CROWLEY SSR THOUGHTS

there is zero basis for this, but I can't get this thought of my head

I don't know why I decided to draw it this way

Still emotional about Fy'ra Rai and Opal, actually. Thought dump time bc i. dont have the energy to cut this down effectively.

Because at that point in the episode, Opal is doomed. Not in the fun little "oh things are getting worse ;)" kind of way we'd been experiencing leading up to the fight, or even IN the fight. At that point in the fight, Cyrus is dead. Dorian and Dariax have their minds twisted, bodies clambering away from the fight. Morrighan has felt, firsthand, just how far gone Opal is, holes in her mind, her friend broken. The heartbreaking sentence of. "You can always come back." understands that she is gone already. She's lost already. Opal has forgotten Ted. Opal has forgotten herself.

So at that point in the fight, we know Opal is doomed. Us as the audience, the cast, the characters. Aabria is running through each of the other crownkeepers and it is more of a goodbye than a round of combat. Defying the Spider Queen invites death, with zero hesitation- Cyrus's body as physical evidence of that. The terms were very clearly set: You leave Opal, you let her be lost. Or you die. (Leaving Opal anyway).

and Fy'ra Rai then. Grasps the crown, understands intimately that she can break it off and it will kill Opal. (I will free you, if you want me to. We would lose you but you would not be taken). And asks, what do you want me to do. What do you want.

and Opal says, I want you to leave. (I want you to live.) and Fy'ra Rai functionally says. No. Sorry. That's not one of the options.

If you wanted to go. I will do that (your blood on my hands). If you want me to stay, I will. But I'm not going to leave you.

There was the point where Fy'ra Rai broke into the communication and I felt my insides sink because. Look. Lets be real, Aabria had already demonstrated the stakes here. The gesture would not be rewarded for the gesture alone. The Spider Queen's terms were: You leave Opal. Or you die.

And Fy'ra Rai said: no.

I don't think I'm overstepping to assume that if Fy'ra Rai had failed the intimidation check, she would have died. This entire thing hits me so hard because I think Anjali knew that too. I think Fy'ra Rai knew that too. Yes, Fy'ra Rai convinced a Betrayer God to negotiate. She carved a third option out of a non-negotiable situation. She knew what would happen if she failed and did it anyway, with no fear, no regret, no waver in her resolve. She had lost enough sisters. She wasn't going to lose anymore, no matter the personal cost. That's part of why it succeeded, I'm sure, but.

Just. Fuck me. The amount of resolve. The amount of love. The amount of conviction. "I am. A protector." You know your friend- your sister- is doomed. So no more negotiating away from that. You step to her side and you grasp her hand and say- doom me with her.

And in some, sideways way, this saves you both, at least for a little while.

Because this story is a tragedy. This ending is a sad one. We know this already. But think about- Opal, under Lolth's bidding, alone in the dark. Think about Fy'ra Rai, alive, intimately aware that she had failed to protect yet another sister.

And think about what we got, instead: the two of them, in deep darkness, danger encroaching- holding hands. Someone they love at their side. A champion. And her champion.

This is still a sad story. But it's not the same one. Fy'ra Rai stared down a Betrayer God and made her change her mind. She stared down a Betrayer God, and her love and conviction changed the nature of the story. It shouldn't have been able to. But she did.

Fy'ra Rai chose to doom 2 people instead of one, and the sheer strength of her love and will managed to save them both, at least for a little while. Isn't it funny how that works? Isn't it devastating? Isn't it. fucking incredible?

[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]

saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.

Thinking about the Don Suave scene and what it means in terms of LGBTQ+ representation because my brain does nothing if not torment me with random topics to ramble about on the regular.

Anyway, I just wanted to ramble about why I like the scene but to get it out of the way - the scene can very easily be interpreted in so many different ways, and all of them are valid. I personally see it as Leo having at least some attraction to a man. And the following is an explanation of my own interpretation and thoughts on it and what it means especially for Leo’s portrayal in the grand scheme of things.

Long-winded interpretation under the cut!

Now, to start with, it’s important to me that in the scene Leo looks at Don Suave in the very beginning and then for the entirety of the rest of the time the man is on screen, Leo’s eyes are closed. Yet, in the end, he is still visibly enamored with Don Suave, happily cuddling up to him as he’s being carried away.

You can very easily interpret this as Leo being spellbound and that’s honestly super valid and I believe he likely was at least somewhat in the beginning, but considering how fast he looked away and how he never looked again, I personally think it makes more sense to read it as Leo just finding the man attractive, at least somewhat. (For the record, I personally headcanon Rise Leo as bisexual with a heavy preference for men, but I want to be blunt when I say that any interpretation is valid. Literally any. Ace, pan, gay, bi, none of the above or a mixture of something new literally all of it is more than okay and fair. Hell you could even interpret this entire scene as more romantic attraction than physical and it would still work. Anything goes!! Don’t bother people, guys, really.)

The main reason I take this scene to be at the very least LGBTQ+ adjacent isn’t just because of how it’s portrayed, but because of who Leonardo is. Not in terms of Rise of the TMNT, but in terms of the entire Teenage Mutant Ninja Turtles™️ franchise.

Leo’s a character who, while changing with each iteration, has still at his core been around for decades upon decades as “the blue one”. One fourth of the team. He’s the one most are going to look at as the Leader, and oftentimes he is the one closest to having the title of Main Character. Not to say the others aren’t just as important, but Leo’s presence in the A plots of basically all TMNT media is often something very main character-esque.

And that’s very, very important to note. Here we have a Main Character of a prolific and decades long-running franchise distributed by a children’s television network. You can play around with his and his brothers’ characters all you like, but there is always going to be challenges to dodge around, especially since this was still in 2018-2019.

For example, you can play around with their designs so long as they’re color coded turtles, but their sexualities? Now that’s tricky.

“But what about Hypno and Warren?” Not main characters and also they’re Rise originals. They have a lot more room to play around with than a character like Leo does. But even talking about main characters in the franchise, you could arguably have an easier time playing around with Donnie or Mikey’s sexualities than Leo or even Raph, as (unfortunately) the former two tend to get more B plots, so they’d likely have had a little more leeway (still not a lot though.)

So, where does this leave us?

It leaves us in a place where outright stating and/or showing undeniable proof of Leo’s attraction to men is very, very difficult. So, workarounds!

Workarounds like the entire Don Suave situation.

To be honest, as left up to interpretation and lowkey and deniable as it is, this whole scene means a lot to me because of who Leo is as a character. It’s just nice when we get so see even the bare bones of representation with characters that have been such a large part of pop culture for decades, y’know? Even if more would be so much nicer, this is better than I thought we’d ever get for these boys.

And, again, literally nothing I’ve said is the only way to interpret it, I’m more than happy when people interpret media on their own honestly, it’s just something I’ve been thinking of lately and I was wondering if others felt the same way.

Whatever you think when you interpret this scene or Rise Leo as a whole, I just thought this would be interesting to think about, even if it was ramble-y, haha.

Me reading a fic where the person had an identidy realization that they were in he aroace spectrum and now they were figuring themselves out(I finally found something that understood me and a romance I could relate to after all these years)

wip wednesday <3 :)

hello friends :) happy wednesday, hope you are well! happiest of birthdays to my babygirl Alex Claremont-Diaz, love you endlessly my beautiful big brained bisexual disaster with a heart of gold

thank you to @jellibuns @junebugclaremontdiaz @violetbaudelaire-quagmire @hgejfmw-hgejhsf @piratefalls @bigassbowlingballhead @leojfitz @ships-to-sail @suseagull04 @dragonflylady77 @kiwiana-writes @onthewaytosomewhere @wordsofhoneydew @priincebutt @magicandarchery @leaves-of-laurelin @eusuntgratie @duchessdepolignaca03 @saturntheday @itsmaybitheway @captainjunglegym @indestructibleheart @oxfordslutphase @tailsbeth-writes for the tags this week and on sunday :)

here's a snip from a tiny spy au coming this week if i can wrangle these men into submission:

“I'm serious, Alex. No theatrics. Certainly no blood. What's the code for trouble?” “Barracuda.” Henry clicks his tongue. “Too many syllables for my taste.” “Your name is too many syllables for my taste, yet you don't see me complaining.” “Touché.” He grasps Alex's shoulder, taking a long look into Alex's eyes. Henry's body is serene, but his eyes are always his tell for Alex. They're cloudy, tense; murky waters. “Be careful, please. We both know how dangerous these men are. Manu is unpredictable, even as the mafia equivalent of a middle manager.” “Aw, worried about me, sweetheart?” Alex grins, but it's a little unsteady, faltering at the edges. “Henry. This is easy. And if I’m lucky, no dicks will have to come out.” He laughs, but there’s no humor in it. He really, really doesn’t want any dicks out this time. “See you in five, okay?” He squeezes Henry's arm, then slips out of the supply closet. Back to work.

xoxo roop

+ no pressure tags below the cut and open tag as always <3 tag me if you use :)

@ninzied @cha-melodius @sparklepocalypse @cricketnationrise @orchidscript @getmehighonmagic @myheartalivewrites @welcometololaland @anincompletelist @nocoastposts @tintagel-or-cockleshells @sherryvalli @lizzie-bennetdarcy @heysweetheart-writes @inexplicablymine @onward--upward @celeritas2997 @affectionatelyrs @14carrotghoul @rmd-writes @cultofsappho @anchoredarchangel @candyspandemonium @porcelainmortal @kj-bee @nontoxic-writes

BEEN DOWN THIS ROAD BEFORE,

ALREADY KNOW THIS STORY.

thinking so so hard about LaughingStock and how that'd go down. disastrously, probably

WIP Wednesday

Thank you for the tags @heartstringsduet @lemonlyman-dotcom @fallout-mars @im-overstimulated-and-im-sad <33

“Are you going to hover over me the entire night? Am I going to find you looking down at me at 3 am?” Carlos’ tone is light as he finishes sits down heavily on the edge of the bed. He doesn’t hide the wince as well as he thinks. TK remains quiet in the corner.  Carlos looks up when he doesn’t get a response. He tilts his head and looks at TK curiously.  “What are you doing all the way over there? I know you don’t need to sleep but I would feel better if you didn’t stare at me from the corner the entire night.” TK knows it’s in good faith, that they’ve come leaps and bounds since they met and if nothing else else, the humour in Carlos’ eyes would give it away but tonight, all TK can do is play back the evening’s event in his mind over and over.  He knows Carlos has noticed it. He had kept on shooting glances at TK the entire time at the hospital as he was being treated to the point where the doctor had asked him if he was looking for someone.   The white bandages peaks out from under Carlos’ collar and TK’s eyes are fixed on them like a moth to a flame.  This is on him, that he got someone as good as Carlos tangled up in his mess. He should never have followed him home, never forced him into helping and should have— He should never have gotten attached.   “I have to go. You should too,” TK murmurs in the quiet room and made for the door. He doesn’t look at Carlos once as he slipped out of the room. “What— TK wait,” He can hear the confusion in Carlos’ voice turn into panic. “Where are you going?”  With a heavy heart, TK ignores the calls and keeps walking straight ahead down the empty hallway.  “TK,” Carlos whispers loudly from behind him but TK doesn’t turn back. It is only when he hears a sharp inhale and a wince does he stop.

open tag and no pressure tags under the cut <3

@liminalmemories21 @lightningboltreader @orchidscript @strandnreyes @reyesstrand @paperstorm @carlos-in-glasses @carlos-tk @ladytessa74 @three-drink-amy @chicgeekgirl89 @theghostofashton @redshirt2

i haven't played minecraft in years, but with the armadillo winning the vote, i think about how wolves don't really have much going on in terms of their utility. like anytime i tame a wolf, i end up just kinda keeping them sitting at home.

i think if mojang really does feel like wolves are deserving of armour, with the addition of armadillos, they really need to update wolves to be more useful as companion mobs, because personally... i never feel the urge to bring a wolf with me when im going out to do things, especially if it involves combat.

like, what do dogs do best? fetching stuff and digging, right? like i wish that i could just mill about with a wolf and they track a scent or something and start digging into the dirt and then proceed to bring you that item. like it could range from rarely digging up iron nuggets to digging up vegetables or whatever, yknow. combine the fetching stuff with combat and you wouldn't have to manually pick up stray arrows or items from mobs your wolf kills.

the only other thing i wish you could do with wolves is automate their health in some way, like give more utility to the bowl item so you can place it down for them to eat from so you don't have to constantly manage their health by looking at their tail. just minor quality of life stuff i guess.

idk, that's just my thoughts. i do like wolves in minecraft, they just feel rather lacking with the way some new mobs have so much going on, like the sniffer and allay and so on.

Soooo…I made some selfship art. Like that may not be what ya’ll cuties signed up for when you followed me but I drew Kid a couple days ago and COULDN”T RESIST THE URGE. Judge me and I’m squirting you in the face with a water gun 🔫 Oh and more than ever proshippers THIS AIN’T FOR YOU. Let me be silly and have fun without being bundled in with some weirdos.

happy (by present-day standards) one hundred and fourth birthday to this old man right here!

i've never really nailed down a proper time for when i have doc's post-trilogy canon happening, it's always just x date post return to his present with the family. so i've been thinking about it and i needed something solid (for myself at least) to play off of with headcanons, with setting details, all that fun stuff.

so i think i'm leaning towards '87 or later. (of course this is all subject to change with whatever happens in a thread - i'm still totally open for him being wherever, whenever in his timeline).

so if his main default verse is set around 1987 or so, he's turning (chronologically) seventy-seven. officially, as far as the records are concerned, he's only sixty-seven this year.

Motherfuckers stole my hearts cant have shit in hyrule

Glad we all seem to be united in the shared experience of being pantsed by these guys with nothing but four hearts and three sticks we found on the ground

oh also headsup to everyone that i will be TRYING to see if i can’t catch the new bravern ep earlier than i usually do tomorrow so y’know. beware the Posts

I wonder how many tags i can add on to this

re lrb in any case to me astarion’s arc is less about regaining agency than becoming aware that he already has it and has to act like that. there's a distinction between agency as a material fact, ie having the ability in theory to make your own decisions and act on your desires, and the awareness of having that agency.

i'm no psychologist, but in my experience one of the most helpful steps in recovering from mental illness has been the awareness of my own agency ─ yes, sometimes I feel as though my life is completely run by my intrusive thoughts, but invariably getting out of that place has involved a recognition that ultimately, I am the one in control of my thoughts and I have the agency to work through them. that doesn't mean that it isn't hard, or time-consuming, and sometimes I don't succeed in the way I'd like, but nonetheless the ability to at least try is and always has been in my power.

in baldur's gate 3, your companions appear with varying degrees of agency (aside, obviously, from the tadpole they all share). they range from gale, whose current situation physically and magically restricts him but who at that moment in time doesn't have many other immediate restrictions on his day-to-day actions, to wyll, whose every move is watched by his abusive warlck patron.

nonetheless, your companions benefit from being shown that they not only could have agency at some point in the future, if they break their pact/shar's curse/free cazador/free orpheus/fix the infernal engine/get the crown of karsus, but they have agency now and must therefore use it responsibly. wyll is already to some degree aware of this, i think, even if it's only because he is so morally forthright ─ he's one of your companions who remains actively trapped by their abuser during the game, yet he refuses to kill karlach because he knows that would be wrong. even within his severely limited circumstances, he makes a choice, he demonstrates agency. in the shadowfell, shadowheart ─ a cult victim subjected to extreme psychological and religious abuse ─ has the choice whether or not to kill aylin, and can make it either way.

astarion, at the point at which you meet him, has just been given freedom for the first time in, essentially, his life. it's no surprise that he doesn't know what to do with thise newfound agency, and doesn't recognise it for what it is, given that he literally cannot remember ever having control over his own life. that's deeply tragic, but it doesn't erase the fact that he has control over the things he does during the game. those actions (for example, given i am still talking about that last rb, talking about the children he kidnapped and gave to cazador as though they were nothing), are things he has agency over and is responsible for. nonetheless, he acts as though he does not, lurching from one attempt to gain power to another (killing the druids to suggesting you use whatever's in moonrise to your advantage), because his own self-perception as someone completely powerless is so overwhelming. he must accrue power because that is the only way he can make sure he's safe and can never be hurt again. it's just that that self-perception is not completely accurate, he does have agency; if he makes choices that result in moral wrongs, those moral wrongs are his to bear.

i'm not getting at astarion here, I don't mean to imply that he's at fault for this attitude. it is, obviously, the natural response to 200 years of enslavement and abuse. kind of the whole point of the game, of all of your companions' quests, is that if people are hurt and abused often they will feel as though their only avenue towards power is to do the same to others. but being severely traumatised doesn't make his behaviour okay; he doesn't get a free pass to do whatever he wants because of cazador. you can like him, literally who am i to say otherwise (i like him too!), but don't just excuse everything he does or get rid of the most interesting parts of his character because you're unwilling to grapple with the fact that as it stands in the game, he's morally incredibly complex.

i think there's a tendency to assume that a character either must or must not have agency, and to present it as a binary, because for some reason it's used as a shorthand for moral culpability, when in reality the relationship between agency and culpability is significantly more complicated. i haven't really been getting into coerced choices here because that's a whole other kettle of fish (though i will give the necessary disclaimer that my stance on this is quite clearly influenced by the fact that deep down i'm a bit of a virtue ethicist). nonetheless, while this is my pop philosophy take and i'm not trying to impose this overall moral framework on people, i think it's pretty reasonable to say that lack of agency does not mean that what you did was not wrong.

implying that astarion is at fault here would be indicative of the very attitude I am trying to oppose ─ the idea that people either have agency or don't, and if they do bad things with agency they are evil, but if they don't have agency they are victims. astarion is both ─ he is the victim of horrendous, harrowing trauma and yet he has done bad things and in fact visited that same trauma upon other people. there's no escaping this, and i think it would be bad for astarion to just brush everything he did for cazador under the rug because he did it for cazador. he still did those things ─ he might not be culpable, i do not think he can be considered as such, but there's no way you go through all of that and don't feel guilty for it.

notably, if shadowheart kills aylin and wyll kills karlach (if he can? i actually don't even know if he can do that, but hypothetically), they are still responsible for that action and it was still morally wrong. they have to deal with that: part of dealing with it can be to recognise the coercion they were subject to, but the fact that they lacked agency doesn't just erase the wrong or mean it was never wrong in the first place. likewise, astarion becoming the ascended vampire is still obviously a terrible thing to happen for him and everyone else, and is in no way justified just because it might finally give him the sense of safety and control he craves. the whole point of that moment is that even when he is being retraumatised, when he has returned to the place and person that hurt him, astarion has the capacity to choose, and to choose the right thing. acting as though his trauma means he has absolutely no agency whatsoever and so never has to address the fact that he can, at various points, greatly fuck up, just removes one of the biggest themes of his whole character.

tldr: astarion has agency, one of his greatest challenges is realising that he does and that he must use it responsibly, and acting as though that is not the case does a disservice to his character and the story it is trying to tell. also it is deeply deeply boring. the end.