I really do just adore my sweet pup. Even as I slap his pretty cunt, scratch and bite my name into his tummy, and break them in on my cock I'll just be so fucking in love with him
I'll always want to hold their hands as I fuck and stretch out their ass, kiss their tears away as I pump him uncomfortably full of my cum, whisper I love you as I slap and spank their soft skin.
I can't stop blushing everytime I see their face. Even as I make them my own personal little cumslut breeding puppy, I'll be their sweet silly boy— gazing at them lovingly, rambling and tripping over myself just to tell him how preciously lovely he is for the millionth time
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POV you just presented cringe to the court
WOAH LOOK I DID A DIGITAL ART AND IT DOESNT SUCK!!
I love these little weirdos sm
Their stupid smug expressions when they're about to verbally destroy the defense >>>>>
<3 <3 <3 <3
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no wonder Nora never took her jacket off; RNJR would have never gotten anything done.
i like to think this happens in v4 because Ruby makes an offhand comment about Nora and Jaune not having guns as part of their kits. and Nora whips off her jacket and cries "guns? oh i've got guns! 😏"
cue Jaune and Ren having a crisis. Ren is, to quote a friend, "experiencing emotions previously unknown, possibly shrimp ones".
redraw of this meme, because i wanted to draw best girl flexing and being admired, as she deserves.
renorarc et al. versions under the cut. :) image ID in alt text.
i don't have a twitter, so if you're inclined to share, please link back to this post rather than reposting it, thank you :')
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Menelaus rambles a lot about not only Helen, but also Hermione. About how she used to say Olive like "Olifs". How she lost her first tooth running too fast and running into a low branch while out with Helen. How he'd sometimes wake up to Hermione leaning over him and poking his face to say, "Dad, can we go see the horses?" even though it was barely daylight. How she was much nicer waking Helen and how he thinks Hermione did that on purpose because she found "dad's face funny". How her favorite color was every color.
And Odysseus listens.
And he thinks about how his son only had a few teeth coming in when he left, teething on everything. How he could only say one syllable with his babbles. How his son needed balance to stand but Odysseus was so proud that Telemachus was very good at rolling over. How his son loved pulling at his and Penelope's hair.
How his son would be talking, walking, maybe even lost his first tooth by now. And he doesn't even know if he'll ever know his son's favorite color.
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What did/do you like about Pharah?
Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.
Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).
But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.
There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.
Now Mercy? Mercy is a real complex character.
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she looks so romantic here. so dreamy. like i just wanna kiss her forehead and give her a hug and tell her everything’s gonna be okay. i love her so dearly :(
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The only thing more powerful than the Buffy writers' reluctance to give screentime to a woman over the age of thirty is the collective Buffy fandom's eagerness to seize on the slightest scrap of canon characterization as evidence that said thirty-plus-year old woman is some sort of monster.
The show: Willow Rosenberg likes spending time with her mother and does so willingly even after moving out (as we see, for example, in Forever) and her mother was keen to invite her high school boyfriend over for dinner to try to get to know him as soon as Willow admitted to her that he existed (at the end of Gingerbread) and her mother was fully accepting (literally "proud") of Willow when she came out as a lesbian (already implicit, but confirmed in The Killer In Me). Oh, but she has a full time job in academia and sometimes Willow wishes she paid her more attention (this despite the fact that Willow canonically does hide things from her all the time) and she doesn't always notice when Willow cuts her hair or properly remember her friends' names and she only met Willow's first girlfriend a few times.
The fandom: well, clearly Willow is as much a victim of parental abuse as Xander Harris or Amy Madison or Faith Lehane. This is a completely reasonable and proportionate conclusion to come to based on one on-screen appearance and some throwaway lines of dialogue.
I mean ... don't get me wrong. Shelia Rosenberg is not a good mother. She's not much more than a cardboard cutout, really. Less of a character than even Hank Summers, and that's saying something.
What she is, really, is the sort of lazy cliche you get in a lot of teen movies of the 1990s and 2000s (something which is true of Joyce Summers as well at times, only Sheila is permitted far less depth or screen presence or other redeeming features). She's a somewhat reactionary take on the idea of an adult woman who dares to have a professional career and therefore cannot "properly" attend to the needs of her children. A woman too busy focusing on the abstract (her academic study of "adolescent development") to care about the practical (the growing pains of her own teenage daughter).
(Get it? See, it's funny, because she's a woman with both a child and a career. What will those crazy feminists dream up next?)
As written, Willow's mother kind of sucks: not because she's a bad person but because she isn't written as a person at all. She's a joke, and not a good one.
But the weirdly popular idea On Here that Willow is somehow traumatized by having what is, by all accounts, a fairly ordinary and comfortable childhood is absurd. There is simply nothing in the text to support this.
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