this is unlike the stuff i usually post, but wanted to share. it's from a project i started a few days ago. (i've felt like testing sth like this for a longer while—just some loose lines, little critters i love, and warm words.) 🧡
unrelated and not, our beloved cat passed away yesterday morning. i'd just happened to draw this the day before we said goodbye. so i feel like it's for her. ❤️
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I haven’t been here long. What irritating changes have been made?
Credit where it's due, some changes have been good, like polls and stuff! But the big recent changes thus far that I would classify as irritating are:
- The UI change. This one may be less irritating for newcomers because it's basically the same layout as twitter and instagram, but for a lot of folks who've been here a long time, it feels cramped and like a loss of identity for the site. For many, the appeal of tumblr is that it ISN'T an algorithm hell like twitter or insta. Also, there's the annoyance of having to relearn where everything is, because it all got moved around.
- The users being lab rats for various tests the devs wanna pull out of nowhere without consenting to beta testing new site features- like the one that took away user icons on the dash for like half the site. They finally put them back after getting enough feedback that said NO, but users were so used to their feedback being disregarded that they were half expecting the change to be pushed through anyway.
- The Netflix tie-in advertising being pushed even to people who had PAID tumblr for a no-ads experience. Complete with them somehow thinking it would be a good idea to put an unescapable-by-scrolling spooky clown on peoples' dashboards that u had to use ublock to get rid of. While I'm not scared of clowns and often find them quite charming, it sucks that staff didn't take coulrophobia being a common fear into account.
- A wave of fully sfw trans posts being wrongfully marked Mature and staff doing little to nothing about it. Not sure if this is still ongoing, but it destroyed a lot of trust and good will. (LGBT+ users have been having to fight a constant war against censorship ever since the adult content ban on tumblr, so yeah... Nevar 4get the list of banned search words that would bring back no results, like 'girl')
- The site gradually moving away from customization. Tumblr is a BLOGGING site. But it seems to have lost sight of that fact, because most new users don't even know you can fully customize your blogs with css and stuff (an option that is now off by default for new accounts!), because of the in-dash viewer giving you only how blogs look on mobile, which is a lot more uniform. There, it's more like every other site- you get a banner and icon. Oh, but you can change colors and fonts from a drop-down list too, that's cool I guess. Though they recently took away custom color schemes on Message windows, just another little bit of personalization taken away.
- TUMBLR. LIVE. Basically tumblr teamed up with a skeevy dating app partner to allow for livestreams- but not the cool kinda livestreams like on twitch where you can draw or play games, no- to a site full of people who value anonymity, they decided to push phone cam only livestreams. Not only that but by agreeing to the terms, you're giving out tons of personal data including your location to said skeevy dating app partner and all of THEIR third-party ad partners. Needless to say, most people didn't wanna use it, so instead of users it's flooded by p*rn bots (which is ANOTHER issue we've been dealing with for a long time and have been getting an even bigger influx of FROM tumblr live) and scammers. And thus, since tumblr likes to put a carousel of current streams on people's dashes, you often get softcore p*rn thumbnails from the bot streams with no way to avoid it except for toggling off tumblr live entirely.
- Oh wait. That's right. You CAN'T toggle it off. Because you can only snooze it for a while until BAM, you're jumpscared by a carousel of ladies licking your screen again! But hey, at least they made the snooze 30 days instead of the 7 it used to be, right? Yeah, except for the fact that you can't get rid of the tumblr live button itself on the app anymore, and now it's front and center with a NEW notification tag on it, overlapping your dash and cramming useful stuff like the search button out of the way.
NOW- A lot of this stuff CAN be at least mostly fixed on desktop by installing ublock and xkit and tampermonkey + dashboard unfucker... But that's a lot of stuff just to make the site usable, you know?
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every time i get an ao3 comment on a horror fic along the lines of “jesus fucking christ. this is so vile what the FUCK what the FUCKING FUCK THIS IS SO FUCKED UP” i hug my laptop to my chest and kick my feet and roll around in bed giggling like a schoolgirl who just got a love letter from her crush. omg you got physically nauseous.....? eeee
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It’s almost worse knowing they hurt me unintentionally because I don’t have any right to hate them. It was an accident, they didn’t know, but still I have breakdowns at the mention of them and they don’t even know.
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quite interesting how someone ive never met and probably never will meet knows me better than anyone else
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fontaine and furina having this theatrical motif around them has always felt intentional. the way furina was characterised in the first two patches almost being the personification of the ostentacious nature of european, and more precisely, the french monarchy has always come across as aforethought. the same way furina was presented as not having her nation's sympathy and indulging in her own pleasures is very akin to marie antoinette, as we all probably know (and this makes even more sense now knowing she has a similar fate of being sentenced to death by the guillotine, which we can almost infer is also related to treason by acting against the security of the "french state" or genshin's version of it: fontaine). now, to make my point i want to quote a few characters and expand a little on what i have interpreted of them.
let's start with lyney who is introduced and has a bit of a monologue on magic in the teaser for fontaine.
"the essence of magic is getting people to believe a lie. and the most important part of this is what people see."
lyney tells us, the viewer, the interpretation of a lie depends enterily on what you see and how you see it. doesn't this resonate perfectly with the title for fontaine's last archon quest and the theme that was presented to us all the way back to toy teyvat's teaser narrated by dainsleif, "masquerade of the guilty"?
"people don't realize how much they expect their eyes to tell them the truth. but it's not real it's all a show. and every part of the show is carefully controlled. controlled how? by choosing the right time, the right place and the right people."
i pointed out how lyney talks to us as the viewers because i think we're very quick to exclude ourselves from being seen as a character. it's easy to infer that a major plan is taking place thinking of one character (or a group of characters) fooling the others. but i always thought it was curious the way these things and the emphasis on being part of a play was pointed to us (you and me, if that makes sense) like we were going to be the ones fed a lie so that the curtain could fall eventually at the end. you know what's curious about this specific lyney quote? how the camera pans to clorinde and neuvillette as we heard the words "the right people". specially after seeing the trailer for the last part of the archon quest, having neuvillette aknowledge he now knows his role and hearing furina say at the end she hopes he enjoyed his part in the play ties perfectly with this.
"but keep your eyes peeled, and you might be able to turns thing to your advantage."
weather you think of yourself as the viewer or not, this phrase feels like a presage for what the future might look like.
after lyney's monologue, arlecchino chimes in and the conversation stirs a little.
"in a nutshell, magic is what you see with your own two eyes. very fun, but it's not enough."
she seems to be indicating that having a trick inst enough, that making people believe the lie is what makes the show. this trick has to be so perfect and believable that it's impossible to see through which she then compliments with:
"let me make something clear. you think of yourselves as magicians. but when you're on the stage, you're first and foremost actors. good actors hone their craft to mesmerize the whole crowd."
arlecchino makes a distinction between magicians and actors and, this way, the narrative of being part of a play is introduced once again. which makes me think of her hand creeping out from behind furina in one of the posters for the next update. so it has me wondering what her part of the play may be. seeing arlecchino characterised as a wolf in sheep's clothing and someone who would betray the tsaritsa in a heartbeat almost makes me wish for that to be the case. but i also wonder if she is doing something in exchange for the hydro gnosis. theories apart, she's definitely weaving her threads in there somehow.
i could skip the next part since we already know the furina we meet is but a superficial layer of who furina actually is and her role as the hydro archon. but the way she is introduced in the fontaine teaser really ties with everything mentioned in this post, making it clear she's the main character in the play.
"ugh boring! why do I even bother? when are we going to finally see a real twist for once?"
she's described by dainsleif in the teyvat teaser as someone who "lives for the spectacle of the courtroom" as we all have seen through the first patches. it also correlates to the whole theme of justice as entertainment which many people have expanded upon. she asks to see "a real twist" and who better to do that if not the queen of flamboyance herself?
i wanted to point all of this out because, since the beginning, i think it's been obvious furina as a character was always implied to have people change their view on her. not only by other characters but also us, who are part of this big play by following fontaine's story. this was highlighted by the sheer difference in the way traveller is treated or used in fontaine compared to other regions, having other characters play the big important moments as if we were side characters (loss of protagonism), and the ammount of control we are given over (our influence in court and our role as a lawyer, for example). this change in opinion furina was fated to have has always beem hinted to be triggered by some sort of sacrifice. being so influenced by marie antoinette, having furina turn into a scapegoat or a martyr and getting people's respect after death (either real or metaphorical) feels to fit the narrative. this is why players not liking furina has never really bothered me. i believe furina was not characterised - when she was introduced to us - to be liked, quite the opposite. it was faux, a way to manipulate our own perception and opinion on her. i think part of our "role" was to be tricked, much like what we are hinted at throughout the narrative.
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I think every transmasc should have a girl blorbo
Delve deep into her writing/character and expand on it and extrapolate ESP if the source material Does Not do her justice or doesn't give her the things she deserves. Find your pain in her pain and find her pain in yours and give her the things you will never have. Whether it was taken, starcrossed, or never meant for you. It could be for her. It could be.
Bestow upon her a gift, what remains of a life never lived. Leftover love of things that never fit right, never suited you, never were meant for you. Things you learned to love anyway, a love both real and manufactured out of necessity and survival.
And bestow upon her another gift, of love that has nowhere to go, of doors you've had to lock shut, doors you know go nowhere for you. Give her the key. Take up your pencil. Draw her in an adorable outfit. Draw her surrounded by loved ones, who love her so dearly back. Every drawing, a wish. That she can have a kinder life than mine. That I could give that to her. A parting gift, from me to someone who I can no longer host, that can now live on peacefully within her and lead an even better life than it ever could have within me. It was in the wrong house I had to rehome it.
Something adjacent to Gandalf Big Naturals ect ect
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isaiah hehe
PLEASE TELL ME YOURE TALKING ABOUT THOMAS
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Last night I had a dream that some weird sentient ooze (?) Monster had transformed into Martin and then proceeded to try and take his place.
I remember finding out and confronting it, and it responded by suddenly becoming near indistinguishable from Martin, getting uncomfortably close to me, and then joyously laughing about how he was gonna do something BIG in a week.
It's wonderful, the things you dream up when you're sleep deprived. Should I make this an AU?
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I slept in and just woke up, so here's what I've been able to figure out while sipping coffee:
Twitter has officially rebranded to X just a day or two after the move was announced.
The official branding is that a tweet is now called "an X", for which there are too many jokes to make.
The official account is still @twitter because someone else owns @X and they didn't reclaim the username first.
The logo is 𝕏 which is the Unicode character Unicode U+1D54F so the logo cannot be copyrighted and it is highly likely that it cannot be protected as a trademark.
Outside the visual logo, the trademark for the use of the name "X" in social media is held by Meta/Facebook, while the trademark for "X" in finance/commerce is owned by Microsoft.
The rebranding has been stopped in Japan as the term "X Japan" is trademarked by the band X JAPAN.
Elon had workers taking down the "Twitter" name from the side of the building. He did not have any permits to do this. The building owner called the cops who stopped the crew midway through so the sign just says "er".
He still plans to call his streaming and media hosting branch of the company as "Xvideo". Nobody tell him.
This man wants you to give him control over all of your financial information.
Edit to add further developments:
Yes, this is all real. Check the notes and people have pictures. I understand the skepticism because it feels like a joke, but to the best of my knowledge, everything in the above is accurate.
Microsoft also owns the trademark on X for chatting and gaming because, y'know, X-box.
The logo came from a random podcaster who tweeted it at Musk.
The act of sending a tweet is now known as "Xeet". They even added a guide for how to Xeet.
The branding change is inconsistent. Some icons have changed, some have not, and the words "tweet" and "Twitter" are still all over the place on the site.
TweetDeck is currently unaffected and I hope it's because they forgot that it exists again. The complete negligence toward that tool and just leaving it the hell alone is the only thing that makes the site usable (and some of us are stuck on there for work).
This is likely because Musk was forced out of PayPal due to a failed credit line project and because he wanted to rename the site to "X-Paypal" and eventually just to "X".
This became a big deal behind the scenes as Musk paid over $1 million for the domain X.com and wanted to rebrand the company that already had the brand awareness people were using it as a verb to "pay online" (as in "I'll paypal you the money")
X.com is not currently owned by Musk. It is held by a domain registrar (I believe GoDaddy but I'm not entirely sure). Meaning as long as he's hung onto this idea of making X Corp a thing, he couldn't be arsed to pay the $15/year domain renewal.
Bloomberg estimates the rebranding wiped between $4 to $20 billion from the valuation of Twitter due to the loss of brand awareness.
The company was already worth less than half of the $44 billion Musk paid for it in the first place, meaning this may end up a worse deal than when Yahoo bought Tumblr.
One estimation (though this is with a grain of salt) said that Twitter is three months from defaulting on its loans taken out to buy the site. Those loans were secured with Tesla stock. Meaning the bank will seize that stock and, since it won't be enough to pay the debt (since it's worth around 50-75% of what it was at the time of the loan), they can start seizing personal assets of Elon Musk including the Twitter company itself and his interest in SpaceX.
Sesame Street's official accounts mocked the rebranding.
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tags. fem!reader, boss/employee relationship, stupidly domestic, little wife kink in there somewhere, nanny reader, single dad gojo, breeding kink [18+ only]
You sometimes find yourself wistfully imagining having a family of your own—a soft and sweet little bundle to cuddle and someone strong and capable (competent) at your side. But you can’t think of the last time you’ve been on a date where that person had the same interest in something more serious than casually sleeping around.
Nannying seemed like the natural conclusion, especially when you’re still settling in a new city and barely scraping by for rent and student loans for a degree you don’t use.
You pick up a few jobs just to get a feel for it: parents going away for a honeymoon, a last-minute call-in, a weekend business trip. Then a friend of a friend says she makes enough to afford one of those picturesque apartments that overlook tall high-rises and iridescent lights, the very ones you’ve dog-eared in real-estate magazines.
All it takes are a few phone calls and an interview until you’re packing up your apartment and taking the freeway outside of the city to somewhere remote and expensive, your car looking almost out of place parked beside the shiny new one in the long driveway.
You rap on the front door before you lose your nerve, and a few moments later, it opens, and you’re unsure who looks more out of place: this man with a smile too big, dressed for work, immaculate suit dampened by the baby rag slung over his shoulder and what looks like drool on his crisp collar, or you in your scuffed shoes and second-hand store clothes, standing in front of the nicest house you’ve ever seen.
“The nanny?”
“Yes,” you mutter, licking your lips. “That’s me.”
“Good, Ren just woke up from his nap,” he says, opening the door a little wider with a creak. The darkness behind him is almost comforting.
You take a deep breath and pass over the threshold into his home.
The entire time, his hand stays on the small of your back to steer you toward the nursery, and a shiver threatens up the length of your spine.
Three months. That’s how long it takes before your employer poses a problem.
It’s not that he’s a terrible boss; in fact, he’s quite the opposite. He lets you take over one of the many spare rooms in his massive house, pays you double the regular rate, and gives you time off when you ask for it.
It also helps that Ren is cute, only a year old, and still so sweet and tiny.
Perfect.
The problem lies in that you know what he sounds like first thing in the morning, that he knows how you like your coffee, that he helps you fold laundry in the living room while the baby naps, how you catch him staring anytime you hold his son—his expression shuttered, a foreign thing that you can’t read. It’s all so terribly domestic.
Terrible in that you think it’s a horrible idea to develop a crush on your boss, that you can’t help but get flustered anytime he so much as looks your way, even if it’s fleeting. How a sleepy smile before he retires to his room for the night can turn your thoughts into a scattered, ill-defined mess of what they used to be until all that’s left are words like spun sugar melting on your tongue.
But also, it’s not normal, at least not from your experience.
You were lucky in the past if your employer even wanted to know about their kid’s day. Barely saying hello once they walk through the front door before sending money to your bank account.
Satoru—because that’s what he asked you to call him one afternoon while you were in the middle of feeding Ren mashed banana, a lazy smile curling the edges of his lips after you say it for the first time—wants to know everything: what Ren ate, if he laughed, how your day was, if you finally got your hands on that book you’ve been meaning to buy.
“You don’t have to ask about my day,” you tell him shyly, accepting the glass of wine he proffers you after spending the past hour trying to put a teething baby to bed. “To make me feel better, that is.”
“Would it be so bad if I said I want to? You live here, too.”
You try to separate the two: that he cares as your employer and not for any other reason, and how you sometimes catch the soft look in his eye whenever he looks at you could make you believe otherwise.
Cool fingers cup your chin gently, thumb caressing the top of your cheek, now close enough that you catch a few of the warm notes of his cologne, a move that’s probably very inappropriate between a boss and an employee.
“I never say anything I don’t mean.”
You swallow, nodding, slightly shaky, breath caught in your chest. “Okay.”
“Good girl.” He retreats to his office before witnessing how those two words knock the wind out of you.
He starts saying things like our shopping list, our car—because he gave you the keys to the SUV parked beside his car and hasn’t touched it since; for you and the baby, he said, plus it’s terrible on gas when I drive it to work—our house, our baby. You don’t think he means to do it; it's more of an easy slip in conversation.
But then, one morning, he’s rushing around the kitchen, hair still damp and smelling like his shampoo, as he grabs his coffee and briefcase from the counter, kissing Ren’s forehead first…and then yours.
You’re half convinced that you imagined it—that his lips hadn’t stayed there for a second longer than necessary—until he straightens his tie and heads out for the day with a ‘be good’ tossed over his shoulder, and you’re left wondering if he meant to say that to you or Ren.
It sets off a chain reaction of thoughts whirling away in your head, leaves you wanting and wondering—only ever allowing yourself to fantasize a little when the house is quiet and dark, the baby monitor humming on your nightstand, and images of your boss flit behind closed eyelids as you fit your hand underneath your soft sleep shorts.
In the morning, you worry he can tell what you did, his smile almost too sharp, too something—more teasing than what you’re used to—his hand resting on your lower back as he leans down to kiss Ren’s chubby cheek while you make breakfast.
“I have a meeting this afternoon, so I’ll be late. Want me to pick up some food on the way home?”
No, you think, there’s no way he knows.
You spend most of the morning cleaning and folding the array of graphic onesies Satoru has a penchant for dressing Ren in, and the later half walking around the pool because it’s warm and Ren enjoys splashing around in the water. It’s enough to tucker him out for bed early, unable to keep his eyes open while eating a plate of mashed potatoes.
It’s also the first time in weeks that you have the night to yourself, no baby keeping you busy, no Satoru to—well.
After a long shower, you step out of the bathroom, moving into the hallway. And there are many reasons why you felt confident walking the few steps it took to reach your bedroom. Most revolve around what Satoru told you that morning, so you don’t expect him to be standing there, shirtsleeves rolled up, piercing gaze sliding down the length of you wrapped in a towel and little else.
“I brought home those drunken noodles you like,” he says when his eyes focus back on your face, his whole expression softening into a smile.
A beat. “Thank you,” you whisper, unable to look away.
He tucks the wet strands of hair clinging to your cheek behind your ear. “Why don’t you get dressed, and I’ll join you downstairs?”
The noise in your brain goes static.
You’re unsure what causes it, but everything changes when he comes home early one afternoon and finds you and the baby napping in the nursery. He has this soft look on his face and something else you can’t decipher with his piercing blue eyes settled firmly on you.
Ren coos softly into your shoulder.
When Satoru picks him up and settles him in the crib, then walks you to your room—here, let me help you—and when he hovers in your doorway, you let him in without question.
He doesn’t waste any time peeling off your clothes, eager to have you naked and splayed out underneath him. You cum on his tongue more times than you can count until you’re silently begging him to fuck you.
He laughs, large hands spread over your tummy.
“Use your words, baby. I’m not a mind reader.”
You feel like you’re someone else watching you from somewhere else, another body rocking against the length of your boss’s cock, back arching every time you manage to find the friction you need. He’s hard against your back, thick in a way that makes you wonder if he did enough to stretch you out.
“I-I want—”
All other thoughts are obliterated by the stretch and press of him against your cunt.
“Think I’m going to keep you,” he rasps, lips dragging over your throat. “Keep this drippy little cunt spread open on my desk whenever I want while the baby naps. Would you like that? For me to fuck you full until you give me a baby.”
You clench, nerves shot.
“Gonna get all round with my baby, stay here forever,” he mumbles when he draws away, and you can’t tell if the words are meant for you to hear or slip out without him realizing. “Fuck—breed my little wife until it takes—”
Your eyes roll up, lost in the little promises he paints across your skin, body shivering over and over until you’re sobbing from it until he has to clamp a hand down over your mouth—shh, you’re going to wake the baby—going limp when he finally cums, pressing as deep as your body will allow, as if he can somehow imprint himself there.
Wonders if maybe he’s been building up to this moment all along.
It’s so easy to lay there after, blissed out while he litters kisses across your face and collarbones, letting him lift your hips up to slide a pillow underneath, even though the position is awkward when he tries to cuddle you afterward.
His fingers draw shapes on your stomach, giving you a wistful look, like he can’t believe he’s laying here with his cum still dripping between your thighs—no matter how many times he scoops it up and pushes it back inside you. “Do you think it’ll take?”
And you don’t have the heart to tell him about the little foil packet of pills tucked away in your nightstand.
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“hm hello? do you need help?” yuuji approached the lady walking the hallways so slowly she seemed lost.
“huh?” you turned and he smiled, thinking how gorgeous you looked. your uniform was a lot like nobara’s, although it was lighter, like it was slightly bleached or just worn a lot, “no, i… i go here.”
“oh are you gojo-sensei’s student too?” he was excited to meet another student, it was such a big school for just a few people.
“gojo… sensei” you repeated confused.
“oh you must be utahime-sensei’s student then? from kyoto?” he tilted his head, like a puppy.
“utahime…” you whispered, “is geto here?” you asked with a certain urgency in your voice, “geto suguru.”
“who? geto?” he scratched his head, trying to remember if he heard about a sensei called geto suguru, “i don’t think i—“
“itadori!” megumi called from outside, yuuji saw him die below through the open windows of the second floor he was at, his classmate probably saw him as well.
“ah fushiguro!” he greeted his friend and turned back to you, “i’ll ask megumi, he’s been here for longer than me.”
“who you talking to?!” megumi shouted.
“her!” he pointed, you were in front of him, right by the opened window too, he couldn’t see you?
megumi even moved a bit, “itadori, there’s no one there. stop playing, we got to leave!” megumi scolded him before entering the building.
“eh?” yuuji was frowning.
“sorry, i think i’m in the wrong place” you bowed and turned away running.
“wait!” he ran after you, turning corners he thought you could’ve gone but after a few ones he reached a dead end.
“hm? yuuji?” gojo emerged from a classroom.
“gojo-sensei! there was… someone…” he looked around.
“oi, we’re waiting for you, let’s go” megumi came from where he was, grabbing yuuji by the hood of his uniform and dragging him away.
gojo watched through a window as they walked down the staircase until both boys walked out of the building.
“that was weird” you murmured from inside the classroom he was in, “that boy called you sensei” you put more rice into your hungry mouth, “does yaga know you’re pretending to be a teacher here?”
satoru closed the door, lighting another incense on the table that you used to sit. where every year on the anniversary of your death he built a shrine with food you liked.
“i thought haibara was in a mission but i saw him by the tree” you pointed behind you with your chopsticks, where, outside the classroom and behind the building remained the tree you always had lunch underneath during hot summer days.
he undid the blindfold, letting his hair fall as he sat in front of you, admiring how you never aged a day. after all, you couldn’t.
in fact, it seemed like you didn’t realize how much time has passed. every year you appeared and every year you thought it was still 2006, when you had two kouhais that did everything you asked, a girl best friend that insisted you smoked with her and two boys that were helplessly in love with you. the last year you were alive.
“is suguru not coming?” you asked with your mouth full.
gojo swallowed hard, “no, angel. it’s just us.”
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“OH GOD! IT’S WALKING?!”
— baby’s first steps with gojo, nanami, geto, and sukuna (f!reader)
GOJO SATORU:
your daughter simply adores her father, and she is almost as energetic as him. you recall multiple times when he would pick her up smiling, and she would hold his face giggling and smiling just as much.
it’s such a cute scene, and you have at least 6 similar photos.
so yeah, it doesn’t surprise you that she keeps looking at the door, waiting for him to come back from his mission.
you’re both sitting on the ground, a little distance from the door. you lightly tickle her, “you wanna see dada?”
she looks up to you then looks to the door and murmurs, “dada.”
“he will be here soon; I promise,” you press a kiss to her cheek, and she squeals. soon, the door clicks and it slowly opens to reveal your dear husband who’s holding what you think are bags of sweets, toys, and souvenirs.
“the world’s best dad and husband is here!” he announces brightly. quickly, you get your phone out to record yet another cute moment between your daughter and your husband.
however, neither you nor your husband expected your little girl to stand up excitedly and try to waddle her way to her dad.
“dada! dada!” she says as she hurriedly stumbles and waddles her way to him.
satoru kneels down on the ground, opening his arms widely as he grins, “yes, dada! come to dada, baby!”
successfully, the girl stumbles into satoru’s arms and giggles as he peppers her face with kisses.
he looks up to you with a pout, shifting d/n into one arm, “excuse me, but I would like my two favorite girls to be in my arms, right now!”
you chuckle and settle into his embrace and he presses a kiss to the top of her head and your own.
d/n gives him a kiss—more like simply put her mouth on his cheek—and nuzzles into his chest. satoru grins before looking at you, “she is so cute!”
you quip with a big smile, “I got that on video!”
“you and your gorgeous mind,” he hums as he kisses your cheek.
NANAMI KENTO:
“kento, you’re going to grow grey hair early like this.”
honestly, you can’t blame him for worrying like this. you were finally going on vacation, so your husband wanted everything to be organized.
the last thing he needs is a headache after he finally got rid of the walking one (read: gojo).
he sits down, sighing, “I know; I just don’t want anything to go wrong.”
you chuckle, and settle down beside him, pressing a soft kiss to his cheek, “don’t worry,” you say, “we checked everything over a million times. nothing will go wrong.”
nanami smiles tiredly before pulling you into a gentle kiss, “well, I guess you’re right,” he looks around for a moment, “where is d/n?”
“she is playing with her toys on the mat; why?”
“she is not on the mat.”
“she is not on the what?!” you yell, bolting out of your seat and frantically searching for her, “d/n, honey, where are you?!”
“y/n, calm down!” your husband tries to comfort you, “she is still in the house, so don’t stress about it; we will find her.”
as if on cue, a giggle and a coo are heard behind nanami. he turns to find the culprit, his 10 months old girl grinning. she squeals and tries to walk towards him, hands eagerly reaching out for him.
she is stumbling a bit, and her steps are clumsy, and nanami couldn’t have been prouder.
he smiles fondly, “good girl, d/n,” he opens his arms, encouraging, “you can do it.”
she flails her arms as she giggles, “da-dada!”
d/n finally reaches his leg and holds onto it for dear life. she starts swaying as she looks up at him, “dada!” he bends down to kiss the top of her head.
she hums happily, before waddling towards you, worried, “mama?”
you breathe a sigh of relief and hold her in your arms, “you got me worried, baby,” you stroke her hair and she nuzzles into your embrace, little hands gripping your shirt tightly.
nanami lets out a chuckle as he watches your daughter starts to fall asleep in your arms.
he moves to hug you two, and hums with content, “and you say that I am the worrywart.”
GETO SUGURU:
“y/n, what makes you so sure that they will start walking soon?” your husband says as he watches his two little girls play in the garden.
he already had nanako and mimiko, but god chose to grace him with his own pair of twins.
he couldn’t be happier, especially with way the twins both care for each other and beam whenever they see him.
he also adores seeing them play with you; it brings a type of serenity to his heart.
you chuckle, “call it a mother’s instincts.”
suguru rolls his eyes and pulls you by the waist, “you showing off, pretty?”
“nope! just asserting dominance.”
with a roll of his eyes, he gives you a peck on the nose. the both of you then settle down on the grass as well, quietly watching the girls try to chase—wait what chase?
suguru and you lock eyes, and he quickly scrambles to get the camera. meanwhile, you’re trying to encourage the girls to continue their walking, “who’s winning, girls?”
each one of the stumbling babies yells out a—supposedly—‘me!’. they‘re both squealing as they walk around.
soon enough, suguru makes an appearance and starts recording, “I am gonna get you!”
the girls squeal and try their best to run away from the big bad monster.
the very cute thing that even has suguru pausing in his chase is that when one of them falls, the other waits for her or tries to help her up.
of course, the latter mostly results in both of them falling on their small little bums. luckily, they clumsily stand up instead of crying their eyes out.
they get tired eventually though, so they waddle their way to you. both of them sit beside you and rest their heads on your lap.
suguru stands in front of you, hands on his hips, “you leaving me out of this group cuddle?”
your twins perk up and turn their heads to peak at him and they giggle when he pouts. still, they open their little arms for their dad to join the family hug, “dada! hug!”
RYOMEN SUKUNA:
your husband is not exactly the most enthusiastic father.
he wasn’t that affected by your son’s first word being dada, and a lot of things that you can’t be bothered to think about.
so yeah, you’re left with the role to be the encouraging parent, and to hype your son whenever he accomplishes something.
so obviously, your son adores you more than he does his father. however, there is no denying that sukuna’s genes are indeed strong.
despite the kid’s beaming smile, he could be choking a snake. it actually reminds you of that one hercules scene.
your son also has a quicker development than most kids, but it doesn’t lessen the excitement when he finally took his first steps.
you held onto sukuna’s arms, pointing at your boy, “sukuna, look, he is walking!”
“so?”
you pause then look at your husband, “what do you mean ‘so’?” you grin, “they’re his first steps, you silly goose!”
sukuna frowns, “I am not a silly goose,” he then rolls his eyes, “he was going to start walking sooner or later anyway, woman.”
you huff, “you’re no fun.”
however, you don’t get to dwell on it for much longer as you hear the scream of one of the servants. you and your husband are looking towards them, and—suffice to say—it’s a memorable scene.
your son, who just started walking, is somehow holding a wooden pickaxe and waddling his way behind the servant.
he is grinning and squealing too like he isn’t about to beat up an innocent person (it reminds you of something or rather someone).
the servant is surprisingly terrified form the kid as she screams, “my lady, please save me!”
you have no idea how a grown woman is terrified of a one year old, but you will give her the benefit of the doubt that he is, after all, the son of the king of curses.
you sigh with a chuckle and walk towards them, “on my way.”
the kid squeals, waddling quicker after the servant who’s about to shit her pants.
meanwhile, sukuna is smirking proudly as he watches his son, “now, that’s my kid.”
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