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ladyloveandjustice · 4 years

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Belated Spring 2020 Anime Overview: My Next Life as Villainess

For the Spring 2020 anime season, I mostly watched continuations of shows I was already into. The one new show I did pick up was My Next Life as a Villainess: All Routes Lead to Doom!

My Next Life as a Villainess: All Routes Lead to Doom! follows Katerina Claes, a spoiled young noble girl deviously scheming to win the heart of a prince- oh wait, never mind, she hit her head and remembered her past life! Turns out she’s an eighteen year old Japanese otaku chick who died and got reincarnated as the villainess in her favorite otome game.

If you don’t feel like reading the wiki article, an otome game is basically a female- targeted dating sim where you play as a blank slate main character and date a bunch of pretty boys (and sometimes girls, but usually only if you go outside the mainstream ones), unlocking their backstories and collecting all the romantic endings.

Having played this game, Katarina is well aware that the Villainess character- who constantly tries to interfere with the game’s heroine and whichever boy she’s pursuing- is either exiled or killed in all of the games endings. And now she IS that villainess, living in the world of the game and all its characters! Does that mean she’s doomed to a horrible fate? What’s a girl to do?

Well, if you’re Katarina, what you do is be supportive and kind to the people around you and in doing so accidentally get every single character in the game to fall in love with you. And yes, this includes all the boys the heroine is supposed to date, the other female romantic rivals the heroine is faced with and the game’s heroine herself.

That’s right, we finally got us some bisexual romantic comedy hijinx last anime season, my friends! My Next Life as a Villainess was the delightful little show I really escaped into during these anxious pandemic times . All these girls casually falling in love with Katarina without it being treated as ‘weird’ was what particularly drew me to this show and warmed my gay little heart to see. It was honestly the perfect fluffy, low stress watch during these high stress times.

Anime has long been oversaturated with ‘harem’ stories- where a usually unwitting protagonist somehow gets a bevy of beauties in love with them- but it’s still unfortunately really unusual to see bisexual harems, especially ones with a girl at the center, so right away there’s a big draw to this story that helps it stick out from the rest. (And worry not, the story is largely focused on Katarina having fun with these pals-who-are-not-so-secretly-in-love-with-her, rather than having a ton the dubious shenanigans you see in more sexually charged tales.)

Harem protoganists also famously tend to have the personality of potatoes, being so painfully bland it’s unclear why so many people would fall in love with them in the first place. But that definitely not the case for Katarina. She’s brash, ridiculous, kind and INCREDIBLY dense, and that for a pretty dynamic combination in this setting! She does genuinely come off as a fun person to be around. Unlike a lot of modern isekai shows, she doesn’t stumble into having incredible magic powers or skills, so her compassion is genuinely her greatest strength and what saves the day and wins hearts time and time again.

Katarina’s five brain cells doing their weekly check-in

(The moment she won my heart was when she responded to a tragic Frozen style situation with her friend locking himself away from people because he believed his magic was dangerous by taking an axe to his door. My kinda girl!)

The premise also allows for some plausible built-in reasons for the characters to take such special notice of Katarina- having been raised in a different world, she isn’t beholden to all the social rules, class divisions and noble family drama all the other kids in this very specific midevial-esque fantasy world are so embroiled in. This combined with her naturally earnest, accepting and straightfoward nature means she’s able to cross boundaries and reach out to them in a way they aren’t accustomed to. She was significant in each character’s life because she genuinely was the first to show them acceptance and affection without pretense, if only because she isn’t even aware there was supposed to be a pretense.

Katarina’s focus on trying not to die and her fear she’s going to meet the same fate as the villainess in the game also at least gives some kind of a basis to her comical obliviousness to everyone being in love with her. She assumes that everyone has to be into Maria (the heroine) and terrified of her because that’s how the game GOES okay, that’s CANON! Of course, this logic stretches thin as time goes on and it would be abundantly clear to most people that things have diverged greatly from the game’s storyline, but the show makes it clear that Katarina’s determined, one track mind is as much a gift as a curse.

Her bullheadedness when it comes to picking up how everyone REALLY feels about her is an intentional gag on the show’s part and even her love interests are well aware of what a colossal dumbass she is and not afraid to point it out!

My Next Life as a Villainess isn’t without its flaws, and the personalities/backstories of some of the ‘love interests’ Katarina gathers may be a stumbling block on some- mostly the male ones. Geordo, “the black hearted prince” has a bit of the “ possessive shoujo bad boy” archetype about him, and though he’s far from the worst that genre of love interest has to offer (there’s not much bad he can get up to due to Katarina’s obliviousness, the lighthearted nature of the show, and his rivals constantly getting in his way), the way he refuses to break Katarina and his engagement off despite her repeatedly asking him to, as well as some of his lines here and there, are definitely NOT cute.

Keith is Katarina’s adopted brother, but clearly has a thing for her too. On one hand, they only first met when they were nine and he fell for her pretty immediately. On the other hand, he still refers to her as “sister” constantly which is kinda eesh.

The other two guys are all right- Nicol’s big thing is he’s inexpressive and doesn’t talk much which, considering show doesn’t spend much time inside his head, doesn’t make him a very interesting character in the ensemble (maybe he comes across better in the novels) but there’s nothing wrong with him. Alan is undoubtedly the Best Boy in my book. He’s another common trope- rambunctious and competitive with Katarina but clearly soft for her- but he’s done well and they have a lot of cute moments together.

I find the girl love interests to be a much more interesting group overall, though this may be my obvious bias talking. Sophia has the strongest connection to Katarina, their backstories being intertwined in a surprising and touching way (I’m told in the novels her affection for Katarina was treated as more platonic, but the anime definitely plays it up as having romantic elements). Maria’s original role as the game’s heroine puts her in the most interesting position (and would make her the most narratively satisfying choice of love interest, if the show was actually interested in choosing). And while Mary is comically tenacious in her pursuit of Katarina, she’s doesn’t ever act ‘sinister’ or overstep boundaries in the way Geordo does, her “scheming” only really amounting to straightforwardly asking if Katarina wants to ditch her fiance and run away with her.

As I mentioned, one thing that really contributes to My Next Life as a Villainess being a relaxing watch is that the queer characters are treated with casual acceptance. Mary in particular isn’t subtle about her crush on Katarina, but nobody bats an eye at her and she’s completely open and comfortable with herself too. The observing maid notes that the girls are in love with Katarina with the same bland affect as when she notes she notes the guys are. And while the social practices of the nobles are pretty heteronormative- girls are always engaged in arranged marriages to guys, the guys are expected to dance with the girls (something Mary complains about!)- there’s apparently a booming queer romance novel industry that inspires our young wlw.

Katarina, having grown up in a different world, seems to be the one most prone to heteronormativity of her group. She never really considers that a girl would ever fall in love with her, but is also never hostile to the idea. It’s telling that when Mary very clearly indicates her desired romantic partner would be a girl, Katarina’s the only one that gets tripped up and has to walk back her assumption that Mary would be talking about a guy.

Mary LAYING DOWN THE LAW

Also, Katarina has SEVERAL “she’s so cute! My heart is beating faster!” moments with the other girls, on par in frequency with her moments with the guys. This strongly hints she’s an oblivious bisexual disaster.

So, My Next Life as Villainess is a fun, frothy watch and the rare positive example of silly wish-fufillment that’s inclusive to a wlw audience. But is the actual plot good, or remotely complex? The answer to that is no, the plot is fairly predictable and one definitely shouldn’t got into this story expecting a deep examination of the nature of fate or anything like that.There’s no real explanation of big reason as to why why Katarina was reborn into this game world and so on.

The antagonist that does eventually emerge plays off otome game tropes a bit, but ultimately isn’t that interesting or built up all that well. . The attempts at drama the show makes towards the end fall a little flat, especially since it tends to rely on very-late-in-the-game-exposition-dumps (dark magic isn’t even MENTIONED as existing in this world until like, the second to last episode where it becomes relevant and we get a vague infodump explaining its mechanics). The conflict honestly almost feels shoehorned in and the climax is pretty standard and doesn’t really utilize the big cast of characters all that well

But in the end, that’s okay! The show makes it abundantly clear from the beginning it’s not here to be Deep, but to be some silly fun. And it really fulfills that purpose well, from it’s catchy, peppy theme tune to its consistently warm tone. It MAY get repetitive at times for some, and I do have some quibbles- like how I found the childhood segments to be some of the shows best material and wish we could have stayed in that section for a bit instead of rushing through it, how I wish Katarina had kept her cute little scar, etc- but overall, it was definitely the soothing balm I needed during a very rough time and I absolutely recommend it if you’re looking for a chill, feel-good watch.

And hey, a second season’s supposed to be on the way too, so there’s something to potentially look forward to!

#my next life as a villainess #my next life as a villianess all routes lead to doom #destruction flag otome #otome gemu no hametsu furagu shika nai akuyaku reijo ni tensei shiteshimatta #anime overview #katarina claes #catarina claes #my reviews #spring 2020 anime

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welllpthisishappening · 3 years

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Welllp This is...Books. Lots and Lots of Books

That gif is something of a lie. Some of these books were not great. But! Some of them were very good! And some of them were marketed weird — seriously, what does qualify as YA — and some of them I read in, like, six hours and some of them I raged about for six hours after I finished them.

Or: 2020!Laura reverted to 2004!Laura and read just a lot of books and then her husband got her a Kindle and she read even more books and has thoughts on most of those books that she is now going to share with the internet while also making absurd category names. Note that these are only books I read for the first time this year. So, the list is missing some of the stuff I used as coping devices. ALSO SOME SPOILERS AHEAD, YOU HAVE BEEN WARNED.

FAVORITE BOOKS THAT MADE A SHITTY YEAR SLIGHTLY BETTER AND ALSO LIKELY MADE ME SWOON A BIT

A Court of Thorns and Roses by Sarah J. Maas

When nineteen-year-old huntress Feyre kills a wolf in the woods, a terrifying creature arrives to demand retribution. Dragged to a treacherous magical land she knows about only from legends, Feyre discovers that her captor is not truly a beast, but one of the lethal, immortal faeries who once ruled her world.

At least, he's not a beast all the time.

As she adapts to her new home, her feelings for the faerie, Tamlin, transform from icy hostility into a fiery passion that burns through every lie she's been told about the beautiful, dangerous world of the Fae. But something is not right in the faerie lands. An ancient, wicked shadow is growing, and Feyre must find a way to stop it, or doom Tamlin-and his world-forever.

— I kid you not, I had to do a lap around the apartment after reading the second book in this series. Why didn’t I read this before? Why isn’t there more fic? Why I am constantly falling for dark-haired sad dudes in love with their wives??? I cannot rec this series enough. It’s got world building and found families, and that dark-haired sad dude, and magic and lore and banter, and it’s so good and I don’t understand why it was marketed as YA. The literary world is weird, guys.

Percy Jackson and the Olympians (and the Heroes of Olympus) by Rick Riordan

Accompany the son of the sea god Poseidon and his other demigod friends as they go on a series of quests that will have them facing monsters, gods, and conniving figures from Greek mythology. Do they have what it takes to save the Olympians from an ancient enemy?

— Straight up, how did you guys cope with Percy and Annabeth when you were kids reading this? I would have been OBSESSED. Quarantine felt like the perfect time to finally read all of these books, and I know it’s sacrilegious to like Heroes of Olympus, but I might have liked parts of that series more? Just because it felt like they were older and I was super into Percabeth being properly in love. Also, now I get why everyone was so upset about the movies. Fair.

The Lunar Chronicles by Marissa Meyer

Humans and androids crowd the raucous streets of New Beijing. A deadly plague ravages the population. From space, a ruthless lunar people watch, waiting to make their move. No one knows that Earth's fate hinges on one girl. . . .Cinder, a gifted mechanic, is a cyborg. She's a second-class citizen with a mysterious past, reviled by her stepmother and blamed for her stepsister's illness. But when her life becomes intertwined with the handsome Prince Kai's, she suddenly finds herself at the center of an intergalactic struggle, and a forbidden attraction. Caught between duty and freedom, loyalty and betrayal, she must uncover secrets about her past in order to protect her world's future.

— Yet another YA series that I will admit to loving this year. Started off a little slow, but once the world building really got underway —and it gets underway — I was hooked. If I had read this at an age-appropriate time I would have been super in love Captain Carswell Thorne. I was still kind of in love with Captan Carswell Thorne. So it should come as no surprise that Cress was my favorite of the series, but I enjoyed the whole thing, really.

Serpent & Dove by Shelby Mahurin

Two years ago, Louise le Blanc fled her coven and took shelter in the city of Cesarine, forsaking all magic and living off whatever she could steal. There, witches like Lou are hunted. They are feared. And they are burned.As a huntsman of the Church, Reid Diggory has lived his life by one principle: Thou shalt not suffer a witch to live. But when Lou pulls a wicked stunt, the two are forced into an impossible situation—marriage.Lou, unable to ignore her growing feelings, yet powerless to change what she is, must make a choice. And love makes fools of us all.

— YO. Y O. THIS WAS SO GOOD. World building! Magic! Marriage of convenience! Well-written enemies to lovers! As soon as I finished this, I bought the sequel. And then got upset the third book in the series isn’t out yet! That’s a frustrating theme for me this year.

The Roommate by Rosie Danan

The Wheatons are infamous among the east coast elite for their lack of impulse control, except for their daughter Clara. She's the consummate socialite: over-achieving, well-mannered, predictable. But every Wheaton has their weakness. When Clara's childhood crush invites her to move cross-country, the offer is too much to resist. Unfortunately, it's also too good to be true.

After a bait-and-switch, Clara finds herself sharing a lease with a charming stranger. Josh might be a bit too perceptive—not to mention handsome—for comfort, but there's a good chance he and Clara could have survived sharing a summer sublet if she hadn't looked him up on the Internet...

Once she learns how Josh has made a name for himself, Clara realizes living with him might make her the Wheaton's most scandalous story yet. His professional prowess inspires her to take tackling the stigma against female desire into her own hands. They may not agree on much, but Josh and Clara both believe women deserve better sex. What they decide to do about it will change both of their lives, and if they're lucky, they'll help everyone else get lucky too.

— I LOVED IT. L O V E D. As I told Justin “there was more porn than I was expecting,” in that porn and the adult film industry was a legitimate plot point and not just a part of Josh’s character, but it was incredibly well written and interesting and I cared about the plot. Sometimes I also wanted to shake Clara, but that was kind of the point.

The Marriage Game by Sara Desai

After her life falls apart, recruitment consultant Layla Patel returns home to her family in San Francisco. But in the eyes of her father, who runs a Michelin starred restaurant, she can do no wrong. He would do anything to see her smile again. With the best intentions in mind, he offers her the office upstairs to start her new business and creates a profile on an online dating site to find her a man. She doesn't know he's arranged a series of blind dates until the first one comes knocking on her door...

As CEO of a corporate downsizing company Sam Mehta is more used to conflict than calm. In search of a quiet new office, he finds the perfect space above a cozy Indian restaurant that smells like home. But when communication goes awry, he's forced to share his space with the owner's beautiful yet infuriating daughter Layla, her crazy family, and a parade of hopeful suitors, all of whom threaten to disrupt his carefully ordered life.

As they face off in close quarters, the sarcasm and sparks fly. But when the battle for the office becomes a battle of the heart, Sam and Layla have to decide if this is love or just a game.

— More well-written enemies to lovers! It’s possible! Seriously, the banter was so good. The kissing was even better. Ridiculous and interfering family is one of my favorite things, and this had it in SPADES. It also made me want to eat samosas, which is kind of my base setting, but I really wanted Indian food whenever I was reading this. Also, the end scene was so goddamn cute I cannot believe it actually happened.

Recipe for Persuasion by Sonali Dev

— The one that got away is one of my favorite tropes, and this modern version of Persuasion did it so well. Everyone was annoying, but in an almost understandable way that made me ache and I just wanted them TO KISS. And then they did kiss! And it was so good! Plus, at the risk of being a little self-indulgent, it was kind of Out of the Frying Pan esque and I liked that a lot. If there is a downside: it’s how quickly the relationship starts up again, like zero to 60 in two seconds flat, and that there were a lot of POVs. Which wouldn’t have been an issue if they’d been labeled, or weren’t bouncing around the timeline randomly. Sometimes I’d have to be like—wait, who’s talking about what?

Chef Ashna Raje desperately needs a new strategy. How else can she save her beloved restaurant and prove to her estranged, overachieving mother that she isn't a complete screw up? When she's asked to join the cast of Cooking with the Stars, the latest hit reality show teaming chefs with celebrities, it seems like just the leap of faith she needs to put her restaurant back on the map. She's a chef, what's the worst that could happen?Rico Silva, that's what.Being paired with a celebrity who was her first love, the man who ghosted her at the worst possible time in her life, only proves what Ashna has always believed: leaps of faith are a recipe for disaster.FIFA winning soccer star Rico Silva isn't too happy to be paired up with Ashna either. Losing Ashna years ago almost destroyed him. The only silver lining to this bizarre situation is that he can finally prove to Ashna that he's definitely over her.But when their catastrophic first meeting goes viral, social media becomes obsessed with their chemistry. The competition on the show is fierce...and so is the simmering desire between Ashna and Rico. Every minute they spend together rekindles feelings that pull them toward their disastrous past. Will letting go again be another recipe for heartbreak—or a recipe for persuasion...?

The Good Luck Charm by Helena Hunting

Lilah isn't sure what hurt worse: the day Ethan left her to focus on his hockey career or the day he came back eight years later. He might think they can pick up just where they left off, but she's no longer that same girl and never wants to be again.

Just when Lilah might finally be ready to let Ethan in, though, she finds out their reunion might have nothing to do with love and everything to do with improving his game. But Ethan's already lost her once, and even if it costs him his career, he'll do anything to keep from losing her again.

— HOCKEY ROM COM. HOCKEY. ROM. COM. Apparently this lady is regarded as the queen of “hockey romance,” which I kind of take offense to, but will give a pass on because this was a very cute book and everyone was cute in it and I was only marginally frustrated by those same people being idiots. As is required by rom coms. Hockey, or otherwise.

A Curse So Dark and Lonely by Brigid Kemmerer

Fall in love, break the curse. It once seemed so easy to Prince Rhen, the heir to Emberfall. Cursed by a powerful enchantress to repeat the autumn of his eighteenth year over and over, he knew he could be saved if a girl fell for him. But that was before he learned that at the end of each autumn, he would turn into a vicious beast hell-bent on destruction. That was before he destroyed his castle, his family, and every last shred of hope.

Nothing has ever been easy for Harper. With her father long gone, her mother dying, and her brother barely holding their family together while constantly underestimating her because of her cerebral palsy, she learned to be tough enough to survive. But when she tries to save someone else on the streets of Washington, DC, she's instead somehow sucked into Rhen's cursed world.

Break the curse, save the kingdom. A prince? A monster? A curse? Harper doesn't know where she is or what to believe. But as she spends time with Rhen in this enchanted land, she begins to understand what's at stake. And as Rhen realizes Harper is not just another girl to charm, his hope comes flooding back. But powerful forces are standing against Emberfall . . . and it will take more than a broken curse to save Harper, Rhen, and his people from utter ruin.

— Beauty and the Beast AU!!! Fantasy! Magic! Romance! I loved this, even when Rhen was being a whiny idiot. But he was also cursed, so like—fair. This dives into the politics of a cursed kingdom, puts a fun spin on the original fairy tale and also has a sequel. Which I read, and possibly enjoyed more. Only to realize the third book isn’t published yet, and then got annoyed by that.

QUESTIONABLY-GOOD FREE FANTASY BOOKS ON AMAZON

The Silver and Orchids Collection by Shari L Tapscott

What happens when a feisty adventuress, a lord looking to make his own way in the world, and a handsome sea captain set out to find Kalae’s rarest and most valuable flower?

Trouble—and lots of it.

— Snarky flirting! Adventure! Sword fights! Listen, this is not prize-winning fiction, but Lucia is a fun heroine, the rest of her adventure-seeking friends are an absolute delight and you don’t have to think too much while reading it. All four books wrap up their individual storylines, but help set up the next one and while the ending felt a little forced (and way too quick) I didn’t hate it enough to throw the Kindle across the room.

Forest of Firelight by Shari L. Tapscsott

After the sudden death of her brother, Princess Amalia is charged with what feels like an impossible task—she must choose the next king. Youthful thoughts of love are pushed aside as she accepts her fate, setting upon a quest throughout the kingdom to find a man worthy of her father’s throne.

Little does Amalia know, someone has already set his sights on her.

Rhys is a man of secrets, and his mission is simple: befriend the princess of Renove. Coax her to trust him, convince her to follow him.

Betray her when it’s time.

All goes according to plan until Rhys meets the princess. Amalia is a disaster. Never has he met someone so drawn to trouble. Never has he met someone so irritatingly likable.

He’s not allowed to fall for her.

She could never entrust him with a crown.

But, unbeknownst to them, their unlikely partnership might be the key to saving their entire world from a darkness that’s slowly creeping from the wounded earth that separates one kingdom from the next.

— FORBIDDEN LOVE! It’s good! Real good! I read this whole series (or the three books in it, so far) in a questionably short amount of time. Again, not the deepest story, and Amalia is occasionally frustratingly dumb. While Rhys is also sort of all-knowing in that fantasy hero sort of way? Y’know what I mean? Still, they banter very well, and eventually kiss even better.

LESS GOOD FANTASY BOOKS THAT PROBABLY SHOULD HAVE JUST BEEN AVAILABLE FOR FREE ON AMAZON

Ash Princess by Laura Sebastian

Theodosia was six when her country was invaded and her mother, the Fire Queen, was murdered before her eyes. On that day, the Kaiser took Theodosia's family, her land, and her name. Theo was crowned Ash Princess—a title of shame to bear in her new life as a prisoner.

For ten years Theo has been a captive in her own palace. She's endured the relentless abuse and ridicule of the Kaiser and his court. She is powerless, surviving in her new world only by burying the girl she was deep inside.

Then, one night, the Kaiser forces her to do the unthinkable. With blood on her hands and all hope of reclaiming her throne lost, she realizes that surviving is no longer enough. But she does have a weapon: her mind is sharper than any sword. And power isn't always won on the battlefield.

For ten years, the Ash Princess has seen her land pillaged and her people enslaved. That all ends here.

— I wanted to love this series. So much so that I read the whole thing. All three books. And I’m still not sure why. The world building, maybe. Which was very good, and the politics actually kept me interested, but every single character was the absolute worst and I kind of wanted them all to die. That’s not even an exaggeration. Spoiler, they didn’t all die. I was only marginally disappointed.

Daughter of the Pirate King by Tricia Levenseller

When the ruthless Pirate King learns of a legendary treasure map hidden on an enemy ship, his daughter, Alosa, knows that there's only one pirate for the job—herself. Leaving behind her beloved ship and crew, Alosa deliberately facilitates her own kidnapping to ensure her passage on the enemy ship. After all, who's going to suspect a seventeen-year-old girl locked in a cell?Then she meets the (surprisingly perceptive and unfairly attractive) first mate, Riden, who is charged with finding out all her secrets. Now it's down to a battle of wits and will... Can Alosa find the map and escape before Riden figures out her plan?

— Alosa was kind of the worst? Like, STRONG FEMALE CHARACTER who had to keep reminding you how strong she was because she would kill anyone, and had an all female pirate crew. And the whole time I was just like, ok...cool. Still, I read the sequel too and that was slightly better.

The Shadows Between Us by Tricia Levenseller

Alessandra is tired of being overlooked, but she has a plan to gain power:

1) Woo the Shadow King.

2) Marry him.

3) Kill him and take his kingdom for herself.

No one knows the extent of the freshly crowned Shadow King's power. Some say he can command the shadows that swirl around him to do his bidding. Others say they speak to him, whispering the thoughts of his enemies. Regardless, Alessandra knows what she deserves, and she's going to do everything within her power to get it.

But Alessandra's not the only one trying to kill the king. As attempts on his life are made, she finds herself trying to keep him alive long enough for him to make her his queen—all while struggling not to lose her heart. After all, who better for a Shadow King than a cunning, villainous queen?

— I cannot explain this book any way except to tell you it is so weird. Like, sometimes I remember I read this and all I can think is: why did this book happen? It felt like it started in the middle of the story, which is not a knock on the story itself, but mostly on the world building. Which was lacking to say the least. Also the resolution was super rushed and even more weird and I was like—why does he like her??? I still don’t know, honestly.

The Stars We Steal by Alexa Donne

Engagement season is in the air. Eighteen-year-old Princess Leonie "Leo" Kolburg, heir to a faded European spaceship, has only one thing on her mind: which lucky bachelor can save her family from financial ruin?

But when Leo's childhood friend and first love, Elliot, returns as the captain of a successful whiskey ship, everything changes. Elliot was the one who got away, the boy Leo's family deemed to be unsuitable for marriage. Now he's the biggest catch of the season and he seems determined to make Leo's life miserable. But old habits die hard, and as Leo navigates the glittering balls of the Valg Season, she finds herself falling for her first love in a game of love, lies, and past regrets.

— Another book whose lack of world building hurt it. Stuff just happened, and we were expected to understand it and be into it and I was neither. I had no reason to care about anyone in this book, especially Elliot who seemed like an asshole.

To Kill a Kingdom by Alexandra Christo

Princess Lira is siren royalty and the most lethal of them all. With the hearts of seventeen princes in her collection, she is revered across the sea. Until a twist of fate forces her to kill one of her own. To punish her daughter, the Sea Queen transforms Lira into the one thing they loathe most—a human. Robbed of her song, Lira has until the winter solstice to deliver Prince Elian's heart to the Sea Queen and or remain a human forever.The ocean is the only place Prince Elian calls home, even though he is heir to the most powerful kingdom in the world. Hunting sirens is more than an unsavory hobby—it's his calling. When he rescues a drowning woman in the ocean, she's more than what she appears. She promises to help him find the key to destroying all of sirenkind for good—But can he trust her? And just how many deals will Elian have to barter to eliminate mankind's greatest enemy?

— This book did not go the way I thought it was going to. Not a bad thing, but also not the best and the ending was...bleh. The middle, though? That was legit, and the action was good. I am always a fan of sword fights. Still, there was something that left me waiting for the final push towards great and it just never really came.

ROM-COMS WITH ONLY PASSABLY FRUSTRATING PLOTS AND GOOD KISSING

Party of Two by Jasmine Guillory

Dating is the last thing on Olivia Monroe's mind when she moves to LA to start her own law firm. But when she meets a gorgeous man at a hotel bar and they spend the entire night flirting, she discovers too late that he is none other than hotshot junior senator Max Powell. Olivia has zero interest in dating a politician, but when a cake arrives at her office with the cutest message, she can't resist—it is chocolate cake, after all.

Olivia is surprised to find that Max is sweet, funny, and noble—not just some privileged white politician, as she assumed him to be. Because of Max's high-profile job, they start seeing each other secretly, which leads to clandestine dates and silly disguises. But when they finally go public, the intense media scrutiny means people are now digging up her rocky past and criticizing her job, even her suitability as a trophy girlfriend. Olivia knows what she has with Max is something special, but is it strong enough to survive the heat of the spotlight?

— It was cute. Max was occasionally an idiot. The kissing was legit. Most of their problems could have very easily been solved, but that’s kind of this genre’s schtick.

The Worst Best Man by Mia Sosa

A wedding planner left at the altar? Yeah, the irony isn't lost on Carolina Santos, either. But despite that embarrassing blip from her past, Lina's offered an opportunity that could change her life. There's just one hitch... she has to collaborate with the best (make that worst) man from her own failed nuptials. Marketing expert Max Hartley is determined to make his mark with a coveted hotel client looking to expand its brand. Then he learns he'll be working with his brother's whip-smart, stunning—absolutely off-limits—ex-fiancée. And she loathes him.If they can nail their presentation without killing each other, they'll both come out ahead. Except Max has been public enemy number one ever since he encouraged his brother to jilt the bride, and Lina's ready to dish out a little payback of her own.Soon Lina and Max discover animosity may not be the only emotion creating sparks between them. Still, this star-crossed couple can never be more than temporary playmates because Lina isn't interested in falling in love and Max refuses to play runner-up to his brother ever again...

— Once you got past the hooking up with your ex’s brother thing, it was cute. Max was endearing in an earnest sort of way, even when Lina was STRONG FEMALE CHARACTER in a cliche sort of way. More solid kissing. Side note, why are so many rom com dudes named Max? Does it sound hip? Passably cool, but also approachable? Discuss.

Not that Kind of Guy by Andie J. Christopher

State attorney Bridget Nolan is successful in all aspects of her life—except romance. After breaking up with her longtime boyfriend, she's been slow to reenter the dating scene. To be honest, she has more important things to do like putting bad guys behind bars. But with her brother's wedding right around the corner, she suddenly needs a date and fast. Lucky for Bridget, the legal intern is almost done with his program.

Matt Kido is dumbstruck by Bridget—total love at first sight—but there's one problem. She's totally off-limits while she's his boss. But the moment he no longer reports to her, Matt asks her on a date. An impulsive decision takes them to Las Vegas where, as the saying goes, what happens in Vegas, stays in Vegas.

Unless you put a ring on it.

— Having written the “wake up in Vegas married” trope before, I know it’s difficult to do right. Consent’s a thing, y’know? And stuff gets dicy with forgotten memories, and all that, but mostly what kept me from truly loving this book was the intern thing. Don’t date your interns guys, it’s weird and off-putting. Literally if he’d just been a junior partner, or a visiting partner or something else I would have been all in.

Meet Cute by Helena Hunting

Kailyn Flowers was always calm, rational, and controlled—until she ended up sprawled all over Daxton Hughes, the former actor she totally crushed on as a teenager. Then she did the unthinkable: She became a mortifying fangirl in five seconds flat, which may or may not have included professing her undying love. And oddly, he didn't run away. In fact, their meet cute led to a friendship she never saw coming. Of course, she never saw his betrayal coming, either...Now Dax needs her help. As guardian to his thirteen-year-old sister, he's in way over his head. And though Kailyn hasn't forgiven Dax, she isn't heartless enough to make him fend for himself, either. Soon their friendly meetings turn into flirty dinner dates, and Kailyn can feel their chemistry is as explosive as ever. But how can she possibly let down her guard again to a guy who has heartbreak written all over him?

— Once again here for the one that got away trope, even if this comes with dead parents and some sad storylines. It still managed to be cute. Everyone was cute in it. Occasionally Daxton was a dick. As rom com male leads are apt to be.

If I Never Met You by Mhairi McFarlane

If faking love is this easy... how do you know when it's real?When her partner of over a decade suddenly ends things, Laurie is left reeling—not only because they work at the same law firm and she has to see him every day. Her once perfect life is in shambles and the thought of dating again in the age of Tinder is nothing short of horrifying. When news of her ex's pregnant girlfriend hits the office grapevine, taking the humiliation lying down is not an option. Then a chance encounter in a broken-down elevator with the office playboy opens up a new possibility.Jamie Carter doesn't believe in love, but he needs a respectable, steady girlfriend to impress their bosses. Laurie wants a hot new man to give the rumor mill something else to talk about. It's the perfect proposition: a fauxmance played out on social media, with strategically staged photographs and a specific end date in mind. With the plan hatched, Laurie and Jamie begin to flaunt their new couple status, to the astonishment—and jealousy—of their friends and colleagues. But there's a fine line between pretending to be in love and actually falling for your charming, handsome fake boyfriend...

— FAKE DATING THAT LEADS TO REAL FEELINGS. The ex-boyfriend was an assssss, the fake boyfriend was charming, everything was good AND THEN WE GOT TO THE END. Which felt more than a little rushed, unexpected and not really in line with the rest of the book?? Give ‘em a slightly better, in-character ending, and I would have been sold.

BOOKS THAT I WAS LIKE...EH, OK

The Night Circus by Erin Morgenstern

The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night.

But behind the scenes, a fierce competition is underway: a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them both, this is a game in which only one can be left standing. Despite the high stakes, Celia and Marco soon tumble headfirst into love, setting off a domino effect of dangerous consequences, and leaving the lives of everyone, from the performers to the patrons, hanging in the balance.

— I think this book was too smart for me. The prose was gorgeous, and the whole thing was very pretty and I definitely swooned when Marco said he wished for Celia. And yet. By the end I was like...eh, ok. Maybe it was the timeline? Jumping around, or how little dialogue there was. I wanted to like it all so badly, and I’m just not sure I did.

Acting on Impulse by Mia Sosa

After a very public breakup with a media-hungry politician, fitness trainer Tori Alvarez escapes to Aruba for rest, relaxation, and copious amounts of sex on the beach—the cocktail, that is. She vows to keep her vacation a man-free zone but when a cute guy is seated next to her on the plane, Tori can't resist a little harmless flirting.Hollywood heartthrob Carter Stone underwent a dramatic physical transformation for his latest role and it's clear his stunning seat mate doesn't recognize the man beneath the shaggy beard and extra lean frame. Now Carter needs help rebuilding his buff physique and Tori is perfect for the job. It doesn't hurt that she makes his pulse pound in more ways than one.Sparks are flying, until a pesky paparazzo reveals Carter's identity. Tori is hurt and pissed. She wants nothing to do with another man in the limelight, but she's still got to whip him into shape. Can Carter convince Tori he's worth the threat to her privacy that comes with dating a famous actor, or will Tori chisel him down to nothing before he even gets the chance?

— Dudes have gotta stop lying about who they are. It’s not a great trope. Other than that, the kissing was good. The romance was like...eh. I honestly don’t remember much else.

Twice in a Blue Moon by Christina Lauren

During a whirlwind two-week vacation abroad, Sam and Tate fell for each other in only the way that first loves do: sharing all of their hopes, dreams, and deepest secrets along the way. Sam was the first, and only, person that Tate—the long-lost daughter of one of the world's biggest film stars—ever revealed her identity to. So when it became clear her trust was misplaced, her world shattered for good.

Fourteen years later, Tate, now an up-and-coming actress, only thinks about her first love every once in a blue moon. When she steps onto the set of her first big break, he's the last person she expects to see. Yet here Sam is, the same charming, confident man she knew, but even more alluring than she remembered. Forced to confront the man who betrayed her, Tate must ask herself if it's possible to do the wrong thing for the right reason... and whether "once in a lifetime" can come around twice.

— This book was...weird. The early romance was wonderful and delightful, but then shit hit the fan and Sam and Tate are adults and...weird. Like, I cannot come up with another word for it. Also, they didn’t really talk much? As adults? Working on the same movie set? W e i r d.

I Owe You One by Sophie Kinsella

Fixie Farr has always lived by her father’s motto: “Family first.” And since her dad passed away, leaving his charming housewares store in the hands of his wife and children, Fixie spends all her time picking up the slack from her siblings instead of striking out on her own. The way Fixie sees it, if she doesn’t take care of her father’s legacy, who will?

It’s simply not in Fixie’s nature to say no to people. So when a handsome stranger in a coffee shop asks her to watch his laptop for a moment, she not only agrees—she ends up saving it from certain disaster. To thank Fixie for her quick thinking, the computer’s owner, Sebastian, an investment manager, scribbles an IOU on a coffee sleeve and attaches his business card. Fixie laughs it off—she’d never actually claim an IOU from a stranger. Would she?

But then Fixie’s childhood crush, Ryan, comes back into her life, and his lack of a profession pushes all of Fixie’s buttons. As always, she wants nothing for herself—but she’d love Seb to give Ryan a job. No sooner has Seb agreed than the tables are turned once more and a new series of IOUs between Seb and Fixie—from small favors to life-changing moments—ensues. Soon Fixie, Ms. Fixit for everyone else, is torn between her family and the life she really wants. Does she have the courage to take a stand? Will she finally grab the life, and love, she really wants?

— Let’s be upfront, I’ve read a lot of Sophie Kinsella in my life, and more often than not I enjoy what she writes. I mostly did here. It was a book. With obvious rom com problems, that could have very easily been solved, but it wasn’t horrible. So, that was good, I guess.

The Wedding Party by Jasmine Guillory

Maddie and Theo have two things in common:

1. Alexa is their best friend

2. They hate each other

After an "oops, we made a mistake" night together, neither one can stop thinking about the other. With Alexa's wedding rapidly approaching, Maddie and Theo both share bridal party responsibilities that require more interaction with each other than they're comfortable with. Underneath the sharp barbs they toss at each other is a simmering attraction that won't fade. It builds until they find themselves sneaking off together to release some tension when Alexa isn't looking, agreeing they would end it once the wedding is over. When it's suddenly pushed up and they only have a few months left of secret rendezvouses, they find themselves regretting that the end is near. Two people this different can't possibly have a connection other than the purely physical, right?

But as with any engagement with a nemesis, there are unspoken rules that must be abided by. First and foremost, don't fall in love.

— Eh, this book happened. I still have no idea why they couldn’t be together from the get. Obstacles for the sake of plot, I guess. Also political side stories? I don’t know, guys.

WEIRD POST-ENDING FEELINGS WERE INDUCED

Beach Read by Emily Henry

Augustus Everett is an acclaimed author of literary fiction. January Andrews writes bestselling romance. When she pens a happily ever after, he kills off his entire cast.

They're polar opposites.

In fact, the only thing they have in common is that for the next three months, they're living in neighboring beach houses, broke, and bogged down with writer's block.

Until, one hazy evening, one thing leads to another and they strike a deal designed to force them out of their creative ruts: Augustus will spend the summer writing something happy, and January will pen the next Great American Novel. She'll take him on field trips worthy of any rom-com montage, and he'll take her to interview surviving members of a backwoods death cult (obviously). Everyone will finish a book and no one will fall in love. Really.

— Listen, I enjoyed this a lot. For the most part. It was funny, and introspective in a way that didn’t make me want to gag too much, and I wanted to defend January’s love of love with everything in me. But, then it—ended. And it was like...all tied up with this nice little ribbon and happily ever after, and I was like...oh, ok. Part of me that it was glad it ended like that, mostly because of who I am as a person, but the rest of me was also confused that after everything January and Augustus had been through and how messy their lives were it could just get all wrapped up in this HEA.

HITTING JUST A BIT TOO CLOSE TO HOME

Spoiler Alert by Olivia Dade

Marcus Caster-Rupp has a secret. The world may know him as Aeneas, star of the biggest show on television, but fanfiction readers call him something else: Book!AeneasWouldNever. Marcus gets out his frustrations with the show through anonymous stories about the internet's favorite couple, Aeneas and Lavinia. But if anyone discovered his online persona, he'd be finished in Hollywood.April Whittier has secrets of her own. A hardcore Lavinia fan, she's long hidden her fanfic and cosplay hobbies from her "real life"—but not anymore. When she dares to post her latest costume creation on Twitter, her plus-size take goes viral. And when Marcus asks her out to spite her internet critics, truth officially becomes stranger than fanfiction. On their date, Marcus quickly realizes he wants more from April than a one-time publicity stunt. But when he discovers she's Unapologetic Lavinia Stan, his closest fandom friend, he has one more huge secret to keep from her.With love and Marcus's career on the line, can the two of them stop hiding once and for all, or will a match made in fandom end up prematurely cancelled?

— Here for plus-size heroines who get the guy and don’t have their (entire) storyline defined by their looks. Less here for the weird fandom culture, the ensuing second-hand embarrassment that came from that and the thankfulness that both Colin O’Donoghue and Bob Morley appear to be happily married so it seems very unlikely they’re writing fic about their characters under pseudonyms. Stop using Ao3 in actual published stories 2k4ever.

RAGE-INDUCING BOOKS OF ABSOLUTE FURY

The Friend Zone by Abby Jimenez

Kristen Peterson doesn't do drama, will fight to the death for her friends, and has no room in her life for guys who just don't get her. She's also keeping a big secret: facing a medically necessary procedure that will make it impossible for her to have children.Planning her best friend's wedding is bittersweet for Kristen — especially when she meets the best man, Josh Copeland. He's funny, sexy, never offended by her mile-wide streak of sarcasm, and always one chicken enchilada ahead of her hangry. Even her dog, Stuntman Mike, adores him. The only catch: Josh wants a big family someday. Kristen knows he'd be better off with someone else, but as their attraction grows, it's harder and harder to keep him at arm's length.The Friend Zone will have you laughing one moment and grabbing for tissues the next as it tackles the realities of infertility and loss with wit, heart, and a lot of sass.

— LISTEN THERE ARE SPOILERS HERE, BUT I FEEL LIKE YOU SHOULD KNOW ABOUT THEM BECAUSE THIS BOOK IS A SECRET GUT PUNCH AND PEOPLE SHOULD BE AWARE. Not only is infertility, like, the defining theme of this book, but the BEST FRIEND DIES. Just—dies. It’s horrible. Absolutely God awful depressing. And for a second he looks like he won’t, and it’ll be fine, but then it is not and he’s just D E A D. I know, I know that sets up the sequel, but this was so goddamn heavy in an unsuspecting way that I have absolutely no intention of reading the next one.

Well Met by Jen DeLuca

Emily knew there would be strings attached when she relocated to the small town of Willow Creek, Maryland, for the summer to help her sister recover from an accident, but who could anticipate getting roped into volunteering for the local Renaissance Faire alongside her teenaged niece? Or that the irritating and inscrutable schoolteacher in charge of the volunteers would be so annoying that she finds it impossible to stop thinking about him?

The faire is Simon's family legacy and from the start he makes clear he doesn't have time for Emily's lighthearted approach to life, her oddball Shakespeare conspiracy theories, or her endless suggestions for new acts to shake things up. Yet on the faire grounds he becomes a different person, flirting freely with Emily when she's in her revealing wench's costume. But is this attraction real, or just part of the characters they're portraying?

This summer was only ever supposed to be a pit stop on the way to somewhere else for Emily, but soon she can't seem to shake the fantasy of establishing something more with Simon or a permanent home of her own in Willow Creek.

— FUCK THIS BOOK. And fuck Simon, specifically. Oh, you have a sad story? Cool, you’re still a dick. He was a dick. Listen, I know enemies to lovers is a hard trope to write, but it’s even harder to accept when those enemies just announce I LIKED YOU THE WHOLE TIME and then everyone starts ripping off their clothes. No, it’s dumb. I hate it. Apparently there’s a sequel to this book. Maybe that’s better.

Kiss My Cupcake by Helena Hunting

Blaire Calloway has planned every Instagram-worthy moment of her cupcake and cocktails shop launch down to the tiniest detail. What she didn't plan on? Ronan Knight and his old-school sports bar next door opening on the very same day. He may be super swoony, but Blaire hasn't spent years obsessing over buttercream and bourbon to have him ruin her chance at success.From axe throwing (his place) to frosting contests (hers), Blaire and Ronan are constantly trying to one-up each other in a battle to win new customers. But with every clash, there's also an undeniable chemistry. When an even bigger threat to their business comes to town, they're forced to call a temporary time-out on their own war and work together. And the more time Blaire spends getting to know the real Ronan, the more she wonders if it's possible to have her cupcake and eat it too.

— Listen, I wanted to like this one. There were plenty other Helena Hunting books on this list, so like—I don’t hate her. I just hate poorly executed enemies to lovers plot lines. Give me at least one moment where they are interested in each other aside from just being attracted to each other. Also: Stop Having Dudes Be Dicks Because Of Their Sad Backstory 2k4ever.

Don’t You Forget About Me by Mhairi McFarlane

You always remember your first love... don't you?If there's anything worse than being fired from the worst restaurant in town, it's coming home early to find your boyfriend in bed with someone else. Reeling from the humiliation of a double dumping in one day, Georgina takes the next job that comes her way—bartender in a newly opened pub. There's only one problem: it's run by the guy she fell in love with years ago. And—make that two problems—he doesn't remember her. At all. But she has fabulous friends and her signature hot pink fur coat... what more could a girl really need?Lucas McCarthy has not only grown into a broodingly handsome man, but he's also turned into an actual grown-up, with a thriving business and a dog along the way. Crossing paths with him again throws Georgina's rocky present into sharp relief—and brings a secret from her past bubbling to the surface. Only she knows what happened twelve years ago, and why she's allowed the memories to chase her ever since. But maybe it's not too late for the truth... or a second chance with the one that got away?

— HE WAS JUST PRETENDING NOT TO REMEMBER HER THE WHOLE TIME???? WHAT?? WHY??? D U M B. Dumb boys are dumb.

Not the Girl You Marry by Andie J. Christopher

Jack Nolan is a gentleman, a journalist, and unlucky in love. His viral success has pigeon-holed him as the how-to guy for a buzzy, internet media company instead of covering hard-hitting politics. Fed up with his fluffy articles and the app-based dating scene as well, he strikes a deal with his boss to write a final piece de resistance: How to Lose a Girl. Easier said than done when the girl he meets is Hannah Mayfield, and he's not sure he wants her to dump him.

Hannah is an extremely successful event planner who's focused on climbing the career ladder. Her firm is one of the most prestigious in the city, and she's determined to secure her next promotion. But Hannah has a bit of an image problem. She needs to show her boss that she has range, including planning dreaded, romantic weddings. Enter Jack. He's the perfect man to date for a couple weeks to prove to her boss that she's not scared of feelings.

Before Jack and Hannah know it, their fake relationship starts to feel all too real—and neither of them can stand to lose each other.

— This is actually the prequel to Not That Kind of Guy and I honestly can’t believe I read that after hating this book so much. They were awful to each other! Their whole relationship was based on lies! Mean lies! Horrible lies! Don’t lie to your significant other!

#book recs #fiction recs #rom com recs #fantasy recs #or: i read solely fantasy and rom com books in 2020 #this does not include any david eddings or meg cabot rereads #which also happened #and i endorse them wholeheartedly too #if you have read any of these books PLEASE share your thoughts with me #i am desperate for them #or your own recs of what you read this year #laura reads books #welllp these are books

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battlestar-royco · 4 years

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here is part 2 of my sci fi recs masterlist! again, i could’ve gone on with even more recs but i decided to draw the line here. this set for the most part errs on the darker side, thematically, visually, conceptually etc. i personally find it super thought-provoking and intriguing but that’s just me. i highly recommend reading the tw under the cut if you’re thinking of watching, especially the matrix and space gothic slides. please view at your discretion <3

part 1/2

If you like WLW (um idk why I only made this slide based on identity; it just kinda happened lmao but I think it works):

Siren: (tw: parent loss, grief, thalassophobia) a mermaid surfaces in a cove town looking for her lost sister. Polyamorous relationship between a man, a black/indigenous woman, and the mermaid!!!! Environmentalism! As a person who has thalassophobia, I didn’t find this too hard to watch. There aren’t that many underwater scenes, thankfully.

Black Mirror: San Junipero: (tw: grief, but otherwise none that I recall; it’s pretty lighthearted) two women meet in a beach resort in the 80s and fall in love. Interracial wlw!

Orphan Black: (tw: suicide, infertility, rape implication, VB, language, drug use) a woman realizes she is one of several clones and uncovers an elaborate corporate conspiracy. This is one of my personal favorites with great rep of complex women of all ages and bodily autonomy. Several central queer characters and a black male secondary character!

Starfish: (tw: grief, a few jump scares and brief monstrous imagery, blood) after the death of her best friend, a young woman breaks into the deceased’s apartment and discovers a chain of music tapes that could save the world. Weird, subtle, and experimental. Not to sound like a surfer but you kinda have to allow yourself to be in the vibe. The main character and her friend were definitely a thing imo.

Annihilation: (tw: body horror, VB, disturbing imagery) a team of women scientists explore an anomaly that rapidly mutates genes. There are canonical and coded wlw and multiple (light-skinned) POC in this but the rep is short-lived. I put it on because although it should’ve been more ambitious with the casting, I think it breaks *some* ground for Hollywood sci fi with the all-woman team and more than one WOC. Wack ending though.

Mad Max: Fury Road: (tw: rape implication, violence) I think everyone knows about this one but: in the apocalypse, a woman breaks 4 younger women out of a harem. A badass car chase across the desert ensues. A bit light on plot/worldbuilding, but sooooo cool-looking and very thematic!!!!

If you liked STRANGER THINGS:

It: (tw: VB) don’t actually watch this lmao I’m serious. It’s really stupid, and not in a funny way. But I do think Stranger Things was inspired by this story overall. The modern It films are better but they’re also really kjslsklskls stupid? Stephen King in general is obsolete imo.

The Thing: (tw: VB) an alien that can take the form of others wreaks havoc on a scientific facility in Antarctica. It’s dark and vibey, but I feel like it’s just Alien in Antarctica with truly terrible special effects tbh?? Others feel differently. It’s also classified as sci fi/horror, so stay away if you’re easily scared! Not too good on representation.

Super 8: (tw: some language) a group of preteens witnesses an alien-caused train crash as they’re filming a home movie. Not diverse but I definitely think it inspired a lot of sci fi for the 2010s, ESPECIALLY Stranger Things. Not too scary either!

ET: (tw: it’s been a really long time since I watched so I don’t remember but it’s rated PG) I think everyone knows what this is about!

Alien: (tw: VB) truckers in space discover a deadly evolving alien. One of my favorite movies of all time! I love the aesthetic and the mood and worldbuilding so much. Ellen Ripley is one of the first Final Girls in the horror genre. I personally found this more of a sci fi than a horror movie but I’d say stay away if you’re nervous!!

Terminator: (tw: VB) a deadly android is sent to kill a woman who’s destined to birth the man who saves the world. Terminator 2 is way better imo because it centers on Sarah rather than the dudes saving her and trying to kill her. But it’s still worth a watch, you know, for the culture.

If you liked CONTAGION:

War of the Worlds: (tw: blood) pretty straightforward aliens come to Earth to take over. Sorry to rec another T*m Cruise movie but I really like the alien design and the apocalypsey feel of this one. Baby Dakota Fanning is in it too!

Falling Skies: (tw: VB, body horror, rape) alien invasion yada yada but the alien lore gets more interesting as it goes on. It’s kind of cheesy and yeah maybe I did discover it by looking up the iCarly boyfriend (and what about it??) but it’s nice to have on in the downtime. An Asian woman co-stars.

Knowing: (tw: blood) school students unearth a time capsule that contains a sheet from a girl who predicted all the tragic world events between 1959-2009. This is NOT a good movie but it’s SO hilarious to me because of the acting and contrivances. Fun to group-watch!!!!

10 Cloverfield Lane: (tw: VB, emotional abuse) a woman wakes up in a bunker to a captor who tells her that the world has fallen to alien apocalypse. I think this movie elevates the original Cloverfield in pretty much every way. Again, super tense and moody. The conflict revolves around whether or not the captor is being truthful.

Train to Busan: (tw: extreme VB and disturbing imagery) a man and his daughter are on a train when a zombie hops on at the last minute. It’s Korean with an all-Asian cast; Choi Woo-shik co-stars. I definitely wouldn’t watch if you’re scared of blood and gore. It’s very gross and violent.

12 Monkeys: (tw: ableism, violence) a man from the 2030s is sent back to the 1990s to prevent the plague that will end the world. I think the aesthetics of this are really cool but otherwise it’s not a favorite. But I think it appeals to people who like apocalypse and time travel stuff!

If you liked THE MATRIX:

Strange Days: (tw: rape, sex, nudity, VB, racism, police brutality) memories can be saved to hard-drives and sold on the black market for exorbitant prices. Very problematic and triggering presentation of rape, but young Angela Basset stars and there’s a condemnation of police brutality that’s still relevant 20+ years after its release.

Upgrade: (tw: ableism, VB, fridging) a disabled man installs an AI in his spine to help him move and investigate the murder of his wife. The premise is glaringly ableist and I feel weird even recommending it tbh but it’s got great visuals and a few good twists.

Altered Carbon: (tw: VB, weird interracial body switching, uhhh I haven’t finished this one IDK) in a society where human bodies are interchangeable, a man wakes up in a new body after 300 years of his mind being dormant. A Latina woman co-stars, two Asian characters in a subplot, a few other POC here and there as well. I think season 2 stars a black man.

eXistenZ: (tw: VB, anti-Asian racism, general weirdness? IDK it’s hard to describe. There are guns made out of bones and weirdly sexual visuals.) after someone tries to assassinate her, a video game designer and her bodyguard must play through her virtual reality game in order to save the only copy of the game.

Minority Report: (tw: VB, eye removal/insertion) all crimes are predicted and criminals reported before they are committed. The main character is preemptively accused of murder. This one is really white but it was one of the first movies that got me into sci fi. Early 2000s Colin Farrell <3.

If you liked WESTWORLD:

Humans: (tw: uncanny valley, objectification) androids are household helpers and public assistants throughout Britain until one day they start developing consciences. It hits a lot of the themes of Westworld without all the unnecessary pretentiousness, “edginess,” and “grittiness,” and it stars Gemma Chan and Colin Morgan!!

Blade Runner 2049: (^) an android is ordered to find and kill a human/android hybrid. It’s not without its issues but it’s one of my favorite movies of all time, right up there with Alien. So beautiful, so thematic, so thought-provoking (to me, anyway. I know a lot of people thought it was way too slow).

Ex Machina: (^) a man is invited to a private estate to help test the intelligence of an android. It’s kind of predictable imo but you know Oscar Isaac and Sonoya Mizuno are in it so we have to stan, and so is Domhnall Gleeson, for the SW fans! I like how isolated and quiet it feels.

I Am Mother: (tw: blood, gaslighting) after an extinction event, a young woman is raised by a lone android in a human repopulation facility until one day a woman knocks. It starts off slow and a bit generic, but I’m obsessed with the 2nd and 3rd acts of this movie---good acting, dialogue, and fantastic visuals. It has that same isolated feel as Ex Machina with only three characters, all of which are women/woman-coded!!!

If you liked ALIEN (space gothic):

Battlestar Galactica (2004-2008 reboot): (tw: genocide, war, colonization, VB, uncanny valley, rape, infidelity) space opera that follows humanity as it fights the ever-evolving and powerful enemy of their own creation: androids named Cylons. Um? I L O V E THIS SHOW SO MUCH and I truly do think it’s everything sci fi should be. There is a really unfortunate Miss Saigon-esque romance plot in season 1 and a lazily-written love triangle involving a black woman in season 3, but otherwise it’s one of my all-time favorites and I highly recommend. It’ll spin your mind and tug your heartstrings for years.

Black Mirror: Men Against Fire: (tw: genocide, war, nudity) soldiers in the near future protect citizens from mutant zombies, but one soldier starts experiencing strange hallucinations in the field. This is such an underrated Black Mirror episode starring a black man. There’s brief objectification of a black woman but it’s very anti-military and it has an interesting sterile aesthetic that reminds me of Alien.

High Life: (tw: rape, black holes/space anxiety, very disturbing) prisoners are given the option to join a space expedition and serve as experimental subjects en route to a black hole. Please please stay away if you are triggered by sexual violence of any kind. There’s almost no physical violence in this movie but it’s psychologically haunting imo.

The Faculty: (tw; VB, drug use) high schoolers discover their teachers are being possessed by an invading alien race. I LOVE THIS MOVIE LMFAOOOO. The cast is SO wild---Elijah Wood, John Oliver, Usher, Salma Hayek, Josh Hartnett??? And I’m probably forgetting more. The combination of the cast, the terrible dialogue, and shitty special effects is PEAK comedy imo. But bear in mind it’s bloody!!

Prometheus: (tw: body horror, VB, uncanny valley) a crew of scientists heads on a deep space mission to find the aliens who created the human race. A prequel to Alien, but I kind of view it as its own thing. Despite the plot holes, I love this movie too! It was one of my sci fi gateways and the visuals are stunning. It’s pretty gory though so if that’s not your thing stay away.

Life: (tw: extreme VB) a lesser Alien, but it provides all the space gothic tropes (jokey crew, shots of space, really pretty spaceship, everyone dies, creepy alien) with a well-known cast---Gyllenhaal, Reynolds, etc.

The X Files: (tw: a few episodes contain 90s racism, sexism, queerphobia etc but you can skip them) a lot of people have watched this so I barely have to explain, but it’s one of my favorites. Two FBI agents investigate multiple aliens and get involved in government conspiracies along the way. A good gateway!

A Quiet Place: (tw: child loss, VB, tension) I think most people know what this is about too. Alien apocalypse with aliens that hunt by sound. The daughter in the family is deaf, and so is the actress who portrays her. The representation of deafness was critically acclaimed.

#maxine talks sci fi #movie recs #maxine did you read/watch

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smokeybrand · 3 years

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Smokey brand Reviews: Bad Romance

Palm Springs was probably my favorite film from last year. It was this quirky, time-looping, hilarious, romantic comedy with one of the dopest casts I've ever seen. It was headlined, and championed, by Andy Samberg but it would have been nothing without the brilliant chemistry between his co-lead, Cristin Milioti. This chick is fantastic! She’s been in a ton of stuff I've loved, Fargo, The Wolf of Wall Street, and Venture Bros. immediately come to mind, but never really had the opportunity to actually excel in her own vehicle. Always the Bridesmaid never the Bride, you know? And then i heard the buzz about this little HBO max show called Made For Love and it is lead by Milioti, herself. Finally, my girl has her wedding day! So, does this show live up to all the hype or is it just middling entertainment like all the other critics seem to think. Let’s get into it.

The Good

Immediately, I'm struck by how well this film is shot. This f*cking thing is gorgeous to look at. Seriously, they do so much with the camera work, so much dynamism, you kind of forget that this is basically just a cable sitcom. The quality put into this show is borderline cinematic and it really shows.

Another big thing that stands out is the music in this show. This soundtrack is exceptional. It feels almost as good as the tunes in Letterkenny. Almost. Letterkenny comes with the f*cking heat but this show, Made for Love, has a perfectly complimentary soundtrack.

I have to say, the writing in this thing is on point. It’s easily one of the wittiest, wryly hilarious, smartest, series of scripts i have ever had the pleasure of seeing performed. Seriously, I'm kind of in love with all of this dialogue. It feels very Lonely Island-esque, very Tina Fey-ish, and it’s right up my alley.

As a cat that has watched a ton of television and cinema, I've seen this actual plot before. Several times actually. That said, the way this cliche is executed in Made for Love is rather refreshing. The modern and technological framing is a really interesting take on this particular trope. I genuinely loved this story and it’s unique spin on things.

This cast is pretty dope. Ray Romano, Kym Whitley, Dan Bakkedahl, and Noma Dumezweni are all great in their supportive roes but this is, one hundred percent, Milioti’s vehicle. I’ll get into detail about that later but everyone in this show is excellent in their perspective roles.

That supporting cast are gems in Milioti’s crown but Billy Magnussen is definitely the prize. Dude’s Byron Gogol is f*cking repugnant, man, and Magnussen effortlessly captures that scumbaggery. Like, by the time this first season ends, you definitely hate dude and for good f*cking reason. That said...

Cristin Milioti wears the f*ck out of her crown. This is HER show and it wouldn’t work with anyone else. Milioti is hilarious and vulnerable and crazed and triumphant and defeated and that range is so palpable in her performance as Hazel. you can tell she was able to actually show her stuff in this role and she puled out all of the stops. This is definitely a star making performance and i think, if this wasn’t a pandemic release, she would be one. Time will tell. Personally, i think awards are bullsh*t but, in the context of the industry, the doors those things can open, they are still relevant. Milioti definitely deserves all of the awards for this run.

The Bad

I didn’t really like the ending. It felt out of character, especially that last shot. I understand why Hazel did it, that make sense, but it still feels off. After you’ve spent seven hours and fifty minutes with this character, seeing what she does in the last ten is kind of bonkers. Actually, that revelation early on feels a bit contrived altogether. I imagine, considering this show is a book adaption, it works better in print but onscreen? Kind of blergh. Especially considering this leaves the show on kind of a “cliffhanger” for a season two.

This isn't a dig on the show, itself, but i f*cking hate these weekly releases. Let me binge, man. I don’t want to wait a week to see new episodes constantly. These ain’t Saturday morning cartoons. We grown and this sh*t ain’t TV. Get your sh*t together, HBO!

The Verdict

I really liked this show. Made for Love was a fun watch in the same vein as Palm Springs but with a much harder edge. The writing is on point, funny in a macabre sort of way, but entertaining as a whole. It is chock full of great performances, headlined but the ever excellent Cristin Milioti. It starts fast and never really lets up, until it does. That ending, man, was rough. I understand why it went out the way it did but i don’t like. It feels disingenuous to the Hazel we’ve spent this last month with, ultimately sacrificing the character’s spirit for season two bait and i kind of hate that. Made for Love is a fun watch at a brisk eight episodes but kind of flubs the landing. If you can look past that and just accept this hing as a vehicle for Cristin Milioti to really show her stuff, i think you’ll have a great time with it. Questionable conclusion aside, i think everyone should check this one out.

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zukadiary · 5 years

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Ocean’s 11 ~ Cosmos Troupe 2019

Ocean’s was great! I loved it so much! I thought the previous two versions were fine, but never cared for either enough to go back and watch them again. Turns out if you adore every single person in the troupe putting it on, the ensemble cast makes it a home run.

If I remember correctly, there are some noticeable differences between the Hoshigumi and Hanagumi versions. This was a slightly tweaked and polished Hanagumi version. The show does a great job of featuring a lot of people; nearly everyone gets something fun to do (it’s consequently not the best taidan for Akkii or Riku, but if it wasn’t their last I’d really say it’s good for everybody). The scenes change quickly (and flow a lot better than I remember), so even if a given person’s appearances are short they’re typically fairly frequent. I’m not terribly pleased that the prolific use of projections seems to be a continuing theme in Takarazuka, but Ocean’s actually used them WELL, and with all the hacking/security/surveillance going on, and the flashing lights and artificiality of Las Vegas, it actually makes sense.

There are three (3!) major ad lib scenes that are different every day, something I didn’t realize ahead of time having only seen the previous versions on DVD:

Tess walking in on Benedict and his lackeys trying to physically threaten the Evergreen people into handing over the rights to their non-profit and Benedict having to lie about what they were doing

Saul giving everyone a pre-caper “acting lesson” in which Susshii says something ridiculous and the rest of the eleven have to remember it and mimic her in unison

Rusty pretending to be “Dr. Johnson” to cart Saul off after the fake heart attack that serves as a distraction during the actual heist (for those who can read Japanese, one brave twitter user is keeping track of all the Dr. Johnson ad libs)

...and these made me really look forward to seeing the show again and again. I probably could have gone every day and been thoroughly entertained.

Danny Ocean is the most boring vanilla blank canvas of a character and requires the actress playing him to really bring everything herself. Fortunately, Makaze and her devastatingly attractive body could have stood in the corner in those open-necked suits without saying a word for 3 hours and I’d still have given it a 10/10. On top of that though, I thought she played him perfectly. Her sort of low-key coolness that for me has come off a bit stiff at times with some of her other top star stuff was spot on for Danny, who I fully believed was chill, aloof, and sexy enough to both pull off such an impossible robbery without a moment’s anxiety, AND stalk the woman trying to divorce him such that she was not only NOT immediately put off completely but also ultimately able to fall back in love with him. In the dream sequence that opens Act 2, when Makaze changes from serpent to prince and leaves the bouquet of flowers on Tess’s bed for her to accept whenever she’s ready, my heart clenched so bad I accidentally groaned audibly the first time I saw it. She also sang the best I’ve ever heard her sing.

Madoka is a beautiful Tess, and above all else I was THRILLED that they finally let her have such a grown up role and that she slayed it. I had absolutely no doubt that she’d slay it; she’s a fantastic actress who as far as I can tell is only battling her round little face and height difference with Makaze when it comes to getting mature roles. But they styled her flawlessly and her dresses were to die for and she looked so fantastic I hope all concerned parties got the hint that this is fine. I want to see the two of them do something sizzling hot together (although I have to admit, dude chasing after his wife who wants so badly to divorce him IS a fun dynamic that we never really get to see in Takarazuka, unless they’re doing Ocean’s).

I love Kiki more and more every time I see her, and while it’s hard not to be annoyed that she’s not a top star already, I will be so furious if they take her away from Soragumi; I absolutely love what they bring out of her. I think she and Makaze have a great dynamic together, and she was both cool and funny enough to make Rusty very enjoyable to watch. There wasn’t a single Dr. Johnson scene I saw that didn’t have me laughing out loud and wishing I had another ticket. One day I sat in B-seki with a group of students on a class trip, and one of them gasped すごい when she finished her finale-opening solo. Here’s a funny story from Makaze’s ochakai that I read on twitter: there is a duet between Danny and Rusty during which Rusty lights a cigarette, and apparently Koike wanted to modernize Ocean’s by giving him an IQOS instead. Makaze convinced him that was the worst idea ever and wants all Kiki fans to thank her personally.

MVP: Zun as Benedict. I suspect her interpretation might be polarizing once the world at large gets to see Ocean’s, but I loooooved it. Once upon a time there was a Japanese meme going around about what kind of date various prominent otokoyaku would bring you on, and Zun was pegged as a young, sweet, filthy rich kid who would reserve the entirety of Disneyland and then take you there. Her Benedict was like the evil version of that. I appreciated so much that she went a different direction than Beni and Daimon and played him as just a rich sleazy horrible asshole without the over-the-top comical bits—and she was STILL very funny, just as the straight man to everyone else’s ridiculous antics. She was so dark, so angry, and had such a scary glint in her eyes for such a cute little muffin; so impressively gross it was weird to see her smiling genuinely in the finale. And she’s a DAMN GOOD STAGE KISSER, astonishingly so for someone who’s yet to have a romantic lead outside of shinko and Bow Hall. I very much enjoyed her team as well—mostly Mitsuki Haruka as Taylor, Aishiro Moa as Beth, and Hoshizuki Rio as Charles, keeping things funny and chaotic. Kihou Kanata/Manase Mira were even hilarious as the bodyguards (Wakato Ritsu was a fine Bruiser, but IMO it’s pretty hard to beat Taso... and I felt a gaping hole where Fuuma Kakeru should have been).

Seiko could have carried this show by herself. For whatever reason—and I rewatched the Hanagumi version recently—I didn’t think Queen Diana, outside of being sassy, was as good of a role as it was (does the DVD fail to show a lot of her antics? Maybe. Was I doing a lousy job paying attention? Possibly). But no, Seiko was all over it, convincingly the biggest force in Vegas (and this cast). I am going to miss her so so so much. Akkii and Riku ended up with the more senior but less meaty roles of Frank and Basher respectively. While Frank is on the quieter side during most of the scenes with all the 11 except for his opening solo and arrest, I personally, for probably biased reasons, really enjoyed watching Akkii and Sora in the background, where Frank is very frequently trying to coerce Linus into getting over himself and just doing the thing already. I don’t know if this has been especially tough on Riku, but her eye bags have eye bags :( As much as I’m going to miss her, I hope she gets through this and takes a nice long rest. The Soragumi landscape is going to be so weird and different without these three. They come down for the parade together with Seiko in the middle and I got choked up every single time.

I’m thrilled that Sora got Linus mostly from a rank standpoint; they announced Ocean’s before Aichan’s transfer to Senka and I was positive she was going to be Livingston. The role itself kind of unfortunately emphasized how tiny and behind she is in this troupe, but at the same time she was SO grumpy and SO cute. I feel bad taking pleasure in her angst but boy was she cute. She talked about how interesting it was to play someone who was struggling to overcome his own roadblocks, both as the only upperclassman to ever play this role, and also having just turned ken-10, where otokoyaku are supposed to “come of age” so to speak. And the frustration and uncertainty she put into the role was extremely palpable. As I’m used to her being a disembodied arm or a blurry image over someone’s shoulder on most DVDs, I couldn’t be happier that she finally has a whole solid handful of her very own scenes that I might actually be able to see not only in the theater. She’s closer to the middle when the otokoyaku dance too, AND she moved up a parade spot. I most definitely teared up when she came down the stairs featured between Rara and Mineri.

Moeko was SO CUTE as Livingston, and the scene where Rusty busts into Livingston’s place pretending to be an FBI agent was one of my favorites, along with the one where Danny comes to get the Malloy brothers and they mess with his face on the security camera. I’m so enamored with both Kotti and Yuuki Shion (Yuuki Shion dangerously so, YIKES; she’s like the awkward baby Sora I fell in love with reincarnated, plus she can do Komu-esque things with her legs and jump so astonishingly high). I will forever be obsessed with Susshii and how much joy and passion she pours into playing even the most crotchety old men. I don’t know what it IS about Rinkira that screams old man to the producers (other than that maybe they just need someone to do it), but I even liked her as Reuben, and Akine Hikaru as Yen a surprising amount. I always thought of Yen as a scary role that you don’t want your girl to get stuck with, and for someone prominent I guess it would be a bummer, but I don’t think I’ve ever noticed Akine Hikaru do much of anything before, so I was mostly just wide eyed at how acrobatic and good with a yo-yo she is.

The finale is REAL good; Makaze is hot and a little sweaty and her hair is styled to make her look even sweatier. The top-star-in-a-harem-of-musumeyaku number is done in one of my favorite aesthetics, where the musumeyaku let their hair down (literally) no matter how intricately they were styled up to that point, and you can see the creases from their former pins and braids and it’s a little messy and loose and sexy which are all things I wish they’d let musumeyaku be more often, and Makaze is in the middle just like doing illegal things with her mouth and all that jazz. The otokoyaku dance is good too, and the duet dance is cute as shit (there’s a part where Makaze like boops Madoka’s nose and then Madoka pushes her like ~stop that~ and ugh).

And speaking of ugh, the end of Act 1 where all 11 of them turn around and saunter toward the back of their stage after formulating their flawless plan put my stomach in knots, both for the sheer swagger and the overflowing love I feel for this lineup of this troupe. I know I’ve been saying this for like two years and it STILL hasn’t happened on the scale I’ve been expecting, but I can feel the transfers coming and I’m scared.

#takarazuka #reviews #ocean's 11 soragumi 19 #am i 東宝組 now 19

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moviegroovies · 5 years

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the lost boys + names

so if you’ve been following my lost boys obsession, you’ll have noticed me just absolutely gushing about so many things that really got me hooked into the movie’s clutches, but one thing i decided to save for its own post was my affection for the way the characters are named.

in particular, the first pair of names that really jumped out at me were edgar and alan frog, for the obvious edgar allan poe reference reasons. i think those names are fitting insofar as the frog brothers are, as sam kind of points out, a little grimdark and morose (even though they’re right about the whole “vampires in santa carla” thing, they could probably stand to lighten up a little about it, right?), which is pretty much poe’s brand name. on a different level, given what little we see of their parents, it kind of makes me wonder if those are the boy’s given names; we see the talk about ex-hippies being hazardous to their children’s given names with michael “moonchild” emerson and star, but edgar allan poe wasn’t exactly famous for resonating with the hippie movement, either.

the tv tropes page for the lost boys acknowledges the meaningful name connotations latent in “lucy” and “max”: lucy, for the character lucy westenra, who was turned by dracula into a vampire (as was max’s plan for lucy emerson), and max, for max schreck, who played count orlok in nosferatu, a film mentioned by name in the lost boys.

now, here’s the part where the post takes a turn for the “ok, you’re reaching,” so bear with me. honestly, none of the lost boy’s names jumped out at me in particular (as far as i know, none of them have any particularly meaningful connotations, they’re just, you know, names), except for david... but ONLY in conjuncture with star. now, it’s impossible to tell whether or not this was the intention of the writers, but the fact that there are two pretty major characters in the movie with the names “david” and “star,” especially when they’re said in the same line (when michael corners david on the boardwalk, he asks “where’s star, david”), invokes magen david, the star of david, pretty decisively. perhaps this is especially augmented by something my dad said when we were watching the lost boys together; when the boys went to collect star as she meant to go off with michael, he had a comment that went something like “oh yeah, i think she kind of belongs to them.” now, i’m obviously opposed on principle to the idea that girls can belong to guys in general, or that star actually belongs to the lost boys like an item in this specific case, but i don’t think the observation was that far off; she definitely feels that she has to go to david, specifically, when he comes calling, even though it’s pretty clear that she’d rather go get food with michael like he offered. this element of possessiveness kind of rounds out the association; literally, she’s the star of david. so what does that mean?

well, the star of david is obviously the modern symbol of judaism (worth noting here, i suppose, that star’s actress, jami gertz, is a jewish woman). however, as a symbol, it has no real backing in the torah, only really popping up in the last few hundred years as we know it now. the website my jewish learning offers a few explanations of possible meanings: franz rosenzweig wrote about it as the star of redemption, a theme which fits with star’s desire to undo what she’s done in giving up her humanity, while kabbalists used it as a symbol of protection against evil spirits, which can be read into her role in shielding michael from the lost boys, AND in her role in shielding laddie from the frog brothers’ attacks. no matter what the intention in these names were (and i fully acknowledge i might just be reading too much into what was never supposed to be this deep), i think these explanations are worth noting as insights into star’s motivations and her role in the movie.

in my previous posts, i talked a little bit about star’s name outside of the star of david bit, examining the conversation she had with michael where he suggested that her parents called her that because they were ex-hippies, like his, and came to the conclusion that it may be possible that her parents weren’t the ex-hippies, but rather, she was, meaning that star has been with the lost boys for a lot longer than most people think. basically, star’s name has a bunch of layers metatextually, and i don’t think that we would have gotten a whole conversation between the two of them about where her name came from if we weren’t supposed to think about that for a little bit.

we stan a queen.

finally, and this one i’ll admit is REALLY off the shits, i want to examine the names michael and sam in connection with one another. my own personal bias is really shining through right here, and i want to get that out of the way first and foremost. michael, right now, is pretty much my favorite name, specifically because of my intense interest in angelology and, in particular, the archangel michael. naturally, when i realized that the lost boys had a michael as the main character, i was immediately on the lookout for anything that gave it a Meaningful Name(tm) status, and so when his brother was introduced as sam, i was kind of... excited, to say the least. you see, one relationship i’m really interested in, fictionally, is the sibling-esque bond that people like to examine between archangels, and in particular, the michael & lucifer relationship is my most favorite. the thing is, another name for lucifer that a lot of that type of media in particular uses is sammael... which, obviously, could easily shorten to “sam.”

in the context of the movie, sam being the one connected to sammael, the fallen angel, the one who disobeyed god’s will and took the path forbidden from him, and michael being the one connected to, like, st. michael, the leader of god’s army, seems a bit... backward. obviously i’m stretching so hard i’ve dislocated my shoulder, but i think it might be interesting if that were on purpose; meaningful names that invoke the most famous angels, but then the characters marked with them go the opposite directions of their namesakes, and it becomes up to sam to bring michael back on the right path.

...food for thought, i guess? let me know what you think, or if you have any other names from the movie that stuck out to you! this is my absolute favorite thing to analyze honestly.

#the lost boys #edgar frog #alan frog #lucy emerson #max tepsch #david #star #michael emerson #sam emerson #text post #ok i KNOW that last one is so far out there but i just had to get it off my chest or i wouldn't be able to forgive myself #i've been thinking about it since the first time i watched #aaaaaaaaa

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kpoptimeout · 6 years

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My Top 10 K-Dramas of 2017 - What’s Yours?

2017 is ending soon and K-Dramaland has once again brought us so many goodies this year. As per our blog’s tradition [For 2016 faves click here] , below are my Top 10 favs of the year (my faves in alphabetical order so it might not be yours so please don’t judge)

My only specific criteria this year is that the show must have had started in 2017 to be considered a 2017 series (Hence, Weightlifting Fairy Kim Bookjoo and Goblin were in last year’s list)

Chicago Typewriter (tvN)

Ever thought of a haunted typewriter that will slowly help you recover stories of your past life? Maybe not but this innovative drama does just that. Featuring talented movie focused actors Yoo Ah In and Im Soojung (HER FIRST DRAMA IN 13 YEARS SINCE THE LEGENDARY “I’m Sorry, I Love You”) as lovers separated from the past life but current bickering duo and rising talent Go Kyung-Po of Reply 1988 fame as their half puppy-half manipulative ghost friend from the past, the drama is one rollercoaster of emotions jumping between two equally interesting timelines of modern South Korea and Japanese occupied South Korea. I really enjoy the combination of working out the characters’ mysterious past life and also the commentary on the modern literary world. If you want an intriguing and fun story-line with revolutionary history shenanigans and early 20th century speakeasies, Chicago Typewriter is the drama to watch!

Duel (OCN)

Finally, CLONES ARE PART OF K-DRAMALAND. After many dramas on multiple personality disorder and twins switched at birth etc., we see the concept of genetic copies and the ethics of such science finally pursued in this well-written and exciting thriller. Yang Sejong plays the clones in question and as a newcomer who only debuted in 2016, he is one to watch out. He expertly played the two dramatically different clones and honestly got me super freaked out watching the show. OCN continues their amazing run with thrillers and I cannot wait for more new content from them.

Fight My Way (KBS2)

Every year there is one bomb slice of life drama and this year it’s “Fight My Way”! Inspired by the real-life romance of mixed martial artist Choo Sunghoon and his wife Shiho Yano, this rom-com about a UFC fighter and his childhood love is sweet, funny, and poignant, touching on realistic experiences of everyday couples. Park Seojoon excels as the fighter Ko Dongman and I think he honestly does the best when acting in these common man roles like in “She Was Pretty” and “Witch’s Romance” versus the over the top hero ones like in “Hwarang.” Kim Jiwon proves she is no one-hit wonder and here to stay after her “Descendants of the Sun” fame in this relatable role of a girl who has to abandon her dreams due to practicalities of the real world and Ahn Jaehong continues to be a pure delight after “Reply 1988”.

Hwayugi (tvN)

Only 2 episodes in, the Hong Sisters already prove that once again they are the producing queens of K-Dramaland and Hwayugi is going to be scoring home runs like their earlier supernatural dramas “My Girlfriend Is a Nine-Tailed Fox” and “Master’s Sun”, whilst riding the wave of another widely popular mythical tvN drama “Goblin.” Reinterpreting the Chinese fantasy story “Journey to the West”, this drama plays with characters already well-known in Asian folklore and throws in interesting ghost/demon/monster fighting side stories along the way. Having worked with the Hong Sisters many times, Lee Seung Gi shines in his first role back from the military, playing the mischevious Monkey King Son Oh Gong. The other castings are also great - with Cha Seungwon fittingly being the eccentric and mercurial Bull Demon King, FT Island’s Hongki as the super flirt Zhu Bajie, and Oh Yeon Seo as the pure but strong-willed reincarnation of Xuanzang. If you need a fix after “Goblin”, just watch this already.

My Secret Romance (OCN)

OCN’s first ever rom-com is a fan favorite locally and internationally and for good reason. It is one of those expected rom-com plots with chaebol male lead, awkward grassroots female lead, BFF with a crush on her, etc. but just done very well. It does do something innovative - going around all the awkward will they kiss or not KDrama stuff to a male and female lead who meet three years later after an awkward one-night stand. Additionally, the chemistry between Sung Hoon and Secret’s main vocalist Jieun is great and made the drama all the more fun, cute and entertaining. Also, THE OSTs ARE AMAZING BECAUSE BOTH LEADS ARE GOOD SINGERS.

Ruler: Master of the Mask (MBC)

One of the K-Dramas I looked forward to the most this year was “Ruler: Master of the Mask” because of the amazing cast of Yoo Seungho, INFINITE’s L, Kim Sohyun, and Yoon Sohee and boy I was not disappointed. Going with a Prince and the Pauper-esque plot in Joseon Korea, Yoo Seungho and L did a great job in the delivering the two roles respectively. While some people complained the show was kind of slow, I rather the PDs slowly build up the story than rush a lot in the first few episodes then drag on forever at the end.

Strong Woman Do Bong-soon (jTBC)

Following the popularity of another tough female lead drama “Weightlifting Fairy Kim Bok Joo”, “Strong Woman Do Bong-soon” also made a strong impression on viewers. The story surrounding a cute and petite girl with supernatural human strength, played by popular actress Park Boyoung, made for a lot of laughs and also led to some fun romantic moments with male leads ZE:A’s Hyungsik and Ji Soo. The pairing of Park Boyoung as Hyungsik’s bodyguard was a well-done flip of normal K-Drama gender roles and I am excited about more female empowerment in K-Dramaland!

Tunnel (OCN)

After tvN’s “Signal”, I was not sure if I can find another amazing time-travelling thriller of that quality to watch. But OMG OCN is back at it again with their thriller generating machine and they delivered me with “Tunnel.” The male lead, played by the honestly still underrated talent Choi Jinhyuk, is a detective from 1986 who finds himself in 2016 after traveling through a tunnel. Discovering the case he was working on is still unsolved, he joins forces with a modern police officer played by Yoon Hyunmin and a criminal psychologist played by Lee Yooyoung. This show inspired by the Hwaseong serial murders is very good and deserved to be the major hit it was in South Korea, being the most viewed OCN drama of all time.

While You Were Sleeping (SBS)

Suzy and Lee Jong Suk is one drama already sounds like aesthetic goals but this drama also had good writing and plot to carry itself well. With Suzy playing a journalist who can dream of future deaths and Lee Jong Suk being a prosecutor who acquires her ability after moving into her neighborhood, the two form a likable team and really took us on a roller-coaster ride of emotions. While I am not the biggest fan of Suzy’s acting in the past, she has definitely improved a lot and I think people who are avoiding the drama just because of her should really give it a try.

Whisper (SBS)

Legal dramas with strong female leads are always fun to watch, be it tvN’s “Good Wife” or SBS’s “Punch.” Another such drama is “Whisper”, which is supposedly set in the same universe as “Punch” according to some eagle-eyed fans, and it follows the alliance between Lee Bo-young’s charismatic but debt-ridden female section chief police officer and Lee Sang-yoon’s virtuous elite judge in their journey to uncover defense industry corruption at Taebaek, the nation's biggest law firm. These two top actors of course delivered great performances and Kwon Yul continues to rise on my list of second male leads to watch out for.

Honorable Mentions:

Circle (tvN): An ambitious exploration of dystopian futures by tvN featuring a talented cast including Yeo Jingoo, Kim Kangwoo, Gong Seungyeon and HIGHLIGHT’s Kikwang.

I’m Not a Robot (MBC): Yoo Seungho aka #BAE? Count me in and ready to watch all the episodes. Also, the robot thing is a newer drama trope that has lots of potential.

The Liar and His Lover (tvN): While the storyline is the expected K-Drama rom-com fare, this was a solid debut performance from Red Velvet’s Joy and damn the OSTs were great. Crude Play needs to debut as a real band real quick.

Mad Dog (KBS2): Another amazing action-packed K-Drama thriller starring the amazing actor Yoo Jitae of legendary movie “Oldboy” fame. Also, K-Drama fans need to watch out for Woo Dohwan as this young actor is very talented and has huge potential.

Suspicious Partner (SBS): The final drama of Ji Chang Wook before his enlistment, this is a feel-good rom-com with a great cast of Nam Jihyun, Choi Taejoon, and Nara.

What’s your Top 10 K-Dramas of the Year? Leave your thoughts in the comments section below and may the drama sharing begin (and the road to more excuse for holiday procrastination!)

Also, if you want to check out underrated K-Pop songs of 2017, here are the lists for idol songs, artist songs, and OSTs!

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kihocrystal · 6 years

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Winter 2018 Final Impressions

I’m a month late, as usual (whoops!), but here’s my final thoughts on the animes I watched this past season!

The “reviews” will be in alphabetical order!

3-gatsu no Lion S2 - 9.0 / 10 (A)

This second season of 3-gatsu was great! It’s just… a really great drama show about fighting depression (& a bunch of other character storylines)!

First off... THE BULLYING ARC WAS REALLY GOOD

extremely complicated, emotionally complex… this arc brings all sorts of emotions & angles into the forefront

multiple perspectives too: Hina’s, Rei’s, the bullied girl’s, the bully’s, the teachers’, and Akari too!

The art style can pull off both thick-outlined / bright colored style and watercolor-esque style incredibly well

it really is beautiful how it can visually portray both light-hearted and emotionally intense scenes

This season continues to show how good it is at character development for characters both main & supporting!

We get to see Rei moving through the ranks as a shogi player

and also moving through the ranks of conquering his depression! He’s improved more than ever before!

We get to learn about the white-haired master player (Souya); I liked how he has his own quicks and challenges he has in his daily life

Along with the other head shogi guy (Yanagihara)! (& how he shoulders his legacy for his friends)

Even the last episode offered some perspective from the foster mom about Rei & her kids

this show is just… really good at making normally-hated characters sympathetic, hot damn

Aside from bullying arc, this season also showed Hina preparing for the transition to high school

The finale episode was nice and sweet, with Hina saying goodbye to Takahashi and even getting a haircut!

This continues to be one of the best drama anime in recent years! Not to mention SHAFT’s best show since Madoka Magica :3

Cardfight!! Vanguard G: Z - 7.5 - 8.0 / 10 (C+)

And so ends the G series of Cardfight Vanguard… this final season I’ll say though is kind of a mixed bag

The plot had interesting ideas and moments at times, but the execution and pacing left a bit to be desired

though I will say it was definitely better than last season (CFV G NEXT)

This season didn’t waste any time getting to the main plot, as Chrono has to face off against a Diffrider right away

the diffrider stuff is continued from last season, but for the most part, it’s a new plot kicking off!

The rollout of all the new Diffrider Apostles (& them showing their strength) definitely made them look like powerful foes

not to mention the Zeroth Dragons, which were also shown to be powerful and very risky to use

Also knowing that anyone in the main cast could end up being The Vessel added some intrigue as well

the reveal that Kazuma would be the vessel definitely was a well executed twist imo~

However the pacing in places felt a bit too fast for me… the Relics subplot felt like it wrapped up too quickly, for example

the final fight against Gyze also kinda felt rushed… Gyze didn’t even have any dying words after his defeat :/

As a final season specifically, I feel like it kinda pales in comparison to Stride Gate, unfortunately

The cast was also kinda hit and miss in terms of how well they were utilized in the plot

some of the apostles definitely had more screen time than others (gredora only got like… two episodes)

plus gastille (the supposed apostle leader) got beaten sooner than like 3 other ones???

some villains carry over from last season too, such as Noa (Chaos Breaker) and the red-head punk kid

I liked all the new villains this season, personality-wise! (Also Yukari Tamura in there is a plus)

also no Am and Luna this season, really…

the previously established OG cast were integrated fine, for the most part

including Aichi and Kai getting the kill against Chaos Breaker Dragon

but the final episodes kinda just shoe-horn in a bunch of cameos that just didn’t feel natural :/

it just felt like “OH SHIT, this is the last season actually! Quick, throw in a bunch of cameos!”

this also applies to G characters, which makes less utilized characters (like Am & Luna, as mentioned before) look out of place :(

Sure, I’m saying a bunch of negative stuff right now, but I REALLY LOVE THIS CAST… I JUST WANT THE BEST FOR THEM

It’s the main reason I love CFV G, after all~

This season was definitely an improvement over NEXT for sure! The plot was interesting, I just wish the conclusion was better

The final episode basically just felt like an OVA, really… aside from the last scene, it didn’t really feel like an epilogue at all

I guess it just bums me out bc the original series got a good epilogue episode, so I know they could do it here, too…

In any case, I’M GONNA MISS THIS CAST, BIG TIME ;A;

In any case, this was a decent season to end the G series with! Not the strongest, but not the weakest either.

I’m gonna look back on my time with CFV G fondly for sure, if for nothing else than the great ensemble cast :’)

It’s gonna be weird going back to the OG cast for sure… I arguably liked the G cast better than the OG one :’D

Osomatsu-san S2 - 8.0 / 10 (B)

The consensus among fans seems to be that this season wasn’t as good as the first season

As for me, I… probably agree with that (though I still enjoyed this season!)

As with most comedy anime, whether the jokes land is pretty subjective. I feel like I didn’t laugh as hard this season? IDK

There were more “seasonal/holiday”-based episodes this time around (i.e. summer, new year’s, etc.)

What stays the same though is that this show is at its best when featuring the main brothers themselves

Skits involving the side characters (like Iyami, Dayon, etc.) didn’t make me laugh much…

I will say though that I enjoyed the second half of the season more than the first half~

Enough about the negatives, let’s talk about this season’s memorable skits / episodes!

The premiere was really good, as it poked fun at the huge popularity the show unexpectedly got xD

plus a bunch of references that *aren’t* gonna get them removed from streaming sites this time!

Jyushimatsu getting an “apprentice” with a little kid was also pretty funny~

The Karamatsu taxi skit, the spooky inn, & all the characters being stuck on an island were also good skits!

Ep. 18 (Iyami, Alone in the Wind) was also a crowd favorite, since it brought the feels for a change :’)

The finale 2-parter pulled a bait-and-switch yet again!

Part 1 was actually pretty serious, but the actual finale just has them trying to break out of hell xD

OH YEAH, I still really like the live-action stuff they do during the ending sequences

the first half’s ED was my favorite (the stop-motion of the brothers riding in the car)

I don’t have much to say about comedies generally, but Osomatsu-san is still my favorite in recent years ^^

Even though this season didn’t hit as hard as S1, it still provided some fun laughs~

Pop Team Epic - 7.5 / 10 (C+)

What can I really say about this show? It kind of defies description ^^;

Ok, yeah, it’s a sketch comedy, but it’s a really… crazy and random sketch comedy

The jokes are hit and miss (and in my experience was a bit more… miss than hit)

I never really laughed out loud at this show either

but then again, the humor here is more “being confused at what’s going on, but going along with it anyway”

There’s also a lot of modern anime references, so you might not get those jokes if you don’t follow most recent anime

Each episode has a long skit in it, plus a bunch of bite-size skits

I personally preferred the short skits over the long ones

There were a couple song parodies which I enjoyed (including the Earth Wind & Fire parody)

Also, this series definitely benefits from having an English simuldub! Some skits I found funnier in English!

OH YEAH, the voice actors (in both languages) change every episode, with female and male VAs in each episode

that enhanced the enjoyability of the sketches too, since I liked hearing favorite VAs do silly dialogue and performances!

I wouldn’t say this ranks among my favorite anime comedies, but it’s definitely unlike any other I’ve seen! ^^;

Your mileage will *definitely* vary with this one, so give it a try and see if it’s for you!

The Ancient Magus’ Bride (Mahoutsukai no Yome) - 8.5 - 9 / 10 (A-)

This was a very enjoyable fantasy drama show! Some people feel this show was overhyped, but I still thought it was really good!

I really liked the cast overall, especially Chise

She has really good character development throughout the show! She really becomes more strong and confident!

Seeing the fantastical world through her eyes was interesting as well!

Especially since those mystical elements were also responsible for her terrible childhood…

Elias was also an interesting guy… he and Chise have an interesting relationship together

Their relationship definitely has aspects that are unhealthy, but they do grow closer to each other by the end

If people can’t get past the whole premise of “him buying Chise to be his bride” though, I totally understand ^^;

They help each other learn too, which I liked to see

The supporting cast was also enjoyable! Not much to say about them individually though

The dragon keeper was nice and we got to learn about Elias’ origins through him

The dragons in general were great! Especially the old one that turned into a tree :’)

He gives Chise some good sage advice, even after death :’)

Angelica, Silky, and Stella (among others, like the other anti-hero duo) were good support characters too~

I liked Stella’s role of “normal girl who learns of the supernatural’s existence”

Cartaphilus was an… okay villain, I guess (though his methods were quite creepy indeed, which added some intrigue)

Some character designs are a bit questionable though… like who approved the vampire’s design? ^^;

Another large appeal of this was the world building of the fantastical elements!

I liked seeing all the different types of locales & supernatural creatures, both good and bad

As a low-fantasy show, this show does a Dang Good Job with the fantasy!

Chise learning more about herself and gaining confidence through these experiences were a highlight as well

I enjoyed each story arc as well, even though most of them were more explorative and introspective

This show can be dang beautiful sometimes, through both its art/animation and its stories (Thanks, Studio WIT!)

Some were better than others, but they all deliver either a heartwarming (or a dark) story

Some favorites of mine were the dragon-based ones, and the vampire loving the old man

The finale was good too! It’s unknown whether this conclusion is anime-original or not, but it was definitely a good S1 ending~

If you love low-fantasy shows, this is definitely one to check out!

Violet Evergarden - 8.5 - 9.0 / 10 (A-)

Best *new* anime (that I watched) of this past season, hands down~

Though to be fair, I still need to watch A Place Farther than the Universe… and Yuru Camp… and After the Rain…

Going into this season, this show was hyped and back and somehow… a lot of people were *disappointed* with this show?

I think it had to do with expecting a different show than what we got; as for me, I knew it’d be an episodic drama the whole time :P

But yes, this show has a (mostly) episodic plot with an overarching character arc. If that’s too slow for you, then you probably won’t like this show.

In any case, back to the positives! The first one being how good this show looks visually… as expected from KyoAni~

there’s so much detail in the backgrounds and the character elements (especially the lighting on objects like Violet’s metal hands)

this aspect is one thing *everyone* agrees on regardless, so… yeah, this show’s really pretty!

The main star (and focus) of this show was Violet herself… you can really see how she changes for the better from beginning to end

You get to see how “robot-like” she was at the start of the show, but she slowly learns about dealing with emotions of others… and herself

This character arc is definitely the “main” plot of the show, along with her coming to terms with Gilbert’s death and her war killings

The episodic plots were good in their own right, too!

Ranging from Violet’s start as a Memoir Doll to the different clients she works with, they all teach her something along the way

These sometimes focus on the side characters working at the Doll Agency too, so we get to learn more about them as well

The one that comes to mind first is Iris’ episode, where she (messily) reconnects with a former lover

Not all of them get a full episode in the spotlight, but they do get some focus scenes from time to time

Violet’s clientele episodes were the most memorable out of this lot IMO

ESPECIALLY EPISODE 10… that was the BIGGEST feels trip

I knew exactly how the episode was going to end, but I still teared up at that ending!

The finale was action packed, but also was a beautiful way to show how far Violet has come

I know some people’s issue with this show is that “it doesn’t know what show it wants to be” re: the action stuff, but I was fine with it personally

in any case, it was a pretty good book-end for Violet’s development, since she finally understands (a least a little) what “I love you” means :’)

I understand certain people’s gripes with this show, but this really is a great little drama show that *will* deliver the feels~

P.S. I also watched Fate/Extra: Last Encore this season. It hasn’t technically ended yet, so I can’t give final impressions on it right now. However, my current score for it is a 7.5/10 (C+).

#3 gatsu no lion #march comes in like a lion #cardfight!! vanguard #cardfight vanguard g #cardfight vanguard gz #osomatsu san #pop team epic #mahoutsukai no yome #the ancient magus bride #violet evergarden #Final Impressions

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brokehorrorfan · 7 years

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Best New Horror Movies on Netflix: Autumn 2017

There's an overwhelming amount of horror movies to sift through on Netflix, so I've decided to take out some of the legwork by compiling a list of the season's best new genre titles on Netflix's instant streaming service.

Please feel free to leave a comment with any I may have missed and share your thoughts on any of the films you watch. You can also peruse past installments of Best New Horror Moves on Netflix for more suggestions.

1. The Void

Not afraid to wear its influences on its sleeve, The Void is a fun amalgam of genre favorites such as The Thing, Hellraiser, Prince of Darkness, The Beyond, and Assault on Precinct 13, along with a healthy dose of H.P. Lovecraft for good measure. The '80s inspiration is furthered by a plethora of practical effects and a pulsating, John Carpenter-esque synthesizer score. Set in the most understaffed hospital since Halloween 2, a small group of people fight to survive against Lovecraftian monsters and cultists. A lot of the plot points are familiar, but the astonishing effects are more than enough to make it feel fresh and exciting.

2. The Transfiguration

Like a modern take on George A. Romero's Martin, The Transfiguration is a subversive vampire film. It's also an urban coming-of-age tale with social commentary. The plot concerns an adolescent boy (Eric Ruffin, The Good Wife) who is a practicing vampire in New York City. Not just an avid watcher of horror films - although he name-checks plenty of them - he partakes in murder to drink blood. He begins to question his outlook on life when he befriends a girl who's also an outcast (Chloe Levine, The Defenders). Although largely a somber, dramatic film, there are a couple of truly shocking moments. Due to how raw and real it feels, this one will stick with you.

3. The Devil's Candy

Written and directed by Sean Byrne (The Loved Ones), The Devil's Candy combines elements of haunted house, demonic possession, and home invasion movies, all with a lean toward heavy metal music. It follows a struggling artist (a nearly unrecognizable Ethan Embry, Can’t Hardly Wait), his wife (Shiri Appleby, Roswell), and their teenage daughter (Kiara Glasco, Map to the Stars) as they move into a new home. Meanwhile, the house's disturbed former resident (the great Pruitt Taylor Vince, Constantine) returns, and he takes a liking to the young girl. It's akin to a 1970s slow-burner with modern sensibilities. The restrained approach allows the audience to become more invested in the characters, building toward an unpredictable and emotionally draining final act. Read my full review of the film here.

4. A Dark Song

A Dark Song is an engrossing slow-burn horror film predominantly told with two actors in one location. The story involves a grieving woman (Catherine Walker, Ferocious Planet) who seeks the aid of an unstable cultist (Steve Oram, Sightseers) to perform an elaborate ritual that allows you to ask a guardian angel for a favor. She wants her deceased child back, but this is far from a Pet Sematary retread. It's all about the build-up, with some genuinely creepy moments along the way before it culminates in a tense finale. Irish writer-director Liam Gavin makes a powerful debut anchored by strong performances.

5. What Happened to Monday

What Happened to Monday is set in the not too distant future, when a strict one-child policy is enforced in an effort to preserve the planet. Noomi Rapace (Prometheus) stars as septuplets, who hide from the government by sharing a life; each one only goes out during the day of the week for which they’re named. When Monday disappears, the other six siblings must track her down before someone else does. Rapace wonderfully diversifies the seven parts, and it's quite impressive to see them all seamlessly interacting with one another in the same shot. Willem Dafoe (Spider-Man) plays the girls' grandfather who raised them, while Glenn Close (Fatal Attraction) is the head of the agency stripping families of their children. Tommy Wirkola (Dead Snow) directs some superb action sequences in this sci-fi mystery thriller.

6. American Fable

American Fable is true to its name, often playing out like something of a dark fairy tale in the country’s heartland, but its fantastical elements largely take a backseat to a rural drama with mystery/thriller elements. Writer-director Anne Hamilton, who got her start as an intern on Terrence Malick’s The Tree of Life, makes a dynamic feature debut. Set in the 1980s, the story revolves around Gitty (Peyton Kennedy, Odd Squad), an 11-year-old girl with an affinity for storytelling. She finds herself in a real-life fairy tale upon discovering a man (Richard Schiff, The West Wing) imprisoned in a silo on her family's struggling farm. The picture is an admirable American complement to Guillermo del Toro's Pan's Labyrinth; not only are their stories thematically analogous, but they also share a similar horned creature. Read my full review of the film here.

7. Here Alone

Here Alone is a zombie movie in which the zombies are almost never on screen - and that's not a bad thing. It depicts the hardships Ann (Lucy Walters, Power) must endure and the elaborate precautions she must take in order to survive, weaving between two different points in time: early in the apocalypse with her husband (Shane West, A Walk to Remember) and their baby, and the present when she befriends a fellow survivor (Adam David Thompson, Mozart in the Jungle) and his teenage daughter. Director Rod Blackhurst (Amanda Knox) delivers a subtle, dramatic character piece with shades of The Walking Dead by crafting dynamic characters backed by engaging performances.

8. Little Evil

Tucker and Dale vs Evil writer-director Eli Craig returns to horror-comedy with Little Evil. Having perfected his deadpan delivery on Parks and Recreation, Adam Scott makes awkward an artform as a man who believes his new wife's (Evangeline Lilly, Lost) 6-year-old son is the literal Antrichrist. The supporting cast, underutilized as they may be, is also great, including Bridget Everett (Patti Cakes), Clancy Brown (The Shawshank Redemption), Tyler Labine (Tucker and Dale vs Evil), Donald Faison (Scrubs), and Sally Field (Forrest Gump), who is Craig's mother. The most obvious influence is The Omen - it's even name-dropped in the movie - but there are also references to the likes of Poltergeist, Ghostbusters, Children of the Corn, Rosemary's Baby, Child's Play, and The Shining. It's not always laugh-out-loud funny, but it remains entertaining throughout.

9. Patchwork

Patchwork is like a modern take on Frankenhooker with a dash of Re-Animator for good measure. It may not be as masterful a blend of horror and comedy as those '80s classics, but it's delightfully absurd just the same. It also offers a bit of social commentary, namely regarding the issues modern dating women face. Three girls - stuck up Jennifer (Tory Stolper), naive Ellie (Tracey Fairaway, Hellraiser: Revelations), and weird Madeline (Maria Blasucci) - are murdered, sewn together, and brought back to life by a mad scientist. They must learn to coexist in the same body in order to exact revenge. Cleverly conceived by director Tyler MacIntyre (Tragedy Girls), the girls are portrayed as one Frankenstein-ed creature in some shots and as three individual women in others.

10. Death Note

While purists decry the changes that Death Note made from the popular Japanese manga on which it's based, those with an open mind (or, like me, unfamiliar with the source material) ought to enjoy this Netflix original film. A book labeled Death Note literally falls from the sky to the feet of Light (Nat Wolff, Paper Towns), granting the high school student the power to take the life of anyone whose name he writes inside. Quickly realizing its power without fully recognizing the responsibility, Light dishes out vigilante justice remotely, killing criminals and becoming a worldwide phenomenon. Also mixed up in it are Light's love interest (Margaret Qualley, The Leftovers), his detective father (Shea Whigham, American Hustle), a mysterious man trying to catch him (Lakeith Stanfield, Get Out), and Ryuk (Willem Dafoe, Spider-Man), the monstrous keeper of the book. There's a definite sense that the story has been condensed, things may have been lost in translation, and the fast pacing takes away from the weight of the situation. It may not be a highlight of his filmography, but director Adam Wingard (Blair Witch, You’re Next) delivers a fun, stylish movie with some gory, Rube Goldbergian deaths a la Final Destination.

Bonus: Castlevania: Season 1

Castlevania is a Netflix original animated series based on the classic Konami video game series. Season 1 consists of only four episodes totaling around 90 minutes, resembling more of an anime film than a show, but it ends without a conclusion to the story. Thankfully, a second season is already in the works. Following the murder of his wife, Dracula summons a scourge of goblins to destroy the region of Wallachia and dismember every person along the way. Trevor Belmont, the last in an infamous family excommunicated for dealing in black magic while slaying monsters, leads the charge to bring down the legendary vampire. It's heavy on exposition, but each episode contains a couple of big action scenes to hold viewers over through the abundance of dialogue. Adult language, violence, and gore are on full display, looking great in old-school-style animation. The series is written by comic book scribe Warren Ellis (Red) and stars the voice talents of Richard Armitage (The Hobbit), James Callis (Battlestar Galactica), and Graham McTavish (Preacher).

#netflix #the void #death note #little evil #the devil's candy #a dark song #castlevania #best of netflix #list #article

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