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absolutebl · 1 year
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BL & Critical Analysis
Pop culture critique & a how to do it... or something
This meaty question came from the lovely @huachengeye Thank you!
Codicil: I do not get paid for pop culture critique (although I once wrote book reviews professionally, long story). So I’m entirely a dilettante. 
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The Question!
Q1: Can you can shed some light on your process (of critical analysis)
This is a little like training your eye to edit a document (I bet you can tell that's not one my strong points). Or training your mind to look at data and data collection in terms of the results it may yield and what the initial survey says about the questioner's bias (or can bias results).
First, I have to ask... 
Do you really want to train your eye to critique?
Because it will become a lot harder to immerse yourself in a piece of media if you constantly feel obligated to step back mentally and think about it from various perspectives. 
In other words, you may enjoy BL, or all live action dramas, LESS if you try to think about them critically.
I have an intimate who is a pretty well known writer. She mostly writes humorous fiction. She's open about the fact that this means every time she laughs, she stops and thinks about why that happened and whether is could be used in her prose. She never gets to be fully absorbed by narrative ever anymore because her critical eye is always turned on, especially for the written word.
What you may sacrifice for critique, is a certain level of childish wonder. 
I’m not sure i would necessarily advise doing this. 
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My Process 
My process is essentially now visible in this blog. As I watch a show I take a few notes on it (which show up in the weeklies) and then at the end I go through those notes, consolidate, try to be witty about it, and write up a review.
The review usually has something about:
characters, tropes, plot 
narrative & story structure & pace
how this BL fits in with the greater BL genre & history
any thoughts I have on the quality of the production, acting, and/or directing 
my own personal feelings about the show
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Thus my reviews tend to take into account several criteria.
For #1-2 I have a background in lit crit as an undergrad (and, like I said, I did once review books for a living) so these are kinda ingrained in me. I’m working on seeing the influence of soap operas, fan fic, and non-western story structures as critically valid, so these are the things I’m actively learning more about the most these days. 
For #3: How does this fit into the history of BL? Since I’ve made it point to watch pretty much all BLs, I feel like I’m set up to think and talk about this. AKA the spreadsheet made me do it. But since I also have anthropology in my academic history, I’m very interested in how a BL represents for its country’s BL oeuvre. I try to judge KBLs against other KBLs (and Kdramas) and look for patterns and trends in how that country’s interpretation of what it “means to be BL” shift over time. 
For #4: my IRL job is tangential to the entertainment industry so that’s accidentally trained my eye for film. I don’t know that I like this part about myself, but it’s happened whether I like it or not. And I don’t have a proper background in film critique. 
Final #5: will discuss further in a bit.
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Suggestion? Establish A Rating System 
Come up with your own personal 10 star (or 5 star) rating system.
Write it down. Don’t be afraid to modify or adjust it. It’s yours, your tastes change, nothing is set in stone. 
Pick one ideal example BL for each category that you’re very familiar with for your reference point. Then you can ask yourself, after you’ve watched a new one, whether you liked it more, less, or about the same as that show. (relative rating, similar to grading on a curve) 
I change my examples regularly as my taste changes and as new BLs are added. The bar gets shifted, so to speak. 
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My Rating System 
Your reasoning for rating a BL will be different from mine, but here’s mine as an example. 
(Also I never feel bound by this, sometimes I give a show a 8/10 just because it feels like that’s what it deserves.) 
10/10 - HIGHLY RECOMMENDED - my favorite precious squee!, faithful to tropes, happy ending, good chemistry, few flaws, high rewatch potential, makes me happy, examples: Semantic Error, Until We Meet Again 
9/10 ABSOLUTELY RECOMMENDED - loved it and good rewatch potential but probably a few pacing issues or one big flaw, still made me feel good/comforted, examples: Cherry Magic, Bad Buddy
8/10 - RECOMMENDED - some concerns around tropes (like dub con) or story structure/filming but still satisfies as BL, moved me emotionally, rewatchable in parts or not rewatchable but important, examples: Love By Chance, Between Us
7/10 - RECOMMENDED WITH RESERVATIONS - i.e. isn’t quite BL, convoluted, not strictly HEA, too short/long, and/or chemistry issues, may have impact on other BL fans but not me (or on me but not others) examples: Make it Right, KinnPorsche
6/10 - WORTH WATCHING BUT FLAWED - probably around the ending or in narrative structure/cohesion or censorship, disappointed expectations, unlikely to rewatch, examples: My Gear and Your Gown, Love Mechanics
5/10 - WATCH IF YOU HAVE NOTHING BETTER TO DO - but don’t expect much, it’s a total hot mess interesting only because it's BL and I'm probubly pretty conflicted about it, examples: Advance Bravely, Even Sun
4/10 - FATALLY FLAWED - but still basically BL, however... do we want to support this kind of behaviour? examples: Precise Shot, Work from Heart
3/10 - I DON'T KNOW WHAT I AM WATCHING AND NEITHER DOES IT, just seriously why did this get made? examples: Blue of Winter, Physical Therapy 
2/10 - IT'S DEPRESSING - they killed/tortured/etc the gay, save yourself, examples: The Effect, HIStory 3: Make Our Days Count
1/10 - IT'S AWFUL, I WATCHED IT SO YOU DON'T HAVE TO, has all the flaws of 4-3 plus something even more egregious, personally triggering, example: My Bromance series, Round Trip to Love
dnf - self explanatory, but usually I drop because I feel like the narrative is already a #3 and/or headed for a #2 or #1 and then I’m told later that is went there, example: My Tempo
I hand out the fewest 1s & 10s. The most 8s and 7s. Everything else is pretty much on the bell curve you’d expect. 
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Q2: What resources do you use to build your reviews?
I listen to a lot of pop culture review critiques in podcast form, often about stuff I'd never watch. But I like the way professionals talk about these things, even if they aren't MY things or don't jive with my personal opinions.
Mark Kermode is my favorite film critic and we like the opposite stuff, but the way he talks about film is very interesting to me. His podcast mini series on the "business of film" is probably one of my must listens. For his main podcast (Kermode & May’s Take), I always skip over all the interviews, people talking about their own films bore me to death (especially if they are actors on the promo junket, save me please). His rants are some of my favorites of all time (try Pirates 3 or Iron Man 2). Someone else’s list. 
I also like Pop Culture Happy Hour from NPR because it brings in multiple perspectives and varied cast of critics who often disagree and the "things making me happy" is a grab bag of fun.
The Bechdel Cast is a feminist critique podcast from Hollywood insiders and they do recaps as well as critique, and it's always fascinating to me to hear what people latch onto in a narrative. However, I only listen if I am already familiar with the film they are discussing.
My background is in anthropology and I've lived all over the world so that helps train me to think in terms on culture's impact on narrative as well as linguistics and so forth. As a personality I’m also quite reserved and deadpan, grumpy, stiff, strict, and kinda cold. I think I gravitate to being an observer and an outsider which helps if you want to analysis stuff. Which is not a claim to objectivity, I don't think there can be objective analysis of pop culture.
But it does make me pause to think, "that made me FEEEL something" why? What am I feeling? How did the actor do that? The script? The direction?
These shows are meant to entertain, whether they are successful or not, for me (and what "successful entertainment" means to me) and how they are doing it is the first question I always ask myself.
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Q3: What are the things you look out for when watching a BL?
I ask myself a lot of things I would when looking at any piece of art. Or even when shopping for clothing or a new car or reading a book.
Did I like it? Why did I like it?
Did it move me? Why did it move me? 
Did I react? How did I react? To which bits? Why? 
What tropes and narrative beats was it using to manipulate me and my expectations? Did it meet those expectations? The promises it set up at the start? Did it fulfill the watcher-contract during the course of the narrative? 
Did the filming successfully telegraphy the journey I was meant to take? Did the actors? 
But also... would I rewatch it? Am I tempted to do so the moment it ends? For which bits?
The statistician in me wants to point out that these questions say a lot more about me and my relationship to art than it does about the art itself.
For example
Did I like it? Means... I'm motivated by pure taste and personal preference and complete subjectivity. This is in part formed by a person's background, life state, whole experience with culture and pop culture and society, family, friends. Taste is also just "that" bit. You know, that bit? Likes lemon deserts over chocolate ones, gravities to spicy food, favorite color is green, decorates with potted plants. Just my taste is my taste. I like what I like. 
Yes I have some criteria that subconsciously come into play: I look for clever story structure, subversion or manipulation of tropes, parody, not hitting any of my dislikes (like dub con). But also I have other biases impacting whether I like it (like physical appearance) which I can try to check but usually can't fix. (For example GMMTV's Gawin/Fluke looks so much like an ex of mine I really struggle with his screen presence.)
Did I like it?
The fact that this is the first question I ask myself also should tell you I'm motivated by the emotion these narratives engender. I want them to transport me and move me. I my case I want to feel comforted and satisfied and happy. The ones the make me feel discomfort, especially for too long in the narrative, I am simply going to like less. Sometimes less than I feel like I should (see my struggles with masterworks like ITSAY, YNEH, or The 8th Sense). The very BLs that most professional critics would tout as the best examples of the genre for a wider audience often turn out to be the ones I struggle with the most. (They are also, fortunately for me, the least representative of the bulk of the genre.)
In other words there is ALSO a part of me that genuinely likes and enjoys the trashy stuff. Even the trash I trash watch.
So I would advise you to come up with your own questions. Ask yourself what you want from these shows when you watch them. 
What motivates you? 
Why are you watching them at all? 
What brings you joy from an art or entertainment experience? 
What do you want them to do for you? To you?
You are going to experience them (and therefore analyze them) from this perspective whether you like it or not. So understand yourself is paramount. It's about your relationship to the art, not the art itself.
If I were to give you an assignment I would say start with one BL you really enjoyed, perhaps not your favorite but one level down. And then do one you really did not enjoy. And think about why... 
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Happy analyzing! 
(source)
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lonepower · 1 year
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my dad and I just finished listening to a fascinating (and really pretty alarming) podcast about American literacy education recently—Sold a Story by Emily Hanford—and it got me wondering what my peers’ experience was, so here's my first poll! This pertains to people who learned to read in the U.S. specifically, so even if one of the other options matches your experience, I'd politely ask you to refrain from picking one (presumably you guys have better school districts than we do anyway). 
(the most horrifying part out of the entire thing was the fact that dubbya was the one to realize something was wrong. even a broken clock, I guess...?)
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crowclubkaz · 8 months
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are you a fiction podcast fan? looking for your next read? look no further!! here are some book recommendations if you like the magnus archives, the penumbra podcast, welcome to night vale, and wooden overcoats! 🎙️
for more book recommendations, check out my bookstagram @hauntedstacks 📖
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mothcpu · 1 month
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rehash of my SAYER AI construct designs from a couple years back
iamsayer.com
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lazylittledragon · 10 months
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rabbit casket go to the gym pt 2
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resetoaster · 5 months
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I have recently gotten back into podcasts an extreme amount, so now I am looking for podcast recommendations!
Podcasts that I have listened to are:
-the magnus archives
-malevolent
-red valley
-time:bombs
-middle:below
-Startripper
-midnight burger
-wolf 359
-station 151
-archive 81
-I am in eskew
-deviser
- stellar firma
-out of place
-the mistholme museum of mystery morbidity and mortality
-video Palace
-mnemosyne
For anyone interested in the podcast recommendations, here's a list of them (please let me know if i have missed any!):
101.7 OUROBOROS
Alba Salix + The End of Time and Other Bothers
Alice isn’t dead
 arsParadoxica
Brimstone Valley Mall
Camp here and there
 Caravan
Dark Ages
 Death by Dying
Desert skies
Desperado
Don’t Mind Cruxmont
Dos after you
Down
Either
 EOS 10
Find us alive
Ghost Wax
Girl in Space
Hello from the hallowoods
Inn between
 Janus Descending
Jar of rebuke
Kakos Industries
Leaving corvat
Life with althaar
Love and Luck
Mabel
Marscorp
Mayfair watchers society
Midst
Mirrors
Modes of thought in Anterran literature
Monstrous agonies
Not quite dead
Old Gods of Appalachia
Our Fair City
redwood bureau
SAYER
SCP: Find Us Alive
Spines
Spiritbox radio
Syntax podcast
TANIS
the antiquarium of sinister happenings
The antique shop
The Big Loop
The bunker
The dead letter office of somewhere, ohio
The deca tapes
 The Deep Vault
The department of variance of somewhere ohio
The far meridian
The hyacinth disaster
The pasithea powder
The penumbra
The Sheridan tapes
the slit verses
The strange case of starship iris
The white vault
The wrong station
Tides - Victoricity
Unwell, a midwestern gothic mystery
Valence
We are not meant to know
We Fix Space Junk
Welcome to nightvale
Where the stars fell
Within the Wires
Wooden Overcoats
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boeperhaps · 15 days
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Soooo i think a real specific corner of the tma fandom will appreciate this drawin of a real specific eldritch horror called The Piper
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skyfullofpods · 6 months
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Hello fans of Re: Dracula who were introduced to fiction podcasts through the updates from our good friend Jonathan Harker! Now that the story's over (sob!), would you like some recommendations for some other audio dramas that you might enjoy, made by some of the folks who worked on the podcast?
Jonathan Sims, who played our local phonograph enthusiast, is the writer of the hugely popular horror podcast, The Magnus Archives. The Head Archivist of the Magnus Institute records statements made by members of the public, detailing strange encounters with the supernatural. What soon becomes clear is that these statements do not describe separate and unrelated events, and a bigger and horrific picture begins to emerge. Also appearing as recurring characters in this series are both Sasha Sienna and Alasdair Stuart.
Karim Kronfli is a prolific voice actor, and while he might be best known for his roles in both Re: Dracula and The Magnus Archives, he has voiced a wide range of characters in many different fiction podcasts. Out of all the ones he's appeared in, I would personally recommend urban fantasy anthology series, Unseen. The unseen world exists alongside ours, but only a few humans can see it. It's a world where magic and magical creatures exists, and Karim's character tells his story in episode 7, titled We Ourselves.
Beth Eyre and Felix Trench played twins Antigone and Rudyard Funn in Wooden Overcoats, a British sitcom set on the tiny fictional island of Piffling, in the English Channel. The twins run a funeral parlor together, the only one on the island, until a newcomer arrives. Eric Chapman (played by Tom Crowley) sets up a much more successful funeral parlor, and the story is narrated by the Funns' house mouse, Madeline.
Alan Burgon plays the Interviewer in The Amelia Project. The Amelia Project is a secret organisation, and clients come to them looking for their help in faking their deaths. The Interviewer listens to each client's story, before concocting unique and often elaborate ways in which they will stage their deaths, before being reborn into a new identity.
David Ault is also a very recognisable voice to anyone who spends a considerate amount of time listening to fiction podcasts, and The Kingmaker Histories feels like an appropriate choice here. A weird steampunk series set in the Valorian Socialist Republic in 1911 , this story involves found family, its own intriguing magic system, and being gay and doing crime.
Our favourite cowboy, Giancarlo Herrera, plays one of the protagonists in sci-fi action/thriller, Primordial Deep. Spinner is part of a team which is sent deep beneath the sea to investigate the resurgence of creatures thought to be long-extinct. There's plenty of horror to be had here, as something ancient is stirring in the depths of the ocean.
As for the crew? Tal Minear works on so many podcasts, and if you like fantasy stories, I would recommend the delightfully lighthearted Sidequesting, which follows new adventurer Rion, as they help people on their travels. If you would like some more horror, there's their spoiler-driven anthology series, Someone Dies in This Elevator.
Hannah Wright's Inn Between is a fantasy series based on D&D. Each episode follows a party as they meet in the Goblin's Inn, in between adventures, as the tavern follows them around wherever they go.
Stephen Indrisano's upcoming docu-horror Shelterwood promises to be a series which explores the horror of suburbia, as it follows one man's quest to find his missing sister. Until this is released, I would recommend Do You Copy, in which Stephen plays one of the protagonists. This found footage horror series follows the events which unfold after the closure of Red Tail National Park, and the people who were left inside the park, after its mysterious closure.
Ella Watts is regarded as a walking encyclopedia of all things audio fiction, and has worked on several high-profile projects, including directing both Doctor Who: Redacted and Marvel Move. Her upcoming Camlann is a post-apocalyptic series due to be released next year, inspired by Arthurian legends and British folklore. She is also the executive producer of Tin Can Audio's (who are also producing Camlann) beautiful experimental series, The Tower. The protagonist of this story, Kiri, leaves her life behind to climb an impossibly high tower, making phonecalls along the way.
Newt Schottelkotte's Where The Stars Fell is a supernatural fantasy set in the town of Jerusalem, Oregon. Cryptozoologist Dr Edison Tucker arrives in the town to carry out some research, and meets her roommate, author Lucille Kensington. There's so much more to this strange town than first meets the eye, with a huge revelation at the end of season one.
If you're new to fiction podcasts, welcome! I hope this short (ish!) and very much non-comprehensive list gave you some ideas of what to listen to next!
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bitcrush-art · 5 months
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Hello WOE.BEGONE community
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prydon · 5 months
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Juno Steel and the Things We Buried [get it here!]
I think there's a kind of fear that always comes with being in love. When letting someone else hold so much of you all at once. They could let you fall at any second if they wanted to. So how the hell do you get over that fear? Trust that they won't let you go, that they will hold you up, the same way that you hold them? And then I thought about a hotel on Mars a long time ago. A place where, to be honest, I let Nureyev fall. No wonder he was scared, no wonder I was too. But how the hell are we supposed to get past that?
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littleacebee · 8 months
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My favourite way of choosing podcast to listen to is seeing people being batshit crazy, extremely enthusiastic, writing serious interpretations and silly posts about it, posting fanart, etc.
So, audio drama folks, please reblog this and write me some amazing stuff about your favourite podcasts. It can be honest recommendation! Maybe some blorbo thoughts about your fav character! Or deep reflection about themes and motifs! Whatever you would like to share with someone but didn’t have a chance to. Don’t worry about me knowing what you talking about, just pure your little podcast heart for me, pretty please. (And of course as always official podcast accounts are welcome to join!)
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severusskywalker · 9 months
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I’m looking for some more podcasts to listen to.
I’ve recalling liked The Magnus Archives, Welcome to Night Vale, Malevolent, Wolf 359, and a couple others, and I’m looking for more. I like ones with overarching plots, if that makes sense? Any recommendations? Thanks!
Edit: A few more I have enjoyed/finished (including from the list below, as I listen to them!)
Archive 81
Auricle
The Deep Vault
The Scarab Archives
Vigil
The Technomacy Project
What Will Be Here
Re: Dracula
Stellar Firma
Out of Place
I Am In Eskew
Ars Paradoxica
The Antique Shop
And now the ever increasing recommendations, so they are all in one place… please feel free to keep recommending ones too, I love growing recs lists! (Now alphabetized!)
Aftershocks
Alice isn’t Dead
A Voice From Darkness
Camp Here and There
Captain Skyjacks
Case 66
Critical Role
Cryptids
Dames & Dragons/LegendLark
Darkest Night
Death by Dying
Derelict
Desert Skies
Desperado!
Deviser
Dimension 20
Don’t Mind Cruxmont
Dungeons & Daddies
Either
Ethics Town
Find Us Alive
From Caulk and Candles
Ghost Wax
Girl in Space
Greater Boston-the vignettes
Hello from the Hallowoods
Interstitial AP
Just Roll With It
Kakos Industries
Keep it Steady
Last Call at the Bluebell Cafe
Life With Althaar
Limetown
Mabel
Midnight Burger
Midst
Mirrors
Mission to Zyxx
Mockery Manor
Monstrous Agonies
Murray Mysteries
Neighborly
Newts!
Not Quite Dead
Old Gods of Appalachia
Oz 9
Paralyzed
Potterless
Red Valley
Revolution
Riley Hopkins and their Amazing Friends
Rusty Quill Gaming
Sayer
Second Star to the Left
Somewhere, Ohio
Spines
Spirit Box Radio
Spirits Podcast
Steal the Stars
S-town
Strange Case of Starship Iris
The Adventure Zone
The Amelia Project
The Black Tapes
The Bright Sessions
The Cellar Letters
The Deca Tapes
The Invictus Stream
The Left Right Game
The Liberty Podcast
The Milkman of St Gaff’s
The Mistholme Museum of Mystery, Morbidity, and Mortality
The Newest Olympian
The Night Post
The Pasitheaa Powder
The Penumbra Podcast
The Sheridan Tapes
The Silt Verses
The SPC Foundation Database
The Storage Papers
The White Vault
Time:Bomb
Unwell Podcast
Vast Horizon
We’re Alive
Within the Wires
Woe.begone
Wooden Overcoats
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samglyph · 1 year
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Everyone is always like “oh no don’t go on a murderous rampage stemming from guilt so heavy you think it will kill you if nothing else will” but they never ask “did you experience catharsis, how was the catharsis, the catharsis looked fun”
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charon-cries · 1 month
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not even listening to all of TMA prepared me for the ungodly sounds arthur makes in Malevolent. i went in without any knowledge in advance and i don't know what i was expecting. honestly i'm starting to think that this is a staple of the horror podcast genre
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marisatomay · 7 months
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Been listening to books about the Salem witch trials and it’s so weird to me that there’s this prevailing narrative where people think of Salem as “oh they were deluded primitive folk who believed in witchcraft lol” when there are contemporary documents where prominent people said the accusers and the court (which hadn’t followed standard legal procedures even for that time) were committing crimes so grievous it would forever be a stain on New England
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poppletonink · 8 months
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Dark Academia Podcasts
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Spirits
Vulgar History
Lore
Let's Talk About Myths, Baby
Myths and Legends
Cabinet of Curiosities
Mythology
Crime Junkie
In Our Time
Our Fake History
The Dark Academicals
The Literary Teen
Philosophize This!
Welcome to Night Vale
The Penumbra Podcast
Art Of History
Revolutions
You're Dead To Me
The Bright Sessions
Unobscured
Historical Figures
The Mystery Of The Tweed Club
Prose Talk
Dead Academics Society
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