Happy Thistle Debut Day!

Stephanie Lauter is initially defined by her archetype as the popular girl in high school, but she must have been so lonely before Pete. Her mother is dead. Her father hates her and makes no attempt to hide it except to protect his reputation, constantly insulting, belittling and exerting authority over her when he isn’t busy with politics. She talks back to him, but doesn’t deny his descriptions of her. Miss Tessburger is the same. Her apparent friendships with the other cool kids, the kind of people who openly state the belief that looks are everything (not so different a paradigm to the one her father lives by), seem to be shallow and distant. Max rules the main popular clique with an iron fist to the point that they all stop bullying immediately and the school’s rigid social hierarchy crumbles once his influence is gone; and yet despite him having enough respect for her to try to protect her from what he believed were the undead during the prank, she was unaware of how big a problem his bullying was until she saw what he did to Pete, so she can’t have ever been that enmeshed in his circle. She dismisses her kindness to the losers as “the bare minimum” rather than lean into the potential for real friendships with them or leverage it to have power in this new group. It’s almost as if she doesn’t want to mislead them into thinking that she’s worth their time.

She’s cool because she acts like she doesn’t care about anything, and why would she? Life has never given her anything to care about. In fact, it’s punished her for caring. No matter what she does, her dad tells her that she’s worthless and stupid, so she stops trying to do well in school and starts sneaking out to parties full of alcohol and following through on flirting with the football players. She might as well make her body feel alive, as she can’t fix the fuck-up in her skull. Her phone is legitimately what she cherishes most in life. It can’t love her back or hug her or make the real world better, but at least it gives her an escape. It’s her space to control. Her pictures that she likes to look at, her music that drives her dad’s words out of her head. Her private conversations with people she chooses. At least it’s hers. (It isn’t. Her dad has been bugging it since she was twelve.)

Then Pete is nice to her, and in two weeks he becomes what she cherishes most.

Then she has to kill him. And shouldn’t she have seen this coming? Shouldn’t she have learned her lesson by now? Caring just means you have something to lose. That’s why she never wanted to love him like she does.

She pulls the trigger.

HAPPY BIRTHDAY HYUNJIN 🖤

if you break it down Kabru's journey on the whole manga is about the ridiculous lenghts he will go through just to get this one weird guy to notice him and talk to him a little bit

only human

[ID: Two page comic in color of Vash and Wolfwood from Trigun Maximum. The first page has a black background and the upper half, behind the panels, is splattered with stylized red blood, scattered bullets, and lifeless hands. In the first panel, it focuses on Vash's boots, showing him stepping through the panel and into the bloody scene. The second panel shows his bloody footprints and the third panel shows his face, his down-turned eyes looking downwards. It's a neutral, vague expression with confliction. At the bottom of the page, the back of Wolfwood's head and shoulder is seen, blood dirtying the white color of his shirt and side of his face. Vash's hand reaches out to him from the right side of the page.

The second page shows the entire scene in full, half the page in light and the other in solid black. At the center, Vash leans down onto his knees as he wraps his arms around Wolfwood's shoulders into a hug. Wolfwood's back is turned away from the viewer, his left arm holds onto his bloodied punisher and his right hand sits on his lap. Light casts from the left side of the page, showing the bloodied surrounding, but the held up punisher casts a shadow on the both of them, shielding them from the light. END ID]

Call of Duty: MWII + MW2019 ↳ Infinite gifs of Cap. John Price [19/∞].

the way patrick talks about the way pete thinks is so beautiful

ethan desrved so much betterrr ususghhshshsdaaaa

- Wasn't my idea. Huglin recommended you. - Then you're both sons of bitches.

Tom's line about Shiv being selfish and "find[ing] it very hard to think about me" is actually so telling because while it's absolutely true that she rarely takes his position into consideration, Tom never once thinks about what he can do to help Shiv unless it also benefits him.

Every single time he makes a move or sacrifice that might help her, it's always something that he thinks will give him a leg up. He volunteers to take the fall for cruises, not for Shiv, who is in no way implicated, or even for Waystar, but because he thinks it'll ingratiate him to Logan, and the second it seems like he might have to actually follow through on that, he immediately tries to get out of it and even throws Shiv under the bus. Meanwhile, for all that Shiv disregards his interests, there are a number of things she does that only help him, and she's the one who actually sacrifices something and undermines her position with Logan to beg him not to let Tom go to jail.

It just makes it so clear that no matter how much he might love her (and I think he does, in his own compromised way), for him their relationship was always built on the underlying assumption that it's her job to prop him up, but it's not his job to help her.

I am so so obsessed with Vox's voice and I need to rant about it !!!!

Someone said he sounds like "just a guy" but that's exactly it, isn't it? Christian, the VA, perfectly captures that very corporate, "tech guy", "TV ad person" vibe - the tone of his voice & stringing random buzzwords and efortlessly manipulating his viewers,,, it screams corporation and consumerism to me, which is honestly perfect for a TV demon that focuses on media and technology.

But at the same time you can still hear that slight (or not so slight, when he deals with Alastor) desperation underneath as Vox gets easily frustrated!! There's something so fun about the usually "perfect corporate tech guy" losing his composure and getting emotional about various things, including Alastor. love it love it love it, I could watch his scenes forever, hope we get many many more !!!!!

DFF ep9 spoilers

I love gay revenge, I LOVE gay revenge, I love gay REVENGE, I love GAY revenge, HOWEVER

I also love brothers with an uncrossable chasm between them whose parents compare them who lose each other and their entire family along the way... guess what I'm saying is, I love guilty golden boy brother revenge, too

let's talk abt hua cheng and the way his entire *almost* existence relates back to xie lian cuz it's been my current roman empire, his name having the word 'hua' which means 'flower' can be seen as relating to xie lian's god name (the flower crowned martial god), also he's called crimson rain sought flower cuz he was shielding a lone white flower (also represents xie lian) from the blood rain (he can be the said 'flower' in that rain too actually), that red coral pearl on his hair braid ? it belongs to xie lian, that red string tied around his finger, xie lian tied strands of his hair around that finger which represents marriage and ofc the red-string-of-fate soulmate trope, he has xie lian's name tattooed on him in his terrible writing, made an entire city just so his love can come there and rest and build a temple there so he can worship him and remained his only devotee when xl lost everything (that thing abt gods being in existence as long as there is someone to worship them) he gave up on becoming a god cuz then who will be worshipping his god ?? isn't afraid to show his true form to xl which he never did to anyone, destroyed those thirty three gods cuz they ridiculed his gege, took lqq along with him to qi rong's den so he can clear the false accusations even if xl didn't want him to CUZ YOU WILL NAWT BE HATING HIS DIANXIA OVER THINGS HE NEVER DID i mean his entire existence is because xie lian said 'if you can't find any reason to live, make me your reason to live' and oh isn't that level of devotion and love so devastating ?

ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.

another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!

farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.

but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.

but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.

but the important thing is this.

farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.

farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.

the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.

as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.

but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.

and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.

to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).

to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.

and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?

but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.

the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.

so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.

now obviously, the idea of eddie being in love with steve is so perfect and beautiful and so so real, like it can be expected. queer nerdy metal head falling for the hottest guy in school turned badass monster killer, that’s right up his alley. but just thinking about steve being in love with Eddie. steve getting hot flushes at the thought of his chunky metal rings, steve blushing at his flirtatious jokes and playful touches, at his over the top demeanour, steve finding his nerdy interests endearing and cute, steve thinking that eddie is metal and COOL and cute and STEVE thinking that eddie is so so gorgeous. steve “the hair” harrington, falling head over heels for every single part of eddie, the resident freak of hawkins. steve, the rich white boy, the ladies man, the preppy highschool jock, actually being so into eddie freaking munson is my favourite thought in the world.

Please tell me uve seen this panel bc it's prime angst material

Yes I have 😔

Wanna bet Bruce thought back on that conversation many, many times after Jason’s death?

Wanna bet that he’s convinced himself Jason never knew how loved he was because he screwed this up?