Tumgik
#they're whole again
claraoswalds · 23 days
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
This is a brand new science for me, and I love it. The language of luck. 'Cause what is a coincidence but a form of accident? Two things bumping together unexpectedly. Like you and me.
1K notes · View notes
egophiliac · 1 month
Note
hiii im sure you’ve answered this before but in regards to your twst x Pokémon, how do you choose which Pokémon go give to the cast?? really curious since your choices are unique :O
unique in a good way, I hope? 😅 (jk jk I haven't come across too many pokemon AUs, so I was going in without preconceptions, I guess!) I was sorta aiming somewhere between doing, like, a full AU with internal consistency and everything, and just picking entirely based on theme/character, so maybe that's why! basically I just set some arbitrary rules (no legendaries/no repeats/evo stages based on year) and then went on ~vibes~. a couple were also suggestions (thank you guys!) and last-minute decisions, so it was a bit of a delightful mess of ideas!
my one regret is that I should have given Riddle a Togedemaru after all. ...you know what, he can have one now, why not
Tumblr media
1K notes · View notes
puppetmaster13u · 6 months
Text
Prompt 131
Okay, so first of all Dan would like to say it’s not his fault. Ellie was the one to bring some unknown object into the speeder and Jazz was the one driving. Or had Sam been driving- didn’t matter! It wasn’t his fault, he wasn’t the one shooting at them, he wasn’t the one to break whatever, he was not the one to open a stupid portal, and so it wasn’t his fault! 
So why is he now like, five years old, and why is the speeder crashed in some sort of corn field. Why is everyone- except for Jazz whose now like six- also like three at most?! And- oh fuck the door just opened and… okay that’s a kid. Like, nine at most. 
A kid and an adult, who he hadn’t noticed at first so again, it’s not his fault if he hissed at them and tried to hide his not-siblings behind him. It’s also not fair they’re apparently stuck to ghost speak for who knows how long, but at least they can understand the people. 
“Martha, get some blankets, it’s happened again!” 
1K notes · View notes
mobius-m-mobius · 8 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
#ep 2 but upgrade every parallel 😳
2K notes · View notes
bizarrelittlemew · 7 months
Text
Tumblr media
calling it right now that season 3 starts like this
2K notes · View notes
collophora · 21 days
Text
Tumblr media Tumblr media
TBB cadets ideas
407 notes · View notes
mummer · 11 months
Note
just saw asteroid city last night, pls explain the proposed significance of the kiss!!
answering this publicly hope thats ok! cant do a readmore im on mobile *****asteroid city spoilers below beware*****
i dont remember anyones names so this is gonna sound partly unhinged. okay so the edward norton playwright and jason schwartzman actor (not character, in the black and white parts) are lovers right. tbh i thought this was kind of a gag and forgot about it. but later we find out that the playwright died 6 months into the production. i didnt make the connection that THAT’s why the actor-jason has to suddenly leave the stage and freaks out backstage about how he’s not sure he’s Doing it right. hes not talking about acting!! because he himself is literally grieving his lover while he’s playing a character who’s grieving his wife written by his lover so obviously it’s too much!!! actor-jason is trying to find meaning in his death through his writing but there isnt any meaning in death [gerris drinkwater voice] which is what the play is trying to say anyway. he doesnt think he’s performing grief right even in his own life!!! (and tbh it’s the 50s so he wouldnt be able to perform grief publicly anyway!!!!) the play starts with a car accident… anyone would search for some hidden meaning there, some sign…. so when he talks to margot robbie outside it’s not really about finding the CHARACTER’s motivations it’s about the actor himself being able to process the playwright’s death! and adrien brody director was probably also dealing with that too (him and norton seemed to be good buddies) so the whole “sleeping backstage” thing gets a bit sadder maybe? maybe everyone else got this in the theatre and im just stupid lol but crazy making stuff to me!!! the whole story is about sublimated gay grief that cannot be expressed?!?!
the tweet that caught me onto this was here which posits that the playwright’s death was a suicide but i think that’s pretty stupid and unnecessary because the whole thing about the play asteroid city is that death is random and meaningless. im pretty sure that’s what the alien represents— a shocking and absurd event that isnt outright evil or menacing, not something anyone can predict or make sense of, it’s just a thing that happens to you out of nowhere, it doesnt mean anything. he’s a little black figure, he’s death! giving and taking! aagh
2K notes · View notes
buglaur · 7 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
this is kit, please commission some art from them on social bunny 🙏
573 notes · View notes
luxaofhesperides · 5 months
Text
Human/Mer AU + Bioluminescent Siren Duke ; requested by @justwannabecat!
The human hadn’t been in his territory recently. 
He wasn’t attached or anything, but Duke had started to look forward to seeing him around. It was equal parts exciting and terrifying to be under the curious, watchful eyes of a human who could so easily be dragged down into the depths. 
He knows he shouldn’t be doing this. He shouldn’t be indulging this human’s curiosity, trying to lure him closer time after time. Holding the attention of any human is dangerous; Duke’s heard the stories plenty of time. He’s seen the damage humans can do even more. 
There’s just something different about this human, who never dives too deep, who smiles at him and leaves little gifts in the tide pools tucked away from the rest of the beach, hidden from sight. Or rather, usually hidden from sight, since this human is the only one to go there. 
It’s foolish, but Duke actually misses his human. 
It’s not the first time he’d been gone for long stretches of time, but something feels off. There’s worry curling up at the base of his throat, making him swim to the surface more frequently. Steph had given him a look when she caught him, but didn’t say a word. She shouldn’t, really, when she’s been sneaking up to the surface for her own human friend, some small, dangerous human with dark hair and hands that speak more than a voice.
He’d seen her, just once, when he had gone up to splash water and his human then swim away.
Somehow, things felt easier back then. Like the horrors of the world couldn’t reach them among those tide pools. 
It’s reached them now.
Duke’s not expecting to see his human when he swims up to the surface. He’s expecting another quiet night, an empty beach, a dark sky with only the moon casting its lonely light down onto him. 
But when he swims up, his eyes go to a figure on the beach instantly. 
Even from this distance, Duke knows: that’s his human.
He doesn’t think before he’s swimming over, pushing himself faster than he’s ever gone before. It’s low tide, so he can’t get as close as he wants and can’t reach most of the tide pools at all, but it gets him close enough. Human and merfolk vocal chords are different; he can speak in water, but can’t make more than a few hums in air, and humans can’t really do anything in water at all. 
His human is sitting with his knees tucked into his chest on the beach. He’s hiding in his clothes, a hood pulled over his head, but he looks up when Duke drags himself onto the sand. 
Duke can see bruises. Dried blood. A stray tear slipping out of his eyes. 
He wants to ask what’s happened? But all that comes out is a low crooning noise. 
His human laughs, a quiet, bitter noise that makes Duke’s chest tighten uncomfortably. “Hey,” he rasps in a low voice. “Been a while, hasn’t it? I hope you’ve had a better time than I did.”
Duke can’t reach his human. The distance between them isn’t great, but it’s too much. He’s already partially out of the water, hands sinking into the wet sand just out of reach of the waves, and he can’t get any farther out. He reaches a hand out, silently pleading for his human to come closer.
The move makes his human soften, some of the hard edge of tension in his body melt away. He gets up and walks into the water, then sits down next to Duke, taking his hand. 
“I missed you,” he whispers. 
If they were underwater, Duke would be able to say I missed you too. Don’t ever go away so long again. But his human is in no shape to go underwater right now, so Duke presses his hand against his lips and hums lightly. 
They sit in silence for a moment, and Duke realizes that he’s never been this close to any human before. It doesn’t feel dangerous. It feels like relief, to finally have his human in his reach, safe from the rest of the world. 
He gives him human another moment, then reaches out and carefully pushes his hood back. His human allows it, blinking at him slowly. Without the shadow of the hood, Duke can clearly see the bruise coloring his cheekbone and the cuts going down his temple to his jaw. His split lip is still red with blood, and what little of his throat isn’t hidden by his clothes reveals more bruises wrapped around the delicate column of his neck. 
Duke ghosts his fingers over each of these injuries, hating how easily humans hurt each other. His human leans into the touch despite how it must hurt, something devastating in his expression. 
Who hurt you comes out as a questioning trill. Somehow, it gets the point across.
“It’s alright,” his human says. “Really. I’m not even that hurt. It’s just been a long few months. We never talk much, so you wouldn’t know this, but I have to fight a lot of people. Perils of being a hero, you know?”
Duke knows about heroes. More specifically, he knows about mer heroes. He’s considered being one himself, but the currents shifted and he ended up more a loner, banding with the other rejects of the city to live in the fringes and help only those who wander out too far from the marginally safer waters within. 
He hasn’t heard of any human heroes, but then again, he doesn’t know much about humans at all. Nothing beyond the stories all parents tell their children to scare them away from the surface, or the horror stories kids tell each other in the middle of the night when they want to scare each other.
He hums again to let his human know he’s listening. His human has such a nice voice. Why haven’t they done this before? 
It’s always been a push and pull between them, carefully keeping their distance but always circling back to each other. Duke would let his human swim with him, and his human would let Duke sit safely on the other side of a tide pool, tossing sea shells back and forth between each other.
They don’t even know each other’s names. 
He wishes, just for a moment, that he could go back in time and do things better. But he’s happy here with his human and he doesn’t want to lose this either.
He’ll just have to make the best of what he has. It’s how he’s always lived after his parents disappeared.
“This really isn’t that bad,” his human says, “I’ve taken worse hits before. It’s just that I couldn’t transform before the attack started, so now my human form is bruised too.”
…Human form? The more Duke hears, the more questions he has. 
Duke hums at a lower octave, placing a hand over his human’s chest. 
His human laughs lightly. “Yeah, I guess we’ve never really talked much about ourselves, did we? I’m human, don’t worry, just not all the time. I… actually, I died a few years ago. But I came back partially. So I’m also half dead still and I can transform into a ghost to fight threats. I’m a hero called Phantom. Actually, Danny Phantom since I was stupid enough to just give out my first name when I started out. In my defense, my brain was still a little fried.”
There is so much he wants to say to that. He tries, and makes a series of low hums and clicks in the back of his throat, staring at Danny (he finally got his human’s name!) incredulously.
“I promise I’m fine,” Danny continues. “It was just a bit rough. As soon as I get some time to recover, I’ll be good as new! And I really did miss you, you know. Didn’t even go home first, just come straight here.”
That’s honestly really sweet. Duke hums again, a lighter pitch, and takes hold of Danny’s wrist and tugs him towards deeper waters. 
“What? You want me to go in?”
Duke nods, already shuffling his way back out of the sand. 
He expects to look awkward during the process. What he most definitely doesn’t expect is for Danny to easily pick him up and walk them both into the ocean.
Listen. Duke is not a small mer. He’s big. He’s got a long, heavy tail and wide fins going down his back, his forearms, and the sides of his tail. It’s a struggle for him to fit into seaweed nests with his friends during the colder seasons, often left to balance on the edge with his tail hanging out. His friends struggle to pull him through the water with his weight. His parents weren’t able to hold him much after he started growing.
None of this matters to Danny, who acts as if Duke weights nothing at all. 
To his great embarrassment, his fins flare in appreciation for Danny’s strength. He was not expecting a human to be so strong, but Duke’s not about to lie to himself and say it’s not attractive. 
He trills to Danny, who laughs again, then falls into the water, taking them both under. 
Duke doesn’t hesitate. He grabs hold of Danny and swims them further out. He stays close to the surface so Danny can rise for air as needed, but he makes no move to leave Duke’s side even after a few minutes.
He glances back, concerned, when he sees that Danny is watching him with dark eyes, not breathing at all despite being conscious.
Danny holds up a finger and closes his eyes. Two rings of light appear around his waist, then split apart and pass over his body. Instantly, Danny’s body becomes lighter, as if Duke’s hand is grasping at a current on the seabed. His hair turns white and his eyes glow from how bright of a green they are, but there’s something inhuman about his features now, something that makes him look different beyond just physical features. 
Well. Danny did say he could transform.
Now that they’re underwater, Duke can finally speak. The first thing he asks is, “What was that?”
Danny grins at him. “That,” he says, speaking with ease as if he’s not underwater at all, “was my transformation. And this is my ghost form. Quite the look, isn’t it?”
“You can talk down here?! Also, hi, my name’s Duke. Since I never introduced myself.”
“Ghosts can do a lot of things,” Danny answers with a cheeky grin. “It’s nice to finally know your name. I’ve been calling you glowfish in my head this whole time.”
“Glowfish?”
“Yeah. Because you, you know,” Danny gestures vaguely at him, “Glow.”
Duke glances down at his back fins, which are indeed glowing. They flare a bit from embarrassment, which just makes the dots of light lining the fins more visible. He doesn’t glow a lot, keeping a tight hold of that ability, but sometimes it comes out anyways when he’s feeling especially happy.
And apparently, he’s always very happy around Danny. 
It’s a good thing Danny doesn’t know what that means, because if anyone of his friends found out, they’d laugh at how obvious he’s being. Drawbacks of being somewhat bioluminescent: anyone familiar with mers who have this feature know exactly what the glow means. 
“Right,” he says just a beat too late. “Well, now that we know each other’s names, can you tell me how you really feel? Those injuries didn’t look too good.”
“It’s fine, really! I take harder hits all the time.”
“That doesn’t mean it doesn’t hurt.”
Danny doesn’t answer for a long moment, then sighs. “Yeah. It still hurts.”
“Stay with me for tonight,” he says. “You’ll be safe. You can rest and heal and I’ll keep you safe from anything that comes looking for you.”
“You don’t have to—”
“I want to.”
Danny doesn’t put up much of a fight. He must be exhausted. “Yeah, alright. Take me away, Duke. You know, this is like those stories about sirens luring sailors down into the depths.”
“Well, I am a siren.”
“Wait, really?”
“Yeah. I take after my mom. She’s the one who taught me how to sing.”
“I guess it’s a good thing we’re friends so I don’t have to worry about being dragged down to my watery death.”
Duke snorts. “Good thing you’re already a ghost then. Not much I can do to you down here.”
He swims down, heading towards a small cavern in a sea rock that he’s claimed as his own, leading Danny into it. The light from his fins illuminates the entrance and the rocks within, a narrow passage that goes in for a few meters before opening up into a larger space full of carefully tended to seaweed and starfish decorating the walls. 
There’s a nook tucked away in the back wall where he’s set up a seaweed bed, the plant braided together into something more solid. It’s big enough to fit his tail, which means it’s big enough for him and Danny. 
“Here,” he says, helping Danny down. “Get some sleep. Then you can tell me about what happened in the morning and we’ll take it from there.”
“I’m glad you’re here Duke,” Danny whispers, curling up on his side.  He holds Duke’s hand, twining their fingers together, and it’s as nice as it is strange to feel how cold Danny is in this form when he was so warm as a human. 
“I’ll always be here for you. You just need to come back to me.”
Danny hums, but doesn’t answer. It’s alright; Duke’s used to his loved ones leaving. He knows he can’t make them stay. All he can do is hope they return one day.
It’s been a long time since he’s had anyone in his home. There’s a communal cave where his friends stay that he visits when he gets lonely, but this place used to be for his family. Now it’s just him.
Him and Danny. 
The last time there was song in these walls, his mother was still around, singing him lullabies. 
Looking down at Danny, curled up and so strangely fragile looking, Duke feels the song build up in his chest. It slips out in low, soft notes, an old melody passed down through generations of their family. 
He sings Danny to sleep.
He sings and sings and sings until all his nightmares are soothed and dawn is almost upon them. 
It’s all he can do, so Duke sings and hopes it’s enough to keep Danny close to him for just a little longer.
309 notes · View notes
thesoftestmess · 5 months
Text
neuvillette as a character is such a rollercoaster!!!
i do not understand humans, i am curious about humans, the archons colonised my authority and land, i must condemn them, i spent over 400 years by the side of an archon, she adores humanity, my justice can not be at her cost, she was human after all, she was not, i never thought an archon would be the one enabling my justice, she did it by sacrificing herself, it's what i always yearned for, it's what i didn't want to happen, i betrayed her, she was my only companion for centuries, how dare she deceive me, she's not by my side anymore, i must protect humanity, i might never understand dying for humanity, i would do the same, this nation was ours, she wasn't an archon, she was the only one worthy of the title of a god
372 notes · View notes
kyouka-supremacy · 7 months
Text
Tumblr media Tumblr media
Found a strong contender for funniest bsd official art
445 notes · View notes
variousqueerthings · 4 months
Text
the appeal for nine and rose for me, is that nine gets to reconnect with the wonders of the universe by seeing it through this young woman's eyes and rose gets to have a fantasy of being taken out of everyday life and see the wonders of the universe, as a simple fairytale/(re)introduction to the world for the audience
the appeal for ten and rose for me, is that they double-down on this premise because it's inevitably going to end and is constantly ticking down to that end throughout this story, and the only way for them to move through life now is to pretend that nothing ever ends which makes them increasingly detached from reality, and is in and of itself a tragedy
the appeal for ten and martha for me, is that ten is spiralling and martha is a doctor to her core, and both of them want to fix everything for everyone else except themselves and so they're mirrors of a similar self-destructive sacrificial drive that makes them orient around each other in an unhealthy coping-mechanism kind of way that martha eventually has to detach herself from, even though there were the wonders...
the appeal for ten and donna for me, is that donna is actually very level-headed, and in many ways very capable, even though she doesn't believe in herself she can make decisions that are healthier than either rose or martha could, and the doctor initially through wanting her to believe in herself forces themself outside of their bubble of despair, which somewhat breaks the cycle of the previous companions (although, not properly until a very long time later)
339 notes · View notes
genericpuff · 2 months
Text
lord give me the wisdom to not actually attempt watching all this
Tumblr media
147 notes · View notes
babybluesays · 12 days
Text
For fuck's sake, Sec
Tumblr media
THE BABIESSSSSSS
111 notes · View notes
gunsatthaphan · 10 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
Dangerous Romance - coming August 18th
425 notes · View notes
aquickstart · 5 months
Text
ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.
Tumblr media
another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!
farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.
Tumblr media
but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.
Tumblr media
but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.
but the important thing is this.
Tumblr media
farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.
farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.
Tumblr media
the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.
as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.
Tumblr media
but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.
and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.
Tumblr media
to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).
to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.
Tumblr media
and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?
but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.
the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.
so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.
176 notes · View notes