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#toby and vinny
rats-for-you-and-me · 2 years
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I miss you so much Toe Beans. I wish I had more time with you. You will forever me my best boy. I love you Toby.
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littleproxy · 25 days
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whatisr3alityy · 9 months
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making my own version of emh bc of the recent shit, i do not support jeff koval !!!
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new names for some of the main guys , bc i said so bc i like the characters but dont vibe w uh, ya know
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jupyyter · 11 months
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LADIES, GENTLEMEN AND ALL OUT AND IN BETWEEN LET’S SAY A MASSIVE FUCKING HAPPY 13TH BIRTHDAY TO SLENDERMAN
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rolandrockover · 4 months
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Reprise Vol. 1 - Master & Slave
I think it's no big secret that Paul doesn't have much good to say about Kiss' Carnival of Souls. To put it mildly. Or he simply does everything imaginable to at least create such impressions whenever this album title should rarely enough become the subject of an interview question. Of course, he's welcome to do as he pleases, but personally, from my humble perspective, I think it's a bit of a shame, because I can also remember times when he spoke a tiny bit differently about it.
For example, I can still remember the time when the subject of a reunion was still treated as fictitious, and it wasn't on anyone's horizon, least of all Paul's and Gene's. That was back in 1994/95, when Kiss' laudable motto of perseverance and giving their best was for a change increasingly emphasized in their new music.
I still remember very well that regular little Kiss feature in the German Rock Hard magazine, which was supervised by their Kiss Die-Hard (0), and from whom one got the vivid impression that he regularly got a certain insight into the world of our favorite band. I think it must have been February or March 1995 when Paul and Gene (1), but also Eric Singer (2), apparently got in touch with the interviewer directly from the rehearsal room in a telephone interview and Paul confidently said, not without his usual side-swipe at Gene, that his songs were much more melodious and heavier than Gene's. There was a certain pride in that. At some point later he even went so far as to claim that the new album was the best and heaviest since Creatures of the Night.
Oh my! What I mean, since that's a rather thoughtful and equally rare tribute to their own music, which was previously only outspoken to give a very special shine to the indeed excellent Revenge, and the return to form associated with it. And I must add to this Paul seemed quite proud of Revenge in 1992 regardless of how hard he had contributed to the previous albums in the 80's anyway. But who knows, once again, it was probably just the latest sensationalization of the upcoming album (3). Promotion is a double-edged sword, but to wipe Revenge away so succinctly because of it, I really don't know. But maybe and probably because it wouldn't have sounded so good to say their new album was the best since... their last one.
But to get my act together and to at least briefly talk directly about Master & Slave in this context.
So, as I already mentioned in my original entry, Master & Slave had the working title: Paul's Riff. In my perception, this suggests pride and respect, not necessarily from Paul himself, but clearly from his band environment. And the fact that such a meagre, yet all-saying no-name was chosen as accepted as a working title, if not even honored from everybody involved clearly speaks for itself.
And because this is a reprise, I'll simply feature an excerpt from my original text about what I see in this song:
"What begins in Not For the Innocent with a few approaching, ominous tones, continues in Unholy as a small extension in a slightly different pitch, and a much more compact back and forth oscillation of these tones, which thereby does not form the entire riff, but only a complementary part of it. In Master & Slave the whole thing gains in drasticness, and the motif is doubled to a lower pitch, added to the previous one to secure its terrain, only to turn into a Black Sabbath motif a la After All. An endlessly repeating highly dynamic acrobatic feat in loud and quiet/guitar and bass contrast."
When writing Master & Slave, Paul must have thought to himself: Ok Gene, a dark album full of Unholys shall it be? This time I'll listen to you, then you shall get Unholy. Which must have stimulated his ambition to try to outdo Gene in terms of Unholy by more than a small margin. I think the result shows in all strength what the right ambition can achieve.
"To conjure up this wet dream of riff Paul must have really tried hard and done his very best to achieve such a result - regardless of what he claims about Carnival of Souls as a whole today."
It is a real pity that he no longer stands by it. Gene and, above all, Bruce (4) seem to have fewer problems with this.
Side Notes:
(0) Jan Jaedike.
(1) Gene emphasized the psychedelic component and compared Carnival of Souls to the Rolling Stones' Satanic Majesties Request (1967) (5) , and that they couldn't explain either why it sounded different from the previous album.
(2) Eric said the album was super heavy and exactly the kind of music he wanted to play. I love to mention this because he had also clearly distanced himself from Carnival of Souls over the past few years. Klassik.
(3) Can anyone still remember how they loud-mouthedly advertised Crazy Nights as a mixture of Animalize and Destroyer back then? There's even a Youtube video of it, but don't ask me where. Anyway, that was still was something different.
(4) Or the last of the Mohicans, as I like to call him.
(5) Hmm, which Stones album did Ace's cover of 2000 Man actually come from?
Master & Slave starts from the beginning. Unholy and Not For The Innocent are highlighted. Turn up the volume and open your ears, I assume no liability:
Master & Slave (1997)
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Unholy (1992)
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Not For The Innocent (1983)
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I'll add After All by Black Sabbath on top.
After All (1992)
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beardedfunprince · 4 months
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sp1tballz · 1 year
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MORE SLENDERVERSE REQS!!!
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leathermouthproxies · 9 months
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Toby on the right tim on the left btw.
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anoncausewhynot · 2 years
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✧Masterlist✧
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Request navigation can be found here
Characters i write/draw for can be found here
dni list
Creepypasta masterlist
Marble hornets masterlist
Stories with all of them
EveryManHybrid masterlist
Undertale masterlist
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nvrcmplt · 2 years
Video
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prettygoodnames · 8 months
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Cottagecore name ideas!
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Ivy
Ember 
Velvet 
Winter 
Cassette 
Blossom 
Sunny 
Willow 
Fallon
Poppy
Finnis 
Archie 
Edgar 
Micah
Lilac 
Skye 
Lark 
Lavender 
Charlie 
Sparrow 
August 
Prim 
Levi 
Milo 
Melian
Atlas 
Ambrose
Jonah 
Quinn
Wells
Taylor 
Spencer 
Tethan 
Stevie 
Ivory 
Newt 
Lavender 
Honey  
Cedar 
Aspen
Chip
Cookie 
Beans 
Scribbles 
Rosalie 
Marigold 
Nikko 
Felix 
Casper 
Cassian 
Artemis 
Bug 
Moth 
Thistle 
Nellie 
Gaia 
Zephyr 
Styx
Toby 
Hazel 
Everett 
Orion 
Navy 
Rosemary
Elodie 
Prim(rose) 
Thatcher
Dahlia 
Vinny 
Toadstool 
Pixie 
Otto 
Wisteria 
Emery 
~ Basil
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littleproxy · 25 days
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the last thing my mutuals see after I finish booping them
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Viola is a gifted soccer player who's school has just cut girl's sports. When her twin brother Sebastian decides to go to London to chase a gig, Viola decides to enroll in his new school as her brother. "His" roommate Duke is both a complete hottie and the captain of the soccer team. In order to score a place on the team "Sebastian" agrees to help Duke get with his crush Olivia. However Olivia is totally gone for "Sebastian"! Shenanigans ensue as the difference between girls and guys in both love and sports is explored.
This is a hilarious and irreverent take on Twelfth Night starring Amanda Bynes and Channing Tatum. It's incredibly quotable, tons of fun, and a great modern adaptation.
Shirtless Channing Tatum. Positive messages about masculinity! Very quotable. Random acting part for Vinnie Jones. Amanda Bynes at her comedy peak! The shoehorning in of a Shakespeare quote at the end from a play that isn't twelfth night! Peak 2000s romcom
A high school take on the Malvolio Gulling subplot. Sixteen-year-old Marshall Gardner is 1) straight-laced, 2) exacting, 3) judgemental, and 4) perfectionistic. And below the surface, kept hidden from the rest of the world, he’s 5) controlled by his obsessions and compulsions, 6) fixated on the number twelve, 7) hopelessly in love with his best (only) friend, and 8) horrendously imperfect. He’s also 9) universally disliked, 10) the self-made enemy of the former GSA president, 11) just a little too easy to trick, and 12) in trouble.
This book is sooooo fucking good it’s my comfort read!!! Max asks the brave brave question of what if twelfth night was about a high schooler who i want to squeeze like a stress ball and it makes me feel insane. 12/10 book of all fucking time please read it
THIS STORY FUCKS. extremely hard. i read it before i even read twelfth night and let me tell you it works just as well as a stand-alone story as a retelling. it uses the subplot of twelfth night revolving around the servants (which deserves more attention, as a side note) to explore gender and neurodivergence and the inherent horror of being sixteen and it executes every theme extremely well. if you have maybe half an hour to spare honestly sit down and read the whole thing right now. it's so good. sir toby is a lesbian. what more could you want
read the whole thing here
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sullymylittlemeowy · 22 days
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My creepypasta/slenderverse sexualities headcanons
Creepypasta :
Jeff tk - aroace
Jane tk - lesbian
Nina tk - pan
BEN - straight ally
EJ - bi
Ticci toby - bi
Clockwork - pan
LJ - omni
L Jill - bi
Liu - bi
Sully - pan
Helen Otis/bl00dy painter - aroace
Puppeteer - Bi
Marble Hornets :
Masky/Tim - gay
Hoodie/Brian - bi
Everymanhybrid :
Evan - bi
Vinnie - straight ally
Jeff - straight ally
HABIT - aroace
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goddessswan · 10 days
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  ﹒ ♡ ⊹ 🐬 𓂃 ﹒ ◞
  🩵 cutemasc ⸝⸝ names ₊ 
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  ╭ 🌀  ✦ names ﹒
  ╰   ♡ archie apollo ace axl ash arlo benny basil brady brooks beckett brody blu buck bowie clyde chase caleb cain colin cody colby cyrus dorian danny edi / eddie elvin eli emmett everett finn finley felix fiero grey / gray hugo harry ivan ian ivo jack jax(on) jaz jett knox kian liam leo louie myles manny nick ollie otis olaf owen percy peter quince(y) rhys ricky robbie rex silas teddy toby troy theo vinny xeno ﹒
◌    ❜   request by: @k9shark  𓈒
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jumping-joey1104 · 16 days
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Have the regular proxies (Toby, Kate, Masky, etc.) ever met the Collective?
Oooooohhh I’ve been thinking of this one a lot
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Considering that within my little bubble with Creepypasta and the Slenderverse being that they're two different dimensions I would say that it would be nearly impossible for the proxies to meet the collective.
A blunt explanation is Marble hornets exist in the world of Creepypasta while Slenderverse is a separate world.
However, Stick in the Mud isn't the only one that can jump between dimensions. We've seen beings like Rake, Firebrand, and Habit have the ability to do this. So I would say that the Proxies have met at least a few of them.
Habit is a definite visitor of the CRP world, the chaos of demons walking around along with ghost children and horrible law enforcement. This man travels there constantly, usually under Slenderman’s nose. He’s rubbed elbows with the proxies on occasion, although it's painfully clear he's not welcomed.
He constantly messes with the proxies when he can, taking a liking to Tim in specific because he’s similar to Vinnie in a way. Although sometimes he does turn to Toby to mess with the dude. After one visit from Habit, Toby picked up a tic of saying Jeff-Kabob and the rest can't figure out what he means.
Tim hates Habit with a passion because of this.
Firebrand and Observer on the other hand are more welcomed than Habit. The Proxies understand that there are different dimensions that Slenderman can travel to. So it doesn't surprise them when two demigods come to visit randomly.
What they don’t understand is the difference between them. Both groups are under Slender’s control, yes… but wildly different at the same time. Neither are exactly “human” anymore but there’s still an obvious difference between them.
I’d say Observer oddly gets along with Brian, something about the guy just seems similar. While Firebrand usually keeps his distance from the group, not wanting nor liking the idea of the two dimensions interacting.
Patrick on the other hand is much more of a common sight than the rest of them, however. Given how he’s directly the closest we have to a human proxy in the Slenderverse, with him providing food for Slender over and over in his iterations.
So he’s more likely to be seen with the proxies and being much more one on one with them.
All in all, there are big differences between the Slenderverse and Creepypasta. Especially the fact reiterations and Demigods are common in one while man-eating demons and satan himself in the other. It’s a bit of a culture shock.
The proxies in CRPverse can also go to the Slenderverse, but it’s a rarity considering there’s only one copy of them. If the proxies die there is no reiteration or respawn, that’s it. With this risk in mind they stay in their dimension. They’ve dealt with worse than a random short man with a machete and another in suspenders, just wait till they find out about the rake cults.
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