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lordabovehelpme · 3 years

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Tied to You - Bucky Barnes x Reader

For my lovely best friend. Happy birthday my dear, I hope you are having a wonderful morning and this puts a smile on your face. Trust me, it’s been hard to keep this a secret from you for so long, but I hope you enjoy. I love you, and I will see you later!!!

Summary: You’re so happy to be standing before him, but something on his wrist brings you back to the very first time you met.

Warnings: f! reader, marriage

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Excitement sends thrills up and down your spine, tingling through your toes and pooling in your stomach. You clutch the simple bouquet between your hands tighter and take a deep breath, trying to calm your frantic nerves.

Finally, after what seems like both an eternity and a millisecond, the classic “here comes the bride” starts to echo. Taking one more quick breath, you let your shoulders relax and start to turn the corner.

There you emerge from behind the doors of the little church in Brooklyn. Family and friends stand as you start your descent down the aisle. You meant to smile at the crying relatives, to give them some sort of comfort, but you can’t take your eyes off of him.

He stands before the altar, adorned in a black suit with a black tie. His hands stay clasped before him, but his striking blue eyes meet your own. They soften at the sight of you and his shoulders slightly shift towards you.

However, once you offer him a small smile, his eyes rack down your form and back up before meeting your gaze again. Usually his gaze causes you to fluster and try to hide away, but today you stand tall as you approach him.

He offers you a hand as you climb the few steps and you gladly take it. Handing the beautiful bouquet to your maid of honor, you look down at your clasped hands.

No longer does he shy away from you touching the metal, and no longer do you hesitate.

But something catches your eye as you settle before him. Right there on his metal wrist is a bracelet of thread. The one you made him all those years ago; bright yellows and blues, with tan and green. They all compliment the vibranium perfectly.

The sentiment is overwhelming and a gasp gets caught in your throat. “You wore it.” Your voice is small and he doesn’t need clarification to know what has puzzled you.

“Of course I did, doll.”

***

He can’t take his eyes off you. There you sit with some older ladies, spools of brightly colored thread by your side as you try and explain how to make a bracelet.

“Yeah, you’re starting to get it, this just crosses over here… see?” You lean over and point at one ladys horrible excuse of a friendship bracelet. They all laugh at one another and point out each other's mistakes, but become very defensive when their own flaws are pointed out.

“You should go talk to her!” An elbow is pressed into his side and Yori smirks.

“No I should not.” His eyes snap to face the older man, but not even a second passes before they beg to find your form again.

“Why not? She’s not getting any younger, and neither are you.”

Bucky sighs, but a small smile breaks onto his lips. “Haha, very funny. But I don’t even know what to say.”

Yori shrugs his shoulders. “Flatter her, girls love that. Tell her you love her eyes, her lips, her hair. Anything.”

A scoff falls from his lips as his head shakes. “I’m not going to suck up to her in hopes of a date.”

Yori places his hands over his own and he offers a smile to the soldier. His long white eyebrows twitch in the classic sign that the next few words will be uncharacteristically wise. The older man's eyes meet blue eyes and he gestures for him to lean in. Bucky follows and leans his head down.

“You will.”

Before the words even process in his head, Yori has already walked off, laughing loud as he clutches a hand to his chest. Once again, Bucky shakes his head at his antics.

“No I won’t.” He utters under his breath, before walking over to your little circle of mischievous old ladies.

You look up at him and he swears he might legitimately melt. “Hi!” You offer him a smile and he is already making funeral plans in his head.

“Oh, uh, hi.” Subconsciously, his flesh hand finds itself on the back of his neck, trying to rub away his nerves.

“Can I help you?”

He swears in his head, what does he need? He needs you. But he can’t say that. Swearing again, he tries to think of anything that would make sense to a normal human being.

“Yeah, I…” His eyes flicker around and land on one ladies bracelet. “I wanted to make a bracelet.”

Well great. Now he’s done it. He must look like the biggest dork in history. What was he thinking? Why couldn’t he just admire you from afar?

“Oh.” You genuinely look surprised. “Of course!” A wide smile breaks onto your face and you pat the empty seat next to you. “Come sit down and we’ll get you some thread.”

He can hear Yori’s laugh from the opposing corner. But, he follows your command and takes a seat next to you. Blue eyes follow your movements as you reach for a plastic container holding an entire rainbow of thread.

“So, what color are you thinking?”

He gives the rainbow one good look before sighing. “I don’t know.” You look at him as he offers a small awkward smile.

“Oh, okay. Well… do you know what type of bracelet you want?”

His fingers anxiously pick at the hem of his jacket. Shaking his head he murmurs, “Sorry, I know nothing about thread.”

Things seem to click in your mind that he has literally no idea about this stuff because you smile and slightly laugh. “Ahh, I see. That’s alright! Do you want me to choose some colors for you?”

His stomach flutters and he smiles at your soft laugh. “Yeah, doll, that would be nice.” The pet name slipped before he could even dream of stopping it. Once again, a long, loud, strand of curse words flood his mind.

Your movements stop, but quickly resume. In fact, you were so fast he’s not even sure you caught his slip. He watches with quizzical eyes as you pull brightly colored threads and measure them with your arms. Your fingertips move with ease as they tie the strands together and then hold it out to him. He reaches out and purposefully slides his fingers over your own.

“H-” your voice breaks out suddenly and he just smiles as you slightly fluster, clearing your throat you continue, “Here you go.”

He throws you a smirk and takes them from you. But then his plan of seduction hastingly halts when he realizes he has no idea what to do with the strands. So he just lets his hands rest in his lap as he stares down at the colorful strands.

“Do you need help?” You ask.

His head slowly tilts to meet your gaze and soft smile. He swears his heart stopped. Taking a gulp he prays you don't notice, he offers you a smile back. “Umm yeah.”

You scootch your chair next to his and reach over to grab the thread. Now he knows his heart stopped. You start explaining how to start a simple design but he can’t focus.

He means to focus, he wants to focus, but the smell of your shampoo wafts to his nose and makes his breaths longer. The subtle heat flowing from your skin to his where your arms slightly touch makes him want to close his eyes and lean in further to your touch.

“Are you paying attention?”

His eyes shoot open and heat rises to his cheeks. “Yes!”

One of your eyebrows twitch and amusement twinkles behind your eyes, but you continue where you stopped. He forces himself to listen and not be distracted any longer.

After about an hour of small talk and you helping him, finally the bracelet is long enough to tie off. Everytime your hand brushed his heart would skip a beat.

Now you tie the bracelet onto his wrist and cut the long ends. “There!” You smile at him and he nearly melts into a puddle beneath your feet.

“Thanks doll.” This time he doesn’t miss the way your body slightly stiffens and your eyes widen a tad.

“Umm, yeah.” You clasp your hands before you and open your mouth, but before you can say anything the older ladies call for you that they need your immediate help. You give him an apologetic smile, “Sorry, I have to go, but it was nice to meet you…” trailing off when you realize you don’t know his name.

“Bucky.”

Nodding at him, your smile widens from remorseful to joy. “Bucky, it was nice to meet you.”

He watches as you walk away, laughing and giggling with the old ladies. “You too doll, you too.” Little did you know, but you walked off right with his heart. The once stone cold piece of meat, now fluttering and happily beating beneath your gaze and care. And for the last time that day another flood of curse words plagued his mind.

***

His hands squeeze your own and he takes a deep breath, blue eyes meeting your own. The bright bracelet proudly on display for anyone to see.

“Doll, there were many times I was lost and you found me. There were days which were heavy, and you picked me up and lightened my heart. Through it all, you were always there for me.”

His voice wavers a little and you can’t deny the water pooling at the corners of your eyes.

“And I know that will never change. I promise to love you as you are and to respect our differences while still supporting and encouraging you. Whatever the future holds, know that I will stand by you and love you. Through pain and passion, sorrow and hope. Through death and through life I will love you. Everyday and with whatever we face I promise to love you because I am tied to you.”

You have to drop one of his hands to wipe away your tears as you smile up at him. Then you say your own vows. And finally after the classic I do’s, the officiant says, “You may now kiss your bride.”

The two of you lock eyes before he swoops down and captures your lips within his own. One of his hands wraps around your waist and holds you steady. The crow erupts in shouts and glee for the two of you but neither of you care. He leans back and you both just smile at one another for a while, both holding the widest grins you have ever had in your entire life.

“I love you.” He says.

“I love you too.” You say back.

Later in the night, as the two of you sway, your arms wrapped around his shoulders and head on his chest, the final words in his vow finally make sense. You play with the string bracelet on his wrist.

“Tied to you huh? You were proud of that one, weren’t you?”

He chuckles and presses a kiss to your forehead. “Was it obvious?”

“Dork.”

He smiles. “But I’m your dork.”

“Oh my god!” You sigh, “James Buchanan Barnes,” landing a poke to his chest to emphasize your point, “you are the most cheesiest, handsomest, loveable dork out there.” You stand on your tiptoes to catch a kiss from him. “And you're all mine.”

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Yes yes, I know. “Lordy what the heck? Why are you writing for Bucky?” Well this is a birthday gift for my friend who loves Bucky, so yeah.

Disclaimer!!! I will not write for Bucky normally!!! This was purely a gift!!!

But please, if you liked it, consider reblogging or leaving a comment, I love hearing what you all have to say! (And maybe y’all can convince me to write for him more. Idk, I’m not promising anything.)

Love, Lordy :)

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anchorshots · 3 years

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...that sure was an ending! as disappointing as sotsu has been... it’s been fun, keeping up with everyone’s reactions and theory crafting and even just throwing my own thoughts into the ring. i’m definitely gonna miss higurashi thursdays, even if the product in question was... well, not the best quality?

the stuff i loved about the ending:

that gorgeous rendition of you playing at the end

the beauty of springtime hinamizawa (those cherry trees, oh my god???)

okonogi looking smug as hell because he's off to start a food distribution company and get in with the ushiromiya family

smol eua was very smol

SATOSHI WOKE UP HOLY SHIT

SHION GOT SCREENTIME HOLY SHIT

the message from the club that it’s okay if friends grow apart and don’t see each other all the time; they’re still friends at the end of the day, no matter where life takes them.

the stuff i didn’t love:

... a lot, honestly, but a lot of my issues with the last episode have to do with my issues with sotsu as a whole? so much of it just felt... rushed and kind of unearned? i think a lot of my feelings can be summed up as “cool ideas, awful execution”.

this could’ve been really good, but either r07 yeeted the ball down like 34 flights of stairs when it came to giving passione his outline, or they did while adapting it. something went wrong there, and i think the push to market sotsugyou as newcomer friendly shot the entire project in the foot; we spend so much time retreading old ground that the new material barely has time to breathe and stand on its own, and any newcomers were just told “you really wanna go back and read the vn/read the manga/watch the anime before starting gou” anyways, so like... why bother with that?

in any case, i really like what tomato akase’s been doing with the gou manga, so i have higher hopes for higurashi jun. hopefully its conclusion will be less of a trainwreck than sotsu! as it is, unless jun pulls off some gotdam miracles, i... am still not considering this canon to OUR matsuribayashi. maybe some other matsuribayashi fragment had all this happen, but the one we saw in the original series? nope. (there are happy st lucia timelines in mei, after all, so like... yeah.)

i think that’s all i really have to say, but i’ve rambled a bit more under the cut just... i dunno, to clear my head and process what i watched?

i was all for redeeming satoko in the end, but... one (1) round of looper thunderdome, a dbz/touhou inspired miko battle, then punching the heck out of each other in the river... does not feel like enough from what they’ve shown us?

if they’d built up to this moment more in the answer arcs by showing more of satoko’s hesitation, her guilt, any horror at what she’s doing to her friends, her desperately assuring herself that none of this will matter when rika finally, finally stays and they can all be happy... then led up to the tatariakashi breakdown and teppei murder where she kills off all of those conflicting feelings to win the game as quickly as possible so all of this can stop... i dunno, i feel like it’d be easier to stomach her being forgiven without question? like, the teppei and sea of fragments scenes were clearly meant to convey she’s been feeling like this the entire time- but when we actually saw satoko on her own, we got one scene of her being sad she pushed rena into murder, then it was all mustache twirling villainy from there on out until teppei?

or, hell, i’d have taken seeing her having to account for unexpected problems in her plans and adapt on the fly more. like... the biggest problems she encountered apart from the teppei guilt situation were to do with mion taking longer to go off the deep end ( requiring needling on her end to push mion into a more fragile state where she’d act out ), then having no idea whether mion had killed rika or not once the tragedy was kicked off. apart from that... there was nothing? she was totally in control the whole time? everything went according to plan 95% of the time? i get it, i get it, certainty(tm), but certainty isn’t an instant win button. certainty is perseverance. certainty is overcoming every single setback thrown at you and clawing your way to the top in the face of adversity. hard work and an iron will go rewarded. you know... takano’s entire thing?

also... uh... how’d they get yeeted back into the original matsuribayashi fragment from the miko battle fragment? and... after the advice session from the club, did they just off themselves to do it over and go their separate ways properly? or can they just hop at will now without dying? huh???????????

lambda 100% split off from satoko in the ending, though, that’s for sure. i guess time is wonky in the sea of fragments, or as someone on reddit put it, lambda existing before bern was misdirection???

i guess my big question is where exactly bern split off from rika. saikoroshi was supposed to be the big split, but sotsugyou being where lambda split - and rika’s actions throughout the series, as well as their parting words - suggests that bern was still in there somewhere. maybe it was an incomplete split in saikoroshi, then sotsugyou finished it off? i dunno.

also what the hell was that final eua-hanyuu battle. like, you go hanyuu, but... it was so anticlimactic, she deserved better.

also kind of sad we didn’t get to see the satoshi-satoko and shion reunion but like,,, that makes sense. he just just woke up, boy’s not stepping out of that clinic for a while yet. still, i wish they’d done his scene first with irie in the room, then while irie was idk, stepping out to get something he needed, saw takano and tomitake come in and said something about how happy satoko would be to hear this... i dunno. just to allude to the fact that satoko has more in her life than rika. nii-nii’s back! once he’s confirmed safe to be around, she’ll be able to come see him! shion can, too!

god. i just. s i g h.

it just sucks seeing my favourite series of all time treated so carelessly. maaaan...

i don’t think i hate sotsugyou. it had great ideas, but its flaws... hoo boy, they were flaaaaaaaws.

#pepper.txt #higurashi gou #higurashi sotsu #higurashi spoilers #man... MAN...#im gonna miss higu thursdays but MAAAAAAAAAAN...

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cruddyborderlandstheories · 3 years

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I've mentioned this before a few times but seriously imagine if instead of Maya having to die (let's be real), Ava got Tyreen's powers and realizes being a Siren actually isn't as cool as it seems cuz whoops thousands of people are now hunting you for sport or experimentation and you can't touch anyone anymore without accidentally hurting them. You may now regret begging for the siren curse. Also, we'd actually get to see Maya train Ava as a Siren AND see what the phaseleech powers would have been like if they weren't broken between two people and the Phasewalk/lock powers weren't thrown into the mix.

Yes I'm still on this alt. Scenario because I think it would have been really cool and helped develop Ava as a character since her entire thing up until Maya's death was literally just "I'm going to be a Siren Vault Hunter" and then at the end of the story she just gets it without really working for any of it or even being prominent in the plot at all. She shows up, like, twice and then disappears until Troy dies. She literally just shows up at the end of the Troy fight and gets powers for that cutscene. I don't hate Ava but I will admit that was kind of a 'forced' moment for me. I knew what they were trying for, but damn they really missed the mark trying to make Ava Maya's lil trainee cuz we barely see them interact, and Maya isn't even alive long enough after her introduction to have the two of them talk beyond arguing. Im guessing a lot of their interactions were cut, and maybe also because Athenas was only a single map, but still.

And yeah okay for Ava to get powers, Maya dies and I guess that can be considered a drawback for her, but let's be real the issue I truly have with this whole thing is that Ava doesn't even work a BIT on screen to prove to the players she's a good choice (and in fact 2 of her most prominent moments are her disobeying a fan favorite character that then dies- it doesn't help her case). Maya dies, but that's not Ava's fault imo, and so Ava does literally nothing the whole story (I'm down for arguments either way, but the minute Maya decided holding Troy physically instead of using her Phaselock was somehow the better option when she knows at least one of those siblings can give others the deadly suck by physically touching them, my brain just shuts off) and she also learns nothing. If anything, she probably learns that if she just yells it enough at people, she'll get what she wants, cuz that's pretty much the extent of what she does in the main story beyond being sad and lockpicking (u wanna leave Athenas? Okay. You get your wish. You wanna be a Siren? Okay. Here's some powers. You wanna be a Vault Hunter? Okay. Here's the ship. Everything she yells about in the beginning of the game is handed to her just because um. Maya, I guess. She earns none of it herself). If, instead of it being Maya's powers, she got Tyreen's powers as one last "fuck you" to the Raiders, I think it'd make it feel a bit more like she's not just being handed everything she wants without working for any of it or learning a lesson because plot. Her character doesn't really change from the start of the story to the end, except that she's a bit sad that Maya died. It just feels so wrong. Idk. I think it'd be pretty cool if Ava accidentally hurt someone in the Raiders because she couldn't control her new powers so she could have that "oh shit" realization moment that a) being a Siren isn't all it's chalked up to be and b) she's gonna have to work to get her powers under control or risk hurting everyone around her. Her having that hurdle I think would have made a lot more people at the very least appreciate her as a character instead of calling for her death (yikes!)

Uh. Yeah. I have no idea what came over me to write this. I think Ava's biggest flaw to me is that she had Potential to be a good character but the writing fell flat under her. It started a story with her and then dropped it (like another character we know 🤔 his name rhymes with... boy), so she never really develops or learns beyond getting sad that Maya is gone. I don't hate her, but I can see why some people would, tho it's not really "her" fault, it's the writing, if that makes any sense.

Also, interesting note, I do consider Roland's death to be because Lilith ignored Angel's request and showed up, unlike Maya's. I don't think Jack would have shown up in control core Angel unless he thought there was very, very good reason to, and Lilith was Right There for the taking. He seemed to even plan that out, having the collar on him and everything, and Angel knew to warn them specifically because of that. Before that, Angel tells Jack that Maya is incapable of processing eridium like her (either due to ignorance or a desire to stop Maya from having a similar fate to her own) so Jack wouldn't have brought the collar for Maya. That said, it's fully Jack's fault Roland died and the blood is on his hands, I just don't think the situation would have played out the same without Lilith there.

Unlike that, I think the situation in the Vault of the Rampager would have happened regardless if Ava showed up or not. I always assumed the cutscene that happens when you 'leave' the Vault is actually what's happening while you're inside, and when the VHs walk out, Ava is alone.

If that's the case then Maya would have been alone when the twins showed up, and probably would have been done for like Lilith was, as Lilith is supposedly the More Powerful Siren. We'll never know for sure, but I get the feeling things would have played out pretty much the same. It's not like the twins showed up for Ava, they wanted the Rampager, and the Rampager was already dead when Ava made herself known. Maya's alone, against 2 cult leaders with no way of contacting the other VHs cuz they're in the Vault and Tannis is the only one who apparently can (since Maya does not have a freaky live action pop up ad, good for her) and echoing is a no go as it's established connection is awful down below the city. She can only Phaselock 1 person at a time, so she either Phaselocks Tyreen (if she even can) and gets dusted by Troy, or she Phaselocks Troy and gets her powers stolen (and probably killed or left to die by cultist) by Tyreen. No winning for her. It would have happened regardless if Ava was there or not, so people blaming Ava for Maya's death should probably just blame the finalized script.

I don't think it's right to blame either Lilith or Ava for their respective loved one's death. Like yeah Jack wouldn't have gotten that opportunity to kill Roland had Lilith not shown up, but Jack wasn't suddenly forced to pull the trigger because Lilith showed up. He did that all by himself. Similarly, Ava not showing up wouldn't have stopped the twins from attacking Maya. She just changed the topic of conversation a lil bit. And Ava has all the combat ability of thin air at this point, so her appearance or non-apperance made no difference whatsoever when it was Maya vs the twins.

Oh God I've been typing for like an hour BYE bed time for me

#Borderlands #H2o au #Borderlands 3 #Bl3

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itsclydebitches · 4 years

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RWBY Recaps: Volume 8 “Refuge”

Happy Saturday, everyone! Welcome to week two of… fourteen? Is that how many episodes we’ve got this Volume? Man, we’re going to be here for a while.

There’s a ton to unpack in “Refuge,” but as promised I want to delve into the opening first. Given the scattered, symbolic nature of our intro I think it’s easiest to just chuck out observations in list form. I’ll segue back into cohesive recapping in a moment.

So, what have we got?

The glitching between a happy, whole Atlas and the burning wreckage we’re now dealing with. That works well given both Atlas’ tech-focus culture and the ways that tech has led to some of our biggest tragedies (hijacked army, framing Penny, etc.)

Ruby looks scared and is standing behind the rest of her team, separated from them by the title. I’m not really feeling that theme so far though, given Yang’s incredibly weak challenge, Ruby’s immediate forgiveness (during her talk with Penny), and the fact that she’s still working with half the team who vocally support her, particularly Nora. Unless something drastic changes, the idea of Ruby being the outsider here is silly.

We get shots of the girls with their past selves superimposed over their bodies and weapons. I like the message here—they carry those versions of themselves with them—just not how it’s contrasted with Ironwood’s image of an earlier Atlas now burning. So that’s all he is now? Everyone gets to embody their growth except for him? His past is erased to focus solely on our current predicament? I’m not picking up any redemption flags here…

Robyn’s hand reaches down towards Clover’s badge, which then circles to show off the Ace Ops. The final image contrasts an angry Harriet with a defeated Qrow. At least, I hope they’re contrasts. It’s going to read as absurd if they somehow end up working together after Qrow helped get her leader killed.

This morphs into Qrow alone who sits, devastated, until Robyn offers him a hand up and they both smile. I’m not a fan of this symbolism after the prison scene we got this episode. It’s like Qrow might have thought about his choices until Robyn’s anger reminded him that, oh yeah, he can be angry at Ironwood instead. These two teaming up, when their last team-up led to a death, is worrisome to say the least.

We get our horrifying image of Salem looming over Oscar as he clutches his head. The group’s weapons fall. This makes sense given this episode’s kidnapping and the team’s sheer inability to do anything to stop it.

Jaune stands determined—also makes sense with his trend of giving “pep talks”—while Ren and Nora stand apart, facing opposite directions. Nora looks back though.

Paralleling them are Winter and Weiss who also face opposite directions. This is becoming a common visual theme: Harriet and Qrow, Nora and Ren, Winter and Weiss. Here though, Weiss looks determinedly ahead while Winter stares down at her feet, unsure. Ugh, I just know they’re going to have her betray Ironwood too.

We get a brief glimpse of Whitley and Willow, not a whole lot to go on. Then we see Salem turning her chess pieces into grimm—literally changing the game—while Ironwood’s white pieces are turned to dust. I could make a quip about how white is supposed to go first, but the initial move was made thousands of years before Ironwood existed and thus he never stood a chance, certainly not when his own allies are actively working against him… but I won’t lol

Watts is smiling at a terminal while at his back Pietro works at his. More opposites. Pietro’s reflection looks to Penny even as his body continues to work, his heart contrasting his head. Penny, in turn, looks upset as her reflection flinches at something off screen and the glass cracks. Watts hacking her, perhaps?

We see the new teams as a cherry blossom (I think?) floats across the screen. It melts in Ren’s hand while escaping Nora’s. Honestly, I’m not sure what to make of that just yet.

Ruby and Yang share a look—undermining their supposed conflict this volume. Couldn’t we have gotten sister unity over the last three years instead?—and a fight against grimm starts up. It freezes as Cinder walks through it, hopefully implying that the group’s attention is on the wrong threat. While they concern themselves with low-level grimm, Salem and her allies are walking free and wreaking havoc.

Then Cinder screams and clutches her grimm arm as things go up in flames. I hope that’s not a death flag given that we’ve teased her death twice already and we only just got a glimpse at her backstory. Also, I think it’s worth mentioning here that there’s a “Summer is the Hound” theory gaining traction which, frankly, I think is 100% unsubstantiated. It’s a fun crack theory, but not something I’m inclined to take seriously until we get some actual evidence behind it. There is, however, potential evidence for people becoming grimm in general: Salem falling into the pool and Cinder receiving that arm. That’s not much though. So while I’m far from convinced that the Hound was once human—let alone that it was Summer—there is something to the theory that Salem may be able to control Cinder via her arm like she controls other grimm. After all, she knew Cinder was alive despite everyone else thinking she’d perished. They seem to have some sort of connection that hasn’t been explained yet and now that Cinder has willingly walked back into Salem’s clutches, she may not be able to walk out.

There are shots of all our other villains, the Lamp and the Staff reflected in Salem’s eyes, and Jinn’s blue smoke, perhaps suggesting that we’ll see her again, or the entity residing in the Staff (if they exist).

Atlas glitches back to normal—a false victory?—before the ice breaks and Team RWBY falls into the darkness below. Volume 3 vibes all around. There’s light above them emanating from the Staff, but as Ruby reaches for it grimm arms circle and pull her deeper. I hope this means that the group will suffer the defeat we need to keep Salem as a legitimate threat, but we had very similar imagery back in Volume 6 and they made it out of that situation just fine, so.

“Happy Ever After” glitches into “Happy? Never Again.” Which isn’t ominous or anything. We finally end on the classic RWBY image of Crescent Rose buried in the snow underneath the shattered moon.

On the whole I think the opening is strong and I like a lot of the symbolism in it, though I do question how much will actually end up being relevant to the story. My only gripes are that there are too many different styles going on—it feels like three or four different Volume openings slammed together—and the fact that it also feels overly long. I don’t think it’s actually any longer than our Volume 7 opening, but it seems that way to me, perhaps because of those varying styles breaking things up.

So that’s what we’ll be watching for the next twelve weeks! Let’s move onto the actual episode.

We open on the image of Clover’s bloody badge in Qrow hand, the same one we got in the trailer. I theorized last recap that we’d be getting the rest of our trailer/promo material this week and I was almost entirely correct in that. This moment, retrieving the bikes, fighting off the grimm, Watts getting hit, Oscar carried away… all we’re missing are some eye closeups and Nora powering up her hammer. As said, it makes me nervous for what the rest of the Volume holds. I can’t decide whether the footage wasn’t ready to be included in promo materials that early, or if RT is just determined not to give us any information past the first two episodes…

Regardless, this is supposed to be a moment of grief and all I could focus on was Qrow’s hand. Specifically, the lack of detail in it. On the whole, I’ve been very happy with the engine upgrade and I quite like RWBY’s animation now, but a closeup here draws too much attention to how, sometimes, they’re just not animating their characters in a way that looks natural. Where is Qrow’s wrist? Why is his palm perfectly smooth? Stylistically that’s usually fine, but when given the chance to stare at it you realize how odd it looks.

Says the woman whose own drawing skills suck but, ¯\_(ツ)_/¯

But we’re talking about the important bits in this episode! Out of frame Robyn is heard yelling, “This is your fault. You realize that, don’t you?” We’re meant to think that she’s telling Qrow this, especially with how he’s bent guiltily over the badge, until we cut to reveal Jacques right next to them.

I wish Robyn was saying all that to Qrow. It would mean that she was ignoring her own responsibility in Clover’s death, but at least it would have started an arc where Qrow has to grapple with what he did. Not the awful moment that’s coming up.

Before that though, Jacques claims that he’s the “victim” here who was “duped.” His hands may not be clean, but “at least I’m not a murderer.” Look, I’m not here to absolve Jacques of anything. The guy is an absolute shit stain on the Remnant world. However, he’s right in his overall point even if his words are BS. Meaning, Jacques is not a victim and he is a murderer, but he is not the one responsible for Clover’s death. Robyn has plenty of things to be furious at him for, but this is not one of them. Ironically, here we have Jacques functioning as the kind of villain the show wants Ironwood to be. He is a murderer because the company he runs exploits faunus and forces them to work in dangerous conditions (see: the death of Ilia’s parents). He is culpable because he a) had control over these conditions and b) has full knowledge of their flaws. He’s a racist who cares more about money than lives. His informed choices then led directly to deaths. Ironwood? Not anywhere near the same thing. Overlooking the “Omg Salem is here and I have to do something about it” context, he did not try to arrest Robyn. He did not force Qrow to resist arrest, or Robyn to get involved, or Qrow to break Clover’s aura, or Tyrian to stab him in the chest. Ironwood had no control or knowledge of these events, so he is not responsible for Clover’s death in the way that Jacques is responsible for the faunus’. RWBY is giving the right arc to the wrong character.

Robyn then insists that Qrow didn’t kill anyone. He didn’t strike the blow, but he certainly helped! Look, Qrow is one of my favorites, but I’m not about to claim that he didn’t have a hand in getting his friend killed. I seriously can’t believe the show is ignoring this.

We then segue into some, uh, questionable dialogue choices. Jacques is a “snake with a mustache”? Sorry, I can’t take Robyn seriously at the best of times, but definitely not when she’s tossing out laugh worthy insults like that. Nevertheless, this “snake with a mustache” is guilty because he “helped that man tear us all apart.” That man being Watts.

…why are they all in what amounts to the same cell with barriers dividing them? I suppose we could make the argument that they’re being held in some secret facility, given that they’re in this dark, garage-esque space with no lights and no other prisoners. Some sort of maximum security setup that... doesn’t have any other inmates and no additional security? Hmm. Then again, the power is supposed to be out and I don’t really trust RWBY’s ability to craft consistent backgrounds. I feel like they’re packed together merely because that’s plot convenient, not because it makes any sense in world.

Watts looks pretty comfortable in there though and Jacques is likewise full of confidence. He says that by now Whitley will have already called their lawyers to get him out. Now, non-imprisoned people know that the apocalypse is currently underway, as Joanna will later put it. No one is lawyer-ing at the moment, but it will be crucial to see whether Whitley is trying to get Jacques out despite the chaos. How faithful is he to his abuser? Can Willow start undermining Jacques’ influence now that they’re alone?

Jacque’s confidence thoroughly pisses Robyn off and she screams, punching the barrier between them. Keep this in mind for a second.

A moment later two guards show up to take Watts somewhere and… oh no. Please don’t tell me Ironwood is going to team up with him now that Penny has written him off? I know the guy has (presumably) already killed someone, and he must assume he’s killed Oscar, so we’re definitely in full villain territory despite the stupidity of it… but please don’t start working with Salem’s henchmen too. You know what? I’m not going to assume the worst until I actually see it. RWBY gives me enough nonsense as it is lol.

What I really want to talk about is that hit.

I’m somewhat concerned by a lot of the fandom’s reaction to this moment in comparison to another. Who remembers Volume 6? That scene when Qrow punched Ozpin directly into a tree? Now, I’m not keeping track of who says what when—this is a generalized reaction—but I saw a lot of posts defending that action. There were numerous justifications for the punch, but the three big ones were: 1. These characters are fighters and they’re used to it, 2. These characters have aura so it’s not that bad, and 3. Ozpin totally deserved it. Now, the problems here are that 1a. I don’t think punching someone when they’re crying on their knees is justified, whether they’re a fighter or not, 1b. Qrow was likewise punching Oscar, a totally innocent kid, 2. We had established earlier that Oscar was having trouble remembering to activate his aura and didn’t seem to have it active then (no ripple effect, he’s rubbing his jaw afterwards), and 3. Ozpin’s crimes are, as explored on this blog, not nearly the horrific actions that the story and fandom would like to paint them as. The point is that despite all this, lots and lots of fans said it was totally okay to punch Ozpin&Oscar. What’s the big deal? they asked. Now, lots and lots of fans—mostly when the trailer first dropped—say it’s not okay to punch Watts. Despite the fact that he’s also a fighter. Despite the fact that his aura has broken. Despite the fact that he’s not currently a threat (seated on the bed/Ozpin on his knees). Despite the fact that he’s responsible for helping Salem try to take over the world. If we were to make a case for who deserves to get hit, Watts is a WAY stronger candidate in my opinion, yet he’s the one who a lot of fans are scrambling to defend. Why? I assume it’s because hitting him feeds into the generalized police state/dictator theme Ironwood has been thrown into. It helps villainize Ironwood for fans to go, “Poor Watts. He’s done horrific things but no one deserves to face police brutality.” I agree. The only problem is that a lot of those same fans seem to have gone, “Ozpin can get over it. He deserved to be hit! I would have done a whole lot worse to him…” So is the difference only that one attacker is a military professional and the other is… a huntsmen professional who soon after that scene starts working for the military? Yeah. The show continually ignores that the group aren’t the rogue heroes they pretend to be. They worked under Ironwood for weeks, if not months.

The show isn’t clear about its morals and neither are the fans, with both changing tactics whenever it helps blame the character they already don’t like. When Robyn punches the barrier, do we really think she wouldn’t have hit Jacques if given the chance? Why would it be heroic for her to hit the Evil Man but it’s not okay for the grunt minor character to hit the other Evil Man? These morals don’t change just because you like Robyn and don’t like Ironwood.

Jumping ahead for a moment, we get another example of this hypocrisy with Joanna. A reporter is informing the people that the military seems to have stopped evacuations and there is an unheard number of grimm hanging out overhead, both things that are objective facts. He’s reporting as he should, sticking to what’s known and provable, and thus is, notably, not some lackey of Ironwood’s who is hastily presented as evil. Yet Joanna treats him like he is. She snatches the microphone from him and, when he starts to protest, threatens him with her weapon. After she’s done hijacking the feed, she shoves him on her way out.

Look at how scared this guy is. These are our heroes? This back and forth doesn’t work. Prior to his random killing spree, Ironwood took his fear and frustration out on some furniture, yet the show acted as if he was hurting real people. The mere possibility that he might use violence and intimidation to achieve heroic goals—getting Amity up/escaping Salem—was enough to label him as an antagonist because the understanding was that you can’t act like that no matter what your intentions are. Yet our current heroes can use as much violence and intimidation as they want to achieve their own heroic goal of warning the people? Do we think the story will encourage us to be critical of the group if they start beating up a bunch of Atlas goons to reach the access point? Of course not. And it’s that flip-flopping that’s the problem. Your heroes have to function differently than the villains in order for them to be heroes. Under that logic, our heroes haven’t acted like heroes since mid-Volume 6 and it’s getting harder and harder to watch.

Especially when we take the scene before this into account. Yup, we’ve still got Qrow gunning for Ironwood. Robyn bemoans the fact that they can’t do anything, to which Qrow replies, “We can do something. We can kill the man who put us here.” I… feel like I shouldn’t start repeating myself given how long this recap is—we’ll be here for forever lol—BUT I hope everyone reading this understands precisely how little this makes sense. How god awful a choice it is. I mean c’mon. Robyn attacked Clover unprovoked, Qrow teamed up with Tyrian, he broke Clover’s aura, Tyrian murdered him, Salem is here, and now he’s sitting in a cell with Watts and Jacques… but Ironwood is the guy he wants to kill? REALLY, QROW? THAT’S WHO YOU’RE GOING TO GO AFTER? I really can’t with this show sometimes. RWBY, put your clown makeup on.

We get a cut to Ironwood’s image just so there’s no confusion about who Qrow wants to help kill next and Joanna threatens that reporter who, you know, is also a citizen in need of help and protection… Her “General Ironwood has abandoned you, but we have not” sounds absolutely ridiculous when we just watched her intimidating this guy to get what she wants. ‘You can trust us! Unless we randomly decide we don’t like you.’ I have other things to say about Yang calling out that racist woman later on, but she gets props for helping her regardless. Honestly, I don’t get that sense from the cast very often: that they’d help you even if they don’t agree with you. They certainly didn’t offer that to Ozpin, Ironwood, or the Ace Ops.

There’s a very long shot of a scared toddler staring out the window, just to hammer home how young and innocent Mantle is. Seriously, pay attention to our imagery: Mantle is scared children in homes, cute children fist-bumping Jaune, family photos lost in the street, a stuffed toy run over by hoverbikes. It’s meant to evoke a general sense of domesticity and, again, innocence. Meanwhile, Atlas is only shown via Ironwood and Jacques, the villains. Where are the families living up in the sky? The children? The humanizing details? Our racist woman is an outlier who is quickly silenced by Yang. The rest of Mantle is characterized as victims: scared women, worried fathers, the faunus huddling together in the slums, even another racist who, while an asshole, is supposed to have a point about things like the embargo. Which is all true. These characters are all of these things, it’s just that they’re not unique in this. All this exists above too—from those families, to the faunus slave labor, to the beloved objects that remind you of someone’s worth—but they’re ignored to provide a simplistic look at Atlas as the villain.

Throughout this entire episode the group tosses out snide remarks about how “They” don’t care about you and it’s just… they who? The other thousands of innocents who have nothing to do with Ironwood? The hundreds of Mantle citizens you already evacuated? The redeemable people like Winter and Whitley? The group fights alongside a Schnee who was one of the most vocal racists a year and a half ago, yet writes off the entirety of Atlas as the bad guys. What a mess.

As Joanna’s voiceover finishes, we cut to Yang’s group going after Pietro’s tech. I already covered this scene in our promo material, but to summarize here: horrible tone. Absolutely nonsensical given the situation. Salem is here and Yang is giggling over bikes. In fact, the tone is off for most of the episode (our end being the wonderful exception): Yang’s joy ride, antics with the Mantle citizens, Blake poking fun at Weiss, the tube scene… none of it fits the context of the series’ big bad here to kill everyone. Arguments along the lines of, “But it can’t be doom and gloom all the time” or “This is a brilliant parallel to Volume 3 with happy times heralding tragedy” don’t erase the fact that our cast isn’t taking this threat seriously. Last week Weiss’ “We’re never going to sleep again” moment worked because it’s humor in the context of how bad everything is. All of this? It’s just the group goofing off despite supposedly being in mortal danger. This?

This doesn’t read well. I’d argue this scene is even worse in context due to lines like “The others are definitely missing out.” In our promo material I assumed that the group just split for the sake of splitting and they were, in fact, just missing out on something cool. But we’ve since learned that they split due to a fundamental disagreement about how to help people, a split Ruby compared to Salem’s plans, a split that Yang started! Why is she now acting like their separation is a funny “missing out” moment? It’s like if half your friend group decided to go to the movies while the other half went to a party with an unexpectedly good DJ. The movie-goers are people who are “missing out,” not the group who went off to take over a military base and everyone left angry.

Keep in mind that Ozpin is also back. Every fun times scene with Oscar in it has the added problem of Ozpin hanging back, not saying anything, not acknowledged, still a secret.

The other issue I brought up weeks back was the lack of grimm. Why are the streets deserted? Shouldn’t the army be overrunning the city? Well, turns out that there’s no army because… Salem just hasn’t bothered to send it into the city yet? When Jaune and Ren take out the low-level grimm Oscar asks if they’ve “already pushed this far in,” to which Yang replies, “No, I think those are from last night.” A few minutes later, last night’s grimm change to new non-Salem grimm as Oscar observes, “It’s the negativity. Salem’s forces aren’t moving in, but it’s enough to attract the stragglers.” Later still, Joanna asks, “…grimm are circling out there. What are they waiting for?” GOOD QUESTION. We don’t know, but it’s real convenient, isn’t it? RWBY redeems itself a bit at the end of this episode with that Hound grimm, but I’m still calling it out for having Salem hold off long enough for the group to evacuate pretty much all of Mantle and infiltrate the base. That’s real nice of her. As the characters keep pointing out, it would be a staggeringly different situation if they were overrun with grimm right now, huh? Kind of like the situation Ironwood (rightfully) assumed they’d be dealing with.

Again, I’m so glad our Big Bad is kind enough to let the heroes do everything they need to before lifting a finger to attack them.

RWBY seems to be setting up a, “See! There was always time to evacuate the city!” accusation even though no one could have known that and it makes zero logical sense. Salem brings an army with her so she can not use the army against Atlas? Right…

This all segues directly into our other promo scene. My initial comments still stand: the tone doesn’t work, the lack of urgency doesn’t work (Jaune playing with the kid, Oscar politely knocking on doors), the low-level grimm are not a threat, that shield is useless against anything not driven by plot convenience, and it’s weird for Jaune to be yelling, “Heads up!” when there’s no one in front of him. As said, this moment really doesn’t sit well given everything that’s going on. I had hoped that it would read better when seen in the episode itself, but that’s sadly not the case.

After Ren one-shots the grimm Jaune suggests that they use his amplified semblance to get everyone to the crater safely. Ren seems less than pleased about this, but agrees. Right now, it’s easy to say that he’s in a bad mood because Nora is mad at him, but what about the Volume before? Where’s this underlying tension coming from? I can come up with lots of theories, but at some point the show needs to confirm something. The longer we go not explaining what’s wrong with Ren, the less faith I have that it will make sense when we get it.

We see the racist woman upset that they have to go live with the “animals in the slums” rather than going up to Atlas. As said, I like that Yang helps her despite clearly hating the woman, I also think her criticism holds up well (ignoring the simplified ‘They abandoned you’ narrative). The only thing that bugs me is RWBY continually presenting racism as a problem to throw a band-aid on and then pat yourself on the back for ‘solving.’ Racist drunk says shit? Toss him in the trash! Racist woman says shit? Remind her that her survival depends on you! It’s not that these responses aren’t earned, but that we’re given them instead of an actual arc that tackles the complexities of this issue. I mean, Blake has abandoned the White Fang and we’ve barely mentioned the faunus slave labor in Atlas. When they head to the dust facility it’s conveniently run by bots instead of faunus. Can you imagine if Weiss Schnee walked into a group of exploited minorities, hoping to use them to access a military base? But of course, there’s nothing like that. RWBY ignores the actual issues for these simple solutions. Heroes just attack/threaten racists and then it all goes away. Yay.

The other problem with this scene is that we learn the crater is the slums. Um… what? Hold on, Joanna made it sound like it’s a separate place, potentially inhabited by grimm, yet it’s the same area Oscar was in last episode? How is that area warmer? This makes no sense to me.

Also, ha, the crater below Atlas apparently houses all the “animals” that Team RWBYJNR is very protective of. I’m waiting for them to do something that messes with the Staff—Ruby reaching for it in the opening—Atlas crashes down on a whole city of exploited minorities, and then Ironwood is blamed for it somehow. Can’t wait for that episode.

So the group starts making their way there and hark! An Ozpin! I’m always thrilled to hear him, even if he’s treated just terribly by the show. Oscar is at the back of the group and comments that “It should not be this hard just getting people to cooperate.” Except… they are cooperating? Oscar, you are watching them cooperate right in front of you. That one woman might grumble a bit, but she hasn’t made a move or said a word about not doing what you say. Where did this complaint come from? Another example of RWBY insisting something is there when it simply isn’t. More importantly, Ozpin responds:

“And yet, it’s becoming something I’m increasingly concerned about.”

“You know, I really don’t need your additional comments right now.”

Then why did you comment out loud, Oscar? What, do you normally talk to yourself like that? You were clearly speaking to Ozpin! Don’t criticize him for responding. I hate traps like that.

Ozpin immediately says that Oscar has every right to be upset and apologizes for leaving… it’s not apologizing for his entire existence like I wrote on the bingo board, but it’s close. Who’s surprised that Ozpin is the first to offer (another) apology? Not me. Oscar corrects him with, “I’m upset you came back!”

Okay. Here’s the thing. I like the idea of Oscar rejecting Ozpin both because he’s taken over his life and because Oscar has suffered horribly due to Ozpin’s presence (punched, slammed into walls, kidnapping attempts, etc.) That makes sense, it’s actually morally complex, and it’s great groundwork for character growth. The only problem is… this came out of nowhere. Oscar was shown accepting this new life when he left the farm. Then again when he insisted on fighting Hazel. Then again all the times he’s been told he’s acting like Ozpin and seems to accept that just fine. He’s clearly pleased with this new badass self he’s got going on—he even says as much—yet doesn’t want to acknowledge Ozpin as the catalyst for all this positive change. Okay, that’s something we could still work through, but what about the group? Fans are already theorizing that this is why Oscar is keeping Ozpin a secret, because he’s scared of how the group will react, punishing him to get at Ozpin again, and though he 100% has reasons for thinking that will happen, Oscar hasn’t shown that fear before now. Qrow punches him? Bonding moment with Ruby. Jaune attacks him? I made you all dinner. They all smile over his inevitable death/disappearance? He smiles back. Yang is the most scream-y? Happy to have her using him as an armrest. The group continually ignores him and treats him with suspicion? Not a peep of protest. It’s horrifying that Oscar accepted how the group previously treated him, but he did accept it. Where did this fear come from if we haven’t seen it in response to the harm done towards him? Just as importantly, can’t we have an arc where Oscar is mad at the team some too? I’ll admit that the general premise of blaming Ozpin makes sense for the traumatized fourteen-year old, but after two years of blaming Ozpin for everything… aren’t we sick of this? His team has actively hurt him, outside of Ozpin’s ability to prevent, yet Ozpin is the one who takes all the heat for their behavior. “I felt like I was actually part of the team” should lead to the realization of, “Hey, Yang shouldn’t yell at both of us for things outside of our control” not, “Hey, you should stay away forever because others have decided they don’t like you.”

All of this following Ozpin saving Oscar’s life in the airship. Then saving his life again after Ironwood shot him. Our heroes are real grateful, huh. I hate that RWBY is taking another fave and doing them dirty, though I suppose I shouldn’t be surprised.

Ozpin also mentions his magic—would be nice if Oscar brought that up with the team!—and that he is now “recollecting my longest held memories.” He…is? When? Don’t you think that’s something important to show us? We keep being told that “the merge” is occurring but not shown what that actually means. Seriously, when did Oscar get slammed with that many memories??

Please just use the aura machine and give Ozpin a robot body. RT doesn’t have the chops for writing this situation.

As they continue on towards the crater Ren snaps at Jaune about not needing a “pep talk.” Jaune looks annoyed at the attitude which, fair. It says a lot about the writing the last few years that Jaune is the character I’m least frustrated with lol. Likely because they haven’t had him do anything lately which, given that he’s not one of the title characters and our cast is bloated enough as it is, I’m still totally fine with.

Ozpin concludes the scene with, “We need to find a way to work together. Not just the two of us, all of us” with the camera panning up to look at Atlas. I’m glad someone isn’t ready to throw Ironwood under the bus. Given how the group reacted to him sparing Lionheart’s name though, I don’t think they’ll follow Ozpin in his forgiveness. If anything, I expect this perspective to just be more hate fuel.

We move to Ruby’s group which now includes May. Woohoo! She still hasn’t gotten half the screen time as Joanna, but I’m really glad she’s here. In fact, between a useful semblance and that adorable courtesy, I love her already. Despite, you know, helping the team break into the base and all that. Everyone has their flaws lol.

She also frames the Amity plan as getting the world “talking again.” Why is everything presented like a fun romp rather than avoiding death via Salem? Absolutely terrible tone this episode.

The group hilariously waltzes past a sign labeled AUTHORIZED PERSONNEL ONLY and enters the dust facility with the bots I mentioned earlier. This I do like. My hypothetical scenario incorporating the racism issue aside, I like that Weiss is using her knowledge and connections to further the mission, rather than something conveniently dropping into the group’s lap. Like Amity suddenly being ready for launch…So yeah, it makes sense that Weiss would know of a potential way in.

Sending someone up through the tubes though? Ehhh… I know they have aura and everything—and that Zwei was once mailed—but are we sure this is safe?? Doesn’t matter because Nora sends Weiss through with a misplaced button press. Good thing that was the tube heading to the base. Too bad Weiss is heading to a guarded military base alone. It should have been May going first with her semblance activated, but no. Chuck this onto the ever increasing ‘Bad Tone’ pile. There should not be giggles over Weiss being in that level of danger, especially with everything else going on. Ruby’s expression is the only one on point.

Before Weiss is yeeted off though, Penny and Ruby have a talk wherein Ruby lies her ass off. Penny says, “I do not like it when friends fight” and when Ruby starts talking about Yang she corrects her, revealing that she’s actually thinking about Winter and Ironwood. “They were our friends.”

I was ready to sing Penny’s praises and really, she still gets credit for being the only one who has acknowledged this, but her opinion is (once again) overridden by Ruby’s. Penny goes, “but then the Ace Ops attacked you” which Ruby doesn’t bother to correct. How would Penny know otherwise? The only information she has about that battle is what Ruby has told her, but Ruby is lying via omission here. The Ace Ops never attacked her. They very explicitly refused to start a fight. Ruby attacked them. Then when Penny is upset that Ironwood said “people were going to die because of me,” Ruby takes her by the shoulders and angrily insists, “That was a lie and he was only saying it to hurt you.”

Ruby… you’re the one lying. You know damn well Ironwood didn’t just say that to hurt Penny. Oh yeah, the general trying to keep a kingdom alive from an immortal witch is preoccupied with hurting Penny’s feelings for no reason other than being evil. That makes sense. More importantly, Ironwood is right. Look, I’m by no means blaming Penny for anything. She fought off Cinder, took the power when there was no other choice, and has now gotten caught up in Ruby’s plans which include incredibly misleading information that Penny has no reason to question. She’s doing her best and deserves that hug. But that doesn’t mean she lacks responsibility here. Ironwood needs Penny to evacuate. Penny—listening to Ruby—won’t help him. Ergo, if something happens to the people up in Atlas Penny will be partly responsible. If I have the key to a door with lots of people trapped behind it as a fire rages, and I refuse to open that door, I have indeed allowed a lot of people to die. As Penny says, she didn’t want this responsibility… but she has it. She has to deal with it. Too bad she’s with Ruby who encourages her to ignore it instead, insisting that nothing bad that happens after their choices could in any way be connected to them. Kind of like Qrow ignoring his own actions against Clover.

Because that’s the takeaway from this scene. Penny had empathy for their friends and then Ruby talked her out of it. She never even acknowledges that those were indeed seven friends that she betrayed. That’s horrible.

What happened to Ruby? I used to love this girl.

Continuing our tone issue, Nora is watching this show like her favorite soap is on. Okay then.

Weiss goes up the tube and then we cut to Fiona saying that… the Mantle police are helping them evacuate? So the military is bad, but the police are good? I need to stop trying to make sense of RWBY’s allegory.

When Yang and the others return Fiona makes an innocent comment about being worried about how they’d fare without the rest of their team. Yang is pissed.

Ah, so we’re back to her giving allies attitude for random observations. Remember the anger at Marrow for suggesting she and Blake try different team-ups? Now here Yang is, in a different team-up, doing quite well. Funny how we never acknowledge who first suggested that. Now, Fiona reveals a totally logical worry that losing four fighters might make a difference when fending off grimm, but Yang is poised to be angry at everyone, about everything, all the time. Which I get is something that a lot of fans like. I’ve already seen a couple of posts praising RT for letting Robyn and Yang be angry without consequences because women often can’t do that and, fair. That is indeed one way to read it. My problem is that their anger is actually irrational, not just called as much because we women are ~emotional~. Their anger isn’t justified: Robyn because she had a significant hand in all this nonsense (that she’s ignoring) and Yang because it’s clear Fiona means no harm here. This is anger that needs to be called out, not ignored because yay women expressing emotion. That kind of defense is reserved for a woman’s justified anger that needs to be expressed without criticism, especially in a narrative that tries to undermine her perspective. But what has Fiona done to Yang? Nothing. More importantly, the show has yet to teach Yang a better coping mechanism than lashing out at people, be it with her fists, words, or angry glares. Yang has been through the ringer and it makes sense that she’s angry, but that doesn’t mean she gets a lifelong pass to treat those around her badly.

Anyway, Joanna says they have a lot of people to keep warm even though the crater was supposed to be warmer? And they’re stealing dust? So what are they using it for it not heat? We’re not seeing any difference here and frankly all the civilians should be dead by now. Or at least entering hypothermia. (Give me that conflict: how do you keep people safe when they’re not all conveniently up for walking all the way to the slums?) Joanna also says that they’re trying to get the “Old mine shafts into a livable condition” which would take how long exactly? In fact, I’d say our timeline is already wonky. We’ve watched Yang hide the Ace Ops last Volume, fly to Winter and Penny, find the Happy Huntresses, wait around for Oscar to show up, ran off on her own at some point to scout, went to get bikes, evacuated all those people to the (far away) slums, then went back out to fight off the grimm. That had to have taken up a good chunk of the night, though it’s impossible to tell the time with Atlas’ snowy sky. I’m leaning towards a bingo mark though…

The faunus who I thought was a badger or something is… a bear I guess? He has a bear-like paw, but his nails seem too long… I honestly don’t know. But he’s Fiona’s uncle! Cute. She's off to deal with a fight that’s starting while the group goes to fight more grimm. Finally, the episode gets good.

The teamwork to take out the dragon grimm was nice, always glad to see it, but the real fight starts when two more grunts show up and then immediately run away. What could have scared them off?

The Hound. (I’m sorry, all I can think of is Game of Thrones when I write that, but it seems to be the name the fandom is adopting, so…) Remember how I said it was unlikely to be a threat on its own? I WAS WRONG. Holy shit this thing is terrifying. It snatches Oscar and in some wonderfully quick animation absolutely obliterates the kid. Oscar is thrown around like a chew toy, desperately trying to rabbit kick at this thing and it does [checks notes] absolutely nothing. I’d normally say something about our farm boy always getting the shit kicked out of him, but this scene was too good for my salt.

Then it changes shape, growing arms, and starts using Oscar as a shield. Yang can’t pull back in time and is snagged by her head, the Hound tossing her into the wall hard enough to break the stone. She’s still conscious though and warns the others about its strategy.

“But grimm aren’t that smart,” Jaune says. Maybe if you kids (Fiona keeps calling them kids) had stayed in school you would have learned that grimm get smarter with age! Oobleck knew that. Or, just as likely, this is a special Salem grimm. Hard to say at this point.

The point though is that the group is helpless in the face of this monster. I do want to emphasize this. I’ve seen a few people criticizing them for not doing enough to save Oscar and it’s like, what did you want them to do? Yang tried to attack and the grimm nearly had her hitting Oscar instead. Ren tried to attack and the grimm changed so fast his weapon was useless. Factor in that morphing—which the group has never seen before—the horror of Oscar hanging there limp, and the general fighter response of, ‘I can’t just keep attacking head on because that thing might kill me,’ and you realize the group was screwed from the start. They can’t stand up against this thing, not without a good strategy anyway, which there’s no time to think up. For the first time in years, ever since Tyrian, Salem actually made the right, villainous call.

Ren screams, “Give him back!”—which was just lovely in an angsty way—and the grimm creepily cuddles Oscar against his chest. Then he responds, “No.” Yeah, they’ve never seen that before either. Can you blame them for their shock? I’m impressed that they were on their bikes just seconds later, managing to keep the grimm in sight. That speaks to their combat experience. Not the ability to power through a situation where they’re clearly outmatched, but their ability to pick themselves back up and try again.

... Ah, so that’s why Pietro was oh so randomly making them bikes. The plot needed a way for them to keep up with a flying grimm. Got it.

My takeaway? RT should be writing horror. They’re far better at it. The animation, sound effects, voice acting, the grimm’s speech and protective instincts, that splatter of goo on Oscar’s cheek…

... stellar all around. Like the Apathy, this is the best I think RWBY has been since the lore episode of Volume 6. Granted, action sequences like this aren’t required to grapple with any of the messy morals and character consistency of other scenes, but still. If RWBY had just given me a lighthearted ‘Girls fight cartoon monsters’ show or a horror fueled ‘Girls fight monster abominations’ show, I’d have been happy. This? This is the only redeeming part of the episode. And it’s indeed one hell of a redemption. Look at this thing!

I’m not going to say it erases all the bad we got—it doesn’t—or that it likewise erases problems like Salem not using the rest of her army, but it’s a notable step in the right direction. This grimm is a threat. This grimm is a mountain the cast has to overcome. If this is the minion its master should be Everest. I still think this Volume is going down the tubes fast (it’s going the way of Weiss lol), but if it can give me more scenes like this? It might not be a total loss.

Last thing to acknowledge: What about Ozpin? I’ll admit it doesn’t look good. Given how fast he takes control he should have been able to override Oscar’s will and at least fight back a little with that spectacular magic we saw during the finale. So why didn’t he? I hope we get an in-world explanation: it happened so fast even Ozpin couldn’t do anything (shaky, but I’ll take it in a pinch), now that the merge is farther along he can no longer take control—something. Because I can easily imagine how quickly the fandom, and even the cast, will turn on him for not playing deus ex machina here. In reality, I think Ozpin didn’t take control simply because the plot needed him not to. The writers needed Oscar kidnapped so any potential out from that is conveniently forgotten… which is another knock against their writing, despite how great the scene otherwise was. The point is to take all these potential pushbacks and find a satisfying way to circumvent them, not pretend they don’t exist. RT can still save themselves here by providing that explanation later, so I hope they’re smart enough to do that. Ozpin has been blamed for everything at this point. His own kidnapping doesn’t need to be added to the list.

Also, still no word on Schrödinger's councilman. We’ve got to wait another week to see whether he’s dead or not.

Finally, let’s update the bingo card!

I’m crossing off “Ruby gives an ‘inspiring’ speech built on ignoring facts she doesn’t like” for that conversation with Penny. Yeah, it’s a speech to her alone about her worth, but Ruby mischaracterized the situation so badly I’m mad at her lol

I never thought the story would straight up just not have the grimm army attacking, so I think I’ll hold off on “Army of grimm conveniently doesn’t kill any civilians” until we see if/when it gets involved.

I’ll likewise hold off on the timeline slot until we see how bad things get…

Maria is on thin ice given that we have no idea what she’s supposedly doing while the group is off on their missions. Stay tuned.

Today we’re crossing off “Deadly cold conveniently doesn’t kill any civilians.” They should all be dropping like flies by now.

A friend pointed out that Cinder’s Cinderella flashback counts as an “Overly obvious fairy tale allusion.” In fact, I talked about how much of a shorthand that is, so that’s getting a mark.

From last week I’ve also decided to include Amity for “Retconning previous lore.” Now that the group is fully underway with their plan it reads as even more egregious that we were told it wasn’t ready.

I’ll hold off on Ozpin’s space for a while. See if he apologizes to the whole group and, if so, exactly what for.

“Oscar is finally kidnapped”—check!

Well, that’s a whole lot of headway this week. Can’t wait to see where the next episode takes us... Here’s hoping we spend a lot of time with that Hound. MVP of the episode.

Until next time! 💜

[Ko-Fi]

#rwby #rwby spoilers #rwby volume 8 #mymetas #rwby recaps

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rabble-dabble · 4 years

Text

The Cancer King

Well, here’s an Evil Karkat to go with Evil John.

So, let’s set the stage. How does Karkat become the villain? That’s honestly a pretty tricky question. Contrary to John, most of Karkat’s arc comes from him growing to shed or suppress any potential flaws that would make him an outright villain, so it’s a lot harder to make him turn into a villain on his own. So, we’ll have to give him that push.

So, after The Condescension dies, she gets sent to the dreambubbles. She’s both frustrated to be defeated and relieved to no longer be under Lord English’s thumb, so she decides to start planning her rebound.

She traverses the dreambubbles searching for her most competent and loyal minions from her old empire, building an army with promises of a new eternal empire that will span the multiverse. Once she’s confident in the size of her armada, she travels to doomed timelines and begins sucking the life force out of thousands of still living players, using the energy to resurrect herself and return to full strength. Unfortunately for her, she’s a Thief of Life, not a Rogue of Life. So, to resurrect her army, she’s forced to mind control a Rogue of Life and have them steal the life force from enough people to resurrect her entire army. With her preparations complete, The Condescension launches her invasion on Earth C.

Still starts by ambushing Karkat during some diplomatic meeting, detecting that he was the weak link, seeing as he’s the weakest non-immortal out of all the God-Tiers and his death would likely demoralize and horrify his friends. But, as she prepares his execution, the Condescension notices his blood color. Her thoughts immediately flicker back to the Signless and a particularly evil idea settles into her mind. The Signless had been the single biggest pain in her ass before Lord English, as his influence managed to haunt her even after his death. So, now’s the chance to get some payback.

She decided she would try to corrupt Karkat into everything the Signless would’ve despised. Transform him into her ruthless right hand man.

Initially, the torture doesn’t work, so The Condesce decides to switch gears. After her forces manage to capture Terezi, Condy gives an ultimatum. Serve or she dies. Karkat is forced to work for her. Still, Karkat actively works against her. He uses his position in her ranks to leak information to his friends. The Condescension full expected this and keeps giving him false information to leak. She then leverages the resulting casualties, complimenting him on his “victory” and wonders just how long they’ll continue to trust him. “It’s been a few months since they lost you, guppy. Maybe they think you broke.”

The Condescension continues to get inside his head. She reads his mind to see all of his little insecurities and she leans into each and every one of them. All of his past mistakes and failings. For example, she offers to mind control Terezi into loving him as a “reward”. When he gets disgusted, she brings up the time he tried to schedule how much time she could spend with him and Dave without her permission. “Doesn’t matter how you get her so long as you get her. Sounds like past you had his priorities in order."

She gives him ideas in his sleep, plaguing his mind with nightmares where his friends horrifically die from following his advice or while trying to save him. It inspires him to make a public speech denouncing his friends so they’ll stop trying to save him. After that, she fills his sleep with dreams of him dutifully serving by her side, forcing him to question why exactly he denounced his friends.

His friends, naturally, don’t buy it. They know Karkat and they’re going to bust their asses off to save him. It’s only a matter of time before John kicks down the door to his room and scoops him off his feet in a hug.

As the captured Condescension is being dragged away, she smugly thanks Karkat for being so helpful with her regime. Karkat hunches up, but John grabs his hand behind his back. It helps keep his glare from wavering.

Karkat is still noticably distant, even after the Condescension is executed. Naturally, his friends try to comfort him. Terezi is there to reassure him, assuming he went through the same kind of torture she did, while Jane and Jade are able to relate to being forced to serve the Condesce. However, they’re not quite able to get through. Karkat is convinced that he was actually beginning to genuinely abandon his friends and he’s too stuborn to "pawn his problems off on someone else”, in his words. Still, they’re not stupid. Everyone is able to tell the Condesce did something to him and that it’s still bothering him.

Karkat is haunted, day in and out, by nightmares of him abandoning his friends. He keeps berating himself, chastising himself for trying to abandon them after everything they went through together. His self-hatred is creeping into his skull like a poison and because he refuses to talk about it, it keeps getting worse.

No matter how much Karkat tells himself that it’s not true, that he’d never abandon his friends or hurt them, the nightmares linger.

So, Karkat decides to prove to himself that he’s loyal to his friends and would never actually abandon them. Since she was able to come back from the dead before, she could logically do it again. After stewing the problem over a bit, he goes to John with an idea. John is going to use his Retcon powers to help Karkat become God-Tier. That way, he can destroy The Condescension’s ghost in the dream bubbles so she can’t come back. John figures that this is Karkat’s way of facing his trauma directly and agrees. Mostly because he’s been spitballing with his friends about what Karkat’s problem might be and Rose brought the idea up.

John and Karkat travel back in time so that Karkat can use his old quest bed. It’s not like Past Karkat was going to use it anyway, so nothing really changes. The same Knight of Blood rules as in the Lord Egbert timeline apply, meaning that Karkat has all the powers of everyone that he’s friends with.

John and Karkat hunt down HIC and manage to destroy her, but not before she manages one last sickening taunt. With her final breath before she fades away, The Condesce claims that Karkat denounced his friends of his own free will. John tells her off, but Karkat confirms it. Before John can press on the issue, Karkat teleports away. John tries to chase after him, but he isn’t able to find him. Karkat has a close enough relation to Void (via his old friendship with Equius) that John can’t just will himself to Karkat’s location. Karkat could feasibly be anywhere in Paradox Space.

While John is out looking for him, Karkat is mulling over his past mistakes. The Condescension’s words ringing in his head. He believes that, somehow, he choose to betray his friends. And as he keeps teleporting throughout Paradox Space, witnessing every mistake he ever made, that rabbit hole goes deeper. He wonders if maybe he tried a little harder, Eridan wouldn’t have gone crazy. Maybe if he cared a little more, Nepeta and Equius wouldn’t have died. If he was less selfish, none of this would have happened.

It’s an ugly thought. He knows that. He knows he did the best he could. His friends won’t let him forget that. But a dark part of his mind won’t let it rest.

Then, Karkat realizes that he can fix this.

He has the power to do simply travel back and prevent their deaths. He can save them. He can save everyone.

It backfires spectacularly.

The resulting future ends up becoming a horrific destopia. Sense Eridan never died, he ended up joining up with The Condescension in this timeline, acting as her double agent and letting her win. From there, HIC is able to discover a means of absorbing Lord English’s power, allowing herself to become the supreme ruler of Paradox Space.

John manages to avoid this timeline, as his Retcon Powers protect him from changes in the timeline, so he doesn’t notice as he’s still looking for Karkat.

Karkat is naturally horrified by the future he’s created. All of his friends are eitger dead or enslaved and everyone, everywhere, lives under the boot of a bloodparched despot. With John nowhere to be found, he can only imagine tge worst. He teleports away to the Furthest Ring.

He just floats there in the empty void for awhile, mentally digesting everything. Everything that has led up to this point, all the mistakes that he made and all the things he could’ve done, play on a loop on his mind. No matter what he does, he somehow fucks it up. And when he tries to fix those mistakes, he ends up making everything worse. In his mind, he’s the problem. And, as such, it’s his job to fix everything.

Wracked with guilt, Karkat has to not only fix this timeline, but he has to make sure he can never mess anything up again.

Then Karkat realizes something. If The Condescension was somehow able to absorb the powers of Lord English, then he logically should be able to as well. Hell, he could go one step beyond. He could become powerful enough to gain control over the story itself. He’d just have to figure out the method.

After doing some poking around Paradox Space, Karkat discovers how the Condescension became so powerful. The HIC consumed the lifeforce of trillions of people, draining entire timelines of life until she was in the same league as Lord English. Once she became powerful enough to affect him, she sucked the lifeforce out of him, absorbing his powers and becoming just as powerful as the Lord of Time. Since then, she’s been hunting down and sucking the life force out of Lords and Muses across Paradox Space.

Even with how desperate he is, Karkat isn’t quite willing to go that far. So, he hatches a new plan.

He seeks out some Doomed God-Tier versions of Terezi, Aradia, and Rose, seeing as they’re really good at digging up lore. Through them, he’s able to discover a secret. Absorbing the lifeforce of God-Tiers grants more power then just absorbing the countless mortals the Condesce did. So, if Karkat stays focused on God-Tiers, he can avoid having to commit the same level of Genocide as the HIC. Of course, this means that he’d have to find a way to absorb powers to begin with. His first bet is too just befriend a version of Meenah but no dice. The Condescension went out of her way to completely annihilate any alternate versions of her to avoid this exact problem. So, Karkat has to resort to finding Life artifacts and weapons that grant the same effect.

Karkat quickly gathers up a team of Doomed God-Tier versions of his friends, promosing them something on exchange for their help. (IE. a version of Gamzee who killed all his friends on Lord English’s orders, but was then abandoned for it. Apparently, English was bored and wanted to test how loyal Gamzee was. Karkat offers him the chance to resurrect and apologize to all of his dead friends) The only person he can’t get to join him is John. He just can’t find a version of John willing to join him and most try to talk him down after seeing how far he’s starting to fall.

He then sends his friends to various ends of Paradox Space. They’re all tasked with finding Life artifacts, gathering up God-Tiers for Karkat to absorb, and distracting the HIC’s forces to keep them from finding him.

…They’re also there for him. On the rare times he can bring all of his friends together, he sees them interact. He sees them bond and forgive in eays they never could in his timeline. It reminds him of what he could have had. What he’ll never have. Because he failed.

It keeps him going. Everytime he sees everyone together, he becomes more convinced that this is the right thing to do.

Karkat gets his moniker from Gamzee. At one point, Gamzee comes across a group of former Lord English worshippers, who are forlorn at the loss of their master. To rally them together, Gamzee tells them of a new messiah.

“A WICKED, RAGING MESSIAH WHO DREAMS OF A UTOPIA OF MIRTH AND BEAUTY. a brother who captivates all who listen and guides gods from afar. THE CAPRICIOUS CANCER KING! leader of the lost lambs the Lord betrayed. AND DESTROYER OF THE WICKED FISH BITCH HERETIC WHO DESTROYED OUR WHIMSY!”

Gamzee leads them as a surrogate army against tge Condescension’s forces, all whilst they shout the praises of the Cancer King.

At one point, Karkat hears rumors about a version of John who has started a revolution against the Condescension on her home turf. Karkat goes to investigate and finds out that it’s John from the main timeline. At some point, he went back to the main timeline to get help, only to find the dystopia that replaced it. John managed to free some of his living friends from mind control. Sense Jane was among them, she could start reviving the rest. With them, he’s been leading a revolt against the Condescension.

Karkat explains his plan… much to John’s horror. Karkat’s plan is effectively mass murder, but Karkat brushes this off as necessary. Besides, he can undo them once he gets control of the narrative.

Karkat teleports away before John can talk sense into him, using his powers to keep John distracted long enough to escape.

Eventually, Karkat absorbs enough power to match The Condescension and he soundly defeats her, absorbing her lifeforce. But it’s nit enough to give him full control of the narrative. Hellbent on undoing his mistakes, Karkat doubles down on absorbing the life force of God-Tiers. He will become strong enough to undo all the damage he’s done, he has no choice now. And the only thing that can stop Karkat before he steps over the edge is John Egbert, with his ragtag group of friends.

There will be an epic showdown. But who wins? I’ll leave that up to you.

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adabofblessings · 4 years

Note

Au where the kids, June and Fowler aren't exactly human, but since they are like only friendly humans the autobots see daily and the "humans" are trying to keep their own identities hidden no one notices. (Raf is centuries old vampire, Miko is a demon hunter with demonic blood, Jack and June are werewolves and Fowler is a shape shifting alien)

Okay, yes, i love this type of idea but I would definitely use different mythical creatures in each of the character's to match their personalities!

I searched some mythicals from each of the children's culture and region from them and Here's my idea:

Miko

I would think she would be a Kitsune. They're foxes with one or more tails the older and wiser they get. they have the ability to change into human from as well. They tend to be loyal, faithful and can be a friend, but rather mischievous. Definitely think that Miko is loyal and mischievous. Think about it: her loyalty stayed with Bulkhead when he was in rehabilitation. And lets not forget that she runs her little legs towards that groundbridge whenever she gets the chance at it.

Appearance wise when she is in fox form is sleek black a hint of streak of silver trailing from her tail and fades into a light gray at the tips of her tail (not very accurate with the folklore but why not?) Her human from takes after her character in TFP. She still has the spunky personality everyone knows.

One thing I wanna headcannon in all three the children is that they are older than they look like. Lets say that Miko is about 163 years old. Shes still a 'baby' in her mythical origin, but she surpassed the 100 mark, so shes able to get more tails after turning hundred. She now has two tails and they're the most gorgeous tails.

Though she is young, she has more knowledge than adult humans. But she gets bored easily so she just hangs around school most of the time, even though she rarely does the homework. Both her and Jack known each other for quite some time, only because they are both active at night before they met the elusive vampire, Raf.

She fly, which is a natural joy for her cause she likes going fast. However, her biggest flaw is not forming into her human form correctly. She often has to hide her tail or ears if they don't disappear when transforming into a human. She tries go stay hidden but some people had caught her transforming.

Not normal and it clearly shows. Is frequently made fun of by humans for being weird. If only they knew....

Jack

Jack and his mother are the typical werewolves. They are highly close and often roam the nights most of the time. Though, werewolves they are not your average kind of werewolves. They could transform into regular old wolves anytime, but rather than being vicious, they are guardians of those who are lost souls.

Basically, June was the guardian before her son will take her place. They are not immortal but they live much more than an average human lifespan. Probably 3 thousand years of age before they die.

Jack the deadly silent person who prefers the natural quietness. Due to his wolf nature, his and his mom's eyes are strikingly blue and their fur coats are as black as coals, often a advantage during the night, just as his hair. He's very mysterious and very, very few people know his secret and that's only his mom, Agent Fowler and his friends, raf and Miko, since they're mythical beings as well. Hes also a baby and is only a few years older than Miko. 165 perhaps.

He has fast regeneration healing, speed like the wind, super strength and a super intellectual with damn good eyesight.

But one thing he always has trouble is eating. Normal people can basically eat anything human goods, but his diet consists of mostly raw meat products. He can't have chocolate so hes limited to his choices due to his diet.

Tries to act normal but just gives off spoopy and mysterious vibes.

However, hes very relaxed when around Miko and Raf.

Raf

Rafael would definitely be a vampire. He's quiet, secluding and genuinely a very odd person. He has a pale-like skin and the deepest red-cognac eyes with a light shade of black under his eyes, as if he never sleeps. Honestly, it just looks like he hasn't slept in years.

He doesn't smile with a toothy grin due to his fangs unless hes around Miko or Jack. He wears proactive clothing from the sun and tries his best to act normal...even though everyone sees him as a dark-fiery red head who looks kinda emo. As most vampires they live for a long time! Even though he is centuries years old, hes the youngest of the pack in Vampire lifespan. An infant most likely XD.

Very, very intelligent and can transform into a bat if he chooses too. However, his eyesight is poor due to an attack from someone finding out his identity, so he now has to wear glasses and be very cautious as to who sees him in his true nature.

He can’t eat anything but suck blood and it becomes a very concerning for the teachers upon seeing him eat nothing at lunch. The good news is that he can drink goat’s blood, the bad news is that he looks demonic when it comes to sucking the life out of a poor goat. He hates himself of how he has to live like this, but life is life and he wishes it so bad he can be a normal kid.

He’s very blessed to have friends like Miko and Jack who encourage him and make him feel better about himself. They share each other flaws and try to solve their problems, as well as dreaming to be normal teenagers.

All three of them wishes to have a sense of normalcy in their mythical lives, but they were lucky they met and had things in common. Soon enough, another group of unique creatures came upon earth and they start to realize that...maybe they’re not alone after all. Unfortunately, they are still too afraid to reveal their true identities to these strangers, so they stay low and act like normal people, which is very easy because the Autobots have no clue on how organics act.

With them, they feel like normal people. Not because they were different like them, but because the Autobots understood what its like to be different. They shard something common, even if the Autobots don’t know Miko, Jack or Raf’s true selves.

But I mean...eventually The Autobots will find out.

#transformers #tfp #tfp mythical au #transformers prime #miko nakadai #rafael esquivel #jack darby #june darby #blessing answers #this was really fun tbh #mythical creatures #long reads #like hella long

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dangermousie · 4 years

Text

2019 END OF YEAR KDrama Post

Wow, I haven’t made one in years. This is going to involve only dramas that came out in 2019 because I watched a hell of a lot dramas made prior to that and trying to figure out which ones will give me a headache.

DRAMAS WATCHED (In order of liking from most to least as opposed to pure quality; I am including if I’ve seen at least two eps AND feel it was enough to make up my mind; yes I realize that’s inaccurate, but that’s my list)

Extraordinary You - A philosophy and religion course AND a love story, and perfect at both.

My Country - a brutal, passionate, intense masterpiece of a sageuk. This is how they should be.

Crash Landing On You - the two eps that have aired brought my joy in watching kdramas back to me so vividly. This is everything.

Encounter - the perfect noona romance of the year for me. It seems to have little plot (powerful older woman, idealistic younger man) but the characters made me love them with an unhealthy amount of attachment and the mood is just perfect.

Haechi - smart traditional sageuk with a heart. This one will make you love it but also respect it in the morning :)

Queen: Love and War - Period, romance, mystery, helpless king and feisty heroine. It’s everything I love in one package.

Chocolate - if, like me, you like slow old-school melo with genuine grown-ups, this one is for you. Ha Ji Won and Yoon Kye Sang are both incandescent in this.

One Spring Night - a rare slice of life that worked for me so so much. I rooted for the main OTP like crazy (I did skip all the sister stuff though because boring to me.) It’s just a breath of fresh air.

The Tale of Nokdu - a rare funny youth sageuk that worked for me (except, ironically, for when they tried to be politics-heavy and serious about it.) Wonderful OTP, funny situations and just generally a delight.

Memories of the Alhambra - I can hear people screaming that I put this so high, but this is a faves ranking, not objective one, and I loved the unusual premise (it ultimately fell apart but it tried), and Hyun Bin’s performance was out of this world and the aaaaagnst and I enjoyed waiting for it each week until almost the end. That ending though!!!!!

Psychopath Diary - this is black comedy at its best and hysterical and smart and somehow got me invested in the hapless protagonist.

Hotel del Luna - clever and funny and smart. Hong Sisters largely back to form. I found the sageuk parts more engaging than modern ones, but what else is new.

Search WWW - some parts of it worked for me more than others, but it had solid writing and cool characters and some interesting OTP(s).

Love is Beautiful Life is Wonderful - has the weekend drama slowness but it lovely and fun.

When the Camellia Blooms - it was well made and the OTP was great and the acting top notch, I just don’t tend to go gaga for slice of life dramas, especially ones involving market ladies, much.

Flower Crew Joseon Marriage Agency - competently done, pretty period piece about nothing. It was enjoyable and forgettable at once.

Catch the Ghost - I put it as high as I did because the OTP really did have lovely chemistry but the story was a complete mess, the police work made no sense and the heroine’s character was like nails on a chalkboard for me.

Joseon Survival - I got about four episodes in and liked it a lot but then Kang Ji Hwan turned out to be a convicted rapist, they replaced the lead and I didn’t go back. I kind of want to because I liked what I saw and I am madly curious as to whether they changed the main character or just said he had a different face now, no explanation.

The Last Empress - pure inconsistent trash but so entertaining!

Vagabond - I made it eight episodes in before I realized that I would have as much fun staring at traffic. It’s a competently done actioner but without more, actioners never work for me, so this was a viewer/drama mismatch.

Arthdal Chronicles - incoherent, visually odd and boring, this is arguably the worst drama this year but I am giving it higher place because the cast really tries (even if it tends to fail because it has nothing to work with) and because it attempted something different even if it failed spectacularly. SO BAD.

Melting Me Softly - yes, my brain was fully melted by this soulless, charmless waste of Ji Chang Wook and my limited free time.

VIP - Any drama that makes the main mystery and thrust of the story who the husband cheated on his wife with is BORING. Seriously, this is not exactly Hercule Poirot. They wasted their cast - I have NO idea why Lee Sang Yoon agreed to be in this as a one note character and Jang Nara is playing a second scorned wife in a row but without even the entertainment value of her previous outing.

Abyss - aptly named. The best thing I can say about it is it didn’t offend me but oh boy was it dull.

Absolute Boyfriend - I loved the manga but it’s time to accept this can never be adapted well. They wasted the cast and that ending was just an insult on top of a trash heap.

The Lies Within - you cast that cast and deliberately have no romance. You are dead to me.

Woman of 9.9 Billion - competently made, but it’s everything I dislike - dour unpleasant bored people behaving as if they are in a particularly dreary art-house French movie but without any nuance or interest the latter came provide.

Love with Flaws - shrill, dumb, neither acted nor written by anyone trying at all.

Rookie Historian Goo Hae Ryung - objectively, it’s not the worst drama on the list, but it’s everything I hate in one package - willfully ahistorical but not cleverly so, male lead incapable of acting, the characters so one-dimensional they disappear, this purports to be a period drama but about as period as a space ship. God, I loathed this.

FAVORITE DRAMA

Extraordinary You - smart (so mind-bendingly smart) and moving and totally unpredictable and with so many things to say about free will and religion and self and nature of memory and narrative, this had an insane impossible premise and yet somehow managed to do it full justice and stick the landing.

WORST DRAMA

People with Flaws - this is different from least favorite because even if I loathed e.g., Rookie Historian or Woman of 9.9 Billion, I recognized some positive features; it’s just certain things really rubbed me the wrong way due to personal preferences. But this shrill hot mess of a drama is really everything that’s wrong with dramaworld.

FAVORITE MALE CHARACTER

Prince Yeoning, Haechi - fiercely smart, strong, tormented by the duality of his birth (royal father, servant mother) but not letting this distract him from his purpose, loyal to the bone, and with integrity nothing can shake but where you can feel that it’s not easy and that it costs him.

FAVORITE FEMALE CHARACTER

Eun Dan Oh, Extraordinary You - a go-getter who remakes the world (literally); smart, cheerful, strong, beautifully human. She feels so real and yet is larger than anything around her.

NEEDS TO BE MURDERED

Yi Seung Gye, My Country - a sociopath destroying lives in his quest for power and control, even the destruction of his own family barely gives him anything but momentary pause. He is the reason for the tragedy of MC.

FAVORITE SHIP

Eun Dan Oh x Haru, Extraordinary You - their love is literally universe and god-defying. They have loved each other as different people in three separate worlds (and counting), and have defied loss of memory and even loss of self as well as death, the end of worlds, and their god and the narrative and literally anything and everything, to be together.

Runner Up: Soo Hyun x Jin Hyuk, Encounter: tender and decent and his bringing her back to vivid life and the way they love and support and compliment each other.

Probably gonna be on list if doesn’t go haywire: Crash Landing on You: she is a SK heiress, he’s a NK officer, they have mad chemistry and so much potential.

NOTP:

Tae Mi x Morgan, Search WWW - love the actors, love the chemistry, love the characters in terms of the way they are written, but they are absolutely wrong for each other and there is no future of any sort but misery ahead. None of their issues are resolved but are swept under the rug. It’s a cautionary tale, not a romance. I did a long rant before so not repeating.

BEST SECONDARY OTP

Scarlett x Ji Hwan, Search WWW - they stole the shippiness in the drama for me. Cooky and adorable and noona romance done right.

FAVORITE SCENE

Haru’s final disappearance, Extraordinary You - the lights start to go out, the world literally dissolving, Eun Oh and Haru clinging to each other, with his telling her she was his beginning and the end. His name, the one she gave him, is the last thing he hears. In a drama full of amazing scenes the very gist of which was defying the very creator and universe and meaning of existence, this was the one that stayed with me the most.

BIGGEST CRUSH

Seo Hwi, My Country - I have a thing for deeply honorable, deeply tortured period badasses with long hair and a death wish (see Choi Young in Faith etc.)

BEST SCENE STEALER CHARACTER

Yi Bang Won, My Country - he started out as an antihero and ended up as arguably a tragic villain (or maybe still an anti-hero) but oh boy, was he magnetic and fascinating and sucking out all the oxygen whenever he was in the scene.

NEEDS A SEQUEL

Memories of the Alhambra - WTF ending was that?! All that misery and no real resolution?! Dammit!

TROPE THAT NEEDS TO DIE

Youth Sageuk - I hate most of them! They are anachronistic and dumb and honestly, what is the point of having fully modern people in period clothes? Just make a modern show and call it a day.

BIGGEST DISAPPOINTMENT

Melting Me Softly - Ji Chang Wook’s first project back from the military was an unfunny, unmoving, pointless mess with not an ounce of genuine enjoyment despite the excellent pedigree of everyone involved in front and behind the camera.

Arthdal Chronicles - the makers made excellent Queen Seon Duk, Tree with Deep Roots and Six Flying Dragons. The cast was uniformly A grade. The result was an open-ended, boring, incoherent mess that looks like a bad sort of a drug trip and made about as much sense.

BIGGEST GOOD SURPRISE

Extraordinary You - I had zero interest in yet another high school drama with no actors I recognized. By the end, EY was an emotional brainy twister of a marvel that became my favorite drama of all time. I’ve been watching dramas for over 13 years so that’s saying something.

2019 DRAMAS I HAVEN’T SEEN THAT I MOST WANT TO WATCH

The Crowned Clown - I love sageuks and cast and it looks so smart and emotional

Angel’s Last Mission: Love - my next contemporary - I watched a little and loved what I saw

Fates and Furies - I saw a few eps and classic melo is so up my alley.

Clean with a Passion for Now - I like the cast and it’s a year of falling for hot weird bosses apparently.

Graceful Family - I love makjang and Im Soo Jung.

The Secret Life of My Secretary - downmarket Beauty Inside and I loved BI.

Love Affairs in the Afternoon - artsy adultery FTW

Item - I don’t like crime stuff but I am here for Joo Ji Hoon.

My Strange Hero - seems a little cooky but I am fond of Yoo Seung Ho.

MOST ANTICIPATED IN 2020

King: the Eternal Monarch - Lee Min Ho and Woo Do Hwan and parallel worlds and written by Kim Eun Suk. Yes Please.

I should probably make one for cdramas too though that one would be rather shorter.

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atlas-of-a-human-soul · 4 years

Text

frENEMIES, pt. 7 {Quarterback AU}

Summary: Three years later and Grayson finds out about the book.

Warnings: angst

Part one

"Timing sucks. Sometimes we meet the best people at the worst possible time in our lives and no matter how hard you try to fit them into your world, they just can't be molded into what would suit your plans and ideas of the future. Some are scared by how much they care about that person that they would switch up their routine or plans for the future, others simply give up because it is too much work and they're just exhausted of always being disappointed in an untimely love. We think - oh, if it was only earlier/later and we would have worked out - but that's just not true. Timing is an invariable third party in all our relationships and it's a bitch...if we let it. Truth be told, we're only using it as an excuse - the people we meet at the wrong time are simply the wrong people. You won't meet the right person at the wrong time because the right person is timeless. The right person makes you want to change the plans you had that made timing an issue - to uproot your entire life and make a mess of it, yet you wouldn't care...When the person is right, there is no timing nor regrets concerning what you did to make those problems go away, there's only hope of a beautiful future where that person becomes a constant nothing can erase.

I had told myself timing was an issue, that his reputation was an issue. I told myself so many stories that painted him as a villain that would break my heart and walk away, but wasn't I the villain all along? Maybe, maybe not. The bitter truth is: I never made an effort to know his side of the story, and I blamed him for it. You can be the judge of that for this book will also show my best and worst days of loving a man who had many flaws, but his biggest one was ever caring for me.

Quarterback? Are you listening? Because this is what us being frENEMIES really meant to me."

Grayson couldn't breathe, his heart pounding too fast and too hard for his lungs to follow, his airway constricting as if a hand had wrapped around his neck and pressed down on his throat.

He couldn't breathe, not after hearing her voice for the first time in three years and not after she had addressed him personally.

It took him so long to get her out of his head and even longer to get her out of his heart. Every day was torture and he had reflected on their past and all the ways he could have made her stay, but it wasn't meant to be and he knew that...at least he told himself that.

But she left with a cowardly goodbye written with words he struggled to read as his vision blurred and his body tensed as the thought of losing her truly tore into him.

It was him who ran to he room only to find it empty and it was him who tried every possible way of contacting her but no one knew how to...not even Amina. It was him who sobbed into his pillow so many nights, certain he gambled his chance at true love because he let his fragile ego get hurt so fast that he gave up.

So why now?

"ETHAN?!" Grayson thundered as he still fought for an even breathing rhythm and a sound mind, standing up to find his inhaler, using it to ease up the pressure inside his chest while Ethan thumped around on his way over.

"Dude, I was about to get lucky, why are you cock-blocking me?" Ethan grumbled, zipping his pants up as he got out of the bathroom and the flight attendant followed him out, wiping her smudged lipstick from under his lips shamelessly.

"Why did you give me this? Bro, how do you even know it exists?!" Grasping at the ends of his now shorter hair, Grayson shook his head before falling back in his seat, sweat starting to soak his shirt.

"My Wednesday hookup had the book on her nightstand and when I was sneaking out I saw Y/N's photo and did some research. I thought you might want to read it because -", and before he had a chance to finish his explanation, Grayson's temper finished it for him.

"BECAUSE IT'S ABOUT ME?" Chuckling dryly, Grayson bared his teeth like a wounded animal before shaking his head vehemently. "I don’t think I can read this and not...like, lose my shit. I was doing fine! She's been gone for three years now and I was perfectly happy without her!" Convincing himself more than Ethan, Grayson had crumbled and his brother could tell.

Y/N was always a touchy subject and while Grayson refused to talk to her, Ethan could sense she remained his greatest regret and in a way, he felt guilty too. Guilty for not being openly human with her from the start, for not trying to clear the air before and even for spending half the time thinking she’s crazy...but Grayson never saw her being crazy as an insult - to him, all the best people have a little crazy and they make life interesting and worth living. People like Y/N change the world and they never even know it.

"Hey. It's okay not to be fine and over her. You had a lot of emotions tied to that girl and she never really gave you closure...but this book is your closure. I read it and it's...a lot to take in. But I know it's hard. Closure or no closure, it's hard to lose a person you love." With a tinge of sadness, Ethan looks away and his hands fold together like he's hurting too. Ethan and Amina broke up within six months after college due to distance and he was heartbroken for a while, especially when Amina married someone else in a little over a year after.

"I really think you should hear it...and straight from her mouth. This audio version is really...like you're talking to her? It's proper closure. Because you and I both know you never moved on from her." Sniffling, Ethan ran a hand through his hair before raising an eyebrow to what he knew Grayson would say, defensive as ever.

"That's been over for years. We were never even a thing, so no, I don't need to hear what she had written in that book because she probably dragged me the whole fucking time and I've had enough of her hate for a lifetime." Unplugging his headphones, Grayson leaned back in his seat with his arms crossed and Ethan knew just what to use to make him shut up and listen.

"Is that why you carry her note in your wallet everywhere you go? Or why her photo is hidden in your nightstand? Stop being a proud idiot and listen to what she has to say. The names are changed, but you'll know who she's talking about." Shrugging, Ethan grabbed his phone as if to say Grayson can do whatever he wants to but his stance would not change.

The book gave Ethan a good laugh but it also hurt him to look back at a past he had left behind. And it really hurt how everyone was so blind back then that Y/N and Grayson would have made it if they had Ethan and Amina's support and he would always feel guilty about letting his bro down.

"I barely got through the prologue. How am I supposed to finish this?" Grayson admits silently, terrified of what he might uncover when he dives into that book.

Would he find her blaming him?

Maybe even the truth of how she felt about him?

Would he like what he hears?

"You'll finish it because you care and it will be hard but...Would it motivate you if I said she's in New York this weekend too and I know when and where you can see her?"

Some wounds never heal and bleed at the slightest reminders and Grayson's heart was surely a poorly stapled wound as in that moment it no longer held, bursting open at the seams as a river of blood gushed once more.

Still, his mouth let no scream of his inner hurt pass his lips, only determination sounding when he locked eyes with his brother and decided this time he wouldn't be a coward. This time he wouldn’t let her walk away.

"Yes. I want to see her."

Tags: @dreadingdaisies @strangerliaa @mendesficsxbombay @beinscorpio @peacedolantwins @dolandolll @idekxdolan

PART 8

#dolan twins #grayson dolan #grayson dolan x reader #grayson dolan fic #grayson dolan fanfiction #grayson dolan fanfic #grayson dolan au #grayson dolan angst #grayson dolan quarterback

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connan-l · 3 years

Text

All right, so now that I finally digested the final a little I have some random messy thoughts about Fruits Basket 2019. It got really long lol, but this has been stuck in my head for a while so I needed to get it out!

Honestly, it was a very good adaptation and I’m still in awe I was able able to see the whole manga animated. Fruits Basket is pretty important to me, as I read it for the first time when I was around twelve and it was definitely one of the series that impacted me the most — the way it tackles themes of cycle of abuse, loneliness, grief and moving forward still feel very special to me even now (I briefly wrote a post about it months ago after rereading the manga), so of course I was delighted upon hearing the reboot announced and for the most part, it didn’t disappoint. I’d never truly thought I’d be able to see characters like Rin or Machi actually move on screen in my lifetime so in a way it still feel surreal lmao (RIP to Komaki though). It was really refreshing to revisit the story in that way, especially given amusingly enough I am myself in the middle of some big changes in my life where I have to leave things behind so it felt sort of... well, I won’t say empowering per se, but quite encouraging and satisfying to watch Furuba, and especially its final, at this timing, in a way. It wasn’t perfect, there are certainly a lot of flawed directive choices that I question and unfortunately quite some important cut contents — but even at its lowest it stayed all in all good. I’m genuinely a bit stunned there are people who thinks the entire thing is worthless or a failure, because man, I have seen what a bad anime adaptation looks like, and Fruits Basket 2019 definitely isn’t one. Natsuki Takaya herself was clearly very invested and satisfied in that adaptation — I mean, just the fact she drew arts for every single episodes or for the season 3 ending really shows that I think. And while there’s a part of me who will always have a soft spot for the 2001 anime, there’s no contest that the 2019 one is the superior one and more representative of the original manga as a whole.

I believe some people really don’t realize how... uncommon it is to get such a consistently good-looking and complete anime adaptation for a shojo manga? Shojo really aren’t lucky in that prospect usually; they rarely get animated, and when they do they’re usually very bland or outright bad, or they get one short season of like 13 episodes that never receive any follow-ups — even shojo considered like classics tend to get poor treatment, unless they’re Sailor Moon of course or a long-running magical girls franchise like Precure (and even then we could have a discussion about the way Sailor Moon’s treated compared to say Dragon Ball for example, but that’s another topic entirely). So yeah it is quite awesome we were able to get this kind of anime adaptation that covers the full manga with good quality from start to finish, and I am so, so glad it exists and that it managed to revive and makes the series so popular again. (Hopefully its success means we’ll be able to get more good anime adaptation of shojo manga from now on!)

But yeah, that doesn’t mean there wasn’t problems with it and I also understand why some of the manga fans had issues. We were kind of hyped with the fact this would be a complete adaptation and in the end we only got a... sort-of-complete one lol. The art and animation stayed fine during the run (there certainly were some episodes that were uhhh, lacking in that sense, but that’s just how it is sometimes with productions and budget), but I admit I was a bit letdown regarding the direction, where it often seemed… a bit uncreative or heavy-handed. There was some very beautiful and smart shots here and there, but on the whole I really had an issue with the adaptation failing to actually take more ambitious decisions on its visual aspect, especially compared to the pretty pannelling of the manga — and when it did take these decisions it just was… kind of obnoxious and in-your-face, like the show is trying to hold the watcher’s hand (with unnecessary things like Kyo’s father record player derailing or the whole big ropes symbolizing the curse that often slapped you all over the screen, which usually just made me want to roll my eyes because of how annoying it felt.) Multiple people also pointed out the overdramatization of some scenes like the Kyo and Tohru’s confrontation at the end of season 1 or Akito and Ren’s fight which was, indeed, not very good and a weird choice. Fruits Basket is already a pretty dramatic show and these scenes are already intense, there was no need for such over-the-top theatrical display of emotions that only made them comes off as comedic. I’m probably nitpicking here but it also bothered me some characters’ expressions didn’t feel properly retranscribed (Shigure especially, whose characterization depends a lot on that, really suffered from this), or that odd habit of making some big panorama plans instead of focusing on the faces and bodies, which particularly sucks during emotional scenes (like the backgrounds were pretty I guess, but that’s not what was important here lmao).

Also that might be just a personal thing, but can I point out that the openings were pretty disappointing to me... They're not bad, but they all looked so... bland. The songs are fine but the rest feel so uninspired and it's kind of sad... I dunno, I wasn't asking for much but I just think they could've done more than just scrolling each character looking vaguely melancholic or making them walk randomly one after another :/ The endings have at least pretty illustrations and I'm okay with them (I liked what they did with Kyoko’s photo in season 3 too), but the OPs kind of feel as if they ran out of budget and ideas for them or something. I kind of feel the same with the OST as well, where they’re generally fine but were a bit lackluster, and sometimes… they were kind of played at bad times? I remember the Rin episode in season 2 were the music felt a bit out of place and took me out of the immersion, which is a shame cause it was otherwise a pretty good episode. But that might just be a me-thing here lol. The voice actors were awesome though! (The Japanese ones, at least, I didn’t watch any other dubs). I’ve said it before but special kudos to Maaya Sakamoto cause damn she’s so perfect as Akito, and Shimazaki as Yuki and Toyosaki as Rin truly delivered too. I didn’t know Manaka Iwami at all but I was really impressed by her Tohru, especially in season 3 — she really was good at capturing her character’s subtle emotional turmoils (I think she makes a better Tohru than Yui Horie too, although I admit I missed Horie a little lol.)

Anyway, on the topic of lack of ambition, that might be an unpopular opinion but there’s also the fact that I’m sad they didn’t actually... try to change or add more original scenes. By which I mean, obviously we had some changes, but not ones that were really interesting (when they’re not actively detrimental to the story). For example, I was really hoping that we’d be able to get at least one original episode focused on Ritsu (and Mitsuru too why not) in season 2 or 3, or on Kagura or Kisa; I dunno, it would’ve been a good occasion to give something more to the characters that got sidelined in the original manga, or add some moments that would’ve been nice to develop like about Akito post-cliff confrontation, but we never got that. And well, that makes sense now that we know they seemingly had an episode restriction (at least on season 3), but, yeah, that’s still a shame. Honestly in the end Ritsu’s character made even less sense in the anime, because like, it was nice they tried to adapt his introduction episode so that it feels less “you have to adapt to gender norms to feel better about yourself,” (the gender non-confirmity is definitely one of the bits that aged the less well in FB) but then they still made him cut off his hair and give his feminine clothes to Kagura at the end so why lol. (And speaking of his episode introduction, I dislike that they cut off his conversation with Tohru after the suicide attempt, not only for Ritsu but also for Tohru cause it is one of the small instances bringing up her issues that is set up early on and that is crucial to her, but I’ll come back to this later.)

And now about the biggest problem to me being, the cut content and episodes rearangement. So, just so we’re clear, I definitely don’t think an anime adaptation needs to be a page-by-page adaptation of the manga to be good. Every decent adaptation needs to have changes, and the ones that tries to just follow the source material without any heart often tend to get pretty bad. So changes are good! Cut content are needed sometimes. But in Furuba 19, it really... wasn’t the case.

And the most unfortunate thing being that the one suffering the most from this is the show’s main character herself, Tohru.

So, obviously other characters also got done dirty by this; Yuki and Machi’s relationship was so incredibly shifted in the background and rushed it’s almost funny. I’m one of the people who thinks that, while I do think they’re cute, I definitely agree on the fact their relationship was a bit underdeveloped in the manga — and that Machi’s character especially suffered as a result by being a bit reduced to just "Yuki’s love interest" when she was a character with so much more to offer (and as a whole I also tend to agree with the fact that Yuki probably didn’t need a romance at all and that his arc is more meaningful while focusing on his platonic relationships, but that’s another topic entirely) — but man, if the manga already underdevelopped them, then ohhh boy, the anime just completely dropped the ball. It feels very odd because to me it seemed like season 2 was taking their time with setting them up, so if they knew they had only 13 episodes for season 3 then they should’ve started the changes there; instead we got 1 nice Yuki/Machi/Kakeru episode, and then it’s like "Yep, they’re in love, just trust me." (It does makes me wonder if season 3 wasn’t originally supposed to be longer but then got restrained because of budget or covid or something…) Kakeru also very much suffered because of them cutting off his girlfriend and his complicated relationship with Tohru… Now, to be honest, I’ve always found the Kakeru/Komaki/Tohru subplot pretty... contrived and useless, and Komaki’s not so much a character more than a device for Kakeru’s development, but it does have some good moments relevant to the story’s themes (I like the ‘‘you can’t play suffering olympics with people’s pain’’morale) and it is important to his character (and Komaki is cute, I admit), so it was still sad they shafted it entirely. (Also I kind of like the tense relationship between Tohru and Kakeru. The fact they both seem to not appreciate each other even afterwards feel sort of refreshing even if it’s never explored unfortunately orz.) I was still surprised they didn’t actually try to make a Komaki cameo at the end? Cause I think it would’ve fitted and Kakeru’s girlfriend had already been mentioned in season 2 but... for some reason they... didn’t. (Mayyybe we’ll get an OAV like with Kyoko and Katsuya? Who knows.)

One scene that was skipped/rearranged that I’m very bitter over is the whole Tohru/Kagura confrontation and Kagura/Rin scene — it might not seem like much, but the moment of Tohru refusing to forgive Kagura is very important, and I was pretty annoyed they turned Rin’s trauma response to Kagura’s violence and her subsequent apology/hug to a gag, it legit felt tasteless. The Tohrin scene they removed at the very end too was frustating; it was great they managed to fit in the "Rin doesn’t want to forgive Akito" bit at least (I was afraid they’d cut it off entirely), but it was so essential for her to say to Tohru, not to Haru and Momiji (plus the way they put it in felt very random and awkwardly placed there, when they were initially talking about Tohru before orz). OH AND the Akito/Hana friendship too! Yeah I know it’s not a Big deal but I absolutely love the little glimpses of their friendship and it’s very important to me so I’m disappointed over them not including the ‘Ah-chan’ scene… (It was kind of weird that the show sort-of implied Hana and Kazuma got together too cause that’s… not the vibe at all from the manga… oh well.)

Most people I’ve seen generally only bring up season 3 regarding the cuts/rearangement because it’s the most obvious and the biggest offender, but I personally think there were already problems with season 2 and 1. At first glance I didn’t have much issue with some of the rearrangement, because early Furuba can indeed be pretty episodic, but thinking back on it as a whole I think it might’ve been better to leave some stuff, like Hana and Uo’s episodes for example, to season 2 (I do wonder if they did this specifically so the reboot would offer original content and differ from 2001 early on...) and cut off other not-so-important things from S1 & S2 — because as a result season 2 kind of suffer a bit by being The Yuki Season, which, for as much as I love Yuki, did end up being a bit annoying and made his development feel less natural and gradual, as well as the fact it sidelined the other characters a little and left them with not much conclusion in its final. So this added to how much they ended up cutting in season 3, it makes the show as a whole feels really unequal. I think they did overall a good job in season 3 with what they had, and they really nailed some of the dramatic and Kyoru moments (the sheets scene, cliff confrontation and post-hospital confession were practically perfect), but it is a shame that it ended up as an extremely marathoned emotional roller-caster rather than a more well-paced watch that we would’ve had if it had been 20 or so episodes. (I know others argued that season 3 was what it was because there wasn’t enough content left to cover for 22 or 24 episodes, but I disagree and even if there weren’t, it would’ve been the perfect occasion to add original episodes then. But I think it was more of a budget and Covid issue personally.)

But anyway, all of this isn’t actually what I’m the most annoyed with (and YES that’s a already a lot lmao), those are stuff I can live with, but like I said earlier the most problematic is what they cut off from Tohru’s character. And that indeed includes her parents’ backstory.

So, just so I get this out of the way; yes, I do understand why people were relieved to not see Kyoko and Katsuya’s relationship play out on screen, and yes the age gap and teacher-student thing is creepy and I do kind of wish it hadn’t been written that way. (Though I was a bit amused by people who thought we didn’t get the backstory because of the questionable age gap when, uh... you know I very much doubt the anime industry has an issue with that. Like, to start with, we wouldn’t have had Uo and Kureno’s romance if that was the case (even if Uo and Kureno is less problematic, it’s still the same basis of a underage high school girl/20+ adult man relationship), and second there was a literal romcom anime about a high school girl and an adult man that was broadcasted at the same time as Furuba season 3 lmao. So nah, it wasn’t there the problem to them, it was just time and episode restriction, which was pretty much confirmed with the announcement of the OAV focused on them.)

So, Kyoko and Katsuya is definitely Problematic and I agree on their relationship being uncomfortable; however, I’m a bit baffled that people were literally cheering on not having that part in the show, because it is... it is not just like a small bit of family trivia, it is Extremely important and actively essential to Tohru’s character and Fruits Basket’s themes and narrative as a whole. It’s very important to understand Kyoko’s character, of course; to humanize her and finally present her as a very flawed person and not just the idealized mother that Tohru project upon her, and it is extremely important simply to understand Tohru herself as well; to understand where her way of thinking, her trauma and attitude stems from, and this in a way that just isn’t possible to see with the little fragments of that flashback we got or the bits of Kyo and Kyoko’s interactions.

See, Tohru’s character is principally constructed around two things; her grief over her mother and her almost-pathological selflesness and people-pleaser needs that comes from her abandonment issues and loneliness, and her arc is very much about letting go of both of these things and finally moving forward and letting her life change. There’s this perception of Tohru I see sometimes that she’s not a very interesting character especially compared to others like Yuki or Kyo, or that she ‘‘stays the same kindhearted, naive girl from start to finish,’’ and while I deeply disagree with this I know where it comes from. The thing with Tohru is that she is firstly an extremely emotionally repressed character, and so a lot of her depth and development is made through small, gradual details scattered throughout the manga. It’s done in such a way that except for some obvious scenes those small, apparently insignificant moments are easy to miss or disregarded, and unfortunately it is a lot of these details that the 2019 anime cut, or rearanged in a way that feel less impactful or makes less sense; such as, like I pointed out earlier, her conversation with Ritsu after his suicide attempt. As I’ve seen others point out, this result in altering Tohru’s portrayal and rendering her character mostly about her romance, undercutting and downplaying all of her small, subtle character moments and developments, and miss a bit the second part of the story where the narrative actively challenge the ‘savior/therapist/mom’ that other characters and Tohru herself projected upon her.

And as a result it also means undermining things like her parallel and relationship to Akito, which idealistically should’ve been slowly built up throughout the last season but because of how rushed season 3 was in the end felt a little flat. (Akito’s character in general had some issues also because of the unequal pacing and rearranged scenes, though admittedly I think this was also an issue present in the original manga.) Kyo’s character and his romance with Tohru is the one element that managed to get out of this mostly unscathed (although Kyo also does suffer a bit from it), but because of what was removed from Tohru’s character it still inevitably impacted them by making their characters as individuals lacking. It’s not like it is a complete failure, mind you; I think the anime at least did a decent job at showing Tohru is Not Okay even at the beginning in season 1 (they certainly did a better job at it than the 2001 one lol) and managed to roughly portray her issues well enough overall, but it is just… lacking in the subtlety and nuances that, to me, makes her character and writing really special and unique.

(This post explains what I’ve tried to say here in a much more eloquent and better way that I ever could, and this all put into perspective what I basically love so much about Tohru and Fruits Basket in general.)

And, you know, it would’ve been sad but comprehensible with any other character, but here we’re talking about the story’s literal protagonist, which is why it is the part of the adaptation that makes me feel the most bitter. Tohru and her story is truly amazing and well-written, the thing I was looking forward to the most with this reboot — and while I do understand the episode restriction and I do believe they still did their best with what they had — her arc still deserved to receive a full proper adaptation, not a kind-of-half one.

So, yes, I am at least glad they’ll adapt Kyoko and Katsuya’s story in OAV, but the fact that it will never be included in the actual main narrative is still actively detrimental to it, and it will never have the same effect that if it had been played out before the Kyoru sheets scene where it should’ve been. (I hope they also won’t cut the fact that their story is narrated by Kyo, because that is also a very important detail for both Kyo and the story, but I have the feeling they will…)

Welp, that was quite a long, messy rambling. Not sure if anyone will actually read all of it but if you did then congrats lol. I feel in the end I’ve been really harsh and negative with the reboot… I do love it a lot! If someone asked me I would wholeheartedly recommend it (though I guess I would still argue to read the manga first if you really want to experience the story in all its nuances). I think they truly did an impressive job — even with season 3, which a lot of its episodes were beautifully done and did make me tear up a few times lol. I’m just sad it couldn’t actually offer a better, more nuanced delivery of the story’s depths and of one of my favorite manga protagonists that means a lot to me. But that’s an adaptation that so many fans wanted for years and I’m happy and grateful it’s here cause Fruits Basket deserved at least that much!

#Fruits Basket #Fruits Basket (2019)#Long Post #Connan's Ramblings #Text #Fruits Basket Anime

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crowdvscritic · 3 years

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round up // NOVEMBER 20

Hi, I’m tired. Actually, my friend Celeste created a piece of art that puts the emphasis needed on that sentiment:

I’m very tired. November felt like it was three years and also felt like it went by in a blink and also I’m not sure where October ended and November began—how does time work like that? (I’ve yet to see Tenet, but maybe that will explain it.) But like Michael Scott, somehow I manage, and lately it’s been like this:

Late-night Etsy scrolling. Browsing beautiful, non-big-box-store artwork is very calming just before I go to bed. I’d recommend Etsy stores like Celeste’s chr paperie shop, which I know from experience is full of great Christmas gift ideas.

Taking a day off of work to do laundry. I’m not sure if it’s more #adulting that I did that or that I was excited to do that.

Eating Ghiradelli chocolate chips straight from the bag. I actually don’t recommend this as a healthy option, but this is also not a health blog.

Watching lots and lots of ‘80s movies. One day I’ll ask a therapist why this decade of films is so comforting for me despite its many flaws, but for now I’m just rolling with it.

Reading. Have you heard of this? It’s a form of entertainment but doesn’t require screens—wild!

Memes. All good Pippin “Fool of a” Took jokes are welcome here.

Leaning into the Christmas spirit by ordering that Starbucks peppermint mocha, making plans to watch everything in that TCM Christmas book I haven’t seen, and keeping the lights on my hot pink tinsel tree on all day as I work from home.

This month’s Round Up is full of stuff that made me smile and stuff that sucked me into its world—I think they’ll do the same for you, too.

November Crowd-Pleasers

Sister Act (1992)

If in four years you aren’t in an emotional state to watch election results roll in, I recommend watching Whoopi Goldberg pretend to be a nun for 100 minutes. (Though, incidentally, if you want to watch that clip edited to specifically depict how the results came in this year, you’ll need to watch Sister Act 2.) This musical-comedy is about as feel-good as it gets, meaning there’s no reason you should wait four more years to watch it. Crowd: 9/10 // Critic: 7.5/10

Nevada Memes

Speaking of election results, Nevada memes. That’s it—that’s the tweet. Vulture has a round up of some of the best.

youtube

SNL Round Up

Laugh and enjoy!

“Cinema Classics: The Birds” (4605 with John Mulaney)

“Uncle Ben” (4606 with Dave Chappelle)

RoboCop (1987)

I’m not surprised I liked RoboCop, but I am surprised at why I liked RoboCop. Not only is this a boss action blockbuster, it’s an investigation into consumerism and the commodification of the human body. It’s also a critique of institutions that treat crime like statistics instead of actions done by people that impact people. That said, it’s also movie about a guy who’s fused with a robot and melts another guy’s face off with toxic sludge, so there’s a reason I’m not listing this under the Critic section. Crowd: 9/10 // Critic: 8/10

Double Feature – ‘80s Comedies: National Lampoon’s Vacation (1983) + Major League (1989)

The ‘80s-palooza is in full swing! In Vacation (Crowd: 9.5/10 // Critic: 8/10), Chevy Chase just wants to spend time with his family on a vacation to Wally World, but wouldn’t you know it, Murphy’s Law kicks into gear as soon as the Griswold family shifts from out of Park. The brilliance of the movie is that every one of these terrible things is plausible, but the Griswolds create the biggest problems themselves. In Major League (Crowd: 8.5/10 // Critic: 6.5/10), Tom Berenger, Charlie Sheen, and Wesley Snipes are Cleveland’s last hope for a winning baseball team. Like the Griswolds, mishaps and hijinks ensue in their attempt to prevent their greedy owner from moving the Indians to Miami, but the real win is this movie totally gets baseball fans. Like most ‘80s movies, not everything in this pair has aged well, but they brought some laughs when I needed them most.

This Time Next Year by Sophie Cousens (2020)

They’re born a minute apart in the same hospital, but they don’t meet until their 30th birthday on New Year’s Day. So, yes, it’s a little bit Serendipity, and it’s a little bit sappy, but those are both marks in this book’s favor. This Time Next Year is a time-hopping rom-com with lots of almost-meet-cutes that will have you laughing, believing in romantic twists of fate, and finding hope for the new year.

Double Feature – ‘80s Angsty Teens: Teen Wolf (1985) + Uncle Buck (1989)

In the ‘80s, Hollywood finally understood the angsty teen, and this pair of comedies isn’t interested in the melodrama earlier movies like Rebel Without a Cause were depicting. (I’d recommend Rebel, but not if you want to look back on your teen years with any sense of humor.) In Teen Wolf (Crowd: 8/10 // Critic: 5/10), Michael J. Fox discovers he’s a werewolf.one that looks more like the kid in Jumanji than any other portrayal of a werewolf you’ve seen. It’s a plot so ‘80s and so bizarre you won’t believe this movie was greenlit.

In Uncle Buck (Crowd: 8/10 // Critic: 7.5/10), John Candy is attempting to connect with the nieces and nephew he hasn’t seen in years, including one moody high schooler. (Plus, baby Gaby Hoffman and pre-Home Alone Macauley Culkin!) This is my second pick from one of my all-time fave filmmakers, John Hughes (along with National Lampoon’s Vacation, above), and it’s one more entry that balances heart and humor in a way only he could do. You can see where I rank this movie in Hughes’s pantheon on Letterboxd.

Lord of the Rings memes

This month on SO IT’S A SHOW?, Kyla and I revisited The Lord of the Rings, a trilogy we love almost as much as we love Gilmore Girls. You can listen to our episode about the series on your fave podcast app, and you can laugh through hundreds of memes like I did for “research” on Twitter.

Nothing to See Here by Kevin Wilson (2019)

Most adults are afraid of children’s temper tantrums, but can you imagine how terrified you’d be if they caught on fire in their fits of rage? That’s the premise of this novel, which begins when an aimless twentysomething becomes the nanny of a Tennessee politician’s twins who burst into flames when they get emotional. The book is filled with laugh-out-loud moments but never leaves behind the human emotion you need to make a magical realistic story.

An Officer and a Gentlemen (1982)

Speaking of aimless twentysomethings and emotion, feel free to laugh, cry, and swoon through this melodrama in the ‘80s canon. Richard Gere meanders his way into the Navy when he has nowhere else to go, and he tries to survive basic training, work through his family issues, and figure out his future as he also falls in love with Debra Winger. So, yeah, it’s a schamltzier version of Top Gun, but it’s schmaltz at its finest. Crowd: 8.5/10 // Critic: 7.5/10

November Critic Picks

Double Feature – ‘40s Amensia Romances: Random Harvest (1942) + The Ghost and Mrs. Muir (1947)

Speaking of schmaltz at its finest, let me share a few more titles fitting that description. In Random Harvest (Crowd: 8/10 // Critic: 8.5/10), Greer Garson falls in love with a veteran who can’t remember his life before he left for war. In The Ghost and Mrs. Muir (Crowd: 8.5/10 // Critic: 8.5/10), Gene Tierney discovers a ghost played by a crotchety Rex Harrison in her new home. Mild spoiler: Both feature amnesiac plot developments, and while amnesia has become a cliché in the long history of romance films, Harvest is moving enough and Mr. Muir is charming enough that you won’t roll your eyes. You can see these and more romances complicated by forced forgetfulness in this Letterboxd round up.

The African Queen (1951)

It’s Humphrey Bogart and Katharine Hepburn directed by John Huston—I mean, I don’t feel like I need to explain why this is a winner. Bogart (in his Oscar-winning role) and Hepburn star in a two-hander script, dominating the screen time except for a select few scenes with supporting cast. The pair fight for survival while cruising on a small boat called The African Queen during World War I (in Africa, natch), and the two make this small story feel grand and epic. Crowd: 8.5/10 // Critic: 9/10

Kind Hearts and Coronets (1949)

A young man’s (Dennis Price) mother is disowned from their wealthy family because she marries for love. After her death, he seeks vengeance by killing all of the family members ahead of him in line to be the Duke D'Ascoyne. The twist? All of his victims are played by Sir Alec Guinness! Almost every character in this black comedy is a terrible person, so you won’t be too sorry to see them go—you can just enjoy the creative “accidents” he stages and stay in suspense on whether our “hero” gets his comeuppance. Crowd: 8/10 // Critic: 8.5/10

Bluebeard’s Eighth Wife (1937)

What would you do if you found out you were to be someone’s eighth wife? Well, it’s probably not what Claudette Colbert does in this screwball comedy that reminds me a bit of Love Crazy. This isn’t the first time I’ve recommended Colbert, Gary Cooper, or Ernst Lubitsch films, so it’s no surprise these stars and this director can make magic together in this hilarious battle of the wills. Crowd: 9/10 // Critic: 8.5/10

The Red Shoes (1948)

I love stories about the competition between your life and your art, and The Red Shoes makes that competition literal. Moira Shearer plays a ballerina who feels life is meaningless without dancing—then she falls in love. That’s an oversimplification of a rich character study and some of the most beautiful ballet on film, but I can’t do it justice in a short paragraph. Just watch (perhaps while you’re putting up your hot pink tinsel tree?) and soak in all the goodness. Crowd: 8/10 // Critic: 10/10

The Third Man (1949)

Everybody loves to talk about Citizen Kane, and with the release of Mank on Netflix, it’s newsworthy again. But don’t miss this other ‘40s team up of Joseph Cotten and Orson Welles. Cotten is a writer digging for the truth of his friend’s (Welles) death in a mysterious car accident. Eyewitness accounts differ on what happened, and who was the third man at the scene only one witness remembers? 71 years later, this movie is still tense, and this actor pairing is still electric. Crowd: 8.5/10 // Critic: 9/10

The Untouchables (1987)

At the end of October, we lost Sean Connery. I looked back on his career first by writing a remembrance for ZekeFilm and then by watching The Untouchables. (In a perfect world I would’ve reversed that order, but c’est la vie.) In my last selection from the ‘80s, Connery and Kevin Costner attempt to convict Robert De Niro’s Al Capone of anything that will stick and end his reign of crime in Chicago. Directed by Brian De Palma and set to an Ennio Morricone soundtrack, this film is both an exciting action flick and an artistic achievement that we literally discussed in one of my college film classes. Connery won his Oscar, and K. Cos is giving one of the best of his career, too. Crowd: 9/10 // Critic: 9.5/10

Remember the Night (1940)

Fred MacMurray and Barbara Stanwyck in my favorite team up yet! Double Indemnity may be the bona fide classic in the canon, but this Christmas story—with MacMurray as a district attorney prosecuting shoplifter Stanwyck— is a charmer. I’ve added it to my list of must-watch Christmas movies—watch for some holiday cheer and rom-com feels. Crowd: 8.5/10 // Critic: 8.5/10

Photo credits: chr paperie. Books my own. All others IMDb.com.

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viostormcaller · 4 years

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Thinking about it, it kinda sucks just how little new horizons has.

Like... I love the game to pieces and maybe this is just bc im in a shitty mood (which i am) but like... god this is gonna be long and ranty and I'm sorry in advance that mobile tumblr doesnt have the read more feature

For starters, holidays are all scheduled on the company's terms, meaning in 7+ years or so there will be no more in-game holidays because by then they'll probably be thinking about/getting ready to release the next installment of the series on whatever console is out at the time and they won't want to update new horizons anymore. And adding onto this, you need the internet to download the updates. What happens to the players who don't have internet?? Can they just never experience the holidays like bunny day and toy day and turkey day? That takes a HUGE part of the fun of the series out right off the bat. Sometimes making everything rely on the internet is a bad idea. Idk if anyone can like tell me if having no internet means you can't take part in the holidays, but like... god if that's true thats really sad.

They recently took out the hybrid flower and big fish islands, which makes no sense whatsoever why they would do that to a game that has so little, but ok?? It's not like that feature was hindering the gameplay any

There's a lot of furniture but Not a Lot of Furniture, you get me? They took out EVERY set except the classic set (renamed "antique") that you can buy for an insanely high price, and the log and wooden block sets that you can craft, but other that that it's all unrelated items that aren't part of any set, aside from the cute set and diner and throwback sets which as far as I can remember are the only other sets you can buy in the game. No alpine, no ranch, no minimalist, no princess or gracie, no modern or sleek, none of that. And 90% of all the buy-only furniture in the game is just the color variants. You can't even customize them! And it's hard as fuck to find the color variants you want, much less for completing a furniture set

And speaking of which, your starting villagers don't get their default house interiors. Your first three + your two starters from the tutorial days have the same generic layouts. You NEVER see what their houses are supposed to look like, and even if you give them the wallpaper and flooring they're supposed to have (if you figure that out online somewhere), their house doesn't change (I tested this with Sherb and was kinda disappointed).

And stuff is so EXPENSIVE. I know it adds a challenge but my final loan was NEVER 1 mil+ bells in New Leaf. And you can't even expand the extra first floor rooms you get. I'm literally getting less for WAY more. The biggest rooms you get are the basement and upstairs rooms. The first floor rooms aside from the main room really don't have a lot of space and with the different furniture they DO offer, I don't have a lot of room to put things in. But it's not like I can even afford it anyway -- just a freaking air conditioner was 63,000 bells. In New Leaf it was 2500. That's a MASSIVE jump. And the kitchen items are so freaking expensive, as well.

And speaking of houses, for someone who was literally in the real estate industry in the last game, tom nook adds very few house exterior options. And the even more shitty thing is that a lot of the colors straight up don't match. They couldn't even add a plain white roof.

God and the fucking DIY recipes. I know I've said this before on my other tumblr but the RNG for this game is the worst I've ever fucking seen. There is no reason why, two months into the game, I can be given a recipe for a simple DIY bench, which EVERYONE LEARNS IN THE TUTORIAL. Who the fuck am I giving it to?! No one, because literally every player knows it already, and you can't gift diy recipes to villagers! And I keep getting repeats of recipes. My villagers give me fruit DIYs all the time, it's so rare for me to get any new ones. And two days in a row I've gotten the recipe for the deer head mount thing from the same villager. New recipes should 100% take the priority before repeats. This game is slow paced, sure, but that's just frustrating. It doesn't make me excited to learn more recipes, it makes me feel like I'm never gonna learn any new ones because I'll get the same fruit DIYs for a week straight.

And speaking of which, you can't put trees, bushes, or flowers in your storage, which to me makes literally no sense. I can fit a giant ass fountain in my storage but I can't put a flower plant? Really? And speaking of storage, for a game that added 300 whole slots for mail instead of the usual 10, I will never understand why they decided to halve the amount of items a player can order a day from the nook shopping, AND make it so that it takes a whole day to get there instead of making deliveries at 9 am and 5 pm like in New Leaf.

And the fact that they made it so hard to get non native fruit and flowers and shit??? Like they at LEAST added Lief so flowers aren't as much of an issue anymore, but you actually have to travel to other people's islands just to get all the fruits?? I know you have to do the same thing in New Leaf but the reason why this is an issue for me is because you have to pay for online access, meaning most of those nook miles for planting all the fruits are locked behind a paywall unless your villagers can gift them to you. And your mom, when you first start the game, has a chance of giving you the one fruit that's on the non-native fruit mystery island, meaning you'll only get ONE new fruit and not two separate ones (for example, my sis got pears from mom but her non native fruit islands have cherries i believe. I got pears from mom and my fruit islands also have pears. Doesnt help that that's the one fruit i hate lmao). They also took OUT a bunch of fruits, like mangoes, durians, lemons, bananas, lychees, persimmons...

And the fact that your nook miles rewards are ISLAND LOCKED. That is the WORST SHIT. Not everyone has the ability to play with others, bc no internet or no money for the subscription every month. Not everyone WANTS to play with others bc maybe they get social anxiety (like me, which is why i havent asked for things that are impossible for me to get even though i want them for my island or house), or maybe they simply just don't want to. But the fact that each island has their own color variants of the same goddamn rewards that CANNOT BE CHANGED makes me so upset. I do not want nor should I have to rely on others to get the items I want because my game doesn't have my preferred color variations. And it's not like I'm far enough in the game to have anything worth trading for said items, nor do I have the bells.

And Isabelle does next to fucking nothing and I'm really irked about how they made her character in this game. Yeah she's cute, but that's ALL she is. She became more ditzy than anything else. She doesn't let you know about visitors in the town or the plaza or if a bridge or incline was built bc of a completed donation goal. Like really useful info to know would be if Flick or CJ is in town or who is selling stuff in the plaza. Flavor text is nice but if that's all you say 24/7 it loses its charm. In New Leaf she was helpful and hardworking and super focused and on top of things. Idk why they changed that aspect of her. I know her role in New Horizons isn't as big as it was in New Leaf, but still.

And then there's glitches that STILL haven't been patched (as far as I know anyway), like the game-breaking villager corruption glitch (which you'd think nintendo would have made a priority but they're too busy removing other features it seems) or the house exterior glitch.

And it's bad enough that your game saves to your fucking system a la Fantasy Life. But even WORSE, no one can have separate islands on one console. It's not enough to own two copies of New Horizons. Each player has to own one copy of the game and a whole new Switch just so they can play on their own islands. Parents can't usually afford that (aka $360 for each kid give or take) so for a game marketed towards kids, I don't know why they thought that was a smart move (well, I DO know, and that's because money, but still). And to top it all off, cloud saves are not supported normally. If you lose your game or your switch and aren't subscribed to nintendo online, well, it looks like all your progress is gone! And there's nothing you can do about it. And they directly claimed that they did this just so people can't manipulate the game because it's supposed to be played in real time. But people can still fucking time travel by setting the system's clock! They achieved nothing except to make the players frustrated!!! If you make a game you need to accept that the player is going to play how THEY want to. You shouldn't try to make everyone conform to the way YOU want them to play. That just makes you a controlling asshole and the game loses a lot of its fun.

This game was 60 bucks and they took so long to make it and we ended up with less than we got in New Leaf. The main thing they gave us was a shit ton more clothing items (which I really like). Like I said, I love this game to pieces and it's actually one of my favorite games right now. There's so much I love about it -- I certainly don't hate it or anything. But this game has SO MANY flaws, a lot of which are needless. And I think the kid in me just misses the days where you can pay for a game and get the whole game right away. No updates in tiny batches, no content locked behind paywalls, no day one patches, no reliance on internet connection and multiplayer... mainstream companies have all gone really downhill with that shit and it just disappoints me to no end. But because Nintendo is kid-oriented, I think that's where it hurts the most. It was supposed to be accessible, family friendly fun like back during the days of the Wii and the DS. But companies get so wrapped up in competing with each other and trying to make the most money that they forget about all that. I dunno. It just sucks.

If you read all this, god damn I'm surprised XD I got super ranty and I apologize. But I'm in a sad mood and I after learning about features they've taken out I just had to get all this off my chest. It's been weighing on me since the game released, especially since for months prior this game was all I could think about and I was really looking forward to it. It just let me down in a lot of ways, I guess.

#long post #rant #animal crossing new horizons #acnh #vio stormcaller

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twdmusicboxmystery · 4 years

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TWD Flagship Series Ending and How It Might Affect Beth/TD

I’m sorry I didn’t get my thoughts out sooner. I woke up to like three fires I had to put out (figurative, of course) so it too me longer than usual to get these written up. But, here we go:

Okay, so I know everyone is freaking out about yesterday’s news. I feel ya. I’m obviously very sad that the flagship series will be ending.

But having said that, it doesn’t entirely surprise me. And it doesn’t really bother me, at least not in the way everyone seems to think it will.

I have lots of thoughts about this, so bear with me. I’ll try to keep them succinct and organized.

I Still Think Beth is Returning

This is probably the most important thing for everyone to know. This announcement doesn’t affect my beliefs about Beth’s return. You’ll understand why as we go along and I explain more. It also doesn’t negate all the clues Emily and other actors have been dropping over previous months. Just keep that in mind.

It Doesn’t Surprise Me That The Show Might End Not Long After Her Return

Now, I’m gonna say that I realize now my original thinking about this was a little flawed, but I’m gonna say it anyway just to throw it out there.

As it’s taken longer and longer for Beth to return, I’ve come to realize that there would be a lot less of the show to go after her return than there was before it. If she’d have returned in S6 or S7, we would have had many seasons to go. But that hasn’t been the case, right?

I firmly believe that Beth represents Daryl’s happily ending. But that does imply it will be an ending of sorts.

And don’t get me wrong. I wouldn’t have predicted the show would end in S11. You all know I’ve harped on the 15-season thing quite a bit, and I have more to say on that, which I’ll get to in a minute. I’m just saying that after Beth returns, I never thought we’d get another 10 seasons of TWD. A few, sure, but not double the amount or anything.

Okay, so let me make some broad statements here.

1) Gimple said he had until S15 planned, and I believe him.

2) I still think he has plenty of material so that they could have gone on through season 15.

3) I don’t think any of that content is being scrapped, curtailed, or cut short in any way.

So how can all of those things work together? Well, this is my biggest belief about this whole thing:

I don’t think they’re changing any of their original plan. I think they’re just shuffling and restructuring the way they’re going to give it to us.

A lot of things have changed over the past few years: technology, the fact that people stream-watch much more often than live-watch, CoVid, etc. So basically, I still think they’ll continue to tell the story through what would have been season 15, but they’ll be doing it through alternate series, spinoffs, movies, etc., rather than keeping it all to the main series.

Now, some of the skeptics out there are bound to think my beliefs about this are awfully convenient, and I’m just holding out hope that Beth will still return.

But I’m not JUST talking about Beth story lines. There are other things to consider here that we can prove. And I’ll get to them.

But the next question is:

Why Would They Continue the Story in Other Spinoffs, Rather Than Just Keeping to the Main Series?

I wasn’t sure about this at first, either. The only thing I could come up with on my own is that there are certain business/monetary/logistical concerns behind the scenes that make this a better model for AMC to make use of, rather than continuing the flagship series. And really, we’re never going to totally understand all of that because for legal/privacy reasons they’re never going to give us the details.

But then, the always-insightful @wdway said some things that really helped light bulbs go on in my head.

We were discussing this and she said something about how, since Daryl isn’t a character in the comic books, and Carol died very early on in the story (at the farm, I think?), with this spinoff that will focus on Daryl and Carol, they’re heading into territory that has absolutely no comic book source material.

And that really made sense to me. So, here’s my underlying belief about WHY they’re ending the flagship series after S11, even though they still have more story they’re planning to tell.

I Believe They’re Ending the Story after the Commonwealth Arc, Specifically Because the Comic Books Ended.

Because here’s the thing. Even with the extended S11, I still don’t think that will be enough time to cover the two major story lines they’ve been hinting at and slowly uncovering over recent seasons: the Commonwealth and the Helicopter People.

The only way to cover BOTH of those so quickly is to REALLY short change one or the other of them, and I think we have ample evidence and foreshadowing that that won’t be the case.

So, here’s the jist of it. Back when Gimple took over and planned his 15-season arc, they couldn’t have predicted a lot of what’s happened since. They couldn’t have predicted technology, COVID…or that Kirkman would suddenly, without any warning, decide to end the comics. So, even though they’ve always put their own spin on things, and have definitely done things that weren’t in the comics at all (i.e. Beth and Daryl), they’ve still always stuck to the major arcs from the comic books. (The Farm, The Prison, Alexandria, AOW, Whisper War, and now The Commonwealth.)

I think they decided to pivot and change formats as soon as Kirkman ended the CBs. They just haven’t announced it until now. So, I think season 11 will focus completely on the Commonwealth, but they’ll end it and switch to something entirely new to continue telling the story of the Helicopter Group. And even though they’re advertising it as focusing on Daryl and Carol, keep in mind that Rick and Michonne are also still out there. We’ll have them to look forward to in the Rick Grimes Films as well. And of course they still have FTWD, TWB, and these other spinoffs they’re talking about.

Do you see what I mean? I don’t think they’re changing or curtailing the story they’ve always planned on telling. They’re just changing formats. So the main series will end with the source material from RK’s comic books. The rest will be a new series that is 100% AMC’s own.

I hope that makes sense. This is why it doesn’t really worry me and I don’t think it negatively impacts Beth’s story or return at all.

Okay, let’s switch gears and talk about the spinoff.

When I read the press release, the first thought I had was, “Well, that’s vague.” The press release really doesn’t tell us much. It’s hard to draw many conclusions from it. And it doesn’t say other characters (like Ezekiel, for example) won’t be in it. Just that it will focus on Daryl and Carol.

And I get that, again, that may sound convenient, but that’s why I explained everything above first. Knowing that this is probably just switching formats to continue the same story, it doesn’t sound quite as convenient anymore, does it?

The second thing I thought when I heard this (and my fellow theorists said they had the exact same thought, which kind of validates it in my head) is that this whole Carol/Daryl thing is probably tied to the New Mexico symbolism.

If you remember, starting in 10x01, they started randomly referencing New Mexico a lot, in conjunction with the idea of the two of them taking off on Daryl’s bike and just leaving. I know that idea isn’t our fandom’s favorite, but it was obvious to me that this was a foreshadowing and that it will happen at some point. So I’m relatively sure that this spinoff about Daryl and Carol will be them going to New Mexico together.

Here are some posts where I talked about the NM symbolism: X, X, X,

The thing is, guys, I’ve also always believed that it will be a Beth thing. That it will mirror them taking off together to search for Beth in 5a. So either way, I think Beth will be involved in that spinoff series.

@wdway told me she’s believed for a while that S11 will be another “Daryl searches for Beth” season. TD has believed for a LONG time that there will need to be another search on Daryl’s part. That there may even be something of a replay of events in Coda, but that it will end differently. In a good way, rather than in the disaster that was Coda.

So, either Beth and Daryl will get a reunion sometime in S11, but then something will happen and she’ll be taken again. Probably by the helicopter people. And Daryl will need to go look for her.

Or.

Maybe they won’t get a reunion at all in S11. That would definitely suck more, but maybe, while the audience, and various characters in the show *coughs Eugene* know about Beth, maybe Daryl really doesn’t find out until the end of the season, and he’ll just be busy dealing with the Commonwealth situation. But then, at the end, he finds out she’s alive and jumps on his bike to go find her. And, as in 5x02, Carol goes with him.

I also think Ezekiel will probably figure heavily in this. I’ve harped on and on about his death fake out, right? I do think it will happen some time in S11. And I think it’s possible that the season (and series) will end with Carol still not knowing that he’s really alive. Or maybe she’ll find out he’s with Beth and that will be part of the reason she goes with Daryl too.

Now, obviously this is all conjecture with a liberal splash of head canon. But given the symbolism and foreshadowing we’ve identified, especially these past two seasons, and how often TD has been right about this sort of thing, I really think there is a VERY good possibility that this, or something close to it, is what’s really happening here.

So yeah. I think I’ll shut up, now. The short of it is, I think they’ll continue the story line after S11, just in different story vehicles. I think Beth will still return and be a big part of the story moving forward. And I think S11 (and the series) will end with a lot of unresolved story lines that will move to other parts of the franchise. Therefore, aside from being sad to say goodbye to the flagship series in principle, this really doesn’t worry me all that much.

At the very least, we know we’ll be getting more Daryl after the series officially ends. Which is a good thing.

Thoughts?

#beth greene #beth greene lives #beth is alive #beth is coming #td theory #td theories #team delusional #team defiance #beth is almost here #bethyl

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