#so i struggle with understanding technology on any levels | Explore Tumblr Posts and Blogs

artsekey · 4 months

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I'd been seeing videos on Tiktok and Youtube about how younger Gen Z & Gen Alpha were demonstrating low computer literacy & below benchmark reading & writing skills, but-- like with many things on the internet-- I assumed most of what I read and watched was exaggerated. Hell, even if things were as bad as people were saying, it would be at least ~5 years before I started seeing the problem in higher education.

I was very wrong.

Of the many applications I've read this application season, only %6 percent demonstrated would I would consider a college-level mastery of language & grammar. The students writing these applications have been enrolled in university for at least two years, and have taken all fundamental courses. This means they've had classes dedicated to reading, writing, and literature analysis, and yet!

There are sentences I have to read over and over again to discern intent. Circular arguments that offer no actual substance. Errors in spelling and capitalization that spellcheck should've flagged.

At a glance, it's easy to trace this issue back to two things:

The state of education in the United States is abhorrent. Instructors are not paid enough, so schools-- particularly public schools-- take whatever instructors they can find.

COVID. The two year long gap in education, especially in high school, left many students struggling to keep up.

But I think there's a third culprit-- something I mentioned earlier in this post. A lack of computer literacy.

This subject has been covered extensively by multiple news outlets like the Washington Post and Raconteur, but as someone seeing it firsthand I wanted to add my voice to the rising chorus of concerned educators begging you to pay attention.

As the interface we use to engage with technology becomes more user friendly, the knowledge we need to access our files, photos, programs, & data becomes less and less important. Why do I need to know about directories if I can search my files in Windows (are you searching in Windows? Are you sure? Do you know what that bar you're typing into is part of? Where it's looking)? Maybe you don't have any files on your computer at all-- maybe they're on the cloud through OneDrive, or backed up through Google. Some of you reading this may know exactly where and how your files are stored. Many of you probably don't, and that's okay. For most people, being able to access a file in as short a time as possible is what they prioritize.

The problem is, when you as a consumer are only using a tool, you are intrinsically limited by the functions that tool is advertised to have. Worse yet, when the tool fails or is insufficient for what you need, you have no way of working outside of that tool. You'll need to consult an expert, which is usually expensive.

When you as a consumer understand a tool, your options are limitless. You can break it apart and put it back together in just the way you like, or you can identify what parts of the tool you need and search for more accessible or affordable options that focus more on your specific use-case.

The problem-- and to be clear, I do not blame Gen Z & Gen Alpha for what I'm about to outline-- is that this user-friendly interface has fostered a culture that no longer troubleshoots. If something on the computer doesn't work well, it's the computer's fault. It's UI should be more intuitive, and it it's not operating as expected, it's broken. What I'm seeing more and more of is that if something's broken, students stop there. They believe there's nothing they can do. They don't actively seek out solutions, they don't take to Google, they don't hop on Reddit to ask around; they just... stop. The gap in knowledge between where they stand and where they need to be to begin troubleshooting seems to wide and inaccessible (because the fundamental structure of files/directories is unknown to many) that they don't begin.

This isn't demonstrative of a lack of critical thinking, but without the drive to troubleshoot the number of opportunities to develop those critical thinking skills are greatly diminished. How do you communicate an issue to someone online? How do look for specific information? How do you determine whether that information is specifically helpful to you? If it isn't, what part of it is? This process fosters so many skills that I believe are at least partially linked to the ability to read and write effectively, and for so many of my students it feels like a complete non-starter.

We need basic computer classes back in schools. We need typing classes, we need digital media classes, we need classes that talk about computers outside of learning to code. Students need every opportunity to develop critical thinking skills and the ability to self-reflect & self correct, and in an age of misinformation & portable technology, it's more important now than ever.

#computers #pc #digital #rant #something something planned obsolescence

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fauustic · 1 year

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the fear of losing this

too many people in my inbox got a little too comfortable asking me for “a fight between reader” as well as “miguel angst please” so i am combining both as i struggle to get through this writer’s block ))

gender-nonconforming reader x miguel “spider-man 2099″ o’hara

angst. little comfort. your universe is falling apart, yet miguel doesn’t want to let you go.

warnings: pure angst. light cursing? i’m not too sure, just lots of tears.

word count: 2211

The night sky of Nueva York shined brightly with the bustle of commute, highly advanced cars whirring softly through the clouds. Your mask hung from your hands at your side, bunched up in the anger that fizzed and popped in your bloodstream– threatening to explode at any given moment as Miguel brushed off your conversation with a stoic chill.

“You don’t understand how important this is to me Miguel–” your voice raised as you paced the highest level of the building, padding against the overly complex structures that mimicked webs. You would have laughed at the irony of having a headquarters so invested in the theme of spiders that even the ground you walk on replicated the symmetry of webs if the both of you were in any other given situation– but that joking persona that came with the gig flew and crashed out the window the moment Miguel brushed off and rejected your plans to return back home. “I need to be there, helping my people. What is the point of me taking up a spot in this ‘fateful–’” You dragged out the words, venom dripping from your tongue as you partially made fun of the organization he spent so much time on. “Spider Society if my own boss doesn’t let me return back to the place I belong in?”

“No, no.” His tone was blunt as he stood as rigid as ever; surveying your every move in a way that you could never guess what he was thinking, with or without the mask. “You don’t understand.” Miguel repeated your own words back to you in a taunt as one of his clawed hands fidgeted with the device that decided whether or not you could walk around or stay in a little bubble for the next week just like all the other prisoners were down below. “You created a problem in your own universe, that’s the problem we’re having here. You cannot fix it.” He practically spat his words, anger emitting from every rhythmic clang whenever he tossed the technology into the air and caught it with calculation. “It doesn’t matter whether or not you’re from that Earth, you put that place you so valiantly ‘protect’ into a state of emergency. Is that not clear enough?”

“Oh, sure– but the hundreds of other spider-people that can’t go one word without making a joke of the situation can fix my mess? Am I just some inexperienced rookie to you, Miguel?” You countered, ripping your gaze from his own. His features were exposed to you as his mask was off as well, the sunken circles beneath his eyes growing prominent when a vibrant car passed by and shone a striking yellow light into the corridor the two of you stood within. His usual expression made of stone chipped away with the stress he was under as a deeper frown made its way onto his lips.

Miguel sighed dramatically before pinching the bridge of his nose, turning away from you to mumble a jumble of incoherency. “God,” He repeats your name like it's a curse, “That’s not what I’m saying at all. It’s just not safe.”

You scoffed, eyes growing wide at the audacity of this man you have to call your boss. “Of course it’s not safe Miguel, that’s our job.” You couldn’t help but laugh in disbelief, pulling at the roots of your hair in any attempt to calm yourself down. “I risked my life every single day in my universe before I even knew of your existence, yet now suddenly I can’t?”

“This is different. For some reason these– these anomalies are running rampant in your world and it’s taking everything to finally have the problem at hand contained.” Miguel held his breath as if he had something more to say, but left it unsaid the moment you stomped closer towards him in a new fit of anger.

You shoved your palm against his chest, baring your teeth as a groan erupted from the back of your throat in a concoction of frustration and despair. “Exactly! That’s exactly the problem, Miguel. My people out there are suffering and fighting for their lives, surrounded by these people that are like me but aren’t me.” Tears began to well up in the corners of your pained gaze, humiliation washing over your consciousness as you sniffled and stifled a sob. Fauxe confidence and quips were something you specialized in, annoying Miguel in a little dynamic the two of you found yourself in as months turned into an entire year of being called in for missions. Emotions were never a thing the both of you have ever discussed with one another because it wasn’t your position to pry and he was never the one to initiate such conversation.

“If you just let me go, I’m more than willing to show you how capable I am.” It came out as a whisper as you turned away from him and began padding down the structural webs. Miguel was on high alert, you could notice as every glance felt as if he was trying to convince himself that no other member of his society occupied this part of Headquarters. He followed you close behind, claws digging into the beams of construction to reach the same floor as you without a word. The brooding silence that usually met your company could be sensed from any person in their right mind, and as you spotted the hesitation in each thud of his footfalls– confusion clouded your anger. So in a flurry of adrenaline, you webbed his next step to the ground with a ball of the substance you artificially produced in the depths of your makeshift and cozy lab, hidden away at your home in the world you desperately needed to save. It would give you time to finally just talk to him.

“¿Eres estúpido o qué? Do that again and I’m putting you in the–”

It wasn’t to hold him down, you know you couldn’t match his strength. It was to make a statement.

You interrupted him, a newfound determination holding onto the little hope you had. “You follow me for one more second, I’m going through that portal and never looking back.” Brutally honest and uncharacteristically serious, the attempt at ripping his limb free was cut cold at the promise looming in the air. His frown fell for just a moment’s notice, mouth agape in shocked horror before quickly recovering himself. Repeating yourself more clearly as his attention was occupied, your body shined away while shaky fingers struggled to input the coordinates of your universe. But eventually it clicked, the AI voice of Miguel’s beloved Lyla sounded throughout the tension in a glitchy mess– notifying Miguel of the portal to-be seconds before it truly distorted the fabrication of reality in front of you.

Miguel dropped to his knees, struggling to claw off the web that had his foot planted to the structure. His breath quickened concerningly, shoulders heaving as the plan of his crumbled in front of him in an instant; all because he was not observant enough. You played him like an instrument like you always had, a pained groan from the back of his throat sounded and echoed throughout the space of the vast headquarters. “No, no, no..” He repeated, mirroring the despair you had on your features moments ago at the idea of not being able to save your people. You could never once recollect a fraction of a second where he allowed himself to convey the pain plaguing his mind, and as he reached out to you in a frantic heap of limbs– the walls of protection he hazardously built around himself came crumbling down by each shape contorting and twisting into a gateway to your world. “I can’t, I can’t lose anybody else–”

You stood there, heart breaking as the man who has had villains three times your size on their knees, collapse into fragments of himself at the mere idea of you leaving the security of his universe. Bursts of color painted the dark hues blotching upon white, igniting his fresh-tear stained cheeks in splashes of reds and yellows and greens. The portal was completely open, awaiting your entrance to return back to your familiarity– yet your senses buzzed alarmingly at each step away from Miguel. It’s almost as if you could feel the hole in his chest, searing away his soul he finally allowed himself to offer like a god’s offering.

You fell to your knees to hold his face in your suited hands, the waves of sorrow and grief infesting your mind like a sickness almost had you doubling over in pain. You could hear the cries of hundreds around his, no– your own heavy breathing, a confused and fearful little girl’s pleas for help overlapping the muddled screams. You felt the weight of a child in your hands before it was ripped away like a paper airplane in the wind, and soon your trembling hands met the purchase of his nape. Your body moved automatically, holding his face in the comfort of your lap while you shielded his gaze from the portal. Despite his power, the capability to snap you in two, you held him like a fragile doll that would break within any mishap.

“All this time, you never told me.” You sobbed into his hair, dampening his combed back curls with your tears and he only held your waist like you were the anchor in this unforgiving ocean of anguish. You have become one, the memories of his own mixing into the blur of yours's.

“I didn’t know how to.” He murmured into the purchase of your thigh, wetness seeping into your suit. But you didn’t care as your hands wandered all over his figure: a soft massage to the shoulders before quickly scooping his neck into your arms before finally settling on petting his hair back. “I, I haven’t allowed you to go to your world because a part of my thoughts can imagine your arms fading into a technicolor mess, falling into the clutches of another failed universe.” He forced himself to take a deep breath, gulping up air as the portal behind the both of you fizzled and popped.

“I can’t lose you too. I’d be so–” He hesitated, breathing in deeply just to choke on a sob. “I wouldn’t know what to do with myself.” He poured out the burdens weighing on his conscience, confirming your long-forgotten wonder that he was just as emotional when he was faced with his grief head-on; the same intensity seen in his short-tempered anger.

You simply hushed him, cooing reassurance that he accepted with greed. “Nothing is going to happen to me.” The rational fear being expressed aloud made your shoulders shake and head buzz with anxiety, but you steeled yourself at the reminder of Miguel melting into your tearful embrace like putty. You needed to be strong for him when he wasn’t, just like how he pushed himself to the greatest extent his body can endure all the times before.

“It’s just, I can’t lose where I come from.” You worked at ridding his foot from your webs as your serene tone accompanied his sniffles, his breathing settling out bit by bit as you continued to finally explain yourself. In regards to Miguel's quietness, you genuinely thought he was listening. “You can’t keep me away and shield me from my own mistakes, O’Hara. It’s just not possible, I need a home to thrive and protect. Without my people, I’m going to disappear as well.” A snap of your webs trapping his limbs finished your little speech, indicating that time was up and you had a job to do.

“I’m.. worried.” He mumbles aloud, like the sentence itself was foreign on his tongue. “These creatures from foreign worlds, they are drawn to your universe as if there’s a pulling force. I haven’t been able to figure it out. It’s so infuriating, it’s like I can’t do–”

You intercept his little tangent as you grab his chin and lift his gaze to meet yours’, an unsaid question hanging into the atmosphere like an old letter to a former self. Do you want this? Is this okay? I’m scared of messing this up.

The question is answered as Miguel’s grasp finds purchase in your flesh, claws digging into your thighs like if he let you go you’d fade along with everything else of his. In a messy, salty clash of teeth against fangs and tongue against lips, Miguel lapped up every inch of your mouth like he had to memorize every crevice of your entire being. It’s as if the two of you have synchronized, being able to suspect slight changes in each other’s mood as he grew more needy with the introduction of desire bubbling against the forefront of your mind.

“We can do this.” You murmured into his cheek, hands dancing over his suit in case this was the last time you’d ever be blessed with his presence again.

Miguel nodded, heaving for breath before he snatched one last kiss– sincere and genuine and full of unfiltered affection. “Yeah,” His nose met the crook of your neck, grazing each curve it stumbled upon.

“Together, mi alma.”

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fandomfreakstudios · 29 days

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Caine is a human and I will die on this hill (theory)

due to popular demand (losing the poll) I wanna post my Caine theory in proper depth.

My theory is essentially the idea that Caine is not an AI but is in fact a human trapped in the digital circus just as much as all the other players.

Sounds ridiculous, right?

good.

[LONG post incoming, be warned]

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To start, we need to understand the digital circus and its origins.

a place like the digital circus is very likely to be man-made as a place, a game, a computer program, whatever. This place did not appear out of nowhere. It is accessed through VR or some VR-esque technology, and takes on the appearance of a retro game (evidence given below)

Now, video games (unfortunately) don’t just code themselves, there has to be at the very least one person creating this game. Fortunately enough, we can deduce the name of the company from what is given within the show.

It is very common knowledge at this point that digital circus takes place within a computer in some sort of office building (as is implied by the ending scene in episode 1)

This computer is also seen at another point... namely when Pomni is running through the backrooms-like offices. She once again comes across this computer.

Now this implies that this area is at least SOMEWHAT a reflection of the real world, so analyzing this location isn't inherently pointless. Now one other interesting part of this office area is the logo on the wall, which reads "C & A" which people have unanimously agreed to mean Caine and Abel

The important thing about this is that Caine as a concept is somehow connected to the person who created this game, through the founder choosing to name Caine after the company, or vice versa. Now you could easily argue that the company was named after Caine, or Caine acts as a self insert for the creator, but I am here to argue that maybe Caine IS the creator.

More specifically, Caine is an original creator of the game (not necessarily the sole creator) aka the amazing digital circus, and in testing an incomplete game managed to get himself trapped, as does any other player who chooses to attempt to play.

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Looking back at episode 1 there is something interesting for us to think about. Caine attempting to create an exit door, but being unable to figure out what to put on the other side.

Now this could very easily be interpreted as Caine being unable, as an AI who's only knowledge is of what's within the game, to imagine anything outside of it, and therefore fumbling the task. This is a reasonable interpretation, this was MY first interpretation, and it honestly adds so much horror to the episode on a first watch through.

But in all honesty that still leaves a lot unexplained.

The question still remains why Caine, as a struggling AI, would choose to create something like what he did. From his perspective he has never seen anything as dreary as these office buildings, nor does this space make any semblance of sense as Caine's environments tend to do. It seems less like something a well-polished AI would create, and more like what a human would come up with when trying to create something from a distant memory.

That's something incredibly important to keep in mind going forward. If Caine is in fact human, he would have been trapped in the digital circus for a LONG time, with it becoming increasingly difficult to recall his human memories (something it is confirmed humans trapped in the circus can recall). at the very least, longer then Kinger, who is clearly very mentally effected by his time at the circus.

Caine would likely also be showing some level of insanity or mental instability if he had been trapped with no escape for this long (and yes I do believe that he also cannot leave, and I have some evidence later down the line that will explain this perspective), and he hasn't been seen to do this at all, right? Well, I think he is, but it manifests a little differently then Kinger, or anyone else for that matter. Keep this in mind as we go forward.

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Caine's purpose within the circus is fairly straightforward. He is the ringmaster, he creates daily adventures akin to ttrpg oneshots, and he exists to essentially guide the player through this video game world.

Now in the event that Caine was a human who was pulled into the game, why would he need to fill this role? Even as a dev he should still be playtesting as, well, a player. I believe that at the time of the dev's entrapment, the ringmaster AI had not been programmed into the game.

Y'see the Caine we know is a MAJOR perfectionist. He neeeever likes anyone seeing his unfinished work, kinda odd for an AI within a game to be embarrassed about. Yeah, he's a generative AI that creates locations, but creating something in multiple steps is something an AI cannot do. Furthermore, an AI should not feel "embarrassed" about it's work, AI by virtue is always 100% convinced what it generates is perfect, or else it wouldn't have generated it like that.

Also, if we're working under the assumption that the backrooms-esque offices were just an AI hallucination or bad generation, why would Caine KNOW it's not what his players are looking for? For a dev however, this makes sense.

Caine also has a lot of other actions that, as an AI require a bit if suspension of disbelief, but make tons more sense if he's actually a human, and furthermore a dev.

As mentioned, perfectionism, not wanting people to see incomplete or unpolished areas of the game

Realistic depictions of emotions (frustration, embarrassment, confusion)

Annoyance at Bubble for being a sucky AI (her swearing, interrupting him, inhuman and unrealistic speaking patterns and behaviors)

the need to "Reuse AI" which, if the characters are all AI created by other AI would be unnecessary because AI generating would take Caine no effort. Nor should a generative AI ever run out of ideas.

As mentioned, perfectionism, not wanting people to see incomplete or unpolished areas of the game

Realistic depictions of emotions (frustration, embarrassment, confusion)

Annoyance at Bubble for being a sucky AI (her swearing, interrupting him, inhuman and unrealistic speaking patterns and behaviors)

the need to "Reuse AI" which, if the characters are all AI created by other AI would be unnecessary because AI generating would take Caine no effort. Nor should a generative AI ever run out of ideas.

I wanna highlight that, while this is a joke post, I am enjoying the implication that Caine has a name (something only a human would have)

(top right is a particularly interesting example of him just acting super human and "dropping the act" so to speak. Getting distracted, stuttering, losing track of the conversation, all that. And bottom right is similar as he is nervously fidgeting).

Caine has all the fixings of a human dev, trapped in his now incomplete game. A game that had not had it's "ringmaster" character implemented at this point in development, likely with nothing more then some competed (albeit unpolished) locations for the game.

The idea Caine is actually a dev as opposed to an AI is further supported by Caine's ability to create and alter things from within the game. Creating areas without human prompt, deleting characters, he seems to have a level of autonomy and intelligence that no AI should EVER have.

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Furthermore, the man ACTS human, a weird ass human, but a human nonetheless. He's responsive, emotive, emotional, and he's not nearly as glitchy as the other AI. He never slips up and activates some sort of internal filter like bubble, or insists on weird mannerisms like the moon or the sun, he seems to just KNOW better somehow.

He acts like the more "immersive AI" from ep2 if anything, which he's clearly been around longer than. Someone needed to program that AI, and based on previous patterns is implied to be Caine. Once again, way out of his job description as another AI (plus how would this AI be MORE realistic if it was learning from another, older AI).

Not to mention the fact he's ALWAYS around somewhere, whether he's in his own realm he made, or just chilling around the circus (unlike bubble for example, who comes and goes at Caine's will).

It's clear he does this for his own comfort, but WHY would he be programmed to do that as opposed to only existing when necessary to prioritize memory or something.

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But one would be right to say he's slightly... off. He is a strange one, if he was a human. He's erratic, unpredictable, and often manic at times. This goes back to the point I made with Kinger, where I claimed Caine should also be exhibiting signs of mental illness

Under the assumption that Caine, in the act of playtesting the game, got trapped, a handful of things would happen (the finer details are negotiable, this is just my knee-jerk reaction):

He'd realize what happened and that he can't get out

He likely felt as though he was in his own personal hell, as he was trapped in a scuffed, incomplete skeleton of his own passion project

He likely found some sort of way to alter stuff, a backdoor that only he as the creator knew about, or some sort of privilege in being the first to enter the realm

He got his first or first few players. This was probably alarming to him as there was no ringmaster, no worlds, nothing. All the AI he had created thus far had been poorly made and could not function which such a difficult task. But then he realized... HE could be the ringmaster

This is probably around the time as well that he realized he could not remember his own name. But he remembered what he wanted to call the ringmaster... Caine

He takes on the identity of Caine, acting as ringmaster, polishing the game behind the scenes, and creating daily activities on an "as needed" basis

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Now this is where it gets interesting. I believe, at this point, Caine has taken on the identity of this AI generated ringmaster for so long that he's beginning to lose himself. He's beginning to lose memories of his life, he's becoming more detached from the side of himself that ISN'T Caine, and he's starting to catch himself believing he IS Caine, he IS an AI.... and he's scared

He's completely lost the ability to create any meaningful connections with others, as he needs to keep up the illusion of being an AI. He's lost his humanity, become detached from the way other humans think and feel, and its starting to make him become more AI then human if anything.

(left image does not crop nice, plz click to view the whole thing TvT)

He's probably seen at least a dozen people lose their mind in so many different ways. While he knows he's different then them, TECHNICALLY he's still a player, and can abstract all the same. This is why he seemed to freak the HELL out at the idea of an AI and a human getting mixed up.

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One last bit, and it's a simple one I promise. Caine has been described as the main antagonist outside of the show. This is interesting as up until now Caine hasn't done anything actively malicious (aside from Gummigoo, but he seemed to have solid reasoning for that, just not anything he chose to share with the audience).

[does ANYONE have the "weight of Caine's sins?" tumblr ask I am having no luck finding it again]

At this point, this would be shooting the messenger. He is simply a byproduct of the system that is keeping these folks trapped, right? Caine himself didn't put them there, he just takes care of them.

Unless... Caine was the one who made the AI. Then he would inarguably be the reason everyone else was trapped there. And goose is right, that wouldn't make him an AWFUL person either, but he does still have many sins weighing on his back, and many deaths on his hands. And there's nothing he can do about any of it, because he's just as helpless as they are.

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So yeah, TLDR: Caine was the creator of the circus. In attempting to playtest he got trapped in the game and eventually took the initiative to play the ringmaster within his own game, but he is slowly beginning to lose his mind, as happens to everyone.

Hope you all enjoyed the read! If anyone's still interested at this point I have a few more small bits of evidence (more from outside the show on Goose's socials and whatnot) which I could not fit in the bulk of the theory. I'll reblog with some extra bits so this post is still complete but I don't break the flow of my main ideas.

And if you get this far, thank you so much. I don't typically post long form theories like this but if this gets any sort of traction I definitely will begin too.

#tadc #the amazing digital circus #tadc caine #tadc theory #the amazing digital circus caine #the amazing digital circus theory #long post #long reads #theory #guys im so fucking sorry this is so long I had a IDEA #blorbo #new blorbo alert

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xxsycamore · 8 months

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"I can't have sex with you Arthur, I don't have enough diamonds!!"

Arthur Conan Doyle x f!Reader • rating: M (MDNI) • tags: Breaking the Fourth Wall; Crack; Implied Sexual Content; Suggestive Themes • wordcount: 580 • masterlist

a/n: I've had this crack fic idea since FOREVER, but I think it's relatable at any given time... Tagging @ikemendood for crack content 👉🏻👈🏻

It has been one of these days, when it feels like you and Arthur have been locked in the universe of some kind of action movie. Bizzare and dramatic things have been happening all day long, some that led to miscommunications between you but quickly got resolved with the power of love...

Naturally, eager as you both are to once again prove your love for each other, things begin to get heated at the end of the day.

And then you gasp panically in realization.

"I don't have enough dia for the epilogue!!"

You find yourself pushed down on the bed, but in the last second you manage to block Arthur with your hands so he can't get on top of you yet.

"Hmm?~What did you say, Luv? You know, I've been waiting to have you sprawled under me allll day..."

His words sent a shiver down your spine, and you let out an agonizing whine at having to disobey your own need. You turn to your side and reach for your cellphone that has been charging on the nightstand.

Arthur blinks, still perplexed that you're using this thing at all. While you could charge it just fine, he wondered what you're using it for in this day and age.

Not to mention at a time like that. While he's right there, ready to devour you.

"Dear?"

You appear to be tapping hurriedly on the thing, blue light illuminating your face as some strange music is produced from the bizarre piece of technology. Without looking at your lover, you struggle to mutter an answer.

"It's- You wouldn't understand."

Arthur remains frozen in his place, observing as the screen flashes, your fingers dancing on it. He sees... test tubes aligned on the screen. They're ...filled with different colored liquid?

You rush to sort them by color as if you're being held at gunpoint. Arthur has never been so confused in his life.

"Luv, you're right, I don't understand. But you could just say if you don't feel in the mood for-"

"NO! I MUST GET THE EPILOGUE AND HAVE SEX WITH YOU TONIGHT!"

"...?"

The sultry conclusion, the epilogue of your day spent together, he figures. His writer's vocabulary might be rubbing off on you. That's kind of endearing, but...

Arthur sits down on his haunches perplexed. Is this some strange form of bedroom roleplay you're introducing him to?

"I must have you, Arthur, I even saw the preview and it was so hot-"

"The preview? You're saying you had a naughty dream about us making love and you want to see it come true? Dirty girl..."

Arthur's distracting words make you mess up in your game, and you have to restart the level. Just a few more and the game will give you a reward in diamonds, then all you need to do would be to watch those annoying daily ads and then it should be enough...

Seeing that his dirty talk has no effect on you, Arthur sighs and moves away from his position. Instead, he lies down next to you, becoming your big spoon as he looks over your shoulder at the game you're so consumed in, seeing that you're not going to pay him any attention before you're done with it.

"It's some kind of puzzle game, isn't it? Maybe you should leave it to me, Luv... in the meantime, why don't you tell me more about that 'preview' you saw of our intimate time together, hmm?"

Taglist: @arsnovacadenza @ale-teodora @kimi00twin @otomelady @privilegedpancake @g-kleran @pumpumnnnp @thesirenwashere @ravenarld @kimmy-banana @devonares @galaxyprison @sadshaxk @starshards26 @thewitchofbooks @acethephoenix256 @ikevamp-shrine-2 @nad-zeta @crystal13unny @keen19thcenturygoatsstudent @lordsister @ikemen-banshou @themysticalbeing @otome-scribbles @rhodolitesrose @coornn @kpop-and-otome @queen-dahlia @kisara-16 @chaosangel767 @ikemenlibrary @queengiuliettafirstlady @aurora-morning @aquagirl1978 @ikemenlover24 @mcofthemansion @joy-the-reader @katriniac @ikemen-writer @tele86 @lovely-bubb1es @aria-chikage @babyblue0t7 @rhodoliteschaos @shrimpy-kitsune @princess-pray-a Let me know if you want to be tagged/untagged!

#ikemen vampire #ikevamp #ikevamp arthur #ikemen vampire arthur #ikevamp crack #ikemen vampire fanfic #ikevamp fanfic #ikemen fanfic #ikemen crack #ikemen #ikemen series #otome #otome fanfic

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indie-ttrpg-of-the-week · 4 days

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Have you heard of Cloud Breakers? It's a Fantasy Post-apocalyptic RPG. And no, it's not a "after the bomb" type deal where it somehow created magic or ood tech became seen as magic etc. It's a genuine fantasy setting with a magical apocalypse that the survivors are trying to rebuild from.

The event was called the Cloud Fall. Thick Clouds covered almost the entire planet, and they empowered and created monsters of all sorts. And if one got lost in the clouds for too long, they could turn into a monster too. Pockets without Clouds became havens for survivors to try and rebuild civilizations. Under such intense pressure for so long the survivors developed new, experimental, and sometimes extreme ideas and measures to survive.

Now, over a thousand years later, things have changed. It's possible, though quite dangerous, to cut back sections of the cloud cover. Those who do so are Cloud Breakers. An alliance built from four surviving civilizations, the Cloud Breaker Alliance faces many struggles. One of the chief ones being that they aren't fully backed by any of the four governments and, with only a century since the contact was even possible, trust and cultural understanding is relatively new between the nation's.

Still, the Alliance may be new, it may be understaffed, underfunded, and only semi-legitimate in the eyes of most governments, but it isn't going to give up that easily. There is a world to save, clouds to break, mysteries to uncover, and possibly even more civilizations to contact. There is hope for the future, but it won't be easy.

Features:

* Four distinct regions, each with its own culture, unique technology/magics, and even enemy types. Be that meme of a cowboy, a samurai, a Victorian gentleman, and a Caribbean pirate being a historically accurate party.

* A flexible character class system with basic and advanced classes to unlock. Each class also gives you a choice of sub-class from the start, which are usually quite flavorful and can differentiate them in substantial ways.

* A Quirk system that gives guidance for rollplay and provides mechanical benefits for being in character.

* Easy to learn magic system: spend MP and you cast a spell you know. Leveling up gives access to more options, but the basics are never useless.

* Fighting isn't just reducing one side to 0 HP faster than your enemy reduces yours. Use your skills and tool kits to Neutralize the enemies without having to fully deplete their HP. Defeat enough enemies, and the rest will retreat once you break their Morale.

This is a submission but i think they meant to make it an ask I've heard of it! can't buy it rn because of lack of ca$h but it looked at the very least really interesting, even though I hated how it was pitched (WHAT DO YOU MEAN "FINAL FANTASY MEETS STAR TREK", THAT'S LIKE SAYING WORDS MEET IMAGES. THATS SO VAGUE)

#submission

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mylordshesacactus · 3 months

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LOVE, WATER, FIRE

What is your best writing advice?

"Show don't tell" doesn't mean what you think it does. Learn it better, and free yourself from a half-understood mnemonic.

When you show, you slow. Learn THAT one backward and forward as well; it won't fix pacing issues overnight, but it'll help you understand what causes them.

Writing fanfiction? Go back to the source material FREQUENTLY, or you'll lose all sense of the characters and end up writing someone unrecognizable.

If you struggle to block out action sequences, genuine advice? Think in terms of combat rounds in D&D. Not literally, of course, nobody should be taking rigorous turns, but: Play out the action in your head. If six seconds have gone by, everyone in this sequence should have done something. That thing could be charging into melee range--noting that this extra combatant is running toward the fight but hasn't gotten there yet. It could be reloading a weapon. It could be clutching their side in shock and wheezing. They don't need to be Selecting A Combat Action, but fight scenes become incoherent when you lose track of who's doing what. When you forget about Goon #3 and then have him show up again doing something that doesn't remotely track with where you last left him. YOU DON'T EVEN HAVE TO INCLUDE THEM IN THE NARRATION if they're not important! If two seconds ago your protagonist kicked a guy off the dock, we can safely assume they'll spend at least the next several "combat rounds" climbing back out. But at any given moment, YOU should know where everyone is, what they're doing, and why.

But most importantly:

Anyone purporting to give The End-All Be-All Writing Advice is either delusional or a scam. Yes, including or perhaps especially famous bestselling authors. What works for them won't necessarily work for you, and there are plenty of people who don't even like their work. You're never going to be whoever's advice you try to mimic. Write your stuff, not theirs.

Do you prefer urban fantasy or high fantasy?

Yes!

Genuinely though. They're both good and they both serve their respective narratives in some way. In general I'm more drawn to high fantasy, personally, but I'm never not going to be interested in a well-done urban fantasy.

Pedantic nitpick though, these things are not the opposites they are being portrayed as. I think what the question was GOING for was actually "low vs high fantasy" which is a completely separate concept. Words mean things! But also, I'm not an ass, and the intent was pretty clear.

(High Fantasy: This story is set in a completely separate world from ours, with no crossover into our known and lived reality. ANY completely separate world, regardless of technology level! STAR WARS IS HIGH FANTASY. This is not an opinion, this is a genre fact.

Low Fantasy: The story is set partially in our world or includes crossover or other intrinsic connections to a realistic world that follows the same rules and expectations of our world. Isekai and portal fantasies like Narnia fall into this category, as do hidden-world/veiled-magic fantasies like the Bad Wizard Lady Books, Percy Jackson, and Artemis Fowl; and also a lot of true-anthropomorphic fiction like Watership Down, Warriors, etc. Note that "low fantasy" does NOT mean "gritty" fantasy or fantasy that focuses on the lower classes instead of nobles, nor does it mean a low-magic pseudo-medieval setting

Urban Fantasy: A story with fantasy tropes and themes that takes place in an urban setting. Can be low or high fantasy!)

What is the worst thing you've ever created?

Okay so this one time in high school me and my best friend Sam were trying to make lemon bars at his house and to this day we do NOT know what the hell ingredient we neglected to add to the lemon bars

but given the state of the results, there is a non-zero chance that the ingredient we forgot was flour.

#askmeme #not today satan I do not shittalk my work #i learn from it

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lizzylucky · 1 year

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Thoughts and Observations From the Movie, Part 4/4

Back again one last time for whatever this nonsense compilation is!

If it isn’t immediately recognizable, this is the scene when Leo goes “what you fail to understand is that I missed on purpose”, and he stabs the leg of the mech suit Krang one is in to ensure it goes with him when he teleports to the blade he threw to the other side of the portal.

And I REALLY wanted to point out this particular shot because of the splatter. It’s kinda gory, but it further implies that the technology used by the Krang is not entirely inanimate; it’s got a biological nature entwined with the technological structure of everything. This is especially interesting to me for another sort-of theory I’ll explain later in the post.

Further content below the cut!

More angst! Delicious. Prepare yourselves, because I have a lot to say about this part of the movie.

Watching the way each brother reacts to what they believe to be Leo’s death sentence, effectively his death, really, given they don’t think he’ll ever exist within their reality again, is… so hard, but it shows a lot about their individual thought processes.

Mikey had his hands clasped over his mouth, fear, anxiety, and disbelief radiating off him. He’s watching that portal shut down in slow motion, already teary eyed and subconsciously trying to will away what just happened. As the portal blinks out of existence, his arms drop to his side and his posture drops and stiffens in tandem with his forefront emotions mixing and making him go numb. Now, he’s just trying to process it, pushing against the reality as it trudges through the gears of his mind, still in fight or flight mode. He’s frozen between his disbelief and the latent need to do something while grief takes the place of all that anxiety he was feeling before.

I think this actually leads pretty seamlessly into his attempts to rescue Leo. It’s established right near the beginning of the movie that Mikey holds so much faith in his family and in himself, believing that your own determination can be stronger than anything that gets in your way. It’s one of his defining character traits; such a fundamental part of who he is that they use it to help introduce him in the movie.

“According to my calculations, as long as you believe in yourself, you can do anything!”

While Mikey is stuck processing what just happened to Leo, stuck in disbelief, his emotions are warring with who he is at heart, and it’s why he goes numb until that desperation to change reality by sheer force of will comes in. Until that point, he seems to struggle a little with differentiating between what he believed should have been the outcome, and what reality was telling him.

Raph, similarly to Mikey, watched the moments before the portal closed with fear and anxiety gripping his heart. He knew and understood what Leo was doing probably better than any of them because that’s what he does. You have to consider that only ten minutes prior to this, Raph had been fighting Leo with intent to kill and no control over that.

Raph has been fighting for the entire movie, first against some low level villains, then the Foot Clan, then the Krang, then the take over of that horrible Krang biogrowth and against its mind control, and all of it, all of it, was for his brothers. This horrible thing the Krang did to him happened because he chose to protect Leo, and we all know he wouldn’t take it back for anything because his family comes first. He knows that, and he only just overcame all of it only to watch his little brother do something necessary but heartbreaking.

I think Raph felt it was his job to protect Leo. Forget who’s leader, Raph is Leo’s older brother, and none of them, being kids, should have had to do any of this, so, naturally, it’s Raph’s job to lighten the load for them as much as possible. He thinks it should have been him up there, making sure his siblings never had to bear this particular burden again. Watching someone else do what was normally his job probably leaves him feeling out of place, leaves it all feeling utterly surreal, and when it’s done and their connection to his younger brother is cut off forever, he breaks.

Everything about this is unreal, but watching Leo make a concrete decision and watching the portal close were real, and with all those thoughts about being a protector floating around suddenly having been shut down, it’s all Raph can do to fall to his knees and grieve. Beat the earth for making the worst things a reality, slam his fists for having failed to do their job, curling in on himself because his sense of self, his sense of purpose, is crumbling and he has no other way to hold the pieces together.

He will never even have the opportunity to protect Leo again.

Then, there’s Donnie. I’ve seen a lot of really good interpretations of his reaction to Leo’s sacrifice, and though it isn’t a common one I should admit I disagree with the one where the reason he’s apparently shocked by his own tears is that he doesn’t really cry. He maybe doesn’t cry super often, but Donnie is, despite appearances and behavior, actually a very emotional person, more sentimental than all his family, in some ways.

Notice that Donnie, at first, is facing the portal, and, for me at least, the expression on his face seems to convey a stream of thought composed entirely of the word “no”, over and over again. Like he’s mentally demanding “what are you doing?” and refusing to acknowledge that he knows exactly what Leo is doing, exactly what’s about to happen, and exactly what it means the rest of life is going to look like for him.

Donnie, with his highly observational and overworked thought process is analyzing every part of this situation, following the logic of Leo’s decision, looking for any other possible outcome and ruling all ideas out, one by one, as every one of Leo’s words and every element of their circumstances converge on the same result. He’s so busy focusing on the analytical perspective of all the emotion that he doesn’t realize he’s panicking, doesn’t realize it isn’t an effective method against having to feel those emotions.

So, when the portal implodes and destroys every possible future with Leo in it, changes everything about how Donnie thinks and perceives his own reality, it forces every train of thought to a stop and Donnie to confront these emotions with no logical anchor to his new reality. I think that’s why he turns around, because the longer he looks at the last remaining remnants of what took his brother, the more real that all becomes, and it’s overwhelming.

It also seems to be why he’s so shocked by his own tears. He went from being engaged with countless logical trails to follow to overwhelmingly empty in several ways-- none of which he could put words to. Finding the tears on his face and realizing that the emptiness and grief and pain were all he had in that moment, and that they were getting past every failsafe he had to keep them under control, seemed to go against the nature of his own mind and further confirmed that even looking away from what happened made it no less real.

If he was grieving already, then he couldn’t have imagined what he saw, and that’s just one more piece of logic that clears from his mind and leaves him emotionally stunned.

Okay, that was a little intense, so. Let’s change tracks 😅

Supposedly even the shape of Raph’s and Donnie’s eyes here is a nod to the shape of Leo’s, and this is such a cool thought. Leo and Raph, earlier in the series, briefly had each other’s eyes when Ninja Mind Melding, which symbolized their intense connection to one another.

So the idea that something similar is happening here has me almost giddy. It was Mikey’s desperate attempt to save Leo that triggered the formation of the portal he creates, and Raph and Donnie are just as desperate once they realize all hope is not lost. What you see with their eyes here implies that the reason making this portal was possible is not just Mikey’s mystical prowess or his desire to open a portal to the prison dimension, but the brothers’ intense and deeply emotional attatchment to Leo. The portal worked because Mikey was looking for Leo, NOT the prison dimension. And I just think that’s neat

That little red-ish spot in the center of this screenshot is Krang One, still in his mech suit, which is huge in comparison to the boys. Now look at the figure behind him, and think about how massive and mech-suit-like that thing is.

I don’t have screenshots from the last episodes of the show, but remember that they found the skeleton of a Krang inside the head of the crying titan? Who happens to be ENORMOUS? Yeah, I have some thoughts and concerns alike.

And! A final, much fluffier note to end on! Subtitles don’t show it, and it was quiet enough that I missed it the first few times I watched the movie, but here on this ending scene, actually in the moment before it shows this particular image, you can hear Donnie shout, “all right, big Raphie, let’s do it!” and I just think that’s utterly adorable.

As I’m writing this I have no idea if anyone will read any of these four posts, but if you did, thank you! I like feeling heard :3 If you have any thoughts or add ons, or if you know, like, some super obscure, unknown cool/silly detail from the movie, I’d love to hear it! Additionally, if anyone wants me to expand on any of the things I said, or if you’re curious about my perspective on other theories around these things, my ask box is always open!

Part 1 Part 2 Part 3 Part 4

#rottmnt #rise of the teenage mutant ninja turtles #rise of the tmnt #save rottmnt #save rise of the teenage mutant ninja turtles #save rise of the tmnt #analysis #theory #screenshot #rottmnt movie #rise of the teenage mutant ninja turtles movie #rise of the tmnt movie #rise leo #rise donnie #rise raph #rise mikey

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scifigeneration · 5 months

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Sci-fi books are rare in school even though they help kids better understand science

by Emily Midkiff, Assistant Professor of Teaching, Leadership, and Professional Practice at the University of North Dakota

Claudia Wolff

Science fiction can lead people to be more cautious about the potential consequences of innovations. It can help people think critically about the ethics of science. Researchers have also found that sci-fi serves as a positive influence on how people view science. Science fiction scholar Istvan Csicsery-Ronay calls this “science-fictional habits of mind.”

Scientists and engineers have reported that their childhood encounters with science fiction framed their thinking about the sciences. Thinking critically about science and technology is an important part of education in STEM – or science, technology, engineering and mathematics.

Complicated content?

Despite the potential benefits of an early introduction to science fiction, my own research on science fiction for readers under age 12 has revealed that librarians and teachers in elementary schools treat science fiction as a genre that works best for certain cases, like reluctant readers or kids who like what they called “weird,” “freaky” or “funky” books.

Of the 59 elementary teachers and librarians whom I surveyed, almost a quarter of them identified themselves as science fiction fans, and nearly all of them expressed that science fiction is just as valuable as any other genre. Nevertheless, most of them indicated that while they recommend science fiction books to individual readers, they do not choose science fiction for activities or group readings.

The teachers and librarians explained that they saw two related problems with science fiction for their youngest readers: low availability and complicated content.

Why sci-fi books are scarce in schools

Several respondents said that there simply are not as many science fiction books available for elementary school students. To investigate further, I counted the number of science fiction books available in 10 randomly selected elementary school libraries from across the United States. Only 3% of the books in each library were science fiction. The rest of the books were: 49% nonfiction, 25% fantasy, 19% realistic fiction and 5% historical fiction. While historical fiction also seems to be in low supply, science fiction stands out as the smallest group.

When I spoke to a small publisher and several authors, they confirmed that science fiction for young readers is not considered a profitable genre, and so those books are rarely acquired. Due to the perception that many young readers do not like science fiction, it is not written, published and distributed as often.

With fewer books to choose from, the teachers and librarians said that they have difficulty finding options that are not too long and complicated for group readings. One explained: “I have to appeal to broad ability levels in chapter book read-aloud selections. These books typically have to be shorter, with more simple plots.” Another respondent explained that they believe “the kind of suppositions sci-fi is based on to be difficult for younger children to grasp. We do read some sci-fi in our middle grade book club.”

A question of maturity

Waiting for students to get older before introducing them to science fiction is a fairly common approach. Susan Fichtelberg – a longtime librarian – wrote a guide to teen fantasy and science fiction. In it, she recommends age 12 as the prime time to start. Other children’s literature experts have speculated whether children under 12 have sufficient knowledge to comprehend science fiction.

Reading researchers agree that comprehending complex texts is easier when the reader has more background knowledge. Yet, when I read some science fiction picture books with elementary school students, none of the children struggled to understand the stories. The most active child in my study often used his knowledge of “Star Wars” to interpret the books. While background knowledge can mean children’s knowledge of science, it also includes exposure to a genre. The more a reader is exposed to science fiction stories, the better they understand how to read them.

A matter of choice

Science fiction does not need to include detailed science or outlandish premises to offer valuable ideas. Simple picture books like “Farm Fresh Cats” by Scott Santoro rely on familiar ideas like farms and cats to help readers reconsider what is familiar and what is alien. “The Barnabus Project” by the Fan Brothers is both a simple escape adventure story and a story about the ethics of genetic experimentation on animals.

The good news is that elementary school students are choosing science fiction regardless of what adults might think they can or cannot understand. I found that the science fiction books in those 10 elementary school libraries were checked out at a higher rate per book than all of the other genres. Science fiction had 1-2 more checkouts per book, on average, than the other genres.

Using the lending data from these libraries, I built a statistical model that predicted that it is 58% more likely for one of the science fiction books to be checked out in these libraries than one of the fantasy books. The model predicted that a science fiction book is over twice as likely to be checked out than books in any of the other genres. In other words, since the children did not have nearly as many science fiction books to choose from, their readership was heavily concentrated on a few titles.

Children may discover science fiction on their own, but adults can do more to normalize the genre and provide opportunities for whole classes to become familiar with it. Encouraging children to explore science fiction may not guarantee science careers, but children deserve to learn from science fiction to help them navigate their increasingly high-tech world.

#science fiction #reading #science fiction books #education #k 12 education #literacy #science literacy #science fiction literature

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ritunn · 10 months

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Fabula Ultima: High Fantasy Atlas Review

Emmy award winning TTJRPG, Fabula Ultima, just released its first sourcebook in English! The High Fantasy Atlas is already a best Electrum seller on DriveThruRPG and at the time of writing, the best selling book on the platform this week... all within one day! But, if that hasn't convinced you, let me offer you my review.

What do you get in the High Fantasy Atlas? Well you'll find the following:

Chapter 1 - Introduction: This section covers how the pillars of JRPGs work in High Fantasy games and offers more details and examples on how to implement them. Very useful for session 0 world design.

Chapter 2 - The World: This introduces 10 sample high fantasy locations you're likely to explore in a high fantasy world of Fabula Ultima game along with advice for creating new Arcanum for the Arcanist class, details concerning the creation of gods and demons, how the Stream of Souls functions, and info on tech and magic. The latter part of the chapter has new rare item rewards and artifacts you can give players!

Chapter 3 - Protagonists: This chapter includes sample PC ideas with info on them along with the new custom weapon, quirk, and zero power optional rules. The latter part of the chapter includes 4 new classes, the chanter, commander, dancer, and symbolist, along with heroic skills for classes new and old.

Chapter 4 - Antagonists: The first part of this chapter explores how to use antagonists in High Fantasy games while the latter half offers 5 villains from levels 10 - 60 you can use in your game or as a jumping off point to make your own!

Overall, 200 pages of content useful for not just High Fantasy games, but any really! Let's go over some of my favorite bits in each chapter.

Chapter 1: Introduction

This chapter, though the shortest, is incredibly helpful. Having examples and additional explanation for how to implement the pillars is useful for groups, especially those coming from systems like D&D and Pathfinder who might not be used to having such power to shape the world. Otherwise, it offers a solid introduction to the genre as well.

Chapter 2: The World

By far the longest chapter, there's a few notable things that aid immensely, but let us begin with how the sample locations work.

Each of the 10 locations starts off like this with an intro and an "at a glance" sidebar. This really helps you conceptualize what the area is supposed to invoke feelings wise and offers you nice reference for travel rolls and what kind of enemies and discoveries you may find here. I highly recommend doing this for locations in general your group makes, it helps a ton.

After this, each location has some example quests and questions to ask your players to flesh out this area and areas like it. Perfect for giving others the ability to add their own flair to the area and to get them started with playing when they enter the area. These story hooks also often have a villain described with tactics they use and any relevant clocks, but they have no stat blocks, so you can make them to fit with your group's playstyle for combats.

Afterward is a section on how to run conflicts and make them memorable, helpful if that is something you've been struggling with. It also has some nice ideas regarding how to run fights against armies, which is certain to come up here and there in games.

Lastly, we explore the magic and tech of High Fantasy. The advice for making new Arcanum, whether for world building themes or for the Revelation heroic skill, is greatly appreciated as it's one of the hardest things to balance and get right without a good understanding of the game. Advice on how the afterlife and Stream of Souls works thematically in your game is also useful and it offers some nice plot hooks you can use with the ideas presented I've put into practice even before the release of the Atlas to great effect. Lastly, the section on technology is short but appreciated, exploring how it differs from a Techno Fantasy game.

The new rare items are mostly geared towards enhancing specific skills for classes rather than general use, but it's handy for figuring out how to price similar items focused on certain skills when making your own. The new artifacts are also grandiose and powerful additions to any game, magnificent rewards if your party can acquire them. My favorite is a book that contains all knowledge up to the present moment in time, but was sealed away in the far reaches of space... supposedly.

Chapter 3: Protagonists

The main course! This has the 4 new classes and a bunch of optional rules we saw in the playtest. But, first I want to take a look at the sample PCs.

Each of the 10 sample PCs has a profile like such. It covers the usual Identity, Theme, and Origin, along with a Quirk and signature weapon. Quirks are a new rule that work as backgrounds, but suped up with powerful game changing and character altering effects ranging from gaining some spells to being able to choose to make costs for a spell or Ritual free at the cost of eventually summoning a supreme villain... that will come eventually whether you like it or not. Ones like those typically give you a free heroic skill when the big event comes and you lose the quirk. Preparing you to face a new horizon or final foe.

Back to Raisa however. As we can see here, it has info on her backstory, classes, what she gets to decide about world building wise, and how they'll grow in their own character arc. Useful for someone who wants to jump right in with a somewhat premade character, but even more useful for showing your players what you need to know about their characters if you're a GM. This should also help direct and inspire players during world creation. Which I greatly appreciate. Now, for the new optional rules (besides quirks).

Custom weapons are pretty simple. They're essentially weapons you design mechanically as a player. They're always two-handed, cost 300 - 400 zenit, can be any weapon type you want along with being melee or ranged, and deals [HR + 5] physical damage with a [DEX] + [INS/MIG] accuracy check depending on what you choose. You can then pick a few traits, like Powerful for extra damage, Defense Boost for extra armor and to make it count as a shield, or Transforming to let it switch between two different modes. Depending on what traits you pick, it may also become martial. This rule can be used by anyone who wants to use it without fuss unlike quirks and zero powers, as it adds no extra power and is fairly balanced. Some people could play with custom weapons, some without. But, it allows for you to add a lot of style to your character if you choose to do so.

Lastly, zero powers are a mechanic I've been using for half a year from the playtest and it's loads of fun! Want a limit break or perhaps combo attack in vein of Tales of Arise? Zero powers have you covered. When using this rule, you gain a 6 point clock that fills whenever taking damage, spending a Fabula Point to invoke a trait or bond, or via special Zero Trigger you pick when making your power. Then you pick an effect to go with the trigger you can unleash with an action when the clock is full, like Zero Limits which boosts all your stats by 1 die size or Zero Triangle to allow you and 2 allies to make a free attack with a +5 bonus to accuracy. Zero Powers are loads of fun and you can even allow for players to charge them up together for combo attacks with a variant rule for 4 or less player parties.

Welcome to the show! The Chanter is your premier bard. Chanter's main skill is Magichant, which allows them to sing or play songs you compose yourself by picking a volume (to determine number of targets), key (to determine damage types, attribute, status effect, HP/MP), and tone (to determine the effect with info filled in by your key). It's an amazing support class with high MP usage, but they can easily target enemy Vulnerabilities or act as a debuffer too to tear their foes apart. Their other skills allow them to perform hearing-based illusion Rituals, increase damage or regain MP when enemies are hit, give damage reduction to themselves, or get a free attack with low and medium volume magichants.

Being a chess master is the name of the game with Commander. Gaining access to martial weapons of all types, the Commander has skills focused on creating conflict scene wide buffs and debuffs to everyone. Use Bishop's Edict to double MP costs or increase all damage or King's Castle to increase HP/MP recovery or null it entirely. Their other skills allow them to command allies to make free attacks with handy bonuses and chain together their skills when doing so, leading to a flurry of activations. But be careful, one wrong move can lead to your downfall. Commander works best as a sort of Warlord class, they're a support martial pure and simple, but if the player using it isn't very smart about how they use their skills they can put everyone in a heap of trouble.

Swift of step, Dancer's main skill is well... Dance! Dance allows you to spend 10 MP before or after an action to perform a dance (5 MP if you used Dance last turn). Dances provide a variety of effects but most give you resistance to a damage type or allow you to alter all your damage to that type until the end of the turn or give the enemy a status condition, or another different one if they already have it. There's also healing and haste dances if you want those too! Their other skills allow them to apply dances to others they have affection towards, dance and use the equipment action for free, get bonuses towards rolls involving acrobatics for Objectives, or increase the damage of their weapons or spells after dancing. Dancer is primarily another support class, but their ability to change damage types and increase damage makes them amazing at targeting Vulnerabilities and denying enemies damage by gaining Resistance.

Symbolism has always been the heart of magic and the Symbolist knows this best. An IP focused class like Tinkerer, Symbolist's main skill is Symbolism. By spending 2 IP, you can create a symbol and attach it to an ally or make a free attack and apply it to every enemy you hit (amazing with multi). Symbols range in effect from halving recovery, providing one free IP expenditure, or even changing the creature type. Their other skills allow allies with a symbol cast your spells, make sight-based illusions with Rituals, track enemies with symbols, and increase damage or recovery on those with your symbols. The Symbolist, like the Tinkerer, is focused on IP usage and as such will need a class like Rogue, Merchant, or Wayfarer to help keep that up. However, symbols allow for a lot of strategy and creativity in character building that you can use to your benefit. Picking your symbols will be paramount to your build, so be smart about what you pick and smarter about who you apply them too. Sharpshooter and Weaponmaster are also great picks if you intend to apply symbols to enemies.

Lastly, the new heroic skills are all solid. Most focus on using specific types of weapons, now rewarding you for sticking to them as your signature weapon. There's even a few only available to level 30 and higher, notably, Bimagus, which let's you dualcast spells and Grand Summon, which allows you summon Arcanum as separate entities to help you rather than merging.

Chapter 4: Antagonists

Compared to the last two chapters, there's less to say here but there is some great content. This chapter includes 5 villains of levels 10, 20, 30, 40, and 60 that make for fun inclusions in any High Fantasy game. The villains range from a pirate queen to the incarnation of narrative tragedy itself and each comes with a statblock, minions (if they have any), and advice on how to run their encounters. Some even have multiple phases, which is a great example of how to build your own multi-phase boss fights, after all... this isn't even their final form!

One thing to remember when using these enemies (and the book points this out thankfully) is that Fabula Ultima is designed in a way where you, the GM, have to make monsters your party can reflect upon and has the tools to fight effectively. So, when using these, change up the affinities, give them a makeover to connect to the heroes if needed, and use them as you see fit!

Final Thoughts

If you have been loving Fabula Ultima, pick up this book. There's so much great advice for running games and new content for players and GMs alike. You won't be disappointed! There's also some more beautiful JRPG style art within just like the Core Rulebook. If you enjoyed Bravely Default, FFIV, FFIX, FFX, or Tales of Arise, this book will let you live out the same fantasies and journeys featured in those games and gives you even more tools to be your very own heroes of High Fantasy and challenge tragedy itself on the Final Days.

You can purchase it on DriveThruRPG for $14 USD ($20 CDN).

#fantasy #ttrpg #jrpg #fabula ultima

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excellentblurrecognition · 2 months

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discovery honestly really struggles to take the destruction of book's planet fully seriously and they're doing him so dirty and it bothers me so much. i know it is fiction, i know it's not a real genocide, i know that no one involved is a political scientist thinking about the extended political ramifications of the narrative. but also i need the writers to realize that "accidental" genocide is not a silly funtime premise that can be pared down into a romantic conflict the next season because genocide does in fact have extended and unavoidable political ramifications.

so species 10-C is leveling a planet-destroying weapon anywhere they want in the universe with total disregard and willful ignorance towards even the potential of other lifeforms, they do destroy a planet and wipe out all of its life, cultures, languages, relationships, more, plan to do it again, and they're not!! bad guys! they destroyed all life on a planet mining for raw materials (Not Fucking Cool regardless of whether there's human-equivalent sentience there) and they're not bad guys because they didn't know, they didn't think about it, it was an accident. and that's as deep as we go. if we ask if they had a responsibility to check for life before pointing their WPD (weapon of planetary destruction) out into the universe, the answer is absolutely and unequivocally YES. of course they did. but 10-C never has to answer for this.

book does. book has to accept that their willful ignorance and the devastation they wreaked against him and his is nothing. stricken from the record, not even a tally of their sins. in this we see a distinctly brutal and american legitimacy of violence. like a recreation of global superpowers vs the third world. 10-C is a powerful and technologically advanced species using dyson rings and advanced mining technology. they're equal with and to the federation. they're considered a State. despite being the last person from his planet, book isn't considered a State. book comes from a piddly little planet with no significantly advanced tech that the federation sees primarily in terms of the aid it requires. the equivalent of a third world country changing proxy states from US to USSR except it's the orions to the federation. not allowed at the big boys table. book is not allowed to withdraw from the federation or their authority, he's not allowed to act on behalf of his planet without the federation's permission, he's not allowed to react to the destruction of his planet and its people like the act of war that it is. he, his species, his planet are not considered equal to the federation like 10-C is, so he must be punished for the arrogance of acting without authority

10-C is allowed to wipe out a planet while mining for raw materials without being considered criminal, but book is criminal for attempting to deactivate their weapon. and no, he did not care about the possible consequences to 10-C in deactivating the WPD because 10-C CLEARLY didn't consider the consequences to anyone else before activating it. in this, you see the paternalism. one man from a piddly planet without technologically advanced resources can't possibly understand the choices that he's making or their consequences. ignore that he is actively being lied to and mislead by the same scientist the federation was relying on. Book individually is more responsible for negative repurcussions of trying to destroy a WPD than the species that created it. he must be punished for thinking his miniscule concerns are worth the risk of galactic war. not 10-C though. their actions are completely different. destroying entire planets without checking for life first isn't a risk of galactic war that can be held against them. because their motivations aren't personal, not polluted by grief or revenge or any emotional attachment to anything they're destroying, they're elevated. superior. advanced. just mining, just business, just an accident. they didn't mean to.

it was fine when michael was like "we disagree but I can't judge you for your choices." but now that she actually has a problem? now that she didn't call him for MONTHS after he lost his entire planet and was criminalized for trying to destroy the weapon that caused it? because she thinks he should have considered "maybe they didn't mean it" more deeply when (a) there was no possibility of communication until literally the penultimate episode; (b) i cannot stress this enough-- 10-C destroyed multiple planets including his own and (c) he turned against the evil scientist the second he figured out what was going on? i'm furious. i've got steam blowing out my ears.

part of this is the structure of trek's fictional universe. everything is resolvable through diplomacy, so "they didn't mean to!!!" has to remain meaningful. another part of this is that trek is distinctly and profoundly american and therefore unable to reckon with the violence of base assumptions of the american state. because "they didn't mean to!" falls apart as an argument when it comes to building a planet destroying mining laser, pointing it at an inhabited planet, activating it, and destroying the planet. you absolutely did mean to do that. you did not mean for anything to survive and give you grief about it. but that is still the narrative we have and its justification

it's like the writers heard "trust intent, name impact" once, tried to apply it to (admittedly fictional but still) genocide, and then also forgot to name impact. it's science fiction. social sciences are sciences. where's my fucking truth and reconciliation council

#blur recognized #star trek discovery #star trek #star trek disco spoilers #michael burnham #cleveland booker

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faithfromanewperspective · 7 months

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the western sydney work ethic, mental health, burnout, inequality and ableism

inspired by ashton irwin on artist friendly with joel madden and 17902 sustainable urban development at the university of technology sydney

I’ve teased the idea of writing this post for a while now, and now I’m sitting in my borrowed bed in Sydney with the graphs and maps from my course still at the back of my eyelids and still processing the Vibes of catching up with my childhood friends and wondering if it’s too early to go to bed if the sun’s still up—it’s time to let it out. Because I found a bunch of seemingly unrelated things and put them together in a way that helped me process my upbringing and the way it’s positioned me as I go through life even now.

For background of this post, the Greater Sydney metropolis has a very stark rich/poor divide, where a large strip from the west going to the south of the city have been left behind in a variety of ways. In my uni course I see the maps on income, education level, job overqualification, crime, violence… they’re nice and set out, and they validate what I already intuitively knew—just like everyone who grew up in the area I’m going to refer to vaguely as Western Sydney. These graphs put words to something I’ve lived when I was too young to process it, something I hear the impacts of in 5 seconds of summer’s songs like I’ve never seen in any other art ever.

I know many people relate too and I don’t want to say you have to be from Western Sydney to get it. There are plenty of other places with similar trends, but this strip of suburbs, half a city, is where I grew up and the case study I’m going to use for the phenomenon I’m going to describe in this post.

Having spent the last decade and a bit in a more conservative, more sheltered area of suburban Brisbane, where people take it slow and at least attempt to have fun without getting completely wasted; where people have high expectations for their lives and livelihoods they never quite meet and where they’re the kind of emotionally aware that you hear all about how stressful that experience is: this was the backdrop of my teens and young adult years to this point. It’s where I learned about mental health and neurodivergence and ableism and where I really explored what faith and spirituality is to me. It’s where I never quite felt comfortable when people were too polite, where I poured all the belief they had in me as a gifted kid plonked into that environment I wasn’t native to into the delusion that I could deconstruct the unequal education system of their own creation if I only worked harder than anyone had ever worked before. Then they would finally listen. It’s where I tried and tried to get help for my mental health and wasn’t listened to either, not when I presented so well and was simply unable to unmask until I was unable to mask at all. Where the slightest bit of hope caused me to forget everything that was hurting me, making it a struggle to work through even to this day. where I wondered if I was some superhuman for the fact that I can work my ass off without even realising it’s hard work, a smile on my face and arms open for connection as always (the mark of health they say) while being desperately unwell, hurting, thinking I had it good compared to some of the people I’d see crumple under the pressure, I should be kind to them (not understanding why I found them so, so relatable).

I am not a freak of nature, or superhuman, though I am neurodivergent and twice-exceptional. I am the product of my upbringing and my ancestors. I carry generations of culture from hectares of foreign lands my ancestors made their homes on (ethically questionably in some cases I do acknowledge) and became part of the ecosystem of. It is, like most difference, a gift and a curse. Something that makes certain measures of ableism not apply to me, but creates others in their place. I’ll get into this more later.

in the strip of suburbs united by demographics we call Western Sydney, farmers from the notoriously difficult land of the Murray-Darling and immigrants from everywhere on the planet, some Indigenous but few Indigenous to Australia, make up classrooms, neighbourhoods, workplaces. Think I Am Australian by The Seekers, but just the verses, as a snapshot of some of the stories representative of the people. Interwoven in the landscape. We celebrated Harmony Day on the 21st of March in my primary school. Everyone had a different cultural background. We heard different languages spoken on the street. There were stereotypes. There were scared people trying to find their tribe, build a life in Australia, away from the larger scale farms, get their kids a good education to do a trade or go to university. Fear and angst and hurt coexisting with an appreciation of the juxtaposition of others you’d never head admitted out loud. But the second verse of the Australian national anthem was written just for us, or might as well have been. Beneath our radiant southern cross, we’ll toil with hearts and hands… google the lyrics, you’ll get it, you’ll see why I wish the rest of Australia did too: for those who’ve come across the seas, we’ve boundless plains to share, with courage let us all combine to advance Australia fair…

No one with the power to acknowledge this I interact with these days remembers the second verse. Except 5 Seconds Of Summer, in their ridiculous little promo videos, who I’d bet the rubble that’s left of my parents’ old house as the new owners turn it into a mansion because Gentrification, have no idea of what a meaningful gesture that is.

I can feel the wounds of being torn from the good parts of that experience closing over. And so it’s time to give the often forgotten stories on an often forgotten piece of land that made me and also these four wonderful humans who we are today, the credit it deserves. Start by telling our stories.

One thing I love about Artist Friendly is it cuts straight to it. Joel Madden is just incredible like that—in a world coming out of the 2010s pop decade of dancing while the room is on fire (bloodhound, 5sos) put your rose coloured glasses on and party on (Katy Perry’s chained to the rhythm) (these I would consider more analytical quotes of the era, one whose vibe was ‘forget all the pain in the world, let’s party and sing about how horny we are’ which for all my cynicism I did find fun)—he kept up his punk edge, kept investing in new musicians, searching for and investing in what’s real. He also really loves Australia, and when you put our underdog-supporting attitude next to Good Charlotte’s songs you understand why. Anyway, the episode pretty much opens by him asking Ashton about his background, and relating from the perspective of working-class-emotionally-unavailable/immature-parents-who-showed-their-love-through-provision-and-really-did-try-to-be-there-but-had-none-of-the-resources. I like the positive take. It’s high time we stop being classist and ableist towards the people who’ve met our needs as much as they were able, but it still wasn’t enough. Who taught us how to take opportunities, work to prove our worth, and through it all couldn’t even afford therapy.

I used to think my family was rich because we lived in Australia and my parents had gone to university. Never mind the fact that I was born when they were barely older than I am now. Never mind the mould in the walls or sneaky Tuesday night washing of the school uniforms in the summer when we got sweaty and there weren’t any spares or the mismatched bargain bin clothes we wore or the bedroom I shared with my sisters. I knew the people I compared us to. And now I do really believe if I’d grown up a bit less frugal or even a few k’s out of the area I did I wouldn’t be who I am. I wouldn’t have the perspectives I have, nor would this podcast episode have me feeling so seen. Like, yes I lived a bit further into the city than these guys, close to the train line without any farmland where the house values shot up seemingly overnight and meant the area I grew up in is experiencing a very weird disparity as two cities collide within it today. But we grew up in the same era in western sydney, we grew up loved and knowing that was a privilege and we grew up knowing from a very young age we had to spend our whole lives working hard if we wanted life to be manageable and we better be polite and better not ask for too much.

yet we also grew up with hurt. From the trauma we inherited from our caregivers as we encountered the attitudes and fears with which they faces the world. From what we saw our peers go through much too young to be able to draw boundaries with the empathy we felt too much of and understood nothing of. From broken family relationships that were all too common. From religion that hurting people used to cause or at least stagnate hurt instead of healing.

when I was burning out and struggling as an unrecognised neurodivergent I used to wonder why my father would place such value on the Protestant work ethic when Jesus died exactly so we wouldn’t have to strive. And I acknowledge that the PWE is harmful to many disabled folk or literally anyone who has experienced the demands of life and had their stress invalidated for it. Including myself. But never having the expectation of a life of ease and luxury? I do appreciate that. It’s given me a whole different metric for how I view life, one none of my friends except those who are from those years of my life understand. No one in Brisbane or my online international friends seem to get it. But I’m sure when you see yourself in this post, that some of you will (we might be the largely unheard minority but I’m sure we exist. Joel Madden is proof of that). It’s given me a differently calibrated emotional pain scale in many ways. Different standards for when the warning lights come on (and I’m very perceptive of angst and disappointment and always see them in others to be worse than they are because of it). And when I look at everything this band has accomplished, I know it’s the same for them.

I have spent a lot of time these last years advocating for neurodivergent acceptance. I’ve done so in a way that made sense of the decade previous, of existing in a world of inequality I’ve always been so sensitive to and of expectations that I took on as opportunities (because what else have I been trained to do)? And yet so much of it is about funding and resources. And when there isn’t that? You make room for my favourite thing ever: grassroots, unofficial but beautifully organic loving neurodivergent affirmation. Plenty of rural folks, my grandparents included, hate labels, prefer focusing on strengths and equipping young people based on those than accommodating difficulties. They’re often seen as conservative, bigoted, ableist, and some of them are. But they bring with them an important lesson about how to live with the realities of the economy that they struggle in too, too much to support someone else. They don’t have the same impossible expectations of their neurodivergent progeny and protegees and community members that many who hold in their heads an idea of perfection they hope to bring to their families do (the kind of things sometimes only a diagnosis can free someone from, and nothing from the memory and shame of) and that—that is an important attitude for all of us to have.

Some people are unconventionally neurodivergent affirming while knowing none of the terms, or maybe trying to hold off using them because of the same economic and confidence reasons I’ve tried to unpack. Some rely on simple kindnesses and explanations that centre around possibility, and go nowhere near deficit. Some people know intuitively or through hard life lessons themselves (usually the latter) the value of stripping all but essentials from the functionality of everyday life. Not making it any harder than it is.

Of course you can drum on the tables in math class. My son is a musician, I get how it is.

Liz Hemmings is the only valid neurodivergence parent—I’ll say no more, it is how it is

Sometimes when we advocate for things we have to be aware that the way the dominant in-power often wealthy culture has figured it out isn’t always the best way to do things. Environmentalism is a prime example of this. This is why we need brown environmentalism and to decolonise and listen to our Indigenous stewards and share power.

You can take a lot of lessons from a place that’s as culturally diverse as Western Sydney. And you can see how a work ethic is facilitated, rather than gatekept. You can see why Ash, when asked by Joel if he’s scared of every getting back to that life (ref to poverty) his attitude is actually one of gratitude and almost reverence for the place that shaped him, that brought the band together and everything that came from that point forwards. That shaped their attitude and birthed the grit that got them through being on tour with one direction and I don’t think he said it but in Ash’s case I bet the empathy he has for the fans and the way he just wants to connect and create a fun experience but also one where we’re deeply seen by moving songs is because he knows what it’s like for so many people. You can’t not if you grew up like we did. You can see why Luke at any chance will say ‘we’re from Sydney Australia’. It has a way of sticking to you, the rich culture that’s a patchwork of orphaned cultures, the way everyday life is like one of those adventures you emerge from with strong bonds usually only found in fantasy novels. You can see that the band is proof that those bonds exist in real life.

after a decade and a bit pretending I know what leisure is and how to have fun without Bad Angst I’m glad that this proof is still in my life. I’ve still got close friends from primary school and few can boast that (we might not quite be Calum and Michael in that regard, but they still have other friends from primary who they’ve kept in touch with despite geographical separation as I have).

Now I’ve acknowledged this and traced the strings that are much easier to see when my own life is mirrored in a podcast episode, maybe I can find the good among the cultural dysphoria in the circles I do have in Brisbane, and do value still for what they are even if they’re not quite the same. Now that I can see how a world of too many opportunities and not enough freedom can burn someone out who came from this background, with the type of brain that flourishes on being a latchkey kid and sketchy hangouts with deep conversations and questionable substances but crumples under expectation and too much choice and politeness, I can put my life back together in a way that validates who I am and where I come from, rather than what those around me tell me should be good for me.

as, I can tell by this interview, these guys have. I want to be able to talk about suffering without people acting like it shouldn’t be something we can comfortably say out loud, as Ashton does here and through music. My art isn’t quite the same, but the purpose behind it is so, so similar. I relate a lot to the importance he places on spirituality, even if I’ve tried to do something with Christianity that it, in the mainstream at least, isn’t built for and probably can only partially do on its own. Maybe the epitome of humility is being able to learn from other religions and see them as gifts from God even as, and I include Christianity here as well, anything can be dangerous if used in a way that it wasn’t meant for: anything with power to heal has power or hurt too. I’ve got so much respect for how Ash does it. I think this episode really cemented for me that, and I feel like it’s something we as a fandom don’t talk about enough because of their characterisation (and fair enough, if you’re famous you don’t want people dissecting every part of you, and I’m not going to do that just give a generalised compliment): these guys are so incredibly resilient and intelligent and invested in creating healing and they’re really fucking good at it. They might present themselves as goofs with one braincell that create bops and fan over other celebrities as if they themselves aren’t famous too, but so much of that is humility and them baring themselves in ways that are sustainable and really emotionally mature (for the most part) to be relatable to us as fans and invest in making that connection genuine. They’re not pretending, because they understand how it is to be human.

and you don’t get there by being some sort of Untouchable Philosophical Genius Figure. you get there because you’ve lived in community and you’ve survived hard things because of other people who’ve done similar and created authentic art too. You get there often because you have to: because putting on a fake show and doing stuff for likes and popularity was never going to work and will only screw you up in the long run and you’re worldly enough to see that from a young age and learn from your own intuition and empathy and experiences. You get there because you lived your whole life being resourceful and being street smart and doing what it takes to make good decisions and invest in yourself (who else do you have who’s worth more than that) and your future. Doing what it takes to make sure you’re alive to learn how to do better at things you’re behind in that might keep food on the table in the future, because there’s none of that oh-it-won’t-happen-to-me attitude. That part is very sustainable which I love. I also really really relate to it and have found it something I would get complimented on when I was younger, too young to be so mature. But I never attributed it to myself. I knew somehow, abstractly, I was disabled and nearing my limit and everything I do I did so I could survive. It’s the western Sydney work ethic.

and yet this often beautiful phenomenon has its ugly side. If you know you’re neurodivergent even without the words—more often than not the only people you see who you relate to are those who didn’t make it, who fell off the horse of functionality and into things like addiction and other things that exacerbate the inability to empower yourself. You figure that when you’re honest with yourself you’ll be dead by 25. Sometimes you give up on trying to prevent that and wonder if it’s even worth it to attempt to keep going: is your life really worth that effort?? What I’ve described is a combination of the experiences of many people I know, aspects of it are mine, and aspects mirror things I know these guys have mentioned about themselves (I’m going to leave it at that vague level of detail). You wonder why people believe in you, is it only because any other option is unmentionable? But what if you let them down like you know (fear) you will? And burnout is the epitome of this: the need to let go of trying. And without a decent amount of privilege it’s impossible to return from.

I’ve been there and scrounged at straws of privilege I do have, pretending I’m doing my job to the level that others expect while letting go of every expectation I have on myself. Still problem solving outside every box on how to get back on my feet because I know nothing else, radically accepting that I might not and whittling down all my needs in life to the most essential, that I might still survive even at my limited and diminishing capacity. While always relating to those our society sees as failures. I’ve borrowed from other cultures that aren’t my own to have a stubborn sense of worth while trying to keep afloat in a society and economy that says it’s conditional. My spirituality comes in here, as do my problem-solving skills: again, maybe this culture fears burnout more than anything, but maybe it has half a toolkit on how to get out of it. Only half. I have to pair it with what I learn from others too.

and even through that, I’m immensely privileged to have savant skills and a generally able body. Just like when you make it big as a musician you’re privileged by that. Against a backdrop of I’m-nothing-special. I’ve always struggled with questions of my felt worth, because I’m so conscious of my privilege and ability that sometimes I get the two muddled (though I know my ability doesn’t define my worth in things I do poorly at, and my persistence technically doesn’t either but I’ll be damned if I don’t try and try and actually find doing badly more validating of how I see myself than when I do well, so I chase it again and again, my dad is the same, it’s what makes us so adventurous). I understand the consciousness of things that are going well not lasting, and pouring creativity for new ventures into things like selling candles. Instead of letting achievements make me believe I’m someone more important than I am, using them as ways of giving myself space to do whatever’s next, dial off the pressure a little bit.

I understand appreciating others’ sensitivity and the social capital they bring everywhere rather than their material wealth or achievement and when Ash praised Calum for that and said it made him look bad I felt that. Both the experience of being that counter-cultural person who doesn’t give a shit about money but values connection so, so much more (and from all I’ve written, you can see why, can’t you) to still never being able to be as good a person as I see the need for in the world.

I understand missing family and constantly grieving that, as I weigh up the city of my childhood with the friends and culture I love versus the city of my youth with my feathered family who are my children and who I hate to miss birthdays of and the like, same goes for my sisters and parents and grandparents, the way Ashton, the only band member with younger siblings, hates missing all their milestones too. I feel privileged that Brisbane and Sydney are so close to each other and nothing in my life is as far as Los Angeles. I understand the nostalgia for Sydney. This whole post is proof of it.

I understand the unbreakable bonds between people who make this kind of art together. I understand putting disagreements on the back burner and realising the connection through writing is so much bigger and the connection can overcome whatever is going wrong. Heck, I feel privileged to understand and relate to how such brilliant brains work (nature: neurodivergence I won’t go any further into as well as nurture) as well as the environment that made them what they are.

all my life I’ve longed for that kind of community and connection I’ve seen largely in fiction, sometimes between people in real life. And I think having written this analysis (it’s taken me til my bedtime or later) I do have all the ingredients there. All the ability to make it, both in the practical way I relate to and am there for my friends and whatever I do in my silver bridges tag. In the neighbourhoods I eventually design that foster communities with all the good parts I’ve described but without the inequality and minimal poverty and hurt and violence. To everyone who’s shown me these things in myself that are so worth working for and I know I’m not savantly immediately good at, I am so so incredibly grateful. the city as a whole. My family and friends. The celebrities I grew up nearby and those who invest in people like them. People like me. May I keep investing in people: people like you. because what is humility but knowing there’s always something to learn, and what will bring all of us forward but learning it and putting it into practice in love and empathy that drives a grit that no amount of striving for striving’s sake can manufacture?

#western sydney #western sydney work ethic #neurodivergence #burnout #personal mental health tag #ashton irwin #artist friendly interview #5 seconds of summer #calum hood #luke hemmings #michael clifford #5sos #community #urban design #growing up poor #I did a big analysis and I will do this again #5sos5 city #silver bridges #neurodivergent liberation

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quirkwizard · 3 months

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Hope you're doing well Wizard!

I'm trying to solidify the mechanics of my quirk. Basically, the quirk allows the use to literally communicate with technology, via spoken words as if it were "human," ChatGPT style. From an outside perspective they'd just be taking at a machine, but in the quirk users head there's actual communication. It's essentially technopathy but less direct since it requires articulation with words. The issues come from how I don't for sure know if the effects are within the scope of a quirk. Talking to animals is one thing, but technology might be a stretch?? I'm not super duper worried about practicality/power, since It's for a more comedic OC, but I still want a degree of usefulness, though I think it fits the bill. In short, the user can talk to any tech like it were a chatbot AI, ask a computer to unlock,and would struggle to get their point across, insert laugh track here. For the name I was thinking something like "Geek Speak" or "Techno Babble."

Its "Technobabble" anon again, and I though a bit more on my quirk. I realized how it felt a bit too fantasy, so I came up with a more grounded explanation/means. The user's can convert their spoken words into a form of audio "virus" or sorts, that allows them to essentially run/manipulate/reprogram technology with their voice. (Not really important, but i think it'd be fun if it sounded like dial-up from an outside perspective), but it only works on devices with a CPU. Issues come from how a degree of programming knowledge is needed in order for the user to properly phrase and articulate their commands get the effects they actually want. In addition, higher level CPU would be more difficult for the user to communicate with (so they likely can't ask Tartarus to shut down and would struggle to high end government computer to unlock for them.) Also, only the user's actual voice can trigger the quirk, Shinso style. How would these changes fare in making the quirk fit in better?

Right off the bat, I have to say it: S Tier names right there.

I think this is a pretty neat idea for a power and a lot of the pieces of it could work. However, the issue is that technology is very broad, so you will need to be careful with how you balance it. I would give some examples of what the user can affect, like what The usage of viruses and programming languages implies it can only work on computers, but you may want to clear that up just to sure. On that note, I am not sure about requiring the user to speak programing language to the user. That's either way too hard or way too easy of a downside depending on how exactly you have it work. Like, if all you have to do is say "command" and "execute" or they need to talk to it like they need to talk to Siri, it wouldn't be that hard. So I would either revise that or remove it from the power. Though if you do decide to drop it, it's going to need some replacement. Like I mentioned, if was limited to stuff with computers and processors could help. They can work on a phone, but they can't control a car or anything. Maybe you could drop some of the applications to make it weaker, like they can't reprogram something. Maybe using it too much can mess with the user's ability to speak or understand language, using it too much or incorrectly can hamper the machines' ability to function, or it can cause some mental feedback.

#My Hero Academia #Quirks #Quirk Reviews

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sumikatt · 6 months

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Sorry, I'm a communist too, and saying that you think there is no difference between stealing and inspiration is not at all a communist belief. Claiming as much shows a distinct misunderstanding of the communist idea of property, intellectual or otherwise. Regardless of whether in a communist world this would not be an issue, we live in capitalism and AI art is theft. It isnot the same as inspiration.

I'm sorry capitalist alienation has left you feeling like a machine, but you are not, and humans are not, machines. We are not at a point in technology where AI has human levels of intelligence, self awareness, emotions or interpersonal understanding. It does not matter that human artists also look at other artists for inspiration, but what AI does is way more like tracing than it is like what we as artists do to gain inspiration for pieces.

Yes, I am referencing the idea of property when I talk about stealing and inspiration, and that's the thing: I don't really view art as property. It doesn't make sense to "own" to me, when art and self-expression is something that is social. Is my own art truly "hard-won, self-acquired, self-earned property", when I know I've taken inspiration and used other people's ideas?

Under capitalism, art is a commodity, so things like piracy and reposting is "stealing" because it's "stealing profit". I can't relate to this. I don't see my work as my "property" because if someone saved my work and reposted it, or ripped off or traced my art, I don't... really care. Like cool, whatever, glad my art can affect others. I know that's not a common stance, but that's why I struggle with differentiating "stealing" from "inspiration" and why I "misunderstand the communist idea of property"

AI image generation uses a predictive, statistical model, based on a collection of captioned images (and yes, sometimes these training images are copyrighted). Safetensors / Ckpt, which are the models Stable Diffusion runs, does not contain any image data, it's all numbers and math. It is literally impossible for it to copy-paste or trace things from its training images when it generates its own images.

I say that the AI "gets inspired" as a shorthand to explain it, but you're also anthropomorphizing AI generation by saying it can steal and trace.

#.s #ai art #this felt very condescending for an ask with misinformation in it #anon

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logos-primes-pr-guy · 1 year

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Earthspark Skywarp is Rekindling my Appreciation for TF Fight Scenes

Yes I'm rewatching Earthspark for the 994035th time. You can't comprehend how much I love this show, but especially the sheer creativity going into the animation, and especially Skywarp's teleporting. I'm just so glad they not only remembered to bring that back, but actually added to it. The 2D effects are gorgeous, and the way she interacts in partnership with Nova Storm is just plain awesome, and it's actually exciting to look at!

I often struggle with fight scenes due to my visual processing difficulties, so my brain tends to just phase-out excessive explosions and gunfire that most TF media opts for. But I can actually watch Earthspark, and enjoy it! The TFs use their powers and bits of their kibble and actually do interesting and fun things, they fight like how Cybertronians should fight, conveying their power, their difference, their alien nature. Everyone praises the Seekers vs Megatron + Optimus fight, but it's because it's so fresh. Earthspark promised it would bring us something new, and it really has. I don't think any other show has done such a good job of showcasing exactly why humans fear Cybertronians as well as that one shot of Skywarp clashing with OP as Dot desperately tries to get her family to safety. They're giants, with technology far beyond human understanding, almost mythic. Most of the humans there have military training, including Dot, but they all just scatter as soon as the Seekers touch down. There is absolutely nothing they can do against these monsters.

We don't get to see if Nova Storm has her outlier ability (or whichever term they might use in Earthspark), but I hope she does, and I hope we'll see the other Rainmakers (and the other Seekers!) She does notably take some significant knocks, including Megatron's fusion cannon piledriving move, and yet only Skywarp comes away with the slashed wing, so I have high hopes. They were a good pair to choose for this fight, because their abilities are formidable, but not so much that they couldn't be easily defeated by OP and Megs. It *feels* like a dramatic, high-stakes fight, because we see how afraid and vulnerable the humans are. Skywarp's flashy power gives us a glimpse at the more frightening aspect of Cybertronain nature - their unpredictability. Some of them can just do things even other Cybertronians can't replicate, let alone protect against. Optimus denies that the humans fear them, but how can they not, when even the Autobots can't explain or replicate every aspect of their species' technology? It would be easier if they could just be seen as machines, but outlier abilities are nearly supernatural, they show the Transformers to be so much more than that, and therefore, not trustworthy, not reliable, not easily defined or categorised in terms of threat level and hazard assessment.

And the fact is - Skywarp isn't even the worst of the Seekers, let alone Cybertronians overall. She looks like a top-tier threat, able to warp in close to Optimus and hack at him before he can stop her, to jump around faster than he can fire a blaster, making twists and air manoeuvres no human made jet would ever manage, but he so easily knocks her aside, he's more surprised she and Nova Storm are even trying to attack in the first place. Imagine how much devastation someone like Sunstorm could have wrought? The humans would have likely been killed immediately by one of their radiation bursts. Or, if Skullcruncher is here, imagine the horror of Mindwipe's ability? Overlord?

GHOST are established as throwing around their power over Megatron and the Autobots, but the moment a couple of beaten-down Seekers show up, who don't even have the benefit of working with their original trinemates, they're totally out of their depth, relying on Prime and Megatron to fight. The mystery deepens as to just how they're managing to hold any kind of sway over Megatron at all, and what happened to Skywarp and Nova's trines. We know Starscream is captured, but what of the others?

And why are the Decepticons in such bad shape in the first place?

I need the rest of Season 1 beamed into my brain now. I love Skywarp and Nova Storm's friendship so much, they're such an unlikely duo for mixing up trines, and yet it works so well.

I'm for sure gonna make more posts with some specific analysis of mythology and folklore in Earthspark and also Nova Storm and Skywarp's relationship because I have a LOT of thoughts but for now, watch Earthspark. Please, if you haven't already, support the show. It's so good, the writing is fun, it's visually stunning, please watch it.

#transformers: earthspark #earthspark spoilers #transformers #TFE Skywarp #TFE Nova Storm #NovaWarp #Ramblings #Earthspark Theories #TFE Megatron #TFE Optimus Prime #TFE GHOST #About time they let Skywarp Warp it's literally her damned name

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