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#the sandman text
thatonequeeraunt · 11 months
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An alignment of shows with queer themes (imo)
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verkomy · 9 months
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what if we get a “you came” “you called” scenario in good omens season 3
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bruciemilf · 10 months
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Miles needs his own Sinister Six and I NEED them to be so goddam silly. Half of them are like "I'm not fighting a child are you insane" and the others are "finally, an excuse to punch a teenager"
Specifically:
Adrian, on 10 Monster energy drinks: Hey, your web shooters aren't as fast as last week, everything okay?
Miles: no, I stayed up all night and couldn't figure out what's wrong with them :(
Adrian: alright, let's take a look. Your design is so good!
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Felicia: Hey Junior, wanna annoy Peter B as much as humanly possible?
Miles: Y E S
Felicia: good kid
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Miles: Did you just. Apologize for existing
Harry: I'm sorry I try not to do it
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Spot: You're so petty, honestly. I'm trying to change
Miles: YOU TRIED TO DESINTEGRATE MY UNIVERSE??
Spot: That was 2 hours ago
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Miles: You know I'm 15, right? You punched a 15 year old. A child. As a father.
Flint: Don't.
Miles: Ow. My minor bones are broken. My child self is hurting. I got sand in my teenager baby eyes.
Flint: [sigh]
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Miles:
Kraven, with the creepiest golden eyes: You're Amazing :) The Best Spider-Man :) Fine Trophy, Indeed :)
Miles: MIGUEL. MIGUEEEEEEEL-
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dailydreamling · 4 months
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The Sandman + textposts
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whatsupspaceman · 2 years
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the corinthian is THE character ever. motherfucker has sauce for days. he’s a nightmare personified chilling on earth. he drives a convertible. he eats eyeballs but he doesn’t even do it with the teeth he has in place of his eyes. he charms everyone he meets. he’s a keynote speaker at a serial killer convention. he was even gay.
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sonlikesleep · 4 months
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to know oneself
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valiantstarlights · 7 months
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ambiently-80s-gay · 3 months
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sandman text posts ft my mates unhinged reminder
sorry @academicblorbo for stealing your schtick but it was far too tempting >:)
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championashley · 12 days
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I'm currently fascinated with a commonality with Neil Gaiman's work and his approach to relationships: they all are literally impossible.
Aziraphale and Crowley developed despite being on opposite sides, angel and demon.
Hob Gadling is a normal, ordinary guy from the 1400s, only able to meet the King of Dreams through a bet/experiment.
Edwin and Charles are both dead and existed 60+ years apart, only able to meet because of a "clerical error".
The Doctor is only able to speak to The TARDIS one time.
(haven't seen much of Gaiman's other work, please tell me if this pattern holds)
and I think that is saying something about how he chooses to use the fantasy genre in his stories. His relationships literally could never happen outside of fantasy, and that is what makes them all uniquely special to me. He decides to build his relationships on the foundation of what could be, while still making them feel real and keeping human emotion at the center of it.
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kulapti · 8 months
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Aug 2023, bookbinding of The Silent Isle Imbowers by Tharkuun.
I’m sooo so so pleased to finally share this! I have been actively working on this for many months and waited until Tharkuun received her copy before posting so the final result would be a surprise.
-----------About this bookbinding under the cut
This binding has been one of the more elaborate pieces I have attempted so far. This has been my first binding where I (1) made three copies of a piece at once, (2) used a modified a historical illustration, (3) collaborated directly with another artist on the decorative elements, (4) finished matching art for the cover and title page, and (5) layered paint and heat-transfer vinyl for the covers. These are also (6) the first non-tiny books I have made with this style of hinge and cover attachment.
Pretty much immediately after I first read this story I felt I had to make myself a copy of this. I had a strong mental image of a vintage-looking cover for a fairy tale, with a deceptively simple design of flowers on the cover, probably with fancy metallic accents, the kind of thing you’d find in an interesting used bookstore with no summary, no text on the back, no dust jacket, just the flowers and maybe a title. I’m going to make a separate post about making this cover design a reality because oh man has it been a journey lol! I designed and drew the digital art for the cover (digital because of the cut and application method), as well as the corresponding title page illustration (pencil and dip pen, scanned, title added digitally).
When I asked Tharkuun about it she was excited to suggest I get in touch with quillingwords, who generously agreed to collaborate with me! Among her talents quilling writes calligraphy, and hand wrote both the book title and chapter headers for me to incorporate into my plans. Check OUT those chapter headers! So fancy! A font could never!! Quilling has also been very encouraging and let me yell about this project in dms for months so the final result could be a surprise for Tharkuun. Thank u so much quillingwords, your calligraphy adds invaluable amounts of swag to this project.
I was going to do some kinda neat font for the chapter headers, but quilling’s work is too cool for that and I decided to use a modified piece of a historical illustration instead. The illustration also happens to be cool as heck: I was browsing the Artstor database (an academic quality resource available for free via Jstor, my beloved) and found E. N. Neureuther's 1836 gorgeous etching for etching of the fairy tale Briar Rose, an illustration made for a printing of a Brothers Grimm recorded German fairy tale with Sleeping Beauty elements. Much to my delight this illustration not only matches the general look I wanted but is actually relevant to the story, itself a Sleeping Beauty spinoff.
Slightly less stylistically consistent are the endpapers, which are prints of two different paintings by Arnold Böcklin: Isle of the Dead (1883) in the front and Isle of Life (1888). The first painting had occurred to me as an excellent visual to go with the story, and Tharkuun and I discussed this and agreed that pairing it with the related later, more optimistic piece was too thematically appropriate to resist.
I had fun and learned a lot making these books and I am very pleased with the result!!
Materials: Archival bookboard, cardstock, cotton cheesecloth mull, archival PVA glue, linen thread coated in beeswax, paper cord, red cotton embroidery floss. Blue cotton backed with archival paper, acrylic paint, machine cut black and gold heat-transfer vinyl. Laser printed text and illustrations. Metallic scrapbooking paper.
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honeyteacakes · 9 months
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The Sandman + Text Posts (feat. Morpheus)
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dailydreamling · 24 days
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The Sandman + textposts
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teejaystumbles · 2 months
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Against all odds (a dreamling drabble)
(a 1989 comics AU where Dream does not go meet Hob despite being free)
Dream stares at the sleeping form of Hob Gadling and feels guilty.
He hadn’t gone to their centennial meeting. Despite having escaped Burgess’ cage and having recovered his tools, Dream has not met Hob at their appointed date at the White Horse.
He knows Hob waited for him. Waited until the day had gone and turned to night, after the clock had struck midnight and announced their date over. Dream knows this because he had stood, watching, for as long as the man waited inside the White Horse Inn.
He is not proud of this.
If he examines his reasons for not entering the Inn, keeping watch from the other side of the street instead, he draws a blank. 
Dream does not know why he did not go inside, he knows he froze at the sight of the closed door, the cramped space indoors he could see through the glass (glass, why so much glass everywhere). He had stepped back and waited for his unease to lift, and when that did not happen he had waited for Hob to leave so Dream might meet him outside, but the man did not leave the Inn until the owner practically threw him out on the street, long after midnight. Dream had stepped forward then, only to watch his old acquaintance break down against the building wall and sob. 
Why did Dream not go to him then? Why did he step back into the shadows and watch Hob drag himself up to his feet with a whimper and stumble down the street, hand trailing the wall for support. The only answer Dream can come up with is a supremely uncomfortable one.
He is a coward.
When it comes to relationships, Dream’s track record is disastrous, a fact that he is very aware of. He left Hob in 1889 with cutting words and no promise to return. Hob should by rights be angry at Dream, should be less trusting that he would show. But still the man waited for him at their next appointment, as if he had known Dream’s words to be products of his rage and not vows he would keep. Even if he doesn’t know it, Hob was right to expect Dream to not simply terminate their arrangement. Because here Dream stands, at the foot of Hob’s bed, watching the man sleep, too scared of a smug ‘I-knew-you’d-see-sense’ to dare approach him while awake.
Hob had slowly made his way home, unaware of Dream following him, drawn to him like there was a string tying them to each other. By then Dream felt like the point where he could make himself known had passed, but he hadn’t been able to leave. He kept trailing after Hob, into his small two-room apartment; had watched him shed only his shoes and then stood in the shadows of his curtains while Hob took out a small leather-bound book and pen and started to write. Dream had felt like a ghost, a nightmare watcher haunting his victim. He had carefully reigned in any stray trickles of his power to not make himself known or Hob uncomfortable in his invisible presence. After a few minutes Hob had stopped writing and sighed. Then he wiped his hands over his face tiredly and went to bed, not bothering to get out of his clothes.
Dream stands beside the table with the book now. The pages are still open. His eyes seek out the words unbidden, unable to resist the pull of the written word. He knows he is breaking a lot of taboos this evening. He is invading his friend’s privacy most thoroughly. The knowledge does not stop him from reading what Hob has written.
June 7th 8th, 1989
He didn’t come. The bastard really didn’t come. I can’t believe it. I was so sure he would show. That he was just angry, prideful and stubborn as he is, but surely a hundred years would be long enough to calm down?
Apparently they weren’t. I sat there, at our table at the White Horse, drinking one whiskey after the other, waiting like an idiot until they threw me out, and he didn’t show.
Do you even remember me? Or did you cut me from your memory, like you promised to cut all our ties, the night you left me standing in the rain? Have I left any impact at all on your immortal life that is probably much longer than my own? Surely it must be obvious to you that you have impacted my life more than anyone else. You are the only one who knows me, who knows Hob Gadling, the rough, foolish mercenary who bragged about never dying. Who raised himself from the dirt of the poor just to fall back down again, deeper than ever before. Rise and fall, and rise again only to be put in my place by you again - and rightfully so. 
In 1889 I had finally managed to find some middle ground, feeling safe enough to finally be honest with you - at least partially. And it all blew up in my face.
I should have known, really. Your relaxed smiles for the last centuries were too good to be true. I shouldn’t have trusted my gut and spilled some of the beans. But it had been lonely the last few decades and I thought we had reached an understanding. I thought I knew you, if not as well as you have to know me by now, but enough to take that leap of faith.
I leapt. And you let me fall I fell again. I should be used to it by now, one might think. But when it’s you nothing is simple and the stakes are so much higher.Do you know what you mean to me? Your name is written on a wall inside my heart and I don’t think that any amount of alcohol can wash it away. And I don’t even know it. I don’t know your name but it’s in there, and it’s not coming off. I know. I tried. Although it hurts that you stood me up, I believe that you’ll come back to meet me one day. I will believe in you, no matter what. I have to, for there is no other constant in my life but you. I have to hope.
‘You’re the only one who really knew me at all, and you coming back to me is against all odds, but it’s a chance I’ve got to take’, like Phil says.
Dream does not know who Phil is, but a quick glance at the general human subconscious reveals the quoted words as part of a song by an artist Hob seems to be referring to. Dream perceives the song’s lyrics and its general feeling and swallows heavily. It appears to be an apt choice for Hob’s current emotional state. He reads the last few words while the notes of the song linger in his mind.
So I’ll be here when you’re ready. I hope you know how to find me when they inevitably tear the old place down, but I guess you do. I hope so. I really hope so. I just want to know that you’re okay. I need to know that I’m not alone. There are others like me, I’ve met some. But it’s not the same. No one is like you. No one is as
Please come back
The words cut off abruptly, Hob having clearly been too tired to write more. Dream’s newly reclaimed powers put everything in much sharper relief. Shutting off the flow of emotions from the subconscious comes both easier and harder somehow. Pulling himself back into this singular humanoid shape at Hob’s bedside takes a particular effort he had forgotten since he furnished his ruby. It is not hard, but a task he has to accustom himself to again. Dream pauses for several minutes, quite literally collecting himself, unsure of his next actions.
He looks at Hob again. His face is slack in his sleep, relaxed and calm. Dream only glances at Hob’s dreams to ascertain if they are calm or troubled but finds nothing too upsetting. He does not want to intrude further than he already has so he keeps himself from viewing his friend’s dreams. 
His friend. Friend. The word that had sent Dream running in affront a century ago. Despite himself, struck by a sudden urge to talk to Hob, Dream inhales sharply and silently sits down on the chair in front of the open notebook. He carefully picks up the pen and sets it to the empty paper below Hob’s own words.
My friend.
I apologise for missing our meeting 
I owe you more than one apology. You were correct in your assessment the last time we met. I was am lonely. With one word you dismantled my defences and left me too vulnerable to bear at the time. I was rude to you, and I regretted my words as soon as I had left you. However, as you well know, I am a prideful, stubborn being. Strange, to be able to admit it so easily now. I’ve always known it, and you’re not the first to call me out on it, but of course I would never have allowed anyone who talked to me like that to speak to me again. So I told you I’d leave you, not able to accept that you were, ARE, my friend.
And that I need you, like you need me
I have not forgotten you, Hob Gadling. I do not forget anyone. You are cradled in the vastness of my being like every other mind, your story preserved for all time. This, of course, you cannot know, as I have never introduced myself to you. Again, something I’d like to apologise for. I will, however, endeavour to give you my name in person, and soon.
I would have done so today yesterday, but. For some reason I cannot name I felt unable to approach you or enter our usual meeting place. I know you waited and I am deeply sorry for troubling you.
You have indeed made an impact on my life. Maybe not in the same way I did on yours, but nonetheless our meetings have become something I look forward to. You surely wonder why I never told you who I am. I was not able to admit it a hundred years ago, but to meet you, who knows nothing of my role and my duties, is freeing in a way nothing else is in my existence. You look upon me as your friend, and nothing else. You cannot imagine how much I enjoy the time spent in your presence, listening to your accounts of the last century.
I could not
I was unable to experience much of human history over the last century. This has left me with a certain uneasiness in regards to humanity. I would humbly ask for your patience, once again. As I am trying to gather the courage find the time to gather the courage to meet you in person. Perhaps this book can provide a form of communication, for the time being.
Sincerely, your old friend
Dream drops the pen like it’s burning his fingers and rises swiftly, stepping back from the table and notebook before he can rip out the page he has written in a fit of panic. He has revealed far more than he intended to but it is only fair to leave Hob these words, after what he has put him through.
Dream allows himself one last look at Hob, still sleeping peacefully, before returning back to the Dreaming. There is much to think about. His reluctance to interact with humanity cannot stand if he is to perform his function. Walking with Death has helped him put things in perspective again but he still fears. What? What does he have to fear? He has no need for humans liking him. As he examines his feelings and his earlier short interactions with humans on his way to the White Horse, Dream realises that he does not care about all humans. He only cares about how Hob perceives him. 
Perhaps knowing that he had to introduce himself this time, clearly owing it to his friend, Dream had been afraid of losing Hob’s easy camaraderie. Surely exposing himself as Endless will have a pruning effect on Hob’s relaxed and friendly demeanour. Dream does not want that. But perhaps… No. He will wait for Hob’s reply in his notebook, if it comes. Should he choose to answer Dream, he will then decide how to proceed further. Surely any speculation right now is fruitless.
Trying to put the matter out of his mind for now, Dream goes to resume his work. He is aware enough to know that fear of Hob’s reaction was not the only reason he didn’t enter the White Horse. He needs to work through some things. Perhaps some new nightmares made of planes of suffocating glass will help him put some things behind him.
[Spoiler: of course they won’t, oh honey 🥺]
Part 2
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valiantstarlights · 9 months
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1489 Hob to his colleagues at the printing business, before going to the White Horse Tavern for his first centennial date:
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theoryofwhatnow · 1 year
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the sandman text post
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rexwrendraws · 11 months
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panel redraw from The Dreaming (Souvenirs) (1996) #19 because i thought it was funny :]
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