Hi! Idk if you could do this, but based on a prompt list that I saw that I guess you want to do. Imagine this:
Person A: Mario and Luigi
Person B: An older brother or sister that you put
IsthatIcan'timagineMarioorLuigiwithouttheotherandIdon'twanttoimaginewhatwouldhappeninthatsituation ;-;
Prompt: Person B knowing they don’t have anymore time left, and kisses Person A’s forehead telling them not to forget them
Hey there 👋
I figured I'd answer this just to clear things up.
First, thank you for your interest in sending me a prompt 💗
Unfortunately, prompts are closed for the time being since I am working through so many right now (not your fault I should've mentioned this on my last fic).
I will reopen prompts again soon. You can keep track via my pinned post.
Second (and arguably the most important); despite the prompts, I do not take any suggestions that involve death. I'm not against anyone who writes about that, and I know some authors can thrive writing that stuff, but unfortunately I cannot. It's usually too much for me to handle mentally ;_;
So yes, even with prompt lists, there are some suggestions I won't be able to accept.
I do have a set of rules for what I will and won't write, so it is best to consult that first before providing me with a prompt.
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Tell me why you dislike the Emily trilogy please because I'm rereading it!!
It's more of a difficult relationship, rather than disliking it; there are many parts that I like about Emily. Like, the majority of it is good. But it drives me CRAZY! It's the way LMM wrote, and the choices she made in the Emily series.
(Sorry if it's ranty and incoherent, it's the first time I've properly wrote down all my thoughts & feelings on Emily.)
So first of all, what the hell is it with all the preachy, patronising BS? This is not LMM's usual style, which is why it's so bewildering. The narrator frequently breaks the fourth wall to tell us how she's not there to defend Emily, but to merely chronicle her life and I want to say, I don't need you to defend Emily, Lucy Maud, I can make my own mind for myself, thank you! She doesn't do it in Anne (also a story of an orphan being taken in), and as far I can remember, she doesn't do it in any of her other writing. It reminds me of Little Women a lot. And from me that's not a compliment.
Then, I say it outright as it is: I loathe Aunt Elizabeth and Aunt Ruth and I think they're both child abusers. Aunt Ruth, especially, is a tyrant. She's a dictator. Her constantly calling Emily "sly" with no evidence and then after that incident with Perry and the kiss, when they hold a family court, she says "I would have believed you if you had told the truth", can you get any more textbook abuser? I have this thing when I cannot handle someone not being believed (also due to something that I went through), it triggers me, and a person (esp of authority) determined to disbelieve you and think the worst of you when it's just not true sends me to a rage. Aunt Elizabeth is a vile, cruel, narrow-minded woman, who should not be allowed near children. If the narrative ever condemned these women, it would be a much better reading experience. But it doesn't. Right to the very end, the last page, the second to last paragraph, when Emily and Teddy finally, FINALLY, find each other, Ruth still calls Emily sly. Worst of it is that Emily really doesn't do anything remotely wicked. She's essentially a good kid. What would these hags do if they saw today's teenagers?
"You are always writing yards of trash that nobody wants." Quote from Aunt Elizabeth. What a nice, loving aunt! Then they call Emily a Murray when it suits them--when she does something they disapprove of, it's "that Starr coming out in her". Or they say she's "half a Murray" and I'm like, everyone is unless both your parents were Murrays?
Abusive caregivers are no strangers to LMM works, ofc, but they're usually presented as villains and are not the "endgame" caregivers. (Take as an example, little Elizabeth from Windy Poplars.) That's why I like Jane of Lantern Hill, bc here LMM finally admits that an abusive narcissist is an abusive narcissist (the grandmother). And that was 1937, so you know, it took her time to realise that.
So, most of what I'm saying here relates to the second book. Emily of New Moon is not as infuriating and Quest I actually like, despite how it drags, bc it so perfectly depicts the consequences of Emily's choice at the end of Emily Climbs. And here I get to the crux of the matter--the ending of Emily Climbs.
So, Emily has graduated school, has some success with her writing, has had short stories published and at last meets someone who believes in her, who sees her talent as a writer. Janet Royal offers her a job and a place to stay in New York. An opportunity people would sell their literal souls for. And what does Emily do?
She refuses it bc she doesn't want to leave New Moon.
Once again, I repeat. Emily gets offered a job and free accommodation in fucking NEW YORK and she refuses it bc she doesn't want to leave New Moon, that fucking backwards, progress-denying, candle-burning, abuse-filled place in godsforsaken village on PEI.
How is this supposed to be a good storytelling choice??? And this is why I don't think the series will get adapted again. Not without some major changes. Bc I can't imagine how modern audience would react to a heroine rejecting an opportunity of a lifetime, an opportunity many young people today would commit literal CRIMES for--and for what? It's not even that she is doing it to get married and have kids (stupid choice still, but at least more understandable). The end of Climbs makes me so fucking mad, that story with the dog is so stupid and painful to read (YMMV). I want to cry, why, Lucy Maud, whyyyyyyyyyyy *cries unconsolably*
I think it's bc LMM wouldn't have been able to write--or at least she thought she wouldn't have been able to write--a story of a young upcoming female writer in NYC, bc that wasn't her type of story. But in that case, she should not have included that golden opportunity in Climbs at all. Bc why is it there? Emily could have just returned to New Moon after she finished her schooling.
The tragic, Watsonian interpretation is that Emily is merely experiencing effects of her childhood trauma. (If you want to look at it as a tragedy, then it makes it sort of more bearable, if only it was less patronising...)
When she informs Aunt Elizabeth of her decision, the woman's response is: "I thought a Murray would." I thought a Murray would. Not, I'm happy you're staying with us. That tells you everything you need to know.
And this is what's good about Emily's Quest. Bc here, Emily suffers the consequences of her moronic choice. Ilse, Teddy and Perry all leave to chase their fortunes. Imagine Emily left too. The NYC offer was a tad unrealistic, but, had LMM had better ideas, she could have made it a Toronto job instead. Or Halifax. Or just Charlottetown, ffs. Imagine her getting out of the New Moon environment, getting brand new experiences, seeing people not give a slightest fuck that she was a Murray of New Moon. Seeing how, out in the real world, little their majestic family clan matters. But she didn't. And that's why she had to go through what she went through in the last book. Bc she never meets any book/literary people, she puts so much stock in Dean and she believes everything he tells her. She believes him when he tells her that her book is no good, burns her manuscript and in anguish runs out of her room, trips over the sewing basket and----
So ummm, Dean. Of course he's a creep. But it makes sense to me that she's friends with him. She's a vulnerable child, he preys on her. I don't buy that he'd so happily to give her the deeds of the house as a wedding gift, but LMM wanted her happy ending and she never actually wrote Dean as the dangerous predator that he is.
When I read LMM biography The Gift of Wings by Mary Henley Rubio, I hoped I would find some answers to things that bother me about Emily--but there weren't any. So, *shrugs* I guess I never will know.
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Don't worry, little one. Every artist has to urge to create something, it's normal and i have this feeling all the time i see something that inspires me ^^
Anyway, here's some ideas to create something:
-an extra victin of William Afton, this victin was a child/teen/adult that was murdered after some days when the 5 children were murdered
-this victin became a ghost, they don't remember their parents nor the day they died, they don't even know they died and times from time they try to interact or play with the nightguards by possessing endoskeleton and using It to try hug or talk with the nightguard
-the ghost thinks they have super powers because of their habilitys of posses, travel thought walls, etc
-the ghost sometimes trys to eat food, but they can't touch the food :'(
Awe sounds like a baby!
But I've already created a similar concept in CV just I've not done much with it due to procrastination
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🍓🛼🧃🍬🎨
🍓 how did you get into writing fanfic
Honestly I can't remember😭 I was like 11 I think and found the internet and somehow we got here?? I guess I just read a bunch and thought hey I like writing why don't I give it a try and here we are
🛼describe your latest wip with five emojis
WWY is all im working on rn so i guess I'll do it for that lmao
👁️📸⌛🐇️💀
🧃share some personal lore you've never posted about
idfk uhhh im really very boring LMAO i don't think i have any lore i haven't mentioned already
🍬an unpopular opinion about a popular fandom character
uhhh fuck i really should have let these questions marinate instead of answering straight away because ive got no clue
i don't know whats an unpopular opinion??? i fear im not qualified for this question also almost all of my fandoms have completely different opinions based on the platform so i literally do not know
🎨link your fav piece of fanart and explain why you like it
i don't know??? im so sorry all of my answers have been 🤷but i see so much fanart i cannot remember my favourite
i do need to start saying why i like art in the tags more though!! i used to do that every time but i have been slacking lately
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