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#the fun part is that story exists yet it is not the story that is told
lucky-slice · 1 month
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low key i think to deny Riko's trauma is to deny his narrative importance in the story.
like Riko's trauma related to his father parallels neil's. His concept of brotherhood adds complexity to Andrew and Aaron's relationship. He acts not just as an antagonist but as a foil to other character's relationship to trauma and violence.
to solely view riko through the lense of his actions is to miss the point. He is a character in a story, not a real breathing human being.
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dimiclaudeblaigan · 6 months
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Another reason why the whole "forced marriages" concept (that Rhea haters ate up like pie) is bullshit.
Speaking for Faerghus, since this seems to be an issue players point the finger at Faerghus for, it's just... not true? This NPC does understand there are political implications to his marriage, but he wasn't forced into it and neither was his wife. They married for love.
The only known case of an arranged marriage prospect within Faerghus' known cast is Ingrid, and that's something Ingrid has taken on for herself as well. She knows her lands struggle with crops and that her people go hungry. She's choosing to deal with a non-romantic marriage for her people.
But what about Glenn, you ask? There are two aspects to that:
The marriage was arranged when Ingrid was born, but it's worth noting the marriage was arranged between Gunnar and a childhood friend's son. She wasn't just being married off to just anyone. It was both a childhood friend (who Gunnar clearly had deep trust in)'s son, but also a family member of the royal family's right hand family. But what about the Houses paralogue, you ask? Gunnar wasn't aware of the man's crimes, but as soon as he found out he rejected the proposal. Gunnar cares about his daughter's happiness and wellbeing. The only reason they're searching for a marriage candidate is because Galatea lands desperately need the financial support.
Ingrid is the only case we know of where she's being "married off" (her endings rebuke this entirely anyway because she does end up marrying for love if paired with someone). Nobody else in Faerghus had a marriage forced or politically forced on them (and frankly I still fail to understand how the Church is supposedly at fault for concept of this being the case period anyway). Dimitri, the literal prince and at the time of birth immediate heir to the throne, was never forced to marry. Felix has never been pushed to marry. Sylvain has never been pushed to marry (despite how important it is that they continue that bloodline). Annette, a female, has never been pushed to marry.
In other words, the major political players have never put their kids into arranged marriage with a single exception of necessity for one family (Galatea), and in Rodrigue's case with Glenn, it was done with a childhood friend's lands' welfare in mind. Gunnar could have married Ingrid to anyone at any point, but the most important aspect of it is that when it was arranged without her say so (i.e. at her birth), it was done with the son of a man who Gunnar trusted implicitly.
After Glenn died, Ingrid was plenty old enough to have a say so in who she might be married to. Presumably the issue wasn't pushed on her for a while after Glenn died for emotional reasons, but once they tried again, Ingrid had a say in things. Her father sent her letters specifically for her input. No, she doesn't want to marry for political reasons, but she understands how much her lands need it. Still though, her father won't force her to marry some scumbag. If she tells him she won't marry someone, he accepts that.
In other words, the only argument that can be used for "forced marriages" falls flat on its face. It's not a regular practice in Faerghus. None of the heirs to specific territories are being married against their will. The only instance we know about isn't so extreme that Gunnar is just going for it and picking the best dowry without considering his daughter's happiness and health.
The one time it was decided before she was old enough to give her input, Gunnar didn't need to "consider" marriage prospects and be unsure who to pick, because it was planned between two old friends who trusted each other and presumably felt that their child would be safe with the other family in question.
My biggest problem with people saying this claim is supported is that for the most part, people just take Claude's words in GW at pure face value and assume it's absolute, definite truth when he gives nor has any evidence to back it up (mainly because he blames it on the Church, which still doesn't make sense because such things are out the Church's jurisdiction. No amount of "seeing what the world is like without Rhea" is going to change Faerghus' politics, so even if his claims were true, Claude would have to go talk to every single individual territory within Faerghus to realize the truth if he's that dead set on his view of this, as each territory does its own thing politically).
He brings it up like it's a fact in Faerghus, which as I've said before, he has literally no knowledge whatsoever about Faerghus, and it shows. He doesn't even know extremely basic things, such as the previous king literally dying in the middle of making friends with a foreign land. He knows that Lambert died in Duscur during the Tragedy, and that's... basically the extent of his knowledge and understanding about it. For some reason though in Hopes, he thinks he understands Faerghus as well as he understands Almyra.
It's also annoying because in Fodlan games, a character can just say something - literally anything at all - and it's eaten up immediately and taken at pure face value with no thoughts actually put into questioning its validity. And before anyone says "but Dimitri didn't argue this in Zaharas!" yeah, I'm aware, and I feel that was a huge reason why that chapter, trying to be the "we fight as allies this once" chapter, was a total flop, aside from other things (particularly in the SB/GW department with Dimitri and magically wanting to "talk things over" with someone who had just murdered one of his dearest friends mere hours ago tops in SB, or in GW where politics would demand more from him).
The games have a problem with trying to introduce false concepts through characters who don't know better (i.e. introducing incorrect perspectives that we're meant to understand are just perspectives and not the truth nor fact) but then not refuting those claims, despite the game itself as the story progresses outright denying those things, whether outright or passively (in the latter's case, again, other important political figures having no talks of marriage on the table at all).
In the screenshots, the NPC is aware that politics have to get involved with his marriage, but he wasn't forced to marry and neither was she. Not only does he mention it, but he wants people to know they married for love. He's basically saying he doesn't want people to misinterpret their reasons for marriage (wanting land, wealth, etc).
In Ingrid's case, it was started with that goal in mind, but it started out in safe hands. After that she always had a say in who she might marry, and ultimately didn't marry for political reasons. The one person who was possibly going to marry for political reasons in Faerghus and not out of love ends up not even doing that.
Honestly, in Claude's case, I feel like he was just written with no purpose in mind except to rock the boat unnecessarily, because everything he claims in regard to Faerghus is purely speculation on his part. He knows absolutely nothing about Faerghus (in both games, but his ignorance in Houses isn't malicious, whereas you could argue in Hopes he's attempting to overthrow what he believes are their systems when even if they were, it would still be none of his business) but talks like he's lived there or spoken to its people who make the decisions he claims are happening.
Also, the concept of Dimitri being forced to do this that and the other thing are just... not true? Dimitri is happy to be able to help others and make reforms for his lands. He likes that he's able to have the power to make good change and help people. He knows that you need a certain degree of power to be able to push things in a better direction and to have a voice. By having the most important voice, he can make other voices known that otherwise would not be. When people have no choice but to listen to the king, he can demand that other voices are heard.
Even in his A support with Shez, he believes his happiest moment will be when he dies after dedicating his life to "a peaceful kingdom full of joyous citizens". I get the whole "but he isn't living for himself!" side of things, but this part of this post is specifically about how Dimitri is supposedly "forced" into doing things because he's king; but plain and simple, he wants to be king because by having the highest power in his land, he can make positive change happen
"This bad thing is happening in the Kingdom!" Well now he can change that. He wants to change things in his land for the better, and he understands that his position is a necessity for that. That's why he's so upset when he's "rendered powerless by age" in Houses, i.e. can't ascend the throne yet. He wanted to make change and couldn't. He wanted to do right for the Kingdom, but he couldn't yet.
Basically what I'm saying is that people keep using Claude's Hopes rhetoric as "fact", but literally none of it is. It's all based on the most severe amount of ignorance in both games and him for some reason believing that he knows jack shit about Faerghus. That includes the marriage "issue", which while I'd say it may exist in Adrestia (ex. Bernadetta being planned to marry Ferdinand), does not exist in Faerghus as any sort of "issue".
I don't recall if it's really even present in Leicester? So either... Claude just pulled that argument out of his absolute ass, or he's seeing an issue in Leicester and for some reason assuming his country's politics are every country's politics, which is, again, total ignorance (and he makes no effort to ever found out if any of that is true).
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stergeon · 2 months
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Rating: Mature (horny)
Fandom: Fire Emblem: Three Houses
Relationship(s): Edelgard von Hresvelg/Byleth Eisner
Words: 11.5k (2 chapters out of, theoretically, 3)
There's a new professor of the Black Eagles house, but it's not the one Edelgard and Hubert had planned to take on the role—and to make matters worse, Edelgard knows her. She could never forget her, or a single moment of that hot summer night when they met in Enbarr.
Worst of all, the professor doesn't seem to remember Edelgard.
AU in which Byleth and Edelgard meet by chance a few months before the start of White Clouds.
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randomnameless · 4 months
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The impression I got from his Byleth support was that Claude was angry at Fodlan for not living up to his expectations. He came to Fodlan seeking to learn something he could use to change Almyra's mindset, believing Fodlan would be more accepting of "outsiders" and when he found Fodlan had a negative view of Almyra he got upset and blamed the Church. Part of his story in Wind is him realizing he jumped to conclusions and blamed the Church without getting to know what they really stood for, being confronted with his own prejudice.
Part of his story in Wind is him realizing he jumped to conclusions and blamed the Church without getting to know what they really stood for, being confronted with his own prejudice.
Imo, he still doesn't totally get over those conclusions and prejudice especially in the Billy S-support :
And I...I want a ruler who can lay down a new set of values for the people. Values that don't exclude anyone for being different.
But yes, in this support, he also mentions having to go to Almyra to change his homeland for the better.
I see which support you're talking about, iirc it's the A support, right?
He confesses he came to Fodlan wanting to prove Almyra that Fodlan people weren't cowards, but ultimately found out people in Fodlan were as biased and prejudiced as the Almyrans are.
So his plan is to bring a "new set of values" to Fodlan and expand them to the rest of the world - so first start to bring his "new set of values" in Fodlan, and then bring them to Almyra to... destroy prejudice existing in Almyra.
Sure, why not, but bar the inherent "sus-ness" of bringing new "set of values" to a place - never once in those supports Claude reveals that the equivalent of Almyran calling Fodlaneses "cowards" is Fodlanese people calling Almyrans "brutes/barbarians" - sure, when he was a kid younger in Almyra, he used his mom as an example of why everyone in Fodlan wasn't a coward - but obviously we don't have in VW any situation where he'd try to tell Hilda and whoever in the Alliance that Almyrans aren't "savages/brutes/barbarians" to fight against their own prejudiced views...
The only sort of situation I can see this happening is apparently, off-screen, when Judith reveals that Holst and Nader got drunk together and became BFFs.
All Almyrans aren't brutes and barbarians - and yet, when we see some acting like the racist stereotypes the Gonerils depict them as, Claude doesn't pop up to say a thing. The best we can have is, iirc, him saying something like "we can let past grudges influence our decisions now" when Lorenz and Hilda are kind of arguing with the intensity of a wet paper against the inclusion of Almyrans in the army - completely oblivious to the fact (or maybe it was an oversight from the devs?) that Hilda's paralogue could be unlocked/played 3 minutes earlier, so we're not talking about past events and a long history of raids that have stopped, but about very present events : those raids exist.
In a nutshell, I agree with anon about the WTF of Claude's plan and general arc in VW - even if he shows progress and lets go, as much as the game allows anyone to do so - his hatred of the CoS - he's basically asking Fodlan, the victim, to stop being so prejudiced against people raiding for funsies and open their borders to the same people raiding them for funsies, and only after this, he will ask the people raiding for funsies to stop raiding for funsies because the people the raiders call "cowards" don't fucking want to die in what is generally seen as a dick measuring context.
Even post VW, Claude is still prejudiced, not as much as he was in the pre TS and ultimately Nopes lol, against Fodlan, expecting to change and have a new set of values "first" before bringing the values of not excluding people because they are different to Almyra.
And IMO, this is even more bonkers when you realise this S-support happens after Rhea's infodump, aka after the infodump where she reveals that the people opposing the war mongering ones with nukes were genocided - you don't ask the randoms/victims to play nice with their abusers, and expect said abusers to play nice too because you ask them.
Maybe it's a bad faith reading, but the ending illustration has Claude try to mediate or sign a treaty between, on one side, people with spears, and on the other side, people with armors (who look resigned, but maybe it's just the artstyle) and no weapons that are heavily implied to be from Fodlan.
And fun fact, now that i'm looking at them - we see Billy - aka the Church - in AM and SS, but we don't see them in CF and VW... We only see Alliance Lords - but no King/Queen Billy of Fodlan in sight.
Did he really change his POV about the Church, or not?
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quietwingsinthesky · 4 months
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I mean rn I wish you would write a fic w a description of 11089 so I can draw them 👉👈 :lookingaway:
bold of you to assume i even know what they look like alsjfjgljdksk
things i know about 11089’s appearance (revealed to me as if receiving prophecy):
1) You know those posts about how the ultimate image of androgyny in our society ends up being people who are skinny and hairless and sexless? so there’s our starting point, the horror story of that being forced upon you because it’s more useful for you to be as similar to the rest of the crew as possible because then you can simply be quantified by the amount of resources you can provide versus those you take. because every single time i think about this spaceship, it becomes an even more dystopian situation because how else would they survive when they were underprepared and have no way of getting help.
1a) what i’m saying is there’s a very good reason they’re instantly fascinated by visual modes of self-expression like dyeing hair. (similarly fascinated by other bodily changes, whether natural, like when Donna gets a burst of freckles across her face when she’s been out in the sun, or unnatural, absolutely transfixed by piercings and good for them.)
1b) they are going to be so much better off once they’re living on the TARDIS and can put on some weight and some muscle from running around with aliens and let their hair grow out all fluffy and uneven (and eventually accidentally turn it orange through hair bleach mishaps and keep it that way)
2) related, but they tend to prefer bright colors on other people rather then themself, for the most part. fun sometimes but attention-grabbing in a way that layered shades of gray are less so. so however they dress, it’s with a trend towards darker colors with little splashes of brightness from accessories or such.
3) set in stone for me now is the idea that where this story ends up going is ‘Someone Has To Keep An Eye On Donna And Her Completely Human Friend, John Smith’. If a Donna can’t survive being a human metacrisis or whatever with all the Doctor’s memories in her little human brain, why should Ten 2.0 be any different. Donna gets mindwiped, but Ten Again goes voluntarily to keep living, to stay near her, a measure that will mean if her memory starts itching her about some ‘Doctor’, she’ll associate his face with John instead and stop digging.
Which wraps back around to 11089 because I’m now very attached to Another Ten getting FOB watched and 11089 wearing it on a chain at all times. It’s definitely a totally normal and reasonable burden for them to carry their friends’ lives around their neck. this is very healthy behavior and does NOT show a lack of ability to set boundaries in situations that will end up hurting them or a need to prove that they can be useful that overrides everything else. they’re fine. this will not end up going horribly wrong as the guilt of hiding these things from people they love gnaws at them, and they start looking for any other solution only to find dead end after dead end and get desperate enough to start thinking ‘well, if the doctor couldn’t figure it out, maybe if we had another timelord-’
3a) but that’s not important. what’s important is watch on a chain that they can never ever open.
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Having a strong fixation on Zenos right about now so we absolutely need to write out our vauge ass headcanond of WoLs we've never made (yet? Maybe, we dislike the idea of doing ARR all over again) so we can actually be normal and have normal thoughts for the time being. This won't be tagged as it's not anything in specific, just said WoL being obsessed with Zenos in a way the other scions either see as increadibly unhealthy or downright terrifying.
Am I doing this right? Is this how you make "below the cut" posts? Maybe
Concept 1 (inspired by a comic we saw where the WoL takes Zenos' eye. Seemingly for differijg reasons), the WoL sees Zenos fuse with a dragon for their "final" fight, and being an Au Ra who is constantly compared to the wyrms and often being criticized as "weaker" and not cut out to be the hero of this world, our WoL seeks to do the same. This sheer fury the WoL harbors causes them to completely ignore her fellow scions, she keeps Zenos from taking his own life, and then fights him, again. Due to his weakened state it only lasts mere seconds, several of the Scions are more than confused. Why would WoL do this? They've never been one to kill for the sake of killing? Was it a prusuit of revenge? Was she proving a point to him? Does he have some influence over them? They do not know.
Shortly after the WoL begins barking orders, telling her fellow Scions to leave her be and that she has "Business to attent to". When they hesistate the WoL in their hazed state threatens them right there, with no thought for what will come after. She *needs* this power he has, she pines for it, obsesses over it. In what felt like an eternity staring down at Zenos' corpse she succumbs to her deepest desires.
The WoL, using a method she thinks will work, this needs to work, and relieves him of one of his eyes. If Nidhogg's was the eye of hate, anger, and revenge, then Zenos' was the eye of obsession, yearning, and most of all... power. She needed this power all for herself, but was not in such a trance as to take both lest she simply become a vessel for Zenos. She also was not enough of a fool to leave any evidence behind of the tampering. She drank of the blood that seeped from his socket before placing her now discarded eye into his head. Using glamour, both eyes were made to look like they were there the whole time.
The WoL, silently showed herself amoung her comrades once more, but without a word, had teleported elsewhere. Where she chose to go off to is a mystery.
(And for the sake of storytelling let's say that it is now at a time where Zenos is back alive and seen near the WoL, or relatively near considering they aren't actively fighting, by the scions.)
Something seems off about the two, something oh so present to all else in the area. They have what seems like a connection, as if both parties are wordlessly speaking a thousand tales that they're absolutely enamoured by.
Later in combat with unrelated foes, it was as if the WoL was bending to the will of an unseen force. From Fandaniel's prespective, Zenos did not seem entirely himself, this obsession with the Warrior, it was not one born of hate or even a yearning for battle. It was one born of seeking, seeking as if she had taken something from him, but also seeking for other, unrelated reasons. Both Zenos and the Au Ra knew what she had done to him, and both knew why.
Zenos was utterly fascinated with this revelation. He could see into the Warrior's intents, see into her very soul, she could keep no secrets from him. Though.. the same can be said both ways. It's as if they can speak to eachother at any time, through their very thoughts. As if they resided in eachother's heads. That is because in reality thanks to the WoL's impulsive actions, they did.
Zenos sought to use this to find out what truly made the Warrior tick, what could without a doubt grasp her attention, what could get her crawling back to him and willing to bend to his will. Did he wish to have his eye returned? No he wished for her to keep it actually. For how else would he have such valueble insight into the ever elusive Warrior. No carefully selected words, no barriors behind one's own mind, nothing could keep him from finding out what he wanted, and being able to feel the WoL's emotions, being able to read her soul so intimately would make this next bsttle all the more interesting. No, he would get her whatever her heart desired at the small cost of one more battle... one to blot out even the brightest of stars in the flames of their passion. One where even those on the opposite sides of reality could feel their entire lives being poured into this very battle. This wasn't too costly was it? After all she has done so much to achieve true dragonhood, her greed almost causing the fall of an entire nation in it's wake. Such a simple solution and all she had to do was rid the world of Zenos once more, then the Warrior could finally become a dragon as she wished to be, could finally ascend to what the world she had once sought to protect wished of her.
Though he wouldn't be one to admit it, he saw this as a weakness. Just another distraction in the coming battle, would she really be giving it her all and more if she wasn't only thinking about him, and destroying him? If the thought of finally getting what she wanted stirred ever present in the depths of her being? Could he settle for such a thing? No, he could not.
He needed to battle in the deepest pits of their souls, he needed to battle the wyrm within the warrior. He needed to have this dragon on a short leash. But just how would he do that? Blackmail? Threatening? Bribery? No... no... he would give her the very thing she sought before the battle even began, he would transform her into the wyrm of her dreams, ever mighty, without equal, and unkillable. All she would need to do is ask, ask, listen, and OBEY.
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cloudblaze · 2 years
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While checking something on the wiki I just stumbled upon the fact that Breezepelt and Heathertail had kids. Apparently it's not even a spoiler because this was all the way back in AVoS, which I read. Who knew? I certainly didn't anymore lmao.
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hollow-prey · 6 months
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I'm not jealous of my f/o and their canon ex I'm not jealous of my f/o and their canon ex I'm not jealous of my f/o and their canon ex I'm not jealous of my f/o and their canon ex I'm n-
#dumb#ellie rambles#*bites my phone and vigorously shakes head back and forth like a dog*#I KNOW it doesn't matter I know it's silly and the only canon I should care about is my own#I know multiple timelines/stories/etc. can coexist peacefully with my own self ship ideas#and yet here I am. taking psychic damage over the mere thought of these two previously dating or getting back together#pain. agony even. petty stupid envy at its finest.#like I was already Suffering slightly when I first played the route and learned they were exes#because my brain can't let me have anything nice and thus cranked up the insecurity#making me think 'he really wants to get back together with ____ he wouldn't actually like you'#or 'even though this is a dating sim you are somehow going to blow your chance and they're going to get together again anyway'#which is why I'm also terrified to play the other routes in case they DO get back together in one of them which will kill me on sight#but for the most part I could cope while playing bc I was getting fun indulgent moments in my chosen route#then I open up the app the other day and get hit with a promo ad for modern AU. with art of the two of them being cute and Clearly Together#the app forces me to see it with my own two eyes before I close it out. and there's no option to mute the pop up next time I log in#and again I KNOW it's silly and I'm overreacting and canon is fairly relative in this game#hell multiple timelines/stories/canons etc. exist in it by design. your canon is based on whoever you choose to pursue#but to me all of them are still canon on some level whether you play through them or not#which means those two are out there in their own canon universe waiting to strike me down. just standing there. MENACINGLY.#it's truly the smallest deal possible and I shouldn't let it bother me because multiverse but also RRRRR GET AWAY FROM ME
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ambrosiagourmet · 3 months
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I love Izutsumi. She's got a great design, she's a fun addition to the main party, she adds some new tension, and she's honestly one of the reasons I read dungeon meshi in the first place. I mean, "the most cat to ever girl" is an extremely appealing hook to anyone who loves cats and girls (me, I love cats and girls).
However, while I have always liked Izutsumi, I finished the story kind of feeling like I didn't really get her. I felt like I had a decent grasp on her character an character arc (she's a traumatized teen given space to feel safe and open up, and because of that she realizes that she can't grow without letting go of the coping mechanisms she once needed). But I didn't feel like I really understood her role in the story as a whole.
She follows the group of her own accord, after a coincidental meeting and a misunderstanding of what they can do for her. She's never super invested in saving Falin, at least not compared to the rest of the group. Though they do help her escape Maizuru's shackles, and are clearly good for her in general, she doesn't really have a healing Moment with the group the way that Senshi does with the hippogriff soup.
And yet, she gets an entire chapter, the third-to-last chapter, dedicated to exploring her growth and future. She's the one who frames much of the falling action, who lets us check in with everyone. She's the one who helps talk Laios into accepting his role as king. She may join the story part way through, but she is there for most of it. So Izutsumi! What's your deal!?
Well, I think I've come up with an answer, at least for myself, that I really like. Two of them, even! Though they both really work together to form the overall point - Izutsumi is the character that most helps the story face towards the future. Here's why I think that.
So the first of these "ah-ha" moments was when I realized that Izutsumi really is the best supporting evidence for Laios' point about the good things that wouldn't have happened if Falin hadn't died.
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If Falin hadn't been eaten by the dragon, Izutsumi probably would still be a slave. It was because of Shuro and Laios' parties both being in the dungeon to rescue Falin, as well as Marcille's use of ancient magic in the resurrection, that she got the chance to escape. None of that would have been the case if Falin hadn't died. Shuro wouldn't have separated from the group and joined up with his retainers, Marcille wouldn't have revealed her knowledge of ancient magic, and Izutsumi never would have even met any of them. They are only part of her life because of Falin's death.
Though this isn't explicitly pointed out by Laios or Izutsumi in the scene, I do think you can very much feel the presence of it. For one, when Marcille reflects on the journey and how much it made her realize she didn't want to lose everyone, her relationship with Izutsumi is prominent:
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It's the main original group at the top and center, but when you read it right to left, it’s Izutsumi and Marcille who might catch your eye first. And it's specifically Marcille and Izutsumi's relationship on display here, not just Izutsumi's presence in the group in general.
Also, after Laios' statement about how none of their adventure would have happened without Falin dying, it is Izutsumi who gets the final word:
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Izutsumi is also the one here who is the most forward-facing. Chilchuck is trying to correct Laios, Senshi is focused on the immediate future, and Izutsumi is talking about her new goal.
And I want to talk about that goal in general as well, because it’s also interesting how it comes up. In that moment, everyone is trying to remind Marcille of her less destructive desires - to eat food, to share it with them, and to meet Chilchuck's family. All of which are previously established, existing desires. When prompted by Chilchuck to join in, however, Izutsumi offers something new:
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That's interesting, isn't it? It's kind of funny, of course, to see her rambling on about a completely new thing, her own personal motive, in the middle of everyone working together to reach out to Marcille. Izutsumi doesn't even know who Yaad is! But at the same time, it’s kind of meaningful. Amidst the focus on desires that everyone already had, she adds a completely new one to the mix. It’s even the final bridge that lets Laios reach Marcille.
It is, in fact, even an idea that comes back later to help out another lord of the dungeon. The idea of finding new goals and feeling new desires... this is exactly how Kabru reaches out to Mithrun, after the Winged Lion is gone
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So yeah, Izutsumi's presence here, both in what she's actively choosing to say as well as what she represents of the consequences of Falin's death, supports the story's ideas of moving forward. Of accepting the past, and finding new reasons to live.
Which is all really good, and that alone works pretty well as an answer to what Izutsumi's role in the story is.
But oh, oh. There's more. Something I realized after having thought of all this, because I still couldn't let go of the feeling that there was still something I was missing.
And as I reviewed the things I loved about Izutsumi - her sometimes unhealthy ways of coping with trauma, her struggles with isolation, her skill with fighting, her selfishness contrasted with the ways she grows to care for and protect the group, her perpetually guarded nature, born from the seeming impossibility of ever fitting in or finding a safe place to just be herself - I realized something.
Izutsumi...
is a foil to Falin.
Where Falin copes with isolation and trauma by being eternally caring and struggling to say no to people, Izutsumi copes by constantly saying no to everything she can. Falin is often considered selfless, but does have selfish desires that she can’t easily express until a moment of crisis. Izutsumi is delightfully selfish, but chooses to stick by her friends when they need her. They are both transformed, against their will, into partly monstrous hybrids, and they both will have to live with that - there is no undoing what has been done to them.
Falin anchors the group in the past. Izutsumi pulls them towards the future. Neither would find freedom without the other - it is Falin's death that leads to Izutsumi joining the party, and likewise, it is Izutsumi who inspires the realization of how they can save Falin.
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And Falin is her future, as much as Izutsumi is Falin's. Both learn to be a little more like each other, even though they never meet. Falin gets a little more selfish. Izutsumi gets a little more willing to bend.
In this context, I feel like I have finally started to understand just how important Izutsumi is to the story. She is a proof that they cannot just go back, and she is a clawed, happy-to-scratch-anyone-who-pisses-her-off reminder, at that. In any conversation about what the group wishes would have happened with Falin, she cannot be ignored or brushed aside.
She is a reminder that, even in the midst of a tragedy so big it feels like a shadow you will never escape, you have yet to met all the people you will love. Hell, some of those people might even be catgirls. We should all be so lucky.
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moki-dokie · 6 months
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been seeing some stuff on blue eye samurai and big yikes to nearly everyone pushing extremely western ideals onto these characters.
this is early edo period. 1600s. the japan you know now did not exist yet.
yall. please. there was NO concept of sexuality in pre-modern japan. that came with both the influx of christianity and western influence very very late in history. like, mid-1800s. (yes, there was christianity pre-1800s but it was not a widespread idea yet and wouldn't be until about the 1800s since, y'know, missionaries were routinely murdered before then)
"so and so is either bi and hasn't figured it out yet or..." no. that isn't how it worked then. nobody gave a shit what was between your legs. anyone could be attracted to anyone else. it was a little more common for male homosexual relationships to be between an adult and younger male - like many other places around the world - but two adult men could bang and love each other just as easily. relationships between women were quite common - especially since so many men were often away at war. there's tons of pornographic prints from the time depicting all manner of fun queer relationships. sex itself had absolutely no moral assignment to it. good sex was good health. it didn't matter who with. (well, social class/caste mattered more than anything else tbh but that didn't stop upper and lower class from fucking.) that isn't to say people didn't have preferences. of course they did. that is human nature. preferences arose more from physical appearance, caste, and circumstances with gender being about the last thing one would look for in a partner - romantic, casual, or otherwise. the only role in sex where gender actually mattered was for procreation.
there would be no queer awakening moment, no sudden switch flipped, no stigma to have internal conflicts about because it simply did not exist as a concept whatsoever. you were either attracted to a person or you weren't, it was that simple. gender played no role when it came to sex and sexual attraction. the japanese were lightyears ahead of western cultures in this particular area - like most cultures were before christianity came in and ruined everything with its backwards morals and strict good/evil dichotomy.
yall have got to realize queer rep will not and should not always adhere by modern western standards. there was no straight, gay, bi, or anything else of the sort. the closest they ever got was referring to roles during sex - as in who is giving and who is receiving.
i know this is mostly a made up story but it is still set within a very specific time period and culture, which should be honored and respected by not making it fit into our box. tons of research went into making this show historically accurate (albeit with some discrepancies but tbh they aren't really that huge) right down to the calligraphy writing. please please please don't whitewash the culture from these characters.
i say this mainly because without this knowledge, so many of you are going to build these characters up on a foundation they aren't meant to be on and then you'll rage about queerbaiting and bad queer rep if it isn't somehow super explicitly stated, if it doesn't match your very modern, very western ideal of what queer looks like. don't try to force this plot and narrative and characters into something they canonically and historically aren't. headcanons are a thing, AUs are a thing, fanfiction is a thing - leave your western thinking for those and let these characters simply exist as they should otherwise. this is one of those times where the queerness really does not need to be examined at all beyond what we get.
i know it can be hard to wrap your head around - sexuality is such a huge part of our identity in the western world and has slowly started to spread amongst other parts of the world in importance. but just keep in mind with these particular characters, that concept would be so very alien to them.
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ozzgin · 4 months
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Yandere!Yokai Harem x Reader Headcanons
Introducing some of the characters Reader will encounter throughout the story. Get to know your monsters in this handy reference booklet!
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Fun fact: The names of the characters are quite literally chapters from ‘The Tale of Genji’, one of the earliest existing novels written in the Heian period by noblewoman Murasaki Shibiku. Kiritsubo and Murasaki are your closest companions and bear the names of the main female characters of the story. (They’re men. A little irony.)
The list will be updated as more characters are revealed:
Abe no Nakamaro 阿倍 仲麻呂
Descendant of famous onmyōji Abe no Seimei, Nakamaro rapidly built his own reputation using the powers of yokai he'd captured across the country. His binding powers have yet to be deciphered. It is believed only his own blood can break the contract forged with the legendary beasts.
Known for his ruthlessness, Nakamaro was feared by humans and demons alike. His commissioned portraits often depict him surrounded by dark clouds - a signature detail - emphasizing his evil nature.
As you progress through your journey, you will be plagued by many flashbacks of his cruel deeds. It's almost as if your own hands are tainted by the blood of the yokai standing before you. You vow to free the beasts and prove you are nothing like the vile creature dwelling within your soul.
Kiritsubo 桐壺
The first yokai you encounter. Despite his intimidating appearance, he is the kindest of the group. He is tall and very muscular, with short, straight horns, long silver hair and glowing amber eyes. When he smiles you can spot his sharp, prominent fangs. He has multiple scars on his back, reminiscent of old punishments.
He is a dragon spirit, although his true powers remain unknown. Nakamaro always kept him close and was particularly strict with him, hoping to unlock his dormant potential, to no avail. He begins to show improvement once he embarks on his journey with you. It seems that his desire to protect his new owner was the secret all along.
Kiritsubo is extremely clingy once he gets to know you better. You're kind and patient and nothing like the famous onmyōji before you. He almost can't believe you're part of his reincarnation. He will follow you around everywhere, like a loyal dog, and might be overly touchy sometimes. He can't help it.
Murasaki 紫
Murasaki is the second yokai you meet. He is tall and slender, with long black hair and imposing horns. His deep crimson eyes hold a lot of resentment towards you, or rather whoever lies within you. Despite this, he always holds a disciplined posture and acts very well-mannered.
He used to be Nakamaro's right hand. He is considered to be the most skilled among the legendary yokai. A master of the sword and possessing unmatched intelligence, he served both as an advisor and bodyguard. Always cold and calculated, he rarely shows any hint of emotion. He seems to be quite sarcastic and arrogant.
He doesn't interact much with you in the beginning. In fact, he's most annoyed by the idea of partnering up with a weak human like you. He offers to train you with the sword and teaches you spells and prayers. Despite his complaints, he always protects you from any danger. As you spend more time together, he slowly opens up and might even show signs of attachment.
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Suma 須磨
Suma is the biggest of the legendary yokai, towering over everyone with his gargantuan frame. He has bright red hair and large bull horns, with robust features and fierce eyes. He has many tattoos covering his body, going all the way up to his chin.
Suma is a worshipped guardian of war. He lives for battle and is said to reward bravery and courage. Despite this, he has a very approachable personality. He is loud and easygoing, rarely showing signs of distress. He uses a spear when fighting, although he prefers his bare hands. Brute strength is his specialty.
He finds it hilarious that the feared Abe no Nakamaro has been reincarnated into a small girl. He will often joke around with you and challenge you to playfights. When borrowing his powers, you are able to display impressive feats of physical strength. He likes watching you fight and encourages you to train.
Yuugiri 夕霧
Yuugiri is a mysterious yokai. He is pale with rather feminine features, appearing androgynous. He is very elegant and well spoken, although both Kiritsubo and Murasaki have warned you to be wary of him.
He is a serpent spirit, sly and manipulative. He is known for tricking humans and devouring their souls, yet very few can tell his true nature. He is incredibly charismatic and many people fall in love with him, meeting their early demise.
You cannot read him and therefore keep your distance. His twisted smile never leaves his face. He is very interested in you and while his reasoning might be superficial in the beginning, he does become rather attached and tries to prove his honest feelings to you.
Warning: Spoilers ahead!
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Sekiya 関屋
One of the yokai that has remained by Abe no Nakamaro's side, in his resting tomb. He is the one that kept his presence concealed, casting a barrier around the temple for the entirety of his master's slumber.
His main power is casting barriers. Sekiya is the one that guards the entrance and guides you towards the onmyōji for your battle. Once you defeat Nakamaro, he joins your group.
He is very reserved, shy and insecure. He cannot fight properly and often bemoans his lack of purpose. Like Kiritsubo, he falls in love with your kind nature and clings to you, hoping to be of use.
Sakaki 榊
The other yokai to guard Nakamaro's tomb, Sakaki has been tasked to keep his master alive.
He has the ability to heal and even revive under certain circumstances. After your fight against Abe no Nakamaro, he offers to heal your fatal wounds and joins your group.
Sakaki is rather gloomy and depressed by nature. He has an unhealthy obsession with death and often makes grim or unusual remarks. He considers you his muse and will sometimes write unsettling poetry dedicated to you.
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solaireverie · 6 months
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cl16 | salute to me, i'm your american queen
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pairing: charles leclerc x f!sargeant!reader
summary: [ social media au ] what the fuck is a kilometer?!?! or: charles and his girlfriend's adventures
warnings: language
faceclaim: elle fanning + pinterest
author's note: i can't explain this except that it was funny in my head. i should probably be working on the next part of deep blue but ehhhhhh. enjoy!
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liked by charles_leclerc, logansargeant, vogue and 763,913 others
yourusername Overjoyed with becoming an official @.tiffanyandco ambassador 🩵 Shop the Formula 1 Commemorative Grand Prix collection on their website, now available worldwide.
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charles_leclerc so this is why you couldn't come to monza? 😨
↪ yourusername sorry babe it was scheduled in advance 🥲
user damn tiffany's marketing department really popped off with choosing THE y/n sargeant to rep this line 💅
↪ user like if you think about it it's really smart, y/n isn't just one of the most popular models rn, she's also directly connected to the sport bc of logan and charles
↪ user she is literally all i want to be in the best way 😤
logansargeant where's my charger y/n? i know you have it
↪ yourusername this could've been a text message logie boy
↪ logansargeant wtf don't call me that
↪ logansargeant also you haven't unblocked me yet from that time i stole your life-size cardboard cutout of charles and brought it to williams hospitality
↪ yourusername you're not helping your case here 😒
↪ carlossainz55 silvia was looking for that y/n 😱
charles_leclerc has added to their story
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seen by yourusername, arthur_leclerc, pierregasly and 7,159,233 others
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f1wagupdate @.yourusername is in the paddock today for the US GP after being spotted yesterday in a hotel near the track! She has been seen in the Ferrari garage.
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user uhhh why isn't she in the williams garage???
↪ user uhhh probably cause she's dating a ferrari driver???
↪ user chill 😭 i'm sure she'll drop by
↪ user just say you're a hater and move on bro
charles_leclerc has added to their story
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seen by yourusername, maxverstappen1, carlossainz55 and 2,392,106 others
yourusername has added to their story
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seen by logansargeant, charles_leclerc, landonorris and 1,985,274 others
logansargeant replied to your story
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liked by logansargeant, landonorris, yourbestfriend and 4,128,293 others
tagged: yourusername
charles_leclerc Happy birthday my love 🥳❤️ I'm glad you had fun at your party 😉
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yourusername DELETE THE THIRD PICTURE
yourusername HOW COULD YOU
yourusername WHAT IS THIS BETRAYAL
yourusername count your days, charles leclerc
↪ logansargeant she just left the restaurant, i think you need to take her threats seriously dude
user charles is just like all the other sassy boyfriends out there 😂
user damn the road's looking real comfy tonight (i want what they have)
↪ yourusername oh dear don't do anything rash please 😭
↪ user this is why i love y/n lmao even when she's pissed at her bf she finds time to be the nicest human being ever
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liked by charles_leclerc, logansargeant, yourbestfriend and 6,129,320 others
yourusername just a bit older 🤟
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gigihadid happy birthday darling 🥰
↪ yourusername thank you gigi!
logansargeant happy bday sis :)
↪ yourusername AWWWW LOGAN 🥹
user is charles still alive??? 😭😭😭
↪ yourusername who knows? 🤷‍♀️
↪ charles_leclerc i already said i'm sorry!!!
↪ yourusername do y'all hear something?
↪ charles_leclerc we're literally on instagram y/n... 😐
carlossainz55 y/n, charles says that he'll do anything if you'll talk to him again...
↪ yourusername he knows what i want 😪
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liked by yourusername, logansargeant, lilymhe, deuxmoi and 9,120,163 others
tagged: yourusername
charles_leclerc Thank you for making my life so much better just by existing in it. I love you more than words can express. At the end of the day, you're who I want by my side. I'm so glad that I'll get to call you my wife for the rest of my life 🤍
💍 11.11.23
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yourusername je t'aime 🤍
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likes and reblogs are appreciated!
masterlist | taglist: @boiohboii @vellicora
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dimiclaudeblaigan · 8 months
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The fact that it's a trend now to say it's a red flag that someone does or does not like a particular fictional character is proof that media literacy is completely dead.
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skipper1331 · 22 days
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Secret (2) // Alexia Putellas
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| Part 1 | Part 3 | Part 4 |
She didn‘t try to follow you.
She didn‘t try to text or call you.
She didn‘t try to fight for you.
She let you.
She let you walk through that door.
She let you go.
They say that you only really appreciate something when it is no longer there - she understood that now. It never occurred to her how terrible it must have been for you to be her "secret," even if she never wanted it that way.
Plagued by the fear of what others would think or what would happen, she dreamed of a love without worries and anxiety; in her eyes, this love only happened behind closed doors. She didn't realize how bad it actually was for you, even though she knew exactly that you wanted a typical romance book love story. She didn't deserve you and even less deserved that you had put up with her in secret for so long.
You, on the other hand, were caught up in your anger. You had put up with this secrecy for over a year, but a limit had been crossed - your heart ached just in her presence.
She had managed to nestle herself in your heart with her charming smile, her sparkling eyes and her elegant but captivating nature. She was Alexia Putellas, of course she had done it. She could do anything when she set her mind to. She had won the Ballon D‘or twice, the World Cup and dozens of other trophies and titles - only the title of calling you her wife, she hadn't managed.
In the nights where she couldn‘t sleep, she had dreamed of marrying you - you were different. Any feelings she knew before no longer existed. It was only you.
And you were no longer hers.
-
After your break up with the Catalonian, your motivation started to rise again as the weight you had been carrying in your heart and on your shoulders wasn‘t there anymore. You went out with your friends, explored the city a bit more and focused on yourself. You deserved to be happy and you knew that. You treated yourself with new shoes (shoes you had been eyeing for awhile) and finally an own Netflix account.
In training, you went to your absolute limits, playing wonderfully and yet having fun - the love to the sport filled your veins again.
You were glowing - the new look suited you.
But when you were at home, it was different. Two people met at the doorstep. Person 1 who glowed and person 2 who sulked. As soon as the threshold was crossed, personality 2 took over your body, mind and soul. Your broken heart showed itself. You hadn't managed to remove the second toothbrush in your bathroom or empty Alexia’s drawer yet. Her clothes were yours too, you wore them as soon as personality 2 needed the comfort which was needed constantly.
You cried.
You screamed into your pillow.
You ate ice cream, chocolate, anything.
Watched sad shows and movies.
And cried more.
Nobody seemed to notice your switch of personality - who should?
No one knew that you and Alexia used to be a couple..
No one knew that your heart was broken..
I‘m capable of handling that on my own.
I‘m an independent woman.
..except one person: Alba.
unknown
hey, it‘s Alba.
Ale told me what happened.
If you need someone to talk to (a friend), feel free to message me:)
You appreciated that she sent you a message, her intention probably kindhearted but she was Alexia‘s sister after all.
You replied with 'thank you' and sort of an appreciation.
Time would heal your wounds. Hopefully.
In the nexts weeks, you focused on the upcoming uwcl matches and getting enough recovery after your training sessions.
You like to think that you didn‘t even look at Alexia but you knew better than that. She‘s Alexia and breathtaking, you could not not look at her.
But you tried your hardest not to give in when she looked at you, looking at you with those sad doe eyes. Sometimes it seemed like she wanted to approach you or even say something yet she never did, she stayed silent.
Was it wrong to hope for her approach? That she would just kiss you in the middle of the pitch?
Maybe it was wrong but you couldn’t help it. You loved her and you knew she loved you too. And love, no matter how much you want it sometimes, doesn't just disappear. It always leaves its mark.
Added to that, Alexia wasn‘t just anybody - she was the first person with whom you truly felt the butterflies and every cheesy book describing feeling.
She could have been your greatest love story - the love story you always wished for.
-
"Good luck" Alexia said, her hand brushing against yours as she walked past you.
She smiled a bit, immediately looking away, joining Aitana and Keira.
"Good luck" you whispered back, surprised that she had spoken to you, nonetheless kindly accepting that she did.
The first leg against Chelsea went alright, Aitana opened the score as you made it 2-0, 5 minutes before the ref blew her whistle.
You shook hands with each opponent and talking to your friends for a bit.
"Oh please, I’m your biggest fan, swap your jersey with me" the dramatic voice of Niamh Charles shrilled through the conversation you were having with Guro and Erin. You laughed, Niamh‘s arm around your shoulder, "oh please, please" she fake cried, the girl nothing but laughter in her voice.
"Aren‘t the dozens of my jersey enough?" you joined, laughing.
It was an unspoken rule whenever Niamh and you faced each other to swap jerseys as the two of you had met in the u-teams, becoming friends in an instant and being close friends ever since.
"Nah, babe, you know I can never get enough of you" she rolled her eyes, pressing a sloppy kiss to cheek.
Disgusted, you wiped it off and shoved her away.
Alexia watched the scene in front of her with fire in her eyes, oh how she hated Niamh - the green eyed monster talking.
"Jealous?" the soft voice of Ingrid pulled her back to reality.
"¿Que? No! I’m not jealous" Alexia’s accent was thick, her voice raspy and mind completely somewhere else.
"You should ask her out, I think she likes you" the Norse proposed, tapping the Catalonians shoulder as she walked to Frido, leaving the captain alone.
Ale had always suspected that Fridolina and Ingrid knew about the two of you because they were your best friends, but that wasn't the case. Alexia realized that only now since Ingrid had suggested asking you out - you had always been honest and respectful with her wishes - accepting them, even though they broke your heart day by day.
No one knew that you were more than just teammates.
They were clueless.
You were amazing.
And she was stupid - stupid to think that you would tell anyone when you hadn't even told your best friends and stupid for letting you go.
-
The second leg ended up in 2-1, 4-1 on average which meant that Barcelona would play in the Champions League final.
You were thrilled when the ref blew his whistle, so happy about the fact that you had the chance to win the trophy.
On the other hand, you felt bad for the Chelsea players, they had given everything as they tried their best to win. Unfortunately for them, it wasn‘t enough. You approached Niamh who had tears in her eyes, pulling her in a hug. You comforted her the best you could but loosing an important match would sting for awhile, no matter how much you praised the defender for her game.
"You know, I will burn your jersey at home" the defender chuckled, nonetheless taking her jersey off while you did the same - swap.
"That‘s only fair" you grinned, wearing now the blue shirt.
Once again, Alexia glared at Niamh, hating the fact that you were wearing 'Charles 21' on the back instead of 'Alexia 11' or 'Putellas and your number' but she knew it was her own fault.
If she had just listened to you or introduced you as her girlfriend with such pride right from the start then she wouldn't be in the situation of a broken heart and jealousy.
She loved you and was forever sorry for hiding and neglecting you.
You deserved better than that, way better.
-
Winning the champions league felt euphoric.
The final match had been intense, both sides fighting for goals as the ref showed many yellows cards.
But Barcelona did it, they had done the unthinkable - beating Lyon and taking their revenge.
It didn‘t matter that the score was only 1-0. That one goal meant more than anything to everybody of the team. You felt so much pride and joy, the stadium chanting while you received your medals and lifting the trophy.
You wanted to cherish this moment forever.
"I‘m proud of you" la reina stated as she stood next to you. You didn’t even notice that she had approached you.
"Thank you, Ale, it means a lot" you smiled at the midfielder. Your smile was so genuine and wide, your eyes sparkly and shiny - you looked so beautiful, in Alexia’s eyes.
She couldn’t help but kiss your forehead.
You let her.
Her lips lingered for a moment, pulling back with rosy cheeks before she walked to her mother and sister who were waiting in the stands.
Your eyes followed the Catalonian, her mother hugging her tightly while Alba looked in the direction Ale came from - she saw you and waved.
-
Back in Barcelona, the team + family/ friends went out to celebrate. Drinks were getting drowned, songs were being yelled and dance moves were being showed. The vibe and mood was amazing, everybody letting loose after the last few intense weeks.
You couldn’t remember how many drinks you‘ve had but it was a good amount - each of them delicious.
Making your way over to the bar, you ordered yet another drink. You wouldn’t say you were drunk per se but you also weren’t sober anymore.
Nobody was, or cared.
You won the champions league, you were allowed to party.
While you waited for your drink, a familiar unfamiliar voice talked to you, "hola"
you turned to the side, seeing the younger Putellas standing next to you.
"hi" you replied.
"Congratulations! Your goal was amazing" she beamed while you smiled and mumbled a thanks. "my sister can be an ass, you know? Oh yeah, you do." she giggled at her own joke - she clearly wasn‘t sober either, "but she loves you. She‘s been sulking for weeks."
You tried to listen the best you could, questioning if you would remember the conversation in the morning.
"She even told mamá about you and how she fucked things up"
You gasped, "no way! She talked about me? I‘m so shocked"
The sister laughed, playfully hitting your chest as you joined her laughter - eyes watching the two of you.
"You should make her jealous"
"Yeah, sure" you replied, rolling your eyes, "as if Ale‘s jealous"
"More than you think. She doesn’t like your friend Charles, for example. 'she should wear my name' blah blah blah" Alba explained, your mind spinning for several reasons.
"How should I make her jealous then?"
"Easy. Follow me" the girl grabbed your arm, pulling you on the dance floor, "hey! my drink" you grumbled, the Putellas sister ignoring you.
She turned around, looping her arms around your waist as yours went around her neck. You followed Alba‘s lead, Shakira blasting through the speakers. Looking around, you searched for Alexia. It didn‘t take long to find those pretty eyes who looked nothing but angry. Her jaw was clenched, hands balled into fists as she shifted uncomfortably around.
She was not enjoying the show.
"Bet she‘ll be here in 3…" Alba leaned in, "2…." as you did the same, "1…"
Strong hands on your hips pulled you away, a protective arm smacking around your waist, Alexia glaring at her sister - so much fire in her eyes, "you‘re allowed to look but do not touch what’s mine" she growled, "now leave" her voice was stern and firm. Your ex girlfriend stood now in front of you, looking at you, checking you out while Alba walked away, winking at you.
"You look nice" the girl smiled charmingly, the green eyed monster completely gone.
"What was that?!"
"I said you looked-"
"No. Do not touch what’s mine?!" you mocked, your heart secretly racing at her possessiveness.
"I won‘t let her kiss you!" her voice was raised, jealousy pumping through her veins again, "I‘m the only one who will do so" the thought of you ever touching, kissing, loving someone else made Alexia furios.
She loved you.
"Do you understand me?"
The alcohol in Ale‘s system made her bold, confident and possessive - she didn‘t care who was watching or listening. All she cared about was you.
You had never seen her like that before - openly jealous, with her hands on your hips and chests touching in public - it was hot. She was hot.
"Yes, I do" you replied, somehow starstruck.
"Good girl"
You died on the spot.
Was it hot in here? It definitively was! Or was it just Alexia?
It was just Alexia.
Your knees went weak, your heart was racing and skin on fire.
In a crowded bar, surrounded by family, friends and colleagues she smashed her lips against yours. You responded as eagerly while she tried to pull you impossibly closer - oh, how she had missed you and your kisses.
This kiss wasn‘t like the ones you shared before, it was pure need.
"Let‘s go" the midfielder mumbled, trying to catch her breath, the same as you did. She waited for a respond - your consent - before she left.
With you.
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mylight-png · 2 months
Text
A while ago I was listening to Dara Horn's podcast relating to her book, People Love Dead Jews. Within this podcast she discussed the fact that Holocaust museums tend to center stories that highlight ways in which Jews were just like anyone else, putting secular Jews on a pedestal of sorts.
The podcast went on to make the point that we shouldn't have to be like them to be liked. A Jew in a kippah is just as worthy of being accepted as a Jew in a baseball cap, and to position one, the more assimilated one, as "better" is antisemitic.
This made me think of how movies and shows portray Jews, and I realized a similar pattern of idealizing assimilation is deeply prevalent.
There are two main ways Jews are portrayed in movies/shows that I've noticed that are problematic. (For a narrower scope I'll be discussing American media as I am more familiar with that than most other countries.)
The first kind of Jewish representation is the token Jew. This is the character that the viewer wouldn't even have known is Jewish had the show not casually mentioned them celebrating Hanukkah in passing. This is the character who is entirely the same as any other character. An example of this would be in Ginny and Georgia, where a few side characters are revealed to be Jewish. This reveal occurred only for the purpose of making a Hanukkah episode, and immediately one of the characters says the beginning words to most of our prayers, adding "bitch" at the end. This sort of absolutely blatant disrespect towards the words many of us wouldn't even speak fully in casual conversation is meant to indicate that it's okay to poke fun at our religion. (By the way, it isn't okay. Don't disrespect our religion, thanks.) (And no the actress wasn't Jewish.)
Then there's Ben Gross from Never Have I Ever, a similarly extremely assimilated Jewish character. Instead of making fun of Judaism, however, the show plays into Jewish stereotypes. Ben's dad is a wealthy influential lawyer who works with Hollywood. Come on, there's three in a row there. Ben himself is frequently made fun of for being very short (to an extent not befitting the actor's actual stature), and some of his mannerisms could be described as effeminate. All of these traits play into anti-Jewish stereotypes. The protagonist even says she wishes Ben was killed by Nazis and other than a scolding this isn't made to be the big deal that it is.
These sorts of characters are meant to show how Jews are "just like you!" and pokes cruel fun at the few remaining things that do occasionally set them apart. Yes, secular Jews exist, but the way these shows make fun of their Jewish identities is where the issue arises.
The second problematic representation is meant to make goyim feel good about being goyim. This is specifically done through how Judaism is portrayed in these movies.
A major example of this is the show Unorthodox, in which the plot centers a young girl trying to escape her very observant community. This show directly demonized the Jewish religion, making it appear inherently oppressive and twisted.
While some may argue that the show was merely trying to portray the social issues within the community, there are better ways to achieve this.
The book An Unorthodox Match takes on a similar task with a vastly different tone. The book centers a protagonist joining an equally observant community, but not for a moment does the book, author, or protagonist blame Judaism. The book is very clearly written by a Jew who loves Judaism, and yet it manages to highlight similar social issues to the show without blaming Judaism. In fact, Jewish traditions have a fair share of appreciation in the book!
This sort of media is meant to make the goyishe viewers be grateful they aren't part of those communities, but as a Jewish viewer I felt deeply uncomfortable with the positioning of religious Jews as a negative part of society. This media makes the characters seem like they have nothing at all in common with the goyim around them or the goyim watching the show. It's the polar opposite of the previous example.
The first example is showing Jews as "just like anyone else" until they aren't, while the second example portrays Jews as entirely other. Never have I seen an Orthodox Jewish character side by side with the non-Jewish characters in any other context than the Jewish character envying their non-Jewish peers.
Why is the choice either to be assimilated or othered? Why can we not have an observant Jewish character remind their friends that they can't hang out on Saturday, or maybe they bring their own kosher snacks? Maybe a Jewish character muttering a bracha over their food? Why not make being Jewish an important part of their character without making them self-loathe because of it?
Media almost only ever shows two extremes and neither of those extremes has a positive impact on the perception of Jews.
(There is also a pattern I've noticed with Jews and goyim being cast in Jewish roles and how that corresponds to the character, but that's probably another post for another time.)
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zombie-eats-world · 6 months
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Crocodad Theory: The not-so-Crack-pot Theory.
Making this post in order to replace my old Crocodad thesis since I think I can do better now. Plus I was still using the old theory name then and I dislike seeing it pinned on my tumblr now. You can find that older post HERE if you desire to!
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Crocodad theory, chances are you have heard about this theory if you are even slightly invested in the One Piece fandom. But despite its infamy, and outside its stanch believers like myself, it's mostly considered a crack theory and used for a laugh.
Now let's be clear, Crocodad theory is not a crack theory. A crack or crack-pot theory is more of a headcanon built on vibes, it's a fun idea made up out of thin air and isn't really serious. If the Crocodad theory was a crack theory it would have evaporated into the nether by now. It's over a decade old, after all, and yet it persists to this day! That is because the Crocodad theory has real evidence from the canon, the One Piece offshoots, and maybe even Oda himself.
If you weren't aware of the Crocodad theory, sometimes lovingly called Dadodile, let me summarize it very succinctly. The theory is that Crocodile is a transgender man and gave birth to Luffy. Crocodile is Luffy's other father and his birthing parent. If you think that sounds ridiculous or even hilarious, let me walk you through it because I assure you- that is intentional.
Let us begin where the theory began... Impel Down.
The possibility for this theory was born in 2009 with these panels:
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The simple fact that Ivankov exists and that he knows Crocodile, from "when he was just starting out" mind you, makes this not only possible but probable.
What other "secret" could Ivakov be speaking of here? It's definitely not his weakness to water, that would just be bad storytelling. It could be that Crocodile is the child of Rocks which is possible considering we now know Ivankov was at the Gods Valley incident. But if I could speak as a writer for a moment, it would really be a waste for an author to introduce a character that can change genders and then bring back one of the first big villains like Crocodile, AND THEN connect the two with the mention of weakness but not make that secret that Crocodile had once been a woman. Or even at least a part of the reason.
But if that reasoning falls through for you, here is some in-canon evidence for the idea that Crocodile is transgender:
First of all, the agents' code names are so gendered: Every single digit agent is Mr with a Mrs, or Ms partner.
Crocodile’s name. His moniker is different from almost every other powerful pirate the story introduces to us. He isn’t just Desert King Crocodile, he is Desert King Sir Crocodile. Again it is oddly pronoun-centered. As if he is trying to remind people that he’s a guy.
The introduction of Bon Clay. Bon Clay is our first canon queer character in One Piece. He makes mention of being a girl many times and feels like a joke character when we first meet him. But as we know in One Piece, a pirate crew is a reflection of the Captain. Crocodile isn’t prejudiced to queer people like Bon Clay alludes to others being a few times. Crocodile even allowed Bon Clay to be both the male and female of his team!
Next up was the reveal of Baby Crocodile and how it’s deliberating ambiguous what gender Crocodile is. In every other Warlord's childhood look reveal, their gender is obvious, so why was Crocodile left out of that?
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Then of course we have Gold Roger's execution, and how almost everyone got a reaction panel. But not Crocodile. No, we only see the back of his head. Oda has shown that he loves to get every single character's reaction to major events, sometimes to a fault. So why is he trying so hard to hide Crocodile from us? It just isn’t Oda’s style to leave someone out unless there is some kind of secret he wants to build up too. Now be sure to keep this in mind for later.
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Last but certainly not least is just how much of an absolute troll Oda is. This will not be the last time I bring this up, Oda is a HUGE troll. He loves to play to his favorite fan theories and he decides most everything on how funny it is. And wouldn't it be funny if the first antagonist in the Grandline was secretly the birth parent of Luffy?
I mean just look at this! Oda, you absolute troll.
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Bottom line: Trans Crocodile is more likely than not.
But this is where a lot of people decide the rest of this theory is crack, they take Trans!Crocodile and leave Crocodad out for reasons I honestly can't understand. Despite that, Cracodad has just as much if not more evidence than the Transgender part of this theory.
Before I begin I would like everyone reading to keep a few things in mind. All throughout the Impel down arc and the journey to Marineford, and even the first few chapters into Marineford, Crocodile could not have given a shit about Luffy, Ace, or the war at all. He did not care who won the war or if everyone involved died. He came to the battlefield for the sole purpose of killing Whitebeard. PERIOD. He was never once shown reacting with any concern when Luffy began facing down anyone strong. Not even Magellan. Crocodile had been around Luffy, seeing him do inspiring things for a massive amount of chapters by the time we get to Marineford, and yet Crocodile literally didn't care if Luffy lived or died, he just wanted to fight Whitebeard.
With that clear let's move on to what happened after Luffy's father was revealed to the world in Marineford. This moment is where the most obvious evidence first came about:
When Sengoku announces Luffy's father to the world we get many reaction shots, but once again Crocodile is conveniently missing from the lineup. He even disappears for a whole chapter! The young man who took down his decade-long plan to take over Alabasta just got announced to be the most wanted man in the world son, and we get no reaction from Crocodile... its suspicious.
Crocodile stopped Ace’s execution: Now Crocodile explains this by saying he ‘didn’t want to let Sengoku have the pleasure of victory’ but seriously? What kind of petty ass BS reasoning is that?! Crocodile has dreams and ambitions, and yet he gives up trying to be the one to take down Whitebeard to randomly save someone he canonly mocks in Impel Down? Someone he doesn’t care about. Some people will tell you it’s because Luffy inspired him like Luffy does many others, but what exactly is Luffy doing in Marineford that he didn’t in Impel Down or even Alabasta? Nothing. That means Crocodile has an entire about-face for no believable reason while completely off-screen. Which we've already said isn't Oda's style.
Daz and Crocodile face Mihawk to help Luffy: When Daz blocks Mihawk’s strike, Luffy questions it. Daz answers: It’s an order from above! That means Crocodile ordered Daz to specifically protect Luffy. Again, why? What reason did he have to do that? If this was some latent Crocodile has been inspired™️ moment, why wouldn’t Oda show it? Oda loves to hype up those moments, and loves to detail it all to the smallest piece. But Crocodile just randomly decided to have his main man Daz look out for this person that he COULDN’T HAVE GIVEN A CRAP ABOUT JUST TEN EPISODES BEFORE does not fit within the story. Then, right after Daz blocks Mihawk, Crocodile appears out of the woodwork to block another attack.
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When Mihawk questions why he’d protect Luffy, Crocodile’s only response is “I’m not in the best mood now, Mihawk, you better watch yourself.” It’s interesting that he has no reason, none, he just comments that he’s in a shit mood. Maybe because he just found out he once stabbed his own child in the gut and left him to die?!
Crocodile vs Akainu: The brother killing Lava Man™️ is probably the most dangerous person in the war. He has no mercy, no morals, no restraint. So the fact that as Luffy is lying comatose and weak, with Jimbe slumped over him, Akainu about to deliver the final blow, Crocodile coming out of nowhere once again is so telling.
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The fact is: Crocodile went above and beyond to save Luffy. That final stand against Akainu is so powerful. Crocodile doesn’t just save Luffy, he rushes to Luffy's aid, slicing through Akainu and reassembles to stand protectively between them. He did not need to do this at all. Oda didn’t need to have him do this either!
There were plenty of other characters that could have essentially done the same exact thing, but Oda chose to have Crocodile, someone who shouldn’t have been on Luffy’s side at all, save his life in the final moment.
Lastly, without a word, Crocodile uses Sables to get Luffy to Law’s ship. He risked his life, faced down the one person who could kill him without a second thought, and sweeps Luffy away to safety without any stated reason at all. In fact, everything he says is deliberately vague. Crocodile doesn’t believe in loyalty, he dumps people if they are weak (see; Alabasta Crocodile vs Luffy desert fight) so his line of “you gotta protect the one you wanna protect! Don’t let them have their way!” Feels so out of character. Crocodile has to have a reason for this odd behavior. And no, it doesn’t end there! In the defense of Luffy, Crocodile has an awesome and powerful moment where he stands in unity with all the Whitebeard commanders. HIS ENEMIES. Crocodile stands in unity with the people, he himself stated he hated more than anything, for Luffy!
These are the moments that alerted people to what would soon be called the Crocomom theory, now called Crocodad. But just because it began there doesn't mean there wasn't foreshadowing from before Marineford.
Let's go over all of that now:
First to talk about is once again Crocodile's crew. Miss Father's Day debuted in episode 124 of the anime and chapter 205 of the manga. She has a green amphibian theme to her, which is interesting because she is a woman with the moniker Father's Day while also having a theme of an animal that is famous for being able to change its gender. Her debut episode even has her introduced along with the reveal that Luffy's using his blood to fight Crocodile.
The next point is something Oda has never explained. Crocodile has strange relationships with children. From hiring a sixteen-year-old Miss Goldenweek, leaving her out of the Mr. 3 assassination order, and her history of actually sinking Crocodile's ships before getting hired, all the way to how Crocodile lectured Luffy in their fight. It just had the cadence of a parent. Not even Luffy's parent, just a parent. He lectures like someone who has experience with children.
Next, Luffy does not look like Dragon. That is a direct quote from Luffy in the manga. But you know who he does look like?
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That's right! Luffy looks a lot like Crocodile. If you need more convincing on this, there is a great post by Dashevacotton that puts together many of the best canon pictures of Luffy dressed up like Crocodile. That post is here!
Crocodile and Luffy are incredibly similar. Not just in looks, but in personality, and in their general life.
These two have so much in common. From having a way with animals, to the amount of unadulterated loyalty they've inspired in their crews, all the way to the cadence of their speech.
Crocodile and Luffy even have a similarly goofy reaction to seeing the underground passage to the Alabasta Poneglyph.
Episode 123, episode time 13:16 Crocodile spots the entrance and laughs, "Ha, now I see secret stairs." Also in episode 123, episode time 20:47 Luffy looks around and spots the secret stairs. "That hole... it looks gator-ish."
Even what we know of Crocodile's backstory is that he had a rapid rise to fame just like Luffy by being a rookie who came in and beat down non-canon characters like Douglas Bullet to the shock of the world.
Next, let's bring up an earlier point: Oda-sensei is a mega troll.
This isn't exactly new information, Oda once deflected to bringing up a dick fight instead of answering if Zoro or Sanji was stronger. He is a Troll. He loves wordplay, and he likes to hint hint nudge nudge us all day long. Just look at Oda having Sanji call himself a prince in Alabasta as a joke, only to realize years later that he actually was a prince.
It's because of Oda's tendency to play around and make knowing jokes we've gotten some pretty compelling evidence for the Crocodad theory.
First would be the wordplay!
-Crocodile is closely linked to a Bananawani-> Monkeys like Banana -> Monkey D. Dragon is a reptilian Monkey attracted to Banana reptile. Fight me - A 'crocodile smile' is a term most often used to mean a fake or ingenuine smile. Crocodile's scar has been liked to look like a 'crocodile smile', which would mean Crocodile is the only character that always has a smile on his face. What a fun bit of wordplay to foreshadow the birth parent of Joyboy!
Then there is this SBS alongside the One Piece School spin-off manga by Sohei Koj.
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What a great way to get out of revealing Luffy's parentage without actually revealing it!
And of course, we have the One Piece Mafia Theatre episode of the anime.
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Oda would certainly make this canon just because of his troll tendencies. This is a hilarious theory because the story supports it yet only a fringe group believes in it. It's hilarious and therefore it's probably true.
Lastly, the symbolism makes this theory truly great.
I've already mentioned how Crocodile's scar being a 'crocodile smile' and thus giving him a permanent smile on his face would make him the most meaningful candidate for Luffy's birth parent. Joyboy, our Sun God Nika, was born from a man with a permanent fake smile; who is also named after an animal with the world's biggest smile.
It's just such a perfect setup, it makes my writer's heart swell.
Since Oda has stated a mother in One Piece would stop the adventure, it would fit that the first major villain in the Grandline to try and stop Luffy's adventure ended up being the man who gave birth to Luffy.
If we are going to speak of symbolism, I'd be remiss not to mention what a crocodile spiritually symbolizes. I really don't think I need to explain why adaptability, creation, ambiguity, and duality mean so much to this theory.
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This theory could die or be confirmed any day now that we've entered a God's Valley flashback. I will love it either way but truly, honestly, I believe this. I hope I convinced a few of you to. If you are interested in the succinct list of Crocodad evidence that post is Here!
So in conclusion...
Crocodad is canon!
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