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#the tortured poets department reaction
Chole or Sam or Sophia or Marcus Reaction
oooooh, so someone else is hooking up with people (or has frequent new partners)
hmmmm, so her and her friend could have been looking out for each other more
jaw dropping lyric: "just say I loved you the way that you were" this can go more than one way
why did you change
i liked you better before
you didn't need to change for someone else
you were always great the way you were
i love you
oh no, did she lose her friend to drugs :( (could be a metaphor, but sad regardless)
friend break ups are grueling and horrible like I can't explain how bad they are, this one sounds a little different, mutual if you will but ugh
wait no, this is about an ex (is this another song about matty)
~My Favorite Lyrics~
if the glint in my eye trace the depth of your sigh down the passage of time
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yourheartbeat · 10 days
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calling all swifties on tumblr, please watch the life out of this video, in the hopes that youtube stops taking away the views on my channel. (also please subscribe if you have a channel. please and thank you.
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the issue with ttpd personally is that I love some of the songs but sadly I've been force-fed her personal life so much, these details keep coming and leaves a bad taste in my mouth
You can't say "1830s without the racist" after writing an album about matty healy
"So high school" is a cute love song, but it's about our xenophobic racist king tk
"I can fix him" have some elements I like but it's about mh and her getting offended she's being held responsible for her problematic actions
"guilty as sin?" is one of my favs, but it reads very different when you know (unfortunately) the context
"so long, london" is amazing, but just like "renegade" she blames joe alwyn for having mental health issues, but also out them to the world which is the worst part of it all
wishing I didn't know the context, but it is practically impossible to engage in any taylor swift space without knowing
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Ooh this reminds me of “All Too Well” and “I just wish I could forget when it was magic.”
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nicholasnelsons · 16 days
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me trying to assess and comprehend the lyrics of ttpd while process the fact that she dropped 31 absolutely gutwrenching songs that are so cohesive knowing damn well each one means something so intricate to her personal life while trying to figure out how these songs fit with my own life also while yelling over the double album drop being real not knowing which song to listen to again or which one is my favorite or how to go to sleep or how to be normal around other people for the foreseeable future like
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mismatchedstars · 16 days
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you needed me but you needed drugs more.
you needed me but you needed drugs more.
you needed me but you needed drugs more.
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wonuwrites · 15 days
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OT13 Seventeen’s Reaction to you being a Swiftie during “The Tortured Poets Department” release date.
A/N: It’s been an emotional 24ish hours because Taylor Swift gave us 31 fucking new songs and they all hurt so good. Expect some angsty things from me based off some of these songs soon LOL. Side note, this wont be perfect because it’s 1:30 am and I’m feeling feelings. I hope y’all enjoy regardless.
Warning: minor angst, major fluff, mentions some alcohol stuff, The Tortured Poets Department is an emotional roller coaster and has some heavy topics. Listen at own risk but also hear the tea LMAO
P.S dedicating this to @lavnderwonu bc yup. #wow
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✫ S Coups
Seungcheol walked through the door at 2 am and saw you sitting at the kitchen table with a worn out look on your face. He noticed in front of you, ice cream that had been half melted waiting for you to take another bite. He knew that you were waiting up for Taylor Swifts new album and from what he had heard from you, this potentially would be the saddest album to date. Yes, even more sad than Red. He stood there for a while unsure what to say which made you look up at him.
“Babe… she released a double album. We’ve been clowning a double since 1989 era back in 2014 and she finally did it.”
He raised an eyebrow at this and sat next to you, “well thats good right? Your clowning was finally successful?”
You scoffed before rubbing your mouth and looking him in the eyes, “I mean yeah, but like. It’s so fucking sad. I can’t believe he did this to her.”
Seungcheol just softly smiled while taking the spoon from your hand so he could scoop himself some ice cream as well. He didn’t know much about Taylor lore but he did think she was a talented artist. “Well I got a few hours, show me the album.”
✫ Jeonghan
Jeonghan found your love for Taylor to be precious. So when he found out in February she was releasing a new album he asked if there was anything he could do to help prepare you for the album release.
That’s when you decided to do a Swiftie 101 with Jeonghan and told him all the lore behind whats been going on since the Reputation Era to now. At first he was skeptical at having to need to know that much background information but he learned to love watching you talk about something you cared about so passionately.
When it was time for the album to be released, he was ready. He wrote down questions he had while you both listened to the album because he didn’t want to interrupt your experience of listening to the song for the first time. He held your hand when “So Long London” came on and coo’d when you cried during “loml” while wiping a tear from your eye. He made a mental note to thank Taylor Swift if he ever met her for being able to give his partner and him a bonding experience.
✫Joshua
Hell, Joshua was with you on the couch and clowning with you while watching the Grammys. You were positive Reputation (Taylor’s Version) was going to be announced at the Grammys and tbh Joshua believed your assumptions were right as always.
When Taylor announced her new album instead of Reputation TV, both of your mouths dropped. It was a new era. You both then decided to start planning on spending time with each other that night. He knew he was pushing it just a bit because Seventeens album was coming out the next week but he also knew he wanted to be there for you in case it was emotional. Which, was pretty much a given it was going to be because it was called “The Tortured Poets Department.”
When the day finally came, you both made friendship bracelets and ate some snacks while enjoying the mastery of her pen. You both found the album to be extremely well done.
✫Jun
Jun was not sure what to expect when you had become a bit distant the last few weeks. You were talking to him less and less and it honestly was causing him some concerns. Did he do something wrong? Were you dying? Were you okay?
He decided to do what anyone would do and come over unannounced with flowers and your favorite Take Out. He was not expecting to see you sobbing on the couch with smeared eyeliner and mascara as you were reading the lyrics to a new song off of Taylor’s new album called “The Prophecy.”
You didn’t notice Jun standing there awkward as your heart broke into a million pieces as you thought about how you were before you met Jun. You were so blessed to have him in your life but you just felt sick that Blondie was feeling that way. Once the song ended you finally saw Jun and started crying harder and that’s when it hit him.
Album release day.
Similar thing had happened after Midnights dropped and you heard “You’re On Your Own Kid.” He then brought over your food and listened while you babbled to him about “The Prophecy” and why it was the saddest song you had ever heard.
✫Hoshi
“Hey Soonyoung I have a question for you,” you asked him while spinning Ramen around in your bowl. This made your boyfriend look up worried. One because you called him his real name and not “baby” and two, he never could tell what type of question you would ask.
He cleared his throat while giving you a concerned look which made you giggle. That giggle made his fears increase but he decided to humor you. Maybe you were finally going to ask him something simple like: “would you still love me if I was a worm?”
However, he just wasn’t that lucky.
“So Taylor Swift’s album “The Tortured Poets Department” is coming out soon and I was wondering if you could break up with me before it so I can feel it.”
Soonyoung was absolutely flabbergasted and shook his head no quickly. This made you while and pathetically try to beg but Soonyoung stood his ground and crossed his arms.
“Baby, you’re going to have to use imagination for that because I can’t ever break up with you. Just thinking of doing that hurts me.”
“I know baby, but hear me out, this album is rumored to be about her breakup of 6 years. I wanna cry with her.” Soonyoung shook his head no again with his lips pursed. He knew you loved Taylor but he loved you so much more. He’d do anything for you but not that. Even if it was temporary or fake.
✫ Wonwoo
Similarly to Jeonghan, Wonwoo got the Swiftie 101 class except yours happened while y’all were snuggling before bed randomly one evening.
Therefore, he knew the drill and knew how to be a supportive Swiftie boyfriend. Did he have your favorite wine? Check. Did he have tissues? Check. Did he have a shoulder to cry on if you needed it? You’re in luck, he has two!
He poured you both a glass of wine as you pressed play on Fortnight (which he was looking forward to because Post Malone is the man.) After a few songs you had already downed your wine and he quickly refilled it making you blush and thank him quietly. You both then listened to the remainder of the album and he’d give the famous wonu smile whenever you were guessing who the songs were about. Heck, after a while, even he joined in on the guessing game.
✫Woozi
Unknown to you, Jihoon had pre-saved TTPD and listened to it in his studio within a minute of it coming out. While he didn’t know about the lore or any behind the scenes things about Taylor Swift he focused on the lyrics and production of the songs and was impressed. He made little notes to talk to you about them when he got home.
Once he got home at about 3:30 am, he noticed you were sitting with your legs against your chest still listening to the album. He smiled at you and sat beside you. You leaned against him sighing as he wrapped his arms around you to cuddle. He knew you felt sad because of the album and honestly it was sad so he didn’t blame you one bit.
“So she released an additional 15 songs,” you said after awhile which made Jihoon raise an eyebrow. He only listened to the first 16 songs and suddenly he didn’t feel as prepared.
“15???”
“15!”
“Damn… well iI got notes on the first 16 songs if you wanna talk about those.”
This made you sit up with a smile which made Jihoon smile as well before leaning in to kiss you. “Deal.”
✫ DK
Like Jun, Seokmin had witnessed Midnights album release with you along with the Taylor’s Versions of both Speak Now and 1989. He thought he was mentally prepared for this Album but he was so wrong.
Y’all had just finished “My Boy Only Breaks His Favorite Toys” and when “Down Bad” started he officially felt his heart break.
It was as if Seokmin and your tear ducts were synced as tears fell down both of your faces. At that moment, Seokmin made an oath to you he would never put you in a situation that Taylor unfortunately had to endure.
Once you finally got through all 16 songs and both were ready to fall asleep, Taylor announced and additional 15. Seokmin just looked at the announcement in disbelief before sitting up and saying “okay baby, lets cry some more.”
✫ Mingyu
To be honest, Mingyu loved doing the scavenger hunts that Taylor and Taylor Nation had the swifties do. He found it so interesting the little clues and everything they had that he was a bit jealous they didn’t have something like that with Seventeen. It was a brilliant idea and a great way to bring some excitement to the table for a new album.
Watching you bite your lip as you looked through older songs of hers on Apple Music to find the clues was so attractive to him and he’d look into your eyes as you shared theories on what Tortured Poets would be about.
He just found you so precious and loved these little moments together with you and was happy to be there.
✫ Minghao
Minghao promised to listen to the new album with you but he couldn’t help but feel upset at what was being talked about.
It wasn’t that he didn’t think it was good. He was just so disappointed in whoever Taylor was singing about because of the infidelity, lying, and just treating her like garbage. His heart then hurt when you innocently told him the lyrics were relatable.
Minghao knew you had a rough relationship prior to yours and it made him sad that he wasn’t able to be there sooner so he could help you overcome the hurt. He tried his best to hide the rage and hurt he felt empathetically to you in hopes not to ruin the album for you. However, you knew. You knew how he felt and while you never would tell him, you fell more in love with him at that moment. How beautiful it was to finally have someone who you know could never hurt you like that again.
✫ Seungkwan
Similarly to Joshua and Wonwoo, Seungkwan stayed up to listen to the album with you. It was a tradition you both did for your favorite artists. You had done it a month prior with Beyonce’s “Cowboy Carter” and now it was time to stop yeehawing and time to cry.
Even though you were more of the Swiftie between you two, even he couldn’t help but feel emotional while listening to the album. When you both first listened to “I Can Do It With A Broken Heart” you both had to pause before going to the next song.
You paused because you felt horrible for Taylor meanwhile, he paused because he could relate to the lyrics so much. Seungkwan couldn’t help but think of his hiatus last year and how he felt after coming back. When he started to cry you couldn’t help but wrap your arms around him and cry with him.
✫ Vernon
Hansol walked into your shared apartment and saw you lying on the floor disassociated and couldn’t help but find you adorable. He had given you a day to listen to the album per your request and from the looks of it, it fucked you up.
He decided to lay next to you in support while holding your hand which made you instantly squeeze his hand three times. “Guessing the album was good?”
“No, it was great. Just so sad.”
He hummed and pulled you closer to him and petted your hair. You took it as an invitation to tell him all about the album. You couldn’t see his face but he had a sad smile on his face. He felt bittersweet. Bitter because he knew you were hurting but sweet because he found it enduring that you trusted him this much to be vulnerable with him.
✫ Dino
You decided that you would listen to the album by yourself the first time around. Chan was respectful about it and waited patiently to hear the outcome.
After you listened to it all you made your way to Chan and curled up in a ball next to him. He instinctively wrapped an arm around you and pressed a kiss to your temple. “So what did you think?”
“There were two songs that made me think of you.”
This made him worried because from what you told him this album was rumored to be about the end of Taylor’s 6 year relationship and he thought that y’all were golden. Y’all hadn’t been fighting and everything was okay.
The look on his face made you laugh before pressing a kiss on his lips, “listen to them before you worry.”
You then put on The Alchemy and So High School for him and his heart felt like it exploded with happiness and relief. He kissed you before cheekily asking, “So… I’m your Travis Kelce?” You nodded with a smile, “and I’m your Taylor Swift.”
He laughed before giving you another kiss, “then I’ll make sure you constantly stay bejeweled.”
A/N: this was so corny but im kicking my feet. Check on your Swiftie friends. We are not okay 🥺
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ttpd initial thoughts (first listen!!) please don't kill me you guys
a lot of the songs remind me of 1989 vault tracks; also please please please jack free us from the synthesizer please i'm begging on my knees
highlights: tortured poets, my boy only breaks his favourite toys, florida!!!, fresh out the slammer, and but daddy i love him
Fortnight - i like it !! i love you it's ruining my life fr??!! it's definitely going to grow on me (also the opening lyrics are likeeee)
Tortured Poets Department - IK I WOULD LIKE THIS THE SECOND IT REMINDED ME OF SUBURBAN LEGENDS idk what it is but!! who else is going to know you if not me!! who's gonna hold you like me??? no-fucking-body!! the charlie puth mention just made me giggle...AND YOU TOLD LUCY YOU WOULD KILL YOURSELF IF YOU EVER LEFT ME??
My Boy Only Breaks His Favorite Toys - favourite so far omfg i adore the oh-oh-ohs and the vibe it's actually so good and I CLAIMED IT SO <3 and this one gives even MORE SUBURBAN LEGENDS LIKE IS THIS THE SUBURBAN LEGENDS ALBUM. also ONCE I FIX ME HE'S GONNA MISS ME. that's literally me??
Down Bad - yeahhh this is?? something. least favourite so far i think. but this really is the swearing album damn. fuck it i was in love so fuck you if i can't have us??
So Long, London - PLEASE JACK SPARE ME FROM THE SYNTHESIZER it's killing me anyway this is !!!!!!! also something. i like a lot of the lyrics !! and the repetition!!
But Daddy I Love Him - this one is prettyyyyy omg. they slammed the door on my whole world !!!! AND NOW I THINK I LOVE IT (the song) like okay bet!!!!!!! SCREAMING BUT DADDY I LOVE HIM??? def another favourite! also ohh some of those lyrics again...
Fresh Out The Slammer - also like this one!! anddd probably another favourite now. the way she sings pretty baby?? WEARING IMAGINARY RINGS?
Florida!!! - THIS ONE IS ACTUALLY SO. OH!!!!!!!!! cunty asf. and that's that. florida is one hell of a drug florida can i use you up !! florence sounds so good.
Guilty as Sin? - it was kinda too long and i only liked the outro but yk
Who's Afraid of Little Old Me? - sounds like you're losing me on synthesizers !! i don't mind it though SO TELL ME EVERYTHING IS NOT ABOUT ME BUT WHAT IF IT IS mecore?! jk
I Can Fix Him (No Really I Can) - olivia should sue (this is a joke guys please understand it). kinda disappointed me but it'll probably grow on me !!
loml - it made me sleepy and that's all i remember. i love the lyric i wish i could un-recall how we almost had it all
I Can Do It With a Broken Heart - i really ?? don't like most of the lyrics but: I'M SO OBSESSED WITH HIM BUT HE AVOIDS ME LIKE A PLAGUE only real i can do it with a broken heart lyrics bc literally me
The Smallest Man Who Ever Lived - no opinions idk i like the lyric 'did you sleep with a gun under our bed?' 'good riddance' gracie should sue (also a joke)
The Alchemy - honestly who are we to fight the alchemy is definitely going to become a tiktok edit lyric i'm calling it but i also like this one its a vibe!!
Clara Bow - pretty !!!!!!! YOU LOOK LIKE TAYLOR SWIFT IN THIS LIGHT.
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octaviasdread · 16 days
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I hereby conduct this tortured poets society album meeting in all of its mania and sorrowful blues as I move from unhinged impressions to unhinged first-listen analysis because I am incapable of saying less.
(and to all the Aimees i’m so sorry but that’s on Kim)
This Anthology is taking me so long to process, but nothing feels like the first jarring moments of I Can Do It With a Broken Heart - the cacophony and flashes of a birthday breakdown bopping to 80s arcade game synth. It's crumbled cake and mascara streaks when Bejewelled is actually a delusional Mirrorball,
and The Secret Garden reference in I Hate It Here, oh god, she’s so me:
I hate it here so I will go to / secret gardens in my mind / people need a key to get to / the only one is mine / i read about it in a book when I was a precocious child
I need to come back to that. But the whirlwind of Who’s Afraid of Little Old Me? Plans cancelled. IM THE ONE barricaded in the bathroom with a bottle of wine, actually. It's me chained-up in that poor things victorian mourning dress shrieking elegies in my tortured nightingale screams.
She's Grammys Taylor looking at the crowd of her peers rolling their eyes, she's the litany of snide jokes diminishing her success, and the children, sisters, friends, and girlfriends of those who wronged her loudly singing her songs.
so i leap from the gallows and i levitate down your street / crash the party like a record scratch as I scream / who’s afraid of little old me
i was tame i was gentle til the circus made me mean / don’t you worry folks we took out all her teeth
ohhh, the throwback to Speak Now and the significance of MEAN. The song and its titular word show how childish language encapsulates that pointless spite and the bone deep hurt mean behaviour breeds - but now she’s a phoenix risen, and they hurl her youth and her downfall back in her face - word for word, surprised face - its the dark side the The Lucky One, of not escaping the cage of fame games.
you lured me and you hurt me and you taught me / you caged me and then you called me crazy
i wanna snarl and show you just how disturbed this has made me / you wouldn’t last an hour in the asylum where they raised me / so all you kids can sneak into my house with all the cobwebs / i’m always drunk on my own tears isn’t that what they all said?
PUT NARCOTICS IN MY SONG took me out. This album is funny in the most sardonic and absurdly humorous ways,
like the classic cowboy western guitar strings in her crime songs (I Can Fix Him, No Really I Can - pistols drawn), but especially the ones leading into Fresh Out The Slammer. Fucking genius, and to follow on with static sounds at 2:26ish to the house where you still wait up, is exactly the kinda detail I adore.
Naively, I thought Florence was done with me after Florida!!! It's a lyrical meme for single 20 & 30 somethings who moved away from home,
my friends all smell of like weed or little babies / and the city reeks of driving myself crazy / little did you know your home’s really only / a town you’re just a guest in
and the haunting morphs from the ghost of your girlhood into the catalogue of decisions and delusions which get you through adulthood. Yet it feels almost like an interlude within the song when
me and my ghosts we’ve had a hell of a time / yes i’m haunted but i’m feeling fine / all my girls got their lace and their crimes / and your cheating husband disappeared/ well no one asks questions here
appears like an alternative pov for No Body, No Crime with the girls and their ghosts and their pacts made over wine. Every Action has an Equal Reaction. Run away to Florida, or Texas, and lose yourself to lose the heartbreak. Its self-destruction, it's trauma-healing, bonding, and its breaking.
(what a song for an angsty girl collab, problematic girl in hand with problematic girl, lyrically and thematically, maybe the real love story is the friends we make along the way.)
And that wasn't even the last of it. It's Florence 2.0 with B side Cassandra, but instead of Dance Fever, its Taylor’s glorious mythology with all the allusions, parallels, intertextual and lyrical ruining of my mind:
when the first stone’s thrown they’re screaming / when its burn the bitch they’re shrieking / when the truth comes out its quiet
so they killed cassandra first cus she feared the worst / and tried to tell the town / so they filled my cell with snakes i regret to say / do you believe me now?
No apologies anymore. A girl given the gift of prophecy by Apollo, the GOD OF POETRY, is cursed with her prophecy never being believed: Burning all the witches even if you aren't one, indeed. She saw the truth of the Trojan horse, and the Trojans insulted her. Rep snake branding and the current cultural view of KK and Ye. I don't need to say anything else.
i was in the tower weaving nightmares / twisting all my smiles into snarls
the family the pure greed the christian chrous line / bloods thick but nothing like a payroll / bet they never spared a prayer for my soul
I literally played that THREE times before I got over it enough to finish my first listen,
and i’m still thinking about Clara Bow and that Stevie Nicks tambourine we collectively freaked over from the Spotify installation, and all the silent movie speculation from the track title release.
you look like Clara Bow in this light - you look like Stevie Nicks in '75 - you look like Taylor Swift
Three women whose public profession became entangled with their pain. Silver Springs. Boyfriend songs. The jokes. Clara Bow.
Clara feared being left behind by 'talkies.' Miss Americana. The fear of 30 bringing death to a woman's Hollywood/Musical career,
beauty is a beast that roars down on all fours demanding more / only when your girlish glow flickers just so / do they let you know?
Three women who beat the odds - three women whose talent, craft, and popularity carried them through.
But there's something more to unpack here with cycles and patterns - of the past endlessly repeating. It's the transient nature of fame and our fleeting view of beauty mapped out in the untouchable, ever-changing, and culturally worshiped moon.
It's a body of physical craters, a natural body we call discovered, and fight to claim. We project emotions and create rituals of worship - you're the new god we're worshipping. Endless stories are told about her, but we can never fully see the moon with human eyes. Eclipses, shadows, - 'half moonshinе, a full eclipse' - half-truths and half-moons:
this town is fake but you're the real thing / breath of fresh air through smoke rings / take the glory, give everything / promise to be dazzling
There's a play on light and a play on words in the repetition of Dazzling, shining so bright so blindingly bright. Who is dazzled? Who is doing the dazzling? There's an instability between Director - Public - Star. It's Hollywood lights, No one in my small town thought I'd see the lights of Manhattan / No one in my small town thought I'd meet these suits in LA.
She beat the 'War Big Machine' - but for me, there's ambivalence and illusion on all sides of the final lyrics, you've got edge, she never did / the future's bright, dazzling.
(and ‘Edge’ is particularly ironic when you consider the songs on this album…)
Moving again into the B Side, it's Taylor's departure from Invisible string, red strings of fate, and golden threads à la the golden chain of fate in Charles Dickens, A Tale of Two Cities that strikes me.
First, I thought her writing was a complete departure from the themes of destiny and fate, but then, The Prophecy:
cards on thе table / Mine play out like fools in a fablе
it isn't an absent symbol; it transformed. It's the evermore forest amped to the max. Witches, folklore, fairy-tale and fable - a homeric epic. Its the hero's journey distilled as she opens the song with a move from 'full throttle' adventure, to slowing down 'Hand on the Throttle' to appeal for Supernatural aid at the hero's transformative fall.
and it was written / I got cursed like eve got bitten / a greater woman wouldn't beg / but I looked at the sky and said / please I've been on my knees / change the prophecy
Lover asking Traffic Lights becomes spending my last coin so someone will tell me, and this might be the most slept-on heartbreaking line. Her search for reassurance can't be framed as an arbitrary musing anymore. It can't be dismissed as a mere thought on her drive home, or something triggered throughout the day - its intent. It's a quest for answers, a plea, a last-ditch hope difficult to deny.
and I sound like an infant / feeling like the very last drops of an ink pen/ a greater woman stays cool/ but I howl like a wolf at the moon / and I look unstable /
gathered with a coven 'round a sorceress' table / a greater woman has faith But even statues crumble if they're made to wait / i'm so afraid I sealed my fate / no sign of soulmates
She's asking for a gift from the Gods, and when the God's won't answer, she plunges straight down from heaven or Olympus into the self seizure of power in witchcraft. And when it fails, she descends further - Spending my last coin so someone will tell me it'll be okay - paying mortal fortune tellers, even if they lie.
The song leans on figures without redemption, on the Eve's, on the women cursed and punished, and those who scream like infants rather than enduring burdens and pain in silence. She's poisoned, infected like Aurora from the wound of the pricked hand with dreams of him. Is this a punishment?
She's infected, cursed like Eve got bitten, [lyric of all time!!!!] but does a monster always do monstrous things? Who is the monster? Who is the folkloric, the literary Mad Woman? Perhaps she's written from the desperate, the scarred, and the wronged.
and the transition into another tale with Peter? As in Peter losing Wendy? Is it an epilogue to the Betty trilogy? or a different use of the metaphor?
and I didn't wanna hang around / we said it was just goodbye for now /said you were gonna grow up / then you were gonna come find me / words from the mouths of babes / promises oceans deep / but never to keep
The triangle is echoed in love's never lost when perspective is earned, reflecting the different povs of Betty, August, and James, and placing Peter as the new conclusion - the shelf life of those fantasies has expired / lost to the lost boys chapter of your life/ the woman who sits by the window/ has turned out the (porch?) light.
Promises wear out. Wendy's window closes, and so does this chapter in her life.
my lost fearless leader / in closets like cedar / preserved from when we were just kids / is it something I did? / the goddess of timing / once found us beguiling
is also - intentionally or not - Narnia coded. Is the storybook collecting dust in her closet? Or is the closet still holding a portal to another fairytale land accessible only in youth, another home you can't return to (and another folklore parallel with mtr, anywhere I want just not home).
Side B is so harmonious with ttpd being the end of a chapter as the anthology moves through all the seven stages (or Taylor playlists) of grief.
The Manuscript, the signing of the autopsy, is the Death of the Author. It's the Roland Barthes realisation of All Too Well reborn in joy and fan culture, the story isn't mine anymore, of the Eras - 'I hope you hear these songs and think of this night' - Tour. She knew what the agony had been for - art. connection. - and its these things that create the hope lost in ttpd's journey through mania, disorientation, loss and despair. It all leads to healing, nothing left but a manuscript.
So many thoughts from listen no.1 and they’ll probably change, but i’m so exhausted from this 31 song rollercoaster that I'm just gonna let this sit. death of the author, I guess.
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Now that we’ve had a full week to process ttpd, drop some mashup possibilities in the tags I’m so curious
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gleedyke · 12 days
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J*e listening to most of TTPD
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So High School Reaction
wait shes so cute
she's giving 90's/00's, a high school romcom, hilary duff and chad Michael Murray in the classic a cinderella story
i really want a remix of this song, I want to hear what this would be like more pop-a-fied.
taylor truly found her end game, so happy for her.
You know what funny my mom when she started dating again in her 60's she also said she felt like a teenager (so cute)
Again I know they are aiming for a more sonically cohesive album, but I wish she could go harder on the vocals to make it more fun
sooo cute!!
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coming to the realisation that we generally don't know what to do as a society when artists share hard experiences in their songs. the fans being a little parasocial and dramatic about it? that's how fandom works when you see yourself in it like. a lot a lot. the pity? ends up coming usually from new fans who see the fans' reaction from the outside, know nothing about the artist to be able to place it in their life and what they've been through (and are thus caught off guard) and react to their first encounter with said art. no one actually wants to be pitied, they just want to be honest. and we're so used to a society of faking being fine that honesty, even about completely normal (and yet stigmatised) things sounds dramatic. feels uncomfortable. does this sound familiar? parents when their child tells them what they're going through either going 'it's not that bad everyone experiences that' or I Must Fix It And Fix It ASAP.
like I know it feels uncomfortable at first. but you can just sit there and be like 'cool, this person went through something that vaguely inspired them to make this emotional art. something that surely less talented and creative people go through every day.' and then you can see the reaction of some fans and be like 'they either relate or they care about this artist really dramatically' and decide if this is something you want to get in on or just let it by and go find the kind of entertainment you enjoy. go through the world being kind to others and yourself because there are people out there going through things you don't need to know about and sometimes the best thing you can do is care for yourself so you don't get bitter.
and i'm not here to tell you there isn't a place and time for criticisms, but when you get close to policing how dramatically someone expresses their emotions and how publicly they share the processing of their experience? that's when it's time to look at yourself. go 'is it really harming anyone or might it possibly be helping?' and when you do, remember, there's no 'taking away from real victims' if it's art made for real victims or whoever wants to to insert their own story into it. which most art is!! and 99% of the time when people make it about something in the artist's life? that's the fandom. fans get a bit parasocial! they get an attachment to the artist and end up knowing a lot of their personal details. which no one else has to.
but invalidating people's experience doesn't actually help anyone. you probably had it happen to you before. it probably helped you put together a framework in your head of what you are and aren't allowed to feel upset over. and i ask you: does this framework help you? or does it just leave you frustrated? you can throw it away you know. of course you don't have to be emotional publicly but you can validate what actually hurts you for yourself. you'll feel freer and more equipped to deal with trauma and handle other people's emotions when you do.
and as for whatever someone else might be going through or not? you don't need to validate it either, to take the authority to do either of those things. it's likely you'll never know all the details unless it's someone you're very close with. in fact, sometimes when you hear things there is misunderstanding of information!! such as if it is something someone said once and then changed their mind about later, but you only hear the first statement that went viral and another thing they did years and years later with everything in between missing that frankly, doesn't make sense with the previous thing. I feel like I've noticed people treating anyone we don't personally interact with (yet because of culture end up hearing about anyway) a similar way that it's still acceptable to treat children. and neither is helpful. the person who probably needs to heal is you, and that's okay! we're pretty much all in that boat, and it's a pretty good boat to be in.
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Stop. Stop defending taylor swift for things she did. Stop defending her for associating herself with a racist, sexist, antisemitic piece of shit, and CONTINUING to surround herself with people like that. Stop trying to make excuses and put down the feelings of poc fans during that time. Stop blaming people for holding her accountable to the words SHE said.
If you sit at a table with 10 racists, there are 11 racists at that table.
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Someone on tiktok wrote their first impression on But Daddy I Love Him and I couldn’t agree more with it:
“My first thought upon hearing this song is that all the white girls dating racists are about to be insufferable.”
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mismatchedstars · 16 days
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i love it when Taylor swift uses big words I don't know
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