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volturiwolf · 3 years

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The Volturi Princess - A Felix Volturi x fem!Reader Story (part 1)

A/N: This is the first Volturi- and Twilight-related story I ever started writing and it is quite long and elaborated/complex, as I tend to overanalyze in many parts. I have wrote a few parts until now and I'll be uploading them in the future. I have been quite emotional throughout writing it, trying to understand the reader's point of view.

A/N 2: I'm sorry if something doesn't make sense. English is not my first language. I also include Italian through the story, with translation, but I'm not a native or a speaker, so I'd like to apologize in advance to those who speak Italian. Enjoy :)

A/N 3: According to "The Amagi" on Youtube, Felix was born in 250 BC (their thumbnail), so I used that in my story.

No of Words: about 5347

Mentions of: Abandonment, Abortion, Anxiety, Blood, Bruises, Coma/Comatosed State, Death Emotional Abuse, Emotional and Physical Pain, Gaslighting, Greece/Greek Language - with translation, Heartbreak, Italian Language - with translation, Manipulation, Murder, Pain, Panic Attacks, Pregnancy, Suffering, Suicide/Suicidal Thoughts, Swear Language, Throwing Up/Puking, Witches/Wizards/Witchcraft

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My heart felt heavy. I may have just escaped the cruelest vampire of all, but I also ran away from the love of my life, my mate, the only person who could fully understand me in this world. I asked him to run away with me, but, although our bond was strong, he felt obliged to stay loyal to his master, his creator. I drove as fast as I could, away from the sunny Volterra, and away from him.

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(Y/N) grew up quite privileged, in Vampire terms. Being born into the Volturi coven was something many vampires could only dream about. (Y/N) was abandoned by her parents when she was a baby, but Aro, one of the three Volturi leaders, took her under his protection, and offered her more things than she could ever have imagined. After all, she was his only biological granddaughter, the “Volturi princess”, an heiress to the throne; her mother lost that “privilege” when she met and fell in love with a wizard.

(Y/N)’s mother soon got pregnant with her, and then later turned her husband into a vampire to help her with her pregnancy, and stay together forever. However, (Y/N)’s parents couldn’t raise her because they wanted to run free and careless, not commit to anything permanent, so Aro took over and raised his granddaughter with the highest honors and privileges, “as a princess should be raised”.

(Y/N) was a mix of Vampire, Witch and Human, due to the grandmother, Sulpicia, being human when Aro found her; Sulpicia later fell pregnant with (Y/N)’s mother, and Aro transformed her to vampire, as he had planned all along. Aro raised (Y/N) according to his own rules and morals, teaching her how to kill humans to feed from, how to attack and slip away from her opponents, how to lead other vampires, and most importantly, how to keep her identity and existence a secret, not only to humans, but other non-Volturi vampires as well. No one could know that there was a possibility of a vampire having a child with a human, and that the child could be effectively controlled and raised as a regular vampire.

As (Y/N) grew older and older, reaching the human age of 25 within 7 years of her birth, Aro would spend more and more time with her, examining and studying her possibilities and her potential powers’ development. (Y/N) grew up to be extremely strong and fast, an excellent tracker with great intelligence and understanding of the world around her. However, Aro could not risk sending her to “Volturi duties”. She was his hope for a stronger coven; with (Y/N) in the throne, Aro felt like he could conquer the vampire world with ease.

That’s why he was always searching for the best guards he could find, to protect the coven and do his work instead of himself, Caius, or (Y/N). He couldn’t rely on Marcus, as he proved to be too emotional since Didyme died, but was still valuable for his plan. Caius, on the other hand, although powerless, was far more sadistic and “diligent” in following vampire rules, and (Y/N)... (Y/N) was just too obedient, following every order Aro gave her - a strong asset for the Volturi.

Aro was changing guards and trackers quite easily, disposing them when they were no longer needed or when he found better ones. He needed talented and strong vampires to serve the coven and do their work.

Chelsea was the very first vampire Aro created solely to serve the Volturi, after recognizing her potential when she was human. Chelsea’s gift of relationship manipulation was truly useful in bringing new vampires into the coven and was used thousands of times during Volturi's reign. It could also easily dispose of them, making their bonds with other vampires break at will; those vampires were isolated by the other vampires and then killed - Aro couldn’t risk letting them get away knowing the Volturi’s secrets and life.

About 100 years later, Corin joined the Volturi, just a couple decades after (Y/N)’s birth. Corin’s gift of addictive contentment was the one which kept Marcus in the Volturi after Didyme’s death - along with Chelsea’s to make him committed to Aro’s greater plans, and was also used on Sulpicia, Athenadora and any other vampire in the Volturi guard to keep them satisfied being in the Volturi. Under Aro’s instructions, Corin was keeping Chelsea content with being in the Volturi, and Chelsea was keeping Corin loyal to them, each of them using their gifts against each other, without their knowledge.

Sometime between 230 and 220 BC, while travelling in Rome, searching for additional vampires to add to the coven, Aro supposedly met a young, strong and ambitious fighter, who wished to become a gladiator one day, named Felix. Felix did not only look, but also was physically capable of fighting even with beasts, during his short time as a fighter, way before the Colosseum was built. Born into a poor family, his strength was his only way of making money, and becoming a gladiator was his only way out of poverty, a way to provide for both his family and himself.

When his family was almost imprisoned by Roman army officers for outstanding debts, Felix was forced to make a deal with them to fight, in whatever they ordered him to. Fighting turned out to be the only way for Felix to deal with his emotions and rage towards people in power. When Aro approached Felix, he was promised a good life, where he wouldn’t have to worry about surviving another day. Felix did not seem willing enough, not being fond of the idea of serving people in power, who he so despised.

Luckily for Aro, Chelsea was the one who “convinced” Felix to join the Volturi guard, with Aro changing him afterwards. Unlike previous guards, Felix showed impeccable strength, speed and talent towards both dodging and initiating attacks, eventually making him a permanent member in the Volturi Guard, along with Chelsea and Corin.

Felix was assigned as the leading guard for the three kings’ protection, this role extending to the protection of their two wives and (Y/N); though Aro knew that, if it came to anyone attacking his granddaughter, she would be able to handle it by herself. However, he still wanted to make sure that she was safe and that Aro would do anything to protect her.

For about a couple millennias, (Y/N) was content with her situation, being the “Volturi princess” and all that. Besides, having Felix in the Volturi was another reason to stay in the coven, apart from staying loyal and true to Aro for taking her in, when she was abandoned.

Every time Felix looked into her eyes, she felt her whole body burn - though, it wasn’t a feeling of suffering, rather a feeling of longing, waiting for something to happen so badly that her body couldn’t control itself. Although she was partially a vampire, (Y/N) would feel like she couldn’t breathe, like her legs were ready to give up on her, like she wanted to grab Felix and never let go.

Felix, although not admitting it even to himself, would feel the same way, but he knew that his position would not allow him to approach (Y/N) in such a way. He was just a guard - although he was the strongest of them all, and she was the Volturi princess, one of his masters, whom he was only allowed to approach in order to protect. He didn’t want Aro to know he saw his granddaughter like that; it could cost him his position in the guard, or even his life. So, he kept these feelings deep within him, not allowing them to resurface, or act upon them.

However, every time these two existed at the same place, the invisible sparks between them would fly left and right. And only one vampire was able to see them. One who hadn’t felt these sparks in centuries.

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(Y/N)’s POV:

I yawned loudly as I woke from a long, much needed sleep. I was the only vampire around who was able to sleep, mostly due to my non-vampire natures. I didn't really need to sleep on a regular basis, but when I did, I could literally sleep 3 days straight and nobody would be able to wake me up. “For my own protection”, as Aro said, I would always have at least two guards outside of my room’s door, in case anything happened while I was sleeping. Like what could even happen? My room was at the furthest side of this huge castle. I’m pretty sure that if there ever was an attack against the Volturi, it would most probably have been dealt with immediately, and the attacker wouldn’t make it anywhere near my room.

I felt the warm sun on my skin, slightly glowing and sparkling beautifully. My eyes, mostly (Y/E/C) with a golden ring around the pupil, could easily adjust to the light. Unlike the other vampires, I could easily live among humans; I could sleep, eat human food, my skin not being as sparkly as others, and I could control my thirst far better than others.

Since Jane and Alec joined the coven, Aro would show an immense interest in them and their skills, helping them train daily and develop their powers further, eventually forgetting about me. I would spend more and more days away from the castle, “protected” by my anonymity, getting to know humans more and more. The longer I was observing them, the more they would trigger my interest in them. They could feel true emotions, real pain, real hurt, real love. They had their families, they received an unconditional love that I could never have.

Unbeknownst to Aro or anyone else for that matter, I have started developing new powers, similar to the other vampires in the Volturi coven or anyone else outside of it. I have also started noticing that I may have an immunity towards others’ talents, feeling that neither Corin’s addictive contentment made me satisfied with being in the Volturi, nor Chelsea’s relationship manipulation could keep me loyal to Aro anymore. If it weren’t for Felix, or Demetri and the Twins, who have all become my best friends by now, I would have probably left.

A vampire named Carlisle Cullen had visited the Volturi and stayed with us for a while, about 100 years ago. He saw the way the Volturi treated humans like they were nothing, and how they were as cruel as to kill other vampires, with the excuse that they were exposing our kind with the way they lived. Entire covens had been wiped out due to such excuses, a way to eliminate potential enemies from becoming too powerful and find as many talented vampires as possible and force them to join the Volturi.

Carlisle was talking about a new way of life, where vampires wouldn’t have to kill humans to survive, a life where vampires and humans could live in peace, without harming each other. He was insisting that vampires could survive on animal blood just as efficiently as with human blood; that animal blood would not make them weaker, and that it would be a much more ethical and sustainable way to feed.

Of course, Aro and Caius were the first ones to mock his proposition, clearly not caring about humans’ feelings and pain. Marcus did not budge at all, his heartache making him indifferent to anything around him. But I was growing more and more interested in this alternative way of life; I was, after all, feeding on human food already, so that I was feeding on human blood as little as I could.

It was a few years after Carlisle left Volterra that Eleazar joined the Volturi. Aro forced him to join after finding out he could detect if someone had any special ability. Aro considered his gift useful in identifying if any of his enemies had any special power when in battles, or when he sent Eleazar around the world to recruit talented vampires.

Eleazar was clearly not liking the way the Volturi forced their ways and wants on others, and how they could take advantage of others for their own benefit. I could just sense that he was displeased and was forcing himself to stay in the coven, one, due to Corin’s and Chelsea’s gifts, and two, out of fear of what could happen to him and his mate, Carmen.

Carmen, a vampire from Spain, like Eleazar, met with Eleazar while he was a guard here, they fell in love, and eventually, Eleazar decided to leave the Volturi and run away with Carmen. Aro decided that he did not care about him and his gift as much as others’, so he let him go unharmed, “blessing” them for safe travels.

Just a few days before he left, I consulted him on my own powers. Though a lower member of the guard, Eleazar had his own room, a decent place to stay, and spend his endless hours in. I knocked slightly on the door.

“Come in”, a calm voice was heard. I opened the door and came into his room. Carmen was sitting on the edge of their bed and Eleazar was reading a book on his desk. They both smiled sweetly. I just felt and knew they were too nice to fit anywhere in here, among the cruel and strict Volturi.

“(Y/N)! So nice to see you!”Carmen exclaimed and stood to hug me. The second we hugged I started seeing parts of her life in Spain, the calm waters of Catalunya, the vast vineyards where she would spend the early years of her life… I quickly detached myself from her embrace. I just couldn’t invade her privacy like that. She and Eleazar both looked at me worried, as if I had offended them.

“I’m sorry. I just can’t let you “show” me your whole life like that!” I looked at Carmen apologetically.

“(Y/N), you saw Carmen’s life?” Eleazar continued, intrigued by my words.

“That’s why I came to talk to you. I..I feel like I’ve been developing a gift, or a few gifts, to be completely honest. And I feel like.. like I have a specific power one day, and another power the next!” I stated frantically.

It was the first time I have openly talked about my powers to anyone, and I was shaking just by the words that came out of my mouth. Eleazar did not say anything, he just stood there for a few minutes, I supposed “examining” me, as if a doctor checking on a patient.

“Remarkable.” He said calmly. He looked at his mate with excitement, as if he just discovered a lost treasure. “(Y/N) has one of the most remarkable gifts I have ever seen.” He then turned to me. “You, (Y/N), are able to copy anyone else’s gifts and keep them as your own. You don’t even have to be in contact with them. Just by meeting someone, you can obtain their powers. I have never met anyone like that. You also seem to have obtained immunity to others’ powers, kind of like a shield. I have met such vampires before. From the stories Aro has been telling, your mother was like that. It is likely that you copied that gift for her. Such vampires are extremely useful to themselves or even others, in battles. Like themselves, you can use your gift to protect others from others’ powers, beside yourself.”

That came too sudden to my ears. I have assumed that I may have at least one power, but I didn’t realise I could copy others’ powers. That is why I was showing signs of Aro’s power!

“How can I train my powers? Eleazar! Carmen! You have to help me!”

“As you know, we will be leaving soon. I don’t know if there will be enough time to train you.”

“It’s okay. We will train as much as you want. Please, Eleazar! Please, Carmen!” I started begging them. As if they were hypnotized, they quickly looked at each other and agreed to help me.

The next few days, before Eleazar and Carmen’s departure, included intense training, far away from Volterra, deep in the woods, where no human could interrupt us. I couldn’t say the same for vampires, but I hoped nobody would cross paths with us. Eleazar and Carmen helped me develop my self-control and self-awareness, concentrating through the deepest parts of my mind, resurfacing my shield and expanding it beyond my existence. I started to have control over it, as if it was an actual solid substance, a veil floating around me towards any direction I ordered it to go.

After Eleazar and Carmen left, I started travelling the world more, trying to copy as many powers as I could come across with, while also training my shield. My excitement for the endless possibilities was what kept me going - kind of when Aro would add another talented vampire to his Guard. His Guard. Felix. I wonder how he was. I hadn’t seen him in a while. I wondered if he thought of me like I thought of him.

After travelling pretty much anywhere I could reach, I eventually went back to where it all started: I went to Greece. Aro met Sulpicia here, apparently my mom met my dad here. Maybe I could find out, understand why they left me. I have never met them, but I felt as if my tracking skills could detect them through my own existence.

I started travelling through the country, hoping that they stayed here or, at least, that they’re alive. I spent about 2 or 3 years in Greece, trying to take in every different place, while also avoiding the battles that seemed to take place in every other corner. I was feeding off animals mainly, mostly when I couldn’t find any other human food. I was washing myself in rivers, streams, whatever I could find.

I was stopping by any village that seemed to be still standing, asking about the current situation. The Greek Revolution, which started a few years ago, seemed to still be going on. The Ottomans, who had been occupying Greece for almost 400 years, could not allow Greeks to turn against them and start claiming their rights within the Ottoman Empire.

Many Greeks I met and talked to, admitted that some of the Ottomans were actually being nice to them; it was only the Ottoman government ordering their armies to execute massive massacres against Greeks, and after all this time, a few Greeks started gathering up and planning a revolution, away from Greece, in fear of being caught. They started getting organized and finding possible allies to help them with the Revolution; they just couldn’t risk getting caught within the country that they were hoping the independent Greece could become. The battles were becoming more and more intense, both on the mainland, as well as on the islands.

I started looking for answers, anything that could suggest that my parents were still alive and somewhere in Greece. To my surprise, I crossed paths with many Greek nomad vampires all over the country. They were also fighting against either Ottoman vampires or each other for territorial claims; however, they all talked me out of travelling north, towards Macedonia. The region had started being reclaimed back by Greek humans, but vampires were also seeing the potential for the area and they fought against each other for the land.

All of the nomads I encountered were talking about some of the most vicious vampires claiming the land, their enemies being literally slaughtered and burned to set an example for other vampires to back off their territory. I was intrigued, and I knew that, most probably, I would be able to deal with them or flee before they got to me.

So, I started travelling north, through the woods and mountains, in order to avoid any possible battle between humans, though many of them seemed to hide in the mountains, preparing for their battles. Macedonia was a quite big and vast region, so I had to travel quite a few days and search every possible corner.

I know I shouldn’t have done this, but I was feeling exhausted from all the searching. I haven’t fed in quite some time, and my throat was burning by the familiar need for blood. I haven’t seen any animals all these days, and I was wondering if they were gone or hiding.

Sadly, I came across a human. He seemed to be wounded, probably during a battle, his blood gushing out of his body. I couldn’t help myself, when I breathed in the smell, the burning sensation becoming unbearable. I thought of approaching him slowly, so as not to scare him, offering to help him, but deep down I just wanted to feed off of him.

“Γειά! Συγνώμη αν σε τρόμαξα. Σε είδα από μακριά. Μπορώ να σε βοηθήσω με κάποιο τρόπο; (Hey! Sorry if I scared you. I saw you from afar. Can I help you in any way?)” I offered calmly.

The man was trying to suppress his growls. I could sense his pain. I tried to help him stand on his feet, and then I saw all of his memories. He was in the army, fighting alongside Greeks against the Ottomans, in Macedonia, just outside of Thessaloniki. I didn’t even know I was so close to a city, let alone Thessaloniki.

He was trying to pass through the woods, when he came across what seemed to be two red-eyed vampires, one male and one female. They tried to attack him, but someone else managed to shoot him first, forcing the two vampires to run away. I don’t know how or why, these two felt familiar to me, I could feel that through his memories.

“Γειά! Μπορείς.. Μπορείς να πας στο κοντινότερο χωριό; Νομίζω.. Νομίζω ότι είδα κάτι στο δάσος, δε νομίζω ότι ήταν κάτι φυσιολογικό! Πρέπει.. Πρέπει να προειδοποιήσω τους άλλους! (Hey! Can.. Can you get me to the nearest village? I think.. I think I saw something in the woods, I don’t think it was something normal! I have.. I have to warn the others!)” He mumbled in between sharp shoots of pain.

“Με συγχωρείς πολύ! (I’m really sorry!)” I plead with guilty eyes. I put my hand in his wound, searching for the bullet, while he was consumed by pain. I took the bullet out of the wound, and quickly attached my lips on his skin, sucking the blood as fast as I could, biting deeply unintentionally. His screams were becoming louder and louder, so I covered his mouth with my hand, while trying to shut him up or break his jaw. A few seconds later, he stopped screaming, and I let his lifeless body fall, completely numb and drained out of blood.

I felt renewed, his blood travelling to every part of my body and giving me a new kind of strength that I haven’t felt in a while. I still felt guilty for killing him, but he was already wounded and I couldn’t risk him exposing our kind to others. I assumed that whoever found him - if anyone found him - would also assume that he died of blood loss, so I tried to position him in a realistic pose for that purpose, as best as I could. I left him there, and continued the search for my parents.

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I was running through the woods, trying to locate the two vampires from the guy’s memories. My mind was chaotic, I wasn’t thinking about something specific. I stopped in my tracks. What Aro taught me, and what I understood from Demetri’s tracking skills, is that you have to stop, take a breath and realize your position in the world. Then, you would be able to realize everything around you and find your targets. I have successfully found other vampires like that before, vampires who I have either met in person or smelled their scent, but I didn’t know if I could find someone through someone else’s memories of them.

I took a deep breath and tried to concentrate as best as I could, focusing on the smaller details of the guy’s memories of these vampires. I felt two vampires running on my west, about 10 kilometers away, and I ran after them. They were running fast, but I was way faster. Within a minute or two, I was running right behind their tracks. They must have realized that a stranger was following them, but, instead of running, they suddenly stopped. I stopped as well, and we were now facing each other.

The female had long, brunette, curly hair, and the male short, dark brown, straight hair; both of their hair looked shiny, healthy, and rich. They were of average height and their eyes were piercing red, as if they also fed quite recently. The female was exceptionally beautiful and enchanting; I could only compare her to Heidi’s exceptional beauty. The male looked quite stoic and austere, though still beautiful.

Both of them on defensive positions, waiting for me to attack. I wasn’t planning to move any further from my position; I was only waiting for their own reactions. I felt that kind of a burning sensation within me again, like a feeling buried deep inside me, trying to find an escape.

Suddenly, the male growled at me, flames springing out of his hands, and being thrown at me. I felt my heart fall out of my chest, fearing that this would be my end. As if my body reacted on its own, I felt my own shield extending out of my body, building a wall around me and protecting me from the male’s attack. My hands started burning and flames came out, ready to counterattack the male. The male looked at the female, dumbfounded by what he witnessed, still in a defensive position, but ready to attack again.

“I’M NOT HERE TO FIGHT YOU!” I shouted at both of them. “I’M JUST SEARCHING FOR SOMEONE!”

The male shrinked back, the female following close by. “Who are you looking for? We haven’t seen you around. Who are you? Why are you here?” The male requested. His voice serious, but smooth at the same time; a voice I could only describe as the warm earth below their bare feet.

“No, I’m not. I come from Italy, though I think I was born around here. My name is (Y/N), I’m looking for my parents. I don’t quite remember what they look like, but I’m pretty sure that they lived around here. They abandoned me when I was a baby.”

“This has been our territory for almost 3 millennials! We would have known if any humans abandoned their offspring around here!” The female exclaimed, as if she didn’t believe a word I said. I didn’t want to tell them the whole story, but I had to show them that I didn’t mean to fight in any way.

“I never said they were humans. My mother was actually sort of a vampire, like you.”

The female started letting her guards down. “What do you mean sort of? I’ve never heard of a “sort of vampire” before!” She continued doubtfully.

“Believe me or don’t, my mother was born half vampire, half human. My dad wasn’t even a vampire before she met him. He wasn’t even human to be honest.” My eyes started stinging slightly. I could have had a good, happy life if they didn’t abandon me. I wouldn’t have to grow up with Aro.

“You said you were from Italy.” I nodded at the male, as he continued. “You never said where exactly.”

I wasn’t sure if I should tell them my real origin; I wouldn’t like them to know I was a Volturi, but I knew I needed help to find my parents. If they were actually here as long as they say, they might have known or met my parents at some point.

“Volterra. I was born here, in Greece, like my mother, but grew up in Volterra with my grandparents.” I looked down, kind of scared, kind of anxious, waiting for their next move.

The female gasped. “Are you a Volturi?!” I looked at her, straight in the eyes, swallowed, and nodded. “I know the Volturi. Who are your grandparents?”

“Aro and Sulpicia.” I answered so quietly that, if they weren’t vampires, they wouldn’t have heard me, my voice trembling slightly.

The female suddenly fell on her knees, the male wrapping his arms around her, comforting her. I didn’t know what was going on. Did I say something wrong? Were they scared? The sheer mention of the Volturi would scare a lot of vampires, but I thought that maybe these two seemed strong enough to deal with them.

The female started sobbing, no tears coming out of her red eyes, her body shaking. I felt something within me break. I felt that I didn’t want to upset them, that’s why I was hesitant in telling them who I really was. The male looked at me, pain in his eyes. I saw a familiar look. I saw me in his eyes, what I looked at in my mirror anytime I was thinking about my parents, or, sometimes, when I thought of Felix.

“Are you a half witch?” The male asked quietly. Something snapped in me. How would he know that?

“I swear, I didn’t do anything to your mate! I DIDN’T!” I shouted at the male. I didn’t want him to think that I would hurt his mate, or himself.

“I know you wouldn’t. It’s just..” He looked at his mate who had stopped sobbing, but was still down on her knees, unable to stand up. “..my mate is Aro and Sulpicia Volturi’s only daughter.”

My body tensed and shivered. If that woman is the only daughter Aro and Sulpicia ever had...could that mean..?

I took a few steps back. “AM I YOUR DAUGHTER? ARE YOU MY PARENTS?” I looked at them in disbelief.

Those were the people who abandoned me! That let me grow parentless, under Aro’s rules and directions! I was breathing heavily, in between sobs. I didn’t even realize that I set my whole body ablaze, until both vampires looked at me shocked. I didn’t feel any pain, but I couldn’t stop the flames licking my body, and in my frantic state, I started panicking even more.

The male started approaching me slowly, trying to not scare me away. “Shush, shush. You’re okay. You’re doing okay. I know how it feels at first. You’re experiencing some aspects of the life as a witch. It’s okay. Close your eyes and picture the flames in your head.” I closed my eyes and tried concentrating on the flames. “Now, imagine them burning out, becoming smaller and weaker.” I focused on the flames, imagining them weakening. After a few minutes, I felt them getting smaller and smaller, and finally disappearing. I opened my eyes slowly.

The female was standing next to the male, watching me carefully. In a quick motion, she pulled me and embraced me, stroking my hair lightly. I breathed in her scent, a mix of mountain flowers and the saltiness of the sea. Her touch was soft, and filled me up with what felt like a thousand different emotions.

But, I mostly felt safe. It was the first time in my life that I actually felt this safe. And whole. I felt like I actually belonged somewhere. I hugged her back. Tears started spilling from my eyes. That was my mom! That was actually my mom! After all this time, we were finally together. I felt the male, my dad, hugging both of us, and in that moment, I felt my legs giving up on me, and I finally fell into a long sleep.

#felix volturi #felix volturi imagine #felix volturi x reader #volturi #twilight #twilight renessaince #twilight post #demetri volturi #alec volturi #jane volturi #the cullens #the denali coven

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makeste · 3 years

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BnHA Chapter 294: A Half-Assed Escape

Previously on BnHA: Mirio was all “SURPRISE I’M BACK THANKS TO OUR RESIDENT SEVEN-YEAR-OLD WHO RECENTLY EARNED HER BACHELOR’S OF BEING A TOTAL BADASS.” Kacchan was all, “you know what, Dabi’s been trending long enough, time to remind the fandom what a real G looks like,” and he blasted his little bleeding body back into the fray and was all “FROM HERE ON OUT CALL ME DYNAMIGHT!!” Mirio was all, “AHAHAHAHAHAHAHAHA... oh, you’re serious,” and Kacchan was all “!!”, and so that’s the story of how my son got murdered twice in one day. Meanwhile in the Todoroki Drama Zone, Deku was all “STOP MURDERING MY FRIEND” and Dabi was all “THAT’S NONE OF YOUR BUSINESS” and fandom had a whole big debate about Whether Or Not Dabi Trying To Murder Deku’s Friends And Mentors Is Any Of Deku’s Business, which went exactly how you think it went. Anyway, so then Deku yelled at Dabi, and Endeavor was all moved by his manly words and randomly went to go uppercut Machia in the chin. And, seeing as how the Momoserum finally chose that exact moment to kick in, Machia is now down for the count.

Today on BnHA: The Miriosquad handles the Nearly High End Noumus, freeing up Jeanist to jasphyxiate (okay that one doesn’t really work so well) the rest of the League. Compress is all “TIME FOR THIS MILD-MANNERED SIDE CHARACTER VILLAIN TO SHINE”, except that by “shine” what he actually means is “use his quirk to punch a literal hole right through his own ass to free himself.” The rest of the chapter is basically just a back and forth between him and Jeanist, with Jeanist trying to recapture him, and Compress repeatedly thwarting him by chopping more holes out of himself because HE’S FRESH OUT OF FUCKS, AND THE ONES AT THE STORE ARE ALL SOLD OUT, MOTHERFUCKERS. Anyway, so with Compress basically dying and all, Horikoshi is all “you know what that means”, and delivers a freshly-baked villain flashback revealing that Compress is a descendant of Harima Ouji, a.k.a. the Peerless Thief, a.k.a. some famous guy whom Gentle mentioned this one time for like two seconds back in the day. The chapter ends with Compress finally demasking himself and dumping Tomura back onto the ground, a.k.a. The Worst Possible Place For Tomura To Be. ( •﹏•)

WHY IS CRUST HERE YOU’RE SUPPOSED TO BE DEAD

-- OH WAIT, SHIT. OH

AIZAWAAAA you’re alive and receiving medical help thank GOD. HOW MANY EYES DO YOU HAVE. AND MIRKO!! HOW MANY LIMBS DO YOU HAVE, OMG

so is this Aizawa dreaming about Crust’s final moments, then?? jesus. with All Due Respect to Crust’s memory, does Aizawa not already have enough misplaced guilt on his conscience as it is?? “nope, we’re gonna keep piling it on. that’s all he is now. three limbs, an indeterminate number of eyes, sexy hair, and Guilt” well shit

motherfucker y’all really out here placing an oxygen mask on Gran Torino’s corpse. fucking shounen characters. each one comes with a lifetime warranty

DAMN YOU HORIKOSHI WHY DO YOU KEEP SHOWING THESE CLOSE-UPS OF HAWKS’S UNCONSCIOUS FACE ALL WHUMPED OUT AND EXHAUSTED. HOW MUCH MORE OF THIS ARE WE GOING TO GET. ARE YOU PLANNING ON KILLING ME WITH THE UPCOMING CONVALESCENCE ARC, BECAUSE IF SO, AT LEAST HAVE THE DECENCY TO TELL ME AHEAD OF TIME SO I CAN MAKE A WILL

for a moment I considered going back and checking my previous recaps to count how many times I’ve already made a joke about Dabi’s fire incinerating Hawks’s wings but not touching so much as a hair on his five o’clock shadow, so that I could calculate whether or not I could possibly get away with making that same joke one more time. but then I realized I could just do it in this kind of roundabout way I’m doing right now instead. so there you have it

FFFFFFFMT LADY AND MIDNIGHT NOOOOO

PLEASE BE ALIVE. PLEASE RESPECT THE SIGN ON THE FRONT OF THE BUILDING. THE ONE THAT SAYS “NO LADY CHARACTERS ALLOWED TO DIE”, WITH THE FINE PRINT AT THE BOTTOM “AT LEAST NOT UNTIL HORIKOSHI GIVES US LIKE TWENTY-SIX MORE OF THEM FIRST IF THAT’S THE WAY HE WANTS TO PLAY IT.” IT’S A GOOD SIGN, PLEASE RESPECT ITS WISHES!!

so anyway though, Jeanist is giving a speech about how god knows how many people all worked together to bring Machia down. and now RHA is getting in on those fabric puns too, I see. “A SINGLE STRAND MAY BE THIN BUT TOGETHER THEY FORM A STRONG ROPE” oh so you think you guys are funny eh? I’m a frayed knot

MEANWHILE EXCUSE ME BUT WHY ARE YOU FUCKING CRYING BLOOD, HOLY SHIT

fffffff. so much for him taking over as the Number One once all this is over. so let’s just recap real quick, because Horikoshi has long since made it clear that one of his plot goals for this arc is to wipe out every single member of the Billboard Top Ten. so how we doin?

Endeavor - was just figuratively eviscerated in front of the entire nation by his homicidal zombiepunk son. also burnt half to death and possibly down a lung. will almost certainly be forced to retire after this one way or the other

Hawks - lying prettily in a medical tent. wings status: gone. hair status: still perfect

Jeanist - WELL I THOUGHT HE WAS FINE BUT APPARENTLY HE’S OUT HERE DYING, JESUS CHRIST

Edgeshot - MIA, last seen fighting Re-Destro. I really want him to have kicked RD’s ass because fuck that guy, but realistically they probably fought to a draw at best

Mirko - alive but in critical condition and missing something like 1.5 limbs

Crust - dead, currently haunting Aizawa’s traumatized dreams. now he’s gonna be triggered the rest of his life by people giving him the thumbs up, THANKS A LOT

Kamui Woods - was set on fire which is His Weakness. thoughts and prayers

Wash - last seen floating hospital patients to safety as Tomura’s wave of decay descended towards him. probably dead ffff

Old Man Samurai - haven’t seen this fucker in a hot minute, who even knows where he’s wandered off to

Ryuukyuu - currently being treated for her wounds, looked pretty bad off. but it’s hard to tell how hurt she is since most of the injuries were acquired in her transformed state. SHE BETTER GET WELL SOON

anyways, so yeah. so much for the top ten. guess that’s another reason Horikoshi brought Mirio back now, huh

so there’s a big panel of everyone fighting the Noumu while Machia lies there all “blurgh.” good riddance my dude. it took like twenty chapters and a hundred people to stop this guy so I really fucking hope he stays down. you’ve had your fun

anyway so Jeanist is sending another steel thread towards Dabi! and he’s all “just a bit more!!” fklklj this is gonna go real well isn’t it

meanwhile Mirio’s fighting a Nearly High End with all of these weird rock formations jutting out of its skin. go on and kick his ass then, Mirio

“each of these guys is probably just as strong as the Noumu from Kyuushuu” hold on I thought Ujiko or Tomura or someone said that wasn’t the case? not that Mirio would know I suppose. anyways let’s just hope he’s wrong cuz if not these kids are probably screwed

kLSDKFHLSKHGLKLK OH MY GODDDD

IIDA FUCKING TENYA YOU’RE A PEACH. THINKS THE NAME IS OUTRAGEOUS, CHECK. USES IT ANYWAY, CHECK. “JUST BECAUSE I DON’T UNDERSTAND DOESN’T MEAN I CAN’T BE SUPPORTIVE.” WHAT A CLASS ACT

AND KACCHAN IS RESPONDING WITH AS MUCH DIGNITY AS HE CAN MUSTER

WOW, SON. IT’S ALMOST AS THOUGH YOU HAVE A HOLE IN YOUR TORSO, OR SOMETHING!! although listen up, real talk, the fact that Kacchan of all people can’t muster the energy to yell at someone questioning his ability to kick ass is HIGHKEY troubling and we may be in need of an intervention here soon :/

now Jeanist is finally turning his attention to the League! was... was it not already on the League. omg

ACTUAL SCREAMING AHHHHHH FUCK FUCKLK LK AHHLKHKFFFF

hey so um. what the actual fucked up hell. my soul left my body. imagine if you saw the reflection of this panel on your bedroom window. you would never sleep again

OKAY RHA TRANSLATORS ARE YOU HAVING YOURSELF A LAUGH AGAIN

THIS CANNOT BE WHAT HE’S ACTUALLY SAYING RIGHT. BUT IT’S RIGHT IN THAT UNCANNY VALLEY OF NOT BEING QUITE SURE, THOUGH... (　ﾟдﾟ)

(ETA: just a next-day clarification here, apparently my sleep-deprived ADHD word-skipping brain completely skipped right over the “a” in that last panel, so what I read was, “and Shigaraki’s limp noodle.” so yeah, the moral of this story is always read the speech bubble carefully before you start making running jokes throughout the rest of your post, folks.)

oh wow he’s really freaking out lmao

to be fair though, I’d argue that Dabi has gotten pre-tty close at this point :’) thrilled for him, really I am

but anyway, well then figure something out you big dramatic robot-armed fiend. didn’t you just say you could touch your own ass? can you not just Compress yourself to break free?? does it not work on you? or would you be stuck afterwards lol

(ETA: I was picturing him compressing his entire body at once, not just chunks of it. ghhhlkh.)

holy shit Jeanist. are you stupidly trying to cut off their air, or are you going for more of a sleeper hold (jleeper hold??) thing instead. the latter would be way smarter and faster and probably safer as well just saying

but unless Spinner is just being super dramatic, it sure looks like he’s fucking strangling them djslkjlk. this will certainly cement his popularity among the villain stans. good thing you’re not running for office any time soon bud

anyway so I have no idea what these guys are trying to do now. what is this

do you even have till the count of 5 at this rate. I mean

OH MY GOODNESS

HE’S REALLY FUCKING DOING IT!! HE’S COMPRESSING HIS BUTT!! OMFG. TOMURA HIDE YOUR NOODLE!!!

WHAT THE FUCK

DID YOU COMPRESS A PIECE OF YOUR OWN ASS. FUCKING WHAT. PUT THIS MAN’S PICTURE IN THE DICTIONARY NEXT TO THE WORD “LOYALTY”, HOLY CRAP

HOLY SHIT COMPRESS

“HOLY SHIT DID THAT GUY JUST PUNCH A HOLE THROUGH HIS OWN ASS IN ORDER TO SAVE HIS VILLAIN PALS. FUCK IT, HE DESERVES TO ESCAPE”

jeez, talk about... A HALF-ASSED ESCAPE ATTEMPT :D :D :D hahaha. but real talk though, Horikoshi has clearly never tried to leap twelve feet straight up in the air multiple times in succession with only half his glutes though. everyone, I regret to inform you that this panel right here on the left may be slightly unrealistic

also where the hell is he going to go?? did you pack a jetpack away in one of those little marbles sir. and what about Dabi?? and Skeptic too, I guess, but we don’t really care about Skeptic

(ETA: at this point I had to stop reading for about two hours because I had to go out and take care of something; that’s also why this is being posted later than usual lol. anyways so where were we.)

oh my lord

the existence of a translator’s note here implies that the earlier line about Compress being able to reach Tomura’s junk was not, in fact, ad-libbed. hmm. hmmmmmmmm

anyway so now he’s grabbing Compress again because OF COURSE HE IS, so now we’re right back to square one! except now Tomura and Spinner are secured inside of little marbles, and presumably Compress is the only one who can release them

oh nevermind he’s just maiming himself again instead, SHEESH

Skeptic a man is dying please have some goddamn respect

so, uh. is he gonna die, though??

I really can’t tell wtf is going on here, this is the most confusing the art has been in a while. Horikoshi put all of his spoons into that creepyass close-up panel earlier, that bastard

OMG WHAT ARE YOU SERIOUS

DON’T FUCKING TELL ME THE “COMPRESS IS RELATED TO THIS THIEF GUY FROM OLDEN TIMES” THEORY IS ACTUALLY TRUE WHAAAAAAT. OH SHIT

so apparently Harima was a Robin Hood type guy who stole from... heroes?? wtf. are heroes the 1% in this scenario. y’all didn’t have any Fortune 500 CEOs to steal from?

THAT’S THE BLOOD THAT FLOWS THROUGH YOU, OH SHIT. and in a related oh shit, the fact that we are getting a Compress flashback now of all times doesn’t bode super well for him. ffff

MEANWHILE THE TODOROKIS ARE STILL TODOROKI-ING

listen here boy if you touch one freaking hair on Shouto’s candy cane head I swear to god --

WHAT DID I FUCKING SAY!!!

SHOUTO NOOOOOO. WTF YOU’RE LITERALLY THE ONE GUY WHOSE WEAKNESS IS ABSOLUTELY NOT SUPPOSED TO BE FIRE. DABI YOU SHIT, YOU BETTER WATCH YOURSELF!! I’M PRINTING OUT A COPY OF THAT COMPRESS PANEL!!! KEEP AN EYE OUT ON THAT BEDROOM WINDOW YOU PUNK!!!

SO NOW POOR SHOUTO IS UNCONSCIOUS AND FALLING!! SOMEONE SAVE HIM!! WHO CATCHES THE CATCHER

COMPRESS LITERALLY HOW ARE YOU STILL ALIVE RIGHT NOW, WHAT IS HAPPENING

PLEASE DON’T CALL TOMURA LEADER OF THE “PLF” YOU KNOW I CAN’T TAKE IT SERIOUSLY WHEN YOU DO THAT. ARE YOU DYING. ARE YOU JUST A FUCKING HEAD NOW WTF

(ETA: “masks are removable, makeste” you know what it’s been a long day okay lmao. or I suppose Compress is really the one who is lmao.)

GASPPPPPP

okay. okay. looooool okay then

WHY WERE YOU COVERING THIS SEXY MOP OF HAIR UNDER THAT HOOD YOU TOOL. IT WOULD HAVE LOOKED SO GOOD WITH THE TOP HAT. I’M SO MAD AT YOU RIGHT NOW

as if it wasn’t enough for him to demask himself, he also had to get all shirtless and then do this weird attempt at a sexypose too huh

hard to say exactly how much of his torso is currently missing, but safe to say that’s proooooooobably not good. :///// fuck

on the other hand, Kacchan also has a torso hole and he’s still flying around like he just drank a dozen red bulls, so

this man lost his ass and he’s still out here monologuing like it’s the last two minutes of The Prestige. one might say he is monologuing his ass off

so he let Spinner and Tomura free, but is Dabi still trapped in his marble?? wasn’t he all on fire and stuff?? hopefully he can still turn off his quirk in there because if not that’s a pretty fucked up way to die. somewhere out there Snatch’s ghost is all “YEAH I’LL SAY.” oh how the turntables

last but not least, sooooooo. Tomura. back on the ground. that’s. um. ...shiiiiiiiit

#bnha 294 #mr. compress #...and actually that's pretty much it lol #bnha #boku no hero academia #bnha spoilers #mha spoilers #bnha manga spoilers #makeste reads bnha #sorry this is up later than usual (and mostly unedited as well)#just one of those days

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kindaeccentric · 3 years

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When I was writing my university bachelor's degree thesis (that I'm still to defend) about Penny Dreadful as a modern adaptation of Frankenstein I noticed how the original novel's homoeroticism is realized by the series in an interesting way.

In the way he is presented, it seems to me that Victor secretly desires men, but thinks that only through creating a perfect one by himself he's allowed to touch other man's skin. His endeavour to pierce the veil between life and death is an excuse, since Victor from the series grew up lonely after the death of his mother and he searches for companionship, for someone who would love him unconditionally, like his mother used to. He believes he can find such love only in a person he creates himself, brings from the dead, and who would see him as his only friend, calm and obedient. Yet his first instinct is to make a man, not a woman, and a handsome man at that.

I can imagine both Rory Kinnear and Alex Price are not everybody's cup of tea (I do find them attractive, they are quite charismatic), but the way the original Creature and Proteus are shown makes them attractive. Proteus we see through Victor's eyes, when he is tending to his body before its even reanimated, when he sketches him (a sure sign of affection) and when he teaches him how to eat in a way that becomes seductive, because of how the camera lingers on his lips and then, in a closeup, on his fingers running down his long throat, immediately bringing to mind erotic imagery. Some may argue that Victor tries to emulate the relationship between his mother and himself taking the parental role and projecting onto Proteus the role of his childhood self, and as much as it is partially true, their relationship bears these marks of hidden desire on Victor's part from the start. The image at the end of the first episode when Proteus is born shows Victor trembling, teary-eyed, looking at the body, a torn and stitched back together, but human body, of a naked man. He's afraid, but not necessarily of the man, but of finally getting what he wanted, it's a fear resulting from excitement. Then the man is touching his face tenderly and Victor, still trembling, cannot stop himself from a little smile. Their faces are softly illuminated by the orange light of the gas lamp, creating an intimate atmosphere of a warm bedroom. Victor practically gasps hearing his own name smoken by Proteus. I doubt all of it was intentional in the way I read it, but it doesn't change the fact that the final scene can be easily interpreted this way.

Then the original Creature, with the violence surrounding his return, presents him as highly masculine, smart, powerful, a direct opposite to the delicate, clueless Proteus Victor could easily form into whatever he wanted. The Creature throughout the entire series is perceived as ugly by some and easily tolerated by others, making his ugliness purely subjective, since, despite his small deformities he remains strangely alluring with his gothic qualities (black long hair, black lips, white skin, yellow eyes, proportional features) of a dark brooding gentleman. With blood on his face he becomes vampire-like (vampires always a symbol of hidden desires and 'depraved' sexuality, the Creature and Victor becoming a mirror image of Vanessa and vampire Mina, both Creature's and Mina's monstrosity an indirect result of Victor's and Vanessa's desire towards having a same-sex companion). The Creature touches Victor's face, a callback to Proteus doing it, but the Creature is not gentle, he smears blood all over Victor's face (blood in vampire narratives was always a symbol for other bodily fluids, that's why it seems so sexy, it also gained another meaning in the 80s, due to the HIV epidemic, which no filmmaker can shake off if they tried, I could discuss it more with The Lost Boys, but no time for that right now).

The dynamic between Victor and the Creature is a reversal of Victor's budding relationship with Proteus, experience winning over innocence. Victor is under another man's rule, and it terrifies him, because it would force him into a position of having to admit his attraction, whereas as the one in control he could have still easily deny it. The Creature, with all his attributes, symbolizes carnal love, he's all 'body', where Proteus was virginal, pious love (to an extent). In one of the scenes where we see Proteus he looks up into the skylight at Victor's apartment and appears angelic, as if in a halo of white light.

It's revealed Victor never had a woman, and the series wants the viewer to believe it's because of his awkwardness and passion for science that consumed him, but his dedication to creating himself male companions instead of searching for a living female one is exactly what makes him seem more queer coded.

It's clear that the lack of paternal figure results in Victor quickly becoming close with older men he encounters (Sir Malcolm, Van Helsing), but it also puts him into a position where he's constantly surrounded by men, with whom he feels more at ease, and is intimidated by women. The rivalry between him and Ethan is that of siblings, until the moment when Ethan teaches him how to shoot a gun. It might be a stretch (it is a bit of a stretch, I admit), but a gun often, especially in horror, alongside a knife, represents manhood and masculine power. Victor allows Ethan to touch him and encourages him to show off with the gun, which is a scene all too familiar from many other movies where the role of Victor is reserved for a woman and the interaction is flirtatious (can't pull examples out of thin air, but if you saw over 1400 movies like me you know I'm not lying). All this adds to the general image of Victor.

The Creature and Victor, when they are on a walk, have a very revealing conversation in which the Creature points out how quick Victor was to grow attached to his more perfect man, and Victor doesn't deny it, he admits that he did in fact feel affection towards Proteus, although the meaning of it as the scorned past partner expressing jealousy over the love he didn't get while someone else did is largely subtext. When the Creature says that he's lonely, Victor answers 'I cannot love you' (paraphrase, because I can't find the exact quote right now) and the Creature, disillusioned, mocks him, 'I do not want what you cannot give' suggesting that Victor, by making himself a meek obedient man, is selfish, cruel, manipulating, and a coward, therefore could not have loved Proteus truly. Then again, Victor cannot bring himself to love his original Creature, because he's not the ideal man he envisioned and by then the Creature being too aware of his flaws of character. The Creature/Caliban/John Clare knows that Victor is 'monstrous', not just because he's someone who desecrates dead bodies, plays God and abandons his creation, but because of his queer desire. It's important that in the case of Penny Dreadful 'monstrosity' signifies many different things, literal (being a vampire werewolf, witch, and so on), metaphorical (bad deeds, like letting your son die a horrible death, cheating, killing etc.) and wholy subjective, merely condemned by ignorant society (Sembene's blackness, Brona's sex work, Lily's want to be equal or greater than men, Vanessa's want for sexual freedom, the Creature's ugliness, Angelique being transgender and other cases), so it's NOT that much of a stretch this time.

We also have the whole problem with Lily. Victor is so attached to Lily (who takes up both Elizabeth's and creature's bride parts in the novel) because he believes that only by possessing a good woman he'll be redeemed for his 'sinful' desires, but he's foolish to think that. This belief reduces a woman to a semi-maternal, semi-virginal angelic ideal with no sexual urges or agency, like virgin Mary. Lily is a true replacement for Victor's mother, and his imagined redemption. As long as she's similar to Proteus, in that she's not sexual, and pure like an angel. Yet Lily is not a woman in that sense. She is another of Victor's creatures, so she partially also takes over the role of the original Creature from the novel, a male. She's not an ideal of a Victorian obedient wife, she has power, or tries to have it, but power in the context of patriarchal society is masculine by nature. The moment she drops her pretenses of a weak delicate wife-like girl Victor does not want her like this. He doesn't want a woman that is sexually liberated, because he doesn't like women in this way, and yet, by being similar to the first Creature (from Victor's perspective, from hers John Clare is similar to Victor-a man, I could delve into Brona's sexuality, but later, this thing is already way longer than I intended) she's 'the man' he wanted.

There is also Henry. Henry Jekyll takes the role of his namesake in the novel, Henry Clerval, Victor's closest friend, and a character most often cited to have homoerotic tension with Victor. It's true that some of the eroticism might be accidental, stemming from the prevalence of homosocial interactions in 'Frankenstein' which in turn is a result of misogynistic nature of 19th century Genevian society and in-novel universe reflecting it, but like I mentioned before, it still feeds into the queer reading of the text and translates beautifully into Jekyll and Victor being both extremely misogynistic towards Lily and their mutual homoerotic tension. In the scenes where Henry purposes his plan to Victor he practically seductively purrs it into his ear, Lily becomes merely a female buffer that allows for that interaction, a female presence which is an excuse for male closeness (here I have a couple of examples actually: Dead Ringers, Sir Gawain and the Green Knight, Scream (in a roundabout way, through murder) and a couple others, but that deserves its own article). I won't even mention more references to the novel, because that's a lot already.

Penny Dreadful, although I believe largely unintentionally, expands on what is already there through the changes it introduces in relation to the novel's plot. I have nothing else smart to say, I just think it's worth considering.

*I use the word 'queer', because that's the umbrella term we use in academic writing for years now and even our lgbt+ group at university is called 'queer', so don't come at me with stupid takes

#Penny Dreadful #queer readings #Frankenstein #Victor Frankenstein #lily frankenstein

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rivalsforlife · 3 years

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Phoenix Wright: The Truth Reborn: Oh No We’re Doing This Again

hi.

Nearly two months ago, I wrote an essay summarizing and making very wild conclusions about the second Takarazuka Musical. I did this about two and a half years after watching the first Takarazuka musical. As such I did not have the full context for many things from the musical and was relying mostly on my memory, which blocked many things from this musical for my own safety. However, just this week, I decided to rewatch it, because I enjoy tormenting myself. I said I wouldn’t write anything on it. Here I am writing something on it.

Here’s the youtube thumbnail so that you know what you’re getting yourself into. And here, of course, is the link. This is the HD version which may be slightly more pleasant to watch. Maybe.

It was not quite as cringe in a funny way as the second musical to me, and therefore this essay may be less funny, but I feel like I’m doing a disservice to people by providing a summary of the second musical while completely neglecting the first. Quite possibly doing this is even more of a disservice. I just eagerly await the day that the third musical is translated because *that* will be the day that I finally shuffle off this mortal coil. Either way, I want to write this stuff down so that I never have to watch the musical again out of curiosity.

The following essay will contain major spoilers for both the first and second Phoenix Wright Takarazuka musicals, as I will be using many points from this musical to argue my thesis of the second musical. ... like you were going to watch them anyways.

This one broke 8k. I’m dead inside.

Introducing The Director

Again another disclaimer that I don’t have anything against the actresses or the theatre troupe. I DO have something against Suzuki Kei, who I recently learned is the writer and director of all three of the Ace Attorney Takarazuka musicals, and is quite possibly my mortal nemesis.

This man is the one who brought this monstrosity into the world.

This man, allegedly, cleared the first four ace attorney games *seven times* before sitting down to write these musicals. He played these goddamn games seven times and did not take in a single word. The man clicked through them mindlessly while watching a badly written legal romance drama in the background and got them completely confused. I genuinely have no idea how this man could have played these games more times than even me and yet managed to get so many characters (MAYA!!!!) completely and utterly wrong. This haunts me every day, truly.

This man played Phoenix Wright: Ace Attorney, Phoenix Wright: Ace Attorney - Justice for All, Phoenix Wright: Ace Attorney - Trials and Tribulations, and Apollo Justice: Ace Attorney seven times. SEVEN TIMES EACH!! and was told to create a musical based on the series. He played these games seven times each and you know what he said?? You know what he said?? “This sucks, I’m getting rid of all of Phoenix’s backstory, butchering half the characters, and writing Phoenix/Lana fanfiction, but also rewriting all of Lana’s backstory so that she was Phoenix’s childhood friend, and you know what, I’m changing her name for good measure.”

I think this man played the games seven times each and then hated it so much and was so sick of it he tried to write something that destroyed as much of the series as possible while still being vaguely recognizable. And then somehow it became a massive hit because people like me see this and go “what the actual hell” and watch it, or people who haven’t played the games see this and go “wow what a great musical!” and then he wrote TWO MORE, destroying EVEN MORE every time in his wake, until finally, finally, he stopped after making Edgeworth straight and time traveling into the past to face off against a corrupt Gregory. I guess that was the last straw.

I have to issue a disclaimer here that for legal reasons this is a joke. I don’t actually hate this man and would not punch him in the face if I met him because that would be rude, and he is entitled to his wrong interpretation of the games. I don’t know what his thought process was. But allegedly he did play the games seven times according to the wiki. This whole essay here is satire and not slander and I don’t want to offend this guy if he somehow stumbles across my nonsense tumblr post. At the same time: Suzuki Kei blink twice if you need help.

Anyways half the reason that I’m making this essay is because I want to share my fake ao3 page for this musical. The other half will become apparent later.

Sorry if that’s illegible because of tumblr quality it’s not really important. All you really need to know is that it’s a fake ao3 screenshot for the musical. Also in the author’s note I said he played the games four times but it was actually seven I just remembered wrong because I didn’t want to believe it.

at this point you may be like “Grace shut up and get to the actual musical” and okay, fine, let’s start this nonsense. Also note that I may be referencing things from my essay on the second musical very frequently; I’m not going to force you to go read that though because the fact that you’re reading this is enough of a torment already.

The Musical Begins

Unlike the second musical, this one opens with some narration from Phoenix.

Transcript:

Phoenix: I’m reviewing a particular case at the moment. To me, this case... is one I’ll never forget.

Immediately I think this is important because it establishes that this whole musical takes place in a flashback that Phoenix is reflecting on. Why is this important? Because we know, by the time of the second musical which takes place three years later, Leona is dead.

Knowing that Leona is inherently doomed to die of her Sad Woman Disease paints this whole musical in a different light. It’s not Phoenix reflecting on how he got back together with his lover; it’s Phoenix dwelling on their past together, and the opportunities they had, before her life was so cruelly and inexplicably taken away. We don’t know if Phoenix’s reminiscing takes place before or after Leona’s death... but I wouldn’t be surprised if it was after.

Phoenix, still in the present, starts to sing. “A wave appears on the horizon like a mirage, it trembles, then vanishes. Your voice, carried upon the waves, fades upon the shore, erasing the splendor of the past.”

This line actually shows up in the second musical, sung by Lucia about her imprisoned fiance quite possibly. It’s kind of hard to tell what the meaning of these songs even are. They’re too abstract for me I think. But this line appears very frequently in the first musical when Phoenix is thinking about Leona.

Then we enter the flashback time.

Phoenix inexplicably yells at a newspaper saleswoman. This is not relevant to anything whatsoever. Then Larry barges in to the office, looking for Maya. Phoenix describes him as “A real trouble maker, but you just can’t hate the guy”, the latter part of which I think many people would disagree with.

Well, afterwards, Maya comes in. Phoenix describes her like this while making exaggerated “can you believe this shit” gestures.

Transcript:

Phoenix: She’s as ditzy as they come. Oh, and about the outfit... Apparently she comes from a family of spirit mediums. Try not to make fun of her, okay?

Suzuki Kei personally has it out for Maya and I can never forgive him for it. Maya in these musicals is here for pure comedic relief but it’s not even comedic because I just get so angry. How can you play the trilogy seven times and think this about her?? The girl who figured out DL-6?? The girl who told Phoenix to sacrifice her life in order to find the truth?? The girl who put on a brave smile in order to try and cheer up her younger cousin even after she saw her own mother murdered right in front of her eyes?? That Maya Fey?? Ditzy as they come??????

Ugh. Moving on.

Maya and Larry run off, leaving Phoenix to watch the American Broadcast.

Important things to note here are the Godot mug, the little line up of what I think are the messed up little ace attorney figurines beneath the screen, and the fact that while this broadcast is supposedly from and to America the screen is actually not at all showing America. Like literally almost everywhere in the world except North and South America.

The broadcast says that Leona Clyde, age 24, was arrested for murdering the senator Robert Cole! Leona Clyde -- that’s Phoenix’s ex-girlfriend! He runs off to the detention center.

She is not happy to see him.

Leona: Mr. Wright... I’m not the woman you once knew.

Let’s Play A Matching Game

Sorry for the abundance of screenshots that are going to be throughout this section. Phoenix convinces Leona to let him defend her. Some of the conversation seems... familiar.

Leona: No one would defend someone who admits to killing a senator. I’m waiting for a court-appointed attorney.

Edgeworth: Every defense attorney I’ve talked to has turned me down.

Phoenix: In that case, let me defend you.

Game Phoenix: Let me defend you.

Leona: Don’t be ridiculous!

Edgeworth: Don’t be ridiculous.

Phoenix: I’ll never accept that you’re a murderer. Let me prove your innocence!

Game Phoenix: Huh? Isn’t it obvious? I’m going to prove that Miles Edgeworth is innocent.

Leona: I’ve already confessed my guilt.

Gumshoe: He confessed that he did it! In court!

Leona: It’s foolish to think you can win this case.

Edgeworth: My case is near hopeless, Wright.

Leona: (in response to phoenix offering to defend her) No you won’t! Don’t ever come here again.

Edgeworth: Look, just go away, and leave me alone!

Phoenix: You of all people should know. Once I decide to do something, I see it through to the end.

Edgeworth: Once you start on something, you always see it through, don’t you?

Leona: I never thought that you’d be representing me.

Phoenix: Ah, who could have guessed this day would come?

Edgeworth: Not me.

Phoenix: You believed in me. You saved me. And this time, I swear... I swear I’ll save you!

Game Phoenix: Edgeworth believed in me, and I believe in him. I’m the only one who knows the real Edgeworth. I’m the only one who can help him.

I could’ve done a few more, but tumblr is already threatening to murder my laptop.

So long story short, Phoenix manages to convince his lover to let him be the defense on the case. Then immediately after swearing to save Leona, he starts singing a song, which I’m not screencapping because this is enough:

“As long as there are people in this world, there’s only one path I will follow! As long as there is love in this world, there’s only one path I will believe in!”

Edgeworth sings this in the second musical after saying that he returned to California because of Phoenix. Phoenix sings it now after swearing to defend Leona. You draw your own conclusions.

And then we finally get the opening credits. Eleven minutes in.

Just Pretend This Is Narumitsu Fanfiction

Following the credits, we see a beautiful beach. Couples (exclusively heterosexual, of course,) dance and embrace in the background for some time, before revealing Phoenix and Leona, in the Even Further Past, before the LSATs or whatever the ace attorney universe’s excuse for law school exams are.

Phoenix establishes his absolute hatred of change, an important characterization moment.

Phoenix: The view here never changes, huh?

Phoenix reminisces on when they were kids. Leona’s parents were both lawyers (they’re both lawyers) and sometimes they would be like lawyers with her when she was a kid. This inspired her to also become a lawyer after their tragic death of Sickness. They never specify what the sickness is that caused two people who must be relatively young to die while Leona was in her early twenties at the latest. It may be whatever sickness claimed Leona’s life later. Sad Woman Disease. (Sad Man Disease for her father, I guess?)

Phoenix also talks about why he’s becoming a lawyer.

Phoenix: Watching you chase your dream inspired me to become a lawyer too.

So, it’s not “my childhood friend looked sad in a newspaper” because I guess that makes no sense or is too gay or something. But this is another important piece of Phoenix characterization. His entire life so far has been focused around Leona. They’ve been friends since they were kids, and then Phoenix decided to become a lawyer solely because Leona was becoming a lawyer. Not even to try and get back into contact with her after she moved away or anything; just because he’s so obsessed with her that he wants to have the same career as her, then they can run a Mom & Pop Law Firm or something, years in the future, after years of happy marriage and a few children or like whatever the hell.

Well, there’s a few steps they’ll need to get to that. At this point Phoenix still hasn’t confessed his feelings for Leona. He does so here, on this beach.

Leona tries to protest.

Leona: But I’m pushy, selfish, and only care about my goals... You’d get fed up with me.

Phoenix: That’s what I’ve always admired about you. That’s who I’ve been chasing all these years. That’s the only person... I love.

Sooo, Phoenix, your type is pushy selfish people who only care about their goals...? In the first, older lower-quality video translation it was “only care about my work”, too. Hm. Things to think about.

They sing a little duet together. Then we go back to present-day of what’s technically still a flashback. Whatever. Murder is happening.

Back To The Murder

So some plot things to establish: Leona is the legal counsel of Governor Miller, who is running for president in the AMERICAN PRESIDENTIAL ELECTION. After the flashback so that Phoenix has some time to change clothes, they show an interview of him talking about the murder.

Governor Miller: I vow to forge a peaceful country with my own two hands, and to prepare myself for whatever may lie ahead.

Reporters: Through thick and thin, he’s a friend of the people!

The Takarazuka musicals are not very good at hiding their killers.

Phoenix: Oh yeah... It’s almost time for the presidential election, isn’t it?

NEVER FORGET, WRIGHT. THIS IS AMERICA. LAND OF THE FREE! god what even was that line.

Anyways, we meet Gumshoe, who is incompetent once again. Maya runs around the crime scene, picks up the murder weapon, puts her fingerprints all over everything, moves things around, all while Phoenix is like “lol get a load of the world’s stupidest girl” or whatever. But who cares about that.

It’s time to get to the only valid part of this musical.

Edgeworth’s Gay Little Villain Solo

You may have seen this one before.

Edgeworth arrives, but not really. It’s like Phoenix heard Edgeworth was prosecuting and immediately entered a dream-like state, where Edgeworth is heralded by the sound of trumpets in Great Revival. He’s played by a different actress than in the other two musicals, since I think she retired in between the six or so months from this musical to the second. She still plays the role well, though, or as well as can be when you’re written in an ace attorney Takarazuka musical.

Shrouded in scarlet solitude... it’s Edgeworth.

Yes, those are six Edgeworths. Yes, they pick Phoenix up and carry him around and dance with him. Yes, it was probably not meant to be at all homoerotic.

He sings a song that’s called “My rule”. I only figured this out later, but it’s loosely based on a “catchphrase” of his in the Japanese version - in game 1 he says something along the lines of “All I can do is get every defendant declared guilty! So I make that my policy.” In DD in his dramatic anime introduction before the trial, he says “I intend to question the defendant with all I have. For that is a part of my creed.” “So I make that my policy” and “For that is a part of my creed”, to my understanding, are both translated from the same line, which I think is like, “sore ga watashi no ruru”, “That is my rule.” (If I’m wrong, please correct me.) In this song he sings about how he’ll reduce all criminals to ash and such, basically talks about his game 1 prosecuting strategy as “my rule”.

It’s very fun and probably if you want to only watch one number of this musical, it can be this one. It starts about 26:10 in the video I linked.

Once the musical number is done, Phoenix and Edgeworth stare at each other, and the background fades into the courtroom, so court begins. I feel like I should note that Phoenix has not picked up any evidence or talked to any witnesses in this investigation except for Gumshoe, since Maya just moved some things around and then Phoenix had some weird fever dream about Edgeworth which presumably took up the rest of the day.

The Trial, Day 1

Edgeworth: Consider it a prelude to the poignant Greek tragedy that’s about to unfold.

Maya: The real tragedy’s your pompous attitude!

Those are the only screenshots I took of this trial day. Here’s a summary, though:

The trial starts off with Leona confessing, Phoenix says “no I think she’s innocent”, and since ace attorney doesn’t care about the defendant’s wishes he’s allowed to proceed. For some reason Leona lets him do this without complaint.

Gumshoe is the first witness, he claims to have caught Leona red-handed at the scene of the crime, standing over the corpse. Phoenix tries to claim that since Gumshoe didn’t see Leona committing the crime, he didn’t actually catch her red-handed, to which Edgeworth responds “What do you think being caught red-handed means?”

Once Gumshoe is dismissed, Lotta takes the stand. She has a photo of the actual moment of the crime, where Leona is holding a knife in the air in front of the victim.

The Takarazuka musicals like to do this thing where the image is blurry and zoomed out, but then Phoenix will go “I’VE NOTICED A CONTRADICTION” and it zooms in really far as the resolution increases drastically in order to show you the contradiction that is impossible to spot for yourself, because they don’t want people figuring out the mystery in this musical based off of a video game where you have to solve the mystery yourself. Anyways Phoenix zooms in on this photo and sees that there’s blood on Leona’s hand, presumably before she stabbed the victim. How did it get there?

Edgeworth suggests the victim was stabbed multiple times. Phoenix says the autopsy report contradicts that. Edgeworth, uncharacteristically, does not update it to suit his argument.

Phoenix concludes that this photo is not showing the moment Leona stabbed the victim, but the moment Leona removed the knife! ... Which somehow casts doubt on her having been the one to stab the victim. Because as everyone knows, anyone wanting to kill someone would never remove a knife, it’s not like they’d bleed out faster that way, or anything.

And this whole contradiction is confusing because presumably if the victim was stabbed and then the knife was removed, they’d know that happened, because then the knife would not be found stuck in the victim’s body, since the victim was only stabbed once. So this shouldn’t be news to the prosecution that someone removed the knife after stabbing. But the investigation was headed by the most incompetent version of Gumshoe ever, so. sure. I guess no one knew.

That at least manages to extend the trial another day.

This Totally Has To Be Illegal

After the trial, Phoenix goes to talk to Governor Miller, aka Mr. Totally The Real Killer. Phoenix asks him why he decided to hire Leona as his legal advisor.

Basically, it’s because her parents were both renowned lawyers. Her father was a Chief Prosecutor, and her mother was a defense attorney. ... a prosecutor and a defense attorney couple... who does that remind us of...

Phoenix points out that just because her parents were good lawyers, it doesn’t mean she’d necessarily be one. Miller says that, sure, but she is actually really talented, and her law school marks were spectacular. Phoenix says “WHY WERE YOU LOOKING AT HER LAW SCHOOL MARKS”, like it’s somehow? suspicious? for a government official hiring legal counsel to look at their law school marks?

Apparently it IS suspicious because Governor Miller freaks out and asks if this is an interrogation. Before Phoenix can press much further, he gets a phone call, and leaves Phoenix alone in a big room.

So naturally Phoenix behaves like a fully grown adult running a law firm.

If all he did was sit in the chair, lift up a desk lamp, and poke his finger on a pen, that’s one thing. But then he leans over, OPENS THE GOVERNOR’S DESK DRAWER, and finds a knife that’s just sitting there casually. It looks like a butter knife. It’s not anything major. Maybe the dude just wanted to butter his toast?

I mean I know Phoenix will dig around in stuff whenever in the games, but he has no reason to suspect Governor Miller at all, much less dig through his drawer probably full of confidential government documents to lift up a knife that he thinks is suspicious. It’s not even covered in blood or anything?

Naturally Governor Miller’s assistant comes in just then, and Phoenix puts the knife. in his breast pocket.

bud. It may look like a butter knife, but putting knives up against your chest is not a great idea. Much less stealing a knife from a governor?

Well, in his panic, he accidentally knocks over a bunch of books on the desk. The governor’s assistant helps him pick them up, and they find a photo. Look a little familiar?

The photo has the assistant, the victim Robert Cole, Governor Miller, and the victim’s brother who died in an incident two years ago. He’s the “Neil Marshall” of this musical, and he died in what was essentially the SL-9 incident. Same general premise, except it occurred in the courthouse, and the names are different.

AND FINALLY WE REACH THE END OF ACT 1. They do a musical number here which is a weird sort of mashup of the main opening credits song, Edgeworth’s Villain Solo, and the love duet between Phoenix and Leona. They are all such different songs that it sounds a little weird.

ACT 2, FINALLY

The act begins on a sour note with Maya playing with the knife and showing off her characterization, which is one of the most infuriating Maya characterizations you’ll sometimes see around the fandom by people who don’t like Maya.

Maya: Let me whip up my special spirit channeler hamburgers!

sigh.

But then we’re saved (?) by the arrival of EDGEWORTH, who is presumably just here to chat. He asks Phoenix if he’s defending Leona in hopes of winning her back, then says to keep out of it, since it’s a very important case and he can’t understand the gravity of it.

Then Phoenix says this.

Phoenix: Would you be saying that if you were the one on trial? The defendant is in a dark prison, reaching out for hope... Can you imagine the loneliness and sorrow of being ostracized?

CAN YOU IMAGINE IT, EDGEWORTH? CAN YOU IMAGINE IF YOU WERE ON TRIAL AND I WAS THE ONLY ONE WHO WOULD DEFEND YOU AND BELIEVED IN YOUR INNOCENCE??

Edgeworth responds to this by essentially rehashing his speech in Turnabout Sisters about how he needs to find all defendants guilty because he can’t guarantee their innocence and all that. Maya gets upset and leaves so that Phoenix and Edgeworth can talk about their childhood in private.

Phoenix once again complains about how people change since nine years old.

Phoenix then says that he has something Edgeworth doesn’t: the POWER TO BELIEVE! Then Maya comes in and tries to spike Edgeworth’s coffee, so he leaves.

The Class Trial

Phoenix explains a bit about Edgeworth and his backstory to Maya. Namely, the class trial. Phoenix was accused of stealing lunch money, Edgeworth stood up for him, but instead of Larry, Leona stood up for him. I guess Suzuki Kei thought “oh the class trial, if Leona stood up for him, it would be so romantic, because she’s a woman, and he’s a man”, or something like that.

Edgeworth wanted to become a Great Lawyer Like His Father! But then he turned cold as ice.

Phoenix: His father got too deeply involved in a case... and paid for it with his life. Edgeworth saw him murdered. He was never the same again. I bet he couldn’t forgive the criminal.

Yeah I bet he couldn’t ever forgive the person he thought killed his father all these years, Phoenix. I bet he really hates that person, Phoenix. I bet he has nightmares about that person killing his father or something, Phoenix.

Phoenix: He vanished, then returned without his mercy or compassion. He had become a monster. When he lost his father, he also lost the ability to believe in others.

So like... one of the most chilling things about this musical is that they never actually solve DL-6. This probably roughly takes place 15 years after DL-6, since they were about the same age when the class trial started, and at least Leona is 24 now. The next musical takes place three years from now, and in it, Edgeworth refers to von Karma as his mentor, implying he’s still around and doing things.

So, in addition to everything else going wrong with this musical, DL-6 still happens, but von Karma never frames Edgeworth for it fifteen years later. The statute of limitations runs out, and von Karma forever gets away with his crime. And Edgeworth has no idea.

What changes did they make to DL-6, though, you may ask? I’m desperate to know as well. In the third musical, which I’ve watched because I hate myself but am unable to fully understand because I don’t know much Japanese, there is a scene where Miles flashbacks to DL-6. It’s abstract, but he makes gun-throwing motions at Gregory, followed by a gunshot sound.

Therefore, in this musical’s internal canon, either Miles Edgeworth shot his father, or he believes he did for the rest of his life.

... moving on.

Phoenix: But he still has his humanity. It’s still there, deep down inside!

At least, if nothing else, Phoenix still believes in him. Even this Takarazuka Musical couldn’t touch that.

The Feenie Sweater

Right after this, Larry barges in, and Phoenix leaves him alone with Maya. The musical tries teasing Larry/Maya, but fortunately, Maya’s having none of it.

Maya: You’re barking up the wrong tree.

Props to this musical for not being as bad as it could have been.

After this, the two sit down on the couch, and Maya asks for more gossip on Phoenix and Leona. Larry launches into a story, which turns into a flashback that ends up being narrated by Phoenix halfway through. This one’s about Phoenix and Leona’s relationship.

This is an interesting line in here, “I’ll guide you to the future”, for it loosely referencing the sort of love ballad Phoenix sings with Lucia in the second musical which is about “I’ll take you to that radiant future”, and he later sings to the memory of Leona right around the time of his big spiral into despair.

I’m sorry if you haven’t read my other essay and just said “wait what” to what I just typed.

Leona was getting ready to move to New York to defend the weak “in the big city”. This is rather strange wording because it implies that California does not in fact have a big city. She says some things in her conversation with Phoenix that probably plant some of his later issues.

Leona: This is the first time we’ll be apart since we were kids.

Leona: We promised we’d always be together.

Leona: I’ll be waiting. Waiting for you to come to me.

Haha. Sure would be a shame... if something were to happen... and they wouldn’t be able to be together anymore...

So some dancers wearing black come in and take off their outer jackets, to symbolize the passage of time. They circle around Phoenix and Leona. In this, you can just barely see, Phoenix is wearing a pink sweater beneath his jacket.

“Oh,” I think to myself, “Is that the Feenie sweater? Are they including it here as a reference to the games?”

Then the dancers keep moving.

THAT IS NOT THE FEENIE SWEATER. That is a pink sweater with a sexily drawn woman on it.

This is the other half of the reason why I decided to go through with making this essay.

This is so incredibly funny to me. Suzuki Kei Who Has Played The Games Seven Times has seen the hand-knit bright pink sweater with a giant red heart on it seven times. The sweater Iris, Phoenix’s girlfriend, lovingly knit for him that he wears all the time even though it is one of the tackiest, cheesiest items of clothing to ever exist. And so, when the costume designers were designing the clothes for College Phoenix Wright, they asked themselves: “Should we include the Feenie sweater?”

and “NO,” someone must have shouted, “NO, we can NOT include the Feenie sweater, it is PINK and it has a HEART on it and it’s TOO GIRLY. Phoenix Wright is a MANLY MAN. He would not EVER wear something PINK with a HEART on it.”

“BUT,” someone else said, “it’s a REFERENCE to the original games, where he DID wear a pink sweater with a heart on it! We MUST include it to pander to the fans!”

“WAIT,” a third person interjected. “I have a BRILLIANT IDEA. We can keep the pink... But to make it VERY CLEAR he is a heterosexual, masculine male... we put a sexy woman on it.”

And Person Three Got A Raise.

Thank god we’re finally halfway done this musical.

We Just Have To Go On With Our Lives Now

There’s plot or something happening. Leona breaks up with Phoenix inexplicably over the phone. Probably because of that freaking sweater. Imagine wearing that. God.

Eventually we go back to Phoenix talking to Leona, and he asks about the Jack Lyon case, which is the rip-off version of the Joe Darke case. Leona is pretty cagey about it, but Phoenix proves that she was there in the gallery that day. Leona refuses to answer, claims again that she killed the victim in her case, and leaves.

This makes Phoenix sad, so he starts singing.

Phoenix: I want to bring you back! I believe in you.

If this sounds familiar, it’s the part where I started absolutely losing my mind in the second musical because this line had never shown up before then, I’d forgotten it was in this musical, and Phoenix was screaming it alone in a red room, so I thought he was like desperately resorting to a necromancy ritual in hopes of bringing Leona back to life.

Instead, this line actually has CONTEXT, though it does just end up enforcing my theory. This is Phoenix mourning what he used to have with Leona, wanting to bring the “old her” back, because he’s devastated that people sometimes change. There are several flashbacks of their college days where he’s wearing his Sexy Woman Sweater. He does succeed in winning her back at the end of this musical. Before she dies, of course.

Phoenix in musical 2 still believes that he can bring back what he used to have with Leona... even beyond death. That’s something affirmed by this musical. I’m very grateful to it for somehow managing to enforce my nonsensical theory.

Doctor Ema

After this, Phoenix returns to his office, and meets with someone new.

That’s right! Only now, halfway through the musical, do we actually get to meet the Ema-equivalent to Leona’s Lana-equivalent. Her name is Monica Clyde. She has little rainbow heart stickers on her briefcase, which is the closest thing this musical has to acknowledging that gay people exist.

But what does this little briefcase contain, you may ask? Scientific investigation tools? No.

A full surgical toolset. Because you never know when someone’ll get sick, or when someone will need an entire operation in front of you. I guess.

So yes, Monica Clyde is not a forensic scientist in training, but a doctor! She decided to become a doctor because of her parents, who passed away of The Sickness, and so became a doctor in order to save lives like theirs.

Once more this has much darker and deeper implications than the musical is even aware of, because Monica is so anxious about treating sick people that she carries a full surgical toolset around with her at all times, scared to lose someone like she lost her parents... and then sometime in the next three years, Leona, her big sister, is going to die.

Of what? The strange Sickness that claimed her parents? A car accident? A botched spur-of-the-moment surgery? Whatever it is, Monica was unable to save her, even when she’d been training her entire life for it.

Monica is not mentioned at all throughout the second musical. It’s as if she does not exist.

Because unlike Ema of Rise From The Ashes, Monica is not at the heart of this story. She is, primarily, a plot device here to make Leona not trust Phoenix so that he can angst about their relationship.

What a mess this world is.

The Trial, Part 2

Rather than try to prove Leona’s innocence, Phoenix wants to link the current case to not-SL-9, the Jack Lyon case. He does this by showing this picture.

Senator Cole, the victim, is in this picture. His younger brother whose name I’ve forgotten, the victim of not-SL-9, is also in this picture. They are brothers. It is apparently novel that they are in the same picture, and somehow makes their cases linked.

As well, Governor Miller is in the picture. I guess you could say like... Governor Miller’s legal counsel is the defendant, so that’s another link? Even though the Governor would presumably know a Senator, so this isn’t an unusual group. Right now Phoenix has absolutely nothing to prove that these two cases are linked other than “hey, these two victims are brothers”, but apparently it works. So they spend a lot of time talking about not-SL-9, since Leona has confessed to the murder on day 1 and there is absolutely nothing indicating that she can’t be immediately declared guilty.

They hid the fact that Monica was a hostage in this not-SL-9, meaning that some of the case records were forged. Here’s Edgeworth’s reaction when this comes out.

Edgeworth: This is an outrage! I’m the most influential prosecutor in America! There’s nothing I don’t know!

In RFTA, when Edgeworth learns he’d been using forged evidence to give a man the death penalty, he is devastated, his entire worldview is shaken, he sees himself as a monster who could end up becoming horribly corrupt if he isn’t stopped.

Musical Edgeworth goes “I DIDN’T KNOW SOMETHING???”

It’s certainly strange characterization, but I guess Edgeworth is further behind in his character arc than in RFTA, so... ugh. Fine.

Phoenix calls Monica out as a witness to prove she was involved in the case. This causes Leona to panic, and try to dismiss Phoenix as her attorney, like Lana in RFTA, but Edgeworth interjects to call Monica in anyways. He and Phoenix have a little moment.

Edgeworth: You said to believe in others. I suppose I’ll try believing in you. Try to keep up.

Phoenix: Edgeworth!

So Monica comes to the stand to testify. We get to see this picture of Monica being held hostage, and not-Joe-Darke’s incredible eyeliner.

Lots of it is very similar to the actual RFTA, except instead of the victim being stabbed on the knight with the giant knife, he’s instead stabbed with a regular old knife. Leona still refuses to admit to what really happened, until Edgeworth convinces her to believe in Phoenix.

Edgeworth: Your attorney is a runaway train with a one-track mind. Yet he placed all of his faith in you. Believe in him. You owe him that much.

Leona testifies, and says that when she found the victim, he was stabbed with a scalpel.

Here is where things get weird.

Scalpels Can’t Kill People

So basically earlier in this trial, they talk about how Leona knew that the knife that stabbed the victim was double-edged despite being buried in his chest. The judge questions if this means Leona killed him, but Phoenix is quick to say no, she was searched when she entered the courthouse and couldn’t have concealed a knife.

Yet, Monica was able to bring in her surgical toolkit which contains several sharp knives, scalpels, scissors, etc.

This is the first major contradiction.

Leona continues to say that when she found Monica, and the scalpel stabbed in the victim, she also ran into Governor Miller, who if you haven’t been able to tell yet is the Gant-equivalent of this musical. He offered to help her with the cover-up, etc.

The next bit goes a lot like RFTA. Phoenix accuses Governor Miller, who barges in, says Phoenix has the decisive evidence in his pocket. This is the “butter knife” that Phoenix took from his office when he dug around in confidential documents and stole it for no particular reason. It has Monica’s fingerprints on it! ... And Phoenix’s and Maya’s too probably because they were handling it without gloves, but they don’t mention that part.

Leona cries about how she shouldn’t have trusted Phoenix because he was apparently now blaming Monica, Monica looks terrified, she and Leona have some good sister moments but it’s not as good as it could be if the story was actually about Leona and Monica like how RFTA was about Lana and Ema. But Phoenix has the decisive piece of evidence that can turn this around.

It is this:

Phoenix: Scalpels are made for medical incisions, not stabbings. So how did it stab the victim?

...

... What?

So like. Yes, scalpels are made for medical incisions. Medical incisions often involve cutting through flesh, very easily. As a result, they are sharp. Extremely sharp. As in: their purpose is literally to stab people, very specifically.

Yes, they’re easier to control, so that surgeons don’t regularly stab people how they’re not supposed to be stabbed, but it’s not like, impossible to stab someone in a killing way with a scalpel? Admittedly, I have never tried to kill someone using a scalpel. And I do not have experience using a scalpel for surgeries because I am not a surgeon. But I’m pretty sure, if you take a sharp scalpel, and you stab someone in the chest with it with a reasonable amount of force... they die.

Like, is this a particular kind of scalpel that is not very sharp? Is the problem that the blade doesn’t match up with the initial wound? But even then, we don’t have the original unforged autopsy report or even a picture, so how would Phoenix know what the original wound looked like to say it didn’t match up? And even then why wouldn’t Phoenix say that instead of SCALPELS CAN’T STAB PEOPLE???

This is his decisive contradiction and it makes ABSOLUTELY NO SENSE TO ME!!!

Well Darn I Guess Scalpels Can’t Kill People

This is such a decisive piece of evidence, that scalpels can’t kill people, coming from the man who thought “caught red-handed” does not involve being caught standing over a corpse with blood on your hands, that it causes Governor Miller to confess.

Unlike Gant, who created the murder with Neil Marshall both to ensure that there was decisive evidence to convict Joe Darke, a serial killer who had not left any decisive evidence behind, and gain control over the prosecutor’s office in order to pull similar stunts to get criminals convicted using false evidence, Governor Miller does not have that as his motive. After all, he’s not a police officer. Instead, he ended up accidentally killing not-Joe-Darke, and then set up the incident in order to get Leona on his side. As her parents were both influential lawyers and very respectable, having her and her parents’ reputation on his side could help him become President of America Where This Takes Place.

So, let’s just take a moment to run over some of the things that made the original Rise From The Ashes great, in my opinion. Just for fun.

1 - The heart of the story between the Skye sisters. Lana closing off to protect Ema, Ema wanting to get through to her sister and get back to the way things used to be. Phoenix, in this story, is more of a bystander to this plotline rather than in the heart of it himself.

2 - Edgeworth’s Character Development. Basically RFTA creates an interesting transition between Turnabout Goodbyes and JFA. It causes Edgeworth to re-evaluate everything he knows about being a prosecutor. So quickly on the heels of Turnabout Goodbyes, it crushes the last bit of hope in him. It compares him to Gant, who also hates criminals, and forces him to wonder if his hatred of crime will one day lead to him being a criminal himself. He’s already convicted one person on forged evidence; how many others could there be?

3 - The Ends Justify The Means. ... wait come back, don’t leave. What I found neat about this case was also Gant’s motive. At one point he was presumably an honest person who hated crime and wanted to stop criminals. But over time in the police force, he became corrupted. He wanted to have all criminals convicted. So what do you do when you don’t have the evidence to convict them? Joe Darke was a serial killer who has killed several people and may have killed more if he’d gone free. The only way to stop and convict him was by using forged evidence. Other criminals could hide evidence to get away with their crimes, so people like Gant would make it up to catch them; but then when do you stop? What happens if there’s no evidence because someone is truly innocent? When does the line between “this person is a criminal and I want to stop them” and “I just want to convict everyone I’m dealing with” become blurred? This is also something he shares with Edgeworth and helps to advance his character.

All three of these things are either lessened or outright ignored in this musical. Leona and Monica’s story takes a backseat to Phoenix and Leona’s Love Story, with Monica only showing up halfway through, and mainly as an excuse as to why Leona is withdrawn. Edgeworth doesn’t seem to blame himself for the forged evidence he used, and doesn’t have a crisis questioning his morality over it. And Governor Miller’s motive is purely power. Unlike Gant, who would have become Chief of Police whether he solved SL-9 or not, Miller needed Leona to win the presidency. And instead of asking her to help him with his campaign like a normal person, he just blackmailed her instead.

... How do you play the games seven times and miss this much?

The Case Finally Ends

god. we’re almost there.

The case ends, Leona is declared not guilty but will still face trial for covering up murders and such. Probably less of a sentence than Lana because she was not involved in ongoing police corruption? Either way she’s dead in three years, so she’s got something a bit more concerning coming up.

She’s led away. Phoenix sings a bit about Leona before being interrupted by Edgeworth... who has something important to tell him.

Edgeworth: You awakened within me those once-cherished emotions I had discarded. I see visions of a distant, nostalgic past.

So basically this is the unnecessary feelings of the musical. Something along the lines of “seeing you again and fighting for my former ideals is making me question many things about myself.”

How does Phoenix respond?

Phoenix: Edgeworth... Try talking normally for a chance.

Sure, we were all thinking it, but that’s a little cold, Phoenix.

Edgeworth tries a smooth recovery.

Edgeworth: I don’t do... idle chit-chat.

This doesn’t accomplish much. So he leaves to allow Leona to visit with Phoenix alone. He’s got to go change for something more important coming up.

Leona and Phoenix decide that they’re going to get back together once Leona is done her sentence! They make a promise that is very funny if you know she’ll be dead in three years.

Phoenix: I’ll be waiting. For you.

There are a lot of hugs here, I’m not screencapping them all. There are also several moments where their faces get very close together and like, their nose brushes the other’s cheek or something, but they never actually kiss. Is it because the actresses weren’t comfortable with it (valid), or they thought kissing would be too much for the musical (sure, whatever), or since both characters are played by women the show staff did not want two women kissing on stage (probably the real answer)? I don’t like watching kisses, but I kept bracing myself for one and then it never happened, so.

Phoenix ends the main part of the musical with one last musical number starring my personal favourite piece:

Phoenix: I want to bring you back! I believe in you.

I like to think that at this point, this is present-day Phoenix, after finishing his reminiscing, still desperately wishing he could bring Leona back from death.

But alas, he cannot. And so, after one last daydream of them dancing together on the beaches of California, singing about their love, the musical ends.

Dance Time!

This starts at exactly the two hour mark, if you’re interested in watching what is, once again, one of the only fun parts of this musical.

Seriously, Edgeworth’s actress kills it here, when I first saw this I went “oh, this is why I saw so many people being gay for her on twitter.”

Edgeworth’s song is an encore of “My Rule”, so it’s lots of fun. Afterwards Phoenix gets another fun piece.

Then we get to the love ballad part, which I can probably overanalyze, I feel like I haven’t done enough ridiculous over-analyzing in this essay in comparison to the other.

Uhhh so the fog represents how Phoenix feels lost in this world without Leona. You can see it in the second screenshot separating the two of them, representing the barrier of death between the two of them. Idk it’s midnight I’m getting worn out from having to think about this musical for so long.

But his mourning over Leona’s death becomes even more apparent in the credits, where Phoenix sings that one line again:

Phoenix: I want to bring you back! I believe in you.

I’m not fixing that screenshot, I think it’s oddly fitting, in a way. That’s me right now.

Then at the very end, he sings this song.

Phoenix: I’ll spend... this eternal life... soaring through... the heavens!

Technically, this refers to his name Phoenix, but let’s dig a little deeper. He spends the rest of his life soaring through the heavens... the heavens that Leona went to after her untimely death, perhaps?

Overall, the musical becomes much more interesting when you just see it as a prequel to the second musical. This musical establishes many core concepts of Phoenix’s character: his refusal to believe in the concept of things changing, for one, and also his extreme dependency on Leona who he was never separated from since they were kids and where he based his entire life around her dreams and ideals. All he can think about is her. And in the end, he promises to wait for her in California.

Yet, to paraphrase Miles Edgeworth, all that is waiting for him is her death. Their dream of opening up a Mom & Pop Law Firm will never come true.

Thanks again for bearing with me even though this wasn’t as funny!

#ace attorney #phoenix wright the truth reborn #idk maybe someone wanted to know what the first musical was like without actually watching it?#my essays #my posts #i'm TIRED i'm going to BED goodNIGHT #this is less funny jokes and more actually criticizing the musical #because so much of this is like. wow. you really thought that was a good idea huh #just skip to the feenie sweater part honestly that's the funniest part of this musical

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actualbird · 2 years

Text

// main story 6.1 spoilers, reactions from 06-03 to LITERALLY THE END LMAO, I BINGED IT I FEEL LIKE I ATE A WHOLE JAR OF CANDY aND THIS POST IS SO LONG OMFGKJFG

HHHHHHH

pls...this is such a sweet thing for mc to say [pleading emoji]

and then im immediately hit by the absolute hilarity that arTEM'S FATHER IS A JUDGE, LMAOOOO. IF IM NOT MISTAKEN, the specific judge mentioned, thats the male judge with the greying hair and the closed eyes we see in murder court, right?? NO RESEMBLANCE WHATSOEVER KAJBFKASJFA

also omg? artem's mom's ENG name isnt the translated from CN server placeholder An Wing but....Kimberly Garner. i got pretty attached to the name "An" but thats fine. what im more interested in is how she kept her surname, girlboss, but also does it have something to do with the whole nepotism shebang? or was it just a personal choice? idk, nitpicky thoughts HAHAKJDSBKFJD

that being said: MANNN, i already talked a lot about artem being a legacy kid from a legacy family but. WHY DIDNT THE RUMORS ABOUT NEPOTISM EVER CROSS MY MIND OMFG. YEAH. ABSOLUTELY, if people knew his dad is a super high ranking judge and his mom is super renowned law prof, ofc theyd think they got to his position thanks to nepotism. very interesting to me!!

AVA KENDRICKS PLS CALL ME, U R SO PRETTY AND PROBABLY EVIL BUT THATS FINE, NOT A DEALBREAKER (I JEST, SHES SO PRETTY THO)

and then boom, another thing thats living in my mind rent free that was very small but STILL

sublimely interested in how neil played into the beginning of this chapter. i hope the story maybe digs deeper into artem and neil's relationship before neil's disappearance....

also wAIT, THIS IS FROM EARLIER THAN THIS POINT IN THE STORY BUT I GOT REMINDED OF HOW INTERESTING I FOUND THIS BIT

all this time i had thought that the og nxx team was just neil and giann vs. the world

but huh! vyn was with them! implied to have been there from the beginning, maybe? this piques my interest cuz like, at first, i thought vyn would only have been connected to giann cuz of the research center. but if he was og nxx, he must have gotten some kind of close with neil too

so like, maybe vyn has personal stakes in the missing persons boogaloo afterall. for Both People

anyway, darius morgan is the funniest person alive

my MAN. U WORK HERE AND UR THE BOSS, HOW DID U FORGET IT'S A NO-SMOKING AREA LMAOKDSJFBSDK

AND THESE AS WELL HAD ME LAUGHING KFJABKS

a SCATHING grade from artem wing and also the most perplexing mid-story debate ive seen thus far akjfbaksjfkas

ugh uuGGGHHHH THE S CENE WHEREARTEM TIES HER SHOES

WHO GAVE HIM THE RIGHT TO LOOK THAT CUTE

WHO ALSO GAVE HIM THE RIGHT TO SAY THIS ADORABLE TIDBIT

I NEED TO SEE KID!ARTEM WITH HIS VELCRO STRAP SHOES POSTHASTE!!!

and then

jerry and the narrative and mc and artem: the apartment is quite small

the apartment: looks roomier than luke's place kjKHBSDKJFSBDGS

and then

it is CRIMINAL that the story drops on us that artem swims on a regular basis. and we have NOT gotten an IMAGE OF HIM SWIMMING. skadi invite doesnt count, hes not swimming, hes just Standing In The Water, i wanna see artem wing doing a backstroke thru the pool

and THEN

mc: how long can you hold your breath?

artem:

me: haha. this is specific. so artemcore, to give the exact time down to the second. this totally didnt make me go "oh god" cuz i have....certain context i saw from the cn server version 6.2 trailer i watched way back when. HAHA. THANKS FOR THE SPECIFIC ANSWER ARTEM.....

none of these reactions ive typed are intelligent in any manner, i will think smart thoughts on ANOTHER DAY. TODAY, I PROCESS WHAT IVE SEEN AKJBFKJSAFA

#tot spoilers #dootdootdoot #oh god waiT. MY BINGO CARD!!! GOTTA CHECK!!

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wickedpact · 3 years

Text

A ranking of all the TTT stories in order of how much I liked them.

(Oh god this is so long)

1 My Mother's Axe

BABY ANDYYYYYYYYYYYY. Honestly this one had the trifecta of developing a character's motivations, developing a character's backstory, & developing their personality. The story starting out with Andy teaching Nile to use the axe was so charming and fun, and you could feel that chemistry they had in Opening Fire, the way they teased and bickered with each other so naturally. I loved the wedge between them on the subject of the axe, how Nile was perhaps a little too young to understand Andy's feelings about whether or not its the 'same' axe. I also love how the axe is obviously the symbol of the franchise and hugely important, but you never get a sense of exactly how important it is to Andy until you read the story.

I love the entire Ship of Theseus theme, and how it feels so natural that for Andy she has to get attached to the idea of things rather than the things themselves because she'll always outlive the things themselves-- the axe is symbolically her mom's axe, even if physically it isn't. And I love how she clearly clings to that concept so tightly. "This is the labrys she held in her hands...." IT GETS ME.

And the fact that this sense of BELONGING, of FAMILY, of CULTURE is so important to Andy that she clings to it (figuratively and literally) with both hands. And of course it's important to her, she spent so long alone that the woman doesn't even remember her birth name. That axe (or the idea of that axe) is all she has left of her mother and that family/culture she was born into.

PLUS on that note I love how Andy doesn't remember if her mom was her actual biological mother, but it doesn't matter to her. This woman was her mother in all the ways that counted. And how her mom BETRAYED AND KILLED Andy but Andy loved her so much that she avenged her and carried her axe for thousands of years. THOUSANDS OF YEARS!!!!!!

I also loved how the story transcends the timeline of the whole franchise and seeing Andy through the years. Loved seeing her with the varying squads and with varying axes. Also baby Andy was so cute. It was cool seeing her so young. like holy fuck. Andromache The Scythian, Immortal Warrior (but smol). Love that.

Also I think this one is one of the few ttt stories that doesn't suffer from length problems.

tldr: goddammit greg you've done it again.

2 Zanzibar and Other Harbors

Zanzibar my beloved. I've said before, but it's downright comedic how little regard there was for Joe and Nicky's character designs in this story. The same person who does the colors for the regular comic did the colors for this one too, and you can tell, every panel of this story was Beautiful.

Ik there was A Lot of criticism of this one (lmao @ how the fandom had no idea what was to come) but I thought a lot of The Discourse was a bit dramatic. I did think Nicky came off as a little oblivious to Joe's feelings in this story, but I've said before, I honestly think that was a 'tone not translating' thing. It felt like Nicky was nagging Joe for [checks notes] saving innocent people, but Joe was so amused by Nicky's complaints I really do think it was supposed to come off as teasing.

Plus I know the 'Joe running off into danger and Nicky reluctantly following' dynamic wasn't popular (I'm a pretty meh on it meself) but I did love how Joe's impulsiveness (if you want to call it that) was interpreted as heroism and not hot-hotheadedness. All of the examples Nicky and Joe talked about included Joe explicitly saving people. (and it also took A Lot for the nazi to actually provoke Joe).

I also feel like their characterization here was closest to the movie canon-- the bit where they hear the woman scream and Joe goes running in to save her while Nicky swoops in on Joe's heels to comfort her while Joe and the nazi were fighting reminds me of the train car scene. Joe had suggested First that they go find Nile because she needed to be protected, and Nicky later added that Nile probably also needed emotional support. Similar reactions.

But it was So Good, the themes of queer community and the enduring nature of queer culture are Not themes you see in media that often and it was such a delight how it was done. Also it's one of the few more modern TTT stories that has a completely valid excuse for taking place when it did. Chef's kiss.

3 Passchendaele

I love the Duality between seeing baby Andy and then seeing Mama Andy in the very next issue. This story doesn't have a ton of meat to it, but the entire concept of Andy adopting a war orphan straight off the battlefield PLUCKS MY TENDER LITTLE HEARTSTRINGS, and I think it's especially poignant for comic!Andy. I think most people wouldn't think twice about movie!Andy doing something like that but comic Andy is so hardened and almost cruel sometimes, and seeing that even for her the world hasn't beaten all of the compassion from her yet is SO!!!!!!! this woman contains MULTITUDES okay, she's violent and angry and tired and Done but she's also so kind and compassionate and THE STRENGTH OF HER!!!!! Also the idea of her and Yitzhak co-raising a kid together is so damn cute. It was #mysterious pre-Yitzhak-story but now it's cute. holy fuck. It's cute.

& the headbonk panel of her and Zeus lives in my heart. anyways.

4 Many Happy Returns

I Know people weren't thrilled about Booker being in this one, but I've developed a pet-peeve about that: this story was *not* booker-centric. Booker only exists in this story to the extent required to explain the importance of the gesture Nile makes towards him. If there was a story about Booker making some grand gesture of kindness to Nile no one would be saying it was Nile-centric. bc it wouldn't be! Booker exists in this story to explore Nile's kindness, its not about him. I saw that a couple times and it bothered me. anyways.

AAAAAAAAAA I loved this one, the art was beautiful, I loved how Andy Nile and Booker were drawn (like their comic selves but.. more looking like actual people). I loved Andy and Nile's Bants, how Andy wanted to jump right in and Do Violence but Nile was basically telling her to hold her horses.

I feel like I'm just repeating the post I made on this story a few days ago, but I LOVED how Nile's plan revolves not around violence or Cool Mercenary Skills but on Nile's own life skills (as she canonly did a lot of minimum wage job-hopping before the marines in comics canon). Her plan used her skills, not the skills of an immortal warrior, and HER SKILLS were in fact more useful for the situation! lov to see Nile's resourcefulness and planning skills.

AND HOW NILE WAS PROBABLY WATCHING BOOKER??? it's so Much bc 1.) nile knew booker A SINGLE DAY and yet he made such an impression on her emotionally that she had to keep an eye on him and 2.) she said in the movie she wanted Booker to get off free with an apology. Yes she's a member of the team but that doesn't mean she's necessarily going to follow orders like a good little soldier. I also love how she convinced Andy to go along with it. her HEART, her KINDNESS, her THOUGHTFULNESS, UGH.

5 The Bear

Honestly I have like no negative things to say about this one other than a.) character design issues which is less about the story itself and is more of a 'tog comic in general' criticism and b.) too short, but it was supposed to be a tease, so.

But I loved Yitzhak, I wasn't expecting to really like him at all but like I said in my other post, he tickled me. I love characters who are Kind™, especially if they have little reason to be so given their backgrounds. Chef's kiss. Lov him.

6 Bonsai Shokunin

I know this one was a little controversial bc of the outsider POV but whenever I see people upset about that they never point out that the Outsider Guy (the samurai) existed as a reflection on Noriko. His ideas are explained in the text to develop hers. The whole story follows how she gave mercy to a scared young man and in response he murdered Noriko, repeatedly! Who gave him the right to inflict such pain and suffering on the world? In his opinion, the lack of response from the gods was his permission. And for Noriko-- over and over again she dies and suffers because she gave mercy, which lines up with her ideas in FM about how it's their fate to rule mortals and if they don't align with that plan/fate/whatever then they suffer. It shows some background to those ideas and how they developed in her mind outside of Ocean Madness™. Additionally, his idea of 'the Gods have done nothing to strike me down so it's fine if I do these things' kind of explains how Noriko may justify her own morally corrupt actions-- she's died so many times and it's never stuck. Maybe if she did die any of those times, or while she was in the water, maybe that would've been a sign she was doing something right, or at least doing something normal. But she hasn't died. Fate isn't done with Noriko yet. And maybe there's a reason for that. In her mind, it's just not a very pleasant reason, is all.

There were things I was kind of meh about tho. I did kind of wish we saw something of Noriko and the team, or smth explaining the way she was before her dip in the pool-- personality, likes dislikes, etc. but it wasn't bad or anything. It was super vague tho, I had to read it a few times before I got what it was going for. Liked the art. Liked the bonsai metaphor. And of course I Respect the decision to use the 1300s (1200s? I don't remember off the top of my head) rather than using the last 200 years.

7 Strong Medicine

Honestly looking back, this one made me kind of sad because both this one and Bonsai Shokunin explored character's ideas on Fate and The Divine and how that intersects with immortality and I totally thought that theme would be continued, especially with Love Letters. But Then It Wasn't™.

Admittedly.... I had to re-read this one to remember most of it. I liked Booker's ideas on God, 'The conductor of the symphony just may not be very good at his trade' but the plot itself was kind of forgettable. Some fuckin cowboys try to kill a doctor (their second) because he couldn't save their sickly brother. Book tries to stop them, gets killed, and then comes back and kills them all before they get the doctor. Alright. I liked the artstyle because the characters were ugly in a similar way that leandro's are, but way more bearable.

I love the Irony of Booker concluding that there is no such thing as fate or destiny and nothing has meaning, AS HE UNKNOWINGLY SAVES MERRICK'S GRANDFATHER FROM BEING KILLED. Booker getting fucked over by life/god/destiny yet again. It also kind of explains about where the fuck hell Merrick's interest in immortal mercenaries even came from.

I originally had this one a lot higher and then I thought about it and moved it down like two spots.

8 Never Gets Old

I liked seeing Booker interact with his kid. And we got a name for the kid! Philippe was a little bitch though, he was a little obnoxious. I liked how Booker was so thrilled to experience a restaurant with his kid (and since we know he was there before, it can be assumed he went with all of his kids and yet he was so charmed each time). It fits with his line to Nicky in the moon landing story about how you don't appreciate beautiful things 'unless you have someone to share them with'. It was charming to see Booker interact with his kid, and to see him so happy. Also lmao @ Booker's big fat Ye Olde Crush on Andy.

However at the same time it was like.. of all the things to write about,,, I guess? Booker's Night Out...... alright. Especially since Book had so many stories.

I don't know, it was alright. The old man killing him really came out of nowhere, (but the 'Salut, asshole!' panel was funny tho).

9 How To Make a Ghost Town

I've hit a point where talking about these stories has gotten less fun. I liked this one but I felt like Achilles getting lynched was not really necessary for a story that was already tragic (a story that already involved Achilles doing a lot of suffering at the hand of bigots). When we first got the blurb for this story I thought it would be about Andy returning to the squad and making friends with Booker after losing Achilles and them butting heads on the idea of family and when to cut off ties. So a little bit of my underwhelmedness about this one might be just my expectations being different.

Honestly I was pretty interested in Andy and Achilles' relationship and I would've liked to see more of them-- like, what was their dynamic like? What did they love about each other?

But anyways Andy leaving and Achilles getting killed anyways feels so pointlessly tragic (which I suppose is the point..... I don't like tragedies) she left to save him and yet people killed him anyway. Meh.

I did love the bits about Andy wanting to have a domestic life (Andy and her multitudes again) and the little detail about how she buried her axe near the road but he buried his guns under his bed-- he was an escaped slave, he never had the luxury of assuredness like Andy did. It was a sad story.

10 Lacus Solitudinis

'You put this one above love letters crim??? how could you???' easy, lmao.

There was stuff in this one I liked. But to talk about stuff I didn't like: (I'll keep it brief, I know ragging on this story has been done time and time again)

UH, setting aside the 6 year cold shoulder between Joe and Nicky, I thought their chosen method of conflict resolution was... bad at best. Nicky's inability to talk about his feelings was also annoying, especially since the entire point of this story is a fight Joe and Nicky had, and yet we don't get both sides to the story, which is...... important? That fact is especially annoying bc in the absence of Nicky explaining his side of the story, it's absolutely a possible (and admittedly probably unintentional) interpretation of the text that we do get that Joe routinely resolves conflict between him and Nicky by simply cutting Nicky out of his life entirely until Nicky just. caves? Even if it takes years?

WHICH i could get into that interpretation and how fucked up i find it. but im not going to. out of restraint.

I don't know, I think there are a lot of interesting ways to go about this conflict but 'Nicky wants to kill a guy and Joe refuses to acknowledge his existence until he stops because he thinks Nicky is too much of a Good Boy to get his hands dirty like that' ('I wont watch as the world turns his (...) compassion into something ugly'. ) wasn't.. how I would've done it. (I mean you know Joe doesn't give a shit about what Nicky is doing in a moral way, because Joe doesn't even care or mention that Booker is killing those cops too. Joe only cares because he doesn't like the idea of Nicky changing in a way he finds undesirable.)

admittedly I've said before, I do like the emphasis Joe's reaction puts on Nicky's kindness. Joe has a complete inability to cope with Nicky simply Not Being Kind. It speaks to the steadiness of Nicky's compassion all those years. but still that fact doesn't make it the conflict feel worth it

hm. I said I would be brief and I wasn't.

oh well. basically I thought there was interesting conflict potential there but it wasn't done the way I would've liked, and the way it was done leaves a lot of disturbing (and again probably unintended) interpretations to lie.

What I did like? Andy and Joe having that pessimist/optimist dynamic. Joe nerding out about science. Andy not being impressed by The Achievements Of Man. I loved Booker needling at Nicky about his outdated slang and also trying to give him Older Brother advice practically in the same breath. I loved Booker giving The Worst relationship advice ever and Nicky being like 'I Will Not Do That, Ever, Thanks.' the family vibes were so good. The Joenicky vibes left a lot to be desired tho.

11 Love Letters

I talked about my problems with Nicky in this story (and Lacus Solitudinis). I don't know, the story isn't bad but I do hold a little bit of a grudge towards it because its very existence begs the existence of a solo Joe story and we didn't get one. If we never got this story, then we could happily count Lacus Solitudinis and Zanzibar as The Joenicky Stories™ and move on with our lives. sigh.

I remember when we first got the blurb for this story I was really curious about why Nicky specifically + the setting, and the answer kind of feels like 'the author had an idea for a story like this and saw ttt as a good enough place to utilize that idea'. Plus I was really underwhelmed by the Romantic Sentiment in the letter. If you look at it line-by-line, the majority of the letter is actually Nicky talking about how lonely and disturbed he is, rather than actual,, yknow,,, Romantic Sentiment. I mean, compare the van speech and this letter and this letter is just kind of meh in comparison. I liked nicky calling joe wise! and I liked the brief sun/moon metaphor! and otherwise it was eh. It didn't even have cute squad banter, which is why Lacus Solitudinis is above this one.

12 An Old Soul

Nun orgy. Nun orgy?????? Nun orgy.......

The whole story felt like a setup to have a nun orgy. Why did Booker have abs? Why did they do that to Andy's nose? ?????? the art was good at least.

nun orgy.

#tales through time spoilers #obviously #long post #seriously dont open that read more unless youre committed to scrolling past all these Words

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angeli-marco-writes · 3 years

Text

Elizbeth Debicki - Reunion Revenge

A/N - I love Elizabeth with everything I am, I'm sure I've said this before. I don't know why there aren't more fics about her. As always, I do not know Elizabeth, nor do I claim to: this is a work of fiction and wholly my own. I mean no disrespect to any of the careers mentioned at some point in this, just bear with. This is a set at a high school reunion, but I went to a private secondary school in England, so my experience is obviously not everyone else's. Reader has a twin brother, have fun with that. I also based this on a Tumblr post I saw, and thought that would be a swell concept to work into a Liz piece of writing: ‘never understood the whole showing up at your high school reunion revenge fantasy cause, like, really? high school?? I don’t want anyone from that time in my life to have any idea where I am or what I’m doing. do not perceive me I am dead to you and you are dead to me.' 8k.

Warnings - a little angsty, mentions of bullying, smoking, mentions of homophobia and slurs, wlw explicit smut, fingering, sex toys (strap-on), bathroom wall sex in a semi-public place, the whole shebang (literally). 18+

Summary - At first, when your brother roped you into attending your high school reunion with your wife, you hated the idea. Now, all eyes are on you, all the focus on your career, and maybe this is the revenge you always needed, of course aided by Liz's quick thinking and hidden surprises.

AT THIS CURRENT POINT IN TIME, you would more than happily murder your brother for roping you into this. And for convincing Liz to come along, which is somehow worse than your own enforced attendance, as though your presence will make any difference to the people who made the seven ‘best’ years of your life a pure living hell.

Your brother did have your back through it all, and considering that he was supposed to be the best one to succeed, he needs you there for some moral support after his career took an unfortunate nosedive that everyone is undoubtedly going to be gawking over.

You never understood the whole ‘showing up at your secondary school reunion revenge fantasy,’ but that’s mostly just because they don’t deserve to know who you are anymore. They broke you continually, and you’re past it now: the only thing that could take you back to that mindset is being back in that great hall with the gossiping busybodies. It’s not your fault that you were a closeted gay for so many years. Well, that’s another cause of concern. Notorious homophobes, and you’re bringing your wife.

“Come on, honey, we have to go inside.” Liz tells you, her long fingers curling around yours affectionately.

She has a point. You’ve been in the car park for ten minutes now, your knuckles turning white on the steering wheel. Her continual lavishes of kisses to your neck seem to be the only redeeming factor of your procrastination.

“Hmm, kiss me first.” you say.

She doesn’t disappoint, curling your hair behind your ear—wearing special diamond earrings she got you on your second anniversary—and catches your chin tenderly between her polished forefinger and thumb, tilting your face up to meet hers, her lips slanting over yours, melding together perfectly.

She’s the only good thing about this situation, about any situation: the only reason your brother was able to bribe you to come. Your main qualm about today is that you don’t want anyone from that period of your life to have any idea where you are or what you’re doing. You’ve been dead to them for years, and they to you. You don’t want them to perceive you whatsoever. But maybe, with Elizabeth on your arm and a brilliant career under your belt—everything you ever wanted—you can reap revenge. No one is in touch with you, so your arrival will be such a surprise, not that you exactly care about that, having blocked out and repressed a whole lot of that time period. You wouldn’t be able to even do this without Elizabeth, though.

“Liz,” you moan when she nibbles on your lower lip in that signature way she does. “We can stay here, we don’t have to go in.”

You shift your hand over the centre console to rub over her clothed thigh, your grip more than a little suggestive, prying further up…

“No baby,” she coos, “later, I promise. We’ll be late.”

You grumble, but only momentarily. She has a point, and a thing about being on time to everything. So you load out of the car, Liz coming around to the drivers side where she offers you her hand. She’s more chivalrous than any guy you ever pretended to date, an absolute gem of a person. You don’t even get jittery on the short walk inside, not with her thumb caressing your hand, your legs brushing together.

You can’t say you’re surprised when, at first, no one even turns to look at you, though relief floods your system, Liz bending down to kiss your forehead in a conciliatory manner.

“Oh my God, y/n, I’ve been here twenty minutes! Why didn’t you pick up?”

“I was busy,” you say to your overzealous brother who is suddenly hounding you, attaching to your side.

He bristles, visibly shaking off his discomfort, before he’s linking his arm through yours and is tugging you along, out from beneath the wooden balcony, tugging you away from the shadows.

The hall is the exact same as it was both when you came and left the school, oak panelling everywhere, great glass windows stretching to the ceiling with sills too high for anyone to climb onto, a stained glass shrine above the stage. Put-me-up tables are littered around, sheathed with white cloths and ribbons with your school emblem on them, decorated with drink dispensers, mugs, wine glasses and cheap biscuits. The whole… scene brings back that awful sense of dread you got when forced to sit here, in tacky red woollen chairs, frayed and bobbled, that itched your legs, every Monday and Friday for assembly. It’s a beautiful room, truly, with a reinforced floor beneath the original boards, slightly splintering beneath your low heels, and you know every nook and cranny, every escape route, but the bad memories tarnish the space.

Liz, darling as she is, senses your discomfort, and creates small talk with your brother as you’re steered between groups of people you scarcely recognise until you reach the apex of the room, where his old friends stand, hunched over in ill-fitting suits, brooding over their brandy, no doubt complaining about their dead end jobs and lack of girlfriends.

“Hey buddy…” one of them says, trailing off once he hears a woman's voice, his eyes darting up—first to Elizabeth, then down to you. “Your sister and your girlfriend? Dude, she’s hot.”

“Isn’t she just?” Liz teases, a malicious smirk creeping onto her lips.

You haven’t even noticed, but some subconscious part of you has tucked your joined hands behind you, covered by Liz’s long, flowing dress.

“How you doing, wait, I know, don’t tell me…”

“y/n.” you snap. “Fine, thanks.”

“Well that’s good, good, isn’t it? I was just gonna call you mini y/l/n—”

“Don’t, that isn’t my name anymore.”

His eyes dart down to your left hand not held by Elizabeth’s slender fingers, instantly noting the glistening silver princess-cut ring nestled above a platinum wedding band.

“Married? Nice. No wonder the guy didn’t come,” another one chimes. You’re not entirely sure what he means, though it’s undoubtedly a dig at the fact Elizabeth is far hotter than you are.

Your brother is slowly growing angrier and angrier, the cords of thick muscle in his shoulders tensing, his nostrils flaring, his thinned eyes conversing with Elizabeth’s blues over the top of your ducked head.

“Yes, well,” you play along, and desperately look to your brother to continue the conversation.

“What are you all doing for work now?”

Everyone gives a boring answer: salesman, accountant, finishing up law school, working in an office, with one trainee chef in the mix. These men have all just done what the school or their parents expected and wanted them to do, no one has any ambition. No wonder you were always the odd one out.

“What about you?” the chef asks your brother.

“Oh, I’m on a sabbatical at the moment,” he replies sheepishly, eyes suddenly training on the floor before turning quickly, fixing on you. “My sister’s done really well for herself.”

Their surprise is palpable, seeping off them, dripping onto the floor via the loose threads of their cheap blazers.

“Yeah, I’m a translator for political and legal proceedings, you know, with cabinet ministers from all over the world, those who speak the languages I do, at least.” you answer pridefully. Your talents always were overlooked when you were at school, apart from by one special teacher, whom you haven’t actually seen yet.

“She’s marvellous, really,” Liz says, and you can’t help but feel a hint of guilt from neglecting her for so long, so you squeeze her hand a little tighter, and rub your thumb over her wedding ring. “I’m gonna get us some drinks, babe. What do you want?”

“Red wine would be lovely. Unless you want me to drive home?”

She pecks your lips, “Of course not, enjoy yourself. You want anything, mate?” she turns to your brother.

“I’m good, thanks.” He mock-salutes.

“Don’t be long,” you warn her, swinging your hands out from their cover with a sudden flush of courage, and detaching them.

She looks down at you curiously, but her smile quirks into a smirk the second you pinch her hip and lean up on your tiptoes, capturing her pretty pink lips with yours, swallowing the small surprised gasp that escapes her. You can feel eyes on you all over the room, the situation genuinely feeling as though everyone besides your brother is staring upon you with disgust as her lithe arms wrap around your body, her one hand straying lower than you were prepared for, arching into her chest as she nibbles your lip again, your one hand cupping her flushing cheek.

A moment later, she’s releasing her hold and strutting away, all eyes then glued to the sensual sway of her hips, her long legs carrying her across the room faster than they thought possible. Then again, being 6-foot-3 as a beautiful woman is quite the surprise to people, they all expect her to be garish, uncoordinated, and though she’s clumsy at times, she’s certainly better at general levels of human functionality than you are.

“Dude, stop staring at my wife’s ass.” you hiss to the first man. If only they were worth your bother or time, you might have remembered their dreary names.

He splutters for a moment, bringing a ring-less left hand up to loosen his lilac tie. “Wife? What the fuck? How are you married to a woman before we are!”

What a mystery.

“You gay or something?” the trainee lawyer chimes in again.

“You got a problem with that?” your brother accuses, puffing up his chest pompously.

“Well, no… just surprised.”

“Astonished.” another pipes up.

“Isn’t that a big word.”

You showed the tell tale signs of being a lesbian for years, the popular girls all pretended you were preying on them in the changing room, calling you a d*ke for years until you reached the point of just changing in the bathroom to stop yourself from snapping at them. They must’ve always had a hunch, and why ever they thought Liz was your brother's girlfriend is beyond you. Men truly are more trouble than they’re worth.

“Yes, I’m gay. Yes, Elizabeth is my wife. I didn’t realise this would be earth shattering information.” You cast your eyes up to the ceiling, erected like a great old Church steeple, and shutter them for a moment, gathering your bearings. “I’m going to find Liz, little man. Told you I shouldn't have come.”

“Don’t call me little man!”

“I’m ten minutes older than you, I’ll call you what I like.” you tease, sticking your tongue out childishly, receiving a sarcastic sneer from your brother. Right now, all you want is Liz. “I wish I could say it was nice to see you all again, but then we’d all be liars. Goodbye.”

They gawk in a greatly uncouth and infantile manner as you stride away, pep in your step as you approach your stunning wife, wrapping your arm around her stomach as she waits for her tea—English Breakfast, naturally—to cool down.

“Hey beautiful,” you greet.

“Hey, you. What happened?” she asks, instantly noting the sallow bags that have swiftly formed beneath your eyes.

“They were being arseholes, c’mon, let’s just stand in the corner until it’s socially acceptable to leave this hellhole.”

“We can go now if you’re uncomfortable, baby.”

Ever the forward, sympathetically thinking wife.

“No, no. I came here, I’d better make it worth my while.”

She tangles her fingers with yours, “Okay darling. Say the word, we leave.”

There aren’t words for how safe you feel thanks to Elizabeth, even just with this fractional amount of contact from her. She’s the answer to all your prayers and more, the thing in life you'll never deserve. Her love for you is endless, her affections infinite, and every day, you fall more and more in love with her, especially when she’s as kind as she is now.

It barely takes five minutes, the two of you hugging, kissing, leaning against a broad oak pillar, half shadowed, for someone to approach. One of the girls you despised, costume jewellery on her wrists, a self aggrandised smirk painted onto her fake lips. Martha? Mabel? Maddie?

“I heard you were here,” she starts, placing her tackily manicured hand onto her hip, “it’s so good to see you! How are you?”

“Great, thanks.” you say blandly, keeping your attention on Elizabeth’s hand entwined with yours.

“This is your… friend? Why did you bring a friend to this?”

She laughs mirthlessly, such a fake sound—like this cow's boobs—it makes your primal instincts flare. Elizabeth holds you impossibly closer, her arm around your waist tightening as you seek solace in her.

“y/n and I are married, thank you. I don’t appreciate the homophobic, disrespectful insinuations.”

She stifles another laugh, “You’re punching above your weight a bit aren’t you, y/n.”

“Don’t rise to it,” Liz headily murmurs in your ear, sending pleasant, calming vibrations throughout your whole body.

You gulp down as much air as you can, curling tighter into Liz, before saying what you thought all those years ago, “I’d rather be ‘punching’ and married to a woman I love rather than be a Goddamn trophy wife going nowhere, leeching off daddy’s money. People like you will never change. I’m happy, and I have a good feeling that’s more than the likes of you and your sad old minions can say.”

“Sweetheart, come on.” Liz whispers, and her hold on you increases until it begins to pinch, not that you mind, and then she’s thankfully tugging you away.

You barely make it out the door, Liz leaning down to kiss you heartily, passionately, before people are clamouring over you, what’s-her-faces friends, people you used to be in fair acquaintance with, all speaking together, their voices overlapping in what you can only believe to be expressions of acceptance.

“Um, thank you, I’ll just be back in a moment.” you say to those who bother to listen. Next thing, you’re darting out the way you came, tugging Liz down the great stone steps in front of the behemoth building, and then are leaning against the old wall, almost crumbling with rubble on the exterior at least, not as well preserved as the inside.

She joins you not a moment later, ferreting around the pockets in her skirt for the spare cigarette and lighter she slipped in earlier. Liz doesn’t condone your smoking in any way whatsoever, and in fact she’s the main reason that you quit, but she knows that when your anxiety is high during times like these, one can’t hurt. She always comes prepared.

She is definitely the most consistent, reliable thing in your life by a long shot. Naturally, you two have your fair share of ups and downs, and on the occasion you get your periods at the same time, you’re a complete dichotomy of furious fights and condoling cuddles, while the rest of the time you find yourselves in sheer throes of passion. You may be a dependable couple bound to stay together forever, but that doesn’t mean that the flame of lust once born there has even momentarily flickered: it’s why you work so well. Men are awful in bed, from both of your experiences. Only a woman truly knows how to please another woman. And in the many ways that Liz is a home-body and sticks to the safe side of things, sex is not one of those areas, and you frequently wind up in another one of her barmy—though blissfully pleasurable—experiments. Her daring never goes amiss, and you can’t help but pray that she has something up her sleeve (besides the cigarette) to dull the ache of the day, and also the growing desire pooling between your legs upon seeing have such a naturally demanding power, and looking so Goddamn stunning in her maxi dress. And the lip nibble, God—

“Before you ask, I’m not shagging you out here.” she says, lighting your cigarette with steady hands.

You inhale the smoke, allowing it to form dark halos around your head once you puff it out through pursed lips, hoping it obscures your sheepish smile and averted eyes from Liz’s view.

“I wasn't thinking about that.”

“Yes you were. You forget how well I know you.”

You shoot her a sardonic smile and take another deep drag, the bitter taste pouring into your senses, filling your lungs, calming your mind before you let it go with one long, shaky breath. The smoke has a way of revealing the air, making an artistry of its swirls and flow, something you’ve always been able to appreciate. Ever the wise one, Liz just sees the poison it’s creating within your body, and will do anything to make you stop.

The sick, intrusive thought that you might be disappointing her by this simple act alone rises a cough to your throat with the next puff, but in reality she looks so nonchalant, her eyes closed, a simple smile playing on her perfect lips as she revels in the moment, in your presence, her pinky finger looped just over yours against the crumbling brick wall. Nonetheless, the uneasiness is enough for you to stub the cigarette out under your shoe before it’s even half-way smoked.

“Baby, you okay?” she asks sympathetically, turning to face you so that her shoulder is pressed to the wall, her spare arm flying around to brush against your upper arm, thumb caressing the flesh there through your clothes.

“Yeah, course. Can we stay out here a bit, though?”

You expect her to wholeheartedly agree, because you could tell by the subtle sensing of her limber body and the sudden snap attitude she had that she was just as uncomfortable in there as you were, perhaps more so. Her reflexes may as well be yours with how used you are to them. That’s exactly how you know that she’s going to refuse your request by the almost imperceptible crest of her nails into your supple skin.

“Your brother texted, he asked you to come back in: people won’t stop badgering him about you.” She pauses, but upon hearing you huff, hurriedly leaps back in. “I mean of course we don’t have to if you’re not comfortable, this is about you, not your brother…”

But it is about your brother. You agreed to come here today to be of help to him. And besides, Elizabeth has almost as much loyalty to your brother as she does to you, the two of them having been friends before he introduced you to her. That certainly didn’t have the outcome he was expecting, but you’ve all remained close nonetheless. Mentally, you give yourself a shakedown. How could you be so selfish? Today isn’t about you, not really. Sure you’d like to make peace with your past and your old tormentors one last time before leaving and never seeing them again, but the main reason is support.

“No, you’re right,” you say after a long moment of lamentation.

“That’s a first,” Liz snorts.

You smack her playfully, “Watch it, you.”

“Hey, who’s the pillow princess around here?”

Your cheeks instantly flush. “That was one time.”

“More like five,” she umms and ahhs, but grasps your hand a little tighter regardless.

It’s a fair comment on her part: Liz does wield the majority of the power in the relationship, and is definitely more of a top that you are, but you ensure that you pleasure her just as much as she does you, it’s only fair. Apart from those few times you decided to try something new… you got tired of that pretty quickly, though, since you couldn’t go too long without tasting her while you were in bed. No matter how many times you’ve had sex, no matter how many mind-blowing orgasms you receive, your desire for her is never quite quelled. Frankly, you hope it never is.

“Stop thinking about fucking me, babe,” she scolds, and pulls you up fully standing from your temporary reprieve against the wall. “Later, I promise. Not here.”

Embarrassment heats your cheeks at the fact she so easily deciphers your filthy thoughts, but then again, she always has. She leads you back inside, and all but hands you over to your brother, practically jumping with impatience at the door to the hall.

“Thank God you’re b—” he cuts himself off, moving closer to you, imperiously sniffing your clothes. “Did you smoke again?” You nod. “Fucking hell, well, there’s another conversation topic, we’ll talk about this later. Can you believe this lot didn’t know you were gay? What morons…”

“Hey, I’m not that obviously gay, am I?”

The dead silence that envelops you gives you the answer you weren’t too keen on receiving in the first place.

“But!” Liz helpfully adds in her most cheery tone. “If you hadn’t been so obviously gay, I probably never would’ve asked you out.”

She beams even as you roll our eyes, “So endearing, babe.”

“Hurry up, this lot are arseholes.”

“I know.” you deadpan. He sends you a snarky smile.

Following him through the small clans of people meandering and congregating amongst themselves, all with some sort of beverage in their hands, you feel your hand grow clammy in Liz’s. Your mind doesn’t get the chance to run away with itself or whirr on for too long, though, before you’re pulled into a group of people—all three of you—and are all welcomed with enthused hugs and professions of well wishes.

“Oh how are you? You look so well, I hope you’ve been doing good!”

Well, you think, if they cared enough they’d have contacted you. Half of them are your brothers Facebook friends and he’s often posting pictures of you hanging out, or childhood throwbacks, and tagging you in them in plain view. Thankfully, your page is private, and Elizabeth doesn’t even have social media. She’s smart.

You engage in conversation—well, they do, you just listen and hum when you’re supposed to, making surprised faces at the right parts—about one classmate who couldn’t be here because she married a mobster and isn’t allowed to discuss her lifestyle. She isn't. She got pregnant straight out of school and is going through her second divorce: your brother saw her recently. Who are you to deny them gossip when you really couldn’t care less?

In minutes they seem to have exhausted all possible fascinating subject matters, or at least make it appear that way as they turn all eyes on you.

“So, y/n, we hear you have a girlfriend!”

Not again.

“Wife; this is Liz.”

“How are you.” she says, more by way of greeting than having any regard for them.

“Oh my God,” one woman clamours, “are you Australian? My boyfriend is Australian! Maybe you know him?”

Liz’s face breaks into a wide smile, the first one of the event. Who cares that it’s at the expense of another person's intelligence, or lack thereof? You and your brother struggle to stifle your own laughter as you loll your head against his broad shoulder, too.

“Australia is more than seven and a half million square kilometres. In context, the UK is only two-forty-two thousand. We have a population of 25 million. I’d be more likely to meet the queen and the president.” she quips. Ever the fount of useless knowledge; as are you both.

“Oh,” says the woman, casting a sheepish gaze away.

“But, um, yeah, I am Australian.”

“You’re tall,” another blatantly observes, “you look Dutch.”

“Polish-Irish. Not far off.” she says again, fixing a smile of nonchalance.

People turn to you for something to say. You have nothing: nothing to say to these awful sycophants, so you’re half relieved and half angered further when your name is called from somewhere behind you.

“y/n y/l/n!”

Great, another bellend. Star of the football team. You settle yourself after a sudden wave of dizziness from spinning on your heel to see just who was calling you, and you’re not particularly surprised, but not glad either, when he’s excited to join the dull circle.

“Actually,” you correct, “it’s y/n Debicki.”

Silence cools around the circle. What, have these people been living under rocks for the past God knows how many years?

“Oh, why?” he asks.

“I got married and took my wife’s name.” you grit out just barely, balancing from foot to foot, the wooden floor creaking around you. Some more wine would be really good right about now, but instead you just settle for an intoxicating peck from Liz’s lips, the chiffon of her skirt shifting again to reveal your held hands and glistening wedding rings.

“Oh!”

The silence is agony. Why can’t the ground just swallow you up already? Your brother's getting angry, his fist clenching, picking at his nails, while everyone else in the group is exchanging anxious eye contact. Liz and her insanely long legs could probably give you a leg-up to one of the immensely tall windows as a quicker, though slightly more problematic escape route…

“By the way, that’s totally fine.”

“Yeah,” someone adds, you can’t be bothered to look who. “We totally accept it.”

“It’s like you’re not even gay, but straight, and normal. N—not that being gay isn’t normal, just that we don’t see you any differently.”

“You’re the same y/n you always were.” one smiles at last.

Your brother is going to lose it in three… two… one…

“Oh yeah? The y/n that you all relentlessly picked on and victimised for years? The same y/n who was forced to hide her identity and everything she wanted to be for years just because you back-thinking bastards didn’t want a lesbian in the class?” he shouts, flailing his arms madly about, hissing one of the broad, tree trunk pillars in the process. He doesn’t flinch. Turning to you, he starts in a softer voice, “I never should’ve asked you to come here, I’m so sorry y/n, I was so selfish to bring you back to this hellhole. It’s no wonder you didn’t want to come with these dipshits tossing around! And Liz, you don’t deserve this either. Please, do us all a favour, and take y/n home, never bringing her back here. You were right all these years, sweet, it’s the place nightmares are born. And you scummy lot should all be ashamed of yourselves!”

His breath is ragged once he’s done with his rant, his forehead glistening with sweat, his knuckles white with tension.

“Liz, could you get him some water, please?” you whisper into her ear.

She nods affirmatively, and breaks from your grasp, steering your hunched, tense, seething brother in the direction of the drinks table.

“Thanks, I guess,” you begin, kicking your heels into the splintering oak floor, your wine long forgotten, “like, for the acceptance and stuff. But I’ve always been this way, he’s right. It’s not some earth shattering revelation, I was just too shy to come out because you all tossed slurs around like it was okay.” You take a deep breath, and in that time, Liz has returned and stuck herself to your side, your brother happily alone in the corner with a cold glass of water as you cast a glance over your shoulder. You comb your fingers through Elizabeth’s coiffed blonde hair to relieve some anxiety, and are further reassured when she presses her lips to your earlobe, glistening with the diamonds she gifted you. “Besides, this shouldn’t be a thing you have to zealously profess to accept, it should be just as normal as one of you walking in with your heterosexual partner.” As some of them have done, and no one’s batted an eyelid.

A din of agreement sounds out from them, but you know they’re all more than a little meek after being scolded like schoolchildren by your big scary brother. He’s a teddy bear, really, but when he flips, he flips.

When you arise no cohesive response from anyone, you rest your head on Liz’s shoulder, and ask, “Did you see that article on the BBC yesterday morning?”

You have no idea what article you’re on about, but one leaps in with something about climate change, and one about a rise in violent crime in the area. Thank God you don’t live there anymore.

“I forgot about that one!” you gasp with feigned surprise.

Liz looks down on you warmly, chuckling at the mischievous glint in your eye. She knows exactly what you’re up to. But after today, you can walk away from this place, despite the stunning old architecture of the gorgeous building, the beautiful panelling on the walls and the window you spent so many hours gazing at while daydreaming wistfully through assemblies and exams, never to return. Frankly, after this shit show, you’d have it no other way. The teachers will be arriving soon, and in the hopes you see your favourite old teacher, Mrs Alleman, you decide it can’t hurt just to stick around a little bit longer, even if you don’t listen to anyone's conversation. It’s not like they want to involve you.

Before you know it, ten dreary minutes have passed, and as each second slips by, you’re losing the will to live. Even these people are bored to death by the sound of their own voices, unsurprisingly. You’ve just busied yourself the whole time by playing with Liz’s long, slender fingers and her glistening silver ring. She’s becoming more and more antsy, though, so you’re unsurprised when she moves to stand away, speaking only when there’s a brief intermission of silence.

“I’m heading to the loo, honey. Which way is it?” she asks politely.

“Out the door we came, but on the other side of the corridor is a closed door, down that corridor it’s the fourth on the right, up a couple of stairs.”

Her eyes widen, “This place is a maze.”

“I know,” you chuckle, and lean up to peck her lips. “They’re the staff ones, down a cohorted route in a forbidden corridor so we wouldn’t use them.”

“You,” she shakes her head, bending down to kiss you again from her standing position, though she does practically double down, and has to press a hand to her chest to prevent her dress from falling, “are so randomly knowledgeable.” It’s really more of an awkward stowed away memory, but you take it anyway. “I’ll be back in a minute.”

As she draws away, she catches your lip in her teeth. Again. If it wouldn’t arouse suspicion, you’d be after her like a bullet, but, well… So you just sit there, counting the minutes, the seconds until she returns and you’re able to make a quick exit, barely making an agreeable sound or two when someone deigns to involve you in the deathly boring conversation they’re having about the FTSE or something, but she doesn’t return. It’s only after five minutes—you meticulously checked your watch—that you realise she’s probably gotten lost, your heart fluttering into your throat.

“I think Liz is lost, I’m gonna go find her,” you say, not that anyone exactly notes your absence or offers you as much as a nod, so you stand and stroll away, not caring about your knocked over glass as you stalk out of the great hall, breaking into a slight jog as soon as the doors are closed behind you.

You could swear you catch your brother winking across the room as they close, but you can’t be sure, not with how crazy you are after Liz did that thing she does every single time she instigates sex. You’ve been together for more than four marvellous years, and yet it still brings fire into your veins, butterflies into your stomach, and lust into your mind.

She’s not in the foyer, or down the ostentatious portrait corridor, so you burst into the pristine white and purple bathroom, only to find Liz leant against the wall, a slight bulge in her dress.

“God, I was wondering if you’d ever get the message, I’ve been waiting for ages.” she huffs, slamming her mouth onto yours impatiently.

You gasp, winding your arms around her neck, not complaining in the slightest when you hear the door lock and you’re lifted high against the wall. Your hand flies down on instinct, and you’re not disappointed when your hand wraps around something long, hard and thick.

The squeak of surprise that leaves your lips only spurs Liz on more. “You wore the strap.”

“I went and fetched it from the car, thought we could have some fun, make this worth your while.”

“I love you so much.” you breathe, no time for courtesy.

Crashing your lips down onto hers, you lick filthily into her mouth, your tongue skimming her teeth, but your control barely lasts a moment before she’s overpowering you, nipping at your lip as she busies herself otherwise with gaining access to your throbbing, drenched core.

“Liz…” you moan. When she skims her fingers over the lace edge of your panties.

“So wet already baby,” she taunts, her breath hot on your ear, “have I done all this? Such a dirty girl…”

Her voice holds a gravelly quality, down to lust you’d wager. Her accent becomes so much more pronounced during times of passion, too. Her voice alone sends another wave of wetness gushing through you, soaking Liz’s fingertips as she slides them under your panties and into your folds.

“Oh poor helpless baby,” she croons, biting down on your neck harshly. “I don’t even need to use lube today, do I?”

You can’t respond, can’t even try to. She’s so intoxicating you could cry. All that’d come out is senseless babble. You can barely muster a breath with her gaze of such intensity burning into your fucked-out face. In all fairness, she doesn’t usually have to, since she makes you gush with a single glance, but the sensual jibe does make you a little embarrassed.

You can’t think straight when she plunges a single, long digit deep within your velvety walls, stroking at a torturous pace.

“F— fuck, faster, please.” you stammer.

“Only because my baby asked so nicely.”

Her hand begins to move faster against you, the rustle of clothes nothing compared to the sounds of your wetness. She adds another digit daringly, and pumps within you faster, her technique impeccable. If she’s not careful, you’ll be falling apart around her fingers in little more than a moment. Over the years she’s learnt how to bring you to mind-shattering climax embarrassingly quickly.

“Lizzie…” you moan when she hits that special spongy spot that makes you see stars behind your eyes.

Quick thinking as ever, she clamps one elegant hand over your mouth, her pale fingers digging into your cheeks, the metal of her rings cool against your lips. You can’t help yourself, your tongue darting out to lick the band of her wedding ring, skilfully wrapping your wet muscle around her. She can never resist when you do that, and her own knees begin to buckle, but her pace speeds up.

“Baby, I’m close,” you hiss against her hand, words muffled.

Your shoulder presses painfully into a ridge of the wall, but you can’t care, not when her wrist is flicking so quickly, yet somehow each thrust is deeper and more pleasurable than the last, the pads of her fingers catching all the right places within our quivering walls, continually hitting that spot. The heel of her palm keeps hitting your clit with a voracious intensity, needing to bring you toppling over the edge.

You come unravelled with a cry of her name, your legs unable to even partially hold yourself up as she settles you down gently on the floor, forcing you to lean heavily against the countertop. Stars and fireworks erupt to create images of Liz behind your eyelids, in the front of your brain. And the noise you made… After that, you wouldn’t be surprised if everyone in the hall knows what you’re up to, and somehow, that only fuels your need for Liz further.

“How do you get hotter every time you do that?” she husks.

Purple glittery potpourri on the window-sill prickles at your upper arm as you shuffle backwards, reaching out to Elizabeth with grabby hands. Her petite chest heaves with heavy breaths, her hair sticking up a little in cute blonde spikes.

“You wanna sit, babe?” you ask breathlessly.

Your own vision is a bit blurred from riding on cloud nine just moments ago, your juices running down your legs, glistening in the harsh bathroom light.

“You’ve always got a seat with me.” You wink, and wet your lips with your tongue. “Come sit.”

She chuckles at you, instead moving to kneel between your open legs on the edge of the counter, hovering over you

“Wait until we get home,” she teases, pressing the cold rings on her hand to your inner thigh, “I don’t trust myself, I’ll never leave if I sit now.”

Her lips lace with yours filthily, and you find yourself unable to stop your legs reflexively bolting out to wrap around her hips again, hand coming up to cup her cheek and neck with a bruising hold. Her hips rock against yours, and with your core already opened and revealed to her, all it takes is a slight fidget and a particularly harsh rut of her pelvis, and the priapic extension of Elizabeth—attached, thankfully, by a harness—is buried to the hilt within you. Your gasp is silent, your mouth opening in an inaudible ‘o’, a soundless plea for more. She’s prepped you well as always, and sought to open you up fully, which means that only a moment later you’re tapping her shoulder to signal for her to move.

The bulbous tip of the toy gains your attention rather swiftly as it grazes that heartily stimulated spot that Liz was so focussed on just minutes earlier. Her hips move with such grace even in such an ungainly act, her years of dance training aiding her elegance. God, she’s just so perfect in every way.

“Fuck, baby, I think I’m close—” she murmurs in your ear.

She begins to suck hickeys into your jawline, rendering you utterly speechless at the onslaught of pleasure you’re receiving all at once. Your boobs are bouncing as she pounds into you harder on the counter, the base of the strap now hitting your clit.

“Me too,” you eventually garner to choke out.

Your own pleasure can wait, take a damn backseat, because sweat is beading on Liz’s forehead as she wrecks her knees to fuck you more furiously, delivering you all of the pleasure you could ever want. But Elizabeth? She deserves it far more than you do after everything she’s done for you today.

She bites her lip, probably to keep a moan down the same way you are by biting your tongue, and she proceeds to hook her willowy arms around the crooks of your knees, thus tugging your legs up onto her shoulder, allowing her to hit an even deeper angle than before.

You can’t help the obscene whimper that escapes you, shrill and so pleasured, “Baby, keep— ohmygod please!”

Your head falls back against the hard porcelain rim of the sink, knocking some sense into you. This is your chance, while her eyes are still closed and the veins and ridges of the fake plastic cock are driving deep inside you, squeezed by your clenching walls. Slipping your own arm down her body and between the two of you, you find your way beneath the strap and onto her throbbing pearl.

“Shit!” she squeaks upon the first spark of contact, her body temporarily seizing, but she falls back into her previous pace within moments.

You rub circles on her voraciously, suddenly darting up to capture her lips in a sloppy kiss as a cry threatens to spill from her lips. But then you feel it coming, and your entire body tenses in anticipation, your eyes flying wide open to watch heaven crash right before your eyes.

First, her shoulders tense, followed by her eyelashes fluttering against her sharp cheekbone without her even being aware, then her legs try to involuntarily clench around your hand, her clit throbbing with anticipation as you speed up your movements. Her knees go next, then her arms, and she’s unable to hold herself up, but her hips don’t stop once. That’s when it happens.

“y/n, y/n, y/n.” she repeats like it’s her prayer of salvation.

Every muscle in her body quivers, her lips parting, her nose scrunching. Her teeth then catch your lip in the kiss you’re mixed up in, and her hips still. It doesn’t matter, since you’ve reached your own climax just from watching her fall apart at your very own mercy, your own legs falling from her shoulders, open wide on the counter as you chant her name in as quiet a whisper as you can muster.

Heavy breathing resonates through the small room, the stifling air now reeking of sex.

“C’mere,” you coax.

The counter is cold beneath you, the sink uncomfortable as you lie down flat, but when Liz crawls feebly into your arms, it matters a whole lot less. The comfort she provides is, and always has been, incomparable. Ethereal is the only way to describe her this way, too, blonde hair ruffled as she curls into your side, burying her nose into your shoulder, her arm slung over your waist.

“Do you think you got your revenge, babe?” she asks in a quiet voice, husky, laced with sex.

“Definitely. There’s no way they didn’t hear that.”

“Probably more than what most of those has-beens have got in years.”

You meet her twinkling eyes, and dissolve into a fit of giggles together, gripping her even tighter. It always was a secret fantasy of yours to do something like this, but you never imagined you’d be here nearly a decade later, fucking your wife in the staff bathroom. That’s just… beyond, but so hot.

“Ready to blow this place?”

“More than,” you answer, “but safety first.”

She gazes up at you, pouts and grumbles, but slips off you and into the left hand stall anyway, while you take the right. Once she emerges, the strap is safely stowed away in a discreet bag—one you purchased specifically should a chance like this ever arise since you’re not fans of handbags—and she turns the tap on. You wash your hands in a contented silence, and fix each other's clothes and hair the same way, until you’re at least half way presentable (though still more than mildly dishevelled) in order to just escape to the car and then hope at long merciful last.

“Should we text your brother?”

“I’ll do it when we reach the car,” you tell her, taking her hand as you unfasten the lock and pelt out into the corridor. “Wait, one minute.”

She watches you peculiarly as you pull out perfume from your pocket, spritzing it around the room, before re-entering fully and cranking the window open. At least this way the scent of sex is partially masked.

“Ever the resourceful one,” she chuckles, following your lead down the corridor, her long legs bounding beside you.

Your giggles carry around the high ceilinged building, bumping and bouncing off every wall so it seems, and once you're out into the foyer, she ensures to kiss you loudly, bending down to meet your height, just to test if your kisses have the same effect.

You don’t get to test that, however, before an all too familiar voice snaps you out of your trance, and suddenly, you’re fifteen and being told off for late homework again.

“y/n!”

You scurry to hide Liz behind you, as if that’s of any use whatsoever, and almost melt into tears when you see Mrs Alleman.

“Oh dear, how good to see you.” she professes, and before you quite know what to do with yourself, she’s standing right in front of you, wearing the same stylishly sensible shoes she always did.

“And you, Miss.”

“Who’s this?”

Glee forces a wide smile onto your face, standing aside to allow Elizabeth’s full beauty to be appreciated.

“This is my wife, Elizabeth,” you say, the proudest thing you’ve said all evening. “This is Mrs Alleman, my language teacher. She taught me everything I know.”

“Oh stop it,” she plays coy, but is gasping and gawking joyously beneath it. “Mr Smith owes me a tenner now. I predicted you’d come here with a female partner of some sort, he said you’d just come as an out and proud lesbian but single.”

Your jaw drops, and you can see Elizabeth’s chest rattling a little with swallowed laughter.

“I’m sorry, what? You had a bet on me being gay?”

“Oh yes, it first started when you were in year eleven and so helplessly queer, we couldn’t help but keep placing bets on how long you’d stay in the closet.” She places a gentle hand on your upper arm, noting the evident flush about you, and turns towards Liz. “Anyway, hi Elizabeth. You treat our girl well, she was a great student.”

“Always, Ma’am.” Liz answers dutifully, squeezing your hand even tighter in a silent promise. “She’s the most wonderful thing to have ever happened to me, and I’m glad she had an influence like you among all that lot of bogans.”

Mrs Alleman is impressed, you can tell since she’s wearing that same delighted expression she did when you told her you got into your top choice university with the results you aimed for, thanks to her teaching. “Tall, out, and Aussie? She really does have it all. And as much as I’d like to argue, you’re totally right, that year was a damn nuisance.”

“Somehow, no one has matured since we left?” you comment with feigned shock.

“That doesn’t surprise me.” It didn’t surprise you either. They were a fat lot of use, the whole lot of them. At least you and your brother were able to do good on your promise to get away from them all. “What are you doing now?”

“Oh, I work in translation for the home office and cabinet ministers.” Though your statement doesn’t hold as much pride as the one about Elizabeth being your wife did.

Her eyes grow wide, “That’s brilliant! I know you always wanted to do something like that.”

“I did, and I actually enjoy it.”

Mrs Alleman’s face softens, “I hoped you would. But promise me you’ll never become a teacher.”

You loose a chuckle, saying, “Never,” before stilling to a beat of easy silence.

“I love those earrings, by the way.”

“Oh!” You twist them subconsciously. “Anniversary present.”

“Y’know, I’d love to stay and chat, but I have to get inside and make a speech,” she grumbles. “Drop me an email, I’d love to catch up and properly see how you’re doing. Bring this tall drink of water if you’d like,” she adds with a wink.

“I’d really like that Miss, thank you.” you say, flushing a little.

Mrs Alleman was always one for affection, so you’re not entirely surprised when she approaches you with wide arms, her court shoes muffled on the foyer carpet. You accept the hug, and you’re surprised when Liz does the same. You say your goodbyes, agree to meet again, and let Elizabeth lead you back to the car, your fingers woven together.

“Was that worth being dragged out of the house for?” Liz asks.

“Hmm, I’m not sure. Perhaps shoving that strap down my throat will make it a little more worthwhile,” you say with a smirk.

“I heard that!” Mrs Alleman shouts from the top of the stone steps, gazing at you disapprovingly despite the laughs tumbling from her.

You cling to Liz, pressing your lips into a thin line when you feel your phone buzz, your brother's name popping up on the screen.

‘Everyone knows what you were doing. Don’t come back.’

‘We weren’t planning on it,’ you type back. Not now you’ve reaped your revenge, at least. You shut your phone after adding to the message, ‘Drinks at ours tonight.’

These people from your past are insignificant, Liz is your future and your forever.

#night manager jed #elizabeth debicki #liz debicki #elizabeth debicki avatars #vita & virginia #elizabeth debicki imagine #elizabeth debicki fanfic #elizabeth debicki x reader #elizabeth debicki smut #elizabeth debicki fluff #elizabeth debicki angst #elizabeth debicki x you #elizabeth debicki tom hiddleston #wlw imagine

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canary3d-obsessed · 4 years

Text

Restless Rewatch: The Untamed - Episode 02

Warning: Spoilers for all 50 episodes!

(Masterpost ) (Previous Episode) (Next Episode)

Donkey Riding

way ho and away we go, donkey riding donkey riding way ho and away we go, riding on a donkey

Wei Wuxian and Apple are doing their best for the Ministry of Culture and Tourism.

Xiao Zhan had trouble riding the donkey sitting side-saddle, so the Department of Questionable Practical Effects made him a fake leg to wear while riding regular style.

Can you spot it? It’s very hard to spot. It is very convincing.

Simple Pleasures

Wei Wuxian takes his time wandering up the nearest mountain, and half of the cultivators in the land also wander up this mountain because...Night Hunting! The cultivators are hot and thirsty from walking because they forgot that they all know how to fly.

Wei Wuxian relaxes by a well and listens to people stanning him.

Also

I’m going to say it: Wei Wuxian never met a drinking vessel he couldn’t blow.

Everything is Beautiful at the Ballet

The actress who plays A-Yan is named Zhang Linran. She probably has studied dance since she was 4 and now she gets her big break which turns out to be feeding an apple to a donkey. So let’s pause for a second to look at how beautifully she moves.

Reunions are Awkward, Part 1

Wei Wuxian meets up with one of his family members and it goes super well.

I...like Jin Ling? He’s much less of a douchebag than his dad, his uncles Jin, Jiang, and Mo (the three stooges), and every damn one of his Jin cousins. He’s genuinely brave (his Dad’s primary good quality) and his hair is on fleek. He’s still a whiny diaper baby, but I like him.

(much more after the cut!)

Then Jiang Cheng shows up, looking fine as hell and radiating peak arrogant-prick energy.

When he discovers that ‘Mo Xuanyu” stuck a piece of paper to Jin Ling, he tells the child to literally murder him. Excellent uncleing! A+++++ would recommend.

“In fact, literally murder anyone who uses Yiling Laozu’s tools, like talismans, lure flags, or spirit compasses - basically murder everyone in the Lan Clan plus those other fanboys we saw coming up the hill. Then get out there and make some friends, goddamn it!”

These nets full of cultivators on this daytime night hunt are the only time we ever see anything in a net during a night hunt. In fact dudes constantly go night hunting and the only prey we ever see is rock lady, murder turtle, and a couple of rag mops in the lake.

You Are Not Qualified to Speak to Me

Also radiating arrogant-prick energy on this occasion is Lan Wangji. He has been using pettiness as a weapon since long before he met this Jiang Cheng turkey, and he *brings it* when Jiang Cheng tries to have a conversation with him.

Letting your eyes wander everywhere except to his punchable face while you ignore his passive-aggressive questions? Quality work.

Dropping a silence spell on his child and then letting your own child explain it to him? Golden.

Lan Wangji is never ever going to forgive Jiang Cheng for what he did on cliff day, and his silence here is as pointed as an ice pick. I suspect the last words Lan Wangji actually spoke to him were “Jiang Wanyin, stop it,” sixteen years ago.

Jiang Cheng is actually the bigger person in this particular interaction, visibly mastering his temper and telling Jin Ling to take his medicine.

Reflecting

Wei Wuxian hangs out by a beautiful river and hallucinates for a while. River Jiang Yanli is nurturing and River Jiang Cheng is pissed off, so there are no surprises there. River Jiang Cheng thinks that Wei Wuxian is a promise-breaking douchebag. He’s not exactly wrong.

Courtesy of convenient gossiping cultivators, Wei Wuxian discovers that the 16 year old arrogant kid from the Jin clan who his brother from the Jiang clan has custody of is actually and quite obviously Jin Rulan.

Well fuck I guess now I care about something, that’s inconvenient.

Needing to help parent the child of the sister who parented him is what draws Wei Wuxian fully into his new life.

As soon as he has this realization, Apple comes back from roaming around, and never gives him any trouble after this for the rest of the story. Which...probably doesn’t mean anything.

Wen Gravesite

Does Wen Ning hang out here because it’s where he and his (dead) people came from? Oh great, now I am sad.

Judging by all the leaves on this grave thingy I’m going to say that this grave tender dude is, ah, not very good at his job.

Get him, Jingyi!

I feel like maybe we all focus too much on how Lan Jingyi is so hilarious and sardonic and not enough on how he is a such a biscuit.

Soul Grass

As mentioned in the previous post, Chinese spiritual concepts don’t always translate well into English. Soul grass? Sure, why not.

This is where Wei Wuxian’s Sherlock Holmes brain starts to work, although he still doesn’t remember really basic stuff about Dafan Mountain. Dying and changing bodies is rough on the old neurochemistry. This creates more opportunities for flashbacks, however, and if there’s one thing The Untamed deffo needs more of, it’s kissing flashbacks.

Temple Statue

Presumably grave-tender dude is also in charge of clearing away spiderwebs at the temple, because it’s not getting done.

Jin Ling walks into the temple blaspheming at full volume.

Since this isn’t a Greek story, he isn’t immediately struck blind for this. Then when he wishes for the statue to come alive, it obligingly does. Everything’s coming up Rulan!

Wei Wuxian shows up to rescue all the kids by throwing talismans at the monster which does not tip anyone off to who he is.

Baby Cultivator Babysitting

Lan Wangji chills out in the cultivators’ pavilion with Jiang Cheng and their mutual hate boners.

Meanwhile, Wei Wuxian forgets all about his nephew and turns into cool professor guy, explaining the basics of soul-eating to the baby cultivators and gleefully encouraging their fear of Hanguang-Jun’s punishments.

Because the Lan babies are good filial children they are super respectful and engaged with this random adult who is lecturing them. They also - like their own Hanguang-Jun at their age - see and admire Wei Wuxian’s intellect. It’s easy to forget how extremely smart Wei Wuxian is, because of how extremely dumb Wei Wuxian is.

Lan Jingyi suddenly figures out Wei Wuxian is not crazy.

Bis. Kit.

Then Rock Lady shows up and Jin Ling sticks 6 arrows into her while Lans Jingyi and Sizhui stand around not bothering to draw their swords.

I see a lot of comments about the bad effects in the statue sequences but I think Rock Lady is all right. The figure animation is decent and the lighting is no worse on her than on everything else in the scene. Her hair is nice, for a rock person.

Admittedly I just finished watching Guardian which has CGI monsters so bad they may have injured my retinas and possibly also my DNA, so the bar, for me, is pretty low. Rock lady clears it with room to spare.

Note: Wei Wuxian’s flute playing does zippity towards controlling the statue. Not sure what his plan was here.

Wen Ning Kicks Ass

Now we get to meet Wen Ning, who appears to be a stone-cold badass. Later we will discover how hilariously inaccurate that assessment is.

While all versions of Wen Ning are delightful, this version of Wen Ning is also...strangely attractive? He’s got a Patti-Smith-Horses-Era vibe here, instead of his more usual lost-baby-dork vibe. And his dreamy “I have nails in my head” expression is intriguing.

I mean, he’s not a total snack like zombie Song Lan or pre-zombie Song Lan or blind Song Lan or post-zombie Song Lan, but this look is a good one for Wen Ning, is what I’m saying.

Reunions are Awkward, Part 2

Lan Wangji, who has 99% already recognized Wei Wuxian because of the haunted sword and the fierce jawline and beautiful neck and tiny tiny waist, is summoned by his flute playing as inexorably as the Ghost General was.

Jiang Cheng also recognizes Wei Wuxian and goes into full beatdown mode, thwarted (silently) by Lan Wangji. Wei Wuxian attempts to preserve his incognito by sassing Jiang Cheng in as sibling-like a manner as possible.

Hanguang-Jun’s Pro-Ghost Agenda Has Been Clear for Some Time

This Jiang/Lan fight is hilarious when you consider the implications.

Macroexpression vs. Microexpression

Mo Xuanyu brought Wei Wuxian back using sacrifice summons, a dark ritual invented by Wei Wuxian that he, most likely, did NOT show to Lan Wangji back in the day. So it’s a pretty safe bet that Lan Wangji doesn’t know that Wei Wuxian was gifted a body, rather than stealing one.

when your brother turns around, you must whip him you will never live it down unless you whip him

When Jiang Cheng lets loose with Zidian, it’s not just because he’s angry. He’s using purple power to force Wei Wuxian’s ghost out of the body he’s apparently possessed. And Lan Wangji instantly STOPS him from doing that.

Clan Leader Jiang: this person has been possessed, against their will, by an evil ghost

Future Chief Cultivator Lan: Counterpoint: I am banging the ghost

Flashback Time

Welcome to your 30-episode flashback!

Once I used to join in Every boy and girl was my friend Now there's revolution, but they don't know What they're fighting

Let us close our eyes Outside their lives go on much faster Oh, we won't give in We'll keep living in the past

Road Tripping to Summer School

Gosh I’m looking forward to younger, kinder, more relatable Jiang Cheng.

...prick.

Incidentally, until now this episode didn’t know that Jiang Cheng has smile muscles, and neither did the person who glued his wig on for him.

I Like Rabbits

Here we have our first rabbit in a large collection of rabbit iconography that appears in The Untamed.

Instead of sending everyone to the Wikipedia page for Tu'er Shen I’m going to take this opportunity to rec the short film Kiss of the Rabbit God by Andrew Thomas Huang (tw: blood, tw:body-mod cutting) which you can read about and watch over at Nowness.com

Particularly if you are a queer person of Chinese heritage, check it out.

So. What the fuck are these? Are they food?

Are they made from wax? Or corn starch? or pig intestines?

Wei Wuxian runs off to get laid drunk and Jiang Cheng grumps about it. Jiang Yanli reminds him that being free is a Jiang Clan Rule, so really Wei Wuxian is following the rules by not following the rules. Does that mean he’s not free? My head hurts.

Jiang Cheng: yes but grump grump grump

Jiang Yanli: Nothing bad will ever happen because of A-Xian’s choices, trust me

Outro

Wei Wuxian faint tally: one Caught by: the cold hard ground

Soundtrack: 1. Donkey Riding by Great Big Sea 2. Living in the Past by Jethro Tull 3. Whip It by Devo

Fic prompt: Lan Wangji’s internal monologue while he sits in the pavilion with Jiang Cheng

If you write a fic from this prompt and want to share, please post a link in comments!

Bonus: Wang Zuocheng, macro-expression king

Episode 03 Restless Rewatch coming soon!

#the untamed #fytheuntamed #the untamed spoilers #the untamed gifs #the untamed stills #my gifs #my stills #restless rewatch #restless rewatch the untamed #canary3d-original #wei wuxian #jiang cheng #lan wangji #lan jingyi #c-drama #bl drama #the untamed memes

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