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viperwhispered · 2 months

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Rest

Guess what? I've got more Jamil x reader for y'all. You can also find this on ao3. No warnings, just 866 words of kinda fluffy(?) caretaking stuff with gender-neutral reader.

At this point, you know Jamil’s schedule almost as well as he does. So, when you have the chance, you head to Scarabia’s kitchen, hoping to spend some time with Jamil while he and the other students prepare dinner.

However, when you enter, it takes you but a moment to notice Jamil’s uncharacteristic fumbling and the tired look in his eyes. The way Jamil’s chopping the vegetables has you worried about him cutting himself with that knife he’s usually so adept with, and it seems it’s only force of habit that’s keeping him on track.

You frown, and when your eyes meet Jamil’s, you can already see him put his guard up.

So he knows what state he is in, huh? And still, here he is.

It seems Jamil is reading your thoughts, all of him telling you drop it before any words are even said.

At least he still lets you lean in and give a quick kiss to his cheek in greeting.

“Hello love. Do you still have a lot on your agenda for today?” you ask, keeping your tone low for at least some semblance of privacy in the busy kitchen.

“Nothing I can’t handle,” is the response you get.

Of course.

It takes a little more pestering before Jamil actually answers your question. Your lips purse. That list is far too long to your liking.

You take a moment to think, juggling your own plans and to-do list against the urgency of the things Jamil mentioned.

“Will Kalim be eating from that?” you ask, pointing at the food Jamil is preparing.

“Yes.”

“Alright, I won’t be touching that one, then. I’ve gotta do a few things but I’ll be back when you’re done here.”

“Don’t,” Jamil says with a glare, clearly aware of what you’re thinking.

Yet even his disapproving look doesn’t have the usual weight behind it.

“Yes. I will,” you say firmly, even as your heart curls inwards with another bout of concern.

Really, when did he get so tired?

And how did you not notice it earlier?

You leave the kitchen before Jamil can protest further, hurrying through the dorm corridors to find Kalim.

Soon you have an enthusiastic – and concerned – supporter for your plans. You have Kalim point out a few reliable Scarabia students to help with a few of the most urgent matters Jamil mentioned – cleaning up the common areas, delivering some paperwork to Crowley, preparing some dorm-wide notices – while you see to Kalim getting his school supplies in order for the following day. You even recruit a couple of third years to help Kalim with his homework.

You’ll see to the rest tomorrow – after all, you do also have a boyfriend to look after.

Your conversation over dinner can hardly be called anything else than an argument – despite Kalim’s best attempts at acting as a moderating force between you two. It is very tempting to ask Kalim to tell Jamil to take the rest of the day off – it’s not like Jamil would be willing to openly disobey a direct order. Still, you really don’t need to remind Jamil of his position on top of everything else that you’re already doing more or less against his wishes.

Eventually, however, Jamil’s had a square meal, the most urgent things on his to-do list are being taken care of, and you’ve managed to drag him to his bed.

“I really wish you wouldn’t push yourself so hard,” you murmur, your arms wrapped tightly around Jamil. You’re telling yourself you really do just want to cuddle, to offer some respite to Jamil. Still, there might also be a part of you worried that if you were to let go, he’d just jump up and get back to working himself to the bone.

Yet, for all his protestations, just the fact that you’ve gotten Jamil to lay down with you speaks volumes of his current exhaustion.

“I can’t just leave my duties, albi. You know this.”

“Making yourself too indispensable, is what you’re doing,” you protest.

Oh, you know it’s not so simple. Not with his background, not with all the expectations and assumptions.

But sometimes you really wish it would be.

Jamil merely scoffs in response to your words.

Still, it is undeniable that he is slowly beginning to relax in your arms, slowly bringing his head closer to yours. His eyes are starting to flutter, too.

“I will still need to help Kalim with his homework, at the very least.”

You wonder who he is trying to convince more, you or himself.

“Amin and Khalil are helping him. They’re basically top of their classes, aren’t they? I’m sure they’ve got it.”

Still, Jamil frowns.

You sigh. He really is not letting go, is he?

“Do you want me to go supervise?” you ask.

And leave you, unsaid yet hanging there right after your words.

“Don’t,” Jamil eventually says, the word barely more than a breath.

It seems he has accepted his fate.

You softly caress Jamil’s hair, listening to his softening breathing.

And when you wake up, wholly unaware of having been lulled to sleep in the first place, it’s to the lightest of touches from Jamil’s fingers.

Tagging @diodellet @twstgo @crystallizsch @jamilvapologist @jamilsimpno69 as per request If you'd like to be tagged for any future works, let me know!

#twisted wonderland #jamil viper #twisted wonderland x reader #jamil viper x reader #woop it sure has been quite the burst of creative energy lately #especially since this has apparently been sitting in my drafts since last august #but now you have it #I certainly can’t promise to keep up with this rate of writing (in fact I can promise I won't) but hey let's enjoy it while it lasts #and yes I’m hopping on the “jamil using arabic terms of endearment” train #I’ve read so many fics doing that that at this point it feels more natural than english ngl #even if english would probably be more canonical #also is it a *good* way to go about it to just pretty much just force someone to rest like this? probably not #is it sometimes the only way to get stubborn people to stop for a bit? perhaps #and is it something I might do?#...possibly #also oh boy can you tell that I'm avoiding jamil's dialogue like the plague lately?#I really need to reread so much of his stuff to get a hang of his voice again #(also if you notice typos pls tell me because they always bug me)#(or other wonkiness because I'm not a native speaker and sometimes things just go silly)#anyways hope y'all enjoy!

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poorly-drawn-mdzs · 10 months

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Decided to take the leap and post the little fanfic I wrote at the start of the month to AO3. The Yiling Laozu takes a break in the burial mounds. Also, there is a worm.

#mdzs #wei wuxian #writing #No obligation to read if you're just here for the silly comics!#They will be back tomorrow!#This was my way of re-engaging with a creative outlet that I put aside for a long while.#and while my style leans into the experimental side - I always find I have the most fun that way.#If you do read - I hope you enjoy it! No issues at all if it is not your cup of tea B*)#This whole blog leans into 'And now - time for something entirely different'! but this is the biggest departure from my usual far thus far.#I have so many thoughts to share about my thought process with this one...alas #I also want to let people have their unbiased thoughts about it. Such is the pain of authourship.

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angelsdean · 6 months

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I need people to understand how S&P (standards and practices) works in television and how much influence they have over what gets to stay IN an episode of a show and how the big time network execs are the ones holding the purse strings and making final decisions on a show's content, not the writers / showrunners / creatives involved.

So many creators have shared S&P notes over the years of the wild and nonsensical things networks wanted them to omit / change / forbid. Most famously on tumblr, I've seen it so many times, is the notes from Gravity Falls. But here's a post compiling a bunch of particularly bad ones from various networks too. Do you see the things they're asking to be changed / cut ?

Now imagine, anything you want to get into your show and actually air has to get through S&P and the network execs. A lot of creators have had to resort to underhanded methods. A lot of creators have had to relegate things to subtext and innuendo and scenes that are "open to interpretation" instead of explicit in meaning. Things have had to be coded and symbolized. And they're relying on their audience to be good readers, good at media literacy, to notice and get it. This stuff isn't the ramblings of conspiracy theorists, it's the true practices creatives have had to use to be able to tell diverse stories for ages. The Hays Code is pretty well known, it exists because of censorship. It was a way to symbolize certain things and get past censors.

Queercoding, in particular, has been used for ages in both visual media and literature do signal to queer audiences that yes, this character is one of us, but no, we can't be explicit about it because TPTB won't allow it. It's a wink-wink, nudge-nudge to those in the know. It's the deliberate use of certain queer imagery / clothing / mannerisms / phrases / references to other queer media / subtle glances and lingering touches. Things that offer plausible deniability and can be explained away or go unnoticed by straight audiences to get past those network censors. But that queer viewers WILL (hopefully) pick up on.

Because, unfortunately, still to this day, a lot of antiquated network execs don't think queer narratives are profitable. They don't think they'll appeal to general audiences, because that's what matters, whatever appeals to most of the audience demographic so they can keep watching and keep making the network more money. The networks don't care about telling good stories! Most of them are old white cishet business men, not creatives. They don't care about character arcs and what will make fans happy. They don't care about storytelling. What they care about is profit and they're basing their ideas of what's profitable on what they believe is the predominate target demographic, usually white cis heterosexual audiences.

So, imagine a show that started airing in the early 2000s. Imagine a show where the two main characters are based on two characters from a famous Beat Generation novel, where one of the characters is queer! based on a real like bisexual man! The creator is aware of this, most definitely. And sure, it's 2005, there's no way they were thinking of making that explicit about Dean in the text because it just wouldn't fly back then to have a main character be queer. But! it's made subtext. And there are nods to that queerness placed in the text. Things that are open to interpretation. Things that are drenched in metaphor (looking at you 1x06 Skin "I know I'm a freak" "maybe this thing was born human but was different...hated. Until he learned to become someone else.") Things that are blink-and-you-miss-it and left to plausible deniability (things like seemingly spending an hour in the men's bathroom, or always reacting a little vulnerable and awkward when you're clocked instead of laughing it off and making a homophobic joke abt it)

And then, years later there's a ship! It's popular and at first the writers aren't really seriously thinking about it but they'll throw the fans a bone here and there. Then, some writers do get on the destiel train and start actively writing scenes for them that are suggestive. And only a fraction of what they write actually makes it into the text. So many lines left on the cutting room floor: i love past you. i forgive you i love you. i lost cas and it damn near broke me. spread cas's ashes alone. of course i wanted you to stay. if cas were here. -- etc. Everything cut was not cut by the writers! Why would a writer write something to then sabotage their own story and cut it? No, these are things that didn't make it past the network. Somewhere a note was made maybe "too gay" or "don't feed the shippers" or simply "no destiel."

So, "no destiel." That's pretty clearly the message we got from the CW for years. "No destiel. Destiel will alienate our general audience. Two of our main characters being queer? And in a relationship? No way." So what can the pro-destiel creatives involved do, if the network is saying no? What can the writers do if most of their explicit destiel (or queer dean) lines / moments are getting cut? Relegate things to subtext. Make jokes that straight people can wave off but queer people can read into. Make costuming and set design choices that the hardcore fans who are already looking will notice while the general audience and the out-of-touch network execs won't blink and eye at (I'm looking at you Jerry and your lamps and disappearing second nightstands and your gay flamingo bar!)

And then, when the audience asks, "is destiel real? is this proof of destiel?" what can the creatives do but deny? Yes, it hurts, to be told "No no I don't know what you're talking about. There's no destiel in supernatural" a la "there is no war in Ba Sing Se" but! if the network said "no destiel!" and you and your creative team have been working to keep putting destiel in the subtext of the narrative in a way that will get past censors, you can't just go "Yes, actually, all that subtext and symbolism you're picking up, yea it's because destiel is actually in the narrative."

But, there's a BIG difference between actively putting queer themes and subtext into the narrative and then saying it's not there (but it is! and the audience sees it!) versus NOT putting any queer content into the text but SAYING it is there to entice queer fans to continue watching. The latter, is textbook queerbaiting. The former? Is not. The former is the tactics so many creatives have had to use for years, decades, centuries, to get past censorship and signal to those in the know that yea, characters like you are here, they exist in this story.

Were the spn writers perfect? No, absolutely not. And I don't think every instance of queer content was a secret signal. Some stuff, depending on the writer, might've been a period-typical gay joke. These writers are flawed. But it's no secret that there were pro-destiel writers in the writing room throughout the years, and that efforts were made to make it explicitly canon (the market research!)

So no, the writers weren't ever perfect or a homogeneous entity. But they definitely were fighting an uphill battle constantly for 15 yrs against S&P and network execs with antiquated ideas of what's profitable / appealing.

Spn even called out the networks before, on the show, using a silly example of complaints abt the lighting of the show and how dark the early seasons were. Brightening the later seasons wasn't a creative choice, but a network choice. And if the networks can complain abt and change something as trivial as the lighting of a show, they definitely are having a hand in influencing the content of the show, especially queer content.

Even in s15, (seasons fifteen!!!) Misha has said he worried Castiel's confession would not air. In 2020!!! And Jensen recorded that scene on his personal phone! Why? Sure, for the memories. But also, I do not doubt for a second that part of it was for insurance, should the scene mysteriously disappear completely. We've seen the finale script. We've seen the omitted omitted omitted scenes. We all saw how they hacked the confession scene to bits. The weird cuts and close-ups. That's not the writers doing. That's likely not even the editors (willingly). That's orders from on high. All of the fuckery we saw in s15 reeks of network interference. Writers are not trying to sabotage their own stories, believe me.

Anyways, TLDR: Networks have a lot more power than many think and they get final say in what makes it to air. And for years creative teams have had to find ways to get past network censorship if they want "banned" or "unapproved" "unprofitable" "unwanted" content to make it into the show. That means relying on techniques like symbolism, subtext, and queercoding, and then shutting up about it. Denying its there, saying it's all "open to interpretation" all while they continue to put that open to interpretation content into the show. And that's not queerbaiting, as frustrating as it might be for queer audiences to be told that what they're seeing isn't there, it's still not queerbaiting. Queerbaiting is a marketing technique to draw in queer fans by baiting them with the promise of queer content and then having no queer content in said media. But if you are picking up on queer themes / subtext / symbolism / coding that is in front of your face IN the text, that's not queerbaiting. It's there, covertly, for you, because someone higher up didn't want it to be there explicitly or at all.

#long post #LONG-ass post #but it needed to be said!#i'm sorry if you think every creative involved with spn was a braindead asshole but the thing is.#even the most mediocre of writers understands a thing or two abt symbolism and writers working in TV are plagued by S&P #countless writers have talked abt the S&P bullshit and having to tweak and edit down their work to get past censors #it's a reality of writing for television #and the people who understand all this and understand the context of making TV in the early 2000s (to present tbh!) aren't 'delusional'#i'm sorry but it's naive to think that queer stories and queer characters are free to be told even nowadays. it's still a constant battle #times have changed but unfortunately not as much as you'd think #the confession !!!!! the confession still struggled to air and what we got was so obviously hacked down to bits!!!!!!#how can anyone think getting destiel content into the show was ever easy?#how can anyone think the pro-destiel writers weren't constantly having to be careful and underhanded in their writing?#there's a reason queercoding and subtext exist and it's this!!! it's censorship from TPTB #anyways. people much older than me have been talking abt this for ages. younger fans who are used to more open queer rep need to understand #it hasn't always been that easy and even nowadays SO many networks are still not willing to take a risk on queer stories #so creators do what they can #vic.txt

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mamawasatesttube · 1 year

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kon is not really a leader (though he's also not an idiot actually and i will die on this hill) but he's such a good right hand man. very loyal. mom friend. powerhouse. this is Also why timkon are so spirk coded (but this time it's flipped) and in this essay i will

#the thing about kon that everyone gets wrong is that he's not stupid. he's a dumbass but he's not stupid #he doesn't always think things through and he has a chronic habit of always believing the best in people to the point of naivety sometimes #but he's so creative and resourceful. genuinely one of the most fun things in sb94 is how many different ways he turns situations around #wait. post canceled i just thought about the end of knockout arc and im no longer having fun im just SAD #anyway um. coughs. kon and his insane loyalty. always being a pillar of steadfast support to the person he's being insanely loyal to #which is generally tim but has also been cassie in canon #what a guy. mr. right hand man #still sad about knockout arc but im ignoring it now it's fine.#rimi talks #kon #timkon

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nataliescatorccio · 4 months

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it just makes me so sad that gifmakers will pour hours upon hours into crafting a gifset, overanalyzing every colouring and blending and typography decision to create pure art, which is so unique and creative, and the most the majority of users on this site can be bothered to do in response is hit the like button

#ah yes we're back here again #anyway i finally had some time on my hands to go through the full NYNF tag because i wanted to see what people had been making #and it's breathtaking #so much pure art there so much creativity #BUT what pissed me the fuck off was that the notes were so low???#and the likes to reblog ratios even more abismal #so many fandoms so much beauty and y'all can't even be bothered to share it #i love this site but damn it's killing it #what's the point in being creative if no one will share your work?

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mechadria · 1 month

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the watcher stuff is sure feeding my blocklist bc if you're out there even mentioning that 6 dollars is actually okay or using "artists deserve to get paid" as some sort of master argument when a lot of fans are also artists in their own right (and not ones that can afford a tesla) and like they weren't getting paid before i simply do not ever want to see you on my dash x

#watcher #watcher entertainment #watcher tv #like. so many of their fans are also artsy little creative nerds #im an artist. a lot of us are artists.#i dont get paid for my art period because people are broke and rude #im certainly not gonna scrape my small budget to fund steven “anybody can afford 6$” lim #if u don't like this post comment on it and tell me!!! gonna make the list sm easier babes x

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thisonelikesaliens · 1 month

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An appreciation post for the Unknown fandom:

To the gifmakers: thank you for putting in the time and effort to create such beautiful gifs that help me relive my favorite moments of the show.

To the big brains: thank you for the in-depth analyses in body language/color theory/cinematography/character development and other areas that I typically overlook. Your eye for detail and ability to connect those details into poetic eloquence have made me appreciate the show even more. (This includes those of you who write essays in tags, just dropping insightful gems like it's no big deal. I see you and appreciate you.)

Thank you all for making the past 2 months such an enjoyable experience.

#unknown the series #關於未知的我們 #i have so much more i want to say that i'm finding it difficult to articulate #so i'll just keep this short #i've been away from fandom in years and this return has been so much fun #thank you all for being kind and welcoming #there are so many creative and smart people here #what a blessing #this one rambles

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yardofangels · 5 months

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hai, what do you think readers reaction would be to seeing König in a proper tailored suit for the first time? whether it's for a date or taking her to a friends wedding. love your writing btw! ^_^

OMG BABY'S FIRST REQUEST (its me im baby)

so glad you like my writing!! hope you enjoy this :3

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SHE WOULD LOSE IT

she stumbles on him in bathroom or the bedroom lazily doing his tie up, unaware that she's staring from behind the door frame. his sleeves rolled up to his forearms because he cant stand the feeling of the cuffs tickling his wrists (god forbid wearing cuff links), accentuating his fuck-off large biceps.

reader just wants to jump him. he looks so handsome, a suit is the most timeless way to flatter a man. and flatter it does. she swears he has more of a waist than she does, the way it pulls in and sticks tightly to his chest and hips, she can see every single muscle rolling under the white fabric, reminding her of how they roll when he... yeah! his shoulders contorting as he smooths out the tie and flicks his collar down, she can't take her eyes off it.

and lord, there is something so satisfying about seeing her usually roughed-up and careless man all prim and proper. no scruffy stubble, no dirt under his nails, no hair covering his forehead. the fabric just CLINGING to him everywhere it matters, and as he shifts slightly on his feet, purely acting from his subconscious, his thighs tense. jesus christ, the material was almost too tight. did they fuck up his measurements or something? was he even able to move?? surely he could move enough to...

she's struggling to keep it together.

konig notices a flash of movement in the corner of his eye, and it came as no surprise for him that it was her. he turns around with a grin on his face, able to read what's on her mind.

"you like it, schatz?"

stupid question. but, a rhetorical question. he cuts her off before she can respond, leaning down to give her a quick kiss.

"of course i like it." she mumbles while touching up his hair. even after slicking it back, a few strands were falling over his eyes.

his aftershave is circling around her, making it harder to concentrate.

"i am still not sure about this...look. feels too fancy for me." konig shifts on his feet again, staring down at the ground. he never liked dressing up, not ever. makes him feel out of place.

"maybe a little, but that's alright, baby. it won't matter when it's on the floor."

#irisintothevoid #irispenandpaper #iris answers #konig call of duty #mw2 #call of duty mw2 #konig cod #konig x reader #konig imagine #cod imagine #god i hope this reaches people i love writing short things like this #was so tempted to write this more smutty (is that possible? who knows) but i don't want to take toooooo many creative liberties just yet yk

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bonegloss · 10 months

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You're not a failed artist.

After over almost two decades on the internet, entering various art communities and establishing my online presence, I've noticed something.

The persistent idea that you've "failed" as an artist if you get a "real job" will not go away.

This, for the longest time, permeated my electronic meat slab and nestled in deeply MUCH to my detriment . For years I fought with myself over this idea. Self-flagellating and noisy, negative thoughts were almost suffocating because I was unable to Do Art As A Job consistently and efficiently enough to maintain a living off of it. Between navigating life for almost 30 years not knowing I was autistic (and all that entails) and trying to turn something I love into something I could make a living off of, it was a vicious and repetitive cycle of trying something new, getting burned out, entering a depressive state, climbing out of it, rinse and repeat. This is clearly unsustainable, especially now that I am more independent in my adult life; bills aren't going to wait for me to get out of my depressive funks. Even having jobs and still making art on the side today, this idea is still nestled in there, nagging me sometimes.

Would I like to make a living off of my art? Of course! Would it be even better if I was supported from making stuff from my own IP's? You fucking bet. But I know how I operate, I know I can't personally do that (yet? maybe?). Now, I realize not everyone can just go get a job, and I don't want this to come off as a rally cry to Just Go Out and Work (I know many creative people are disabled or have other reasons they cannot work), but I do want to stress that its okay if art needs to remain more of a hobby than a job. It is okay if you cannot sustain yourself solely as a living artist. Over the years, I've burned myself out so god damn hard and have watched others work themselves to (near) death or can barely scrape by because of this incessant feeling that we need to be doing art 100% of the time to have "made it". It is hurting us both physically and emotionally to keep this shit up.

Going forward, we have to do better. There is no shame in having an income that is not dependent on the things you make. I think that it can help alleviate a lot of stress and fatigue that can become associated with creating (and thus, making it hard to do something you love). We need to learn to be kinder to ourselves and unlearn comparing our experiences to what we see from other creative peers on social media. Its hard, finding work sucks ass, and no job will be perfect, but if it can help you survive a little easier and rekindle your relationship for creating the things you love to make, it'll make a world of difference.

You are not a failed artist. You're doing what you can so you can keep doing what you love.

#*Real Job is used here within the context of mainly not getting employment in a creative field #I know that many creative people are able to get jobs within creative fields #but even that can help alleviate the financial pressure of having your creative outlet be draining #because your livelihood depends on it #Also I would like to note that while it would be nice to have UBI and more support for the arts in general in the US #that is not the case in the current economic setting and I fear it won't be that way for a while so working will have to do for now.#UBI would fix me #art #artists #creative burnout

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