toshi's relationship with his own body into consideration. Like, this is not some "insignificant" part of his arc that's being prioritized over everything else:

A collection of very relevant panels! Side note: Tsukauchi fumbling the toshibowl so hard that Toshi's car seems like the better romantic choice in comparison will never stop being funny. Aiba ur the only person in that control room i respect btw.

For the longest time Toshinori has viewed his emaciated, ill body as something pathetic and shameful. His body was something he felt that he *had* to hide from the world, in order to maintain the illusion of being a hero who could never possibly succumb to evil. His injuries and the state of his body cleaved his identity/self-perception in two-- he begins the series treating his actual body as the "secret identity" instead of his authentic self. The story doesn't spoonfeed this to the readers because it expects its readers to have enough empathy to put two-and-two together on their own-- That Toshi doesn't simply struggle with the loss of OFA & "All Might/heroism" in the aftermath of Kamino, but also the loss of what he felt was his "true" body.

Toshinori is very easily read as someone who suffers from intense body dysmorphia-- and him forcibly changing himself back into his muscular form over and over again can also quite easily be read as Toshi attempting to cling to whatever time he has left with the body that doesn't make him feel like a stranger in his own skin. It's him holding onto the self he views as "actually him" for as long as he can.

Toshi's arc is something that resonates with a lot of people who have disabilities or suffer from dysphoria-- So it's frustrating when some fans decide to take the least gracious interpretation of his character and issues and run with it, instead attempting to frame Toshi as some washed up attention seeker who ~simply can't let go of his glory days~. Toshi's character has been hit with a lot of ableism both in-universe and out of it, with the fandom only really acknowledging that he's a disabled man when it conveniences them and otherwise disregarding how this aspect of him plays a major role in his arc.

Iron Might is built to specifically resemble Toshi's "ideal" body-- to the bitter cynics, this supports their idea that Toshi is unable to let go of "All Might" and hasn't learned to value himself or his life as Yagi Toshinori. To those who understand what Toshi's been going through and understand that his arc was never *just* about "living," though, it's a different story altogether. So much of Iron Might symbolizes Toshinori coming to terms with the fact that he is a disabled man, accepting that there was never anything shameful about this, accepting that it never needed to be "hidden away" for him to be a hero-- and ultimately, accepting that his body is 100% him and an undeniable aspect of what makes him a hero, no matter how injured.

"Who's that skinny guy?" KID, LET ME TELL YOU A STORY.

There is a noticeable shift in Toshi's relationship with his body during Act 3-- We go from practically begging that Toshi's true form not be exposed to the public during Kamino, to Toshi encouraging that this fight be broadcast to the world. In the aftermath of Kamino and after losing the last embers of OFA, we still see Toshi forcibly shifting into his muscle form multiple times whenever he wants to "reassure" others, even though this process obviously hurts him:

The implications behind this are obvious: Toshi is not coping with the loss of his body as well as he lets on, and all those implications finally come to a painful head during the dark hero arc.

During his meeting with Stain, Stain outright refuses to recognize Toshi's "Muscle form" as "All Might" and instead makes it clear that it was Toshi's heroic soul that earned him the right to call himself a "true hero"--and that this "soul" still exists in everyone Toshi has ever saved. It never went away. The embers of OFA might have vanished, but the flames of Toshi's own heroism remain all around him-- they keep him warm and allow him to keep shining.

Toshi begins to accept his own body for the first time after his meeting with Stain-- we see him starting to reassure his friends as his authentic self instead of scrambling to shift back into his muscle form. During his last stand against AFO, he boldly shows the world his injured back, and wordlessly asks that they still express their faith in it and feel protected by it. His injuries are a part of him and his lived reality, and they're part of what makes him a human.

"--Because a hero's back exists to reassure others!"

Toshinori's body itself is ultimately included among his blessings that he weaponizes against AFO: his bonds, his origin, and his body-- no matter how badly injured it may be-- are all what defines him as a hero. Even if his back is no longer "broad," it will always be something that reminds others that "he is here."

During this fight, Toshinori reconciles his fractured identity by finally embracing all the aspects of himself that he'd previously grown distant from. Reflecting on the life he's led as Yagi Toshinori-- the life he led before he ever became "All Might" and the life he led after receiving his injuries and losing OFA-- is what gives him the strength to laugh in AFO's face, and it's what causes the light to finally return to his eyes. In the midst of a battle between life and death, we witness Toshinori being reborn.

He fully embraces his humanity during this fight, and then weaponizes that humanity against AFO (and considering AFO's character/how AFO is constantly attempting to escape his own humanity... it's pr delightful to see him getting his shit wrecked by another "god" who fell to earth and was forced to live his as a mortal, but ultimately realized that he loved it).

The battle ends with "All Might's" iconic shading now being used for Toshi's true form-- symbolizing the reconciliation between Toshi's heroic soul and his wounded but nevertheless heroic body.

As an aside: I also feel the context surrounding Iron Might/Toshi's body touches on MHA's theme of "consent versus nonconsent" as something that separates true heroes from true villains (starting from AFO forcing a quirk on Yoichi, cumulating with Toshi offering Izuku OFA and later making it clear that the quirk requires Izuku's explicit consent to be passed on-- OFA being born from an act of utter violation and then turned into something that explicitly requires consent always been one of my favorite aspects of MHA's lore, but I digress). During Kamino, AFO forcibly exposed Toshi's body to the world in an effort to completely humiliate him and destroy the public's image of him. Now, Toshi taking his power back and exposing his true form to the world entirely on his own terms.

"All that I've been blessed with will bear its weight against you!"-- or, Iron Might as a love letter.

I've talked on this point a lot bc it's what enamored me immediately with this fight (which is really about the depth of Toshinori's love and the love others have for him and his willingness to BE loved by others -versus- a man who takes advantage of the love others have for him and is utterly unable to leave his fragile heart at the mercy of others out of fear of ppl perceiving him), so I'll try to keep it brief:

Iron Might embodies the essence of how MHA defines love (love is admiration, love is imitation, love is seeing/watching, etc) while also acting as Toshinori's love letter to everything he wants to protect (himself and his life as "Yagi Toshinori" included). It also embodies the essence of how MHA defines true heroism (those who have been blessed should use their blessings for those who have not been blessed, those who can still act must act, etc etc etc ).

Toshi would not have been able to pull off Class 1A's moves or found the best way to integrate them into a cohesive fighting style without love as imitation/watching/admiration. (again, versus AFO, who at this point just randomly fires off powerful quirks without any actual respect for how the quirks work or how they can support each other, & who doesn't admire his own student beyond his capacity for rage).

This battle is a celebration of the bonds Toshi has allowed himself to form. It's him using everything he's ever been given and everything he's ever been blessed with to fight against a man who only knows how to take things away. Toshi has learned that OFA was never what made him a hero, that he can live without OFA-- and he's pitting the weight of that life against a man who is convinced that OFA is everything, who can't move on from it, and who has built his entire existence around getting it back. AFO wins the physical battle, sure, but Toshi remains the clear winner in the war of existences.

"This story is still being written, Toshinori."

Another aside: Names are everything in MHA, and that's especially true in the final act. MHA treats names like incantations, and “Do your best, Toshinori!” is the magic spell Toshi is using to motivate himself. Hori frequently uses how a person chooses to refer to themselves during key scenes as a way of emphasizing a person's mental state. From this, we can deduce that Toshi doesn't view this fight as All Might vs. AFO-- he views this fight as Toshinori vs. AFO.

Toshinori has weaponized his blessings and bonds and is now hitting back at AFO with the full weight of his complete existence. In this fight, he carves the joy of living-- of being Yagi Toshinori-- into AFO's barren, empty soul. Every scene he flashes back to is a scene of the life he has lived as Toshinori, not as All Might. This fight, just like the rest of the war, is all about "love" in all its various forms. AFO's abuse of love (both of his own deeply hidden love and of the love others have for him) is why he cannot win in a war where love is the essential element-- love is what keeps motivating everyone in this war to keep getting up, to keep struggling, to keep reaching out, etc etc etc.

Moving on.

"I'm quirkless. Born without a role." or, Iron Might as an act of defiance against both the narrative and the expectations of the 'battle manga' genre.

MHA being an example of stealth meta-fiction is something I've talked about before, particularly so with these two posts (plus... basically any post about our favorite cringefail LARPer, AFO).

Horikoshi takes full advantage of the medium/the fact that MHA is a manga and uses every tool that's available to both tell and enhance the story, and these chapters have cemented him as someone who has mastered his craft-- The decision to draw Toshi's true self with thick/bold lines after his armor breaks, the dark shadows finally leaving his eyes, Toshi consistently referring to himself by his own name instead of his hero name, the chapter titles, the backgrounds, etc etc etc all of it. Absolutely everything has meaning.

Through Iron Might, we once again delve into how the series chooses to define "quirklessness"-- the idea that quirklessness is meant to be a disability allegory gets more or less debunked (thankfully, since MHA already has a fairly good track record with depicting ACTUAL mental and physical illnesses/disabilities), with the narrative instead framing the possession of a quirk as something that determines what "role" a person gets in life. The implication being that not having a quirk means you don't get a role, period. You don't get to shine brightly on stage, you don't even get to be an "extra." This fits into the previously established idea that society's biases against "villainous quirks" basically railroad a lot of people onto the path of villainy (plus, the treatment of heroes/villains as fictional characters by the masses instead of viewing them as actual people). But, quirks are just quirks-- they're neither good or evil, and they aren't what determine whether a person is a hero or a villain. And as such, having or not having a quirk isn't what determines whether or not someone is truly a hero.

Toshinori is now defying the narrative that states that not having a quirk means you don't get a role. At the same time, he stands up against AFO-- our resident toxic comic book fanboy who sincerely believes Toshi should have picked Kamino as the best time to "bow out" (read: die) as a character-- who spews all sorts of vile things about the state of Toshi's body and how this is the primary reason why Toshi has no place in the story. The satire practically writes itself.

Like so many other characters, Toshinori uses the "role" of All Might as a coping mechanism for much of the series. As already stated, there is a disconnect between Toshinori's body and his soul--Toshi begins to use All Might as a mask to hide his feelings, his fears, and his humanity from the rest of the world. The series draws attention to the fact that the people forgot about the heart and soul--that is, the person-- behind All Might and started treating him like a character instead of a real person, and it's made clear that Toshinori forgot, too.

AFO is still trying to hide his true self in the role of the demon king, but Toshinori is no longer trying to hide himself behind All Might. AFO thinks Toshinori should have died in Kamino because that's where his "role" as a "character" ended, but Toshinori refuses that end. Both men find their origins in fiction (AFO from captain hero, Toshinori from Anpanman) but only Toshi has managed to reconcile his identity, break free of the story, and meet AFO head on as a human instead of a character. AFO is still hiding and refusing to engage with this story as a real person.

Toshi's overshadowed eyes are also heavily implied to be a side effect of him completely losing himself in the role of "All Might," rather than merely being the result of the injury he got from AFO-- we see that his eyes were already overshadowed long before he ever received his fateful injury, and the emphasis on shadowed eyes is also a design quirk that ties him to AFO (whose eyes were constantly hidden by shadows bc he was constantly LARPing as a demon lord instead of being authentic-- To drive this bit of visual story telling home, Hori emphasizes AFO's eyes whenever the "demon king" mask starts to slip and we start seeing peeks of what an utter sad sap of a person AFO is beneath the mask). It's a clever bit of show-don't-tell and another testament to Hori's art direction. Eyes are forever the window to the heart and soul in MHA, and Toshi reconnecting with his heart and soul-- with what defines him as a person-- is what finally causes the light to return to his eyes. The mask is fully off.

"Midoriya Izuku and Yagi Toshinori ~ Midoriya Izuku and Shigaraki Tomura ~ Shigaraki Tomura and....?"-- Or, Iron Might as a Narrative Tool.

(reminds u that the pivotal/trajectory changing chapters known as 304 and 305 were titled "Midoriya Izuku and Yagi Toshinori" and "Midoriya Izuku and Tomura Shigaraki". These three are the key!)

Changing gears for a sec and speaking purely from a writer's perspective: Iron Might simply couldn't have been included at Gunga and Toshi simply couldn't have remained locked up in a surveillance room for the entirety of the final battle-- because Toshinori's final destination as a character was always supposed to be the Izuku and Tomura fight. That's where his role as a character was always supposed to reach fruition and find his resolution:

"--I want to save that little boy!"

Aura!Might shedding tears when he realizes that Izuku wants to save Tomura and that Izuku has redefined OFA as something that exists to save is one of those underrated character moments that deserves more attention, because it's like. Everything. One of the most important scenes in the series by a large margin.

Izuku's declaration tells us everything we need to know about the trajectory of the series. Aura!Might crying in response to that declaration gives us everything we need to anticipate where his character is heading and to understand why Toshi's arc isn't over until he finally reconciles his business/regrets with Tomura & OFA/Nana.

it's heavily implied that real!Toshi was crying, too, after he felt what vestige!Izuku said. His eyes are hidden, but we see him briefly wiping his tears away. (and this is one of the many things I love about MHA-- there are so many lovely little details that add so much to the story. You just gotta be willing to look for them.)

Anyway! This point really speaks for itself, so I won't get into it too much: Tomura/Izuku's battlefield is where Toshi was always supposed to end up-- it's where he obviously needs to be to wrap up the loose strings in his arc, hear Izuku's "I am here" moment, and "change fate" by Izuku's side (not necessarily just his own fate, but also Tomura's). Iron Might is just a way that gets Toshi from point A to Point B while allowing Toshinori's character to shine as brightly as possible.

TL;DR The stage is finally set, the main characters have finally assembled, and now we get to see how the grand finale plays out.

-- -- -- -- --

In summation: Iron Might is sappy, sentimental, and fueled entirely by heart rather than logic-- and it's everything I love about this series.

#my hero academia #yagi toshinori #mha.txt #long post

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