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#the boys amazon prime
anundyingfidelity · 10 days
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soldier boy core
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the casual low level horror of every day life in The Boys though…
When MM was at his daughters bday party, and it was superhero themed… I was just watching like idk how he’s handling it tbh. his little girls birthday cake had the picture of a rapist on it. Or Hughie at the film premiere- he just wanted to support Annie, and then he has to interact with not only Homelander, but also A-train! He had to stand and smile for the cameras while his girlfriends murderer put his arm around him.
Just everywhere you look there’s super hero merchandise and corporate pandering to politics for the sake of money and reputation. In the background of every shot. On every tv, and radio, and advertisement. Living in that world even not knowing the truth must be insanity inducing, let alone those who know the truth about the supes
The level of world building in every aspect of The Boys, the little background details in every shot is one of my fav things about this show. There’s so much social commentary and real world parody and criticism i could write an essay on every episode
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artbyblastweave · 1 year
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I prompt you to elaborate on the idea of deliberately making something in a story boring, for I an always interested in your analysis.
In The Boys (Comic version, which I have complicated but more-positive-than-most feelings about) Garth Ennis very deliberately wrote most of the superhuman combat scenes as short, brutal affairs in which whoever was more powerful or better-equipped would just slaughter the other side in a matter of seconds; if the sides were more evenly matched it was then a matter of who swung first. To my memory, there were only a handful of fights blocked like fights instead of like curbstomps. This was in service to Ennis's artistic vision; violence as a swift, brutal thing, only glamourous in the sense of black-comedy dismemberments or the grim satisfaction of being alive when the other guy isn't, and with the majority of all conflicts playing out through via prep-work and intelligence-gathering done in advance of the first punch being thrown.
It was an aggressive refutation of how superhero fights go in more straightforward superhero fiction, with clever tricks, drawn-out dramatic brawls, violence as a palatable form of spectacle, something marketable after-the-fact. A lot of the fights the titular team got involved in consisted basically of jumping distracted supes; one of Homelander's jobs was to just unceremoniously decapitate any earnest upstart supervillain and then have the marketing team at Vought write a comic portraying the fight as something with genre-typical stakes. To this day, I feel like there was a level of honesty about violence in this portrayal. In real life, it's not fun!
But! It did introduce some problems. Namely, a series in which almost every single fight is something Nasty, Brutish and Short created, for me, a form of doublethink about how seriously we should even take the Vought capes as threats. A series in which every fight is deliberately uninteresting (if you aren't entertained by curbstomps) is a series in which every fight is deliberately uninteresting, and from there your enjoyment of the series rides or dies on how interesting you find the non-fight political intrigue, character dynamics, and so forth. The version of Garth Ennis who isn't writing capes is, in my opinion, pretty damn good at that other stuff, so I inched through.
The show patched the majority of my difficulties. It retained the broad thesis that cape fights would largely be curbstomps, and the other broad thesis that capes would largely be useless or counterproductive at their supposed role, but combined this with a number of actual fight scenes. It made Butchers team significantly less powerful, with a significantly greater focus on the sneaky bastardry necessary to flip assets and find weaknesses. It made killing any given supe much, much more of an endeavor, something genuinely very difficult and impressive, and it made every given supe death much more of a plot point or a character beat than it would have been in the comic. The supes being less interesting than typical for their genre, that was preserved- but the situations involving supes that we, the audience, are privy to? All very interesting still!
Now on the other side of the spectrum, you've got Worm, and you've got Jack Slash-as-an-examination-of-Joker. "Your philosophy is ill-considered and fake deep, and you aren't funny" is actually a fairly common clapback against The Joker within officially published DC comics properties, but it butts up against the fact that he's taken pretty seriously as a threat regardless of that fact! Jack Slash is an attempt to reconcile that, to figure out how someone as LOlrandom as Joker could last longer than three minutes as a serious contender, and the answer is "subtle secondary powers that puff up his win rate, in a way that his self-absorption prevents him from recognizing as anything but his own innate talent." He's blatantly shallow. Everyone talking to him is palpably rolling their eyes within the text, but he's got the brute-force necessary to undercut anyone trying to one-up him (Theo's interlude, Tattletale in the parking garage.) It's called out multiple times that's it's mysterious that he's doing so well when he's so mediocre. The candidate he picks for the 9 is a dud. He can't come up with anything more interesting for Cherish than having her do all the other tests over a second time. His big comeback is just Slaughterhouse 9! But More of them! Fuck Yeah!
But! Despite the text being aware of how shallow he is and how thin his ideas are, all of his ideas keep working. It doesn't matter that it's edgelord bullshit- it's edgelord bullshit that everyone else is forced to take seriously and respond to, which is where the actually-great character work in the S9 arc happens. And at this point I think there are basically two camps within the audience. Camp one consists of people who, despite Jacks clear shallowness, nonetheless are entertained and engrossed by the batshit combat scenarios he masterminds, even if he shouldn't be able to mastermind them. I am a counselor at Camp One. Camp Two consists of people who call bullshit on the ability for such a shallow guy to mastermind all that crap and bend everyone to his will, who don't really find anything redemptive in the eventual reveal that it was powers-enabled because they still had to sit through the implausible bullshit. This is a position I have no choice but to respect because it's the position of my cousin, who I adore and want to remain on good terms with at family gatherings. The things we do in service of family, amiright
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awkwardcourage · 4 months
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I find Hughie's list of his top three musicians incredibly fascinating. Also just the fact that he refers to them as musicians and not artists, like, it's just- why use that term? It's so outdated in todays vernacular and I don't get the feeling he's trying to be a certain type of way or annoying by saying musicians bc a) that's just not his personality at all and b) bc when he discusses it with butcher, he's incredibly stressed and using his top artists as a way to prove that he is incapable of infiltrating Vought.
But anyway, onto the actual list. 1. James Taylor. What the fuck. Whose top artist has ever been James Taylor, no offence to Mr Taylor but I don't feel like he's an artist who is many people's number one.
2. Simon and Garfunkel. I'm totally biased when I say that this is a bang up choice bc I think they slap, but again, still, an interesting choice.
3. Billy Joel. The most important and iconic choice in terms of Hughie's character and how associated with each other they become- and yet, he is third on Hughie's list. He's not even second, when he has a poster of him on his room (potentially on his ceiling if Robin's quip about "staring up at that dumb Billy Joel poster" is anything to go on). He listens to "You're Only Human" incessantly when he's in an extremely dark place mentally in season 2, Pressure, Only the Good Die Young and Uptown Girl are played in his scenes in the Season 2 opening, closing and Season three opening respectively.
So, why is Billy Joel number three, when clearly he is far more important to Hughie than James Taylor or Simon and Garfunkel, neither of whom we have seen him listen to or make reference to again (besides the t-shirts he wears and he doesn't even wear a Simon and Garfunkel t-shirt- and yes I know because I made a list and if it turns out that he actually did I am setting myself on fire)?
I think it all comes back to Hughie's mom. She is the reason he ever started listening to Billy Joel in the first place, his fondest memories (he doesn't say they're his fondest, but they seem to be pretty important to him) are of her and him dancing to Billy Joel. Not moments after telling Annie this does he follow it up by saying "I don’t wanna be like her."
Hughie can't help but love his mom. He can't help but love Billy Joel, even though the association with his mom is so strong; yet he tries to distance himself from both. He both clings and pushes them to him and away from him with equal measure. Perhaps him adding on two other artists before Billy Joel is his way of distancing himself from that association, even though he can't deny that he does greatly enjoy Billy Joel's music.
It's fascinating because it doesn't matter, at least not on the surface. Even when conversing with someone who, at that point, is a complete stranger to Hughie, he still has this need to distance himself from something so heavily associated with his mom. I think it's one of the many instances in the show that reveal just how deeply Hughie's mom abandoning him affected him. Even though he barely talks about her, even though she's only being introduced as an actual character in season four, her influence on him and the effects of what she did to him can be seen rippling throughout even the smallest aspects of Hughie's character.
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zalrb · 2 years
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I’ve been thinking about this moment a lot
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and why I like it so much because, yes, it’s soft, yes it’s sweet, and we’ve seen her reassure him in relation to wanting to stay with him in previous seasons
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but this is the first time that we’ve seen her comfort him and I think that’s what’s so interesting and great about their relationship this season because now that they can communicate, Frenchie is on the receiving end of what he’d been giving Kimiko in seasons 1 and 2.
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she can say what she couldn’t before
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which allows for a deeper intimacy on her part
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illbejuliet · 2 years
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is this not how it went down?
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queenxxxsupreme · 2 years
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The Boys Masterlist
(* indicates NSFW/smut)
Updated 8.25.2022 Add yourself to my taglist here! My The Witcher Masterlist is here! My Red Dead Redemption 2 Masterlist is here! My Henry Cavill Masterlist is here! BOLD IS NEW CONTENT
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Billy Butcher
Oneshots
-Late Night Visitor -Before the Sun Rises -To Be Scared
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I don't care what happens w anyone else but MY BABIES FRENCHIE AND KIMIKO SHOULD BE PROTECTED AT ALL COSTS
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femurthief-fen · 2 years
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Because a lot of my friends are supernatural nerds, do not watch The Boys s3 just for Jensen Ackles.
firstly it’s a really good show with an awesome story- if you wanna watch it start from episode 1 s1.
secondly, getting mad because the show is extremely vulgar and violent in the third season when you haven’t watched the previous two which set the tone and build up to that is really annoying lmao.
The boys is an extremely gross show that pushes the boundaries of what can be seen on tv but it’s characters and storyline are so incredible it’s hard not to keep watching, so please stop just going to season 3 for Jensen- please watch everything else first :”)
Also the romanticization of Jensen Ackle’s character when he’s actively supposed to be a pathetic misogynistic redneck is really weird and not cool 👉👉
I just imagine people going into the show and seeing the first ten minutes of episode 1 s3 and then the Timothy scene without any context of how funny and disturbing that is and it’s honestly kinda amazing to see people be so upset and confused lmao
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foxydivaxx · 6 months
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Happy birthday Antony Starr
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anundyingfidelity · 14 days
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I'M A RUIN — Soldier Boy/Ben (Part VII)
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Series summary: After the events of the Seven Tower, you present Grace Mallory a new secret project you're working on already to develop a cure to Compound V. The only problem? You need Soldier Boy for that.
Pairing: Soldier Boy/Ben x female reader.
Word count: 3.2k.
Warnings for series: set after S3 (spoilers), some OOC!Ben, some depressed!Ben, angst, hurt/comfort, eventual smut, slow-burn, language, PTSD, reader has Compound V (she's no Vought supe tho), Soldier Boy being an usual asshole, reader is a fucking liar.
Warnings on this chapter: sexual tension, suggestive stuff.
Notes: bonding chapter of this slow burn aaaa thanks again for reading :D
this fic tags: @k-slla @syrma-sensei @mostlymarvelgirl @cheynovak @drasticemotions @soldirboy @deans-spinster-witch
☕ if you like my writing, support me with a ko-fi !
get yourself in the taglist!
Part I | Part II | Part III | Part IV | Part V | Part VI | Part VII | Part VIII
GEN MASTERLIST! — SERIES MASTERLIST!
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Part VII: No More Doubts
When you left the motel early after a quick and dull breakfast, Ben was a pain in the ass as he kept asking question after question on the road. You knew he could just leave you alone but it wasn’t really something you’d like him to do. He was a fugitive, so were you. Soldier Boy knew better than that and he only had to stay by your side as much as he hated the idea. The only thing you could truly answer was that you were driving to a safer place. At least you were hoping it was. When you pulled the car after driving hours between the grove, Soldier Boy was waking up from his nap. You thanked heaven for that.
“We’re here,” you announced, turning off the engine.
Ben stirred on his seat, taking in the view of the house and nature and got out of your car, following you to the front door. He couldn’t help but to look around in somewhat awe. It was a large cottage-style house decorated with earth tones, great walls and columns. The place was surrounded by countless trees, making the weather bearable and somewhat nice due to the hidden location. The leaves climbed on some of the windows and the plants and flowers rested on the ground perfectly neat. He assumed you came here often. But it wasn’t really the place you used to come by and sleep every single day. It was too far away from the facility. As you unlocked the door, Ben followed inside, not without taking a last glance at your surroundings. No homes were near, nothing was to be seen. Only you and him inside this big fucking house.
The indoors were no different from the impression he got first. The decoration, the expensive sofa where you threw the sports bag, and the paintings and pots all over the place were saying you were rich. Of course, a fucking rich whore you were, he thought to himself. And he wondered where your real place was located.
“So, I’m gonna show you a guest room and then around, please don’t screw my house,” you said, giving him the sports bag.
“Got something to drink?” he asked, a smirk plastering on his face as he stepped closer to where you were standing.
“Water I do.”
Ben chuckled for a bit, eyes not leaving your face. “You’re so fucking boring, you know?”
“Yeah, well, alcohol is not really an important supply. Just follow me and maybe I’ll get you some later,” you said, turning around to get to the stairs.
You knew he did as you asked when his big steps echoed around the place. Once you were on the second floor, you motioned him to the next room a couple of feet away from yours and gave him directions about the bathroom and the manners. If he was going to be in your place, then he had to behave.
“I told you already, I’m not a fucking animal,” he complained after hearing your orders.
“Sure,” you dragged the word, eyes narrowed. “Because last night you were so civilized in the bathroom.”
He scoffed and then chuckled. “Did I get too loud?”
“You fucking tell me,” you replied with a much annoying smile on your face to match his own.
“Could’ve joined me. We’re not patient and doctor anymore,” 
“No.”
Just as the last word fell off your lips, your phone rang. Quickly you took the call, realizing it was Grace. You left Soldier Boy in his room and walked down the stairs a little too fast.
“You made it?” she asked on the other line.
“Yeah, arrived just minutes ago,” you answered, checking the stairs in case he followed. “Where are you, Grace?”
“That doesn’t matter. I have something for you.”
“Okay, tell me.”
“I will text you an address and an hour. Today. Don’t miss it.”
Your phone buzzed, announcing the information had arrived.
“I won’t.”
“I’ll keep calling through different phone numbers. Do what you have to do to complete the cure,” she said, like if she knew what was happening between both now.
Soldier Boy was unbearable but you had to keep him on track. Luckily, you were back home again and you’ll be working on the Anti V soon, praying the last bits of information and results of the last test were there for some reason.
“I’m doing my best,” you sighed.
Grace hummed.
“Good.”
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“Any updates so far?”
Ben’s smooth voice woke you up from your daydreaming while you sat together in the dining room.
You had been able to make something quick for lunch after Grace called and you found yourself all jittery and tense, hoping Soldier Boy wouldn’t notice. But he did sense something different from you. So he kept insisting on what was going on.
“I don’t know,” you whispered, taking the last sip of water from your glass. You avoided his eyes, looking away.
He rolled his eyes and narrowed at you. “Has your office contacted you?” 
You shook your head.
“So they’re dead,” he said. Not asking, but affirming it.
A heavy sigh left your lips, your eyes going back to his harsh ones. “Leaving was the best.”
“Who’s that you keep in touch with?”
“What?”
Ben groaned slightly before snapping back with a low voice. “C’mon, Y/N. You called yesterday on the road, and now you receive a call. Who the fuck is it?”
His question is not just an inquiry anymore. He’s demanding to know. But you also know he hated Grace Mallory for putting him to sleep again, confined to a chamber where he’d be a trophy for the government to do whatever they wanted, how they wanted. Until you appeared, offering him empty words. Just like everyone.
“My superior.”
Your answer hit him like a truck. He knew it was Grace, but he didn’t like hearing it from you. 
The truth was, Ben didn’t like you… Not that much. Sometimes he did, sometimes he didn’t. Sometimes he wanted to kill you, sometimes the small common sense he still had on his head would say you’d be better alive. He had been thinking of going away, but not he didn’t really want to. He knew you had been working with Grace, he was no idiot. So maybe staying close should get him even closer to Homelander and Vought. He also thought of Ryan back in the cell you had put him in. He was so damn afraid Ryan would become like his father. And since the brat has been protected before by many people, finding would not be easy. That’s where your contacts and network would be a help to him. He was hoping to find something at your place to find them and the information he craved.
“Right,” he said, alarmingly calm and quiet. He took the last bite of pasta on the plate and swallowed down in silence under your gaze. You didn’t know what else to say.
“So, these powers of yours,” he continued, drinking the last sip of juice. “How’d you get them?”
“Why do you want to know?”
He shrugged. “I mean, they’re pretty fucking useless against me,” his words made you chuckle. Of course you knew that. “But I’m just wondering if you’d be with them.”
Your face turned back to a somber demeanor. “The Seven?”
He gave you a nod.
“Well, it’s not like all supes dream of that,” you uttered. “I just wanted to be normal.”
Ben raised a brow at your sudden confession. “Someone exploded everyone’s heads at the CIA. Sorry to say, sweetheart, but you suck at being normal.”
“Yeah, details I have to work with.”
“I take it you never went to them,” he continued and saw confusion on your face. “Vought.”
The word made you shudder for a slight moment, and you quickly tried to collect yourself to avoid him noticing.
“No, I never did.”
He scrutinized your eyes, hearing the poor increase of your heartbeats. They were enough to tell him something was wrong. But he decided to play along, so he nodded and gave you a rather compassionate look.
“Must be thankful they didn’t fuck up your life then.”
He had no idea.
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You had parked the car outside an abandoned gas station; it was one of the nearest grocery stores to your home years ago. The now wasteland was almost two hours away, with a gas station around ten miles elsewhere. You had been waiting for Grace outside the car, leaning against the hood. Bored, you checked your phone again. When you arrived it was already past three o’clock. When twenty minutes went by, you wanted so badly to drive and get inside the next store you see and buy yourself food and supplies enough to survive a week or two with the idiotic supe now staying at your home. Grace said would be calling through a different phone but you received no calls so far. You’ve been waiting for more than an hour and the drive home wasn’t going to be shorter. Suddenly another car came into sight, pulling over near yours. Two men came out of it.
“Doctor Y/N?”
The stranger with the unknown voice and a weird accent caught your attention. Soon, you found the two tall men standing in front of you in the parking lot.
“We’re here on behalf of Grace Mallory,” the man continued.
He wore a long dark trench coat, looking rough and intimidating. The total opposite to the younger one, who gave you a kind smile once your eyes settled on him.
“How-”
“We have something for you,” the younger man continued. “I’m Hughie. Hughie Campbell,” he introduced himself, giving you a hand and fixing the backpack on his shoulder with the other one. You took it after a moment of hesitation. “He’s Billy Butcher, we’ve worked with Grace before.”
You nodded. “I thought she was the one coming.”
“She’s not in shape for that,” Billy answered. He realized your face changed at his words and quickly explained himself. “Vought’s cunts are looking for her, not safe.”
“Fuck,” you mumbled under your breath. “Great, awesome. So what do you have for me?”
“We, uhm, we made it to your facility and thought these could do some help,” Hughie took out a pouch and gave it to you.
With trembling hands you opened the pouch and sighed in relief. Five test tubes of the Anti V prototype were laid there. “You found them.”
“And we found a little bit more,” Butcher continued. “Victoria Neuman exploded the heads of your employees back there. We believe Vought had been sneaking and getting spies for themselves.”
“Victoria is a supe,” you voiced out. “A supe is running for vice president…”
“Yeah, long story,” Hughie commented. “She’s obviously linked with Homelander and Vought. Everyone was dead when we arrived; lab assistants, guards, agents, the supes… We believe her mission was to just let you and Soldier Boy out, besides stealing information about the cure you’re working on. Probably to give it to Vought.”
“Anything weird happen there before the attack?” Billy asked, not giving you time to swallow Hughie’s words.
“Uhm, yeah. Actually my lab assistant… She tried to warn me and, well, she was crying and asking me to leave. I didn’t know why until her head just- you know…”
You choked a little with your words. The picture of her body and the last seconds of her life were all you got. Everything was equally horrible that day.
“I’m sorry,” Hughie whispered.
“It’s fine,” you cleared your throat. “And I assume you didn’t find anything else? Information? Files?”
“Computers were destroyed. No files. No info. Nothing,” Butcher answered. “Grace says you’re the leader of the project. You have copies, right?”
“Why everybody keeps fucking asking me that? Of course I do!” you almost yelled, eyes full of rage staring at him.
“Easy there, doc,” Butcher lifted up his hands in surrender. “We just wanna get rid of those cunt supes as much as you want. Nothing wrong to make sure.”
“Well, I do have them,” you replied with a cocky smile. “Thank you very much for your concern, Adele.”
Butcher rolled his eyes, sharing a look with Hughie before switching his attention back to you.
“Yeah, sure you do, luv.”
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It was already seven o’clock when you arrived home with supplies and food. Ben, as usually, acted like a fucking caveman claiming he was hungry and you had to act like the housewife, serving him a fucking hamburger and a glass of wine. That was the only liquor you bought. Despite his complaints, his hunger was greater and he devoured the greasy food with no table manners at all.
“You could chew your food like a fucking human being, you know,” you said, eating the last french fries you had. 
He turned his eyes to your face, pointing with his finger. “You were gone for like five hours.”
“So? There’s fruit in the fridge.”
Ben narrowed his gaze, like if he had been offended.
“Don’t tell me you don’t know how to serve something for yourself,” you teased. He didn’t say a word, and you giggled. “That’s fucking pathetic.”
He leaned towards the dining table, eyes locked on yours. “No, you just don’t know your fucking place, woman.”
“I just saved your life, Ben. At least say thanks,” you beamed, having too much fun by seeing him upset for mundane things.
“No, you didn’t.”
You rolled your eyes and took a sip of your wine. “Fine. I didn’t. Let’s go past this and start over. If you’re gonna live here, for now, then you’ll have to learn how to respect me.”
His brows raised. “I thought I already did.”
“Offering yourself to fuck me in a cheap motel is not respectful, Soldier Boy.”
“Well, I didn’t try anything, did I?” Ben finished his sentence at the same time he finished his dinner.
He waited for a smart comeback from you but it never came. He wiped his mouth with a napkin and a stupid grin appeared on his lips. “Unless you want to.”
“No, we’ve been through it. My answer is still no.”
“Then, mind to fucking tell me if you found something by now?”
He changed the topic swiftly. His playful demeanor switched immediately and you sighed, knowing he might have to hear anything to keep him down.
“You’re in danger.”
“I’m the strongest supe ever, that doesn’t make any damn sense,” Ben scoffed.
“Listen, we need to hide from Vought. Hide and not leave a trace, because now I’m involved with you and they’re absolutely looking for your ass,” you gave him a stern look as you went on. “If I fall, you go with me. And if you fall, then I don’t know if they’d still want me. But you’ll be fucked anyway.”
Ben nodded. In his mind, it didn’t sound like a bad plan. In the end, that’s what he wanted; to get closer to Vought and Homelander to get over with them. The world didn’t deserve those fuckers. And as much as Homelander was created with his own DNA, he knew better than to let a scum like him walk around the planet. You already gave him something, a clue. He had to play along for now. If they took you in first, then he might probably bargain to be him instead. It was only fair. He was the one that mattered anyway.
“Okay, I get it. I’ll stay here. But I don’t want those fucking therapies anymore,” he expressed, his gaze not moving away from the surprised look on your face. “Understand?”
You blinked a couple of times, shifting on your seat and chuckling under your breath. “It’s fine, believe me. I can’t stand you more than you do.”
Ben held your gaze, daring you to try something else. Instead, you smiled and got up and took your empty dishes to the sink. His eyes followed your moves, focusing on your small shorts and the softness of your legs. And you knew he was definitely checking you out when you talked.
“By the way, you’ll have to help me wash the dishes.”
He stood up, plates on his hands and walked behind your figure, putting them on the sink as you opened the faucet. His arms surrounded you once he did so and you flinched a bit. Ben smirked, feeling the reaction of your body trapped against his.
“Get away,” you ordered in a whisper, unable to move.
“I’m helping you, Y/N,” he breathed your name against your neck, his hand wrapping on yours gripping on the edge of the sink.
The only sound now was his hot breath on your skin and the water flowing. You quickly turned the faucet off, but you didn’t try to push him away.
It was the second time during the day he had said your name, ever. And you wouldn’t deny it sounded fucking delightful. He had only addressed you as his ‘doctor’, but now it was different. Though, you didn’t want to give into him. He was a huge douchebag and you were basically forced to spend time with him, in your home, without really wanting him there. You felt his lips ghosting over the sensitive skin of your neck, and the primal part of you yearned for his touch, but the rational one won over and you freed yourself from his arms.
“Stop doing that,” you warned once you were face to face. His eyes were dark already and had a sparkle you knew too much since the day before.
“Alright,” he nodded.
“Just- let’s just wash these. I want to sleep.”
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With a tired sigh, you walked down the basement. It was already midnight and Ben was locked inside his room, probably jerking off or something since you, once again, rejected him in your kitchen. Inside the dark room, you found the metal door that let you inside the bunker and unlocked it with the code. When you stepped in, you made sure to turn on the power and lights that illuminated the room and the small lab in the back. The computers started to run and you sat down on the main monitor, leaving the pouch with the Anti V tubes on the side of the desk.
Yeah, you might have told Butcher and Grace you had copies of every detail of the project. But you were afraid of the last stuff you discovered just before the attack. You knew well how the information was protected and encrypted, but it didn’t really assure you the profile of Solaris would be there. He was the first and last supe who had his powers off for a couple of hours at least and the feeling of losing it all had been eating you the last few hours after meeting with Grace’s messengers.
It took you a while to decrypt the system, something you had been already used to doing every time you got there to keep working on it, just to make sure no one would steal it. Hopefully, Vought hadn’t discovered it before destroying the facilities, you thought. And after a while, you found the last updates of the last test your team ran. Solaris profile and test was there. Not just in written letters, but the footage of the test and the exact formula that was used too. Now, you were so lucky.
“Well, thank you, Bianca. Wherever you are,” you whispered to yourself and took a tube from the pouch the men gave you earlier. You had a busy night ahead.
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bradleybradshawty · 2 years
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hughie campbell catboy icons 😸😸
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artbyblastweave · 2 years
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So a strength of The Boys TV show- or a happy cultural coincidence, whatever- is that one of the big weaknesses of the comic was that in terms of it’s target audience it was fundamentally shitting where it ate.
 In 2006, in order to understand the majority of the conventions and characters the comic was making fun of and insulting, you had to be deep enough into the comics scene that you were also the kind of person the comic was insulting. You needed to be familiar with the Avengers (when they were a d-list property) for Payback to be funny, you needed to be familiar with the history of the Teen titans for the gags about Teenage Kix or Team Titanic to land.
 At the time, I got the jokes because I read and enjoyed those properties, and it made me feel very much like I was the platonic-ideal overinvested fan the book was constantly taking swipes at. Reading The Boys felt like an exercise in masochism undertaken for posterity, because it was totally unwilling to meet me halfway on the whole superhero thing. It refused to acknowledge the strengths of the concept that so frequently get lost in execution, which is what I think a good superhero parody (or a good parody of anything!) needs to acknowledge.
The TV adaptation, however, isn’t ruthlessly mocking an extremely niche genre; it’s written in direct response to the MCU and to a lesser extent the DCEU. The cultural footprint of those are such that the parody is much more legible at a glance, even if you’ve never actually watched a modern cape film; the branding, the celebrity status of the two-faced actors, the omnipresent endorsements, the cheesy and formulaic storytelling, the creeping corporate control into all sectors, the corporations at pride. It’s very possible for a person in 2022 to have consumed no Marvel and still hate Marvel, just from all the downstream stuff like that. 
Even actual comics fans can get in on it; Lots of people love the characters in the source material but hate them as executed on the big-screen for a mass-market audience, and The Boys is primarily depicting and attacking that bastardized big-screen execution (even if it hated the source material even more vociferously, even if it’s already being more charitable to the movies than it was to the comics by virtue of having actually interesting fight scenes and superpowers.)
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awkwardcourage · 4 months
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It’s mourning Black Noir hours
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