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#to me she’s the only option
turtleblogatlast · 1 month
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Man “Battle Nexus: New York” was a great episode but I do have one major gripe with it.
Like. Raph being paired up with Ghostbear? Makes sense. Works great. Works amazing, even.
Mikey being paired up with Meatsweats? Yeah that checks out!!
Donnie getting…Hypno…? I mean. I guess Donnie doesn’t like magic so it kindaaa works but Kendra would have been a much better choice to me personally. Maybe Big Mama didn’t wanna include a human or something…
And Leo getting…uh…one of the Sando Brothers???? Of all villains? Nah let’s be real, his main villain is more Big Mama herself (or Leo could be considered his own worst enemy lmao-). Hell Hypno would have probably worked better here considering their shared love for magic tricks and stuff, but Carl Sando????
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kaladinkholins · 5 months
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Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.
So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.
DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.
Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.
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But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."
In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.
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When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.
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So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.
Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.
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And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."
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But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.
He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.
*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.
Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.
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Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.
Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."
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This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.
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Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:
"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."
(no screenshot because it's quite a long line but you get it)
Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.
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Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.
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But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.
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Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:
"I thought you had to be something special. Your face isn't even so scary. You're just... angry."
At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")
The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.
That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.
By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.
Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.
But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.
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"I want to be great."
This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.
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NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.
First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:
Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;
Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.
These are thus two directly contrasting, diverging journeys:
Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.
Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.
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Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.
Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.
Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.
In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.
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Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.
(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)
And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.
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Let's talk about Option A: Akemi.
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As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.
Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.
With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.
Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!
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Then, of course, we have Option B: Taigen.
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Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.
Therefore, Taigen has very few options here.
And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.
Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.
Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.
While Akemi is red and Mizu is blue, Taigen is green.
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Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.
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Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.
By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.
It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.
Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.
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The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.
Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.
But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.
Or hey, maybe they could both make their own dojo together! I don't know.
(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)
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Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.
In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.
Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.
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And finally, there's Option D: Polyamory.
This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!
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AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)
Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.
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So here’s the thing
24 Aug: Lucy journals that she is dreaming and weak again, and it's noticeable enough for Arthur to worry 25 Aug: Lucy heard flapping at the window, had bad dreams, and wakes pale and with a sore throat (clearly was attacked that night) 30 Aug: Lucy responds to Mina’s letter about her wedding, says she is healthy, full of life, and no longer sleepwalking: “I think I have not stirred out of my bed for a week” 31 Aug: Arthur is so worried about Lucy that he asks Seward to come check on her. He says “she looks awful, and is getting worse every day.”
So options are: 1. Lucy was getting better but Dracula attacked again the night of Aug 30th (which is possible, it���s been five days since the last known attack, but Arthur’s description of her illness doesn’t sound like a sudden change) 2. Lucy was lying to Mina so as not to worry her, especially in her own time of happiness (which is pretty consistent with what we’ve seen so far)
I think both options can work and honestly both are sad. Finally hopeful and looking forward to a happy future only for a sudden change for the worse, or more of the suffocating propriety and emotional secrecy leading Lucy to isolate herself even more. There is one cool thing that comes of it though, which is that Arthur sees through it all, pushes past her reluctance to care for herself, and makes sure something is done about her illness. I just think it's really sweet that Lucy, who prides herself in being hard to read (especially by someone like Seward who kinda does it for a living) and literally practices hiding her emotions in the mirror, is in love with and being cared for by the man who sees and accepts all of her.
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I said I wasn't going to get started on the topic of Aveline ruining Carver's chances with the guard but I lied okay, it's Carver Hawke defense hours.
Here's the thing; it doesn't matter if you believe Carver was or wasn't fit for the guard. That's a different debate that I'll get to. What matters is Aveline's in no position to tell the guard not to accept his application. Why does she think that's her right to judge whether or not he's fit?
Carver should've had the chance to prove himself one way or another. If it turns out he's not a good fit, then let him fail. Let him learn from it.
"Oh but failure could mean lost lives-"
Aveline doesn't get to talk shit about failure and the people. Plenty have died on her watch yet she still believes she's a good guard and Guard-Captain.
"maybe Aveline's protecting him, Carver could die while on patrol-"
Carver could die working in the Bone Pit, or serving as a templar, or when he's running around with Hawke. Carver could trip and fall down a set of stairs and die. In fact, he can die in the Deep Roads, somewhere he wouldn't have to go if the Hawke's weren't desperate.
Either Carver fails as a guard, or more likely, he succeeds and proves himself worthy of it.
But let's be real, Carver probably kept getting rejected due to being a Fereldan with a past of smuggling/mercenary work and Aveline only reaffirmed the decision, either because they asked her what she thought or she stuck her nose in unprompted.
But what irritates me is that she admits to telling them not to accept his application, and then has the balls to call Carver too proud to take up a trade or find another line of work.
Carver tells her, "And who would take on a Fereldan apprentice? Maybe in another year I could work my way up to pissboy." He has a good point here. Aside from the guard, the only other place Carver could work and use his skillset is with the Templars. Or go back to mercenary/smuggling work.
And Aveline doesn't even have a real answer for him. No suggestions, no encouragement, nothing. Just "Fine, let's crawl down some holes. Good bloody luck for your sake."
Also, if you do the Mark of the Assassin DLC in Act 1-
Aveline: You should see if any of the noblemen are looking for new men-at-arms. Carver: Are you trying to get rid of me? Aveline: It's a role with some autonomy. A good fit with your training and... tendencies. Carver: After serving King Cailan? You want me to suffer some poncy git who needs two servants to wipe his own ass? I'll find my own way, thanks. Aveline: I wish you would.
You wish he would?? Aveline, he was trying to find his way into the guard, a position he'd make a good fit for, and you helped deny him of it because YOU didn't think he would be good enough, I just-
If I haven't made it clear yet, I firmly believe that Carver would've made a great guard. He wants to help people, to be a protector. He's loyal, and despite what Aveline claims, he can follow orders and take his duty seriously. We see him do incredibly well with the Grey Wardens, after all. If he were a guard, he wouldn't have to go down into the Deep Roads with Hawke, and I think he would've been okay with that! He's so hurt and bitter when you leave him behind because that effectively tells him, "I don't need you." Carver's spent the whole first act telling you he wants to go on the expedition aka that he wants to be needed.
But if he were a guard, he would be needed elsewhere. He'd be in training as a recruit. He'd look after Leandra while you go. He wouldn't be backed into a corner with no income and only the templars left as his chance at forging his own path and providing for his family.
He doesn't get that opportunity, though.
By the way, if he becomes a warden, you can get this banter:
Aveline: I'm glad you found a place with the Wardens. Carver: Well, it's not the city guard, but it'll do. Aveline: Carver... it wasn't the place for you. Carver: No, it's all right. It is. It cost a lot, but I get it. I really was a bit of a tit those days, wasn't I? Aveline: Well...
This banter makes me want to scream.
Aveline's just... she's so insistent that she's right. She's someone who will double down rather than entertain the idea that she's wrong and it's not just with Carver and the guard, it's with everything. The "my beef with Aveline" list gets longer and longer every time I replay da2, I swear.
Say what you will about Carver, whether you think he would've been a good fit or if Aveline's right and it wasn't for him, he was denied a chance and it cost him so much in the end. He either dies, or he joins the templars where he deals with Chantry's bullshit trying to brainwash him with "mages aren't people" and "magic is a cancer in this world", or he's infected with the blight and becomes a Grey Warden, forced to serve the rest of his life fighting darkspawn, tormented by voices and nightmares.
I will never not be bitter about this.
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crossdressingdeath · 7 months
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Thinking about an AU where Durge remembers more than they do in canon and they and Karlach end up getting into an argument about Gortash (either because Karlach got too aggressive about him or Durge got too defensive of him) and Karlach demands to know why Durge is so protective of the man after everything he did to the city and its people and her, and Durge just looks at her and says very gently "He's the only person who's ever wanted to know all of me."
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only-god-canstopme · 8 months
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aaron forgiving andrew for killing tilda when he has children of his own because he thinks that if she were around he never would’ve let her meet them.
(and if he didn’t want his children near her, or any children near her, that means that he, as a child, should’ve never been near her. and he gets what andrew did bc he would kill to keep these children safe too.)
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bohemian-nights · 7 months
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Rhaenyra being forced at nineteen (when most noble born women are betrothed when they’re children and married sometimes before their sixteen to men twice their age) to marry (after being allowed to tour the seven kingdoms to find a husband of her choosing) isn’t sexist. Heirs both female and male have to have a heir to continue the line. Politically marrying Laenor Velaryon is a smart move but Rhaenyra was only forced to marry Laenor because of her inability to choose one on her tour and the fact that she was seen in wh*re house allegedly having sex with not only her Uncle but with Daemon. I understand Rhaenyra’s reasons for not wanting to marry (i.e her mother) but by wanting to eventually be Queen she has to bite the bullet and do it.
And as for her leaving Kings Landing I’m pretty 50/50. I understand why she left but leaving and not returning for six years was a big no no. This is more of a side note but her and Daemon ragging on the fact that Alicent changed the design of the Red Keep makes me angry. It’s been six years and Alicent is Queen Consort to a sick and dying King (a King who treats both herself and their children horribly) let her decorate how she wants to. And with all the sick sh*t the Targaryens do they need Jesus lol (another thing the way they made it seem as if Alicent is the only person wanting Aegon and Helaena to marry makes me mad. Book!wise Viserys and Viserys alone does that. By having Alicent arrange that the two be married makes her a very main cause of her children’s suffering).
As for Daemon himself he’s a sh*t father and a sh*t husband. He “tries” but he should try 100x harder. So why he thinks he should have an opinion on what goes on in a home he hasn’t laid his head down in for sixteen years is beyond my understanding lol.
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Nothing to add. These are all the facts💅🏽
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crimescrimson · 2 months
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Chloe Price and Max Caulfield in Life Is Strange (2015) [5]
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nonuel · 2 months
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mass effect fandom typically has no problem disregarding or rewriting portions of canon, but one thing i have almost never seen touched is the friendship between garrus and shepard. so here is a poll because i am genuinely curious. i tried to be as expansive as poll limitations allowed, but since we are already throwing out canon i recognize there are a lot of variances that haven't been included. because of that, i would particularly like it if people elaborated about their non-romantic relationship with garrus in the tags, comments, or reblogs - especially if you are someone who has voted for any of the non-friend options. thanks for your time!
this post is not meant to be garrus critical. garrus enjoyers are welcome to participate in the poll, i only ask that you are respectful toward other people who may not have him as their favorite, or who may just simply roleplay a shepard that does not have him as their (best) friend for whatever reason.
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I’m breaking my No Tumblr For Lent rule because I really have to share -
I’m 65 pages into Mansfield Park and I can’t stand Edmund. He’s objectively a Good Person (which I can already tell is going to be a rarity in this narrative), but god is he insufferable.
The Crawfords are flakes, but at least they’re entertaining flakes so far.
Austen is always scathingly snarky but this is the first time I think she comes off a bit self-righteous??
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telling myself i can't start another tdwt rewrite but dear god do i want to write one focusing on alejandro and courtney in this weird situationship thats a lot more nuanced than just alejandro manipulating courtney and her falling for it. like theyre best friends they dont trust each other theyre the same person they dont know anything about the other one theres a mutual attraction theyre pining for other people theyre codependent they dont care about each other theyre platonic soulmates like i just want to do a deep dive into how messy that relationship couldve been building off of their friendship that exists in my head except the line between romantic and platonic is so fucking blurred they have no idea what they are to the other person
#they live rent free in my head as you can tell#ive been writing some intense moments for them in amicus curiae and im having a lot of Feelings about platonic alecourtney#tbh the whole concept of them replacing the best friends has been a great avenue for me to do a deep dive into their friendship#aughhhh i just. love them so much#and i do want to explore them in a situation where there is relationship potential even if that relationship never actually happens#because everything between them during tdwt could be so MESSY!!#like alejandro says he's just manipulating courtney but he's also doing it to make heather jealous but he's also genuinely worried about he#after the duncan thing but this is the only way he knows how to express that concern without making himself look weak#meanwhile courtney is falling for the act but she also knows its an act and is going with it for the emotional support it provides and shes#just doing it to make duncan/gwen jealous but she also is starting to see the real alejandro underneath it all because he does care even#though he doesn't want to and they do feel a strong connection that they dont know whether its platonic or romantic because romance is bein#shoved down their throats on this show and theyre both in complicated romantic dynamics with other people that theyre the easier option for#one another but they dont really want to be with one another like it just doesnt feel right#okay okay i legit have to stop and go to bed but just. them. im thinking so hard about them#platonic alecourtney
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uselessnbee · 5 months
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what i wish people would also explore more when it comes to Percy is the other side of his feelings about his mom about family and his childhood but this fandom is too afraid to paint Sally even in the slightest bad light (even if it's not bad just acknowledging her flaws because she's a human being and not perfect) that no one will touch on that subject. like yes Sally is the best mom but she also isn't and that's the thing! She isn't perfect! but she tried her best but her best still got Percy hurt and it isn't her fault at all but that's the tragedy of it. i want Percy's feelings about this explored. how he grew up with a loving mom but an abusive step father. how his step father would humiliate him and call him stupid but then his mom soothed him and told him he's not the things Gabe calls him. how Gabe would hurt him and Sally would be there to make him happy and loved but at the same time she stayed with him. i want Percy's feelings explored about how he knows his mother loves him but her absence still hurt him. she would work so much to have money to raise him she did that for him but at the same time it meant Percy was left alone or with Gabe. Sally gave up so much for him, she sent him away to protect him but at the same time he was sent away from his mom. she's the only parent he has because his father is absent and Gabe is not actually a parental figure at all but she's also often absent in his life too and that must have left him with such mixed feelings because it's not all black and white! Sally's love protected him but also hurt him. Percy loves his mom so so so much but there's also this deep-seated bitterness and hurt and anger he never let himself feel and then the guilt for having those feelings because his mom loves him he knows that and she gave up so much for him and she married a monster that abused her to protect him, he knows that but it doesn't make it hurt any less. the mess his emotions are because he knows his mom suffered for him and did it from her love for him but he still desperately wishes she never married that monster that he wouldn't have to have the childhood he had with him that he wouldn't have to live with the trauma he was left with. this all is exactly what makes their relationship so fascinating and also heartbreaking.
or the idea of Percy having weird mixed feelings after Estelle is born because that's his little sister and he loves her with his whole heart and would do anything for her and wants only the best for her but there's also this little jealous monster deep down that wonders why she gets to have a loving mom and a loving dad and a happy normal life but he never got that. why does she deserve it but not him? why couldn't he have that too? doesn't he deserve that too? he was just a child too so why why why??? and then the guilt of feeling that way too it makes me want to scream. emotions are fucking messy and they can be really ugly and they can make you hate yourself and there's no way Percy's feelings aren't a mess when it comes to this and i want to see it explored so badly!
and with Sally too! her feelings about Percy because she did so much and tried her best but sometimes unfortunately your best isn't good enough and it still got her beloved son hurt and she hates it and feels so guilty but she just has to live with that but she can't help to wish it was different. that their lives would be different. better. normal. she can't help but to wish she didn't have to do the things she's done, didn't have to suffer so much just to protect her child. can't help to wish she didn't have to worry so much, didn't have to be so scared about Percy, didn't have to be terrified that one day he won't come back home to her, that she won't be able to hold her son anymore because he will be gone, she just wishes he didn't have to suffer so much, she just wishes and wishes and wishes
and i just wish people weren't so afraid to explore this because it's so heartwrenching and yes if you want something do it yourself but unfortunately i cannot write nor am i able to handle this topic in a way it deserves so i am left only with rambling about it on here thank you
#i am not trying to victim blame or anything i love Sally and she did her best and didn't deserve any of the crap life gave her#but there's just something so tragic about the fact that she married a vile man and suffered abuse to protect her son#just for her decision to hurt him anyways just in a different way but the only other option would probably be Percy ending up dead#so she can't really truly regret it but she just wishes those weren't their only options#that she didn't have to do this just so that her child could stay alive#thinking about it makes me go feral#they had no choice but to suffer there was no way for their lives to be without this much hurt and trauma and it's terrible#and they didn't deserve it but there was so much love too#but the horrible thing is that that love just wasn't enough to save them from all that pain and i need to be sedated bye#percy jackson#sally jackson#pjo#hoo#percy and sally#percy jackon and the olympians#whatever you do don't think about a six years old lonely Percy sitting in a corner waiting for his mom to come back home from work#and he knows she loves him but he misses her so much when she spends so much time in work and that hurts#don't think about a ten years old Percy being sent away to a boarding school and he knows his mom loves him#but what if she's sending him away because he's just too much? or not enough? and what if she doesn't want him anymore?#and he knows that's not true but what if?#i'm thinking it#okay i think that's enough
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poorlittleyaoyao · 15 days
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A thing about trying to plot out QS canon-divergence fixit where the marriage is averted is that the obvious solution to “she was already pregnant before they knew the truth” is, well, end the pregnancy. The wider world doesn’t seem to know that she’d conceived prior to marriage, so can’t be more than a month or so along as of the wedding for it to be plausible. People have been inducing abortion in dire circumstances despite physical risk and moral stigma throughout history. QS has magic at her disposal and the means to remove herself from society unnoticed during the recovery period, and even if it’s taboo, is it more taboo than incest?
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luxaofhesperides · 6 months
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Ghostlights prompt enemies to lovers/opposite sides of a conflict? Depending on how serious the conflict is, it can be fluffy or angsty :)
The lights flicker above his head. Danny swallows roughly, trying to quiet his breathing as much as possible. It would be so much easier if he could just stop breathing completely, to use his powers to disappear from sight, slip around the rest of them and take them all out. 
His palms are sweating. Taking another steadying breath, Danny tightens his grip on the gun, shifting just slightly where he’s crouched, hidden out of sight. 
He can’t hear anything beyond his own rapid heartbeat, but that doesn’t mean he’s safe. The Bats thrive in silence and darkness, and this messy warehouse with its stacked shelving units is full of places for them to hide, waiting for him to cross their sights. 
There’s no one left to help him.
Danny’s on his own. 
No powers, he tells himself firmly. He has to do this as a regular human. The Bats will know otherwise, and he can’t risk it. Just remember what Mom taught you.
The lights flicker again, then go out completely. 
Now! 
Danny springs away from his hiding spot, searching the darkness for any movement. The Bats like to go up high, so he follows suit, sticking close to a wall as he scales his way up a shelving unit. Every moment sounds so loud, like a clap of thunder in the dead of night, and the back of his neck prickles with the feeling of being watched. 
He was never going to out run them. He can’t hide from them. The least he can do is take out as many of them as he can before they shoot him down.
His only saving grace is that Black Bat isn’t here. Last he saw, she was heading down a different street, chasing someone else. As long as he makes his move before she returns, there’s still a chance he can get out of the warehouse and try to escape them again. 
The clouds above Gotham drift apart, allowing the pale moonlight to shine down on the city. Moonlight streams in through the large windows and Danny moves to stay in the shadows, as out of sight as he can manage. He keeps moving, refusing to stay still; if they want to get him, then he’s going to do all he can to make it as difficult as possible. 
The top of the shelving unit is steady. Danny keeps one hand out, close to the wall, as he creeps across it, looking out over the entire warehouse. 
He’s close to the entrance now. All he has to do is drop down and run, and then he’s back out in the streets, no longer trapped in an enclosed space with some Bats. 
Danny reaches the edge of the shelving unit and prepares to jump when he sees a movement in the corner of his eye. Reacting instinctively, he throws himself out into the air, twisting to aim his gun at the flash of purple tucked against the side of a shelf. 
He shoots, one shot after the other, until he lands on the ground in a messy roll. 
Spoiler curses as she ducks away, sending a few return shots of her own, but with her hiding behind the shelf, taking cover. “Just give up!” she shouts at him, “We’ll get you sooner or later!”
“You were supposed to be on my side!” he returns, firing another shot before turning on his heel to sprint away.
“Plans change! Now I have a reason to take you down.”
Which means Black Bat got a hold of Spoiler earlier and got her to change allegiances. It must have been right before he reached the warehouse, still believing Spoiler to be on his side and frantically having to dodge her attacks before they lost each other in the labyrinth of the warehouse. 
So, that’s another person after his head. 
The streets are quiet, a rare treat in Gotham. He’s the only one out, running through the streets like his life depends on it. No doubt Spoiler is right behind him, determined to take him down. He hasn’t seen any of the others for a while, but they have to be somewhere in the area. 
Danny ducks into an alley and scrambles up a fire escape. At least out in the open air, he can pass off a few impossible jumps as being really good at free running. 
He runs, crossing a few streets, and throws himself into a roll, hiding behind an AC unit when he hears more gunshots. 
From the cursing accompanying it, Red Hood must be near.
That’s good. That’s someone who is (presumably) still on his side. 
He follows the noise to the top of a bakery, where he catches a glimpse of a disgruntled looking woman scowling from the window. He offers her a sheepish grin as he climbs by the window, her startled jump turning into rolled eyes as she closes the blinds.  
He gets to the top of the bakery just in time to watch Red Hood pick up Robin and throw him at Nightwing, who drops his gun in order to catch the kid. Taking his chance, Danny crouches on the edge of the roof and aims.
Nightwing falls to the side to avoid it, but he doesn’t manage it in time. Robin takes the hit, still held by Nightwing and unintentionally used as a shield.
“Oops,” Nightwing says as Robin scowls and brings out a shuriken, trying to stab Nightwing in retaliation.
“Nice one, kid,” Red Hood says. He offers Danny a high five, which he happily returns.
The moment lasts for only a second before another shot rings out and Red Hood stumbles forward with a curse, a splatter of yellow paint on his back. 
The Signal swings by, scooping Danny up with an arm around his waist. Red Hood moves to follow, but Nightwing is on him again, their fight beginning again as Robin hops off the roof and disappears from sight.
“Let go!” Danny demands, trying to wiggle out of the Signal’s grip.
“No can do. I’m winning this. My share of Alfred’s cake depends on this.”
Unfortunately for the Signal, Danny’s share of Alfred’s cake also depends on his victory. He’s already got a few points by getting shots in on the other team, small splatters of white paint decorating their costumes, but not as much as the others. He’s also got paint all over him, mostly black and blue, but the game doesn’t end until the Point Person (Danny for his team, Damian for the other) is taken to the other team’s base.
Danny’s team set up their base on the thrift store at the end of their designated game area. He has no idea where Duke’s team has their base, and he doesn’t intend to find out any time soon.
“Sorry,” he says, then shoves a foot between Duke’s legs to slam his heel against a pressure point just below the knee. 
The Signal bites back a pained yell and hits the roof hard. They both go rolling across it, carried by the momentum of his swing. To add insult to injury, Danny gets back to his feet and shoots Duke point blank in the chest, then makes another run for it.
“No you don’t!” he hears Signal yell from behind him, followed by the heavy thud of footsteps. 
Danny jumps, making it onto the next roof, adrenaline rushing through him. He tries to find a way back to his team’s base, but the Signal doesn’t let him past, trapping him in. They dodge paint bullets from each other, moving back and forth as if dancing.
And because Danny has abysmal luck, he trips over his own feet when the Signal lunges at him and he tries to spin away from him. 
“Woah!” 
The Signal drops his gun to catch Danny, pulling him close and steadying him. Danny clutches to the Signal’s arms, his own gun pointed off to the side awkwardly. They end up pressed together, barely any space between their faces. 
They’re frozen there for a moment, staring at each other. This close, Danny can see through the visor of the Signal’s helmet, and Duke’s eyes are just as wide as his. 
“Caught you,” Signal breathes, and Danny’s gaze drops down to his lips. 
He’s sure his own feelings are clear and on display in the moment, but he can’t help it. They may be on opposing teams, but a hero is a hero and being saved by the Signal never fails to make danny’s heart skip a beat. 
He really needs to get his head in the game. He needs to push the Signal away and try to get back to his own team. He needs to win so he can steal Duke’s share of Alfred’s cake. 
The Signal tightens his grip on Danny’s waist and leans in just a little, barely noticeable.
But Danny notices.
Fuck it, he thinks. 
Before he can overthink it, before his nerve get the better of him, before anyone swings by and interrupts, Danny closes the distance between them and kisses Duke. 
It’s just a soft, small peck. He pulls back almost immediately, cheeks flushed red, but doesn’t go far before Duke is kissing him again and again and again.
“Now is not the time, lover birds!” Spoiler shouts. They startle apart, giddy grin on their faces. Danny turns to see her land on the roof with her hands on her hips, waggling her eyebrows suggestively, and knows that neither of them are going to live this down any time soon. Nightwing and Red Hood follow soon after, trying to tackle each other, and almost bowl over Spoiler as Red Robin takes the opportunity to pop up out of nowhere, Black Bat on his tail, to shoot at Spoiler.
With all of them distracted, Danny shares a smile with Duke then darts back in for another kiss. 
Then he pulls back, shoots Signal again, and takes off with a laugh.
The game’s not over yet, but that’s not going to stop him from feeling like a winner anyways.
He is going to get that cake, though. Losing is not an option with Alfred’s baking on the line. Crush or not, Duke is going down.
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Was thinking about your au and realized that whichever neighbour wakes up last is in for a very awkward reunion
Imagine waking up to your entire neighbourhood being in an apocalyptic scenario, and you’re the last to find out about it-
technically the last neighbor is Sally BUT Julie is the last "normal-sleeping" neighbor to wake and yeah! she sure has a hell of a time! i mean tbh it's kinda her And Barnaby? they wake up within a week of each other (the neighbors wake via Pacific Rim kaiju rules) so their breakdowns overlap <3
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nabwastaken · 2 months
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Joey one's doing well, soo..
(Hannah was not included due to her being most known as Kendall's role)
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