Art school Portfolio project 1
Please, Go Home
Art school didn't end up happening for me (I'm going to do something completely different and more secure, and keep art and writing for myself for fun), so I thought I’d share my portfolio projects here.
Buckle up, this'll be long as fuck.
This is a story I’d been working on for years, since 2018. I’d rewritten it several times, until in 2023, I got the chance to come up with my own project at design school. Immediately, I knew this was what I wanted. I wanted to make this story into a real book. And I wanted to make it all by hand, cause bookbinding seemed cool to try.
I had to come up with 2 ideas to do.
Translation:
Subject 1
Book. Specifically a novel (written by me). I want to make illustrations of the characters, design the inside (text and design thingies and everything), design the cover. Print and bind it myself. Illustrations of the characters are in it, I’ll try to finish as many as possible, but I probably won’t be able to finish all of them. Then I’ll leave blank pages in and stick the remaining illustration in later. (I did finish them all, so I didn’t need to do this.)
Why? I love books. I read them a lot and I’ve been writing for years. Now I want to make a professional looking book myself. And of course I love to draw, I want to incorporate that too. I’d like to have completely handmade versions of the books I’ve written. I’d like to learn bookbinding.
Subject 2
Graphic novel. I want to learn to tell a story visually. And I want to experiment with color more.
Why? I like to read graphic novels. I want to tell and draw stories, and get better with color.
A mood board of what I wanted, I chose the book.
Translation:
Inside book
Physical book
Character illustrations
Little drawings
Dust jacket
Translation:
Little drawings
Inspiration
Finished product
Why? The main character writes and doodles in a journal. When he’s anxious or his head is full, he doodles a certain type of pattern to calm down. More of the design of the book is based on this. He also sometimes draws little things that he likes.
Translation:
Inside
Fonts
Novels always have a serif font as the standard. Standard book font: Adobe Garamond Pro.
Other than that, I want to use quite a lot of different fonts that resemble handwriting for the chapter titles. The titles are quotes from a character in the chapter, each has their own font as their voice or handwriting. Sometimes, the characters write too, that’s also in their own font.
[A list of fonts.]
Preparations
I made parent-pages for each type of spread that I needed. One with only text, one with an illustration and the start of a chapter, and 2 with only the start of a chapter on either side of the spread. And I made a bunch of paragraph-styles for all the types of text that I needed. I have 2 sections, 1 for the front matter, 1 for the rest.
Translation:
Final product
Here are a few spreads, I won’t show all of them, because that’s 308 of them.
Here I have a spread with an illustration, a basic page with a little drawing in it, and a regular chapter opening where I use one of the other fonts for the title. The titles are quotes, and the font shows who said it.
Translation:
Cover
Research
Adult Fantasy Romance. What’s already out there? (Put a bunch of YA there, but whatever)
I want illustrated, probably with characters. Detailed or silhouette.
Sketches
Colour
Translation:
Final product
Color choice. In the end, this is the illustration I went for. I showed the two bigger color choices from the last page to a friend, she said with the purple one, that the characters nicely sprung out of the image because of the orange. But the green one was more relaxed. I thought the green one fit better with the vibes of the book, but I really like the purple one too. I ended up switching the colours of the text and the characters, so the characters sprung out like the purple one.
Subject. The twigs are around it, because one of the main characters (the right one) often draws them in his journal. They’re also there in the rest of the book, in his journal entries. He’s writing in it on the cover. Left, he’s reading a book, because he does that often, and others in his family do so too. The two shadows are their grandfathers, who also knew each other, which the main two don’t know. Those two have quite a bit of history.
Title. The story is about them meeting each other, and they’ve both been away from home for various reasons. They push each other to go back to their families, that’s why it’s called ‘Please, go home’.
Font. It’s one of the characters fonts, orange left. I wanted to use one of the main characters’ fonts, and I liked this one better.
Translation:
Dust jacket
I put a description on the back, quotes on the front flap, and normally there’s an ‘about the author’ on the back flap, but I didn’t feel like doing that, so I put a short text there to give more context to the book itself.
Sorry about the shitty quality of the next few.
Translation:
Character illustrations
Inspiration
Sketches
I sketched some poses I could use. Other than that, I’m not planning to sketch a lot, I’ve drawn all these characters before and I already have a good idea of what I want them to look like.
Style experiment
I tried something painty first, didn’t like it. After that, I experimented with the background. I didn’t want the colour to go all the way to the edge, because I didn’t want to have to deal with bleed and trimming. In the end, I didn’t give the background any colour, except black and white lines, as you can see in the final result. I liked the effect of only the character having colour.
Translation:
Rune
Earlier drawings
Sketches
Final product
In the book, it’ll be greyscale.
(All the next few have the same text except the characters names, so I won’t translate again. Except if I did add some text somewhere.)
Translation:
And with this, all the illustrations are done. I'm not super happy with all of them, but I did my best to make them all unique and recognizable. And within 4 weeks. I'm happy with it.
Translation:
Physical book
Research
Binding. At first, I thought about doing a standard case-binding, a standard hardcover book. But after watching some tutorials, I realised that's quite complicated and requires supplies that I couldn't easily get. I continued searching and found crisscross-binding or secret Belgian binding. It resembles a standard hardcover book, but you barely have to glue, you need less supplies, and it's easier for beginners. It looks cool, it's sturdy, but also flexible.
Paper and size. A5 size, then I don't have to trim and printing is easy. A4 folded. A4 cream novel paper, I want it to look as professional as I can. It's not the best paper for illustrations, but it does work, I've seen it in other books.
Material. I bought everything I need at an art store in the city, except the paper. I ordered that online.
Practice. As a try-out, I made a small book of printer paper and used watercolour paper. It went well, except that i didn't sew the pages to the spine properly.
Translation:
Final product
Printing
I put my printer at home in my room. First, I tried on standard printer paper if the printer did what I wanted it to do. Which it didn't. It couldn't print double-sided. But with Acrobat, I printed booklets. First only the front, then the back. So I managed to do it.
After successfully printing one booklet on the standard paper(left), I started printing the whole book on the cream paper. Within 1,5 hours, I printed the whole book, 19 booklets. Together with the testing, it took me about 2 hours.
I pressed the pages underneath my cutting mat with two bricks. I left it there for about a day.
Translation:
Cover
I cut the front and back cover out of cardboard, then covered it with linen paper. I drew a twig on it with ink and a brush. Then I poked holes in it for the sewing.
Here, I made the spine 2cm wide, which I thought would be enough. It was not. I'll get back to that. I covered the spine in linen paper, too.
I sewed the cover together, I followed a tutorial on YouTube. Then i glued the end papers on.
Translation:
Binding & Dust jacket
I poked holes (in the booklets) for the sewing, then I started sewing the paper to the cover.
When I'd sewn 6 out of the 19 booklets onto the cover, I was already halfway along the spine and I realised this wasn't going to fit. I undid all the sewing and remade the spine. This time 3cm.
The new spine was still a bit too small, even though I thought I'd exaggerated it a bit. The book doesn't close properly. But I refused to redo everything again, so I just accepted it. It was better after pressing it for a day. I didn't trim the edges, that was very difficult with the pages already bound into the book. I quite like the untrimmed edges.
I folded the dust jacket around it and pressed it, so it'd keep it's shape. And now the book is done. The paper of it smudges very easily. A little bit of dust on it and it won't come off. That's a bit disappointing. (Now a year later, it also isn't lightfast whatsoever. It stood in a dark corner of my bookshelf nowhere near the sun and the spine turned yellow. I guess I now know why covers have protective coatings on them. Which I didn't have the option for.)
Translation:
FINAL final product
Reflection
This project was the most fun thing I did at this school. I've always wanted to do this and it's awesome I can now hold my own book in my hands. The binding was fun to learn, but also a challenge. Not everything went perfectly, like i said earlier. But now I've can learn from those mistakes. I'm quite impressed with myself that I managed to do this in this time. I wasn't sure I could do it. But i did dedicate every moment of free time I had to this.
(I did all of this in 5 weeks. All the teachers doubted me, that it was too much work, and just told me good luck. And I said "Watch me." Autistic hyperfocus activated.)
(The second paragraph isn't important, just a short description of the last discussion I'd had with my teacher about this.)
Awful picture, sorry.
This is the final presentation I had at school for this, and this is where it stops for the school projects side of this. But it continues.
After this, I didn't touch it for a few months. Then I let a friend read it (digitally) and processed her feedback into the book afterwards. Then I published it on Amazon.
This won't be the last time I do this. The whole process is really fun and fulfilling. And owning a real, published book that I wrote, illustrated and designed is awesome.
In case you're interested, click here to buy it.
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