Top Notch Jatt (Official Video) | Kabir Gill | Latest Punjabi Songs 2023 | Jass Music

Elevated (Remix) | SHUBH | IKKY | Techno Dada Gang

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Elevated (Remix) | SHUBH | IKKY | Techno Dada Gang

Surjaa Nu Divey: Amm DeeP's Latest Punjabi Song 2023 | Full Song | Amm D...

Song : 3 Saal ( The Bluff Game ) Singer/Composer : RAMBO x HEERO Rap Lyrics : Heero Song Lyrics : Rajpreet Gill Music : Arash Kumar Mix Master : Dense Story/Screenplay/Direction : Garry Bhullar Films Female Lead : Akaisha Vats Producer : Bala Sister’s Label : BadBoyz Production

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Nick Name — Raman Gaba | Latest Punjabi Songs 2023

Presenting the latest Punjabi songs 2023, Nick Name by Raman Gaba. This song is Valentine’s Day Special so make sure to dedicate this to your Valentine.

Top 25 stylish 3d Punjabi Suits #multicolour #punjabisuit #kaurtrends

Top 25 stylish 3d Punjabi Suits #multicolour #punjabisuit #kaurtrends

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Desi LGBT Fest 2023 (hosted by @desi-lgbt-fest)

Day 7 : Faith/Rituals of Love

Definitely geared heavily towards the 'Faith' part of this prompt as soon as I read it!

If being Queer is defying conventions and if being a part of the Queer community means going against heteronormativity and gender conformity, is it not Queer to forego materialistic ties and the love of a human partner and embrace the love of a greater being you have only heard about in stories?

All four individuals featured here were integral part of the Bhakti Movement and/or Sufism in South Asia. None were married other than Meerabai.

(Panel order from top to bottom)

Chaitanya Mahaprabhu (1486-1534) : A key name of the Bhakti Movement and the Gauriya Vaishnav tradition in 15th Century Bengal, Chaitanya Mahaprabhu was believed to have been a vessel for both Radha and Krishna. Bengali doesn't use pronouns or gendered language and we may never know what they would have preferred to be identified as in a language they didn't know (English), I will simply resort to using They/Them for them. Their written teachings are few and far between but the verse mentioned here is the seventh verse of the only written record of their teachings, the Shikshastakam - a collection of 8 total verses. The translation here is my own and quite literal so that the interpretation is left to the reader.

Meerabai (1498-1597) : [CW : IMPLIED QUEERPHOBIA/APHOBIA] Meerabai was born into Rajput royalty and was married off, also to Rajput royalty, in likely an arranged marriage. While most of the stories surrounding her are folklore whose historicity is yet to be confirmed, her marital status can be confirmed, and so can her devotion and affection for Krishna and the divine, which she has herself penned in numerous poems and songs. Folklore does strongly imply that she was non-committal to her marriage and that her in-laws tried to poison her to death multiple times for it.

Kabir (1398–1448 or 1440–1518) : Found as an orphan by a Muslim weaver couple, Kabir's religion grew to become somewhat of an enigma for future generations. His stance, however, on the topic romance and marital relationships is quite clear - he looked down upon them and a huge chunk of his couplets strongly imply that romantic and sexual relations simply obstruct spiritual enlightenment.

Bulleh Shah (1680-1757) : Bulleh Shah, though an ardent proponent of loving the divine, was declared a Kafir, a non-believer/non-Muslim by a quite a few Muslim clerics of the time. He was known for speaking up against existing power hierarchies of the time and used vernacular speech for his writings (Punjabi, Sindhi) which not only served to popularize his works, but also let people connect to his words.

A personal note on my motivations under the cut.

A while back when I was actively going through the anxiety of finding out that I am ace and that I will never fit into the current South Asian society that the wedding industry has a chokehold on, I desperately wanted to see people from my own culture living happily without a partner. During one of my history rabbit hole escapedes, I restumbled upon the story of Meerabai, how she always insisted on loving and devoting herself towards Krishna, despite being married into a normative and wealthy household and despite her in-laws repeatedly attempting to poison her for not committing to her husband. Most of us from India grow up hearing about Meerabai, her spiritual connections to Krishna, and her struggles. The moral of those stories is always framed as 'believe in god, he will help you through tough times'. But this was the first time I was making a different connection, I was drawing different morals. And when I took Meerabai's non-conformity to her married life and started looking for more examples like hers, I was overwhelmed by how many more individuals existed without a partner, condemned being in a normative, married relationship, admitted to having lost human connections and faced resistance even, and yet stayed true to their orientation and sounded HAPPY! It was extremely hard to narrow it down to these four, but these do make my point! Labels are hard to transpose across cultures and history. But if being queer means being nonconforming of marital structures and being aspec/arospec implies neutrality, indifference, or aversion to romance and intercourse, then no one fits the label if they don't.

Gulf migration is not just a major phenomenon in Kerala; north Indian states also see massive migration to the Gulf. Uttar Pradesh and Bihar accounted for the biggest share (30% and 15%) of all Indian workers migrating to GCC1 countries in 2016-17 (Khan 2023)—a trend which continues today. Remittances from the Gulf have brought about significant growth in Bihar’s economy (Khan 2023)—as part of a migrant’s family, I have observed a tangible shift in the quality of life, education, houses, and so on, in Siwan. In Bihar, three districts—Siwan, Gopalganj, and Chapra—send the majority of Gulf migrants from the state, mostly for manual labor (Khan 2023). Bihar also sees internal migration of daily wagers to Delhi, Bombay, and other parts of India. Gulf migration from India’s northern regions, like elsewhere in India, began after the oil boom in the 1970s. Before this time, migration was limited to a few places such as Assam, Calcutta, Bokaro, and Barauni—my own grandfather worked in the Bokaro steel factory.

Despite the role of Gulf migration and internal migration in north Indian regions, we see a representational void in popular culture. Bollywood films on migration largely use rural settings, focussing on people who work in the USA, Europe, or Canada. The narratives centre these migrants’ love for the land and use dialogue such as ‘mitti ki khusbu‘ (fragrance of homeland). Few Bollywood films, like Dor and Silvat, portray internal migration and Gulf migration. While Bollywood films frequently centre diasporic experiences such as Gujaratis in the USA and Punjabis in Canada, they fail in portraying Bihari migrants, be they indentured labourers in the diaspora, daily wagers in Bengal, or Gulf migrants. The regional Bhojpuri film industry fares no better in this regard. ‘A good chunk of the budget is spent on songs since Bhojpuri songs have an even larger viewership that goes beyond the Bhojpuri-speaking public’, notes Ahmed (2022), marking a context where there is little purchase for Gulf migration to be used as a reference to narrate human stories of longing, sacrifice, and family.

One reason for this biased representation of migration is that we see ‘migration’ as a monolith. In academic discourse, too, migration is often depicted as a commonplace phenomenon, but I believe it is crucial to make nuanced distinctions in the usage of the terms ‘migration’ and ‘migrant’. The term ‘migration’ is a broad umbrella term that may oversimplify the diverse experiences within this category. My specific concern is about Gulf migrants, as their migration often occurs under challenging circumstances. For individuals from my region, heading to the Gulf is typically a last resort. This kind of migration leads to many difficulties, especially when it distances migrants from their family for much of their lifetime. The term ‘migration’, therefore, inadequately captures the profound differences between, for instance, migrating to the USA for educational purposes and migrating to the Gulf for labour jobs. Bihar has a rich history of migration, dating back to the era of indentured labor known as girmitiya. Following the abolition of slavery in 1883, colonial powers engaged in the recruitment of laborers for their other colonies through agreements (Jha 2019). Girmitiya distinguishes itself from the migration. People who are going to the Arabian Gulf as blue-collar labourers are also called ‘Gulf migrants’—a term that erases how their conditions are very close to slavery. This is why, as a son who rarely saw his father, I prefer to call myself a ‘victim of migration’ rather than just a ‘part of migration’. It is this sense of victimhood and lack of control over one’s life that I saw missing in Bollywood and Bhojpuri cinema.

— Watching 'Malabari Films' in Bihar: Gulf Migration and Transregional Connections

This song gave me goosebumps and tears at the same time.

★ Sukhbir reveals how he, Salman Khan came up with 'Billi Billi Akh'!

Mar 2, 2023

Punjabi singer Sukhbir, who is known as the Prince of Bhangra and boast of chartbusters like 'Ishq Tera Tadpave', 'Balle Balle', is back with another track 'Billi Billi Akh' and this time, it's for a Salman Khan film - 'Kisi Ka Bhai Kisi Ki Jaan'. The song, video of which is set to release on Thursday, has an interesting story. The singer revealed that Salman came up with the idea for a wedding song and shared the same with him while the two were in Abu Dhabi.

'Billi Billi Akh' is an upbeat, peppy song, composed by Vicky Sandhu who's also written Punjabi lyrics, with the perfect blend of modern flair and Punjabi beats, features Sukhbir himself along with the entire cast of the movie, Salman Khan, Pooja Hegde, Shehnaaz Gill and Palak Tiwari. Talking about how the song came into being, Sukhbir said, "I met Salman Khan in Abu Dhabi where he had requested a wedding/celebration song for his upcoming movie and that's when I sent him a couple of options. He loved all of them but especially fell in love with 'Billi Billi Akh' which was a Punjabi song and lyrics and that's how we started working on this Hindi version which was written by lyricist Kumaar and the music has been produced by DJ Dips and Supernova."

Sukhbir has been in the industry for over two decades now and commands a colossal fan following, his 'Ishq Tera Tadpave' song still rules the dance floors during wedding celebrations. Talking about his experience during the shoot with Salman Khan, the singer added, "My experience has been nothing short of simply amazing. I did not expect Salman Khan to be so hands-on when it came to every detail, he would call me to discuss lyrics and the musical bits, ask me to edit certain parts so that they make sense to the visuals of the song, and the best part was shooting of the video which was done in Mumbai". "He made sure everyone was looked after and I particularly enjoyed meal times with him as it gave us an opportunity to have one on one sessions to discuss the movie amidst many jokes", he added

Listen/purchase: Try Me Karan Aujla Ikky Making Memories Latest Punjabi Songs 2023 by Try Me Karan Aujla Ikky Making Memories

Get ready to immerse yourself in the enchanting tunes of "Mera Rabb ROOHINDER (ROOH)," the latest Punjabi song of 2023. NEUMUSIC and Preet Kaler Present this musical masterpiece that will captivate your heart and stir your emotions. Experience the soulful journey as the melodious vocals blend seamlessly with the heartfelt lyrics, creating a musical tapestry that resonates with your innermost feelings.