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mollyrealized · 2 months

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How Michael Met Neil

original direct link [MP3]

(Neil, if you see this, please feel free to grab the transcript and store on your site; I had no easy way of contacting you.)

DAVID TENNANT: Tell me about @neil-gaiman then, because he's in that category [previously: “such a profound effect on my life”] as well.

MICHAEL SHEEN: So this is what has brought us together.

DAVID: Yes.

MICHAEL: To the new love story for the 21st century.

DAVID: Exactly.

MICHAEL: So when I went to drama school, there was a guy called Gary Turner in my year. And within the first few weeks, we were doing something, having a drink or whatever. And he said to me, “Do you read comic books?”

And I said, “No.” I mean, this is … what … '88? '88, '89. So it was … now I know that it was a period of time that was a big change, transformation going through comic books. Rather than it being thought of as just superheroes and Batman and Superman, there was this whole new era of a generation of writers like Grant Morrison.

DAVID: The kids who'd grown up reading comic books were now making comic books

MICHAEL: Yeah, yeah, and starting to address different kinds of subjects through the comic book medium. So it wasn't about just superheroes, it was all kinds of stuff going on – really fascinating stuff. And I was totally unaware of this.

And so this guy Gary said to me, "Do you read them?" And I said, "No." And he went, "Right, okay, here's The Watchman [sic] by Alan Moore. Here's Swamp Thing. Here's Hellblazer. And here's Sandman.”

And Sandman was Neil Gaiman's big series that put his name on the map. And I read all those, and, just – I was blown away by all of them, but particularly the Sandman stories, because he was drawing on mythology, which was something I was really interested in, and fairy tales, folklore, and philosophy, and Shakespeare, and all kinds of stuff were being mixed up in this story. And I absolutely loved it.

So I became a big fan of Neil's, and started reading everything by him. And then fairly shortly after that, within six months to a year, Good Omens the book came out, which Neil wrote with Terry Pratchett. And so I got the book – because I was obviously a big fan of Neil's by this point – read it, loved it, then started reading Terry Pratchett’s stuff as well, because I didn't know his stuff before then – and then spent years and years and years just being a huge fan of both of them.

And then eventually when – I'd done films like the Underworld films and doing Twilight films. And I think it was one of the Twilight films, there was a lot of very snooty interviews that happened where people who considered themselves well above talking about things like Twilight were having to interview me … and, weirdly, coming at it from the attitude of 'clearly this is below you as well' … weirdly thinking I'm gonna go, 'Yeah, fucking Twilight.”

And I just used to go, "You know what? Some of the greatest writing of the last 50-100 years has happened in science fiction or fantasy." Philip K Dick is one of my favorite writers of all time. In fact, the production of Hamlet I did was mainly influenced by Philip K Dick. Ursula K. Le Guin and Asimov, and all these amazing people. And I talked about Neil as well. And so I went off on a bit of a rant in this interview.

Anyway, the interview came out about six months later, maybe. Knock on the door, open the door, delivery of a big box. That’s interesting. Open the box, there's a card at the top of the box. I open the card.

It says, From one fan to another, Neil Gaiman. And inside the box are first editions of Neil's stuff, and all kinds of interesting things by Neil. And he just sent this stuff.

DAVID: You'd never met him?

MICHAEL: Never met him. He'd read the interview, or someone had let him know about this interview where I'd sung his praises and stood up for him and the people who work within that sort of genre as being like …

And he just got in touch. We met up for the first time when he came to – I was in Los Angeles at the time, and he came to LA. And he said, "I'll take you for a meal."

I said, “All right.”

He said, "Do you want to go somewhere posh, or somewhere interesting?”

I said, "Let's go somewhere interesting."

He said, "Right, I'm going to take you to this restaurant called The Hump." And it's at Santa Monica Airport. And it's a sushi restaurant.

I was like, “Right, okay.” So I had a Mini at the time. And we get in my Mini and we drive off to Santa Monica Airport. And this restaurant was right on the tarmac, like, you could sit in the restaurant (there's nobody else there when we got there, we got there quite early) and you're watching the planes landing on Santa Monica Airport. It's extraordinary.

And the chef comes out and Neil says, "Just bring us whatever you want. Chef's choice."

So, I'd never really eaten sushi before. So we sit there; we had this incredible meal where they keep bringing these dishes out and they say, “This is [blah, blah, blah]. Just use a little bit of soy sauce or whatever.” You know, “This is eel. This is [blah].”

And then there was this one dish where they brought out and they didn't say what it was. It was like “mystery dish”, we had it ... delicious. Anyway, a few more people started coming into the restaurant as time went on.

And we're sort of getting near the end, and I said, "Neil, I can't eat anymore. I'm gonna have to stop now. This is great, but I can't eat–"

"Right, okay. We'll ask for the bill in a minute."

And then the door opens and some very official people come in. And it was the Feds. And the Feds came in, and we knew they were because they had jackets on that said they were part of the Federal Bureau of Whatever. And about six of them come in. Two of them go … one goes behind the counter, two go into the kitchen, one goes to the back. They've all got like guns on and stuff.

And me and Neil are like, "What on Earth is going on?"

And then eventually one guy goes, "Ladies and gentlemen, if you haven't ordered already, please leave. If you're still eating your meal, please finish up, pay your bill, leave."*

[* - delivered in a perfect American ‘serious law agent’ accent/impression]

And we were like, "Oh my God, are we poisoned? Is there some terrible thing that's happened?"

We'd finished, so we pay our bill. And then all the kitchen staff are brought out. And the head chef is there. The guy who's been bringing us this food. And he's in tears. And he says to Neil, "I'm so sorry." He apologizes to Neil. And we leave. We have no idea what happened.

DAVID: But you're assuming it's the mystery dish.

MICHAEL: Well, we're assuming that we can't be going to – we can't be – it can't be poisonous. You know what I mean? It can't be that there's terrible, terrible things.

So the next day was the Oscars, which is why Neil was in town. Because Coraline had been nominated for an Oscar. Best documentary that year was won by The Cove, which was by a team of people who had come across dolphins being killed, I think.

Turns out, what was happening at this restaurant was that they were having illegal endangered species flown in to the airport, and then being brought around the back of the restaurant into the kitchen.

We had eaten whale – endangered species whale. That was the mystery dish that they didn't say what it was.

And the team behind The Cove were behind this sting, and they took them down that night whilst we were there.

DAVID: That’s extraordinary.

MICHAEL: And we didn't find this out for months. So for months, me and Neil were like, "Have you worked anything out yet? Have you heard anything?"

"No, I haven't heard anything."

And then we heard that it was something to do with The Cove, and then we eventually found out that that restaurant, they were all arrested. The restaurant was shut down. And it was because of that. And we'd eaten whale that night.

DAVID: And that was your first meeting with Neil Gaiman.

MICHAEL: That was my first meeting. And also in the drive home that night from that restaurant, he said, and we were in my Mini, he said, "Have you found the secret compartment?"

I said, "What are you talking about?" It's such a Neil Gaiman thing to say.

DAVID: Isn't it?

MICHAEL: The secret compartment? Yeah. Each Mini has got a secret compartment. I said, "I had no idea." It's secret. And he pressed a little button and a thing opened up. And it was a secret compartment in my own car that Neil Gaiman showed me.

DAVID: Was there anything inside it?

MICHAEL: Yeah, there was a little man. And he jumped out and went, "Hello!" No, there was nothing in there. There was afterwards because I started putting...

DAVID: Sure. That's a very Neil Gaiman story. All of that is such a Neil Gaiman story.

MICHAEL: That's how it began. Yeah.

DAVID: And then he came to offer you the part in Good Omens.

MICHAEL: Yeah. Well, we became friends and we would whenever he was in town, we would meet up and yeah, and then eventually he started, he said, "You know, I'm working on an adaptation of Good Omens." And I can remember at one point Terry Gilliam was going to maybe make a film of it. And I remember being there with Neil and Terry when they were talking about it. And...

DAVID: Were you involved at that point?

MICHAEL: No, no, I wasn't involved. I just happened to have met up with Neil that day.

DAVID: Right.

MICHAEL: And then Terry Gilliam came along and they were chatting, that was the day they were talking about that or whatever.

And then eventually he sent me one of the scripts for an early draft of like the first episode of Good Omens. And he said – and we started talking about me being involved in it, doing it – he said, “Would you be interested?” I was like, "Yeah, of course." I went, "Oh my God." And he said, "Well, I'll send you the scripts when they come," and I would read them, and we'd talk about them a little bit. And so I was involved.

But it was always at that point with the idea, because he'd always said about playing Crowley in it. And so, as time went on, as I was reading the scripts, I was thinking, "I don't think I can play Crowley. I don't think I'm going to be able to do it." And I started to get a bit nervous because I thought, “I don't want to tell Neil that I don't think I can do this.” But I just felt like I don't think I can play Crowley.

DAVID: Of course you can [play Crowley?].

MICHAEL: Well, I just on a sort of, on a gut level, sometimes you have it on a gut level.

DAVID: Sure, sure.

MICHAEL: I can do this.

DAVID: Yeah.

MICHAEL: Or I can't do this. And I just thought, “You know what, this is not the part for me. The other part is better for me, I think. I think I can do that, I don't think I could do that.”

But I was scared to tell Neil because I thought, "Well, he wants me to play Crowley" – and then it turned out he had been feeling the same way as well. And he hadn't wanted to mention it to me, but he was like, "I think Michael should really play Aziraphale."

And neither of us would bring it up. And then eventually we did. And it was one of those things where you go, "Oh, thank God you said that. I feel exactly the same way." And then I think within a fairly short space of time, he said, “I think we've got … David Tennant … for Crowley.” And we both got very excited about that.

And then all these extraordinary people started to join in. And then, and then off we went.

DAVID: That's the other thing about Neil, he collects people, doesn't he? So he'll just go, “Oh, yeah, I've phoned up Frances McDormand, she's up for it.” Yeah. You're, what?

MICHAEL: “I emailed Jon Hamm.”

DAVID: Yeah.

MICHAEL: And yeah, and you realize how beloved he is and how beloved his work is. And I think we would both recognise that Good Omens is one of the most beloved of all of Neil's stuff.

DAVID: Yes.

MICHAEL: And had never been turned into anything.

DAVID: Yeah.

MICHAEL: And so the kind of responsibility of that, I mean, for me, for someone who has been a fan of him and a fan of the book for so long, I can empathize with all the fans out there who are like, “Oh, they better not fuck this up.”

DAVID: Yes.

MICHAEL: “And this had better be good.” And I have that part of me. But then, of course, the other part of me is like, “But I'm the one who might be fucking it up.”

DAVID: Yeah.

MICHAEL: So I feel that responsibility as well.

DAVID: But we have Neil on site.

MICHAEL: Yes. Well, Neil being the showrunner …

DAVID: Yeah. I think it takes the curse off.

MICHAEL: … I think it made a massive difference, didn't it? Yeah. You feel like you're in safe hands.

DAVID: Well, we think. Not that the world has seen it yet.

MICHAEL (grimly): No, I know.

DAVID: But it was a -- it's been a -- it's been a joy to work with you on it. I can't wait for the world to see it.

MICHAEL: Oh my God. Oh, well, I mean, it's the only, I've done a few things where there are two people, it's a bit of a double act, like Frost-Nixon and The Queen, I suppose, in some ways. But, and I've done it, Amadeus or whatever.

This is the only thing I've done where I really don't think of it as “my character” or “my performance as that character”. I think of it totally as us.

DAVID: Yeah.

MICHAEL: The two of us.

DAVID: Yes.

MICHAEL: Like they, what I do is defined by what you do.

DAVID: Yeah.

MICHAEL: And that was such a joy to have that experience. And it made it so much easier in a way as well, I found, because you don't feel like you're on your own in it. Like it's totally us together doing this and the two characters totally complement each other. And the experience of doing it was just a real joy.

DAVID: Yeah. Well, I hope the world is as excited to see it as we are to talk about it, frankly.

MICHAEL: You know, there's, having talked about T.S. Eliot earlier, there's another bit from The Wasteland where there's a line which goes, These fragments I have shored against my ruin.

And this is how I think about life now. There is so much in life, no matter what your circumstances, no matter what, where you've got, what you've done, how much money you got, all that. Life's hard. I mean, you can, it can take you down at any point.

You have to find this stuff. You have to like find things that will, these fragments that you hold to yourself, they become like a liferaft, and especially as time goes on, I think, as I've got older, I've realized it is a thin line between surviving this life and going under.

And the things that keep you afloat are these fragments, these things that are meaningful to you and what's meaningful to you will be not-meaningful to someone else, you know. But whatever it is that matters to you, it doesn't matter what it was you were into when you were a teenager, a kid, it doesn't matter what it is. Go and find them, and find some way to hold them close to you.

Make it, go and get it. Because those are the things that keep you afloat. They really are. Like doing that with him or whatever it is, these are the fragments that have shored against my ruin. Absolutely.

DAVID: That's lovely. Michael, thank you so much.

MICHAEL: Thank you.

DAVID: For talking today and for being here.

MICHAEL: Oh, it's a pleasure. Thank you.

#neil gaiman #michael sheen #david tennant does a podcast with...#good omens #aziraphale #crowley #sushi #whale #the cove #oscars 2010 #coraline #mini secret compartments #howneilmetmichael #howmichaelmetneil

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micer2012 · 5 months

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a reflection on MatPat's plagiarism

Hello, my name is Della, or micer2012, and 2 years ago Game Theory plagiarized three Tumblr posts of mine, making a video that now holds almost 6 million views.

My posts explaining his plagiarism made their rounds on Reddit, Tumblr and Twitter, but despite the Hermits and Pooka commenting on it (generally in support of me or saying they don’t know enough details about the situation to say either way), MatPat and his team have never owned up to anything, and no mention of my name is present on the video. The one Reddit post they made denying it (which was made before my detailed takedown, which they have never responded to (though the mods on the r/GameTheorists Reddit were kind and made sure it stayed up)) didn’t even mention me by name, just referring to me as “a tumblr user”. (Though one of the screenshotted comments in the body of the post does say my name)

This experience was baffling, but it’s overall had a positive impact on my life. r/Hermitcraft gave me a Golden Apple Award (post of the year, 2021). My inbox was filled with excited fans, wanting to ask me questions or pose their own theories, far more than the hate I got. (Though the hate I got from Game Theory fans was VERY funny. I wondered why none of them gave me shit about saying “MatPat misgendered Evil Xisuma” before realizing none of them read that far into the post.)

And getting on a more personal, and much more important note, I met most of my current online friends through this, including my partner. It helped me grow closer with my irl friends as well and gave me an entertaining story that I tell whenever I have the chance. It was one of the first things in my life that really made me feel like my talents, my autistic hyperfocusing and analyzing of things I love, could be valuable. Useful. Exploitable. It blew my mind that MatPat thought an autistic kid’s ramblings about a Minecraft Youtube joke character were good enough to steal. To put an audible sponsorship on. To get 6 million views off of.

And that’s why I’m writing this post, this update years later. As you might’ve been able to guess, Hbomberguy’s Youtube video on plagiarism reopened this wound. It was really hard for me to sit through, it took days of pausing and taking breaks, because I had experienced everything he was talking about firsthand.

In my 10 page long takedown post, I wrote about how his rewording of my sentences made him say things that were incorrect, just like Filip did. The content farm production style that made big companies like Cinemassacre take one creator (AVGN/MatPat) and turn him and his content into a brand, a voice that reads out scripts by other people with other opinions/theories, is a history shared with Game Theory. What really hit me was Harris talking about how big creators only do this to people they think they can get away with doing it to. How they view their victims as lesser, as not deserving of their words, repackaging them as their own to give to an audience that can gain from hearing them, but deserves better than to have to listen to the original victim.

That’s the thing, I 100% think a video version of my theory to expose to a bigger community than “Evil Xisuma Fans on Tumblr” is a great idea!! Near the end of the video Harris talks about how video adaptations of things could be a great market, even an accessibility tool, and I completely feel that about my posts. I wrote them quickly assuming the reader was someone well versed on Evil Xisuma lore, after not even watching most of the CarnEvil series, and the diagrams I made to explain them are even less comprehensible. Harris makes a joke that I completely agree with,

“I’m sure some of my videos would do very well if someone translated them into English.”

I don’t think I would’ve ever made my posts if I didn’t have autism, and a special fixation on Evil Xisuma and Hermitcraft. I made them because I felt the character was being done an injustice, and because I wanted to share with other superfans this theory that might explain it away. I do think that MatPat plagiarizing me was ableist. I used to wonder a lot if this would’ve happened if my posts were articulated better, if they had been peer reviewed, if the posts themselves had been spread to a wider audience before MatPat made his video. At one point when the discourse was fresh (before I had the time to write out my 10 page rebuttal), a bigger YouTuber (100k subs at the time) messaged me and started talking on Discord, interested in possibly making a video on the discourse, but I think my style of typing and general enthusiasm drove him away. You can tell by a single look at my blog (or my original 3 posts!) that I don’t usually type like this. This post you’re reading now has been peer reviewed and edited, and took me hours to format correctly. That video could’ve been huge, the entire outcome of this MatPat situation would probably be much different.

I also used to stress a lot about “being the one who ruined Evil Xisuma’s story”. If you didn’t know, to me S8 Evil Xisuma’s story got wrapped up pretty quickly and unsatisfying (in my personal autistic opinion). (though this might’ve been due to s8 being experimental and ending early with moon big) There was no real culmination of the plot points and arcs going on, and I don’t want to blame myself, but when Xisuma said on stream (when the MatPat thing was first going on) that he didn’t want to focus on the discourse or draw more attention to it, it makes a lot of sense to me that he just wanted to wrap it all up as quickly as possible. For a while I beat myself up about it, of ruining the story of this character I love, but it’s not my fault. If anyone’s, it’s MatPats, but I don’t think it’s useful to just blame someone else. That’s how the story ended up going, and that’s fine. This is Evil Xisuma we’re talking about, their inconsistent lore is what made them such an interesting character. And notably, Pooka made an animation with an awesome culmination of Jeff, the Dreamer, Evil Xisuma, and his own sona’s story, and it makes me so happy to watch. Whatever Pooka does is of course his own choice, but I’m glad he got to give this personal story his own ending (if it is an ending, and not just the start of a new chapter!).

Typing this all out and getting it off my chest has made me feel a lot better. For a while I wanted to make my OWN video essay about Evil Xisuma’s lore and CarnEvil’s lore, actually going episode by episode to explain it instead of just assuming you knew as much about Evil Xisuma as I did. That idea is still not off the table, but MCYT isn’t something I’m that into right now. Maybe if something else comes out about Evil Xisuma I’ll get back on it, but for now I’m fine with letting that go. But I want to make other videos, share other theories and analysis… if I have the freetime I’d love to make YouTube videos, and if I don’t have the time I’ll continue posting to my tumblr and infodumping to my friends. Apparently my infodumping is valuable enough “content” to steal! Writing this out has made me feel a lot better though, I’m really glad I got it out.

If anyone ever wants to talk to me about the things I’m obsessed with, or reach out to me as a source in a bigger discussion about Game Theory or other channels, my inbox is more than welcome :] Thank you for reading!

Sincerely, a tumblr user.

#exiavojtmmc #hermitcraft #matpat #gt #game theory #hc #mcyt #evil xisuma #hbomberguy #plagiarism #james somerton #jeff the minion #mine #micer2012 #hcs9

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loveindefinitely · 5 months

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01 — 𝘎𝘖 𝘈𝘏𝘌𝘈𝘋 𝘈𝘕𝘋 𝘊𝘙𝘠, 𝘓𝘐𝘛𝘛𝘓𝘌 𝘎𝘐𝘙𝘓

༊*·˚ LUST FOR LIFE — task force 141 x reader

featuring. simon 'ghost' riley + johnny 'soap' mactavish + kyle 'gaz' garrick + john 'bravo six' price

warnings. nsfw, fem!reader, fmmmm, legal age-gaps, inexperienced reader, virgin reader, corruption kink, slight power imbalance, praise, degradation, light dom/sub, slight daddy kink, oral, vaginal sex, your father's a dick, very minor soapghost, aftercare

series masterlist. read on ao3. fanfic playlist.

// NSFW CONTENT UNDER THE CUT //

Stay in your room, your father had said. Don't bother us tonight, your father had said. They are dangerous men that do dangerous things, your father had said.

Yet, here you were, standing at the bottom step of the stairwell, hiding behind the wall adjoined to the living room, listening in to the men on the other side.

You were bored out of your brains. It was a Friday night, and like hell was your over-protective father going to let you go out or party. And the fact that he wouldn't even introduce you to his only friends? Or let you leave your fucking room?

It had left you pissed off to no end, so.

Here you were.

"Bloody close," you hear a voice grunt, deep and gravelly. It sends heat to your stomach immediately, and it's almost embarrassing.

You hear the sound of a hand slapping a shoulder, and the bark of a laugh. "Aye, still got the cash you're gonna owe me?" This voice has a -- Irish? Scottish, maybe? -- lilt to it, humour and kindness embedded into its layers.

"He'll find a way outta paying," a third voice chimes, laughter in its tone.

Someone else clears their throat. "You're all gonna get yourselves indebted to each other at this rate," a fourth voice says, sounding almost resigned.

"You all need to shut the fuck up before she sticks her nose down 'ere."

Your spine straightens, and fury simmers in your blood. Did he have to be such an asshole? Why was your father so... so anti your existence? Why was he so ashamed of you, yet so overbeating?

"She's not a kid anymore, you really oughtta to lay off," the man with the scottish accent says, slightly stern in his delivery.

"If you met her, you'd understand how fuckin' annoying she is. Always wants me to deal with her emotions, as if they're my fuckin' problem," your father replies venomously. Your stomach has dropped to your feet, you're sure of it.

There's a low whistle in response, and a silence settles behind the wall. An unsettling one, full of animosity. The fact that you can tell that from behind the wall says a lot.

"I'm gonna go out and get some drinks. Maybe some dinner. Needa get out of this fuckin' house for a bit," your father says with a grunt, sounding like he's gotten up from the couch. "Call if you lot need anythin' while I'm out."

A few grunts of agreement, and after a few seconds, the front door opens and slams shut.

You let out a small breath of tense relief, eyes fluttering shut as you deeply exhale. The immediate relief of having your father out of the house is immense.

"I feel bad for her," you hear the third man speak, voice quiet and low. "You hear how he speaks about her -- what's he like with her?"

"Gaz, whatever you're thinkin', drop it," the first speaker grits out, impatient and tight.

"He's right," the scottish one says with a huff, "Poor kid. She's legal and he isn't letting her out on a Friday night? 'Nd he fuckin' wonders why she's upset."

"He must have his... reasons," the fatherly voice of the fourth speaker says, although his tone says otherwise.

You swallow, slowly creeping off of the bottom step and onto the wooden floors. Front pressed to the wall, you move just the slightest bit, to allow yourself a small peak into the loungeroom.

There are four men, like you'd expected, and they're...

They're big. There's no other word that comes to mind, except for big. Tall, broad, packed with muscle. Military-grade men.

Your mouth is suddenly parched of any moisture, and your brain turns to putty.

Selfishly, stupidly, you spend another dangerous moment to admire the four. The couch curves, the four of them seated on it, facing the TV hung on the wall. They're backs are to you.

Or.

One second, they're all blissfully turned the other way, and in the next, one's head turns, and deep brown eyes meet yours.

Your eyes go wide, and you immediately dart for the stairs, heart in your throat.

Rushing up, trying to stay quiet but still hurrying, you make it to your room in record time. You shut the door behind you, chest tight and breaths harried as your back presses to the wood.

Stupid, stupid girl, you think.

They are dangerous men who do dangerous things.

That's what your father had said, wasn't it? So what were you thinking, risking a look? For what purpose?

Then, there's a knock on your door.

Your eyes go impossibly wide, and your lips purse together as you slowly move away from the door. With one breath, you train your face into a pleasant, kind smile as you slowly open the door, only allowing a bit of your room to be shown.

"You're his daughter, ain't ya?"

You have to crane your neck, eyes going up, and up, and up, until you meet the man's eyes.

The skull balaclava shouldn't cause your face to heat, or your breaths to quicken, but they do.

"I -- um, yes, I'm really sorry for eavesdropping," you mumble, eyes flitting to the floor and hand squeezing the door in an anxious gesture.

A hand grabs your chin, forcing your gaze to meet the man's chocolate eyes once more. They're imploring, impossibly so, and your thighs squeeze together against your better judgement.

"Come watch the game with us," he says, and although the sentence isn't a demand, it feels like one.

So, like the good girl you are, you nod, his grip loosening as you do.

You forget that you're in your tiniest sleep shorts and your thinnest tank top as you follow him down the stairs, his large hand resting on your lower back.

This was the most touch you'd ever felt from a man that wasn't in a familial way, and your nerve-endings feel like they've been electrocuted.

Whatever conversation that was happening silences as soon as the two of you walk into the lounge room, your hands squeezing each other painfully tight.

Your anxiety was warranted in this situation, wasn't it? Surely, it was okay to be scared of four men whom you'd never met.

Four sets of eyes are trained to your body, and there's a slight tremble in your hands as you sit in the spot balaclava had gestured towards.

It seats you in the middle of the four of them, and your heart beats impossibly faster as you settle into the leather, feeling so small in comparison to the men surrounding you.

It's a new, albeit not entirely terrible, feeling.

"What's your name, sweetheart?" The man furthest to your left asks, and when you meet his eyes, they're warm and kind. His lower face is mostly covered in a beard, and he's wearing a light brown hat.

You bite at your inner cheek, gaze flicking back to your thighs as you weakly say your name.

Their gazes burn your skin, like a living force, and your hands form nervous fists in your lap. The warm yellow light of the living room lamp creates a warm, safe ambience that doesn't exactly fit the emotions swirling inside of you.

You flinch only slightly when a warm hand moves to rest on your knee, the thumb rubbing comforting circles on it that ease your tight muscles slightly.

When you look to the owner of the hand, it's to see a warm grin and a faux mohawk.

"You're so tense, lass," he says, his mouth quirking into a knowing smirk. "We don't bite."

"Don't speak for all of us, Soap," the man sitting on your close left says with a charming grin, his eyes meeting yours when you turn to him. "I'll ask nicely, love, don't worry."

You nod, slowly, in some sort of trance. This entire situation doesn't feel entirely real, more like a figment of your deepest desires.

Ones you've never let yourself think about, except for the darkest of nights and the dirtiest of feelings.

"Don't scare the girl," the man with the balaclava says, eyes narrowing on the two men beside you.

"Says the one with the fuckin' mask, ya weirdo," the scottish one says with a scoff of a chuckle. Your mouth pulls into a soft grin without you realising, and the hand on your knee tightens ever so slightly.

"I'm Price," the man who you've deemed the most sensible of the group says with a warm smile. His head gestures to each of the other three men respectively. "That's Gaz, Soap, and Ghost."

You can't say that you're all too familiar with the names, nor how...different they are, but you nod nonetheless, reserving the names in your memory.

"Father dearest never talked about us?" Gaz asks, eyebrows softly furrowing in question.

You shake your head, almost apologetic in the movement. "He doesn't like to tell me much, he's, ah... private."

There's a few returning grunts of understanding, and they settle your nerves just a little bit more. For men of their size, they were surprisingly good at keeping you feeling safe and comfortable.

"What're you doin' all alone on a Friday night? Pretty young thing like you, 'nd you're not at a club? A date?" Soap asks, and if you notice that he's moved just the slightest bit closer to you, you don't say a word.

You feel your face heat, and you murmur out your reply. "Never been to either," you admit, pulling at a thread in your sleep shorts with nervous jerks.

Ghost settles further into his chair, legs spread in an almost dominant way. "Surely you've at least had your first kiss?"

If you could get anymore embarrassed, you're sure you'll combust on the spot.

You softly shake your head.

"Aw, love, you're adorable," Gaz says, a hint of a smirk on his features. His dark eyes glimmer in the light, and you lick your bottom lip to wet it.

Price's arms rest on his knees, and his eyes seem trained on you, debating some sort of inner conflict, before they firm with some kind of resolution. "Y'know, we've been training rookies lately," he states, but with a knowing undertone that everyone in the room seems to pick up on except for you.

"That we have," Ghost says, his voice sending shivers down your spine as he nods in agreement with Price.

"How about we train you, bonnie?" Soap asks, his hand moving just the slightest bit higher on your thigh.

You swallow, mouth dry.

"Um. Like, train me... how?" You ask, although there's some part of your brain that knows all too well what area they're thinking of.

Gaz's hand moves to sit at the nape of your neck, stroking in soothing movements that leave your eyes half-closed and glassy. "How about I show you how to kiss, love?"

Your stomach hollows, and your chest rises and falls in heavy beats. Nervously looking around the room, you squeeze your eyes shut as you nod shortly.

Soap's hand tightens around your thigh, a barely hidden warning. "Words, baby, or you're goin' back to your room."

The threat instantly has words flying out of your mouth. "Yes. Please. Just... be gentle?"

All four men seem to huff a laugh at that, but Gaz nods, dimples showing as his smirk deepens. "I can do that."

He pulls you in, and your eyes flutter shut as his lips meet yours.

The feeling leaves you entirely dazed, your nervous system alighting with signals as your thoughts seem to pause, if only for a second. It's nothing like you'd expected, and butterflies erupt in your lower stomach.

He pulls away, not having breached your mouth, and you must look as out of it as you feel because he laughs.

"That good, love?" He asks, teasing and entirely prideful.

You nod, a bit too fast and enthusiastic, before his hand pulls away from your nape. The loss is mourned, briefly, before your attention pulls away from Gaz and instead to Soap.

"Gotta learn from all of us," is all he says, before his lips crush against your own. Where Gaz was tentative and soft, Soap is all energy and desperation.

His hand squeezes your thigh, and when it had moved from your knee to pushing against your tiny shorts, you haven't an idea.

You can't find it in yourself to care, with his relentless attack on your mouth, your lips, your mind.

When he pulls away, you realise it's because Ghost's moved to stand, and his hand is in a tight fist in Soap's hair, pulling his face away from yours.

"Actin' like a fuckin' mutt," Ghost mutters, tone laced with vitriol. It's degrading, and yet Soap doesn't seem phased in the slightest.

You're about to inquire about that when your attention's caught by Price, his knees spread and patting his thigh. "C'mere, sweetheart," he says, and like a dog on a leash, you do.

His unbelievably large hands grab your hips as he seats you in his lap, and with how he's got his legs spread, it forces you to sit over his groin.

It's a compromising position, and the heat that rushes to your core is an entirely unknown feeling.

He doesn't move his hands from your body as his eyes devour it, before they meet your gaze with a warmth to them that has you shivering.

"Show me what the boys have taught you, hm?" He says, and with shut eyes and a stiff movement, you press your lips to his.

He groans, pleased, his thumbs rubbing circles where your skin's been revealed by your tank top. No one's ever touched you there, not in this way, and it has your pussy wet.

When he pulls away, he licks at his lips, as if he's devouring your taste.

"You're so pretty, sweetheart, mm? No wonder your father's got you all locked up," he says, and the reminder of the source of your anger has you wanting to do entirely too reckless things.

Like kissing the four men he warned you about.

Like doing more, maybe.

...Maybe.

His hands force your hips down, and you let out a small whimper when your clit presses against his belt buckle, the action sending pleasure shooting up your spine.

He raises a brow, catching the change in expression and your small sound. "What's wrong, pretty?"

And then, he pulls you down again, deeper this time, and the movement has your breath hitching, core burning with need.

"Oh, you naughty little girl," he says, and the words have your mind turning into some sort of mouldable clay, entirely able to be controlled by whatever these men wanted to make of it. "So needy, ain't ya?"

Someone presses against you from behind, and a belt buckle presses against your lower back.

"My turn to feel those lips, innit?" Ghost says from behind, leaning down to whisper his next words next to your ear. "See what all the fuss 's about."

The idea that you're being passed around, like you're some kind of... of whore has you entirely speechless in the most positive of ways.

You feel filthy, and you love it.

Leaning your head back, you manage to make eye contact with the large man, before his lips press to yours, upside down.

He devours, all encompassing, his tongue slipping into yours without any hesitance. You're clumsy, unsure, but he makes up for it with experience and dominance. The entire act has you woozy, needy for more of them, more of their touch.

You don't expect for Price to start forcibly rotating your hips, forcing you to grind against his lap, but it forces a moan from your mouth, the sound getting devoured by Ghost's overpowering tongue.

"Who knew she'd be such a desperate slut?" Gaz asks, as if you're not there, as if you're just something to be observed. It causes another moan to leave your mouth, and Ghost detaches himself from you with a grunt of his own.

"Think she liked that," Soap says, amused and proud, in a strange sort of way. "Wanna be used, baby? Taken by men nearly twice your age?"

"Yes," you say, on a groan as Price's motions speed up, the pleasure so new and different and good.

Then, he stops, and a whine comes out of you before you can stop it.

Price makes a condescending noise in response. "Poor babygirl needs all the attention, hey? Needs her little pussy played with?"

"She looks like a goddamn mess, cap," Gaz says, his hand coming up to rest on your head. He gives comforting pats, not unlike one would with an obedient puppy.

Ghost's hands come around your waist, and before you even process what he's doing, he rips your sleep shorts in half, leaving you completely bare.

"Didn't think to wear panties, dumb girl?" Ghost asks with an appreciative groan, his large hand cupping your now exposed pussy.

With a whimper, you shake your head, your eyes squeezed shut at the embarrassment and nudity. No one had ever seen it before, and now, four of your father's friends were getting an eyeful.

"Lemme see if she's nice 'n wet for us," Soap murmurs, picking you up from Price's lap in a princess carry.

It doesn't even last two seconds before he's splaying you over the now empty couch, your hands pathetically covering your most private of areas.

"None of that, sweetheart," Price says with a 'tsk', grabbing both of your wrists in one hand and pinning them to the couch above your head, leaving you effectively defenceless to the men.

Soap's hand moves down your stomach, before he pauses for just a moment. "This okay, baby?"

You nod, because yes, this is most definitely okay.

Gaz gives you a stern look, so you quickly fix your mistake. "I -- yes, sir, it's okay."

There's a surrounding sound of approval, and Soap smirks from where he stands beside your hips. "Sir, aye? Like the sound of that."

With that, his finger slides down your pussy, and your eyes shut with a soft moan. His hands are rough, scarred, calloused from years of work on the field, and they're so much larger than your own.

"Think she likes it, sir," Ghost says, taunting Soap, whose eyes are completely transfixed on your glistening pussy.

"Not the only one," Price says with an approving murmur, his hand tightening around your wrists. The sense of powerlessness has you aching with desire.

Soap's finger continues to rub against your slit, not breaching your entrance, instead continuing to tease and amplify his touch. Your eyes are shut, too embarrassed to look at the mess you're likely causing on the fabric, and too nervous to see the expression on the men's faces.

"Do you play with your lil cunt often, princess?" Ghost says, voice darkened with lust.

Your face feels like it's burning, but you nod. "Sometimes. I -- ah," you break off with a moan as Soap's thumb presses against your swollen clit.

"Be a good girl and answer when spoken to, love," Gaz says with a sound of disappointment that has you aching to amend your mistake.

"I'm sorry, sir, I, yes. Sometimes 'm just needing to, um, y'know..." You trail off, trying to preserve any amounts of dignity you had left. You were aware that masturbation was normal, but you'd never discussed it with a single soul, and talking about it felt like laying your soul bare.

Price's other hand moves to gently brush your hair from your face, the gesture so at odds with Soap's sensual movements.

You're about to say something, what, you aren't exactly sure, when Soap's finger roughly enters your soaked pussy. A loud whimper escapes your lips at the sudden intrusion, and the sheer size difference of his finger compared to your own.

"Aww, baby, it's alright," Soap coos, and it's so fucking condescending. It's cruel, almost, as if you're so dumb that you can't even form your own thoughts.

Which is, honestly, more true than you're willing to admit.

"'Atta girl," Ghost groans when your whimpers only increase with every thrust of Soap's finger.

Gaz's hand moves down to replace Soap's thumb on your clit, using the pads of his fingers to roughly circle around it. That sensation, mixed with Soap's intrusion, has your back arching slightly from the couch.

"Think she's close, Cap," Gaz says, conversationally, again treating you like you're not entirely capable of voicing your own feelings or thoughts.

"Mm, that right, sweetheart? Close already?" Price echoes, the hand not around your wrists going to squish your cheeks together, causing your lips to pucker. "What a pathetic girl, hm?"

Those words, those demeaning, humiliating words, only stoke the fire in your stomach, and your eyes burn with unshed tears as you shakily nod.

As soon as you do, however, Gaz pulls away, and Soap's finger leaves your pussy entirely. You groan, eyes opening slightly to see what could've possibly caused them to stop.

"You look so upset, baby," Soap laughs, and his smile is no longer the jovial one it had been mere minutes before -- no, it's been replaced with something much more predatory, something much more dangerous.

Dangerous men.

Ghost moves, then, moving your legs with much more care than you'd expected from the large man, before moving to kneel at the end of the couch where your legs had been. Hooking your knees over his shoulder, he effectively folds you in half.

"W-what are you doing?" You ask, almost frantic, utterly confused at your current state.

He leans down, hooking his balaclava over the tip of his nose, before there's searing wet heat at your core, causing you to throw your head back with a loud moan.

Gaz chuckles, "So dirty, love. Like having the big bad Ghost with his head between your legs, huh? Like having the attention of men with blood on their hands?"

Oh, and the confirmation -- the proper, hard proof, that they killed, that they truly were as dangerous as your father had said --

"Yes, fuck, please, oh my god," you ramble, almost incoherent with your words as you body trembles with the feeling of a mouth at your pussy. "Jesus, don't stop."

You can hear laughter around you, some words being passed between the men, but your focus is entirely on the tongue dipping into your folds, licking at your essence like a man starved. Like you're his only salvation.

Soap's hand is in Ghost's hair, a complete parallel to the kiss the two of you had shared, and he's pushing Ghost further against you, manhandling him like a toy for you to grind against, for you to take advantage of.

"I'm gonna, oh, please, I'm close," you cry out, eyes squeezed shut yet again as Ghost's ministrations only double in enthusiasm.

"Yeah, sweetheart? Gonna cum all over his face? Go on, ride it, there we go," Price eggs you on, his hand patting down your hair, massaging at your scalp as you lose yourself to the pleasure of it all.

You cum with a desperate keen, tears finally spilling down your cheeks as you ride out the high, embracing this moment for the beauty it is.

It doesn't hit you, not at first, the full extent of your actions.

Ghost pulls away after your whimpers turn into ones of overstimulation, pressing a soft kiss to your inner thigh, your twitching pussy, and then your inner knee as he carefully sets your legs back down on the couch.

"Such a good girl, aye?" Soap asks, rubbing at your tense calves with expert strokes and pressure. "Did so well for us, darlin'."

Your head feels like it's been filled with cotton, and your mouth is in a similar state as you nod dazedly.

You're not sure when, but at some point, Price gently moves you to lay your back against the cushion of the couch. "Need you to drink something for us, sweetheart, okay?"

Gods, this part? Them treating you like a princess, like you're something worthy of taking care of, it's almost as good as the orgasm they'd given you.

Gaz comes into view with a glass of water, and when he gently moves your chin to open your mouth, you let him pour it down your throat.

It feels almost like you're entirely too weak to do anything by yourself, like your ability to function has been completely removed by these men. It's intoxicating, the kind of feeling that could be as addictive as the most threatening of drugs.

The water slides down your throat, and it's as if it cools you from the inside out, your heartbeat slowly coming down from the quickened pace it was previously at.

Price picks you up, cradling your head to his chest as he sits down, the other three settling down on the couch as well. Gaz, sitting beside Price, moves your legs to sit over his lap, your feet in Soap's. Ghost sits to Soap's left, his eyes focused on you as you get comfortable, burrowing your head closer to Price.

If you could stay in this moment forever, you think that you'll be a very happy woman.

Closing your eyes, you drift into a space between sleep and awareness, and when they flutter open again, you realise that your previously exposed pussy and legs are now hidden by your sweatpants that had been laid on your bed, ready to be put away.

Price's hand is in your hair, softly playing with the strands. His hand encompasses your entire scalp, almost, and if you weren't completely exhausted, that fact alone would have you ready to get on your knees.

"What're we gonna do?" Gaz whispers, and you realise with a start that they must all think you're still dozing. "I mean, we seriously fucked this up."

"Not yet we haven't," Ghost interrupts, voice still gravelly and low, but with a hint of warmth. "This doesn't change anything."

"This changes everything!" Soap hisses back, incredulous, his hands stilling from where they were rubbing into your feet with practiced movements. Were they all trained masseuses, or something?

No. Trained killers, your mind unhelpfully supplies, and a chill runs down your spine.

Oh god. Oh god. What had you done? Seriously, what the actual fuck had you done? You just.

You just lost your virginity to four of your father's very lethal, very dangerous friends. Friends who are nearly twice your age, at that.

Oh. God.

"Laswell will be expecting correspondence by three," Price mutters in a voice akin to a whisper. "You boys know what we have to do."

What? What were they talking about? Who was Laswell? What did they have to do by three?

Your mind whirrs, like a hamster in a wheel, before the sound of keys jingling on the other side of your front door has your entire body freezing.

Oh god.

Oh. God.

"Shit," Gaz grumbles, and between one thought and the next, you've been bundled up into a warm chest, the movement fluid and shockingly quick. A hand at the base of skull softly pushes your head against a warm neck, and your legs hang over a muscled arm. "I'll take her upstairs. Be quiet and quick."

There's murmurs too quiet between the other three as you're taken up the stairs, two steps at a time, by the man whose fingers had been on your pussy, at most, only an hour ago.

You're aware that you've been taken to your room when the door clicks behind you, the familiar path to it engrained in your memory, even with your eyes closed and in someone else's arms.

The smell of vanilla and caramel is a comforting and familiar one, and you realise that you'd left your candle burning all night.

It's really the least of your worries, but that thought manages to snag at your conscious like an annoying fly.

"I'm so sorry, kid," Gaz whispers, gently laying you down underneath your bedsheets, before pulling them up and over your lazed form. "I'll try my best to talk some sense into 'em."

You're not sure what he could possible mean -- what the fuck was even happening, what your life was even becoming, but his words are nothing if not sincere.

His tone is almost... apologetic, in a way, and you reserve that thought for later. When you're not pretending to be awake, when you're still not slightly out of it from your first orgasm caused by someone else, when you're not in the middle of the worst moral conflict of your life.

Your window's slightly open, allowing a soft breeze to brush over your still slightly heated skin as Gaz presses a soft kiss to your forehead, brushing your hair back.

"Get off me!"

Your father. That's your father's voice, and it sounds panicked, angry -- not unusual, but still, the cause of it was nearly always you.

And those specific words, what --

"Y'know, Laswell found out somethin' pretty interestin' the other day," a voice that you recognise as Ghost's says, tone mocking interest.

Gaz moves away from you, before going to the window and looking out at whatever scene is happening down there. Somehow, he hasn't realised you're not asleep -- you'd kept your breathing pattern the same as it usually was when you're asleep, some youtube video you'd watched months ago finally coming in handy.

You can hear them all clear as day through the small opening of the window, and Gaz can too.

"Aye. Somethin' 'bout some info bein' leaked," Soap continues Ghost's train of thought, and you're so lost it's almost pathetic.

But, you continue to listen, desperate for any source of understanding for whatever the fuck was happening down there.

"You can't possibly think it was me!" Your father yells, his voice full of venom and rage. To have it not be directed at you is a rare moment, and you allow yourself a small breath of reprieve.

"We know it was you," Price says, before sighing loud enough for it to be heard from your room. "The way you spoke about that kid of yours was enough to cement the idea."

"She's a fuckin' waste of space, and where do you get off on caring how I treat my kid? Has nothin' to do with the job!"

Those words hurt. Like an actual, physical wound, almost.

Gaz swears under his breath, and you can feel the tension ooze out of him like a wave. It's... oddly comforting.

There's the sound of a fist hitting a jaw, and it takes everything in you not to race to the window and look at what's going on yourself.

"Jesus fucking christ!" Your father hisses, and you put two and two together. One of the three men down there had punched him -- if you had to take a guess, it was Ghost.

"You've never been one of us, and you'll never be one of us. You sellin' us out was the last straw, mate," Soap snarls. You can hear him spit on the ground, before another sound of fists flying makes your heart race.

There's a moment of silence, until two things happen in the span of five seconds.

First, your father screams, "Please! Don't --"

And then...

A bullet.

The sound of a trigger being pulled.

The sound of a bullet ringing through the air.

The sound of a final breath.

Your eyes fly wide, and you immediately stumble out of bed.

Gaz's gaze meets yours, and there's nothing but apology in them. No guilt, just apology.

He doesn't stop you from looking out the window, where your father's body lays in the grass, blood leaking from the wound now sitting between his eyes.

And when you turn to him, he doesn't stop you as you land a punch to his jaw.

a/n. CROSS-POSTED TO AO3 ummm so did i PLAN for this to become an actual fic? no. not in the slightest. but i was writing the fingering bit and was like. what if her dad died? and there's an actual plot? so uhhh here we are! anyways hope yall enjoyedddd if u guys know me u know polyamory is my SHIT so there will very likely be more poly!tf141 x reader to come. ty for reading mwah mwah mwah

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awearywritersworld · 5 months

Text

i have for the first time found what i can truly love—i have found you

sukuna x reader summary: you and sukuna go out for a late night meal. gojo finds out about your... relationship. sukuna is forced to take care of you when you come home drunk. w/c: 2.85k tags/warnings: enemies to lovers. fluff. lots of banter. cursing. jealous/protective!sukuna. gojo being a flirt. aged up!yuuji. features a teeny bit of yuuji x reader. drinking and drunk!reader. not canon compliant. fem!reader. no use of y/n. no manga spoilers. a/n: i think i like how this turned out! also, the first two sections could def be read as a fluffy lil stand alone. idc whats happening in the canonverse, sukunas just a tsundere who adores us very much<3 series masterlist // masterlist

"maybe if you stare long enough, food will magically appear," sukuna calls to you from the kitchen table.

"this is no joking matter," you scold from your place in front of the fridge. "i'm starving."

"well, here's an absurd idea— let's go eat."

you turn toward him, finally closing the fridge, and tilt your head to the side. "you eat?"

"of course." he leans back in his chair, folding his arms over his chest. "i typically prefer babies, but hell, i'd even go for an old man right now. i'm famished."

your eyes widen and your mouth falls open. he lets the panic simmer on your face for a few more cruel moments. "i'm kidding, idiot. i eat food, same as you."

"i knew that," you assert. the way your shoulders sag in relief tells him otherwise.

"right," he smirks. after standing up, he grabs your purse and tosses it in your direction. "where to? you're buying."

with only so many places open at midnight, you begin your journey to a 24 hour ramen shop.

you've hardly interacted with sukuna outside of your apartment, so this is certainly an experience you didn't anticipate. and in fact, you're shocked at how normal it feels— almost as if it's a date.

as you walk down the street, people eye him suspiciously because of the dark lines they assume are tattoos. it doesn't bother you though, nor does the lateness of the hour. you know that you're safe because you're with him.

your hands keep brushing against one another's, and you're hoping that he'll eventually take a hint and reach for yours. he doesn't (i mean come on, do you even know who you're dealing with?).

he does at least pick up on your pouty expression with impressive ease. "what now?"

"nothing," you huff.

"don't be a brat."

you sigh dramatically. "you're supposed to hold my hand."

"sure princess," he says condescendingly, lacing his fingers through yours. "maybe use your words next time like a big girl."

he doesn't fail to notice the ensuing skip in your step, and he kicks himself for regarding it as cute.

when you arrive at the ramen shop, sukuna orders no less than three bowls, which earns him a glare once the waitress walks away.

"when i agreed to pay, i didn't know what a glutton you are."

"oh yeah? cause i'm just the picture of temperance any other time?"

you scoff. "well you've got me there."

a sly smirk settles onto his face before he speaks again. "maybe one day you'll learn how greedy i am when it comes to the things i've deemed pleasurable."

you choke on the water you'd just brought to your lips, your face heating up as if it'd been bathed by fire.

wiping at your mouth, you try your best to recover quickly. "whatever, you hellion. as long as that doesn't involve a fourth bowl of ramen."

you're no more than 10 steps away from the shop when you hold out your hand to him. "ahem."

he grabs it roughly and not without rolling his eyes.

"what?" you ask innocently. "that was a word."

"hardly," he jeers. "for as much as you read, i'd expect you to be more fluent than a child."

"and at 1000 years old, i'd expect you to be more charming than a teenage boy, but i guess we're both making concessions."

"see, this is the part that puzzles me. you never seem to have trouble with your words when you're being insolent."

"maybe it's a sign," you begin whimsically. "the universe decided you need to be taken down a peg."

"ah, yes. you as the executor of the universe's will. i don't know why i couldn't see it before."

you giggle, rather delighted that he's elected to play along with your quips. there's something that feels so warm and pleasant about it.

as you wonder if he feels it too, your hand tightens around his.

you're not quite ready to head back to your apartment just yet, because you're scared you'll lose the atmosphere surrounding the two of you. in truth, it's a bit intoxicating.

the perfect opportunity arises when you spot a small park up ahead. lights are strung around the trees, all of which are situated around a small fountain.

"we should stop at that park!" you hardly finish speaking before you take off in that direction, tugging him along behind you.

after you plop down on the fountain's ledge, sukuna takes his place beside you.

"let's sit here for a little while."

he doesn't respond and you take his silence as agreement. he's not really one to stifle his grievances.

as the minutes pass, the rush of the fountain is the only noise that fills the air, while you gaze at the trees with a serene expression.

sukuna, however, is looking at you. the only care he has for the trees is the way their lights reflect in your eyes. otherwise, he's fully occupied by the curve of your nose and the fullness of your lips.

"isn't this pretty?" you finally ask.

"it's pretty," he agrees, even when such a soft word feels foreign on his tongue.

his eyes still haven't left you, and you seem to be oblivious to this fact until he reaches up to stroke your cheek with the back of fingers.

when your gaze lands on him, the fondness written all over his face catches you off guard and you realize how close the both of you are. without really thinking about it, you lean into his touch.

"very pretty," he repeats lowly, as if he's talking to himself.

your heart lurches once in your chest, then hammers away at your ribcage without respite. he leans toward you a fraction of an inch, his eyes flicking down to your lips for a brief second.

truthfully, sukuna has never felt the way he does in this moment. it's a sincere sort of desire. he doesn't want the mindless devotion he once thirsted for from his followers. and he doesn't want the sex he used to crave from his concubines.

no. he just wants you— in whatever capacity you're willing to have him.

the way he's looking at you is just too much. there's a dull thudding in your ears and you swear your thoughts are moving at a million miles a minute.

so naturally, you blurt out the first thing you can manage. "we should take a selfie!"

his face shifts from whatever that expression was to one of confusion. "take a selfie?"

some twisted mix of relief and disappointment crashes through you.

"yeah, a selfie. a picture together. ya know, since the park is so pretty," you ramble.

he pulls away from you. not all the way, but enough that it gives you space to finally breath. he chuckles and it doesn't sound lofty like it so often does. in fact, he seems genuinely amused by you.

"a selfie," he deliberates. "that sounds great, but to the best of my knowledge, hell hasn't frozen over."

and just like that, your dynamic feels like it did during your walk from the ramen shop to the park— comfortable and fun.

"well i guess you would be one of the first to know."

ignoring his protests, you take out your phone and hold it far enough away that the camera captures both of your faces. you can see on the screen that he's put on an expression of complete boredom.

"c'mon," you nudge him with your elbow. "you look like you hate me."

the corner of his mouth curves upward. "that's because i do."

you think back on the way he was gazing at you just moments ago and laugh. "you're so full of shit."

then, without warning, you press a kiss to his cheek and click the button.

you decide that his vague look of contented surprise will just have to do.

when you and yuuji walk into the bar, you immediately spot one of the people you're there to meet. he's sitting at a hightop by himself, his snow white hair pretty hard to miss.

you tap his shoulder and his face breaks out into a grin. he slides out of the barstool. "if it isn't my favorite civilian!"

as he pulls you into a hug, you wonder if he's ever going to get tired of that joke. "if it isn't my favorite old man."

"35 is not old," he argues, moving to greet yuuji. "i'm still in the summer of my life, thank you very much!"

"gojo you're 36," the pink haired man remarks.

"gah! such betrayal, yuuji!" he presses his hand to his forehead and takes a deep breath. "now i'm going to need another round."

"i'll go and get drinks for all of us," you offer. "you two stay here so no one takes the table."

before either of them can respond, you turn and begin making your way through the crowd. you don't hear gojo when he calls out, "but darling! i should go with you!"

he takes a step in your direction, but stops when sukuna's mouth appears on yuuji's cheek. "you certainly should not, you insufferable half wit."

"relax, dude. he flirts with literally everyone," yuuji informs him.

gojo scoffs. "i am right here—"

"as if that makes it better?" sukuna barks. "she isn't some toy to be played with."

"of course she isn't! you can't honestly think i'd believe otherwise."

gojo is left forgotten for a moment as the other two bicker, so he interjects once there's a lull in the conversation. "do either of you care to explain what the hell is going on?"

yuuji turns toward him, trying and failing to hide the embarrassment on his face once he realizes that gojo is, in fact, still standing there.

his eyebrows are raised above his sunglasses and it's clear he is inappropriately amused by the situation (what else is new?). he moves to sit across from the younger man, looking at him expectantly.

having no way to talk himself out of this, yuuji relays the recent events regarding you and sukuna, sparing some of the finer details. gojo's face doesn't really betray much emotion throughout the story, though he does look thoughtful by the end of it.

leaning forward, he crosses his arms on top of the table. "maybe your feelings for her are influencing his own, forcing a sort of bond between them?"

"i don't think so," yuuji contends honestly. "other than her, you're the person i admire and respect the most, but he thinks—"

"that you are perhaps the most imbecilic rampallion i've ever had the displeasure of coming across."

gojo jerks back, as if the insult had hit him squarely in the jaw. the look of giddiness from yuuji's compliment, followed by the shift to indignation at sukuna's insult is almost comical.

he stretches his neck forward, cupping his hand around one side of his mouth as if it'd keep sukuna from hearing. "what'd he just call me?"

yuuji shrugs. "beats me, but i don't think he was singing your praises."

"i see your point." gojo pauses, glancing over his shoulder. you're approaching the table, so he turns back to yuuji and quickly adds, "we'll talk more about this another time, but for now, keep this between us."

a few moments later, you appear in front of them and exclaim, "look who i found!"

megumi and inumaki situate themselves around the table too, offering their greetings. you slide yuuji and gojo their drinks, both of which are filled to the brim of the glass. "now then gentlemen, shall we?"

when gojo teleports you and yuuji back to your apartment that night, it takes everything in you to keep from yakking all over your carpet.

"ta ta, hooligans!"

you turn to request that he never do that again, but he's already gone. taking one step forward, you promptly fall on your ass in the entryway with an unforgiving thud. yuuji staggers toward the couch, making it there just in time to face plant into the cushions.

looking down toward your shoes, you're dismayed to find that each one appears to have two sets of laces. you're fumbling with them determinedly when someone crouches down in front of you, their elbows resting on their thighs.

he doesn't say a word. brushing your hands away, he unties your shoes and carefully pulls them off your feet. you're lifted from the floor before you can register the arm that's looped under your knees or the other that's securely around your back.

"careful," you hiccup, your head falling into the crook of his neck. "'m gunna p-puke."

"i'd rather you didn't."

you groan. "s'not like i 'ave a choice in the matter."

he hums. "how much did you drink?"

"dunno. sss'much. nobara—" you hiccup again. "nobara n' maki made me."

he chuckles, placing you down on what you figure is your bed. "right, i'm sure you had no choice in the matter."

"tha's correct, yes."

unbuttoning your jeans, he tugs upward on your belt loops. "lift."

you do as he says, lifting your hips from the bed so he can slide your jeans off your legs. he knows you won't remember this— hell, your eyes are already closed— but he looks away as he does it anyway.

pulling your phone from your pocket and putting it on the charger, your pants are discarded off to the side. he only turns his head back in your direction once he's pulled the blankets up over your body.

"tuck me in?" you request.

sitting down on the bed beside you, he does so without protest.

he stares at you for a little while, worried about how poorly you're probably going to feel in the morning. he presses a kiss to your forehead, intending to get up and grab a water bottle for your nightstand.

instead, his body freezes when he hears you mumble, "i love you s'much."

his heart clenches so painfully, he honestly considers ripping it from his chest— it would probably be less agonizing.

but a thought that makes him feel like a fool occurs to him. of course it's not him that you love. "i'm not yuuji."

"well, duuuhhh. you're s'kuna." you're peering up at him through tired, hazy eyes. it's the first time you've ever seen him look bewildered, so a small giggle erupts from your throat. "s'okay. you don't 'ave t'say it back."

your eyes flutter shut and your breathing evens out before he even thinks to respond. all at once, it's as if his head is empty and as if it's about to explode.

love?

what does he know about love? it's a sentiment he's cursed for so long, but sitting here beside you, he can't quite seem to remember why. one thing he is sure of, however, is that there's never been a thing in the world he's loved.

suddenly, he's struck with remembrance of a quote from jane eyre you had emphasized with messy underlines:

"after a youth and manhood passed half in unutterable misery and half in dreary solitude, i have for the first time found what i can truly love—i have found you. you are my sympathy—my better self—my good angel. i am bound to you with a strong attachment. i think you good, gifted, lovely: a fervent, a solemn passion is conceived in my heart; it leans to you, draws you to my centre and spring of life, wraps my existence about you, and, kindling in pure, powerful flame, fuses you and me in one."

rochester says it as he begs jane to stay at thornfield with him, an act sukuna had previously regarded as ridiculous, but is that still the case?

were you to ever scorn him, would he fall to his knees and plead with you to change your mind? or if you were in danger of dying, would he drag himself to a shrine and pray to the gods he doesn't believe in?

is that what love is?

could he stand to be apart from you? are you special to him? does anything else in the world compare to you? does he seek out your company? is he consumed by you? can he know himself without knowing you?

does the definition of love lie in those questions?

sukuna hopes not, because he's terrified of the answers. being in love is not his way, nor is it in his nature.

he buries his face in his hands as realization settles into his bones. it feels as if they're splintering beneath the pressure, trying resentfully to stave it off.

he transcends any imaginable scale of power. he's bled entire villages dry, he's commandeered death, he's the king of curses.

so why now? and why you? is it divine retribution? a sick sort of joke that even he couldn't have dreamed up?

gods, you were right. the universe has sent you to carry out its will and he's completely powerless to stop it.

the worst part of it all? he doesn't want to.

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