If u put sif and the king from partners in crime au in the prisoner's dilemma. Would they sell each other out
This is kinda complicated actually...
Because the Prisoner's Dilemma seems like it assumes the prisoners have no loyalty to each other and it's just a means of trying to get the best outcome for themselves, so the dilemma doesn't work as well when these freaks have a messed up codependent relationship
but ignoring that, it also depends where on the timeline we are and the type of situations...
A younger king might feel more helpless and do nothing in hopes of having the least time separating him from the one connection to home he has while an older King might sell out Sif and just be like "Good luck stopping me from just doing a prison break, losers"
The Dilemma also doesn't take into account self-sacrifice which Siffrin is a little prone to... There's a good chance Siffrin would willing take the fall for King
But also if you squint hard enough... Siffrin technically does sell out King a little canonically at some part of the au so they're not a solid no either
A lot of ifs, King thinks himself unstoppable at times so asking him to make a choice he doesn't want when he thinks the universe favors him... And the both want to stay together but there are points where their relationship is frayed...
So like, mostly no but sometimes yes
@floating-far-from-earth share doodles please please please
(Make sure to check reblogs for doodles theyre so goodnaddkfbaodh)
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Continuing to be back on my bullshit, I'm rounding out the year with the next installment of my Blue Beetle au nonsense or.
AKA @wazzappp 's Blue Beetle headcanons give me life and I'm yoinking them because. Everyone deserves a little body horror. As a treat.
(Well. Except for Oo'Li, by virtue of being the type of alien (yk more or less) that the scarabs are using for that sweet sweet basic DNA template)
Anyway, following my timeline of Jaime ending up with his second 'upgrade' after the reboot re: Khaji Da's last ditch effort to keep him from smashing into the ground of terminal velocity, Xiomara and Roma end up more buggified after their altercation with the Crimson Scarab in issue...2? I think, when their powers get drained, in the same vein of their scarabs getting inventive with ways for their hosts to defend themselves in power drain scenarios.
In keeping with their power-sets/specialities, Roma ends up with a scorpion-esque tail (yes ik that's not an insect but if she can manifest tentacles Im saying it counts) and retractable claws, while Xiomara has fully armored hands/gauntlets and extra insectoid legs
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how do you think in poems? i really enjoy the tags under your posts i've always wanted to write down my own thoughts that way bc in my head they feel so thorough and magical but whenever i put it in words i feel it just gets so much flatter and i no longer see a point and give up
oh oh oh, but lovely, can't you see that you've already started? it's a perspective that you hone, over time, something that is specific to you and you alone – that's the piece of it that makes it so special! you've already begun, and it only goes forward, up, sideways from here, wherever you wish to go!
think of it like a skill, for a moment, or a kind of muscle, if you'd prefer. you have to work at it, with it, over time and differing experiences, in order to progress.
(a quick important note: not progression as in the kind of quality-check of a grading scale, but progression as in evolution. shifting change. think of the leaves and their colors across the months of autumn, or temperatures rising with the sun and cooling with the evening dark. change isn't intrinsically a qualifying thing, it can just be, sometimes. this is difficult to remember, especially in the midst of frustration, but it is worth it. you are always doing better than you think you are – harshest critic, and all that.)
which is not to say that it's a simple thing to do! compare this to the vibe of me picking up crochet recently, with my shaking hands and too-quickly dwindling adhd focus – my first attempts at making a lil headphone sprout have not been going as well as i once hoped. my stitches are either too big and sloppy bc i'm not holding the yarn tightly enough to get clean ones, or i feel frustrated due to it not looking like how i'd like it to look in my mind when i started it, or even as i begin my umpteenth attempt.
but!! i know that it won't ever look the way i want it do if i set it down and never keep trying. it'll take awhile, like everything does, even the seasons take their time, the moon and its phases; but what i do know, is that, eventually, it'll resemble something i want it to. vaguely, maybe, but it is something. it doesn't have to look exactly like the guide i'm following, or the examples i'm inspired by, because it's mine – something made by my own hands, my own time and experience with every mistake and thrilling joy along the way to learn by.
take it from me: i want to be good at things i want to be good at so badly. and that excitement makes me want to be at the skill level i need to be at in order to do so right then and there, no learning curves or building blocks allowed. which is never how it happens, unfortunately, but –
i think, gently, that we tend to overlook what a pleasure it is to learn. to see the slow progression of things, to begin and change and continue and get better. and even if it's different as we go along, in a way it's our own little kind of magic, maybe, to create and never be done if we don't want to be.
which is all to say: it's already yours. why does it have to be anything else, anything more? why can't it just be good as it is now, where it might never be again? what is there to lose by enjoying the moment of where you are?
like everything, it will grow and shift and evolve with time, maybe into something you'd hoped for, or maybe into something you don't even have the words to describe right now at all. but that's the fun of it: how even now, even then, there, across time and distance and skill, there is a common thread of things; it will always come from your heart, your experience, where you are right then and there and now.
and if you think of that like magic, well, it becomes a little like magic, doesn't it?
also, something to consider: sometimes things you feel or think can't be put into words at that moment, or even at all! something else you could try (that i certainly do) is making something else with whatever it makes you feel - whether that's another form of art, or any other kind of media. if it makes you want to go outside and take a walk or get cozy and read or play a video game? that counts too! that's still an experience, you're still feeling.
i think that counts a little more than anything else, you know?
and as a little ending fun side-note, can i share something cool? i've never thought of it that way before, as thinking in poems. in my mind it's always been a kind of perspective of personal wonder, but you're right – it's poetry, in it's own way. you gave me that – so thank you, from the heart of me. i hope your journey finds you with every bright joy.
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i didnt really like the last scene of Primal (s2) but thematically it makes perfect sense and i can't be mad at it.
Primal, besides being a visual delight of cartoonized gore & character design, is a story about the continuation of life. The second season could not make it more clear, with the emphasis put on the egg-laying scene, managing to imbue the long close-up of a cloaca with a sense of poetic wonder; and even more so, with the darwin episode, in which charles darwin explains primal theory before getting to play action hero. (this episode was honestly so shameless about having fun; it's a gem). This episode being the only one with dialogue that most of the audience would understand, as well as the only one breaking away from the main story, highlights its importance and makes it almost a demonstration of the series as a whole: one that openly chucks historical accuracy to the side to play with the concept of violence as a means of survival. what it doesn't mention, however, is the subsidiary theme of the importance of "family", aka the group one belongs to. It shines through with the main duo, and of course with the subplots of the giant and the vikings.
With all this in mind, I can't argue against the thematic coherence and near necessity of the final sex scene--i may not have liked it, but it fits in with the narrative. As the caveman slowly dies from the wounds inflicted by the only being that could beat him (a godlike avenger), mira gazes at his paintings and gets a sense of his loneliness. They have travelled far together and while she may have found her village again, her previous lover is long dead. In many ways, they belong to one another and are "family" already (with the lizards too, of course). It's true that the scene, while quick, does not shy away in a classic fade-to-black--i'd call it off-puttingly intimate--but the series is very adult; it spreads intestines over just about every episode. And most of all, it's not grotesque or ridiculous--it's a tender rekindling of hope, symbolized by the dinosaur-riding daughter in the last images.
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