I think part of the reason why helluva boss makes me personally deeply uncomfortably with blitzø as a main character is in partial with the fact that it willingly always portays his alcoholism in positive conjunctions with his employees around him and is never called into question or blame.... like at what point is stolas going to get over some drunk imp bastard that doesn't even consider to ever care about him, when he shouldn't in the first place when the relationship is built upon a throne of literal lies acting like an imp and a royal being together is absolutely disgraceful and classist in one scene and then the next they're just teehee'ing in the field of flowery hell as if these dark themes aren't brought up so passively and never handled....
As a poor queer person who has actively been in the slums with alcoholics around me and consumed most of my past upbringing at some point I turn to just watch something else given that, Blitzø is a low life scummy stalkers imp that doesn't even bother to ever care about anyone else's reasoning or emotions-besides his own and it is proven over and over and over in every. Fucking. Scene. Because he's the 'main character'
Sober up and get over yourself the show isn't about anything else then Brandon Rogers voicing a dicksucking imp because 'haha laugh at the fairy-gay boy who can't even get his own boyfriend'
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imagine being jesse from the fast and the furious. imagine being the only character in the entire franchise to not only die and stay dead, but to also never be talked about ever again. in a franchise built on the concept of family sticking together. IMAGINE.
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This was like an important scene for me when we wrote it. And when I say “we,” it was primarily– the story was broken between Ben Edlund and I. So um– if you uh, loved the script and loved the episode, you can blame– I’ll take the credit! If you hate the episode, it’s Ben Edlund’s fault [chuckles]. I think we’ll just um, we’ll leave it at that. Um, no, but Ben and– Ben and I really broke the episode together, and he did the lion’s share of designing this story and– and where it all goes.
So this little speech from Jensen, and this is a good place to talk about the skill and talent of Jensen Ackles, and how he as Dean is able to infuse such vulnerability into this character– as everyone well knows at this point– I mean I’m not breaking news. But if you just look at these moments– if you look how desperate he is to save everybody, to get through to Cas.
Like, the scene could just be– yelling at Cas and dressing him down, but Jensen and I talked about it, and we talked about like what are the other layers to bring to it? What are the layers of vulnerability? And one of the things that we talked about, and Jensen’s just so good about looking for these things. And–and what we talked about is– if you’ll remember the last time in that first Anna episode, how he wanted to be angel. He didn’t want all the pain and guilt of being human. He wanted to let go of pain and guilt. Because being human was so painful for him, because all the memories– he was in Hell. and-- and this scene, this little moment here, he’s saying he wants pain, and he wants guilt, and he’d rather have battling and fighting with Sam. He would rather have all of that, than to be in some paradise.
This– it’s not just about trying– yelling at Cas. It’s about being frightened, it’s about being desperate, but it’s also about a kind of redemption for Dean. It’s about his realization that he’d prefer being human. All the faults and foibles of being human, and he’d rather have that. And he’d rather take the imperfection– the messy, sloppy, confused– yknow, selfish, bewildering imperfection of being human than to be some cold, unfeeling angel, even if that means ending up in paradise and everything being perfect.
Perfect is cold and hateful. And humanity is messy and sloppy. And–and if we have a theme in this show it’s that– yknow, we’re a humanistic point of view. That being– that perfection sucks, and that what you want is to be the messy, sloppy, bewildering state of being human and having family, for as much as family is messy and muddy, that salvation is always in that. It’s always in sloppy humanity and messy family. And-- and that’s– that’s where hope and salvation lie. And when you turn away from family, that’s when the world will be destroyed. And when you turn towards family, that’s when the world can be saved. And that’s just something I– I don’t know– it’s– I don’t know– it’s just something I kind of I deeply feel, and– and– I think–
Yknow, there was a line that Bobby had that ending up getting cut, but “Family’s the one true thing in a world full of crap.” And that’s as good a– uh, it was a little– you don’t wanna get so on the nose with your theme, which is why we cut the line form the show, but that’s as good a way to state the primary thematic of this show as– as there is. That family’s the one true thing in a world full of crap. Um, also that destiny and god’s will is all a bunch of holy crap, which Dean said in the last [scene], that’s actually another good thematic of the show. We’re believers in free will.
Eric Kripke’s 4x22 Lucifer Rising commentary on the scene with Dean trying to get though to Cas [28:25 - 32:18]
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Nonkul Chanon's Recent Works Release Date/Status
2022
May 10 - Jun 29: Wannabe (series)
Jul 28: Love Destiny The Movie (film)
2023
Jan 20 - Mar 18: 23:23 (series)
May 13: Oh No! Here Comes Trouble (series - cameo)
Aug 18 - Nov 3: I Feel You Linger in the Air (series)
Nov 23 - Jan 12: The Office Games (series)
Dec 18 - Feb 13: Find Yourself (series)
2024
Feb 15 - Mar 3: The Outing (series)
Apr 12 - May 31: Remember (series)
Filming
Mouse (Thai remake of same name Kdrama)
Pre-production
Operation Undead (action, zombie, survival film)
Post production
Start It Up (food, comedy film)
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