Something that has been driving me insane about the credits are these sections with the fish so please bear with me whilst I do a mini deep dive (hehe) into fish discourse because YO, we need to talk about these fish!
Notice how at the beginning of the credits we actually have two white fish swimming along beside one another; one with bright turquoise eyes and the other with black.
A little while later the fish begin to circle each other and a droplet falls into the water between them. As the disturbance ripples out from the center, one of the fish dives deeper into the water and changes its colour to black; symbolizing Geto's change and descent into darkness
Then we have this heartbreakingly beautiful moment with Gojo and Geto:
I cannot stop thinking about how long Gojo watches the black fish for as it swims across the screen, whereas Geto's eyes are lowered the moment the white fish appears and he closes them as it swims past.
Gojo cannot bear to tear his eyes away, whilst Geto cannot bear to look
Throughout the credits, Gojo and Geto have been making their way towards each other through the pouring rain (or mostly sitting and waiting in Geto's case). At the end, they meet each other under a bridge and as they walk away together we see the fish a final time, swimming together again in a puddle formed by the heavy rain.
Geto walks on the left in the light, as the white fish swims close to his head, almost invisible in the brightness of the light. Whilst Gojo walks on the right in the shadow with the black fish swimming further away but still close by.
The fish speed after the two men before disappearing completely under the water just before the camera pans up and we watch as Gojo pulls Geto in for a hug as they walk away, before he's playfully shoved away by Geto.
There's a lot going on the credits (+ opening) that is absolutely killing me but man, these fish?! Breathtaking.
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A Thought:
As Emrys, Merlin is a very powerful sorcerer.
However, his utter lack of any formal training means Merlin is not a very good sorcerer.
The magic he does should be theoretically impossible, but he's got enough raw fucking power to just make it work. Infant demigod smashing blocks together and creating a Lego Death Star.
Merlin: *does magic that Should Not Work*
Other sorcerers:
AND THEY ARE RIGHT TO FEEL UPSET
IMAGINE YOU'RE A SORCERER. YOU'VE BEEN PRACTICING YOUR CRAFT, SHOOTING THE SHIT, LAYING LOW, PLOTTING PLANNING.....THEN THIS FARMY BOY TWINK SHOWS UP AND NUKES THE FUCKING PRIESTESS OF THE LAKE OF AVALON
I'D FEEL PISSED TOO
like, bro, you meet him, you're apprehensive of him bc 'shit that's emrys'. the emrys. the dude that's said to be the greatest sorcerer to ever walk the earth. you meet him. you can feel his magic and like holy shit, what the fuck was that??? you ask him how the fuck he gained so much power by the age of 21????
merlin: you mean....y'all don't also just have magic doing shit when you're a toddler
you, the sorcerer who has had to spend years getting control to fucking heat up a teapot: .........no.......no our magic doesn't do that
goddamn do you wanna just chuck this adult child into the lake and be done with it. better yet, you wish for the sprites to just pick you up and use your body as a sacrifice for entrance into Avalon.
and then, and then
you see how this motherfucker fights against bandits and "WHY THE FUCK ARE YOU JUST PUSHING THEM AWAY??? WHERE'S THE SHOWMANSHIP??? THE PIZZAZZ??? HOW MANY SPELLS DO YOU KNOW???"
merlin, who forgot he can freeze time and space and can launch lightning bolts at people: uh....3???
it takes the triple goddess to restrain you from murking the prophesized warlock right then and there.
"NO, NO, FUCK THAT, FUCK THIS, FUCK ALL O' Y'ALL!" you scream as you jump on a ship and move to a place that doesn't have op young adult children who didn't study shit and yet still get an A+
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not to be overly sappy and emotional on main but i was getting ready to have a perfectly miserable day and then read a poem that turned that around for me so i’ll post it here just in case someone else could also use the help
Reasons to Live by Ruth Awad
Because if you can survive
the violet night, you can survive
the next, and the fig tree will ache
with sweetness for you in sunlight that arrives
first at your window, quietly pawing
even when you can’t stand it,
and you’ll heavy the whining floorboards
of the house you filled with animals
as hurt and lost as you, and the bearded irises will form
fully in their roots, their golden manes
swaying with the want of spring—
live, live, live, live!—
one day you’ll put your hands in the earth
and understand an afterlife isn’t promised,
but the spray of scorpion grass keeps growing,
and the dogs will sing their whole bodies
in praise of you, and the redbuds will lay
down their pink crowns, and the rivers
will set their stones and ribbons
at your door if only
you’ll let the world
soften you with its touching.
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