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#feelings nothing more than feelings
absolutebl · 1 year
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BL & Critical Analysis
Pop culture critique & a how to do it... or something
This meaty question came from the lovely @huachengeye Thank you!
Codicil: I do not get paid for pop culture critique (although I once wrote book reviews professionally, long story). So I’m entirely a dilettante. 
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The Question!
Q1: Can you can shed some light on your process (of critical analysis)
This is a little like training your eye to edit a document (I bet you can tell that's not one my strong points). Or training your mind to look at data and data collection in terms of the results it may yield and what the initial survey says about the questioner's bias (or can bias results).
First, I have to ask... 
Do you really want to train your eye to critique?
Because it will become a lot harder to immerse yourself in a piece of media if you constantly feel obligated to step back mentally and think about it from various perspectives. 
In other words, you may enjoy BL, or all live action dramas, LESS if you try to think about them critically.
I have an intimate who is a pretty well known writer. She mostly writes humorous fiction. She's open about the fact that this means every time she laughs, she stops and thinks about why that happened and whether is could be used in her prose. She never gets to be fully absorbed by narrative ever anymore because her critical eye is always turned on, especially for the written word.
What you may sacrifice for critique, is a certain level of childish wonder. 
I’m not sure i would necessarily advise doing this. 
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My Process 
My process is essentially now visible in this blog. As I watch a show I take a few notes on it (which show up in the weeklies) and then at the end I go through those notes, consolidate, try to be witty about it, and write up a review.
The review usually has something about:
characters, tropes, plot 
narrative & story structure & pace
how this BL fits in with the greater BL genre & history
any thoughts I have on the quality of the production, acting, and/or directing 
my own personal feelings about the show
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Thus my reviews tend to take into account several criteria.
For #1-2 I have a background in lit crit as an undergrad (and, like I said, I did once review books for a living) so these are kinda ingrained in me. I’m working on seeing the influence of soap operas, fan fic, and non-western story structures as critically valid, so these are the things I’m actively learning more about the most these days. 
For #3: How does this fit into the history of BL? Since I’ve made it point to watch pretty much all BLs, I feel like I’m set up to think and talk about this. AKA the spreadsheet made me do it. But since I also have anthropology in my academic history, I’m very interested in how a BL represents for its country’s BL oeuvre. I try to judge KBLs against other KBLs (and Kdramas) and look for patterns and trends in how that country’s interpretation of what it “means to be BL” shift over time. 
For #4: my IRL job is tangential to the entertainment industry so that’s accidentally trained my eye for film. I don’t know that I like this part about myself, but it’s happened whether I like it or not. And I don’t have a proper background in film critique. 
Final #5: will discuss further in a bit.
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Suggestion? Establish A Rating System 
Come up with your own personal 10 star (or 5 star) rating system.
Write it down. Don’t be afraid to modify or adjust it. It’s yours, your tastes change, nothing is set in stone. 
Pick one ideal example BL for each category that you’re very familiar with for your reference point. Then you can ask yourself, after you’ve watched a new one, whether you liked it more, less, or about the same as that show. (relative rating, similar to grading on a curve) 
I change my examples regularly as my taste changes and as new BLs are added. The bar gets shifted, so to speak. 
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My Rating System 
Your reasoning for rating a BL will be different from mine, but here’s mine as an example. 
(Also I never feel bound by this, sometimes I give a show a 8/10 just because it feels like that’s what it deserves.) 
10/10 - HIGHLY RECOMMENDED - my favorite precious squee!, faithful to tropes, happy ending, good chemistry, few flaws, high rewatch potential, makes me happy, examples: Semantic Error, Until We Meet Again 
9/10 ABSOLUTELY RECOMMENDED - loved it and good rewatch potential but probably a few pacing issues or one big flaw, still made me feel good/comforted, examples: Cherry Magic, Bad Buddy
8/10 - RECOMMENDED - some concerns around tropes (like dub con) or story structure/filming but still satisfies as BL, moved me emotionally, rewatchable in parts or not rewatchable but important, examples: Love By Chance, Between Us
7/10 - RECOMMENDED WITH RESERVATIONS - i.e. isn’t quite BL, convoluted, not strictly HEA, too short/long, and/or chemistry issues, may have impact on other BL fans but not me (or on me but not others) examples: Make it Right, KinnPorsche
6/10 - WORTH WATCHING BUT FLAWED - probably around the ending or in narrative structure/cohesion or censorship, disappointed expectations, unlikely to rewatch, examples: My Gear and Your Gown, Love Mechanics
5/10 - WATCH IF YOU HAVE NOTHING BETTER TO DO - but don’t expect much, it’s a total hot mess interesting only because it's BL and I'm probubly pretty conflicted about it, examples: Advance Bravely, Even Sun
4/10 - FATALLY FLAWED - but still basically BL, however... do we want to support this kind of behaviour? examples: Precise Shot, Work from Heart
3/10 - I DON'T KNOW WHAT I AM WATCHING AND NEITHER DOES IT, just seriously why did this get made? examples: Blue of Winter, Physical Therapy 
2/10 - IT'S DEPRESSING - they killed/tortured/etc the gay, save yourself, examples: The Effect, HIStory 3: Make Our Days Count
1/10 - IT'S AWFUL, I WATCHED IT SO YOU DON'T HAVE TO, has all the flaws of 4-3 plus something even more egregious, personally triggering, example: My Bromance series, Round Trip to Love
dnf - self explanatory, but usually I drop because I feel like the narrative is already a #3 and/or headed for a #2 or #1 and then I’m told later that is went there, example: My Tempo
I hand out the fewest 1s & 10s. The most 8s and 7s. Everything else is pretty much on the bell curve you’d expect. 
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Q2: What resources do you use to build your reviews?
I listen to a lot of pop culture review critiques in podcast form, often about stuff I'd never watch. But I like the way professionals talk about these things, even if they aren't MY things or don't jive with my personal opinions.
Mark Kermode is my favorite film critic and we like the opposite stuff, but the way he talks about film is very interesting to me. His podcast mini series on the "business of film" is probably one of my must listens. For his main podcast (Kermode & May’s Take), I always skip over all the interviews, people talking about their own films bore me to death (especially if they are actors on the promo junket, save me please). His rants are some of my favorites of all time (try Pirates 3 or Iron Man 2). Someone else’s list. 
I also like Pop Culture Happy Hour from NPR because it brings in multiple perspectives and varied cast of critics who often disagree and the "things making me happy" is a grab bag of fun.
The Bechdel Cast is a feminist critique podcast from Hollywood insiders and they do recaps as well as critique, and it's always fascinating to me to hear what people latch onto in a narrative. However, I only listen if I am already familiar with the film they are discussing.
My background is in anthropology and I've lived all over the world so that helps train me to think in terms on culture's impact on narrative as well as linguistics and so forth. As a personality I’m also quite reserved and deadpan, grumpy, stiff, strict, and kinda cold. I think I gravitate to being an observer and an outsider which helps if you want to analysis stuff. Which is not a claim to objectivity, I don't think there can be objective analysis of pop culture.
But it does make me pause to think, "that made me FEEEL something" why? What am I feeling? How did the actor do that? The script? The direction?
These shows are meant to entertain, whether they are successful or not, for me (and what "successful entertainment" means to me) and how they are doing it is the first question I always ask myself.
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Q3: What are the things you look out for when watching a BL?
I ask myself a lot of things I would when looking at any piece of art. Or even when shopping for clothing or a new car or reading a book.
Did I like it? Why did I like it?
Did it move me? Why did it move me? 
Did I react? How did I react? To which bits? Why? 
What tropes and narrative beats was it using to manipulate me and my expectations? Did it meet those expectations? The promises it set up at the start? Did it fulfill the watcher-contract during the course of the narrative? 
Did the filming successfully telegraphy the journey I was meant to take? Did the actors? 
But also... would I rewatch it? Am I tempted to do so the moment it ends? For which bits?
The statistician in me wants to point out that these questions say a lot more about me and my relationship to art than it does about the art itself.
For example
Did I like it? Means... I'm motivated by pure taste and personal preference and complete subjectivity. This is in part formed by a person's background, life state, whole experience with culture and pop culture and society, family, friends. Taste is also just "that" bit. You know, that bit? Likes lemon deserts over chocolate ones, gravities to spicy food, favorite color is green, decorates with potted plants. Just my taste is my taste. I like what I like. 
Yes I have some criteria that subconsciously come into play: I look for clever story structure, subversion or manipulation of tropes, parody, not hitting any of my dislikes (like dub con). But also I have other biases impacting whether I like it (like physical appearance) which I can try to check but usually can't fix. (For example GMMTV's Gawin/Fluke looks so much like an ex of mine I really struggle with his screen presence.)
Did I like it?
The fact that this is the first question I ask myself also should tell you I'm motivated by the emotion these narratives engender. I want them to transport me and move me. I my case I want to feel comforted and satisfied and happy. The ones the make me feel discomfort, especially for too long in the narrative, I am simply going to like less. Sometimes less than I feel like I should (see my struggles with masterworks like ITSAY, YNEH, or The 8th Sense). The very BLs that most professional critics would tout as the best examples of the genre for a wider audience often turn out to be the ones I struggle with the most. (They are also, fortunately for me, the least representative of the bulk of the genre.)
In other words there is ALSO a part of me that genuinely likes and enjoys the trashy stuff. Even the trash I trash watch.
So I would advise you to come up with your own questions. Ask yourself what you want from these shows when you watch them. 
What motivates you? 
Why are you watching them at all? 
What brings you joy from an art or entertainment experience? 
What do you want them to do for you? To you?
You are going to experience them (and therefore analyze them) from this perspective whether you like it or not. So understand yourself is paramount. It's about your relationship to the art, not the art itself.
If I were to give you an assignment I would say start with one BL you really enjoyed, perhaps not your favorite but one level down. And then do one you really did not enjoy. And think about why... 
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Happy analyzing! 
(source)
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my-shields-are-down · 2 years
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I think Lucy is afraid of what she feels for Tim. Especially after that Biology comment. She seems scared to talk about her feelings yet her actions are the complete opposite?
Lucy is freaking out about Rosalind being free and Chris getting hurt as a result.
I’m looking forward to the moment when someone realizes TIM was the target, not Chris, but he was safe because he and Lucy were in Vegas. That should ease some of Lucy’s guilt.
She probably won’t be able to focus on her feelings for Tim until with Rosalind is caught/killed or Tim is kidnapped/hurt by Rosalind.
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acornpirate · 2 years
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Honestly I forgot how exhausting reading One Piece week to week can be - sometimes there are too many things that don't come together until the end of the arc so you spend a lot of time like "...?"
Also right now I'm like "I hate this!!!" so I should probably take a wee step back because it's easy to let your fan-goggles obscure the view and ruin the thing.
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sysig · 4 months
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Permission to headbutt: Granted (Patreon)
#My art#UT#Sans#Papyrus#Ft. something smol and I do on a regular basis ♪#This could be Handplates or it could be classic Undertale I leave that up to you lol#I definitely picked up a lot of the style quirks lol - but there are some of the ones that I like myself! Like Papyrus' darkmode clothes lol#And Sans' shorts having the stripe in the front haha - little details ♫#Realistically it probably is Handplates tho just based on where my head's at lol - I love the Handplates dynamic :D#Handplates#I talked myself into it! Pfft ♪#I found myself relating a lot to Sans especially while rereading - I want nothing more in the world than for my siblings to be happy! <3#So I gathered up a bunch of ideas of things especially me and smol do together and this was the most obviously cute one haha#Easiest to do! Tho I did still go a little extra on this lol#I'm trying to do more digital stuff ♪ It wasn't the best art day and I'm still a little nervous to jump right in :')#Not doing any sketches on paper beforehand feels weird but I guess it is thematic in a way lol#And I'm still pleased with how they turned out hehe#It really does feel nice to be drawing them again <3#And doing silly sibling things! Hehe#I dunno how clear it is since it's so ingrained into how smol and I talk to each other lol family language!#One of us will literally just announce ''bonk'' and the other will prepare for/lean in for a headbutt haha#She is a tiny bit taller than me - it's not quite /this/ extreme but she does lean down for me! S'cute <3#I like to think Papyrus would do the same hehe ♪ Let your lazy brother headbutt you! He can only reach so far!#On minimal effort anyhow hehe#It's just a fun way to be silly together ♫♪#Also yes I did show this to her and she cosigned lol - ''Cute'' -smol
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markscherz · 3 months
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There is a happiness no-one else knows: the feeling of mud between fully webbed toes; the caress of a breeze on your moist shiny skin; the warmth of the sunlight that slowly soaks in; the gentlest hum of a thought far away, as you sit and you soak and let time tick away.
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ruporas · 5 months
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in a mood (ID in alt)
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grayintogreen · 1 year
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“Shauna tries so hard to be a good person but sucks at it” vs “Natalie tries so hard to be an awful person but sucks at it.”
Shauna is fully capable and willing to kill and lie and cheat while maintaining this perfect apple pie illusion of a wholesome life and her family stays by her but even they’re starting to see the cracks in the veneer.
Natalie believes she destroys everything she touches, is constantly on a downward spiral of self-destruction, and hates herself for everything she did and yet she can’t even kill a goldfish on purpose and despite being openly antagonistic to everyone in the wellness center, they all seem to really like her.
FASCINATING dichotomy here.
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poorly-drawn-mdzs · 4 months
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Bare skin, bare feelings.
[First] Prev <–-> Next
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sugarcoatednightshade · 5 months
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thinking about how Humans Are Space Orcs stories always talk about how indestructible humans are, our endurance, our ability to withstand common poisons, etc. and thats all well and good, its really fun to read, but it gets repetitive after a while because we aren't all like that.
And that got me thinking about why this trope is so common in the first place, and the conclusion I came to is actually kind of obvious if you think about it. Not everyone is allowed to go into space. This is true now, with the number of physical restrictions placed on astronauts (including height limits), but I imagine it's just as strict in some imaginary future where humans are first coming into contact with alien species. Because in that case there will definitely be military personnel alongside any possible diplomatic parties.
And I imagine that all interactions aliens have ever had up until this point have been with trained personnel. Even basic military troops conform to this standard, to some degree. So aliens meet us and they're shocked and horrified to discover that we have no obvious weaknesses, we're all either crazy smart or crazy strong (still always a little crazy, academia and war will do that to you), and not only that but we like, literally all the same height so there's no way to tell any of us apart.
And Humans Are Death Worlders stories spread throughout the galaxy. Years or decades or centuries of interspecies suspicion and hostilities preventing any alien from setting foot/claw/limb/appendage/etc. on Earth until slowly more beings are allowed to come through. And not just diplomats who keep to government buildings, but tourists. Exchange students. Temporary visitors granted permission to go wherever they please, so they go out in search of 'real terran culture' and what do they find?
Humans with innate heart defects that prevent them from drinking caffeine. Humans with chronic pain and chronic fatigue who lack the boundless endurance humans are supposedly famous for. Humans too tall or too short or too fat to be allowed into space. Humans who are so scared of the world they need to take pills just to function. Humans with IBS who can't stand spicy foods, capsaicin really is poison to them. Lactose intolerance and celiac disease, my god all the autoimmune disorders out there, humans who struggle to function because their own bodies fight them. Humans who bruise easily and take too long to heal. Humans who sustained one too many concussions and now struggle to talk and read and write. Humans who've had strokes. Humans who were born unable to talk or hear or speak, and humans who through some accident lost that ability later.
Aliens visit Earth, and do you know what they find? Humanity, in all its wholeness.
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choccy-milky · 10 days
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🔞NSFW comic🔞
just seb being insatiable when it comes to clora 😇 refractory period?? whats that?? never heard of it
[ TWITTER ]
[ POIPIKU ] and a lil extra doodle:
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(aka seb and clora if contraceptive potions didnt exist LMAO.... girl would just be preggo 24/7)
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theoldkyokodied · 1 year
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Uploading all my Tomgreg art at once from the past few week before season 4 hits, who knows in what kind of mental state i'm gonna be once it does :')
#tomgreg#succession#dont even talk to me i started watching this show when i had nothing to do at work and now i watch it with averiel my good friend averiel#and we are going to watch s4 together and i feel physically ill from bein so excited#so ya thats what ive been up to... anyway. i love these idiots they desever nothing but the worst (affectionate)#im also a tomshiv lover btw. im the one who yells 'THIS IS HOW TOMSHIV CAN STILL WIN' while they are actively losing on screen#thats the kind of person i am#dont look at me (lying on the floor)#okay i was not going to say stuff in the tags and let the art speak for itself but i NEED to point out details in the wine Painting..#i put a lot of work into that one. thinly veiled metaphors and symbolism yknow..#greg is gripping the stem of the wine glass with his full fist. tom and greg are dressed in the same outfit (sock garters included)#greg look appalled but he is not doing anything about the spill. tom is fondly pouring greg more and more wine. he is doing him a favor#i colored the red wine the same way i would color blood :) oh and tom is not really touching greg#only holding the chair in place. greg is making himself look smaller than he is like usual#oh and @ the person who said that it's the inverse of the tom and nate scene i love the way you think. i did not think of that before#but god. yeah. i actually thought about the scene change from when roman uhh.. christens his office in s1. the one with the coffee machine#i always go insane at that cut. this is not exactly the same since it's more.. about emotions but yknow.. it can be.. the same...
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(loosely) that scene from potc... its so Them i think...
#apologies for the low quality scribbles i simply couldn't be fucked!! <3<3<3#and they're a lil funky.... i havent drawn em in a while....#but geez. man. oof. ough#the potential of the pining + Names ouagshashjafkanvfla#THE RITUALS ARE INTRICATE#scribble salad#franklydear#welcome home#ever since finding out how they call each other by last names my brain has been Mush over that#the layers!!! the potential for development!!!#what would the transition to first-name-usage look like#i feel like they're gonna be on first name basis Before they actually refer to each other by their first names#and maybe frank will call him eddie first.... maybe....#leaving eddie to be the one maintaining a sort of 'professional' distance#but in the process making their interactions Way more intimate and emotionally Charged than they would've been otherwise#its about the suspense... about the 'am i allowed to know what your name feels like'....#the 'i want nothing more than to know what my name sounds like in your voice'#receiving your mail and waiting for the time he finally allows that little distance to be closed with one simple syllable#or delivering the mail and waiting for him to open both doors w/ hand & name#both an allowance and a confirmation and an answer and a promise wrapped up in one little word#Im Just Speculating & Rambling at this point#OUGH FRANKLYDEAR <3<3<3<3#i cant wait to watch them really go Through the Horrors while falling in love#bc when nothing is real or certain what else can you cling to but each other#so abnormal about them....#wh has opened my eyes to the inherent romanticism & pain of mail carriers#they will always come to your door but they will also always leave#and the gifts they give you are always from someone Else#all you can hope for are those Moments where your fingers brush as they hand over letters#where the only true words between you are the ones hidden away in ink and belonging to neither of you
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love4hobi · 4 months
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Hoseok, BTS Monuments: Beyond The Star EP. 6
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dreamofbecoming · 1 year
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listen i know we all love steve “completely ignorant of queer culture to the point that bisexuality is a surprise” harrington being roasted and educated in turns by robin and eddie, yadda yadda, good stuff. i read “they made a horror version of rocky?” in a fic recently and cackled. also a big fan of “he knew he was bi from the start and just never talked about it” as a trope, love it excellent well done
but what about steve who realizes after starcourt that the most important person in his life now has this thing that’s a major part of her life that he knows nothing about, and what if he fucks it up? what if he says something ignorant or rude by accident, and hurts her? what if he loses her because he didn’t know the right thing to say? what if he can’t keep her safe because he doesn’t know what to look out for? absolutely fucking not, this steve says
and listen she’d never say anything, because she can tell that he can tell how much she likes teasing him and teaching him things, so he plays dumb, and she thinks it’s very sweet. but she notices when the zines she keeps under her bed that she buys at that one secret bookshop in indy when she can sneak away on family trips start going missing, always one at a time, and replaced in a few days with another disappearing. and she finds the new ones he must have gone to buy the weekend she was at her aunt’s house hidden in the back of his closet when she goes to steal one of his sweaters. and she notices when he slips more of her queerer movie recommendations into his personal take home pile rather than the movie night stack when he thinks she’s not looking.
she doesn’t notice when he drives to indianapolis after she tries to explain to him why she can’t just ask out a cute girl, tries to impress on him the fear attached to every moment of attraction that he simply has never had to feel, but later she finds a crumpled receipt from a diner in one of his jacket pockets when she’s looking for his keys, and the address is across the street from the bar the gorgeous woman at the bookstore told her about, the one she memorized the address of but hasn’t worked up the guts to think about visiting, and she knows he must have gone looking for a place like that, must have been trying to understand, must have been scoping it out to make sure it was somewhere she could feel safe, after she told him she never had.
so when eddie nearly pops a blood vessel when they clock each other and she mentions that steve is the only person she’s ever come out to before, her hackles come up. because she gets it, she does, he’s only known king steve until recently, so it makes sense that he would be afraid, be concerned for her safety.
but steve is her person, and no one- no one- has ever made her feel as protected or as cared for as he does. no one has ever tried as hard to understand her, no one has ever put so much work into making her feel safe and seen and loved. and she thinks maybe even if no one else ever does, that’s ok. because she has steve, and more importantly steve has her, and that means no one gets to question his ally credentials in her presence without a dressing down to remember, no matter how well they mean or how recently they helped save the world.
(and maybe she’s not as surprised as she could be when he figures out bisexuality all on his own, because she’s been reading all the same pamphlets he has, after all. and she’s seen the way he looks at eddie, i mean come on. maybe no one else has noticed, but then, nobody knows steve harrington like she does.)
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kai-strophics · 11 months
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Canon gay rep is good, really it's good but oh...it is OH SO boring....Pass the Queerbait cocaine....
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raepliica · 11 months
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protecting each other
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