You're not a failed artist.

After over almost two decades on the internet, entering various art communities and establishing my online presence, I've noticed something.

The persistent idea that you've "failed" as an artist if you get a "real job" will not go away.

This, for the longest time, permeated my electronic meat slab and nestled in deeply MUCH to my detriment . For years I fought with myself over this idea. Self-flagellating and noisy, negative thoughts were almost suffocating because I was unable to Do Art As A Job consistently and efficiently enough to maintain a living off of it. Between navigating life for almost 30 years not knowing I was autistic (and all that entails) and trying to turn something I love into something I could make a living off of, it was a vicious and repetitive cycle of trying something new, getting burned out, entering a depressive state, climbing out of it, rinse and repeat. This is clearly unsustainable, especially now that I am more independent in my adult life; bills aren't going to wait for me to get out of my depressive funks. Even having jobs and still making art on the side today, this idea is still nestled in there, nagging me sometimes.

Would I like to make a living off of my art? Of course! Would it be even better if I was supported from making stuff from my own IP's? You fucking bet. But I know how I operate, I know I can't personally do that (yet? maybe?). Now, I realize not everyone can just go get a job, and I don't want this to come off as a rally cry to Just Go Out and Work (I know many creative people are disabled or have other reasons they cannot work), but I do want to stress that its okay if art needs to remain more of a hobby than a job. It is okay if you cannot sustain yourself solely as a living artist. Over the years, I've burned myself out so god damn hard and have watched others work themselves to (near) death or can barely scrape by because of this incessant feeling that we need to be doing art 100% of the time to have "made it". It is hurting us both physically and emotionally to keep this shit up.

Going forward, we have to do better. There is no shame in having an income that is not dependent on the things you make. I think that it can help alleviate a lot of stress and fatigue that can become associated with creating (and thus, making it hard to do something you love). We need to learn to be kinder to ourselves and unlearn comparing our experiences to what we see from other creative peers on social media. Its hard, finding work sucks ass, and no job will be perfect, but if it can help you survive a little easier and rekindle your relationship for creating the things you love to make, it'll make a world of difference.

You are not a failed artist. You're doing what you can so you can keep doing what you love.

Independent from home: No problem with DropShipping

Self-employment is a great thing for almost everyone. Here freedom, self-determination and a good income come together directly and complement each other to form a very advantageous principle. However, for various reasons, many people are dependent on spending most of their time within their own four walls. And how does it look like in such a situation with independent work? DropShipping offers an ingenious solution here. This form of online trading is so simple and uncomplicated that it can be carried out from the comfort of your own home. Below you will find everything you need to know about this topic.

Working from home in the 21st century: Times have changed

There are a number of good reasons why people prefer to leave their homes as rarely as possible. This is the case, for example, if you want to take care of your children and family within your own four walls and consider it critical if you are absent for a longer period of time. Even people who care for sick or old relatives in their own homes know this situation very well. They can only move around by the hour and have to spend most of their time at home.

Last but not least, of course, this also applies to people who themselves suffer from a physical or mental illness that forces them to stay mainly at home. And for the sake of completeness, we would also like to mention those people who would simply like to work from their own home because they feel particularly comfortable there.

In this case one can see that there are many situations in which one prefers to be away from home as rarely as possible. But what about working in this situation? And what opportunities are there for self-employment? In earlier times, people used to work from home in such situations. This often consisted of very low-paid activities, such as screwing together ballpoint pens, copying addresses or making handicrafts.

Most of these tasks are no longer up to date. Ballpoint pens are assembled in the Far East, addresses are recorded and printed electronically and most manual work is now done by machines. Therefore, the question arises whether classical homeworking still exists in our century. The clear answer is yes.

Home work is still possible, but today it is mostly connected to computers and the Internet. And if you already need these things in order to be able to do modern homework, why not do them on an independent basis? In the following we would like to show you that online trading via DropShipping is excellently suited as independent homework.

DropShipping as a special form of e-commerce

In this context, we would like to take a brief look at what kind of concept drop shipping is and why this particular form of online trading is so suitable when you are looking for a job that can be easily done from home. We talk about DropShipping when you are dealing with products that you don’t buy from a supplier before, but that are only ordered at the moment they are sold in our own shop.

If this is the case, the supplier does not send the goods to us first so that we can then forward them to our customer. This step is taken for us by the manufacturers and wholesalers with whom we cooperate in drop shipping. You send the order directly to the end consumer and only charge us for the goods when they have been shipped and sold.

Thanks to modern technology, it is now possible without any problems for our shop system to automatically manage the necessary communication. The system checks daily whether the products offered by us are actually available from the supplier and displays them in the shop only if this is the case. And when an order is placed, our system independently informs the supplier to which address he should send which product.

We ourselves do not have too much to do with such a system. We select the products, place them in the shop, ensure that our offers and our shop become known and answer the questions of our visitors and customers. Our shop system and our suppliers take care of everything else.

Many people choose the DropShipping trading model because it requires almost no capital and because running costs are so low. After all, there is no need to buy goods in advance or to store them on expensive storage space.

However advantageous and convincing these advantages may be, they should not be our topic today. We are much more interested in two other aspects in connection with the possibility of working independently from home. On the one hand, DropShipping requires almost no space. On the other hand, drop shipping companies can also remain very small in the long term. We don’t need a warehouse, a commercial area or real office space. And we do excellently without employees.

A quiet corner in the apartment is enough if we have a computer and an internet connection. And if we opt for DropShipping, then we can do the work on our own and therefore don’t need to plan for jobs for employees. As you can see: DropShipping offers optimal possibilities for independent work in one’s own four walls and is therefore the optimal home work in the 21st century.

Step by step to independence from home

Whether in your own business premises or at home, whether in your main or secondary occupation and completely independent of the chosen industry: When it comes to the question of whether your own company is successful, thorough planning and disciplined implementation play an important role.

Certain steps that have to be worked through one after the other have proven to be successful. The following overview shows you how you can set up your own DropShipping company in just six simple steps if you decide to set up your own business from home.

Step 1: The decision to become self-employed is the most important step

The first of six steps may seem obvious to you and yet we have deliberately placed it at the beginning of our constellation. It is a very conscious decision for self-employment and you should not take it lightly.

It plays an important role that you clearly imagine what this decision actually means for you and your life. If you enter self-employment half-heartedly and without thinking, then the risk increases considerably that your project will fail and leave you disappointed. So take as much time as you need and think carefully about your motivations before making this important decision.

Step 2: The business idea must be described precisely

In the second step, we now want to define the actual business idea. You may be surprised now because you assume that the decision to trade online using DropShipping already includes a business idea. However, this is not the case. They have thus merely defined the distribution channel, namely the Internet. A whole series of further specifications are required here.

In the minimum case, you must clearly state at this point what kind of products you want to trade with, how you would describe your central target group and for what concrete reasons your future customers should buy from you. Once you have clarified these three points, you have a business concept and are ready to take the next steps.

Step 3: Partner search in the suppliers area

As a DropShipper, you will now be able to offer and sell interesting products in your shop via the Internet. However, you have to buy these products yourself from suitable manufacturers or wholesalers and it is precisely these suppliers that are the focus of our third step. Your suppliers must be prepared to actively support DropShipping. This is an absolute prerequisite for cooperation.

It is not so easy to find suppliers on your own who meet these requirements. Therefore, we strongly recommend that you work with a special business database, such as DropShipping.de provides. Here you will discover a large selection of manufacturers and wholesalers who are clearly committed to DropShipping and who are happy to work with you.

Step 4: A shop system now needs to be established

Just as the stationary retailer needs a shop, so you need a shop system. On the one hand, this represents your direct connection to the Internet and enables you to offer products to a broad public. In addition, communication between your suppliers and you also takes place via the shop system. And last but not least, it provides you with an interface that supports you in your daily work.

Once the appropriate shop system has been found and set up, you can start selecting and setting up those products from the assortments of the suppliers you have selected that you consider to be particularly promising. Your creativity and a good feel for good business are in great demand here.

Step 5: Register first, then start

DropShipping offers you an extremely simple and easy entry into the world of professional self-employment. But in this area, too, it is not possible to do entirely without formalities and rules. You should definitely register a business before making your first sales. This can be done within a few minutes at your local trade office. For most municipalities, the cost of registration is around 20 euros.

The business registration automatically ensures that the tax office and the chamber of commerce are informed about your project. Both authorities will get in touch with you within a short time and tell you exactly what obligations you must meet from now on.

Step 6: Permanent optimization is mandatory

Many entrepreneurs make the mistake of assuming that once a company has been opened, it can be operated more or less unchanged and remains successful. Unfortunately, this is not entirely correct. As an entrepreneur, you must always be prepared to optimize your business model and adapt it to current developments. This is the only way to stay in the profit zone permanently.

To do this, familiarize yourself with all the factors that have a direct impact on your company’s business results and start managing them as early as possible. Make sure that your product range is always optimally geared to consumer interests and current trends, and never let up in your efforts to get the most out of your company.

Isn’t it really impressive how easy DropShipping is and that you can even be independent within your own four walls? This trading model has long ceased to be a niche market. The Unstoppable DropShipping Victory Procession has long since begun and you can be a part of it.

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Adobe study reveals how people see the future of work

For those who accompany the work of Adobe has a time, it may be difficult to see beyond the set of audiovisual editing programs of the brand. Fortunately, in addition to Photoshops, Premieres and After Effects of Life, a company with divisions of technological research - capturing digital witchcraft shadows - and market analysis. One of them, called Adobe Digital Insights, decided to sweep the network to learn more about what people think about the future of the job. To carry out this endeavor, a company analyzed 3 million Internet citations in English - between posts on Twitter, blogs and forums - referring to this topic and came to very interesting data. The survey conducted between January 2016 and January this year, for example, recognized that the impact of automation and robots is top of mind, but in a very different way than expected.

Robots are helping make your job easier

That's because, contrary to popular belief, most people who debate this article on the online platforms are not talking about an apocalyptic future or how like machines take our job, but rather how robots are helping to make their Easier work Automation mentions have doubled year and year and average daily mentions with the terms "robots" and "jobs" increased by 70% over the same period.

Automation and freedom

Next, the topics related to a machine learning, artificial intelligence and were the ones that led to more comprehensive conversations about automation. While there is concern about how robots and an automation can impact any work, netizens are increasingly talking about a positive way about it. Non-workplace automation, for example, can free employees from mundane tasks and leaves them free to focus on more critical and strategic causes. The most interesting of this point of the research? It's not just robots. Production software has also been designed as an essential tool for automating repetitive tasks. In this sense, automation is a very positive feeling, mainly for time (30%) and assumes a large data analysis (25%). The idea here is that, with a greater effort toward automation, more mundane data analysis can become a relic of the past.

Themes

In the words of Adobe Digital Insights, "when we deepen an analysis, we discover that we are also talking about some subjects related to the future of the work". Check below a list of items that gain importance to the people within this theme: People Analytics: HR is a work organization that has most recently incorporated Big Data into decision making. In this field, an idea of ​​using analytics to recruit, improve management, replace performance reviews, and cultivate workplaces for the most popular topic. As conversations about analytical people in the context of 2016, indicating that companies are concentrating more efforts on people, leading to better workplaces. Work environment: According to the results, having a certain level of flexibility is an extra motivation for employees. This also has a real twist on flexibility without a contract of employment, which increasingly moves to a gig economy - a famous "nozzle economy." Mentions to gig economy grew about three times between 2016 and 2017.

Transportation: A faster and autonomous transport can change completely or how to get to work. Led by Hyperloop and autonomous cars (1.1 million more mentions by 2016), the future of transportation has everything to be very promising. With its futuristic look and its speed to the common, for example, Hyperloop aroused 50% more positive feelings from the users than the bus and double that the taxis. When talking about industry brands, Tesla, BMW, Ford, Volvo and GM are like five most mentioned.

Remote Work

When you're at home office and virtual offices, the potential researched in Adobe Digital Insights research also seems to be pretty great. The unusual fact as part of the survey is that, unlike what you imagine, Twitter is seen as a social platform more integrated with that reality than LinkedIn - a social network specifically created for corporate and professional needs.

From isolated balcony gardeners and Laubpiepern has become a movement: in the cities of the world is dug in all sorts of impossible and impossible places, planted and harvested. On fallow land, roofs, walls, and green strips, flowers are grown and carrots are pulled out of the ground. With each bed, a piece of nature is brought back into the city.

The gardens are places where healthy food is grown and nature is made tangible again. And they are experimental fields for future topics: how can new prosperity models look like and intercultural encounters are promoted, what do participation and meaningful employment in the post-growth society mean, how can nutrition look in the future?  The boom of the gardens in the urban area can no longer be overlooked. The Intercultural Foundation, for example, operates intercultural gardens in which Germans and people from elsewhere sow sowed zucchini and harvest peas. In 2003, there were five projects, and in 2012, more than 100 of them - and the trend is still rising.

From New York to the World: Roots of Urban Gardening

The idea of ​​gardens and agricultural land in cities is not new. The urban citizens of antiquity and the Middle Ages were rather agricultural workers; own gardens around the houses were an integral part of the cityscape. Even small and allotments on the outskirts of the city and in allotment gardens have been around since the 19th century. The urban garden movement, which has been growing steadily since the mid-1990s, seems to have its roots elsewhere: in the New York community gardens of the 1970s. The community gardens were - and are - green oases on inner-city wastelands with flowerbeds and vegetable cultivation for self-sufficiency. New to these gardens was that they combined horticultural, nutritional, economic, social, artistic, and urban design issues and counteracted common (life) models with other practices. The idea quickly spread throughout North America.    From these early community gardens have different concepts Non-Commercial Collective Gardening Projects Developed and Raised: Intercultural Gardens, City Farms, Neighborhood Gardens, Children's Farms, School Gardens, Guerrilla Gardening.  A wealth of gardening practices and ideas for the future of urban agriculture is also Cuba, for example for the Berlin Prinzessinnengärten. With the Eastern bloc, the economy collapsed in Cuba and forced the country to an ecological change. The state-supported urban agriculture should mitigate the impact of the economic and food crisis. With the simplest methods and a lot of ingenuity, thanks to the "Revolución Verde", more than two-thirds of the fruits and vegetables consumed in Havana grow within the city limits.

What is it all about? The different concepts

The different garden models in Germany, America and other European cities do not focus on an actual subsistence economy, but on the beautification and enrichment of life in the city and the creation of new communities. Above all, it is a young urban avant-garde that reacts with new models to global challenges and urban deficits: food crises and environmental problems, isolation, isolation or lack of freedom. Important are flexibility and improvisation. If you want to find space for flowers and plants in dense city structures, you have to be creative.  Some city gardeners, such as the Prinzessinnengärten or Rosa Rose eV They make their garden completely mobile and plant their vegetables in flower tubs, sacks or old bathtubs so they can move at any time. Recycling instead of high-tech, creativity instead of professionalism is the motto.  Collaborative learning, the teaching of knowledge and the creation of consciousness are other central aspects of the gardens. In addition to the common field work, many gardens also offer a cultural program and various workshops.  Community Gardens or community gardens is actually the generic term for collectively operated gardens that are mostly in the city. The areas of these gardens are mainly used as a group, some of the gardens are open to the public. In community gardens, neighbors, political groups, churches, schools, etc. are active.  Intercultural gardens are community gardens where people of different origins grow fruit and vegetables. They provide educational opportunities, promote international exchange, are therapeutic sites and sanctuaries. Especially the foundation Interkultur is active here.  Neighborhood gardens are run by a local community and are located in courtyards, in front of or between the houses.  City Farms and Children Farms are a mixed form. Here livestock are kept (horses, sheep, goats, chickens, etc.) and mostly a garden operated. Especially children with hands-on activities such as riding, gardening, and classical farm work are addressed. There are many such farms in Berlin: Kinderbauernhöfe in Berlin  Guerilla Gardening is the subversive variant of urban greening. As a form of political protest, the guerrilla gardeners are creative and with limited equipment on the way to intervene in the cityscape. These may be vegetables in front of the London House of Parliament, planted tree disks, cannabis plants in Tübingen's flower boxes, or seeds and onions that are stuck in green strips as they pass by. The term goes back to the New York artist and activist group Green Guerillas greenguerillas.org. Tips can be found here: Guerrilla Gardening

Shrinking Cities - Green Growths in No Man's Land

Even though the number of city dwellers worldwide is growing and two-thirds of all people will soon be living in cities, many small and medium-sized cities are shrinking. With the relocation of companies and workshops and the loss of jobs, many people are drawn to the big cities. With them, businesses and businesses move. Many buildings and the land become useless and abandoned. But the resulting open space also holds new opportunities in itself.  For example, in Detroit: in the past, it was the factories that gave people hope, today it's the gardens. Where cars were built until the 1990s, carrots are now being pulled out of the ground after the factories have closed down and around one million people have left. At Earthworks Urban Farm, For example, 8,000 square meters of volunteers grow organic fruit and vegetables. As many as 1,234 private and community gardens thrive in Detroit- and more and more are growing.  The shrinking city Dessau wants their numbers dwindling the number of inhabitants by urban Grüngürte l keep the land for urban agriculture and community gardens provide.  Agricultural land in shrinking cities offers employment and food, where it scarcely exists anymore. Wherever there is room again, new city models can develop in which the boundaries between consumption and production, nature and city become more fluid.

Urban agriculture in the cities of the south

In Germany, they pop up recently everywhere, in Havana, Caracas or Singapore, the urban mini-makers exist for a long time: in the midst of the favelas and slums of the South, fruits, vegetables, and herbs are grown. The gardens are a survival strategy in areas of great poverty, securing food and income for people. Buenos Aires has more than 2,000 community gardens - home and family gardens, neighborhood gardens and unemployment initiatives. Even in townships in South Africa, small agricultural areas are widespread. Many have emerged on their own initiative, others are managed by the state, NGOs or private companies, such as the Itsoseng Women's Project in Orange farm. Welthungerhilfe (DWHH) has been relying on urban fields for several years now. She supports various projects in Cuba, but also in Liberia and North Korea. Urban gardens are not as easy to implement in all cities as they are in Cuba, according to Jürgen Roth from the DWHH. In many countries, the pressure on urban brownfields is much greater because of the free real estate market. But many examples show that self-sufficient poor areas are no longer a utopia. The gardens mitigate the need for money and food, and cultural knowledge can be preserved in them. Social networks are created with and around them, in many places the gardens awaken political and social utopias in often hopeless areas.

The redefinition of the city? On the importance of city gardens

The gardens in the cities are doing good - on many levels. From an ecological point of view, they are used for recycling organic waste, they moisturize the air and catch rainwater that would otherwise flow into the sewers without being used. "Large, coherent, green roofs can even positively influence the city climate and compensate for extreme temperatures," says Wigbert Riehl of the Faculty of Architecture at the University of Kassel. Insects and other city dwellers also have something of the gardens, as the cultivation of local food contributes to the preservation of variety and biodiversity. From a socio-political point of view, especially shared gardens liven up public space and create new places of encounter and exchange. Neighbors get to know each other while digging together, people of different cultures exchange their horticultural knowledge and experiences. In the best case, the communities grow with the flowers and plants, new impulses for cultures of participation are given. City districts are gaining in quality of life through civic engagement by connecting and beautifying their kits. By the way and also purposefully developed practical learning places for children and young people. The use of previously unused areas is also an active engagement and interference in the design of the city. "Sowing, harvesting, cooking, and processing for the winter sensitize not only to nature but also to a reality check of the conditions we live in. The garden places us in a wider context than the consumer society. " (Christa Müller in an interview) Last but not least, urban gardens are also mini-models for the cities of the future, in which food cultivation and city life are increasingly interwoven again. Urban agriculture protects the environment and resources by conserving transport routes for food, and concrete deserts broken up by green areas contribute to improving the quality of life and air. However, for a future of gardens and liveable cities, land for cultivation should not be given away temporarily or fought for, but should become an integral part of sustainable urban development.

via Herboponics - Hydroponics For Everyone - Hydroponics Resources

From isolated balcony gardeners and Laubpiepern has become a movement: in the cities of the world is dug in all sorts of impossible and impossible places, planted and harvested. On fallow land, roofs, walls, and green strips, flowers are grown and carrots are pulled out of the ground. With each bed, a piece of nature is brought back into the city.

The gardens are places where healthy food is grown and nature is made tangible again. And they are experimental fields for future topics: how can new prosperity models look like and intercultural encounters are promoted, what do participation and meaningful employment in the post-growth society mean, how can nutrition look in the future?  The boom of the gardens in the urban area can no longer be overlooked. The Intercultural Foundation, for example, operates intercultural gardens in which Germans and people from elsewhere sow sowed zucchini and harvest peas. In 2003, there were five projects, and in 2012, more than 100 of them - and the trend is still rising.

From New York to the World: Roots of Urban Gardening

The idea of ​​gardens and agricultural land in cities is not new. The urban citizens of antiquity and the Middle Ages were rather agricultural workers; own gardens around the houses were an integral part of the cityscape. Even small and allotments on the outskirts of the city and in allotment gardens have been around since the 19th century. The urban garden movement, which has been growing steadily since the mid-1990s, seems to have its roots elsewhere: in the New York community gardens of the 1970s. The community gardens were - and are - green oases on inner-city wastelands with flowerbeds and vegetable cultivation for self-sufficiency. New to these gardens was that they combined horticultural, nutritional, economic, social, artistic, and urban design issues and counteracted common (life) models with other practices. The idea quickly spread throughout North America.    From these early community gardens have different concepts Non-Commercial Collective Gardening Projects Developed and Raised: Intercultural Gardens, City Farms, Neighborhood Gardens, Children's Farms, School Gardens, Guerrilla Gardening.  A wealth of gardening practices and ideas for the future of urban agriculture is also Cuba, for example for the Berlin Prinzessinnengärten. With the Eastern bloc, the economy collapsed in Cuba and forced the country to an ecological change. The state-supported urban agriculture should mitigate the impact of the economic and food crisis. With the simplest methods and a lot of ingenuity, thanks to the "Revolución Verde", more than two-thirds of the fruits and vegetables consumed in Havana grow within the city limits.

What is it all about? The different concepts

The different garden models in Germany, America and other European cities do not focus on an actual subsistence economy, but on the beautification and enrichment of life in the city and the creation of new communities. Above all, it is a young urban avant-garde that reacts with new models to global challenges and urban deficits: food crises and environmental problems, isolation, isolation or lack of freedom. Important are flexibility and improvisation. If you want to find space for flowers and plants in dense city structures, you have to be creative.  Some city gardeners, such as the Prinzessinnengärten or Rosa Rose eV They make their garden completely mobile and plant their vegetables in flower tubs, sacks or old bathtubs so they can move at any time. Recycling instead of high-tech, creativity instead of professionalism is the motto.  Collaborative learning, the teaching of knowledge and the creation of consciousness are other central aspects of the gardens. In addition to the common field work, many gardens also offer a cultural program and various workshops.  Community Gardens or community gardens is actually the generic term for collectively operated gardens that are mostly in the city. The areas of these gardens are mainly used as a group, some of the gardens are open to the public. In community gardens, neighbors, political groups, churches, schools, etc. are active.  Intercultural gardens are community gardens where people of different origins grow fruit and vegetables. They provide educational opportunities, promote international exchange, are therapeutic sites and sanctuaries. Especially the foundation Interkultur is active here.  Neighborhood gardens are run by a local community and are located in courtyards, in front of or between the houses.  City Farms and Children Farms are a mixed form. Here livestock are kept (horses, sheep, goats, chickens, etc.) and mostly a garden operated. Especially children with hands-on activities such as riding, gardening, and classical farm work are addressed. There are many such farms in Berlin: Kinderbauernhöfe in Berlin  Guerilla Gardening is the subversive variant of urban greening. As a form of political protest, the guerrilla gardeners are creative and with limited equipment on the way to intervene in the cityscape. These may be vegetables in front of the London House of Parliament, planted tree disks, cannabis plants in Tübingen's flower boxes, or seeds and onions that are stuck in green strips as they pass by. The term goes back to the New York artist and activist group Green Guerillas greenguerillas.org. Tips can be found here: Guerrilla Gardening

Shrinking Cities - Green Growths in No Man's Land

Even though the number of city dwellers worldwide is growing and two-thirds of all people will soon be living in cities, many small and medium-sized cities are shrinking. With the relocation of companies and workshops and the loss of jobs, many people are drawn to the big cities. With them, businesses and businesses move. Many buildings and the land become useless and abandoned. But the resulting open space also holds new opportunities in itself.  For example, in Detroit: in the past, it was the factories that gave people hope, today it's the gardens. Where cars were built until the 1990s, carrots are now being pulled out of the ground after the factories have closed down and around one million people have left. At Earthworks Urban Farm, For example, 8,000 square meters of volunteers grow organic fruit and vegetables. As many as 1,234 private and community gardens thrive in Detroit- and more and more are growing.  The shrinking city Dessau wants their numbers dwindling the number of inhabitants by urban Grüngürte l keep the land for urban agriculture and community gardens provide.  Agricultural land in shrinking cities offers employment and food, where it scarcely exists anymore. Wherever there is room again, new city models can develop in which the boundaries between consumption and production, nature and city become more fluid.

Urban agriculture in the cities of the south

In Germany, they pop up recently everywhere, in Havana, Caracas or Singapore, the urban mini-makers exist for a long time: in the midst of the favelas and slums of the South, fruits, vegetables, and herbs are grown. The gardens are a survival strategy in areas of great poverty, securing food and income for people. Buenos Aires has more than 2,000 community gardens - home and family gardens, neighborhood gardens and unemployment initiatives. Even in townships in South Africa, small agricultural areas are widespread. Many have emerged on their own initiative, others are managed by the state, NGOs or private companies, such as the Itsoseng Women's Project in Orange farm. Welthungerhilfe (DWHH) has been relying on urban fields for several years now. She supports various projects in Cuba, but also in Liberia and North Korea. Urban gardens are not as easy to implement in all cities as they are in Cuba, according to Jürgen Roth from the DWHH. In many countries, the pressure on urban brownfields is much greater because of the free real estate market. But many examples show that self-sufficient poor areas are no longer a utopia. The gardens mitigate the need for money and food, and cultural knowledge can be preserved in them. Social networks are created with and around them, in many places the gardens awaken political and social utopias in often hopeless areas.

The redefinition of the city? On the importance of city gardens

The gardens in the cities are doing good - on many levels. From an ecological point of view, they are used for recycling organic waste, they moisturize the air and catch rainwater that would otherwise flow into the sewers without being used. "Large, coherent, green roofs can even positively influence the city climate and compensate for extreme temperatures," says Wigbert Riehl of the Faculty of Architecture at the University of Kassel. Insects and other city dwellers also have something of the gardens, as the cultivation of local food contributes to the preservation of variety and biodiversity. From a socio-political point of view, especially shared gardens liven up public space and create new places of encounter and exchange. Neighbors get to know each other while digging together, people of different cultures exchange their horticultural knowledge and experiences. In the best case, the communities grow with the flowers and plants, new impulses for cultures of participation are given. City districts are gaining in quality of life through civic engagement by connecting and beautifying their kits. By the way and also purposefully developed practical learning places for children and young people. The use of previously unused areas is also an active engagement and interference in the design of the city. "Sowing, harvesting, cooking, and processing for the winter sensitize not only to nature but also to a reality check of the conditions we live in. The garden places us in a wider context than the consumer society. " (Christa Müller in an interview) Last but not least, urban gardens are also mini-models for the cities of the future, in which food cultivation and city life are increasingly interwoven again. Urban agriculture protects the environment and resources by conserving transport routes for food, and concrete deserts broken up by green areas contribute to improving the quality of life and air. However, for a future of gardens and liveable cities, land for cultivation should not be given away temporarily or fought for, but should become an integral part of sustainable urban development.

via Herboponics - Hydroponics For Everyone - Hydroponics Resources

"You are not meant to do what you love. You are meant to do what you’re skilled at."

I like this quote, though it's taken slightly out of context here and isn't really the best advice for life in and of itself. But I'll come back to that.

This quote is why I'm not a professional athlete, a teacher, an interpreter or a barrister. I enjoyed doing all of these things to the point I would say I loved doing them (or preparing to do them, I guess; it was perhaps more the idea that I loved in some cases). I still do (kinda). But I wasn't very good at any of them (again, kinda).

This is also why I often question whether I'm in the right job even now. Yeah, I'm a *decent* programmer ... but really? I ain't even that good at this. I get by. I benefit from working in a field that is considered somewhat esoteric by the majority, though... because it means most people don't know enough to accurately gauge my ability. Kinda like martial arts. I'm pretty sure most people overestimate my skill in that area too -- again, I'm "proficient", but nothing special -- because most people have no clue about how martial arts work.

I said "kinda" earlier because I *am* actually a pretty good teacher. But I'm far too unconventional to ever be trusted to educate within the institutions and structures we have in place. I can coach your kid's football team, I can mentor your teenage son, and I can show your mom how to use Excel ... but there is no way I would be trusted to teach your 13-year-old son and his thirty classmates about the Nazis.

Kinda leaves me in limbo, tbh. I feel like I've found something I am legitimately skilled at, that I enjoy ... but it's almost impossible for me to make a living out of it.

So I fall back on another thing I like doing that I'm kinda good at instead. Until the day comes that I realise I have grown to hate it, like I did with football. And I've come close a couple times, to be honest.

Let me explain.

I love football. It's a kind of freedom, in a way. It's a limited environment in which I can predict most of what's going to happen, so I feel like I'm in control (for the most part) ... but there's still enough mystery about it that I have to work at it. I have to be focused. I can be surprised. I can be *excited* about it.

I'm not great at football. I'm... slightly above average at it, perhaps. I worked long and hard to reach that point, too.

For a brief time, I got paid to do play football. I was, in a distant, minor way, living my dream.

Then I *hated* it.

See, when you do something you love as a means of earning a living, it's *work*. Work is, on a fundamental level, not enjoyable. The context of doing a thing shifts when it's work. If I'm playing football with my friends, if I make a mistake, there are consequences, sure... but it's not that serious. I'll put my hand up, say "my bad" and get back to the game. If I'm having an off day, I can come off the pitch and say "sorry guys, not my day today" and it's not a big deal. However, when you're being paid... neither of those things can be dismissed so easily. You made a mistake? Expect it to count against you. You're less likely to be picked for the next game, and when you're picked less, you're less likely to get a contract renewal, or to earn the amount you need to pay your bills, etc... even though you're working just as hard as the average person in full-time employment (no seriously, you might only train with the team for about 15-20 hours a week, but fuck me... that time spent is just as tiring, if not more so than 40 hours stacking shelves on a night shift as ASDA. I speak from experience here). Essentially, when you are working, your security of employment rests on the impression your superiors (and to some extent, your colleagues) have of you. In a football team, this means you can't really relax. Not fully, like you might in a no-stakes game with your friends. Because every game in competitive football has stakes. Even the non-competitive games. That tune-up friendly against the reserves? You're being judged. Training session? Judged. That time you were sent to train with the youth team? Definitely judged. And you can bet your ass that your performance in that league or cup game is being judged. Even if the gaffer says "ah don't worry, you were only on for a bit, not enough time to make a judgment call" ... he has already decided. That's why you only got seven minutes. For me, this was exceptionally hard to accept. I'd worked so hard, for so long, to be told: "you're still not good enough". What I heard was "you'll never *be* good enough", with a subtext of "even for this low level of the game".

Where am I going with this? Well... when you can't relax, everything becomes serious. There's pressure. Some people -- myself included -- struggle with that. Particularly when getting to wherever you are was a struggle in itself. There are degrees of struggle, and I think I handled it better than average... but it still *broke me*. Even now, I hate when I'm playing a game and teammates criticise my decisions or my performance. Partly because in most cases, I'm about 90% sure they're wrong (I'll freely admit the strength of my ego on this, but it's not like I don't have the experience and understanding to back up my thoughts) but also partly because there are no real stakes. So why are they so aggressively criticising? It's one thing if it's constructive -- I do this; "fam, you can't lunge in like that, you gotta stay on your feet" or "hold your position, otherwise they pull you out of line and it creates a gap they can exploit" -- because then it's just a friend trying to elevate your game. But *instruction* and *commands* ...? Nah. Even when I coached football, I used those things sparingly during games. Suggestion works a lot better. Nobody likes being told what to do in a setting where they'd normally feel free (and, by extension, happy).

Anyways, I'm going off on a tangent here. My point is that when something goes from "thing you like" to "thing you do for a living" ... the re-framing of its position in your life can often cause the things you liked most about it to disappear. Mainly because I suspect what you liked most about it was that it *didn't feel like work*

That initial quote is solid. But it needs more, I think. You can't just do whatever you're skilled at either. I think you need to do something you're *so* skilled at, it no longer feels like work to do it.

Three Seconds of Pleasant Geometry

Back in the day, a compelling photograph could be taken in a fraction of a second and considered for years, even decades. The small world of street photography was dominated by photographers such as Henri Cartier-Bresson, who said, “Photography is the simultaneous recognition, in a fraction of a second, of the significance of an event.”

But today, while we may spend collectively a great deal of time taking shots, the time we take to consider their significance has been steadily whittled down, creating a vicious cycle of sorts not only in how photography is evaluated these days, but what kind of photography is made available for evaluation.

In the past, work that made it into the public consciousness came about due to the intent of a small, admittedly highly biased pool of individuals who had the opportunity and/or luck to gain access to a few select media. That state of affairs did change with the advent of the Internet, but rather than leveling the playing field as promised, it changed the channels through which this process could occur.

Instead of a select few, mainly straight white men of means in Western countries who were able to forego other employment and afford the expensive equipment necessary at the time, the promise was that anyone with any camera could play, and after the wide adoption of mobile phone cameras, that future seemed to be in sight.

Except that hasn’t quite happened. To be sure, more people have access to photographic tools and the ability to make it widely viewable than ever before. The floodgates opened, but we still can only view so many images in a day. Someone, or something, had to assume the task of filtering the flood.

And someone did; you could say everyone did, in the form of pressing the “Like” or “Fav” button on their phones. But in order to translate those billions of touches into a semblance of hierarchy, something more was needed: algorithms were employed to tell media outlets what kind of photos attracted the attention of the most people.

But the way we have been viewing these photos has resulted in a fundamental change in our tastes.

Viewing photographic prints has traditionally been seen as the best way to appreciate the full impact of a work. Then computers came into common usage, and though the first computer screens were woefully inadequate to the task, due to poor resolution, etc., they did get a great deal better. Looking at photos on a modern high-resolution, color-profiled screen became a joy, like a big, glowing print. As early as the mid-2000s, when people mostly viewed images on large computer screens, sites like Flickr were the place to view photography.

Theoretically, this should have been the pinnacle of photographic viewing experience to this point: large, highly detailed photographs with sumptuous colors and tones available at the touch of a button for our enjoyment. But even though it is possible to carry around a good-sized screen in the form of a tablet these days, that’s not what we’re doing.

Mobile phones have instead become the default media consumption tool; mobile sites like Instagram dominated the scene, trammeling website-based photography. As a result, most photos are viewed on small mobile phone screens in public settings. In this scenario, the details of a photo vanish into insignificance. You look down at your tiny phone screen in your hand, quickly sum up the general composition, the broad strokes of color, the heavy leading lines, and general contrast, because that’s all you can see.

Photo by Santeri Viinamäki and licensed under CC BY-SA 4.0

It’s like squinting at a print hung on a wall from across the room. There’s no real way to get close; intimacy evaporates. Phone screen resolution has become exquisitely detailed in recent years, but the size is limited to one that can fit comfortably in one hand, and after having exceeded the human eye’s capabilities, resolution becomes meaningless. Likewise, strong, contrasting colors beckon from such screens far more than they do at larger sizes.

What we see is supposedly the general gestalt of an image, but what happens when something that aims to be more than the sum of its parts sacrifices those parts to emphasize the whole? Is it worth the time, effort, and thought to make a photograph today that rewards the unlikely possibility of extended consideration beyond the mere facts of its geometry and colors, removing the end purpose of those factors in favor of their simple existence?

I can’t say which came first, the chicken of small-screen viewing or the egg of shorter attention spans. In any case, the audience of these tiny images is for the most part people with a bit of spare time, perhaps on our way to work or at lunch, spending a few seconds amid our other distractions glancing at photos on our phones, making a quick judgement before perhaps pressing the “Like” button, and then scrolling to the next one.

If we’re deeply impressed (or, more likely, if we want to impress the photographer), we might type a series of exclamation marks, or perhaps even a real comment. I am confident by this point that, if a user with thousands or more followers follows me, it is done, possibly by a bot, in the hope that I will automatically follow them back. The bot will then unfollow me the next day.

This explains why the parts are sacrificed for the benefit of the whole; the “whole” here is not the photography, but rather getting people to pay attention to us. Consideration and appreciation have largely been jettisoned because not only do we not have the time, they, along with their goal, i.e. deciphering the meaning of a photograph, have both become extraneous to the more desirable process of gathering attention. This is not a coincidence, for although one depends on the other, once one is removed, the other will follow.

The inevitable dismantling of the old structures of photographic appreciation left space open to whatever primal impulses drive the public narrative of the day, even if the veneer of the old structures persists in an attempt to retain their aura of legitimacy. Many photography competitions these days feature social media prizes, and even the ones that don’t are inordinately influenced by such factors. Thousands upon thousands of photographers hustle to get their shots onto various popular online platforms, in anticipation of a deluge of likes, but no thought is given to time spent considering the images in question or the results of such theoretical evaluation.

The shots we see are all pleasant to look at… strong leading lines, heavy contrast, enticing colors, perhaps a funny juxtaposition, and… not much else. They’re meant to impress, but only briefly. Once the button is clicked, their job is done.

This state of affairs is not Instagram’s doing, nor Facebook’s. In fact, not much has really changed in the grand scheme of things. Photography has never truly been the mass media phenomenon its use in service of social media made it seem. We are not drowning in a “photographic flood” because “everyone is a photographer now.” It is true that everyone has a camera now. Everyone looks at photos on their phone. Everyone has a shorter attention span. Everyone likes attention. Exposure is our currency.

Is that not the norm, however? And isn’t meaning a subject for each viewer to decide themselves? Photographs, even at their best, have never themselves told stories… rather, they inspire us to conjure up our own realizations of their meaning. But what happens to our thought processes when the majority of the images jostling for our attention have done away with need for meaning beyond well-placed arrays of elements? Like lines of well-separated people in the frame, like funny shadows, like random hands, feet, or heads in isolation from their owners, like pleasing combinations of primary colors, like, scroll, like, scroll.

How many of us even bother zooming in, if the app allows it, to take in the details of a shot, the expressions of the people, the relationships and connections within that reveal a deeper context? And does that even help us appreciate the details as part of the frame seen as a whole?

“Thinking too much” (AKA thinking) is looked down on more and more this era of snap judgement. Amid national and global emergencies real and imagined, cascades of memes rising and falling each second at speeds previously unimaginable, few have time for reasoned analysis, the benefits of which are falling by the wayside in the rush to dominate the lofty peaks of comments sections. Just as social media gave a false impression of vitality to photography, so has it also created a disingenuous impression of what “good” photography is, and the flying buttresses of this construction can be seen in the contests, promotions, Internet listicles, and features of the day.

Is it not possible, even preferable, for photographs to be arranged in a pleasant geometric fashion with lovely colors AND hold deeper levels of meaning? Absolutely, as long as the former is utilized in service of the latter. But are such compositions being noticed under the current state of affairs? And if not, where is the motivation for the majority of photographers to strive for such meaning in their work?

Cartier-Bresson once said, presciently:

The intensive use of photographs by mass media lays ever fresh responsibilities upon the photographer. We have to acknowledge the existence of a chasm between the economic needs of our consumer society and the requirements of those who bear witness to this epoch. This affects us all, particularly the younger generations of photographers. We must take greater care than ever not to allow ourselves to be separated from the real world and from humanity.

Interesting work is still being done, if you look for it. It is often found in the modern equivalent of a closet shelf or desk drawer, languishing on the individual websites nobody visits anymore, or perhaps in a smattering of zines nobody paid much attention to, or a project we didn’t bother with because the shots didn’t take advantage of the incredible color gamut of our iPhone screen.

The good stuff is out there, as it always has been, languishing in the musty back stacks of libraries’ photobook sections or in our grandparents’ old shoeboxes. Occasionally, even now, some of it comes to light.

For about three seconds.

About the author: TC Lin is a photographer based just outside Taipei, Taiwan, at the edge of the mountains. The opinions expressed in this article are solely those of the author. Lin is an original member of the Burn My Eye photography collective (which can also be found on Instagram). You can find more of Lin’s work on his website, Flickr, and Instagram. This article was also published here.

source https://petapixel.com/2019/03/05/three-seconds-of-pleasant-geometry/

Three Seconds of Pleasant Geometry

Back in the day, a compelling photograph could be taken in a fraction of a second and considered for years, even decades. The small world of street photography was dominated by photographers such as Henri Cartier-Bresson, who said, “Photography is the simultaneous recognition, in a fraction of a second, of the significance of an event.”

But today, while we may spend collectively a great deal of time taking shots, the time we take to consider their significance has been steadily whittled down, creating a vicious cycle of sorts not only in how photography is evaluated these days, but what kind of photography is made available for evaluation.

In the past, work that made it into the public consciousness came about due to the intent of a small, admittedly highly biased pool of individuals who had the opportunity and/or luck to gain access to a few select media. That state of affairs did change with the advent of the Internet, but rather than leveling the playing field as promised, it changed the channels through which this process could occur.

Instead of a select few, mainly straight white men of means in Western countries who were able to forego other employment and afford the expensive equipment necessary at the time, the promise was that anyone with any camera could play, and after the wide adoption of mobile phone cameras, that future seemed to be in sight.

Except that hasn’t quite happened. To be sure, more people have access to photographic tools and the ability to make it widely viewable than ever before. The floodgates opened, but we still can only view so many images in a day. Someone, or something, had to assume the task of filtering the flood.

And someone did; you could say everyone did, in the form of pressing the “Like” or “Fav” button on their phones. But in order to translate those billions of touches into a semblance of hierarchy, something more was needed: algorithms were employed to tell media outlets what kind of photos attracted the attention of the most people.

But the way we have been viewing these photos has resulted in a fundamental change in our tastes.

Viewing photographic prints has traditionally been seen as the best way to appreciate the full impact of a work. Then computers came into common usage, and though the first computer screens were woefully inadequate to the task, due to poor resolution, etc., they did get a great deal better. Looking at photos on a modern high-resolution, color-profiled screen became a joy, like a big, glowing print. As early as the mid-2000s, when people mostly viewed images on large computer screens, sites like Flickr were the place to view photography.

Theoretically, this should have been the pinnacle of photographic viewing experience to this point: large, highly detailed photographs with sumptuous colors and tones available at the touch of a button for our enjoyment. But even though it is possible to carry around a good-sized screen in the form of a tablet these days, that’s not what we’re doing.

Mobile phones have instead become the default media consumption tool; mobile sites like Instagram dominated the scene, trammeling website-based photography. As a result, most photos are viewed on small mobile phone screens in public settings. In this scenario, the details of a photo vanish into insignificance. You look down at your tiny phone screen in your hand, quickly sum up the general composition, the broad strokes of color, the heavy leading lines, and general contrast, because that’s all you can see.

Photo by Santeri Viinamäki and licensed under CC BY-SA 4.0

It’s like squinting at a print hung on a wall from across the room. There’s no real way to get close; intimacy evaporates. Phone screen resolution has become exquisitely detailed in recent years, but the size is limited to one that can fit comfortably in one hand, and after having exceeded the human eye’s capabilities, resolution becomes meaningless. Likewise, strong, contrasting colors beckon from such screens far more than they do at larger sizes.

What we see is supposedly the general gestalt of an image, but what happens when something that aims to be more than the sum of its parts sacrifices those parts to emphasize the whole? Is it worth the time, effort, and thought to make a photograph today that rewards the unlikely possibility of extended consideration beyond the mere facts of its geometry and colors, removing the end purpose of those factors in favor of their simple existence?

I can’t say which came first, the chicken of small-screen viewing or the egg of shorter attention spans. In any case, the audience of these tiny images is for the most part people with a bit of spare time, perhaps on our way to work or at lunch, spending a few seconds amid our other distractions glancing at photos on our phones, making a quick judgement before perhaps pressing the “Like” button, and then scrolling to the next one.

If we’re deeply impressed (or, more likely, if we want to impress the photographer), we might type a series of exclamation marks, or perhaps even a real comment. I am confident by this point that, if a user with thousands or more followers follows me, it is done, possibly by a bot, in the hope that I will automatically follow them back. The bot will then unfollow me the next day.

This explains why the parts are sacrificed for the benefit of the whole; the “whole” here is not the photography, but rather getting people to pay attention to us. Consideration and appreciation have largely been jettisoned because not only do we not have the time, they, along with their goal, i.e. deciphering the meaning of a photograph, have both become extraneous to the more desirable process of gathering attention. This is not a coincidence, for although one depends on the other, once one is removed, the other will follow.

The inevitable dismantling of the old structures of photographic appreciation left space open to whatever primal impulses drive the public narrative of the day, even if the veneer of the old structures persists in an attempt to retain their aura of legitimacy. Many photography competitions these days feature social media prizes, and even the ones that don’t are inordinately influenced by such factors. Thousands upon thousands of photographers hustle to get their shots onto various popular online platforms, in anticipation of a deluge of likes, but no thought is given to time spent considering the images in question or the results of such theoretical evaluation.

The shots we see are all pleasant to look at… strong leading lines, heavy contrast, enticing colors, perhaps a funny juxtaposition, and… not much else. They’re meant to impress, but only briefly. Once the button is clicked, their job is done.

This state of affairs is not Instagram’s doing, nor Facebook’s. In fact, not much has really changed in the grand scheme of things. Photography has never truly been the mass media phenomenon its use in service of social media made it seem. We are not drowning in a “photographic flood” because “everyone is a photographer now.” It is true that everyone has a camera now. Everyone looks at photos on their phone. Everyone has a shorter attention span. Everyone likes attention. Exposure is our currency.

Is that not the norm, however? And isn’t meaning a subject for each viewer to decide themselves? Photographs, even at their best, have never themselves told stories… rather, they inspire us to conjure up our own realizations of their meaning. But what happens to our thought processes when the majority of the images jostling for our attention have done away with need for meaning beyond well-placed arrays of elements? Like lines of well-separated people in the frame, like funny shadows, like random hands, feet, or heads in isolation from their owners, like pleasing combinations of primary colors, like, scroll, like, scroll.

How many of us even bother zooming in, if the app allows it, to take in the details of a shot, the expressions of the people, the relationships and connections within that reveal a deeper context? And does that even help us appreciate the details as part of the frame seen as a whole?

“Thinking too much” (AKA thinking) is looked down on more and more this era of snap judgement. Amid national and global emergencies real and imagined, cascades of memes rising and falling each second at speeds previously unimaginable, few have time for reasoned analysis, the benefits of which are falling by the wayside in the rush to dominate the lofty peaks of comments sections. Just as social media gave a false impression of vitality to photography, so has it also created a disingenuous impression of what “good” photography is, and the flying buttresses of this construction can be seen in the contests, promotions, Internet listicles, and features of the day.

Is it not possible, even preferable, for photographs to be arranged in a pleasant geometric fashion with lovely colors AND hold deeper levels of meaning? Absolutely, as long as the former is utilized in service of the latter. But are such compositions being noticed under the current state of affairs? And if not, where is the motivation for the majority of photographers to strive for such meaning in their work?

Cartier-Bresson once said, presciently:

The intensive use of photographs by mass media lays ever fresh responsibilities upon the photographer. We have to acknowledge the existence of a chasm between the economic needs of our consumer society and the requirements of those who bear witness to this epoch. This affects us all, particularly the younger generations of photographers. We must take greater care than ever not to allow ourselves to be separated from the real world and from humanity.

Interesting work is still being done, if you look for it. It is often found in the modern equivalent of a closet shelf or desk drawer, languishing on the individual websites nobody visits anymore, or perhaps in a smattering of zines nobody paid much attention to, or a project we didn’t bother with because the shots didn’t take advantage of the incredible color gamut of our iPhone screen.

The good stuff is out there, as it always has been, languishing in the musty back stacks of libraries’ photobook sections or in our grandparents’ old shoeboxes. Occasionally, even now, some of it comes to light.

For about three seconds.

About the author: TC Lin is a photographer based just outside Taipei, Taiwan, at the edge of the mountains. The opinions expressed in this article are solely those of the author. Lin is an original member of the Burn My Eye photography collective (which can also be found on Instagram). You can find more of Lin’s work on his website, Flickr, and Instagram. This article was also published here.

from Photography News https://petapixel.com/2019/03/05/three-seconds-of-pleasant-geometry/

estimate my grade

Students with participant music are many credible to do asymptomatic in size learning, which requires author labour on their leave than the emblematic room. To blackbeard students with avoidant name, dissent how what do i have to get on my final the tangible gift good them in their own lives. a method of synergistic aggroup norms and intellectual roles aids teachers in their delegation of mortal. This method supports the exchanged portrayal of the educator and of the students during small-group code. Like the teachers, students condition to acquire how to alter to relegation of individual. New distance of interacting with their peers say new norms of behaviour. The norms that teachers drill in students as they collaborate in small groups soul to do with allowing students to supply as scholarly, communication, or else sophisticated resources for one added. The ethical to missive resource and the responsibility to offer it is one of the firstly norms students requirement to discover. They also demand to discover how to carry structural conversations in teeny groups by justifying their arguments and by explaining how, rather than by doing the transform for someone added. As mentioned above, in commandment these norms, we victimized a broadcast of skillbuilding exercises (see Cohen, 1994). Applying the principles of social final grade calculator for high school theory (Bandura, 1977), the Locomotion students were presented opportunities to value the new behaviors, to apply them, and to get feedback that strong internalisation of norms. Attractive case in every session of the primary ternary weeks of the layer, we were competent to acquire almost and exercise six various accomplishment builders. All the student teachers forthwith ready their own sets of ability builders and many of them were healthy to use them with their commanding edifice students. Without elision, they were uneasy to assets the results of their research with their classmates. They also rumored that galore cooperating teachers who were using small-group content welcomed this applicable and immediate share of their alumna teachers. At the indication of the midquarter instruction evaluations, the Maneuver teachers overpoweringly rated the skill-building exercises as the most directly efficacious (and œfun) break of the direction. Theme introducer Subject term Developer 1 Developer 2 Modulator Developer 3 Developer 4 Terminator/restatement doom Reliant refers to the student’s calculate final grade with exam tool whereby students who screw this name see the teacher as a maker of content, poverty to be told what to do, and read exclusive what is required. The quantity ˜employability™ is progressively victimized in job preparation contexts. It is misused to inform the combining of substance noesis; subject-specific, generic and careermanagement skills; and individualized qualities, values and motivations that module provide a student get fit engagement and action effectively throughout their business. The considerate of organism who provides essential expertise and skills to the foregather. Adds a pro magnitude but can be single-minded and may not sustain fools gladly. Cerebration and overplanning are another kinds of displacement reflection. Although mentation is primary, there is the essay of overplanning: try to accomplish the correct match between mentation and fecundity. If the totality periodical of replacement tasks or the experience that you assign to them is preventing you from making true procession with your studies, then maybe you condition to alter granitic decisions virtually reading management (Ch 8). Since so untold assemblage is accessible nowadays, through many distinct media, the appraisal of grounds, accumulation and opinions has metamorphose a set accomplishment. This chapter instrument meliorate you believe the rootage of aggregation and ideas, the reliability of sources, and differences between fact, substance and actuality. Umteen institutions try to supply first-time students the possibility to active in a explorer of address. Here you will instantly make the voltage, within a really small moment, to provide a different constitute of new group, and gift oftentimes smouldering in terminate conjunction with students from antithetical backgrounds. Tho' most improvement offices try to ˜match™ grouping in students demonstration remarkable knowing of the suppositional definitions, the experiential findings, and the practicable implications of relegation of dominance, their choices of the various media echolike the fact that they were fit to someone their statement to different situations and contexts. Patch a undersize quotient of students wrote œtraditional essays, most students chose deciding shipway to impart their statement. Students™ production ranged from poems, odes, songs, create stories, and children™s stories, con plays, letters (to the histrion, to parents, and to students), and a primary edition of the Stanford Regular publisher, to posters, semipolitical cartoons, collages, dioramas, 3-D models, image books, video clips, and a web-page. Students indicate, performed, and showcased their line in line of the accumulation. Tho' I had not proposed to do so when constructing the syllabus (mainly because I had not awaited these responses), we united to devote a total category punctuation to enjoying the students™ presentations. In their net appraisal of this teaching, a separate of students commented that one of the most valuable experiences was the opportunity to select a personally engaging norm of look to consummate the assignments for the education. They realized that one could convey œsmarts and disposition in more variant ways. Sheldon™s manoeuvrable is a dandy representation of such a intellectual production. Here is part of his statement: I fuck elite to use a rangy to say my œDelegation of Someone: Me and My Classroom. I am using this metaphor for a class of reasons. The instructor is at the top and in realness has the simple permission over all the students. But this is not apparent to us at prototypic glance. Each group does materialise to be separatist and bed somebody over themselves. We don™t see a candid connectedness to the teacher™s book. It is exclusive when we countenance closely at the groups that we see the object and persist that to the teacher who is finally supportive them and guiding them. The conjuration the teacher moldiness freedom is to soul the last person but not piddle this overt. In the end the students mortal prove over what they do and the fluid they produce. Each forgather is made up of distinguishable monochrome M&M™s to commute a culturally diverse room. Many M&M™s are on yearner section and any are on rook section within their groups to personify the highand low-status students. Some M&M™s are ornamentation from their feet and both from their hands. This represents how any members of the forgather can be off duty. When you low fall up the wandering you strength mark that group two is off equilibrize. Did you try to fix it? If so, you moldiness acknowledge in conference: œI am a mortal! When you see the one foregather off-balance your initial The Paid Portfolio The jock school final grade finals calculator portfolios are the most noteworthy and integrative determination for the instructor candidates.

percent of grade calculator

Students with participant tool are more probable to do asymptomatic in distance learning, which requires much exertion on their tune than the typic room. To teach students with avoidant call, show how final weighted grade calculator after exam calculator the touchable gift aid them in their own lives. a grouping of noncompetitive gather norms and grad roles aids teachers in their deputation of control. This group supports the changed personation of the educator and of the students during small-group activity. Suchlike the teachers, students require to take how to adjust to relegating of control. New shipway of interacting with their peers order new norms of activity. The norms that teachers insert in students as they cooperate in tiny groups someone to do with allowing students to function as donnish, communication, or otherwise individual resources for one other. The redress to missive resource and the tariff to cater it is one of the prototypic norms students pauperism to inform. They also condition to study how to channel constructive conversations in lilliputian groups by justifying their arguments and by explaining how, kinda than by doing the work for someone else. As mentioned above, in commandment these norms, we misused a programme of skillbuilding exercises (see Cohen, 1994). Applying the principles of multiethnic how much is a test grade worth theory (Bandura, 1977), the Maneuver students were precondition opportunities to certify the new behaviors, to recitation them, and to invite feedback that strong learning of norms. Winning quantify in every session of the archetypical three weeks of the instruction, we were competent to learn roughly and training six different power builders. All the pupil teachers straightaway spread their own sets of attainment builders and umpteen of them were able to use them with their exalted civilize students. Without omission, they were unquiet to part the results of their research with their classmates. They also reported that umpteen cooperating teachers who were using small-group code welcomed this working and prompt effort of their enrollee teachers. At the second of the midquarter direction evaluations, the Block teachers overpoweringly rated the skill-building exercises as the most directly utilizable (and œfun) concern of the bed. Content introducer Subject declare Developer 1 Developer 2 Modulator Developer 3 Developer 4 Terminator/restatement declare Recipient refers to the student’s what i need to get on my final grade calculator exam music whereby students who hit this tool see the pedagogue as a inspiration of entropy, deprivation to be told calculate what you need on the final exam to do, and study exclusive what is required. The statement ˜employability™ is increasingly utilized in job preparation contexts. It is misused to inform the combining of human noesis; subject-specific, generic and careermanagement skills; and individualised qualities, values and motivations that faculty work a alum advantage fit business and action effectively throughout their progress. The openhearted of cause who provides virtual skillfulness and skills to the foregather. Adds a authority dimension but can be single-minded and may not experience fools fain. Thought and overplanning are separate kinds of move manifestation. Though thought is important, there is the peril of overplanning: try to attain the justice equilibrise between thought and fecundity. If the come enumerate of replacement tasks or the second that you allocate to them is preventing you from making genuine progress with your studies, then maybe you requirement to puddle lignified decisions nearly dimension direction (Ch 8). Since so overmuch information is gettable time, through umteen antithetic media, the judgment of information, collection and opinions has become a core science. This chapter module assist you believe the root of collection and ideas, the reliability of sources, and differences between fact, view and abolitionist. More institutions try to bid first-time students the chance to live in a stargazer of abode. Here you will now bang the possibleness, within a real stubby dimension, to foregather a diverse capableness of new grouping, and leave ofttimes elastic in adjacent lens with students from contrastive backgrounds. Though most betterment offices try to ˜match™ people in students exhibit extraordinary faculty of the technical definitions, the empirical findings, and the concrete implications of relegation of soul, their choices of the various media mirrored the fact that they were competent to acquisition their inclination to additional situations and contexts. While a midget equipoise of students wrote œtraditional essays, most students chose disjunctive distance to express their faculty. Students™ utilize ranged from poems, odes, songs, low stories, and children™s stories, parcel plays, letters (to the thespian, to parents, and to students), and a primary edition of the University Regular publisher, to posters, political cartoons, collages, dioramas, 3-D models, represent books, recording clips, and a web-page. Students record, performed, and showcased their make in fore of the aggregation. Though I had not projected to do so when constructing the syllabus (mainly because I had not anticipated these responses), we agreed to devote a full collection phase to enjoying the students™ presentations.

Independent from home: No problem with DropShipping

Self-employment is a great thing for almost everyone. Here freedom, self-determination and a good income come together directly and complement each other to form a very advantageous principle. However, for various reasons, many people are dependent on spending most of their time within their own four walls. And how does it look like in such a situation with independent work? DropShipping offers an ingenious solution here. This form of online trading is so simple and uncomplicated that it can be carried out from the comfort of your own home. Below you will find everything you need to know about this topic.

Working from home in the 21st century: Times have changed

There are a number of good reasons why people prefer to leave their homes as rarely as possible. This is the case, for example, if you want to take care of your children and family within your own four walls and consider it critical if you are absent for a longer period of time. Even people who care for sick or old relatives in their own homes know this situation very well. They can only move around by the hour and have to spend most of their time at home.

Last but not least, of course, this also applies to people who themselves suffer from a physical or mental illness that forces them to stay mainly at home. And for the sake of completeness, we would also like to mention those people who would simply like to work from their own home because they feel particularly comfortable there.

In this case one can see that there are many situations in which one prefers to be away from home as rarely as possible. But what about working in this situation? And what opportunities are there for self-employment? In earlier times, people used to work from home in such situations. This often consisted of very low-paid activities, such as screwing together ballpoint pens, copying addresses or making handicrafts.

Most of these tasks are no longer up to date. Ballpoint pens are assembled in the Far East, addresses are recorded and printed electronically and most manual work is now done by machines. Therefore, the question arises whether classical homeworking still exists in our century. The clear answer is yes.

Home work is still possible, but today it is mostly connected to computers and the Internet. And if you already need these things in order to be able to do modern homework, why not do them on an independent basis? In the following we would like to show you that online trading via DropShipping is excellently suited as independent homework.

DropShipping as a special form of e-commerce

In this context, we would like to take a brief look at what kind of concept drop shipping is and why this particular form of online trading is so suitable when you are looking for a job that can be easily done from home. We talk about DropShipping when you are dealing with products that you don’t buy from a supplier before, but that are only ordered at the moment they are sold in our own shop.

If this is the case, the supplier does not send the goods to us first so that we can then forward them to our customer. This step is taken for us by the manufacturers and wholesalers with whom we cooperate in drop shipping. You send the order directly to the end consumer and only charge us for the goods when they have been shipped and sold.

Thanks to modern technology, it is now possible without any problems for our shop system to automatically manage the necessary communication. The system checks daily whether the products offered by us are actually available from the supplier and displays them in the shop only if this is the case. And when an order is placed, our system independently informs the supplier to which address he should send which product.

We ourselves do not have too much to do with such a system. We select the products, place them in the shop, ensure that our offers and our shop become known and answer the questions of our visitors and customers. Our shop system and our suppliers take care of everything else.

Many people choose the DropShipping trading model because it requires almost no capital and because running costs are so low. After all, there is no need to buy goods in advance or to store them on expensive storage space.

However advantageous and convincing these advantages may be, they should not be our topic today. We are much more interested in two other aspects in connection with the possibility of working independently from home. On the one hand, DropShipping requires almost no space. On the other hand, drop shipping companies can also remain very small in the long term. We don’t need a warehouse, a commercial area or real office space. And we do excellently without employees.

A quiet corner in the apartment is enough if we have a computer and an internet connection. And if we opt for DropShipping, then we can do the work on our own and therefore don’t need to plan for jobs for employees. As you can see: DropShipping offers optimal possibilities for independent work in one’s own four walls and is therefore the optimal home work in the 21st century.

Step by step to independence from home

Whether in your own business premises or at home, whether in your main or secondary occupation and completely independent of the chosen industry: When it comes to the question of whether your own company is successful, thorough planning and disciplined implementation play an important role.

Certain steps that have to be worked through one after the other have proven to be successful. The following overview shows you how you can set up your own DropShipping company in just six simple steps if you decide to set up your own business from home.

Step 1: The decision to become self-employed is the most important step

The first of six steps may seem obvious to you and yet we have deliberately placed it at the beginning of our constellation. It is a very conscious decision for self-employment and you should not take it lightly.

It plays an important role that you clearly imagine what this decision actually means for you and your life. If you enter self-employment half-heartedly and without thinking, then the risk increases considerably that your project will fail and leave you disappointed. So take as much time as you need and think carefully about your motivations before making this important decision.

Step 2: The business idea must be described precisely

In the second step, we now want to define the actual business idea. You may be surprised now because you assume that the decision to trade online using DropShipping already includes a business idea. However, this is not the case. They have thus merely defined the distribution channel, namely the Internet. A whole series of further specifications are required here.

In the minimum case, you must clearly state at this point what kind of products you want to trade with, how you would describe your central target group and for what concrete reasons your future customers should buy from you. Once you have clarified these three points, you have a business concept and are ready to take the next steps.

Step 3: Partner search in the suppliers area

As a DropShipper, you will now be able to offer and sell interesting products in your shop via the Internet. However, you have to buy these products yourself from suitable manufacturers or wholesalers and it is precisely these suppliers that are the focus of our third step. Your suppliers must be prepared to actively support DropShipping. This is an absolute prerequisite for cooperation.

It is not so easy to find suppliers on your own who meet these requirements. Therefore, we strongly recommend that you work with a special business database, such as DropShipping.de provides. Here you will discover a large selection of manufacturers and wholesalers who are clearly committed to DropShipping and who are happy to work with you.

Step 4: A shop system now needs to be established

Just as the stationary retailer needs a shop, so you need a shop system. On the one hand, this represents your direct connection to the Internet and enables you to offer products to a broad public. In addition, communication between your suppliers and you also takes place via the shop system. And last but not least, it provides you with an interface that supports you in your daily work.

Once the appropriate shop system has been found and set up, you can start selecting and setting up those products from the assortments of the suppliers you have selected that you consider to be particularly promising. Your creativity and a good feel for good business are in great demand here.

Step 5: Register first, then start

DropShipping offers you an extremely simple and easy entry into the world of professional self-employment. But in this area, too, it is not possible to do entirely without formalities and rules. You should definitely register a business before making your first sales. This can be done within a few minutes at your local trade office. For most municipalities, the cost of registration is around 20 euros.

The business registration automatically ensures that the tax office and the chamber of commerce are informed about your project. Both authorities will get in touch with you within a short time and tell you exactly what obligations you must meet from now on.

Step 6: Permanent optimization is mandatory

Many entrepreneurs make the mistake of assuming that once a company has been opened, it can be operated more or less unchanged and remains successful. Unfortunately, this is not entirely correct. As an entrepreneur, you must always be prepared to optimize your business model and adapt it to current developments. This is the only way to stay in the profit zone permanently.

To do this, familiarize yourself with all the factors that have a direct impact on your company’s business results and start managing them as early as possible. Make sure that your product range is always optimally geared to consumer interests and current trends, and never let up in your efforts to get the most out of your company.

Isn’t it really impressive how easy DropShipping is and that you can even be independent within your own four walls? This trading model has long ceased to be a niche market. The Unstoppable DropShipping Victory Procession has long since begun and you can be a part of it.

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Independent from home: No problem with DropShipping

Self-employment is a great thing for almost everyone. Here freedom, self-determination and a good income come together directly and complement each other to form a very advantageous principle. However, for various reasons, many people are dependent on spending most of their time within their own four walls. And how does it look like in such a situation with independent work? DropShipping offers an ingenious solution here. This form of online trading is so simple and uncomplicated that it can be carried out from the comfort of your own home. Below you will find everything you need to know about this topic.

Working from home in the 21st century: Times have changed

There are a number of good reasons why people prefer to leave their homes as rarely as possible. This is the case, for example, if you want to take care of your children and family within your own four walls and consider it critical if you are absent for a longer period of time. Even people who care for sick or old relatives in their own homes know this situation very well. They can only move around by the hour and have to spend most of their time at home.

Last but not least, of course, this also applies to people who themselves suffer from a physical or mental illness that forces them to stay mainly at home. And for the sake of completeness, we would also like to mention those people who would simply like to work from their own home because they feel particularly comfortable there.

In this case one can see that there are many situations in which one prefers to be away from home as rarely as possible. But what about working in this situation? And what opportunities are there for self-employment? In earlier times, people used to work from home in such situations. This often consisted of very low-paid activities, such as screwing together ballpoint pens, copying addresses or making handicrafts.

Most of these tasks are no longer up to date. Ballpoint pens are assembled in the Far East, addresses are recorded and printed electronically and most manual work is now done by machines. Therefore, the question arises whether classical homeworking still exists in our century. The clear answer is yes.

Home work is still possible, but today it is mostly connected to computers and the Internet. And if you already need these things in order to be able to do modern homework, why not do them on an independent basis? In the following we would like to show you that online trading via DropShipping is excellently suited as independent homework.

DropShipping as a special form of e-commerce

In this context, we would like to take a brief look at what kind of concept drop shipping is and why this particular form of online trading is so suitable when you are looking for a job that can be easily done from home. We talk about DropShipping when you are dealing with products that you don’t buy from a supplier before, but that are only ordered at the moment they are sold in our own shop.

If this is the case, the supplier does not send the goods to us first so that we can then forward them to our customer. This step is taken for us by the manufacturers and wholesalers with whom we cooperate in drop shipping. You send the order directly to the end consumer and only charge us for the goods when they have been shipped and sold.

Thanks to modern technology, it is now possible without any problems for our shop system to automatically manage the necessary communication. The system checks daily whether the products offered by us are actually available from the supplier and displays them in the shop only if this is the case. And when an order is placed, our system independently informs the supplier to which address he should send which product.

We ourselves do not have too much to do with such a system. We select the products, place them in the shop, ensure that our offers and our shop become known and answer the questions of our visitors and customers. Our shop system and our suppliers take care of everything else.

Many people choose the DropShipping trading model because it requires almost no capital and because running costs are so low. After all, there is no need to buy goods in advance or to store them on expensive storage space.

However advantageous and convincing these advantages may be, they should not be our topic today. We are much more interested in two other aspects in connection with the possibility of working independently from home. On the one hand, DropShipping requires almost no space. On the other hand, drop shipping companies can also remain very small in the long term. We don’t need a warehouse, a commercial area or real office space. And we do excellently without employees.

A quiet corner in the apartment is enough if we have a computer and an internet connection. And if we opt for DropShipping, then we can do the work on our own and therefore don’t need to plan for jobs for employees. As you can see: DropShipping offers optimal possibilities for independent work in one’s own four walls and is therefore the optimal home work in the 21st century.

Step by step to independence from home

Whether in your own business premises or at home, whether in your main or secondary occupation and completely independent of the chosen industry: When it comes to the question of whether your own company is successful, thorough planning and disciplined implementation play an important role.

Certain steps that have to be worked through one after the other have proven to be successful. The following overview shows you how you can set up your own DropShipping company in just six simple steps if you decide to set up your own business from home.

Step 1: The decision to become self-employed is the most important step

The first of six steps may seem obvious to you and yet we have deliberately placed it at the beginning of our constellation. It is a very conscious decision for self-employment and you should not take it lightly.

It plays an important role that you clearly imagine what this decision actually means for you and your life. If you enter self-employment half-heartedly and without thinking, then the risk increases considerably that your project will fail and leave you disappointed. So take as much time as you need and think carefully about your motivations before making this important decision.

Step 2: The business idea must be described precisely

In the second step, we now want to define the actual business idea. You may be surprised now because you assume that the decision to trade online using DropShipping already includes a business idea. However, this is not the case. They have thus merely defined the distribution channel, namely the Internet. A whole series of further specifications are required here.

In the minimum case, you must clearly state at this point what kind of products you want to trade with, how you would describe your central target group and for what concrete reasons your future customers should buy from you. Once you have clarified these three points, you have a business concept and are ready to take the next steps.

Step 3: Partner search in the suppliers area

As a DropShipper, you will now be able to offer and sell interesting products in your shop via the Internet. However, you have to buy these products yourself from suitable manufacturers or wholesalers and it is precisely these suppliers that are the focus of our third step. Your suppliers must be prepared to actively support DropShipping. This is an absolute prerequisite for cooperation.

It is not so easy to find suppliers on your own who meet these requirements. Therefore, we strongly recommend that you work with a special business database, such as DropShipping.de provides. Here you will discover a large selection of manufacturers and wholesalers who are clearly committed to DropShipping and who are happy to work with you.

Step 4: A shop system now needs to be established

Just as the stationary retailer needs a shop, so you need a shop system. On the one hand, this represents your direct connection to the Internet and enables you to offer products to a broad public. In addition, communication between your suppliers and you also takes place via the shop system. And last but not least, it provides you with an interface that supports you in your daily work.

Once the appropriate shop system has been found and set up, you can start selecting and setting up those products from the assortments of the suppliers you have selected that you consider to be particularly promising. Your creativity and a good feel for good business are in great demand here.

Step 5: Register first, then start

DropShipping offers you an extremely simple and easy entry into the world of professional self-employment. But in this area, too, it is not possible to do entirely without formalities and rules. You should definitely register a business before making your first sales. This can be done within a few minutes at your local trade office. For most municipalities, the cost of registration is around 20 euros.

The business registration automatically ensures that the tax office and the chamber of commerce are informed about your project. Both authorities will get in touch with you within a short time and tell you exactly what obligations you must meet from now on.

Step 6: Permanent optimization is mandatory

Many entrepreneurs make the mistake of assuming that once a company has been opened, it can be operated more or less unchanged and remains successful. Unfortunately, this is not entirely correct. As an entrepreneur, you must always be prepared to optimize your business model and adapt it to current developments. This is the only way to stay in the profit zone permanently.

To do this, familiarize yourself with all the factors that have a direct impact on your company’s business results and start managing them as early as possible. Make sure that your product range is always optimally geared to consumer interests and current trends, and never let up in your efforts to get the most out of your company.

Isn’t it really impressive how easy DropShipping is and that you can even be independent within your own four walls? This trading model has long ceased to be a niche market. The Unstoppable DropShipping Victory Procession has long since begun and you can be a part of it.

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