#this was actually my very first op thing before i went completely insane and the au happened KJGHKJSHS | Explore Tumblr Posts and Blogs

animefreak1145 · 3 years

Text

The Brilliance of Break On Through

Call of Duty: Black Ops Cold War Mission Break on Through—An Analysis

I have replayed the campaign of COD:BOCW numerous times—too many times truly. Did a whole playthrough where it was Hardened and soon I’m sure I shall do Veteran(something I have never done for any COD game. Not even Hardened.).

All missions have their own unique qualities—parts where the player gets a little rush of adrenaline depending on the kind of mission and how they choose to play it (Nowhere Left to Run just a plain shooting match while Brick in the Wall you can choose to remain stealthy like the good spy you are or go crazy like an eager homicidal maniac).

Even within the safehouse, there are plenty of little details to discover if you take the time to look around and observe everyone. Or, everything. (The radio if turned to a Russian station/correspondence, Adler changes it back immediately before Da Nang mission. Watching Park’s body language, as you talk to Adler and she periodically looks over to you two. Adler suspicious when you go to the Red Room or the locked room with the arcade. The T.V. being turned on in the Red Room)

But the amount of details, details, in the mission Break on Through is outstanding. I have played this mission more than any other due to me wishing to look at all the details. There’s so many, I think I may miss some. And I can’t show them off all to you cause I suck at creating gifs and don’t know how to transfer that from Xbox to my phone.

To lighten it up a bit, I won’t focus on the four different scenarios you go through—at least not each one. That would take too long and I do not have gifs/pics to show it off since Tumblr limits it to ten anyways.

I will, however, try to guide to what parts of the game you all can explore if you choose to do so. As well just how detailed they did this mission.

I am going to start with the different statements Adler says to you throughout all the Scenarios(17, 6, 11, 1). We only go through four in the actual game—but the fact it goes up to 17 or possibly more shows just how far they went in and messed with Bell’s mind.

Now, Adler seems to be a bit bipolar on how he talks to you whether or not you listen to him and all his directions. Either totally blasé and cold to giving you and pumping you up with more MK or meds, or actually a tad concerned and patient as he guides you through.

If You/Bell Stands Still/Does Nothing:

Example 1

“So you did nothing? What were you, in shock?”

He throws the words callously, mocking. As if Bell isn’t confused and lost at what is going on. He even sounds irritated that you might actually be in shock due to these memories that are just fake—not even real. Not like what he has.

Example 2

“What’s wrong with Bell?” -Adler

“I’m not sure. . .” -Park

“I guess we’ll just wait on you to proceed, Bell.”

The contrast is dizzying. He sounds concerned when he asks Park on what could be wrong with you. If he pushed you too far and now you’re just frozen. And, instead of rushing you due to how the fate of half of Europe is at stake, he decides to give you space. Just wait for you and you’ll come out of it soon enough.

He does these sort of reactions numerous times. Jumping from intimidating to the Adler we knew as the player, as Bell—kind and always in your corner that believes in you. He switches tactics based on what he believes will work really—or he just felt really on edge at times and threw the farce that you two were friends out the window.

Other examples include:

Scenario 11–Napalm Strike-in the lab in the room where you were brainwashed

“Christ, what’s happening with them?”-Adler

“A mild seizure. Sims, past me a benzodiazepine.” -Park

Again, concerned. Worried. Almost…at unease?

In the lab—tripped up on drugs. If you run through the tight shrinking hallway back and forth like so(I suck at making gifs, I’m sorry):

“Why is Bell repeating themselves?”

“Bell, stop speaking in circles.”

Now, as others may have suspected, Bell is talking to everyone as they’re stuck in this horrible loop of mental torture. Most likely muttering, hands clenching and arms pulling against the straps of the gurney, moving their head back and forth depending on what they’re seeing. I always saw Bell as muttering quickly in Russian as they go through all of this—their mother tongue where it may comfort them as they’re panicking and speaking to Adler.

It’s just a nice detail showcasing how exactly Adler knows that Bell is on script—Bell saying what they’re seeing and doing and what’s going on. It shows also just how hard they put Bell through the ringer(badum tss. I’ll leave now).

All the details too when the game shows how the drugs they put in Bell affects you. Like so. The hallways appearing long. The lights looking yellow. You feel so fast—look how quick you can run. Run towards the Red Door that Adler so desperately wants and maybe this can stop. Ah, why is it running away from you? What’s going on?

I don’t know about you, but I was so lost and confused at what was going on my first playthrough. For the majority of this mission, the possibility of me being brainwashed didn’t reach the BACK of my mind till probably I actually saw the flashes of scenes about Vietnam and calling Bell a subject. So like right here.

I personally thought that I had a repressed memory or something due to me going through the Vietnam War. That whatever I saw with Perseus, I—or rather Bell—repressed it from our mind due to how violent or horrible what we saw or experienced was. And that Adler suspected and just really wanted to know about it.

I didn’t expect for the man to actually brainwash my character—us—Bell! The game made Adler your mentor, who always defended you from Hudson and believed in your skills very highly. How he and Bell were basically perfect partners when the two of you were together.

It’s amazing—cause I think that’s what the developers were going for. The absolute trust. The loyalty. The denial that ‘maybe Adler is being a little harsh but hey, this is to help Perseus so it’s okay?’ It’s perfect. Because I’m sure that is what Bell actually felt in real time.

Yet, if you go through the total rebellious choice of not listening to Adler, some thing’s make sense. The Rebellious Side shows you way more than if you just listen to Adler like a Dutiful Soldier.

You go through this room if you choose the rebellious route, the T.V.’s automatically turning on the closer you get. Of Vietnam. And now, all those T.V.‘s that turned on by themselves(the Red Room, Lubyanka, Cuba) make sense. You were actually being brainwashed. Poor Bell probably can’t ever have a turned off/broken T.V. again. The trauma.

Said trauma being shown multiple times too. Not just the T.V.‘s. But the absolute terror that Bell felt, before they became Bell, with Adler.

Like do you see this? This terrified me when I saw it at the end of the hallway. I just saw a red shadow in the distance and I legit thought I was about to be chased. Call of Duty became a horror game(I also went through the door to the ground too my first playthrough, so before this I went through zombies and I think my heart was going to jump out my chest) I thought. I didn’t want to get closer. I had to, with each step I see that it’s not a shadow but a body. And than I see the familiar jacket, the sound of whirring in my ears and see it’s Adler’s head being twisted back and forth, side to side, up and down, in a speed that in inhumanely possible.

Makes one wonder if Bell themselves sees Adler as inhumane. Not human. Adler seeming to just be a god in their head. All the Adler shaped rocks/boulders you go through and see. Even one point the V.C. becoming Adler and you killing him over and over and dead bodies of Adler being everywhere.

The man has entered Bell’s head and won’t leave. Just like Adler won’t leave Bell alone.

Heck, there’s one point in my playthroughs of this mission I was by the bridge yet there were parts of the lab by it. I jumped towards it, noticing down below there were different floors of the lab that eventually reach the ground. I jumped to reach the next floor and missed and I died.

And Adler mocked Bell committing suicide.

That was the kicker really that Adler truly is indifferent towards Bell. Like complete disregard. I know it’s fake. We know it’s fake. Adler knows it’s fake—but to Bell, it felt real. That’s the crazy part. All of this—this whole sequence feels real to Bell so each time they die they actually feel it. It’s insane. It’s cruel.

But we all know that Adler isn’t known for his kindness. Still like his character though, he’s layered.

I don’t have the exact quote he said, didn’t wrote it down like the others. I was shook he said it at all.

Moving on to the final details I’m going to talk about.

When you go through the room, I believe this comes out for both rebellious and dutiful, really depends. You see it filled with post it notes, articles, plans, and newspapers. And you see once more just how Bell has been scarred.

I don’t know Russian or German, but I imagine the notes are similar to what the English one’s say. If I’m wrong, please point it out.

There’s also post it notes which I believe is in code as well due to all the numbers—I’m not sure what those could mean since I am no decoding expert.

Poor poor Bell. And with all these pictures and plans—of Adler included—it begs the question that Bell may have been warned about the famous America’s Monster beforehand. Had to have—since Adler is basically Perseus’s adversary due to how stubborn the American man could be. It just adds more to the story, despite Cold War having quite a short campaign, they made it up somewhat with all these details everywhere.

When you finally and actually reach the room.

As you grow closer to the table, to your chair in the conference room while everyone else seems to have their own spots, there’s something I noticed.

There’s glasses. As well as a hat. And it’s Bell’s. Or at least, it used to be. Why else is it on their side of the table? By their chair? I believe it might be reading glasses due to all the decryptions Bell does, whether on paper or through a computer, it’s hard on the eyes. (I’m sure I’m not the only one who noticed this. For look at @second-vtoroy ‘s Bell)

I believe through the brainwashing, Bell might not need glasses anymore. After all, apparently they were a smoker like Adler before too but they took that out of you. What else they changed of Bell? It makes one wonder how far they truly went into molding a person.

Which just adds onto how mind boggling this mission is—this game is. This is my favorite COD game, despite how short it is. The details and choices and interactions with everyone and able to create your own character(albeit it’s very standard and not specific but it’s good enough for me) is AMAZING. I’ve always been a sucker for RPG’s and able to get that even a little in a COD game? Truly wonderful.

I couldn’t touch on everything because it would’ve gotten long, but the fun of the Break on Through mission never gets old. It’s genius multiple ways you can do it. All the details. The feelings you feel as a player as you go through it.

They truly did a unique job with this and I hope they continue with this type of game storytelling. Hopefully longer as well.

Anyways, hope you guys enjoyed this rant basically!

Gifs made by me and used the video down below to help.

https://youtu.be/t6QkmkGGHSQ

youtube

#russell adler #call of duty #cod #black ops cold war #call of duty cold war #cod cold war #cod bell #cod analysis #cod:bocw #call of duty analysis #bell call of duty #Adler and Bell #Cold War

218 notes · View notes

shuttershocky · 3 years

Text

I want to write about how well Hypergryph translated the Rainbow operators’ gameplay from Siege into Arknights, because as a Rainbow Six Siege player I’m quite happy with how they did it and thought that the developers either did a ton of research, or are avid Siege players themselves.

This doesn’t even include how much work went into using the characters for the event story, which was insane. Everything from the story direction (Siege started out as a realistic shooter about counterterrorism that eventually turned into mad sci-fi thus the direction of Originium Dust and its villain) to little character details (Blitz is the one mingling with the locals and learned to speak in Sargonian because part of his backstory is that he’s a linguist) were pulled off marvelously.

Before we begin, it is important to note that Rainbow Six Siege’s operators are split into Attackers and Defenders, which have completely different rosters. It’s an asymmetrical game. Attackers need to break in and capture an objective, while Defenders need to defeat all the attackers or stall until time’s up, and their gadgets and unique abilities serve their respective roles. Arknights’ collab has two attackers, Ash and Blitz, and two defenders, Frost and Tachanka.

Ash

Siege: In Siege pubs, Ash is often the first one busting in. Notoriously fast and difficult to hit, her gadget Breaching Rounds shoots a drill charge through any soft wall and then explodes, letting her crash through unreinforced walls, ceiling hatches, floorboards, etc. She’s aggressive and very easy to play with great guns, so along with her notoriously tiny head playing her is often joked as All Aim And No Brain.

Arknights: In Arknights, Ash’s offensive and fast playstyle gets translated into her talents and skills. Her second talent lowers her DP cost by 3 when she’s first deployed, making her initial cost extremely cheap for her rarity. She also gets a massive initial SP gain to use her skills faster, meaning bringing Ash in Arknights often means giving her an explosive, fast entrance where she drops in before anyone else and can use her firepower almost immediately. Her skill 2 is her R4C gun in Siege, having the exact same 31 bullet clip and the same devastating power with its high damage and fast firing rate. Her skill 3 is her breaching rounds gadget, with the same 2 shots only ammo limit that she does in-game. Unlike in Siege however where Ash uses it to smash open the level and attack from unforeseen places, Ash in Rhodes Island uses the Breaching Rounds as a straight up explosive weapon, though it still deals bonus damage for landing on a wall.

Blitz

Siege: If Ash attacks you by surprise, Blitz announces his arrival with his heavy footsteps and his tendency to go in through the front door. He’s currently the ONLY Siege operator with a shield that can sprint while protecting himself, meaning that his playstyle involves charging like a bull into the line of fire, shrugging off all bullets with his shield while praying that no one sprays his legs, and then bashing his shield into the first player he gets in melee range of. When the enemy’s experienced and tries to stay just out of shield-smashing range though, that’s when Blitz uses his gadget, an extremely bright light on his shield that flashbangs enemies and blinds them. few things are as scary as suddenly being blinded by Blitz, because anything can happen. You can try shooting wildly or randomly swinging your gun, in which case he can calmly walk up to you and bash you, or you can attempt to turn tail and run blind, in which case he can just shoot you in the back. Blitz’s job is to break defensive lines, take down Roamers (aggressive defenders who try to go for pickoffs like Caviera), and generally cause as much chaos as he can before he inevitably goes down in a hail of bullets and grenades. Not for the faint of heart.

Arknights: Arknights may have had the most difficult time translating Blitz, as a tower defense game means he has to stay stationary, while a Defender’s job is to create a defensive line, not break it. He is however, an extremely aggressive defender, with his talents encouraging him to attack stunned enemies for bonus damage while his Skill 2 gives him a ridiculous +200 attack speed after he bashes an opponent he’s blocking. Maybe the smartest thing HG did with him though, is make his Skill 1 only cost 15 SP at M3, with an initial SP of 15. That means Blitz can be hotdropped into the map and immediately flash someone with his shield, silencing and stunning them for a very hefty 4.5 seconds simulating his bullrush style of fighting. He’s rather popular in 1 tile /1 operator-only challenges or reactive strategies due to this, if not for his funny lines.

Frost

Siege: Frost is a very simple, straightforward Defender operator. While operators like Aruni or Wamai have sci-fi shit going on like cyborg arms, laser walls, and grenade-magnetizing frisbees, Frost brings a bunch of bear traps to defend the objective with (she’s a hunter from Canada after all). Her “welcome mats” often get placed next to windows or doorways, and if anyone steps on them, snap goes the trap and “OW MY LEG WHAT THE FUCK?!” goes the Attacker. Her welcome mats are able to instantly knock down any operator from full health and leave them with a sneeze’s HP remaining, making her a very feared Defender. Since her welcome mats are simple bear traps, they cannot be detected by any electronic scanners like IQ’s, and they cannot be disabled with EMP bombs from Thatcher. The only way to deal with a welcome mat is to destroy it with bullets and explosions, but that just tells Frost you’re here...

Arknights: Frost is also equally simple. She has a lot of welcome mats, you step in it, and you take damage and stun / bind. If Frost has Skill 2 equipped and an enemy steps on her mat while in her attack range, they also take a shotgun to the face, just like they would in Rainbow Six Siege (except it would probably her her SMG instead, Shotgun Frost users are rare in pubs from my experience)

Tachanka

Siege: Arguably the most beloved operator in R6 Siege, if not by pickrate, then definitely by memes. Tachanka has two identities, due to a major rework done to the character in 2020. HG being the madmen that they are, decided to translate both into Arknights.

Pre-Rework: The Lord Tachanka was essentially a turret user. He put a big shield and stand on his LMG, picked a spot, deployed his LMG, and then shredded any Attacker that tried to challenge him in a direct fight. His gun was powerful enough to tear open gaping holes through walls, and his shield meant that trying to take him head-on was rather suicidal. Unfortunately, being a stationary character in a tactical shooter is very bad for your health, especially when Siege allows you to open up walls, floors, and ceilings. It wasn’t uncommon for Tachanka to guard a location, then suddenly have the ceiling come crashing down from Ash’s Breaching Rounds and instantly get cut down from above. Additionally, Siege is a game with one hit kill headshots no matter the weapon, so even if Tachanka had a very big gun that dealt 55 damage in a game where people only have 100 HP, he stood still in a game where a peashooter could instakill him if he was taken by surprise, meaning he was never very powerful. Still, the players loved him, and actually winning with Tachanka felt glorious.

Post-Rework: In an effort to make him more viable, Ubisoft gave Tachanka a new gadget in the form of the Shumika launcher, a grenade launcher that fires... fire. Now an area denial operator like Smoke, Tachanka cuts off the Attacker’s paths by setting rooms ablaze, forcing them to take damage over time if they still wish to cross. In order to placate his fans, Reworked Tachanka got one of his regular guns removed in favor of having his classic LMG, now mobile and able to be carried around, though with the shields removed. Now Tachanka is, while not OP, quite respectable in the right hands, able to bounce his grenades to set you on fire from safe angles, while carving you up through walls, floors, and ceilings with his LMG if he knows you’re there.

Arknights: If there’s anything Originium Dust makes clear, it’s that HG loves Tachanka. His post rework form is translated into his first skill being the Shumika launcher that lets him set the ground on fire and murder anything standing on it, while his Skill 2 is holding down the trigger on his LMG, just like all Siege players love to do. The stationary nature and shields of his pre-rework form have been translated into his talent, which increases his defense at the cost of increasing his redeployment time, while his unnaturally long range for a dualstrike Guard (He’s not a ranged Guard, he’s a dualstrike like Ch’en and Bibeak!) makes him the only Guard of his archetype that can hide behind a Defender’s shield while denying a long hallway, exactly like he does in Siege.

#Arknights

376 notes · View notes

digital-dhampirs · 3 years

Text

vnc episode 12 thoughts

The thrilling conclusion to the Vanitas no Carte anime’s first cour is out, and I have thoughts! I’m still considering doing a full season/ fill cour review, but I have a Lot of episode 12- specific opinions, so this review / breakdown / thing will focus around e12!

A warning before we begin— review will contain spoilers for events that take place in the vnc manga and not in the anime, and will most likely spoil some sections of the anime’s next cour. With that, let’s get started!

Episode 12 of the VnC anime covers chapters 19, 21, 22, and 23 of the manga.

To begin this review in a brutally honest way, this episode was… in my opinion as a manga reader… bad. It did have some ok moments, but generally devoted a lot of its time to a plotline that (while adorable) isn’t actually super important compared to what was left on the wayside. Vanitas and Noé’s fight over blood drinking is fine, I guess, but why’d we get that minute long flashback compilation and not Dante’s conversation with Dominique, or Roland and Olivier’s complete conversation, or Astolfo’s excitement to hunt vampires, or Mikhail?

I really truly wish the show had taken some of the money and time that went into the Vanitas and Noé fight from chapter 23 and put it into the arguably much more important and interesting parts of this episode. Ruthven drinking Noé’s blood, Roland’s threat, and Chloé and Astolfo’s introductions all had some very janky stills and animations. It truly irked me to see that time and effort went into making Noé’s mouth move while he’s mentally monologuing about wanting to drink Vanitas’s blood, while Roland’s fantastic threat from Chapter 22 got… this. click on image for worse quality

The episode also decided to continue E11’s habit of chopping scenes up and mashing them together. In E11 this was a very not great decision, but was ultimately somewhat forgiveable from a tone point of view. In E12, meanwhile, it’s just all out chaos as the anime tries to string five completely separate scenes into something coherent (Noé and Vanitas in the hotel, Ruthven and Jeanne in the street, Domi and Dante on the stairs, Roland and Olivier in the chasseur compound, and a flashback to complete the Ruthven and Noé encounter from E11). Suffice it to say the anime does not succeed in this endeavor.

What really irritates me about this is that the manga already provided a framework for the anime to work these scenes together into. A frantic Vanitas reunites with Noé, Ruthven meets Jeanne in the street, Roland and Olivier speak about the beast, we see a mysterious flashback of Chloé calling for Jeanne as they talk, cut to Jeanne in the present as Dante and Ruthven’s attendants simultaneously tell Ruthven and Vanitas about the beast’s return.

I really wish the anime could’ve just given us the conclusion to the Ruthven scene at the start of the episode, done the OP, and then followed this series of events to a T. But it didn’t, and the result is a bit of a mess.

The anime’s choice to omit half of Roland and Olivier’s conversation means Dante’s announcement about the beast being back has no meaning or weight; Vanitas running to the hotel before we know what actually happened to Noé at the cafe ruins the drama and irony of the scene; Noé’s lack of memory of what happened at the cafe is muddled by the weirdly placed cafe flashback right afterwards; the anime putting Olivier’s “what that man believes in isn’t god” line seconds before the reveal of Roland’s intelligent and scheming nature doesn’t give the line enough room to breathe and stew; and the transition scene with Domi and Dante just doesn’t fit. I can honestly say I would have preferred Dante just teleporting from the streets of Paris to Vani and Noé’s windowsill than have that scene smack dab in the middle of what’s already a confusing mishmash of way too many unconnected events.

Wow. That was a long, critical paragraph. one might even say it was just as chaotic and disorganized as the episode itself. I feel like I’m really living up to my fullest potential as a bitter manga simp. So! Let’s turn things around and talk about some of the good parts of this episode!!

First and foremost I want to compliment this episode’s music..! The soundtrack of VnC is just all round fantastic no matter what— whether it’s playing during a goofy scene or a fight, it’s is bound to be fantastic. I think my favorite pieces are the ones that play at quiet, ominous moments— the music during Vanitas and Dante’s conversation about the beast is excellent, adding something truly incredible to the atmosphere created by the illustrations of the beast and the eerie green light of the scene. The way the music lines up with Olivier’s “what that man believes in…” line during that one flashback is similarly awesome.

This episode also has very nice voice acting..! Despite all of its struggles in the visual and plot department, pretty much everything to do with the VnC anime’s audio is stellar. I’ve become a big fan of Jeanne, Roland, and Olivier’s voices (I can’t wait to see how Olivier’s VA works with all his screaming in the Gévaudan arc); Astolfo’s voice is perfect for him (I am similarly excited to see his clipped, polite tone take a turn for the insane as the Gévaudan arc moves forwards); and as always our protagonists’ voices are great.

My one singular problem with the voice acting this episode is Chloé. I don’t know why, but she sounds like a catgirl from a fantasy anime rather than a multiple- centuries- old vampire. I don’t know what I was expecting from her voice, but this wasn’t it. I really hope Chloé’s voice will grow on me like Roland’s did, but there’s just something about it that feels off to me.

However! That one detriment doesn’t detract from the fact that this episode does have some very beautiful moments, especially during that one last scene with Chloé at the end. Visually, Chloé is absolutely spot on— I only hope the show has the budget to keep giving her pretty, pretty scenes like this. The scene where Vanitas and Dante discuss the beast is also very very nice to look at. The monochromatic red section of Ruthven and Noé’s scene is excellent. And, while I’m still annoyed that this scene got so much love put into it and others did not, Noé’s spotlight-lit monologue is aesthetically pleasing as well.

With that, we’ve covered all of my main thoughts on the final episode of the vnc anime’s first cour! My feelings towards this episode’s plot and pacing are overwhelmingly critical, and the episode’s visuals are a toss up (leaning on the side of bad, @/ that Roland screenshot), b u t the episode’s music and voice acting are both fantastic. And honestly? That’s kinda how I feel about this whole cour of the anime.

Episode 12 might not have been “good”, but I believe it’s a very neat representation of the best and worst of what Vanitas no Carte as an anime has to offer.

Despite all my critiques I am still legally obligated to love this anime, and can’t wait to see the Gévaudan arc in the next cour!

Fun Fact

The weirdly technological background when Noé realizes he’s hungry makes absolutely no sense for an anime set in 1889, but for some reason that just makes this scene funnier to me

#vanitas no carte #the case study of vanitas #vnc #vnc anime #vanitas no karte #vnc spoilers #that Roland screenshot actually made me laugh until I cried #i was physically incapable of taking that catacombs scene seriously #i wish i had the Japanese comprehension skills necessary to watch it with my eyes closed #one extra compliment to go with that critical take: the anime’s omission of Mira makes a lot of sense and i support it #she’s only appeared once in the manga so far and didn’t really add anything to the scene she was in #however…… /shakes anime/ you mean to tell me you’re including Loki and not Mikhail

75 notes · View notes

lostinwoods · 3 years

Text

A different take on SessKag relationship or why it would be more realistic than InuKag.

Let me begin with

Sesshomaru's and Kagome's past and how they are similar.

Sesshomaru had always been a very sentimental and emotionally receptive being. He had loved and cherished his dad the most. Loving and competing with him, wanting to surpass him, desiring recognition and acceptance so much so that his entire world revolved around his father. He did not want the swords because they were powerful or the bs about supreme conquest. What is that shit? Sesshomaru never needed that. The swords, especially Tessaiga was the most important acceptance to Sess. I will get back to this later.

Now Kagome. This kid was born and then we never saw her dad even when she was a kid. Another classic case of growing without a dad? Perhaps. But I feel her grandpa filled her missing dad's place. That is why the kid grew up in a lovely household, filled with love and peace and made Kagome what she was later on, a selfless girl who wants to love and protect her friends. Because that is what she learnt. Her grandpa, mom, everyone and her own family dynamics taught her how important it was to cherish the ones she loved.

What they initially thought of Inuyasha in their life

Now back to Sess. When his dad died, he dies saving Izayoi. What is the thing he feels at the time I wondered. Surely devastated? Yes, but even worse. His most important person, his goal, the thing his life revolved around was gone. And for what? To protect a weak, useless bitch like Izayoi? Here is a thing, he never knew Izayoi but knew the hut had collapsed on his dad when Izayoi had escaped. What can a teen feel when they hear such a thing? 'That useless bitch, ran away when my dad was in danger and cost him his life. Fuck that bitch and that kid they made. Useless, all humans are useless and weak.' This was really where his hatred came from. Probably.

Kagome on the other hand from the beginning was shown as a selfless kid, who loved both humans and demons alike. Reason? She had never lived in the feudal era. She was a kid grown in a society where everyone is placed on a equal pedestal. How would she, a modern kid understand the bad blood between demons and humans? If she were ever born in Feudal Japan, would things have changed? Maybe. Then she falls into a world where nothing was similar to where she was from. She was frightened, unsure and confused. And then Inuyasha came into her life. Honestly their first meeting was not romantic and pretty terrific in a sense. That was a weird day for Kagome. She fell into an alien world only heard in fairy tales, got involved in a weird prophecy, learnt she was a mythical sort of being herself and then got attacked by a guy who had saved her only seconds before, all ready to rip her heart out. In such a case, the 'osuwari' was probably a safe word for her. Why she uses it later in the series? Probably because she never trusted Inuyasha and felt more comfortable using a word which gave her power over him. Honestly, what would you expect? Kisses and love showers?

Analysis: Kagome was still scared of Inuyasha for a long time and did not trust him completely.

Before Inu no Taisho's tomb battle

Kagome before this went home and then cane back because she felt that fixing the Shikon was her duty. More honestly, she just returned coz Yura attacked and she wanted her family to be safe. Here I want to take some time to gush over how cool Kagome is. Intelligent, smart and extremely powerful. How she understood that Yura's skull was her weakness and breaks the god forsaken thing with just an arrow. That is some level of OPness. Who says Kags is useless?

Anyways, after that when Inuyasha called her 'Kagome', a lot of the viewers thought that Kagome was ecstatic because it was romantic and she was in love. But that is bs. It is not possible to love someone a week later they tried to gut your heart out. It is masochistic and unreal. Kagome over here felt a sense of acceptance from a guy who she felt previously hated her enough to kill her. And that to Kagome was a sign of friendship and more like, 'don't worry, I am not at least gonna attempt to kill you anymore.'

Kagome, inheritently a person who gives a hand when given a finger. She accepts Inu as her friend and they were far from being lovers.

It is exactly this time that Sess attacks them. And quite cruely might I say. Bringing Inu's dead mom like that was not funny and Sess was an outright jerk for doing that no matter how much he hated Inu and Izayoi. He is all weird and sarcatic at high levels. And Kags hated him. She hated how he was attacking this one friend she had made in the era. She hated how cruel this bastard was and how much pain her friend was going through. And her own lovely bond with her brother did not help her to look into their complex brotherly bond which seemed to her more like some battle royale. She probaably hated the bitch for showing up and hurting her friend like that even when he, being the older brother should have loved his younger brother and nurtured him like she would do for Souta.

For Sess, it was really weird and shitty all over. A basic human bitch, standing behind Inu like she was weak fawn. Reminded him so much of Izayoi. Someone who never even tried saving his dad. That was why his sarcastic words were like, "Inuyasha, it suits you so much to have a human behind you". Ya and he was irritated by looking at how helpless af the bitch was. He was narcisstic, filipant of Kags presence and all around indifferent to a 'weak human filthy woman', who he felt was just like the one for whom his dad died.

Surprise is how he did not outright murder her. Perhaps he felt like they were worthless and beneath his boots.

Lol, these two are the best.

Inside Inu No Taisho's tomb

Kags was really angry with this bitch who just chained her up, clawed a pearl out of her friend's eye and then jumped into a black hole. That is why she followed with, "This sort of a person, with no blood or humanity in his veins, I cannot forgive him" and then she chased. Even Inu was like, WTF bro. It was fun. Then she spouted lines like, " Take the sword Inuyasha, it will be like a hit to his pride, what a shame!"

How tf did she know about how much his pride hurt him. Lol felt like Kags knew Sess more than Inu ever would and they only met. That was some soulmate level shit right there. Lol!

Then there was Sess who was outright dismissing Kags and she was not even a spec of dust in his eyes. Then she went and pulled that sword out. Remember the scene where he was so surprised that he stopped the battle with Inu and turned around and LOOKED. Like really LOOKED. It was such a heart stopping moment and for good measures as well. He saw a girl, a woman standing there, holding an inheritance which was supposed to be his and she did something he could not. Did Tessaiga accept her then, did his father accept her more than him? He was baffled, confused and low-key awed. That was why he said, "What are you?" And legit measured her top to bottom. That was some turning point for Sess. Something that proved to him that all humans cannot be dismissed. But he was in rage. How can a mere human be worthy of Tessaiga and melted her along with that sword. I wonder if it was his second test to see whether Tessaiga would protect her or not. And then it did!

Sess went ape-shit crazy after that. A sword he desired for so long (The sword used to protect Izayoi was a thorn in his heart. Made him feel like his father had chosen a human over him. But if the sword had accepted him, it would have proved that his dad had still loved him, thought of him). That was the significance of Tessaiga to him. Power sure, but more of an acceptance. His dad's acceptance. And then what happened? The sword preferred a human who then gave it to his damned hated brother.

Aftermath of tomb battle

Kagome never really liked Sess's guts and probably had no form of sympathy towards someone like him. On the other hand things picked up with her and Inu's relation. She came to know some facts about Kik. And her inferiority complex began with her incarnate. But having a part of Kik's soul in her, began her obsession with Inu. She strived to understand him, make a better person of himself. But their relation was still not there to lovers.

Then Sess came across Naraku. He probably just wanted to dick around more with Inu and accepted the human hand.

2nd battle for Tessaiga

Sess's desire to possess the Tessaiga had increased at this point. His rage of having his arm cut off by that sword felt like the worst rejection from his dad. He was going insane and might have wanted to kill Inu for real in this fight. He was in no mood for theatrics in this one, unlike the tomb where he actually watched some InuKag drama and even applauded (lol). He was absolute business this time. He snached the sword and showed Inu exactly why he should not get that sword, 'You cannot even make the wind rift, why should you be more worthy?'

He meant to kill Inu and then Kags arrow sailed in, charging with enough power to even cancel the demonic energy filled into the sword by Sess himself.

His thoughts were for the same reason, " She canceled Tessaiga's transformation? Who is this girl?"

His respect scale jumped for her here. He truly had never met anyone who could rival his power to such extent. He had never met a girl who stood so powerfully in face of danger to protect this some half-breed scum. She was like the embodiment of everything he had hoped Izayoi to be to his dad. A strong woman who would wager her life to save the one she holds dear. Sess had learnt this fact from his dad's death. To sacrifice in name of love and then in this fight he understood how much that meant both for Inuyasha and Kagome. He probably somewhat understood what this feeling was after seeing these two.

Sess had an idea of love and protection and Kags became its centre. She was this vague expectation Sess had of human love and an absolute loyalty towards whom you love most. He felt complicated towards her. He respected her.

3rd Tessaiga battle

Sess's most sceptical battle yet. Why break the tessaiga? 'I will break it if I can't have it!' Desperate much?. Then the wind drift appears and for the first time Sess acknowledges Inu. For maybe being a somewhat worthy of having Taisho's blood, only if a little bit. He is saved by Tenseiga. Oh, how he hated this worthless sword more. This sword could not cut throught things and saves his life. What a worthless shit.

Kagome's narrative here was important. "How can he weild the Tenseiga? He needs a compassionate heart for that." Always wondered why Kags was the one to say this. But realised the reason later on.

Rin

Obviously the most controversial topic of Inuverse. What Sess felt for Rin, why was she there.

Rin has often been compared to be the Kagome version of Sess. And that is the only truth. She came in like a ray of sunshine when he was in most need. He was in self doubt, hate towards Inu and complex emotions towards Kags. And then Rin was there with the exact same face and the same warm feeling like Kags. Even he knew what InuKag were to each other then and no matter how much he respected Kags, he was not really interested in a further relation with Kags. But his deeply unsated desire to understand his dad's mentality and reason behind saving a human was what made him think of Rin. As she was his chance to understand that. His chance to understand why his dad could do that, why Inu could do that and why humans like Kags and Rin could save and love demons. It was not romantic in any sense. He had a confusion and Rin was his way towards a solution. Though it was a different fact that he loved her later on and cherished and protected her. Enough to feel that there was no meaning to his anything if she was not there.

So yes in a way, she is Kags embodiment in Sess's life, a picture of Kags selfless love. His desire to truly understand such beings called selfless humans and the result of his single minded belief of human women being trash and unable to love shattering.

And for fun just to contradict Kags speculations, for first time ever, Sess uses the sword and we viewers realise how wrong Kags was. Sess had every bit of compassion in his heart.

Later events

The events went on with Kags finally understanding her position in Inu's life and her single-minded chase to be accepted by Inu as just Kagome and not Kikyo's reflection. I do not even know if this could be called love or just a misinterpreted need of attention from someone you hold dear. But whatever, we realise Kags is in love with Inu now and still cannot stop from feeling compassion towards Kikyo. Honestly she and Sess are truly two opposite sides of a spectrum.

Sess on the other hand gets Tokijin and attacks Inuyasha. This time around, I highly doubt he was still chasing Tessaiga. It had more evolved into his need to show he is more powerful than Inu. 'What you do best, I can do better.'

Stopping Inu from transforming

In this the most debatable question was whether he was there to stop Inu or not.

Sess had wanted to see and experiment the limits of Inu's blood beast.

After some fighting, Kags jumped in. Sess stared at her, like forever. That staring tho. Even when she was like, "Stay away, you idiot." Sess stared. For Sess, that was what he admired the most in Kags. Her selfless devotion. He was staring at that fearless figure who once again surprised him by being a sacrifice to save her loved ones. She was to Sess what he had always thought of 'love' to be. She was the embodiment of the term 'love' to Sess. For a guy who knew nothing of how to define emotions, it was Kags who showed him what love was. And thus he jumped over and over again in front of Rin to protect her. She taught him how to cherish even the even the most weak individual in a group, and thus he protected Jaken.

Rin was there to show him the same thing everyday. But no matter how much Rin showed him her own loyality, love and warmth, Kags always remained that shining beam to him. I will say later on how I understood this.

Kag's love was the validity of his dad's sacrifice. A way for him to make sense of his dad's mindless death over protecting some weak human.

And in this scene for the first time ever, Kags saw Sess as more than an insufferable pest to her friends. She saw his noble ideals and realised why he was there and thus she thought, "Was he here to save Inuyasha?"

It is very curious as to why Kags was again given these lines. It was probably because her opinion mattered, to Sess it did. And we will see more why in the future.

Random encounters

There was one time when Kags saw Rin while Jaken was trying to steal Tessaiga and she had asked herself, "Why is a little human girl traveling with Sess?' It was again a small thing which she did not need to feel but was very imp. for her development towards Sess. How she started to understand him more.

Kohaku incident

Here we saw how was the first time Sess listened to Kags.

Kags opinion mattered. Inu's mattered and when he realised that Kohaku was being used he let him go. There was one reason that he did not want to be used, the next I am sure was for Kags and Inu. He knew then that Kohaku was imp. to them and he stopped. Big character jump for him.

Then the most curious fact was how Kags knew what the girl meant to him, "Please let him go Sesshomaru, the girl is fine."

Kagome: Thanks Sesshomaru!

Sesshomaru: I just never wanted to be used by Naraku and fall into his trap.

Lol...

Then after Rin left, Kags thoughts about how she had left with Sess and was awed . An important point for her change in feelings towards Sess. She understood the guy was changing and Rin was changing him.

The fun fact was how she was instantly in love with this little girl and that would become important later on.

More random events..

After that it was shown that many times Kags was the only one who could stop a fight bet. the brothers. Example that time when he fought with Inu to get some direction for Naraku. And then Kags came and told him to go north or something and he was like, "That is all I wanted to know." And left.

What is to be seen in these parts is how RT made only him and her interact like this. He listening to her like they have been friends forever.

The saving of Kanta's father was also an example of how much she affected him.

Her plea to save Kanta's dad even when no one believed and no one bothered to ask him. Tensaiga moved because he felt deeply moved by her plea. He might have never wanted to voice it but since Tensaiga only worked when the weilder felt compassion and a need to save someone. Sess must have felt it subconsciously and Tensaiga had stired. Or it had stired because it is a SessKag shipper as well. Lol!

Mukotsu

I wonder how Sess knew Kags was in trouble. Another fun fact like how he appears at times when Inu is not there to save Kags. Sess is there. Probably he knew her scent too well and hence could even distinguish between that and the poison. After that was the gruesome death of Mukotsu. The thing to notice over her was how large Sess looked in that hut doorway, it was a symbolism to how big and huge his protective self looks when he is protecting Kagome. A very romantic thing indeed. The first time he protects someone who is not under his protection. A complete selfless act if considered from his pov. Sess being a very private person and while saving Kagome showed her place in his heart. Yeah and that was very visible from how he killed Mukotsu.

The takeaway from this episode is not this though. It was the fact that Kags defended Sess. For the first time ever, all the good deeds she had seen him doing had outplayed her hatred for him. She accepeted him as a friend with these words, "No Inuyasha, he was here to protect us, he saved us." It was a completely unnecessary detail in the whole scheme of this episode but very important for Sess. Her acceptance matters, her opinion matters and Sess is a Tsundere.

Sesshomaru: I did not save YOU, I just killed him coz he did not answer me properly.

This proved how much she affects him, rattles him and how much her life means to him. And an unspoken promise to himself to protect her when Inu was not around.

Fight with Shishinki

No one ever mentions this fight. But there is a very important SK interaction in here. Something which was important for Sess. Kagome's understanding.

When Sess was lost in the same darkness of never being accepted by his dad, Shishinki made things worse by saying Tenseiga was a cast out of Tessaiga and it was given as a leftover to Taisho's least fav. son. Sesshomaru was hurt, lost, and his daddy issues, his biggest weakness was sharply opened by a knife, cruely and Kagome's words saved him.

Kagome: But there might have been a reason their dad had done this.

Kags belief that Taisho had infact not rejected Sess was like a balm to his soul, the only thing he had needed to hear throughout his life. The thing which made him accept in the end that Tensaiga was there to protect Inuyasha, the thing that was needed to sort of activate Tessaiga and then he finally formed his biggest and truest meido. It was romantic, touching and outright heavenly. Then it was made cute with Inu's awkward concern. It was the best ep. as of yet.

Kagome's deep concern and her understanding of Sess's pain was brilliant and alien level insane. She should not have, but she did and that's why they felt more like soulmates.

Battle with Magatsuhi

Sess had gone batshit crazy when Magatsuhi had hurt Kagome and that had only been worsened by him questioning Sess's honor and pride. Sess had turned full on doggy mode and lost control in that way for the first time since the tomb. And the strike at Magatsuhi's eyes was another symbolism of his revenge for doing shit to Kags eyes and mindfucking her.

RT has always thrown these small hints in between IK drama. Which are brilliant and lovely. Even that one scene where he stands protectively inbetween Kags prostrate body on Kilala and Magatsuhi. Beautiful symbolism, really.

It was also fun to see how Kags half power was sealed by Magatsuhi and Sess's half power was returned via Bakusaiga. I felt that Sess's true acceptance of his protection to Kagome and his detachment from Tessaiga was what made him the true daiyokai and surpass his father. Since somehow Tessaiga has always been linked to protecting Kagome and somehow protecting her might have also been the thing to finding Bakusaiga. The desire to protect her perhaps.

Soul mate mind link theatrics

This is something only some people realise. Sesshomaru and Kagome have been shown not once, but twice to be doing this. Once while fighting for Kohaku's life and the last shard and the other in Naraku's body. Kagome and Sesshomaru had been shown to think in absolute synchronisation. He thinks half the sentence, she completes the rest. Absolute soul mate shit.

SessKag power combo

Shown a lot of time in Inuverse. Sess attacks and Kags completes. A small thing but their timing is insane. And is defintely the best power combo, far better than an InuKag combo.

Fight in Naraku's body

This was the time when Sess finally shows what Kagome means to him. Where she stands and how much he cares for her. She is his FIRST priority. Proof? When Rin and she are in simultaneous danger, he stands there infront of Kags for God knows how long, removing those snake things like he had all the time in the world and once she is awake he is concerned about her well being.

Sess: Those wounds, are those Inuyasha's doing?

And his disappointment in Inuyasha not being able to protect Kags.

Sess: As expected of a half-demon. He lost himself in the bloodlust.

Kags obviously considered Sess to be a friend at this point. A very close friend at that. Family perhaps? Their familiarity here was not missed by anyone. Her defending Inu and then still prioritising Rin over Inu were only somethings we realised this chapter.

The most important was her belief in him.

Manga exclusive,

Kags: I believe that you would be able to do it. Do not fall into Naraku's trap and play his cards that is what he wants. Only you can do this, I know.

Wow, Kags wow...just wow... It is the best actually. She does not believe Inu in this situation but she does Sess. She believes in his protection and she knows her influence on him. This speaks volumes. This shows her unreal connection to him and how they match each other instinctively.

Sess knows her influence. This is his weakness.

The mokomoko scene was truly Sesshomaru's best confession. For him who cannot say much in words, allowed her to fly on mokomoko. Something which everyone of us know has a heavy weightage for Sesshomaru. It is his weapon, his forever companion and his support when he is injured and tired. Offering such a thing to her for whatever reason was truly his way of showing what he exactly feels for her. He cherishes her the most and I could say even more than Rin. Trusts her the most and would jump in front of danger to protect her.

Which is only seen more when he asks her to stay away from the fight because she would be a 'hinderance'. Which means he could not fight if she is in the middle. He would be vulnerable and weak. Intersting, very interesting. Another time where he stood between her and a dangerous blood beast that Inu had become.

The best part was truly him getting concerned when she fell down from the top while removing Tessaiga and then when Magatsuhi tried to possess her.

His anger was so vibrant. "Get away from her!"

What a brilliant thing to say. The possessiveness. The will to protect her. The absolute anger. Brilliant. So much was spoken in those lines.

The best ending though was the SessKag power combo of Bakusaiga and holy arrow. Best ending. Inu was not even much involved in ending Naraku. It was weird how the titular character failed in finishing the main villain with his meido. Shows a lot what SessKag meant to RT.

Big brother

Yes, the iconic scene where fans of all ships shout out that SK is not a romantic ship.

Well over here I want to say that Kagome truly saw Sess as a big brother figure at this point. Part of it was because she still felt that she was in love with Inu and part because she was not receptive to her reactions to Sess and what he truly meant to her at this point. She feels an intimate connection to him but cannot justify the weirdness because she still feels a closeness to Inu so she thinks of him as big brother. Which was a very intimate thing for Kagome to say. She loves him like family and clearly places him higher than the rest of her friends only second to Inu. That was more of a declaring her closeness to Sess rather than a confirmation of her and Inu's relationship. Kags is not a vain character who does things coz they are convinient. She would not call a friend if they are not a friend. And certainly not a big brother if she does not feel so.

Sess actually was relieved, ecsatatic and happy when Jaken informed hin of Kags arrival as was seen in his expression. Very funny actually. Because next second he was called big brother and he was hilariously ticked off. He could not believe what he was being called. Lol that interaction though. It showed how close they ended up being. Even more close than he was to his own brother.

But he accepted the title even if with much pain in his neck and then was really offended when Jaken badmouthed Kagome.

Conclusion: No one badmouths Kagome.

Haaha....end of this long analysis. I tried to analyse it from the character's pov and found some interesting small tidbits and detail that RT had hidden in this story.

Thus I felt that SK would be a more natural ship maybe not outright. Since Sess loves her truly but does not understand the nature of the relation and Kags is still too much blinded by Inu filter a.t.m. Maybe given years when Kags will realise exactly what sort of love she feels for Inu. Which will happen because such a toxic relation like IK should not exist and then she will probably see Sess's love for her.

My Conclusion: SK is a defintive. It will happen with some time and care. When both would mature. But it will happen for sure. All the ingredients are there, the stage has been set just the players have to realise what they feel for each other.

#inuyasha #anime #sesskag #kagome #sesshomaru #kagome x sesshomaru

46 notes · View notes

dmsden · 3 years

Text

A History Lesson - Looking back at D&D’s history

Hullo, Gentle Readers. Well, this is the 5th Monday in March, and that means I get to write about anything I want! It’s also my birth month, which means it’s my anniversary of getting into D&D (42 years!), and that has me feeling nostalgic. Coupled with a discussion I had recently with some friends, I thought it would be fun to look back at the various editions of D&D and give you all a bit of history. I’m not going to get into Gygax vs Arneson or any of that. I’m only talking about the published game itself, not its creators or its storied origins.

The original D&D (or OD&D as it’s sometimes called) came in a small box. It had three booklets inside - Men & Magic, Monsters & Treasure, and The Underworld & Wilderness Adventures - along with reference sheets and dice. Each was softcover and roughly the same dimensions as a DVD/BluRay case. The game was pretty rudimentary - for one thing, it assumed you already had a copy of Chainmail, D&D’s direct wargame predecessor. It also recommended you have a game called Outdoor Survival for purposes of traveling through the wilderness. It had only three classes - fighting man, magic-user, and cleric - and nothing about playing other races. It did have the insane charts that 1st edition would ultimately known for, and it was possible to play a pretty fun game of D&D with it, as its popularity would come to show.

The game expanded through similar chapbooks - Greyhawk, Blackmoor, Eldritch Wizardry, Gods Demigods & Heroes, Swords & Spells. With the exception of the last one, each brought new facets to the game - new classes like Thief and Monk, new spells, new threats. It was clear the game was going to need an overhaul, and it got one.

I consider this overhaul to yield the real “1st Edition”, as so much of the game didn’t exist in those original games. The game split into a “Basic” game, just called Dungeons & Dragons and Advanced Dungeons & Dragons.

The basic game was a boxed set that included a rulebook, a full adventure module, and dice...or, well, it was supposed to contain dice. The game was so popular and new in those days that demand for dice outstripped production. My copy of D&D came with a coupon for dice when they became available and a sheet of “chits” - laminated numbers meant to be put into cups (we used Dixie Cups with the name of the die written on it), shaken, and a random number pulled out without looking. It was meant to introduce new players to the game, so it was a trimmed down version. Races were human, elf, dwarf, and halfling, and classes were fighter, cleric, magic-user, and thief. The box only included rules for going up to 3rd level, with the intention that players would then graduate into AD&D. This is where I joined, with the old blue cover box set and In Search of the Unknown, before Keep on the Borderlands even existed.

AD&D was the game in its full glory. Along with the races I mention above, we got half-elves, half-orcs, and gnomes. The four basic classes also had sub-classes, like paladin and ranger for the fighter, druid for the cleric, illusionist for the wizard, and assassin for the thief. There were rules for multi-classing, as well as “Dual-classing”, a sort of multi-class variation for humans only, which, when done in the correct combination, could yield the infamous bard...which didn’t actually yield any bard abilities until around level 13 or so.

This edition had 5 different saving throws for things like “Death Magic”, “Petrification & Polymorph”, “Spells”, and so on. It had the infamous Armor Class system that started at 10 and went down, so that having a -3 AC was very good! It also had specific attack matricies for each class; you would literally look on a table to determine the number you needed to roll on a D20 based on your class, your level, and your opponent’s armor class. It was fun, but it was very complicated.

It also had some, frankly, shitty rules. There was gender disparity in terms of attributes, which my group totally ignored. Because the game designers wanted humans to be a competitive the game, and because non-humans had so many abilities and could multiclass, non-humans were severely limited in the levels they could achieve in most classes. In fact, some classes, such as monk and paladin, were restricted only to humans.

As the years went on, things got a bit muddled. It probably didn’t help that the rules in Basic D&D and AD&D didn’t perfectly line up. In D&D, the worst armor class was a 9. In AD&D, the worst armor class was a 10. All of this led to an overhaul, but not one considered a separate edition. AD&D mostly got new covers and new books, like the Wilderness Survival Guide and Dungeon Survival Guide, Monster Manual 2, and the Manual of the Planes. It got a number of new settings, too. In addition to the default Greyhawk setting, we got the Forgotten Realms setting for the first time, details of which had been appearing in Dragon Magazine for years, thanks to the prolific Ed Greenwood. We also, eventually, got the whole Dragonlance saga, which yielded the setting of Krynn.

In this new version, Basic D&D broke off into its own game system to some degree. Elf, Dwarf, and Halfling started being treated like classes rather than races, with specific abilities at different levels. Higher level characters could be created using progressive boxes - Expert, Companion, Master, and Immortal, each with its own boxed set and supported by Mystara, a completely different setting that got its own updates over the years. It was odd, because D&D essentially was competing for players with AD&D, and I remember arguments with friends over which version was better (I was firmly in the AD&D camp.)

In 1989, when I was in college, they finally brought forth 2nd edition D&D. This streamlined things a little. Armor Class still went down, but now attack rolls boiled into a single number called To Hit Armor Class 0, or THAC0. It made the whole process of figuring out what you needed to roll a bit less cumbersome, but it was still a bit awkward. The classes got a lot of overhaul, including making Bard its own core class. But what I remember best about 2nd edition was the boom in settings. This was the age of settings, and many beloved ones got started, including Dark Sun, Planescape, Ravenloft, and Spelljammer.

It was also the age of the “Complete Handbooks”. They brought out splatbooks about every class and race in the game, as well as books expanding several concepts for the DM, such as the Arms & Equipment Guide, the Castle Guide, and the Complete Book of Villains. There were also splatbooks about running D&D in historic periods, such as Ancient Rome, among the ancient Celts, or during the time of the Musketeers. The game got new covers for the rule books again, and a bunch of books about options started coming out. It was a boom time for books, but many people complained there was too much.

Without going too deep, TSR ended up in severe financial troubles. They declared bankruptcy, and there was real fear of the game going away. And then Wizards of the Coast (WotC) stepped in. They helped TSR get back onto its feet, and they helped produce some modules specifically engineered to help DM’s bring an end to their campaign...possibly even their whole campaign world...because something big was coming.

That something big was, of course, 3rd edition D&D. The game got majorly streamlined, and many sacred cows ended up as hamburger. AC finally started going up instead of down. Everything was refined to the “D20″ system we’ve been playing ever since. Races could be any class. There were no level or stat limits for anyone. After years of the game being forced into tight little boxes, it really felt like we could breathe. I had stopped playing D&D, but 3rd edition brought me back into the fold. I often say that 3E was made for the players who’d felt constricted and wanted more flexibility.

The trouble with 3E, and its successor 3.5, is that it was still a dense and difficult game for newcomers to get into. It’s been acknowledged that D&D essentially created many of the systems we see and know in other games - experience points, leveling up, hit points, etc. But trying to break into the experience for the first time was difficult. The look of 3E was gorgeous, but I understood that it must seem awfully daunting to someone who’d never played.

4E and its follow-up, Essentials, was an attempt to course correct that. They tried to make this edition incredibly friendly to new DMs, and, frankly, they succeeded. By creating player classes and monsters and magic-items that were all very plug and play, they did a great job of creating a game that someone who had never DMed before could dive into with no experience or mentor and start a game pretty easily. Encounter design was given a lot of ease, and there were promises of a robust online tool system that would help out with many of the more tedious aspects of playing.

There was also a lot of shake up in terms of choices. Suddenly, new classes and races were proliferating like crazy. We got the dragonborn, the tiefling, and the eladrin right in the core book, but we said good-bye to the gnome and half-orc at first. Suddenly the warlock was the new class everyone wanted to try. We got paragon paths and epic destinies that would really shape a character as time went on. The game went very tactical, as well, which some of us loved. The concept of rituals came into the game. Later books like the Player’s Handbook 2 and 3 gave us back gnomes and half-orcs, and also gave us minotaurs, wilden, shardminds, and githzerai. We got new psionic classes, brand new class concepts like the Runeknight and the Seeker...

But there was a tremendous backlash. People felt that, in making the game so very plug and play, they’d taken a ton of choice away from the players. Without the tools (which were never that robust, frankly), it was almost impossible to navigate the massive panoply of options. And, worse, it was harder and harder to develop encounters without those tools. People complained that the game had gone more tactical in order to sell miniatures and battlemats. Given that I have never played the game without miniatures and battlemats (since I started in the days when D&D was still half-wargame), I found this odd, but I also understand my style of play isn’t everyone’s.

The one argument I will never understand is that it didn’t “feel” like D&D, or it was somehow ONLY a tactical game and not a role-playing game any more. Again, given that the original game didn’t even call itself a role-playing game, this felt odd. Personally, I roleplay no matter what game I’m playing. If I’m playing Monopoly, I’m roleplaying, doing voices, and pretending to be something I’m not. I honestly enjoyed 4E, and I know a lot of folks who did, too. A lot of it may simply come down to style of play. But I also enjoyed all the games that came before, including Pathfinder. To paraphrase the YouTube content creator The Dungeon Bastard, “Does your game have dungeons? Does it have dragons? Great. I wanna play.”

As a sidenote, in the months leading up to 4E’s release, a lot of internet videos were released by WotC emphasizing the nature of change and talking about differences in the rules. They also released some preview books showing the direction they were heading. WotC must have anticipated that people were going to find this edition very different indeed. They also cleverly brought in some very funny folks - Scott Kurtz from PVPOnline and Jerry Holkins & Mike Krahulik from Penny Arcade - and got them to play D&D for podcasting purposes. Looking back, this must’ve brought in a lot of listeners who might never have played D&D and given them a reason to try it out.

After its release, WotC clearly noted that missteps had been made, as this edition of the game was losing them players. They began work on what they referred to as D&D Next, and, this time, they did massive amounts of playtesting, some of which I participated in.

I don’t feel like I have to describe 5E to any of you, Dear Readers, as you could go to virtually any store and pick it up. I am a big fan of 5E’s simplicity and elegance, and I suspect this is the edition of D&D we’re going to have for some time to come, especially given its popularity. Given the effect of podcasts like Critical Role (and I might save an article on Critical Role’s importance to D&D until my next Freestyle article), D&D is likely more popular now than it’s ever been, with a much wider and more diverse audience than ever before.

I know I’m painting with broad strokes here, but I hope this was, at least, entertaining, and maybe you learned something, Gentle Readers. Until we next meet, may all your 20s be natural.

116 notes · View notes

bunchofstraydogs · 3 years

Note

You asked for it :> So may I request the rest of BSD playing Genshin? 😘🥰

Darling, since I can't write that many characters in one go, I thought I should give you something special. I present... 💫 women 💫

Women of BSD as Genshin Impact players

tw: you're in bsd fandom, you know all the tw there are by now

Kyouka Izumi- Assasin in the streets, babysitter in the... Genshin Impact

Kyouka is that cute, stubborn kid that overfixates on things. Atsushi is things. Look, we all know Kyo-chan is mad intelligent and talented and it shows in her game play. Right off the bat she got the sense of the gameplay of every type of character and decided what works best for her. She knows what type of team she's going for and knows how to manage her materials wisely.

When she plays alone, Kyouka works towards bettering her characters and pushing through the storyline. Her favourite way to play the game is with Atsushi, whether alone or in co-op with others. Playing with Jinko is a huge win-win situation for her - she helps him beat up whatever he needs to take down and complete puzzles, he gives her praises and gratitude. And materials, but seldom does she take them.

Her main job, though, is to protect Atsushi and his world from the otherworldly evil known as the suicidal maniac, Dazai Osamu. She's fairly successful.

Main Team: MC, Klee, Keqing, Rosaria

Sub Team: MC, Qiqi, Fischl, Hu Tao

Mains MC, both for her flexibility with elements and because she likes being the little sister to Atsushi's male MC.

Yosano Akiko- retired nurse, now a terrorist

Did you really think she'd stay a healer without having the sadistic satisfaction of hurting people in grotesque ways? Nay. She doesn't have a single healer on team. She either has a teammate who's a healer like Haruno, or she wastes abundance of food until she can teleport to a statue of the seven.

Her game play is on crack, basically. She has several energy spurs, sometimes several times a day, where she rages through the game, before losing interest and going shopping. It's very possible with her that days can pass before she feels like playing again. Then she binges the game for hours and repeat.

When i say she acts like on crack i mean it. She has rage in her veins instead of blood. She tanks her characters and goes out looking for fights with worst possible opponents. Hell, she'll under equip her party just to see how many mofos can she take down in weak state. Spoilers, a fair few. She does die quite a bit, and is almost always out of food, but she's just as stubborn as she's crazy. Those two thing correlate probably. Which is why she made Azdaha her bitch. Her party consists either of strong, hot milfs women like herself, or twinks. You won't see someone like Childe disrespecting her vibe.

Main Team: Beido, Venti, Hu Tao, Rozaria

Sub Team: Lisa, Yanfei, Ningguang, Xingqiu

Beido and Lisa main. Bad bitches only.

Naomi Tanizaki- the fangirl player

She basically collects the cutest characters possible.. That's how she chooses her characters, based on cuteness. She went for the hot ones first to pull her brother but she got jealous and changed her tactic. You know she's spending her money on character skins and certain banners. She's insanely lucky tho?? She got Qiqi on the standard banner as her first 5*, pulled Klee on her banner in little over four 10 pulles and got Diona eventually anyway. Baraba and Xiangling were free and she mained Xiangling untill Klee rolled in. She spent some money on Venti and was already in pity when Ganyu came around. She's fully ready to whale for Kokomi though.

Now i know i said she's incredibly lucky, right? Yeahh that luck has to turn against something to keep the balance and well... she's still crying over Chongyun.

She usually co-ops with her brother, it's a daily ritual. Loves co oping with everyone though, mostly Haruno, Atsushi and Kyouka. She made online friends as well. Actually, there is one person she co ops with almost as much as she does with her brother. IchiGawa is her Genshin bestie and they talk about their crushes and infatuations besides the game itself. Her friend is the only secret she keeps from her brother.

Main Team: Klee, Diona, Venti, Barbara

Sub Team: Razor, Xiangling, Xingqiu, Qiqi

A Klee main.

Haruno Kirako- the healer

Literal angel. You need her, i need her, ADA needs her, the president needs her, just... yes. Her whole team consists of support- healers and crowd control characters. She was a f2p at first, but realised she earns her own money and can spend it however she wishes and she chose the monthly cards.

She's a necessity, point blank. She can get intimidated by new foe at first, but when backed up by her friends, she becomes determined and flexible. Pays good attention to her teammates, most importantly, their health bars, and acts accordingly.

The only reason most of them made it as far as they have, being as reckless as they are.

Main Team: Albedo, Barbara, Jean, Venti

Sub Team: Qiqi, Noel, Jean, Xinyan

Mains Albedo and Barbara

Fan fact: She's very fascinated infatuated with Albedo!! He's even her home screen and has posters and key chain of him.

Gin Akutagawa- that cottagecore assassin

You may be wondering what that could even mean. Let me tell you, she brought Animal Crossing to Genshin Impact. Sure she takes care of her characters and they're pretty powerful, but she kicks ass in real life as well. The game is her little getaway, especially since Serenity pot has been introduced. She's been making away her home for her and her brother characters. You can see her chop wood, collect materials, taking pictures with her friends and her brother, sometimes of pretty scenery and cute moments. A very wholesome player.

She's the type to help her friends explore their world and help them find oculi, open chests, shrines, collect flowers, mine... She's very patient, but if she sees her co-op teammates struggle with something, she'll jump in to help do it herself untill told to back off. In which case she will listen and silently give her support, usually with the cheering stickers in the chat.

She's f2p! Sure, she could get the monthly card at least, as Ryunosuke told her, but she really wants to enjoy the game on her own terms and have what she does through her own effort and hard work. It just feels satisfying to her and more personal.

Main Team: Jean, Ayaka, Diluc, Barbara

Sub Team: Doesn't have one! She just changes characters if certain elements are needed.

Jean main!! She admirers the relationship her and Barbara have. While she's the younger of the two, she's taken the mantle of the older sibling, in a way, and is looking after her reckless as heck brother and cares for him like Jean does for Barbara. Jean is also a wonderful person in her eyes and Gin harbours great respect for the blonde.

Higuchi Ichiyo- IchiGawa 🤡

I love Higuchi so much, but my girl is a mess and a half. Help her, please. No, really, she needs help. She's been over compensating for not being dramatic and eye catching in the battlefield, and has now found a new way to prove herself to her Akutagawa-san. Problem is, as soon as she sees a potentially powerful character, she has to get them and boost them to the havens... yeahh, good thing you can't do loans in the game, otherwise she'd have sharks on her ass for having a bill as dramatic and eye catching as Tsunade's from Naruto. Our girl out there turning heads for wrong reasons. She's definitely spent her pay checks on the game "oh no no, i just buy the monthly subscription, ehe" ehe my ass, you bankrupt bitch. Baal is coming and she's looking to sell a kidney. No, it's not her own and no, it doesn't have anything to do with the game. It's a mission, for God's sake.

But hey, the game is a good investment for her! She even made a friend, one that totally understands her how she feels!! They're very alike as well, ready to do anything for the person they love. The two talk about love a lot and have bonded over it. Higuchi is actually a jealous and a protective type of person, so she hides her friend from Gin and Tachihara like snake hides it's legs. If only they knew 🤡. But it's better this way as they both have a certain sense of normalcy and familiarity they were missing in their daily lives. (Higuchi and Naomi meeting scenario when?)

Main Team: Xiao, Fischl, Xingqiu, Diluc

Sub Team: Baal (soon?), Venti, Ganyu, Zhongli

She mains Xiao because he reminds her of Akutagawa-san and yes, she uses characters from her sub team when playing with others.

Fan Fact: when she was asked why her username is IchiGawa, she said she's like a river 🤡 No, it does absolutely not stand for Ichiyo Akutagawa.

Ozaki Kouyo- the husbando and loli collector

Don't get the wrong idea when i said loli collector. She just needs to adopt them and look after them. She also enjoys watching her precious babies kick ass like her Kyouka. But that's a two way sword, because she gets angry when they die. Savage.

And yeahh, the real reason she's playing the game... Mr Zhongli. She switches often between eng and jpn audios because she can't decide which sounds sexier. Also, Mr Diluc? Yes, she would like to be served one sex on the beach please and thank you! Ah, Mr Kaeya, a perfect window of opportunity, yes.

She has a huge spot for the teenager group as well. Razor, Bennett, Fishl, Xiangling, Xingqiu and Chongyun are also her kids. She just finds them very precious (don't we all?).

Main Team: Zhongli, Kaeya, Bennett, Diluc

Sub Team: Diona, Klee, Qiqi, Sayu

A Zhongli and Diluc main.

Bonus:

Elise- the evil lackadaisical player

Mori found out about the game from Higuchi and Tachihara and introduced it to Elise, telling her she should make a team of sweet little girls like herself and have fun going on adventures around Teyvat. In response, Elise made a team that, not only does it not have a single child in it, but is using it to gaslight and bully Rintarou.

"Why aren't you smart and inventive like Albedo?"

"Why aren't you as passionate and persistent as Sucrose?"

"Look how capable, loved and admired Ningguang is. You could never."

"I wish i had someone as strong, caring, handsome and rich like Childe looking after me. He would treat me like a real princess. "

Mori has been crying rivers ever since.

Thing is, Elise isn't even that interest in the story. Actually, she couldn't care less. Some characters are interesting to her and she likes the graphics, but other than that, she's mostly playing the game to torture the greasy doctor (as she should).

Main Team: Albedo, Sucrose, Ningguang, Childe

Sub Team: doesn't have one

Doesn't have a main either, she plays whoever she feels like playing.

I wanted to add Lucy too, but my mind wasn't cooperating ;-; Sorry about that. I do hope you liked this, Eli 💛

#bsd #bungou stray dogs #bungo stray dogs #kyoka izumi #haruno kirako #higuchi ichiyo #ozaki kouyou #bsd elise #tanizaki naomi

47 notes · View notes

sybilmarlowe · 3 years

Text

Since I joined the One Piece fandom, I was asked different times which character I ship with Doffy the most. Given I'm usually into self insert things, I'd firstly go with "my OC, of course 😛"... But let's talk about what I think of Doffy's most famous ships 😁

DISCLAIMER: all of what follows is TOTALLY my own opinion, don't want to judge anyone who thinks differently than me. OP is a fictional world made of fictional characters and anyone can ship whoever they likes!

So, here's the ships:

Doffy x Viola

Ok, let's start with what many people's don't want to hear: this ship is canon. Yeah. Like it or not, it's a matter of fact.

I honestly like them together, they're a weird couple but somehow they work. I like to imagine how could have been the dynamic between the two of them, and I'm more than sure there was nothing abusive from Doffy's side. I mean, sexually at least. I agree with the fact destroying one's whole life and Country is pretty abusive, but I'm quite sure the feelings between Doffy and Viola have been real for a while. Maybe the concept could sound trivial, but no one chooses who to love and Doffy has many characteristics which may definitely make a person fall for him. Not totally sure HE has ever truly loved her, but I like to think so. After all he does have a weak side and Viola might have been one of the few (even thanks to her powers) who managed to see it and knowing him deeply. This surely strenghtened their bond and it might have finally resulted in love...

My vote is a 8/10

Doffy x Cora

This is incest. I know. And it's indeed problematic and controversial. Irl a thing like this isn't exactly acceptable.

BUT as I told before, OP is pure fiction, so... I have to say quite like them tbh. In my opinion, as long as a relationship is adult and consensual there's nothing deeply wrong in it IN FICTIONAL WORLDS. (I know, there are fanfictions in which their relationship is abusive, but since we’re talking about headcanons here I like to think it’s not). Have you watcher GoT? Cersei and Jamie were one of the best written pairings in the whole series, the same goes for this situation imo, we have all the conditions to make this ship a sensible one.

They’re a realistic couple cause they went through a lot of difficulties together and, even if they chose different paths of life, their bond is very very deep. Their love is a desperate one, like “you’re the only one in this world I can REALLY trust”. This from both sides. The difference is that Cora is a pure person who just want to love and being loved while Doffy... well, he’s not exactly mentally healthy and he’s like “all or nothing”.

A lot of angst and stuff, of course, for this reason my vote is 7/10

Doffy x Crocodile

I’m sure someone out there is going to want my head for what I’m about to write, the DoffyxCroco fandom is huge after all... but...

I don’t like this ship at all.

Given one can ship two people with no reason or just because they wear matching colours and look good in fanarts (?) imo DoffyxCrocodile has no sense. They interact, yeah, but nothing about their dialogues or shared scenes makes me thing they could be a good couple. Even that most famous encounter at Marineford which made fanpeople scream... They looked just like contenders who quite disliked eachother, nothing less and nothing more :/ and Doffy saying “I’m jelous!” just gave me the same vibes of a childish sacrastic way to piss off a person, pretty much like the stupid classic “you fight like a girl!”.

They’re aesthetically beautiful, nothing to say, they’re both among the most handsome characters in OP and have a similar story, so I’m not saying I don’t understand the reasons of those who ship them... Just... I want ships to be stronger and more credible than this :/

6/10 just because they look good in fanarts XD

Doffy x Luffy

This is pretty diffused, but..... why.

I mean... what happened between the two of them which could have made them fall for eachother?? D: Have you ever tried to date a person after trying GearFourthPunch them out of the troposphere? °A° (Also, Luffy could LITERALLY be Doffy’s son. This is weird. Not the weirdest thing, but still.)

Srsly... If you like them together I ask you to tell me which dynamics are there behind this ship. Cause I really can’t see WHERE do you see even a little trace of feelings between the two of them D:

Sorry D:

3/10

Doffy x Law

Gods, yes. YES.

This ship HELLA works from every single point of view. Doffy and Law are two of the most (if not THE MOST) well written characters in the whole series. They have a complete and complex background, a deep and multifaceted personality and, above all, an extremely strong bond.

Ship them or not, they’re literally OBSESSED by eachother for different reasons.

Law is the ONLY man Doffy considers almost his equal, he thinks he’s like the only person worth being his right hand man and I’m quite sure he’s galvanized by the idea Law is the one who’s gonna sacrifice his life to make him immortal. Like... a great life to complete an even greater one? This is insane. And yet beautiful.

On the other hand, Law’s thoughts have been completely centred on taking revenge on Doffy for 10 years. Like, he was literally obsessed by that man, consumed by the hate he felt for him which obscured anything else, even his maniacal good sense in the end.

Turning this all into a tragic and tormented love story is as easy as drinking water. A long-term reciprocal hate mixed with a deep admiration for eachother (even from Law’s side, after all Doffy was the one who thaught him almost... everything?) which slowly turns into something terribly different. Imagine the tension between two arch enemies who have to admit their hate melted into passion... and yet still have this latent feeling of wanting the other’s death.......

Don’t know what’s your opinion about this kind of stories, but for me, the self proclaimed Queen of Angst, in love with the most tragical Theatre and Literature... THIS IS GOOD STUFF.

10/10 HANDS DOWN.

Doffy x Trebol

What tHE ACTUAL F***K.

-10/10

Doffy x Bellamy

Please, no.

Alright, I hate Bellamy. He’s exactly the kind of character I find terribly pathetic and incomplete. He barely has a personality of his own, he’s a wild fanboy with nothing original (not like Barto. Barto is the best fanboy ever. All my love goes to Barto.).

Now, he spent all his 34 years of life trying to... imitate Doffy? And yet he doesn’t even manage to truly understand him. So he’s worse than a fanboy, he’s attracted to the idealization of a man who’s not even half of the things he expects him to be. This is sad. Really sad. And call me a sadist, he deserved being humiliated imo. Maybe this helped him open his eyes and getting a life. Seriously.

It goes without saying I totally can’t see how a relationship between him and Doffy could work. Doffy despises him, the only kind of plot this thing could have is a quite abusive one :/ and since I deeply dislike abuse.... no. This ship is totally out of question.

0/10

Doffy x Monet

This is another ship which barely touches the canon. I sincerely think the "love" between the two of them is pretty much unilateral. Doffy respects Monet, he deeply appreciates her abilities, intelligence and loyalty, she's clearly among his closest subordinates, but... He doesn't love her in a romantic way. As for Monet, she's totally in love with him, she'd kill and die for him. And in fact that's what she does in the end.

Monet is not among my fav characters, but I still feel quite sorry for how things went for her. She gave her everything away for a helpless, almost obsessive, love.

If something between the two of them really happened for real, I think it was merely physical.

For this reason, tough I have to admit they'd actually look beautiful together, I can't ship them :/

5/10

Doffy x Vergo

Ok, I dislike Vergo. He's quite a flat character imo, don't even like his design 😅 I don't ship him with Doffy for this simple reason, but being honest they could perfectly work as a couple.

Vergo was among Doffy's very first "real friends", he was among those who were considered a family by him and, most importantly, he was the only one around his same age. They literally grew up together, likely supporting each other, and I wouldn't be honest if I said this has no chance to be a good assumptipn for a love story. A quite simple and basic one, if you want, but it's the most realistic kind of bond two people can make.

Still not shipping them, my vote is a honest 7/10.

Guess that's all?

Let me know what do you think about this 😆 do you agree with my votes? Or there are some points you totally disagree with?

Well, anyways. I had fun 😂

#doflamingo headcanons #doflamingo #donquixote doflamingo #one piece #one piece hc

27 notes · View notes

itsclydebitches · 3 years

Text

RWBY Recaps: Volume 8 “Amity”

Welcome back, everyone! I hated this episode.

As in, I’m nominating “Amity” for the Most Stupid Episode of RWBY award. Was there some cool action? Yes. Good Penny development? Mm hmm. Some surprise cameos in the Maya Engine? You know it. Was all of it almost entirely undermined by the sheer number of times I went, “Wait, what?” over the course of twenty minutes?

Sadly, yes.

But let’s start at the beginning.

We get a gorgeous opening shot of Amity Tower and, aesthetics aside, my first thought was, “There’s no one around to protect it?” I mean, this was Ironwood’s super secret project. Watts just tried to sabotage it a few hours ago. Prior to the reveal that Amity wasn’t finished (cough), Team RWBY was trying to convince Ironwood to give calling others a chance, but you’re telling me after all that there’s not a single guard there? Pietro, Maria, and Penny just waltzed up without any problems? The only reason it might be abandoned—yes, even with a grimm attack looming—is if it was useless. Because remember, it was supposed to be useless. Unfinished. Not worth protecting in its current state because its current state is non-operational. That would have explained why Ironwood would leave it undefended, yet as we’ve known since the premiere, Amity was apparently finished by magic at some point, leaving the question of why it’s unguarded (or why Ironwood wouldn’t want to use it himself for something) up in the air. Pun not intended.

So these three have free rein to do whatever they want and what they want to do is, apparently, blow up the dust mine. Love that we spent an entire volume worrying about dwindling resources! I’d find the sacrifice justifiable under the circumstances if this Amity plan weren’t so foolish. Also, I’m not going to pretend that I know anything about explosives and whether providing that kind of “thrust” would actually work, but in this case I think RWBY’s sci-fi/fantasy status gives it a pass.

Penny, however, isn’t so sure. “Dad? This… does not seem like a very good idea.” Yeah. Pietro gives a short speech about good ideas not necessarily being best ideas, which would have been a great perspective to adopt for the series’ massive Ironwood arc, not a three minute solution to a problem I didn’t even know existed until now.

Pietro also weirdly teleports during this scene? He’s talking to Penny outside of the tower, tinkering with things, and then the next sentence he’s suddenly deep inside it. I mean, based on the dialogue this sentence could have come later, but it doesn’t read that way given that they were just chatting. It feels like a continuous conversation. He was outside one second, now he’s not.

During all this Maria is doing… something with a mech. That she got from who knows where. I really don’t know what the point of this was besides a very brief airship fight, but I’m just happy Maria is doing something. In fact, she’ll do far more later in the episode—we’ll get to that—so congratulations, RWBY, we can officially ignore half of your Maria square on the bingo card. Keep her alive for the next nine episodes and you’re golden.

Our trio has the message ready to go which they recorded… when? Sometime before everyone split based on the fact that Ruby is standing in the Happy Huntress’ hideout. This episode throws out a LOT of information that seems to come out of nowhere and doesn’t hold up well in terms of timing. Or, you know, general sense. Take, for example, the next exchange between Penny and Pietro. She wants to stay here in case no one is able to come help Atlas and Pietro panics about her staying with them, heavily implying that they’re leaving leaving. Once they go up they can’t come back down because otherwise… why not just send out the message, land, and then Penny goes off again to help? Later in the episode landing seems inevitable and then it seems planned for—what, are Pietro and Maria just going to hang up there forever? So what’s the conflict here?

Specifically, what’s the conflict for Penny? Amity should just be a quick side mission she completes before heading back into battle. Why does she care about doing what’s essentially an errand while Ruby nurses Nora back to health? She’s not missing anything. I’m having a hard time understanding why she’s acting like getting the message out means she’s removed from the fight indefinitely. Pietro, however, makes a little more sense if we read it simply as him not wanting Penny to be involved in the fight, period. As we see later, he fears for her safety and will do everything he can to keep her here with him, safe: “I’m your father. I’m telling you, you belong on Amity.”

Penny gives a sad “Yes, sir” and Maria chides Pietro with, “Don’t you think Penny has had enough people telling her what to do?”

Oh boy. There’s so much wrong with this line. The general demonization of ever following orders, even when those orders are sound. The comparison between Ironwood’s new villainy/his “bootlickers” (“Yes, sir”) and a father’s justifiable fear. Ignoring that Ruby has also been giving orders and no one is reminding her that Penny is an autonomous person capable of deciding things for herself. Where was this sort of chiding when she took away Penny’s scroll and spoke for her to Ironwood?

So Penny, of course, flies up and I guess provides them with the launch sequence or something? She sort of perks up and makes tech noises, then the tower is ready to go. Just like that.

Pietro makes a joke about not having time to install seatbelts.

Funny, shouldn’t there be safety measures for the people operating the tower? If the tower was finished and ready to go? 🙃

Everything is going to plan until Cinder shows up, melting a giant hole while Neo pilots the airship through it. So she came! Too bad she’s not going to achieve anything. Despite the stowaways, the bomb Penny left goes off and the dust mine explodes in a massive cloud of color, sending Amity up into the sky. This pops up on Ironwood’s feed and he gives an ominous “It’s time.”

For the first minute or so no one can move due to the pressure and Cinder takes the time to taunt Penny some, saying she expected her friends to be here and, since they’re not, she’s just “a tool to be used.” While she lashes verbally she also summons a massive number of swords. When they’re able to fight Penny is briefly overwhelmed…

…Until Maria comes to her aid!

“Get away from her, you bitch!”

That was great. If anyone other than Tyrian was going to curse, you know it had to be our snarky grandma. So I’m cheering, watching Maria make use of her (acquired off screen) tech to help, despite the fact that she’s too old to fight anymore and—

Wait.

Okay, here’s my problem with this battle. First of all, Cinder’s group should have decimated them. This is an experienced Maiden (see: Raven fight) with a grimm arm vs. a girl who only got the powers a few hours ago. I know a few weeks back I mentioned how insanely powerful Penny is in theory, but that was before she was nearly taken out by the Ace Ops. You know, the group who was all knocked unconscious by a bunch of half-trained, exhausted teenagers. So the comparisons here don’t make Penny look too good. More importantly—because Cinder doesn’t have a great track record anymore either—she’s backed by ‘I was kicking a Maiden’s ass before she whipped out her magic’ Neo and ‘I can make anyone see anything and I just mentioned last episode that I’ve been working on this semblance’ Emerald. They are a power team. Who is Penny backed by? A non-combat scientist and a woman who stopped fighting years ago.

Right?

I have no problem with Maria being powerful. In fact, after her Grimm Reaper reveal I had hoped we’d see her fight, both to give the group a power to aspire to—here’s what a fully trained huntress with experience looks like. This is what our personal inspiration and a huntress beloved by the world looks like—and to have an older fighter providing diversity. Sure, there’s Ozpin, but he reincarnates into young bodies. Maria is a Mexican coded, disabled, old as balls fighter and that’s AWESOME. Problem is… she never fought. She hobbles around with her cane, using it in a way Ozpin never used his, implying that she really needs it. She’s not spry anymore. Every time there’s a battle she’s in an airship or other tech, providing help through the use of an assistive device. She never offers to train anyone. We never see her accompanying a group—like JNOR—to provide extra protection. During the grimm attack Maria exchanges a fearful look with Pietro and then presumably hides in his shop off screen. Why has the story been ignoring Maria when she can fight like this? How can she fight like this when we haven’t seen her throw so much as a punch since we met her?

I mean, this is Neo! Neo. One of the most powerful, non-Maiden fighters we’ve seen to date. She took out Jaune, Nora, Ren, and Oscar without breaking a sweat, but a few minutes with Maria has her collapsed on the ground?

Something is very wrong with this fight. Either the writing nerfed Neo to allow Maria to win, or the writing has been pushing one of the most powerful characters off screen, relegating her to comic relief. Maria should be insanely powerful given her Grimm Reaper status. I had come to accept that she was powerful and, like people in real life, simply lost that with age. Now, the story suddenly reveals that this was never the case.

During all this Emerald helps Neo one (1) time, despite presumably standing there watching the entire fight. Before it begins Neo randomly decides to turn into Ruby, but then has dropped the illusion by the time we return. Maria is laughing like a loon for the first half of the battle. The only reason she (briefly) looses is because she gets distracted. Then Penny K.O.’s Neo’s aura with a single blast.

See, this is why I rarely enjoy the fights anymore. Beyond that fact that I thought some of it was rather lackluster compared to our Penny vs. Ace Ops fight, it just doesn’t make sense. There’s moment after moment that has me scratching my head and if you’re going, “Huh?” at the screen the whole time, it’s pretty hard to get immersed in the story.

During all this they reach the necessary altitude to broadcast, but it won’t go through because of a “stabilizer fail.” You mean the giant hole that Cinder blew in the side of the tower?

Never mind that everyone except Penny should be dead by now. How are they breathing up there? It’s like if someone blew a hole in your airplane and everyone just went about their tasks as usual.

You’ve gotta input the code, Penny.

I joke, but Pietro does start desperately typing. I guess because stabilizers might be fixed with a code or something? Anything is possible in this show.

It’s the Penny vs. Cinder fight that I’m bored with though. At least before Cinder manages to nearly the powers. I think part of it is because we already got this fight last volume, partly because they don’t do much that we haven’t seen from them both before: Penny flies around a lot, Cinder tosses variously summoned weapons, etc. Details I did appreciate though were the return of Cinder’s arrows and the fact that she didn’t let Penny lead her from Amity for long. Look at our villain making a smart decision!! Love that.

Cinder starts destroying the tower instead and Penny asks why she’d want to serve Salem. “I don’t serve anyone and you wouldn’t either if you weren’t built that way!” Penny looks sadly down at Pietro and for one horrible moment I thought the story would actually have her buy into that nonsense, but then Penny rallies and announces that she chooses when to fight because she wants to protect those she loves.

Penny has some really great moments here. What’s less great is the setup for them. I mean… why is Pietro in danger? Penny is clearly trying to keep the top portion of the tower from collapsing after Cinder’s attack, but you’re telling me the tech-obsessed scientist hasn’t put flight capabilities into his chair? That’s not how he got way up high on the outside of the tower, it was just a random hatch or something? When every piece of tech in RWBY serves triple-duty, the Atlas tech mastermind hasn’t included the one thing in his massive chair that would save him here? It’s all very… “Really?” Especially when Cinder is smart enough to realize that Penny cares about the tower, but not realize she cares more about her dad. Just grab Pietro and threaten him, demanding that Penny stand down so Cinder can grab the powers. Penny, horrified by her father’s potential death (and ambivalent about having this responsibility in the first place) lets her. Something other than this weird setup of destroying the platform itself.

Penny’s scream though is fantastic. Kudos to Taylor for that moment. So yeah, Cinder starts taking the power—did she get a bit then, like with Amber?—before Penny rallies and knocks her off. From then on Cinder doesn’t stand a chance. Emerald reappears to provide assistance in the form of an illusion, except that Penny’s tech allows her to see through it with ease. The real Cinder is marked with ‘Danger’ and Penny takes her out easily once Cinder doesn’t think she needs to dodge anymore.

I should be feeling something considering that Penny just won a battle against the woman who orchestrated her murder volumes back, in the exact same place where she died… but I’m not. Penny’s resurrection was shrugged off. Amity was used for joke license parties. I’m endlessly confused about what message RT is aiming for in regards to Penny’s autonomy (a real girl, but hackable) and this fight has been a collection of power ups, power downs, or skills just conveniently not working. What improvements has Emerald made to her semblance? This is everything we’ve seen from her before. When did we establish that Penny’s android nature makes her immune to techniques of this nature? I don’t mind that she is immune—in fact, it’s a cool skill to give her—I just wish this sort of stuff didn’t suddenly appear in the story only when the plot most needs it to. Or, to be more charitable, it would be a cool reveal if the rest of the fight held up better. I don’t mind a, “Hell yeah, Penny had the trump card she needed to win!” if the whole scene wasn’t Team Cinder being oddly weak the whole time. The most they manage to do is escape via Emerald threatening to fill the tower with holes from her gun… after the tower has had a hole blown through it, shot with flaming arrows, and had two of the beams keeping it in place melted. The most Cinder accomplishes here is unintentionally putting Penny in a position where she falls when she’s hacked. That’s it.

The villains should have won. Not just because of the team dynamics making victory a very likely outcome, but because allowing the group to successfully get their message out was one of the worst things RWBY has done to date.

Gimme just a moment to get there.

Amity is drifting back down, out of the range they need to send the broadcast, so Penny offers to “hold Amity in place” until the message is done. Pietro freaks out… why? He starts to say “Even just the temperature out there—” implying that the cold and altitude can kill Penny, except she fought Cinder outside no problem. Literally minutes ago. Hell, Cinder was fine outside and she’s not an android.

There’s that massive hole letting the atmosphere in too. I’m so confused by these conflicts that randomly appear and, as such, I can’t take the emotion attached to them seriously. How can I be invested in Pietro’s worry about this killing Penny and Penny offering to sacrifice herself when I don’t understand why it’s dangerous to begin with?

And it is treated like a sacrifice. Penny tells him that she’s trying to “live her life,” kisses Pietro as a sort of goodbye, and spends a few moments enjoying the beauty of the night sky.

She’s acting like she’s about to die and yet none of this comes across as particularly dangerous. Indeed, Penny pushes Amity for as long as Ruby’s message needs her to and then, presumably, would have come back inside, a-okay, if she hadn’t been hacked. This is like that Parks and Rec moment:

Except it’s treated seriously. Penny is doing something mundane based on what we’ve seen her do before and the fact that this cold/pressure isn’t negatively impacting anyone else who experiences it, let alone the android. So why is the story trying to convince me that this is a death sentence?

Combine this with Penny’s origins: she was built to “save the world.” That’s why Pietro created her, to fight these exact sort of battles. So why is he so resistant to her doing just that? I’m not saying he can’t change his mind and grow to love her as more than a tool—in fact, their relationship is one of the few things I’m enjoying about this volume—I just wish we’d seen how that came about. When did Pietro move from building Ironwood a weapon to having a daughter? Back in Volume 3 he was on Ironwood’s side about Penny not having friends or going out because it was too dangerous for someone like her. She has secrets to maintain and responsibilities to prep for because she was, first and foremost, created for a specific task. We get an inkling through is admission that he can’t bear to see her die again that Penny’s first destruction really changed his view of her, but all of that happened off screen. We had a whole volume with Pietro prior to this where we might have watched him struggle with his new understanding of Penny as his child, rather than dumping this on us literal seconds before she engages in this non-sacrifice. We know almost nothing about Pietro except what tiny scraps we’ve been told, so dramatic lines like, “I don’t care about the big picture, I care about my daughter!”—while wonderful—appear to come out of nowhere in regards to his development. It’s jarring. Early RWBY presented Pietro as a morally ambiguous scientist aligned with Ironwood, then he suddenly became a scientist who loved his creation in Volume 7, the scientist who betrayed Ironwood, then Volume 8 has Penny dropping “Dad” left and right and Pietro willing to throw away helping a kingdom for her sake. When did all these changes happen? Where’s the progression?

Also, I hope people understand that this is why the world needs someone like Ironwood. Is it heartwarming that Pietro wants to ditch their plan at the last second for the sake of his daughter? Hell yeah. Is that good for the millions of other people who would like their own family members to survive this war too? Nope. “I don’t care about the big picture,” while human and great characterization, is dangerous when the rest of the world depends on you. Whoever runs this show doesn’t have the luxury of saving their preferred, individual life at the expense of everyone else.

So Penny goes out and gets Amity high enough for Ruby’s recording to start, complete with her acting funny-awkward for the first few seconds.

The cameos we get throughout this? Excellent. The speech itself? Rather horrifying. So the good: we get glimpses of everyone else in this show that the story has essentially left behind. Saphron, Terra, and Whitley start things off.

(Interesting that Whitely went to his father’s office rather than his room...)

Sun and Neptune (even though that “Dude” again messes with tone).

Ilia getting a call from Ghira.

The group sitting with a recovering Nora while Ruby watches her own words with the most ridiculous expression.

Tai, desperate not to lose the one link to his daughters he’s seen in years. (Side note: I’m not interested in any of the Tai hate. He’s still at home because the writers don’t know what to do with him and because Ruby literally ran away. Are people made at Ghira and Kali for not running after their daughter too? No, because they’re minor characters that the story needed to sideline.)

Tyrian, sitting beside a very pleased looking Salem...

(Love that she’s petting him.)

Even the shop dude!

Oh yeah, and MOTHERFUCKING GLYNDA.

I’m thrilled to see her. In the sense that I love getting her in the new engine, but I’m salty that she’s unlikely to become an important part of the story again. In fact, there are so many characters at this point that she shouldn’t be re-incorporated, just because that would bloat the cast even more. That… and did they really have to give her massive cleavage? The darker glasses are fine—even if I personally found them a bit distracting compared to her original lenses—but seriously, why does a woman always reappear with even bigger breasts?

At this point everything in RWBY has a sour taste attached to it because it’s been handled so badly for so many years. It’s only now, watching them do many of the things I wanted them to do volumes ago, that I realize how badly they’ve played themselves. RT messed up so many core aspects that when they re-appear they can’t hope to provide the same sort of enjoyment we would have gotten if they’d never been dropped and/or messed up to begin with.

Case in point: Ruby’s speech. I’m not going to cover the stupidity of telling the world about Salem because I’ve already talked about that to death on my blog, but I do want to add that Ruby managed to accomplish that dubious task in the absolute worst way possible. I need a list for this one.

So, about RWBY ruining core parts of its story? We had a whole volume about how horrifying learning about Salem’s immortality was, something we never resolved because the cast randomly went from thinking they’d entered a doomed war to being #confident about how they’ll win. But at the very least they’ll be careful and considerate when they tell others that very demoralizing info, right? Ha. Ruby never even uses the term “immortal.” She mentions Salem being around for “centuries”—which, remember, was info the group also had but never put two and two together—and then says that “Just because she can’t be destroyed doesn’t mean she can’t be beaten.” What does that mean to people who have never heard of Salem before now? Ruby doesn’t even explain who she is! What’s a “force” in this context? A person? An entity? Endless grimm? She gives the people nothing here.

Alongside just casually dropping that Salem has been around for “centuries,” Ruby says that she is “a force we’ve faced before,” as if the world has ever had to deal with an outright attack from her. No, Ruby. They haven’t faced this before. That’s the point.

“I know the idea of Maidens and Relics seems crazy”—does she even mention them before this?? I don’t think she does. Ruby just name dropped two things and never bothered to explain wtf they were.

Also, great job telling the whole world, filled with bad guys not already aligned with Salem, that there are two powerful, mystery things out there that they can now start hunting down. That’s why Ozpin decided to keep the Maidens quiet in the first place. He says in Volume 3 that people were killing them when they knew they existed.

She tells everyone that Glynda and Theodore can vouch for all this information, just casually dropping that responsibility into their lap. I mean, can you even IMAGINE being Glynda right now? This kid you taught for one year heads back home after your school falls, you lose touch with the inner circle after Ozpin dies, and then said kid suddenly appears on every scroll and TV in Remnant, telling the entire world that YOU, personally, can explain to them the things you’ve helped keep hidden for a good portion of your adult life. You are one of two people they can now turn to for answers. If I were Glynda I would be furious.

She also says that Theodore and Glynda “might even be able to organize a way to fight back” RUBY. WHAT DO YOU THINK THE INNER CIRCLE WAS? A KNITTING CLUB? WHAT ELSE HAS OZPIN BEEN DOING FOR A THOUSAND YEARS EXCEPT “ORGANIZING A WAY TO FIGHT BACK”?

“But, sadly, General Ironwood can no longer be trusted.” Wow. That’s one hell of a simplified take to give to a world already working under the incorrect assumption that Atlas caused the Fall of Beacon, an assumption Ruby admitted was wrong to Cordovin. So let’s unite the world except for this one leader, right? So much for practicing what you preach.

“If she was really unstoppable she wouldn’t have acted with such caution before now.” Oh boy, that’s risking a lot on Ruby’s interpretation of Salem’s motives. After eight years even we, the audience, don’t know why Salem didn’t attack until now, so where did Ruby get the idea that it must be because she fears them? That’s not the real explanation based on how happy Salem looks while hearing the message. When did Ruby even think about this? Outside of Nora’s realization that maybe someone other than Ozpin could beat her, we haven’t seen the group discuss Salem at all, but now Ruby thinks she has everything figured out? I honestly want her to explain her thought process here. Does she think Ozpin was mistaken about the immortality business and if he’d just had the guts to unite everyone and attack her, Salem would have been defeated lifetimes ago?

(Funny how that was Ironwood’s plan...)

Ruby ends with another call to band together because “That’s how we’ll win!” complete with smiling energy.

With the exception of the cameos I hated every moment of this. The unclear reason why Ruby thinks bringing the world together is the answer in the face of how badly that’s gone each and every time others have done it, Amity magically becoming available for them to use, her dropping in random beliefs we’ve never seen her express before, turning the whole world against Ironwood, failing to actually explain any of this… I mean, imagine you’re in Remnant’s place for a second:

This child (looking entirely unprepared) suddenly hacks every device and tells you that the most powerful kingdom in the world is under attack. Who is attacking it? It’s someone you’re familiar with! But not really. It’s Salem. Who’s Salem? I won’t say, but she’s responsible for every bad thing from the White Fang to the grimm themselves. Those Relics and Maidens, those are real crazy sounding, huh? Oh, I forgot to say what they are? Nm that’s not important. Talk to my old teacher and someone I’ve never met if you’re confused. What is important is that we all come together. Except Ironwood. I don’t trust him. But I expect you all to trust everyone else, including me! Because we can totally win against this “force” I haven’t defined. You should help us. In whatever non-specific way you choose. Should you come to Atlas and save us all from the confusingly explained attack we’re under? Fight an immortal enemy somehow, with the forces you don’t have, cross who knows how many miles in under a day? I don’t know. You all can figure the preparations part out :)

If I were watching I would, at best, think this was a prank. At worst I’d be panicking over a whole lot of scary information, none of which I understand. Which in this world brings grimm.

Ruby should, in an internally consistent story, have just caused a massive number of attacks across the globe. She should be responsible for the biggest mass grimm death Remnant has ever seen. In fact, that’s my final hope for the series. I want the world to lose its mind at this confusing, terrifying announcement, from rioting in the streets to grimm swarming major cities. Ruby is left dumbfounded at the destruction she’s caused. No one can—or will—come to assist Atlas. The Kingdom falls, taking plenty of civilians with it. Ozpin escapes and is finally allowed his anger, wanting to know how the safety measures he spent lifetimes building were undone by her in one profoundly stupid move. Ironwood (if he’s still alive) coldly tells them that they could have left and saved who and what they had at the time. Ren is proven right.

I need this story to decimate our heroes, humble them, and then let them rebuild. Teach Ruby something and let her grow from it, making up for her mistakes as she goes. Because for two and a half seasons now we’ve watched this girl commit one horrible act after another—whether it’s attacking allies or unintentionally giving the world the most damaging message possible—and something needs to come out of all that.

Can’t say I’m too hopeful of seeing that though :/

The rest of the episode isn’t any better. Ironwood continues his stupidity streak by trusting Watts to do the hack himself. I really can’t believe this is what his character has been reduced to. Granted, it appears as if Watts really did do what he was asked, it’s just that none of them could have known Penny would be outside of Amity and at the height of an airplane when her systems went offline. That trust does, however, allow Watts to nab Ironwood’s crushed scroll before he’s taken back to his cell. Because, you know, at this point Ironwood is so stupid he just chucks personal tech at a villain and thinks nothing of it.

Also... all this happens before the jail scene last episode when Watts was returned, but after Ruby’s group gets to the Schnee manor. The bingo board is getting another check.

Ironwood says that “It seems Polendina’s proxy trick worked.” So Pietro deliberately built Penny with this kill switch (for lack of a better word) embedded? In this villain!Ironwood world, is the story ever going to acknowledge that Pietro is far from innocent, having helped to create and support all the things people hate about how Ironwood (supposedly) interacts with Penny?

Penny’s hack doesn’t take until Ruby’s message is complete, because of course it doesn’t.

Yang’s group is all excited—“That was the broadcast!”—despite not having a signal last episode. If they can use their scrolls at the outpost, why didn’t they call for help?

Penny then says “I love you” to Pietro before she—maybe?—falls to her second death. I don’t know. This absolutely deserves a longer rant because either Penny was resurrected for a brief, narratively meaningless existence before dying again, or we’re expected to believe that she’s falling far and fast enough to become a meteor, but will turn out just fine. Perhaps the show will forget that Pietro said he couldn’t rebuild her again. I pretty much expect it at this point.

(Either that, or Pietro will sacrifice himself for Penny. Coming at it from a father-daughter relationship, I like the idea. As a black man dying for his white daughter in a show notorious for how it has handled its race allegory... ehhhh.)

Then, we end this episode with “a river of grimm.”

????????????????????

What?

Seriously, am I the only one who laughed during that moment? It sounds ridiculous. What does that even mean, “a river of grimm”? Did Salem expand her territory somehow? Is this the same grimm soup she makes them out of? What, can she just cover the whole world with grimm making goo now? Out of everything that could have been coming out of the ice, THAT’S what we end on?

I think this episode may have broken me lol. There was so much that I knew I was meant to be invested in, so many moments trying their hardest to be emotionally compelling… and only the tinniest slivers of it worked. I want to care about Penny falling. I want to care (more) about an unexpected Glynda appearance. I want to be cheering for Ruby’s message getting out, but it’s all just so badly done. I ended this episode feeling like I had watched a RWBY parody rather than an episode. Like for funsies someone had pulled together the most ridiculous ideas they could think of, like:

The villains come and then immediately leave again, like in Fury Road except in this case that’s not the point of the story.

Super powerful fighter gets her ass kicked by laughing grandma.

Nonsensical sacrifice going on but give it just a hint of ~real~ emotion.

Huge reveal for the rest of the world but the message with be near incomprehensible.

Toss in random characters we haven’t seen in years, people love that.

End the episode with grimm soup flowing towards the kingdom.

It honestly feels like someone set out to write an absurd episode, but then gave it just enough artistry that the viewer finishing the vid goes, “Why am I actually invested in this omg lol.” Except when that’s your canon we’ve got a problem.

I don’t know. At this point RWBY is so broken I can’t even articulate everything that’s continually going wrong when we get an episode like this one. For anyone who may have missed it, we’ve got two more episodes before a six week hiatus and frankly I’m glad. Mostly because I obviously want our crew to have the time they need to keep their sanity intact during the hell that is 2020 and the likely hell that will be 2021, also because that will give them time to spruce up the second half of the volume… but there’s also a part of me that’s just glad for a break. There are still pieces in RWBY I enjoy (like the Hound, or dad!Pietro, always Ozpin) and I love writing these recaps, but it says a lot about the writing that I hear we won’t get RWBY for two solid months and I am, at best, indifferent. Can’t mess up what you don’t air, right? 😂

Man, this bingo card… it’s getting three marks today. “Two day timeline wreaks havoc on continuity,” “Needless episode cliffhanger” (grimm river??), and “The team gets Amity up and running.” Yet we somehow STILL don’t have a bingo. Amazing.

Alright, I’m done. If you enjoyed this episode, bless you. I’m really glad. Please enjoy it for the both of us. And pray for us all over the next two weeks 💜

[Ko-Fi]

#rwby #rwby spoilers #rwby volume 8 #mymetas #rwby recaps

121 notes · View notes

murasaki-murasame · 3 years

Text

Thoughts on Higurashi Sotsu Ep10

I’m kinda out of it due to a mix of toothache and painkillers, so bare with me on this one, lmao.

Anyway, thoughts under the cut. Also lots of Umineko spoilers, probably.

I’m genuinely kinda shocked that this arc STILL isn’t over, but at least it makes a lot more sense now why it ended up being longer than I expected, lol. I still think it probably could have been condensed by an episode or two, but still. It turns out that way more was going on with Satoko behind the scenes in this arc than I thought.

There’s also the whole possibility that Ryukishi might have intentionally laid out the script of Gou/Sotsu so that this whole sequence of Satoko definitively accepting that she’s a witch and killing her humanity happened on the cumulative 34th episode [24 from Gou and now 10 from Sotsu]. I’ve been wondering if anything could actually justify the extremely slow pacing this has had up to this point, but this might actually be dumb enough to make me think it was all worth it, lol.

Also, I’ve been trying to avoid saying it, but I looked at the whole batch of leaks from this arc when they got posted about a month ago, and it looks like we’ve officially covered everything that was in those leaks. I kinda regret looking at them, since it spoiled that Satoko would have an internal conflict that gets expressed literally in usual WTC fashion, but in a funny way I guess I ended up getting a misguided idea of what was going to happen just from looking at the leaks.

For one thing, I completely forgot about the leak of Satoko shooting Teppei until I double checked it a few days ago, so I was mostly just focused on the stuff about her two sides fighting against each other, and I guess I thought it would have made her seem a lot more redeemable than how it ended up actually working out, lol. I thought that it would basically go in the opposite direction and this would signal the start of her spiraling into regret and despair over the course of Nekodamashi, but basically the opposite happened.

I guess this probably answers the question I’ve had of what could stop Satoko from just immediately shooting Rika after the cliffhanger from Nekodamashi, since this raises the possibility of her ‘human side’ literally stopping her from doing it.

Though at this point I’m starting to seriously wonder if there’ll be some big meta twist about how Sotsu has actually been a separate set of loops to what we saw in Gou, and maybe Nekodamashi really did just end in tragedy and then everything got reset. I’ve been toying with that idea in my head for a while, mainly just as a way to try and make Sotsu feel like more than just a literal retread of Gou, but this is giving it a bit more validity as a theory.

For one thing, Eua already implied during Satokowashi that she had a history with Satoko, and going by something Ryukishi said in an interview, there’s already been a time where Satoko called her Eua, so it’s possible that Satokowashi onward is an entirely new loop where both Satoko and Rika have had their memories reset, but Eua still remembers it. Presumably the ‘Gou loop’ would have just ended with failure some way or another, and Eua decided to do it again. She’s given Satoko a pretty definitive failure state in Sotsu, but it’s possible that wasn’t always the case, and up until now she’s been willing to just do it over and over again until she gets the right outcome.

There’s also the theory some people have suggested that maybe the conflict between Satoko’s two halves represented a literal split in the timeline of some kind, with Tataridamashi maybe being a version of events where her human side won out, if only temporarily, and Teppei stayed alive to attack Keiichi at the end of the arc. That’d at least be one way to explain the weirdness of Satoko killing Teppei in this episode after we saw him attack Keiichi at the end of this arc in Gou. I’m not entirely sure I support this exact interpretation, though, even if I like the idea of these maybe being different arcs.

I think that for now my theory about the Teppei situation is that either 1: it was some kind of hallucination from Keiichi, 2: it was a fictionalized account of events that she fed to Ooishi to help trigger his L5 state, or 3: it’s the same sort of thing as the ‘Illusion of Witches’ in Umineko, and we as the audience were directly being shown a fantasy version of events by Satoko. Which is basically the same thing as the second option, but still. Considering how this seems to be barreling it’s way towards being some kind of Umineko prequel, I’ve been wondering if maybe they’d go that far with introducing narrative concepts here that get expanded upon more in Umineko. This would at least be a pretty straightforward example to use to illustrate the idea of how fantasy is used as a device in Umineko. And since there were infamously major issues with people not understanding what Ryukishi was trying to do with those scenes in Umineko ep2 which lead to him having to rewrite ep3 to explain it more clearly, I can see why he might go as far as to include an introduction to this idea in this series.

It’s possible that it’s just a hallucination, but I kinda doubt it at this point. For one thing, it’d feel kinda weird if THIS was a hallucination but not the whole fight scene between Keiichi and Rena, but it’d also just feel kinda weird since Keiichi didn’t really seem to be going L5 in this arc, so it’s kinda hard to imagine him jumping straight to that level of insanity on such short notice.

At least if we assume that this leads into the ending we saw in Tataridamashi, and not something entirely different, I think the real version of events is probably that after leading Keiichi to her house, Satoko attacks him with the bat [or she rigged some kind of trap to knock him out], and then when he wakes up he sees the aftermath of Satoko killing Teppei and he assumes he did it. Though tbh even at the end of Tataridamashi I’m not even sure if Keiichi acknowledged any memory of what happened with Teppei, so I’m not even sure if we need to explain how he’d end up convinced that that version of events happen. For all we know it might just be something that the audience alone was being shown, and from Keiichi’s POV he just gets knocked out and then wakes up in the hospital.

It’s possible that Ooishi ends up attacking him, but I kinda doubt it, at least after how this episode went. Even in the midst of HS, he seemed aware of the fact that Keiichi was at worst just being unwittingly manipulated by the villagers, and that he genuinely thought he was helping her, so I doubt that Satoko would be able to convince him to attack him. And at this point it just seems more likely that Satoko would attack Keiichi herself instead of pointlessly relying on someone else to do it for her.

We do know that he shows up at the festival with the bloody bat, but he could have just entered the house after hearing the commotion of Keiichi getting attacked, and then Satoko told her version of events to him, and he just picked up the bat from the crime scene and took it to the festival.

It’s also worth noting that apparently in the manga version of Tataridamashi, Satoko never even leads Keiichi to her house in the first place, and he just gets shot by Ooishi at the festival, which makes it seem more likely that Keiichi himself isn’t super relevant to how this arc ends. At least in the manga version of the arc, it seems like Ooishi probably just walked in on Teppei’s dead body and then picked up the bat and went on to do his killing spree.

Now I’m also wondering what’ll happen in the next episode, since it seems like they literally only have the festival left to cover before this arc ends. I guess there might just be a lot of content related to what happens with Satoko in the fragment space between this arc and Nekodamashi, but either way it feels like it shouldn’t take long at all to reach the big climax of this arc, especially since Satoko has already steeled her resolve. I mean, I doubt that human-Satoko is gone for good, but the rest of this arc is probably just gonna be witch-Satoko putting her final plans into motion, so there shouldn’t be much to cover there.

There’s a possibility that they’ll also speedrun through all of Nekodamashi from her POV in the next episode, but I kinda doubt it’d go by that fast. In spite of it mostly being a montage from Rika’s POV, and there presumably not being much worth showing about the mechanics and reasoning behind how Satoko set up the different mini-loops there, I think there’s still a fair bit to be shown from her perspective in that arc. For one thing, we’ll probably get a reveal of what was really going on behind the scenes with how Hanyuu suddenly gave Rika a new set of powers, and the whole deal with the sword. And even after the loop montage, I think that stuff will go on behind the scenes with Satoko and Takano to lead into the scene where Takano apologizes to Rika.

At this point my main question is how long it might take to get through all of that, since we only have five episodes left. At least as far as we know. There might be some kind of continuation yet to be announced, but I don’t want to bet on it.

It just feels like there’s a whole lot of stuff left to do before we end this. Like the stuff I’ve mentioned before with the OP having scenes of the club members as teenagers wearing outfits different to their ones from Satokowashi, and the scene of teenage Rika and Satoko fighting in the fragment space.

I’m also wondering at this point if we’ll get some Bernkastel origin story stuff to go with the apparent Lambda origin story. At the very least, they never really explained why she ended up being Featherine’s miko in Umineko, aside from the vague ‘Featherine is probably some version of Hanyuu’ thing. Which has been especially weird since Eua has been using Satoko as her pawn against Rika in this series. But this episode also makes it seem even more likely that Eua doesn’t even like Satoko, and is just using her as a pawn towards a greater goal of entertainment, while probably also playing both sides, so I could see this leading to a situation where she ends up working with Bernkastel instead.

There’s still the question about if this is even a Lambda origin story in the first place, but at this point I think that it’d just be a straight up waste of time if it’s not. That basically feels like the entire purpose of Gou/Sotsu’s existence right now, so if it’s all some sort of elaborate troll, then that just feels like it’d make EVERYONE pissed off. It’d obviously annoy the Umineko fans who like the idea of this being a genuine prequel or tie-in of some kind, but for the people on the opposite end who hate that idea, I don’t think they’d appreciate being told ‘I was just spending nearly 50 episodes tricking you into thinking this was something you’d hate, lol’. It just seems like the worst of both worlds.

Also, I’m pretty open to different variants of how they could pull off the specifics of this being a ‘Lambda origin story’. Like, I still think it’d count if this ends up being set after Umineko and is some kind of elaborate reenactment of how Lambda came to be, or whatever. There’s a lot of specific ways it could be executed, but it’d basically just be the same thing at the end of the day.

I know that witch Satoko right now doesn’t have the same sort of personality that Lambda had, but like with how Beatrice went through multiple design iterations that changed her personality, Satoko might just end up going through more development that makes her closer to the Lambda we know in Umineko. There’s also the fact that the end of Umineko already implied that Bernkastel was just ‘playing the villain’ for fun, so Lambda’s whole personality there might have been somewhat manufactured.

I guess at this point I just have to wonder if we’ll see Satoko come up with the name Lambdadelta for herself, lol. Even back in Higurashi we saw how Rika came up with the name Bernkastel, so if they’re really going in this direction, it’d make sense. I know Satoko is still calling herself Satoko by this point, but just a few episodes ago she denied that she was becoming a witch, and now she’s calling herself one, so these things can change, lol.

Anyway, this whole episode ended up being more Umineko-y than I expected. Even aside from the obvious stuff with them using the term witch, the whole fight between the two Satokos in the fragment space was exactly the sort of thing you’d see in Umineko, down to the fact that it was a gun fight like the love trial was. The imagery of the red cracks on the black background, and the entire screen shattering like glass, also felt like it was lifted straight out of Umineko.

Even if it might be kinda cheesy and forced, the monkey brain part of me really likes this stuff, lol.

Come to think of it, I guess this also makes it a lot more likely in hindsight that her classroom panic attack in this arc really was [at least in part] a representation of her two sides clashing. I think she always planned to do it as a recreation of that scene from Tatarigoroshi, but when it actually started her human side bled through and her genuine regret came through as well. I also assume that all the shots in this arc of her looking uncomfortable or depressed, especially around Teppei, were probably also setting up for this. Which I think is fine, but they probably should have been a little more clear about it, since it came across as her just faking everything, and this ended up feeling more sudden than it should have. I get why people would still see it as being sudden and unearned, but I don’t really think so. They probably should have included more stuff like that during the first two arcs of Sotsu, though.

I’m curious to see if I’ll end up being right about my theory that the sword will end up being used as a plot device to completely separate Satoko’s witch self, and maybe Rika’s as well, into their own beings separate from Rika and Satoko in the ‘real world’. It still feels like the only way to have this actually set up for Umineko without having things end in total tragedy for Rika and Satoko in general.

There’s probably a lot more I could say about this episode, but I think this has gone on long enough as it is, lol.

#murasaki rambles #higurashi #higurashi sotsu

13 notes · View notes

rhysismydaddy · 4 years

Text

Failing a Polygraph (Nessian)

All I write is Nessian. Wrote this in 5 minutes because I had a dream about being in the CIA and having to take one of these.

________________________________________________________________

“State your name for the record.”

“Nesta Archeron.”

The annoyingly beautiful man across from her smiled as the polygraph machine started taking down a baseline.

Nesta sat, perfectly unmoving, and tried not to roll her eyes. These things were so tedious. And besides being a huge waste of time, they’d taught her in the academy how to beat one, so it was actually kind of pointless.

“Date of birth?”

She sighed. “March 15th, 1995.”

“Just two days after mine,” Cassian pointed out, oh-so-helpfully.

“That’s not a question.”

He smiled, dimples popping up on his tan skin. “Right you are. You’re applying to the Paramilitary Operations Unit, correct?”

“Yes.”

He should very well know, considering it was his unit, but she kept that to herself.

“Why?”

Fuck, I hate polygraphs.

“I’ve maintained my cover during my three years with the CIA, so I’d be perfect for undercover ops.” He didn’t look impressed, so she continued. “Plus, I aced all the exams to enter the unit.”

“Did you now?”

She didn’t ask why he didn’t just look at the needle in front of him to see that it was the truth. Cassian just sat there, smirking like always, golden eyes studying everything about her.

“I believe I scored one point higher than you, actually,” she said cooly, unable to help it.

She never had figured out how to bite her tongue around him.

They’d met around two weeks ago, after her preliminary interview for the unit. Nesta had bumped into him in the hallway, not known he lead the program she desperately wanted to be a part of, and had given him her piece of mind when he’d commented on her dress.

Or rather, what was under her dress.

It wasn’t exactly a great first impression.

Not that he seemed to mind. Ever since then, he’d been teasing her, and flirting with her, and driving her insane in every possible way.

Including now.

Cassian smiled, leaning back in the chair and watching the needle move in between them.

“Tell me a secret,” he said, eyes twinkling with undisguised interest.

Just to mess with him, she responded, “I had a dream about you last night.”

He twirled a hand in the air. “Elaborate.”

“I was at a drive-thru, and you were the one flipping burgers,” Nesta replied, biting her lip to keep the smile off her face.

“Very funny.” He scowled at her, which only made her smile grow. “Have you ever committed a crime?”

“Nope.” She gave him a small smile. “Contemplated assault a few times, though.”

Cassian rolled his eyes. “Have you ever committed an act of treason against the United States?”

“No.”

“Great. Boring questions are out of the way.”

Wonderful.

“What’s your most embarrassing memory?”

Nesta finally gave into the urge to roll her eyes. “In ninth grade, I got off the school bus and the wind lifted up my skirt. And before you ask, yes, I was wearing underwear.”

“I’m jealous of the kid behind you,” he joked, running a hand through his hair. She traced the motion, wondering how the hell he managed to look good even under fluorescent lighting. “Let’s see... what else do I want to know?”

“No, what else do you need to know? For the purpose of giving me a job?”

He shrugged one of his massive shoulders. “Same difference, baby. I want to know... won’t you find it difficult?”

“Find what difficult, Cassian?” she spat back, both loving and dreading the tone of his voice.

He smirked, full lips so damn distracting. “Working under me.”

It was an innocent question, but the way he said it made it beyond obvious what he meant.

“Nope,” she replied, popping the p with satisfaction.

“Really?” he scoffs, golden eyes twinkling with mischief. “I mean, it’s beyond obvious you’re attracted to me.”

Nesta gritted her teeth, the urge to rip the wires off her and strangle him with them growing by the second. “First, I’ll remind you this is a professional polygraph.” He rolled his eyes. “Second, you’re supposed to be asking me questions.”

“Fine.” He leaned forward, thick arms crossed on the table. “Are you attracted to me, Nesta?”

Her mouth dropped open on its own accord. Is he serious?

“I’m reporting you to your superiors,” she mumbled back, face heating with a blush.

A laugh. “Who, Rhysand? My best friend? Fell free. Now answer the question.”

“What question was that, exactly?” she asked, trying everything to stall the inevitable.

Cassian rolled his eyes, well on to her games. “Nesta Archeron, are you attracted to me?”

“No,” she said back, using all the tips and tricks she’d learned in the academy to fool the machine.

He grinned, eyes shooting to the polygraph machine between them. They lit up like a fucking kid on Christmas when he looked back up. “That’s a lie.”

Shit shit shit. There was literally no telling what was going to happen next.

“Machines make mistakes.”

Cassian shrugged, leaning closer to her. “Next question, then. Have you ever imagined having sex with me?”

Every time I look at you, you fucking miserable bastard.

“No.”

He didn’t even need the polygraph to catch that lie. Her blush was so bad, she wondered if she’d catch fire and burn through her skin. This was the most embarrassing thing she’d ever gone through.

Except, for some reason, she wasn’t that embarrassed. It was obvious he already knew she was attracted to him, so he was probably just messing with her.

“That’s a lie,” he repeated with a smile.

Before he could ask another damning question, she said, “This is very unprofessional. And annoying. If this were reversed, would you endure it?”

“Yep. Ask me anything you want.”

She hadn’t really seen that coming.

She decided to give him a taste of his own sickeningly sweet medicine. “Are you attracted to me?” she asked, sure he’d lie and say no. He hadn’t been the only one to catch onto something.

“Yes, I am. Infuriatingly so.”

Nesta decided she’d never breathe normally again, but she whispered back, “And have you thought about-”

“Having sex with you? Oh, baby girl, you have no idea. I think about having you under me all the fucking time.” He gave her a sour look. “I hardly get anything done with you around.”

She needed to get her jaw wired shut or something, because it was ridiculous to just sit here with her mouth open like this.

“So, you see, you can’t be in the unit.” Wait, what? I’m going to fucking kill him. “And before you try to strangle me, I’ve already recommended you for the Special Operations Unit, which is basically the same thing, just not for vets. Okay?”

Wait... then why- “Why the hell did you make me take this poly, then?”

He smiled that little smile of his. “I had a hunch you wanted to jump me, but I couldn’t be sure until I had you hooked up to this thing.”

Oh, that’s it. Nesta grabbed the wires across her chest and threw them on the table with a growl, getting up so fast her chair hit the wall with a bang.

She exploded into the hallway, practically sprinting towards towards the exit. She was almost there, literally had her hand around the handle, when something wrapped around her waist and pulled her the other direction.

Straight into a supply closet.

“What the-”

Cassian grabbed her wrists and slammed them above her head into the door now closed behind her, then pressed his lips roughly against hers.

His mouth was hot on hers, devouring her everywhere, and he kissed her like a drowning man coming up for air.

And, much to her own surprise, she kissed him back.

She told him how much she hated--and wanted--him with her mouth, making sure he understood her perfectly. Nesta knew she should stop, knew they were at work and that she wasn’t about to let him have her in a damned supply closet.

But she also couldn’t bring herself to care.

So she kissed him until she went weak in the knees, and his arms wrapped around her waist to keep her standing.

He pulled back, nipped her nose, and murmured, “See, I can’t exactly do that to the people in my unit.”

She just nodded and pulled him back down to her. “I’m still filing a complaint about you,” Nesta told him, completely serious.

Cassian kissed her again, lips now sweet against hers. “I’m not worried. Worked out pretty well for me, anyway.”

________________________________________________________________

Thanks for reading... drop prompts/asks in the box :)

Coming out with some Rowaelin tomorrow.

@a-bit-of-a-cactus @bamchickawowow @b00kworm @aesthetics-11 @sleeping-and-books @musicmaam @savemesoon8 @hizqueen4life

#nessian fanfiction #nessian #cassian #nesta x cassian #acotar #acotar fanfiction #acowar #acomaf #acofas #a court of mist and fury #a court of thorns and roses #a court of wings and ruin #a court of frost and starlight

316 notes · View notes

that-was-anticlimactic · 3 years

Note

📂 hmmm let's see... how about Toph?

aw Toph Beifong, how I love you,

Okay. So. First:

Obviously, Toph can tell when people are lying, but much like how the gaang always forgets that she’s blind, they forget that she’s a living lie detector. After the war ends, the kiddos are all obviously traumatized and always ask each other how they’re doing and they usually always say “fine” and Toph can feel that they’re lying but she just... doesn’t do anything. Sometimes it’s obvious a person is lying, but sometimes they can really pull it off and Toph is the only one who knows. She just lets them be, though, because she would want to be left alone too. In her mind, if it was a big enough deal, they wouldn’t say that they’re fine (also because that’s the reasoning she gives herself to not talk about her problems). She doesn’t want to push them.

Eventually, and let’s use Aang here because poor kid suffers so much trauma and no one really talks about that much (myself included, I need to pay more attention to Aang), Aang’s mental health really starts declining and everyone is really worried but Toph always lets it go because she doesn’t want to push him or stress him out. One time, it’s so bad that they ask Toph to out Aang for lying and she just shrugs and says “he wasn’t lying” even though he definitely was.

After a week or two like this, Aang kind of just breaks down and Toph instantly feels guilty because deep down she feels like she could have prevented it, but she didn’t. It’s one of those times when she learns that letting people believe a lie, no matter how good intentions are, is worse and more hurtful than telling the truth.

It kind of starts making her more honest than before. She began by calling everyone out on every little lie until she realized it would probably be better to talk to people in private and I just... mmm... I feel like Toph wields so much power after the war because everyone will always say “I’m fine” and she knows, she knows, they’re lying.

And now for an angsty Toph-related headcanon because I said so:)

Toph’s parents. Mmmm. I have not read the comics and also I heard they were... iffy... so we’re disregarding comics here. Toph’s parents kind of suck. Like, once she talks to them after the war, they treat her like a helpless child again and not the LITERAL HERO she is. She doesn’t live with them, but she wants a relationship with them, even though she physically cannot make her say it out loud. So, eventually she blows up at them and Earthbends and her parents are like “okay, if you’re not a child, then start acting like an adult” and COMPLETELY misread the intention behind what Toph was saying. Ontop of that, they constantly complain about everything to her. Like trivial things. They complain about trivial things to a traumatized child (not to mention they did like nothing during the war smh, they just sat there and were rich). Like, they complain about each other to Toph say all of these things that she never wanted to hear ever and that no parents should actually burden their child with. Eventually she just... stops.

She just never answers letters, never returns to the city, much less the house. And it just... it kills her because she wanted to fix their relationship. She wanted to try and be a family again and she tried. She tried so hard but her parents never pit any effort in.

It was actually Zuko (or Azula...) who kind of made her realize. Like, I’m just gonna say: Sokka and Katara HATE Toph’s parents, like, with a burning passion. Toph offhandedly mentioned some of the terrible things her mom said about her dad and vice versa to the gaang and Katara was about to go give them the biggest lecture they had ever received. Katara lowkey got all mother hen (but sometimes Suki would have to drag her back and be like “you’re smothering her” so Toph wouldn’t feel like Katara was acting like her parents) (and again, Toph would never say it outloud, but she could never think of Katara in that way ever. She’s SUCH a better person than her parents could ever be) and would try and... not be the mother Toph never got to have, but give her the support she never had.

Anyways, Zuko or Azula talk to Toph and are like “take it from one abused child to another, your parents are abusing you” which just confirms the suspicions she had deep down but refused to believe. She was just filled with so much rage because it’s not fair and she was trying so hard but her parents really don’t care about her in the way that they should of and she gave them so many chances to be better but they never took it.

okay so, sadness over, let’s make Toph happy:)

Toph is asexual (and maybe aromantic, unsure as of right now) because I said so:))

Toph takes great pleasure in going to The Jasmine Dragon and just... listening to make sure no one is ever rude to Iroh or any of the other employees ever. If they are, she causes trouble so they can feel ashamed for being mean to people in food service.

no you know what? Am I going too overboard? Yes. Do I care? No. One friendship Toph headcanon for everyone in the gaang.

Aang: Toph and Aang both help remind the other that they’re children because they both forget sometimes. Toph is great at taking Aang away from work and making him take breaks and spend time for himself rather than others. Aang is great at giving Toph the “having friends as a child” experience she never had. He teaches her games he learned from all four nations as a child and sometimes they do really ‘childish’ things like playing bending tag or even like regular tag with each other just because it’s nice.

Katara: oooh the Toph and Katara friendship is one of my favorites in the show. The two are both ridiculously competitive. Like. Out of everyone in the gaang, they are the most competitive (let’s be real, Sokka is too petty and WE NEED TO FOLLOW THE GAMES RULES to be competitive and Zuko just gets angry and rage quits). But eventually, they learn that they’re stronger when they work together and make a competitive truce. So whenever people need to team up for games, they immediately go to each other and they destroy everyone.

Sokka: Sokka and Toph ahhhhh I love them so much. Sokka adopted Toph as his daughter-sister, as in he can’t choose whether he wants to replace her dad and be her dad or be the protective but not overly protective older brother she never had, so he calls himself “father-brother” and everyone hates it, but Sokka was never good at naming things. Also, one time they were really bored, so they decided to try and invent a language that is never spoken, but can be interpreted through Earthbending. Like, different methods of bending meant different things and stuff. It worked... kind of? Sokka likes learning and Toph likes kicking dirt and making people confused about what they were doing. They both have short attention spans, though, so they didn’t get far. They each still remember s=certain things and still talk through it (since Sokka is not an Earthbender, he taps his foot on the ground or kicks dirt a certain way. It’s kind of like morse code, bit different because only Toph can feel the taps).

Suki: Suki Suki Suki I love you! Suki is Toph’s go-to for fake relationships. Like. These two have been in a fake relationship with each other too many times to count. Toph’s parents invite her to a formal event but she needs to bring a date (and also she doesn’t want to go but she wants to repair the relationship)? Suki is her date. Suki needs to attend a royal event because she’s the highest Fire Nation palace guard (because I said so)? Toph comes as her date. A random person is hitting on either of them and they don’t know how to respond without unnecessary violence? Find the other and kiss their face.

Zuko: Zuko and Toph, what a pair. They both find beauty in nature (in different ways, obviously), so they’re walking buddies. They’ve gone on hikes together, like week-long hikes together. They’ll walk around the palace together... sometimes they’ll just sit together in silence because they don’t always need words to be friends.

Azula: (because yes, I am including the three girls): y’all. These two together can scare the entire world. Not just because they are actually insanely powerful, but because they make the most horrific self-deprecating jokes known to man and say it with intense seriousness that everyone has been genuinely worried at some point before they caught on (if it’s serious, they say it as a joke). One time, they both made these depressing jokes at lunch and Aang choked on his food. He didn’t die, but like. He was so unprepared that he choked. What I’m saying is, these two have a really weird relationship that takes place entirely through insults at each other, theirself, and everyone they love.

Ty Lee: Toph was actually scared of Ty Lee at first because of her chi blocking abilities. Not like terrified-scared, but like if you even take one more step towards me I will smash you with a boulder no matter your intentions-scared. Also, Ty Lee was so perky and kind of loud and Toph found that suspicious at first. It wasn’t like an Aang perky or loud, it was like... well, Toph couldn’t explain it (as in, I, op, cannot explain it), but it was a bit overwhelming? And then one time Ty Lee just. randomly visited her at her parents’ house even though they “weren’t friends” and Toph was just ????? but let her come in for dinner anyway because she kind of wanted to see how her parents would react to this peppy girl. Her parents ended up making a kind of snide remark at Toph’s expense during dinner (which was the usual but Toph didn’t realize it was a b u s e) and Ty Lee went off. That’s when Toph knew there were reasons to be terrified of this girl, but she would never be on the receiving end of her fury unless she really deserved it. They have very different family situations, but take pleasure in actually talking about it to each other. Because Ty Lee is a very open person and Toph is not. Toph thinks it’s nice to just let Ty Lee ramble on (kind of like Mai) and Ty Lee thinks Toph gives really good advice and has good insights (plus strives to help her feel more comfortable with her feelings). They become spontaneous buddies and randomly show up at each other’s houses when they’re living at home and it’s just nice.

Mai: last but never least, Mai and Toph! These two. feel for each other. so much. Rich kids, only children, parents who ignore them, ahhhhh, do you smell that? The repression of feelings:) Sometimes, they prefer to just be around each other because everyone else can kind of be overwhelming. They can communicate through few words and they both like throwing things, so they like sparring together a lot, It gives them a chance to throw things with another person who likes throwing things. For them, sparring is like this connection and it’s own method of loving each other (as friends do) and it’s just really nice for both of them.

Okay. I am done. Thank you, Grace, for fueling me.

I love Toph and I don’t give her enough attention.

#atla #avatar the last airbender #atla Headcanons #avatar Headcanons #atla toph #Toph Headcanons #in this house we love and appreciate Toph Beifong #not me making her parents fight to cope with my parent’s divorce lol #no but seriously her parents give me secretly hating each other but being too petty to divorce vibes #Toph angst #and Toph love #zukkaclawthorne #:)

44 notes · View notes

thefirsthogokage · 3 years

Note

Why did you rage quit the rookie?

(this turned out longer then I meant it to be, but I kept remembering reasons why I hate this show now)

The writing went down the drain. Hard. I was so pissed because it started off well in season one. Granted, it had a couple big ridiculous things that happened, but overall it was pretty good. Especially for a freshman show. One of the best I'd seen in years.

Then season two came along and it became progressively/exponentially worse.

Obviously going for shock value over good content with extreme circumstances in most episodes, often not making sense (why the fuck did Nolan's son and his girlfriend go to that trailer park?)

poor plot lines with female characters (Lopez and Wes getting engaged after only being together a few months, Lopez trying out to be pretty damn toxic and "I was poor, you should have been happy you were rich" and "sorry you're embarrassed of me (which is the same abousive shit my mother would pull), Grace going back to her ex because they had a kid even though their marriage sucked and it was outlined earlier in the season that was a bad idea, Jessica killing that one guy and that was never followed through on and her being psycho and following Nolan around and that never being addressed, Chen never given psychological damage she should have absolutely had even of she did self-therapy, Rachel getting her "dream job" in NY and the writers couldn't even take the time to tell us what said dream job was.)

Poorly planned plots in general (stunningly so)

Most characters not feeling like a proper continuation of who they were in season one. Going a ong with that, Chen and Bradford being way too close basically over night when that isn't natural progression from season one

I was for Chenford after season one, but they escalated it in a very cheesy and non true to character way, which also happened way too quickly. So many of their interactions felt too romantically tinted when they shouldn't have been there yet. HEART EYES ALL THE TIME! Like, I stayed watching the show for them until I couldn't tolerate anymore. Then I tried staying for Nyla and just gave up because I hated the rest of the show so much

obvious lack of research (the serial killer with pathology that made no sense, never finding out the connection between him and the lady, the guy apparently also got a job a prison with a stolen social security number from a disabled person - both of which would have been flagged in a background check!!! Such a genuinely poor writing episode and the season just went even more downhill from there)

Nolan being the hero even more in most of the episodes, and his intellect or lack thereof being a plot device

not letting Chen actually suffer from PTSD like she should have and just had her basically quickly move on in an impossible way (I am including this twice, thank you)

throwing her into a relationship with a guy who was a jackass and went all "leave my woman alone" on Bradford when she absolutely didn't need help

Jackson going to a very public premiere with his actor boyfriend even though he was an active cop. What the actual fuck were they thinking with that? Jackson isn't that dumb, he would have never done that.

this show clearly is not keeping a a continuity or character bible of any sort, getting basic facts of their characters wrong (especially Tim, I just can't remember the specific thing that it was, but it could have been inconsistencies in his wounds. Now that I think about it, Chen said something about him getting shot more then once and stabbed and the only time we ever saw evidence of any injury was after he was shot in episode one. Which actually brings me to my next point...)

they never had Tim have a scar from his gunshot wound

Tim getting his 12-year-old-acting girlfriend out of trouble when she bats her eyes at him. He shouldn't have even been dating her in the first place. No way Tim would have ever dated a friend of his rookie. Completely unprofessional of him, in a way that was not believable for his character.

No way Chen could have been an undercover cop after that documentary episode. And if that episode was mean to be a stand alone, it should have never been in the show. That episode also had continuity issues, and that's not including the absolute insanity of whatever the fuck they did to Stirling. (That poor actor, he really wanted to come back and continue the story with his character and Jackson)

THE WHOLE FUCKING BULLSHIT TIMELINE AND PACING OF THE SHOW! examples: They made the stupid thing current to whatever the real world year was. The problem with that was they had an in-universe schedule set up. The first two seasons should have spanned from like October 2018 to October 2019, and yet, in the episode where Wes got stabbed (earlyish season 2), it was November 2019 when it should have been around like May, 2019. They said it was 2021 early in S3 when it should have never been around that time. Infact, it was supposed to be during their last 30 days of their rookie year, meaning THAT should have been October or November 2019. The time pacing of this show is so bad. They should have done a real time skip in season 3, instead, the first NINE FUCKING EPISODES WERE THOSE LAST 30 DAYS! And, according to someone else's math, because of the bullshit with the timeline, Lopez was pregnant for 11 months. Absolutely fucking insane. Timelines and timetables that are so thoroughly screwed up in a show that it's THAT obvious they are flying by the seat of their pants are just impossible for me to stand. That is so dumbfounding to see on any tv show and alone enough for me to rage quit. It's so bizarre they stuck to a timeframe in-universe, then so obviously screwed up what year it was every damn season at least once (in S3 2-3 times).

Just such piss poor writing. No real planning ability. No writing talent left in that writer's room after season one. Just people who throw words down on paper and hope that people will like it. Which so many people still do for some reason?

There are so many other things wrong with this show, but those are the ones I remember off the top of my head. Granted, a couple are second hand because I stopped watching after the rookies did stuff with the DEA. I couldn't watch that. That was such and insane idea. OH AND THEM GOING ON A FUCKING SECRET OP? WHAT THE FUCK WAS THAT?!

And that's not including what I've heard was their "After School Special"-style take on fighting racism in the police force.

And I don't always pick up on these kinds of things specifically. I generally don't pick up on missteps like that in plot or timelines or whatnot or just things that even someone who doesn't have much specified knowledge in certain things should miss (the "job at a prison" thing I mentioned earlier). I'm good at telling the chemistry between actors, - or lack there of, - not the other stuff. When it's so bad I - of all people - am noticing things that are normally pointed out to me, a lot of fucking up is happening. In multiple departments. Like, normally when anything happens in other shows, it isn't as blunt, on the head, painfully obvious, and frequent as it has been in this show.

So, yeah, if you made it though my rant, congrats. If you don't get irritated with the show and bullshit that happens in it now, power to you I guess.

I really wished I could still hate watch this show, but it checked way too many "this is exceptionally poor craftsmanship: tv show edition" boxes for me to put up with it anymore. It was so promising at first, even with it's various hiccups (that I didn't notice until later on all of them) but I hadn't seen a show crash that hard in quality before. I mean, since then I had to experience the travesty that was Supernatural going from 15x18 to 15x19 and 15x20, but that was after I gave up on The Rookie.

Anywho, I would say I hope that answers your question anon, but I have little room for doubt that it didn't.

#asks #anon ask #antitherookie #tv show asks #tv show ask #fuck alexi for all of his bullshit #from what i hear the last season of Castle was absolute shit and he was in charge of that too #the rookie

4 notes · View notes