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#phandom analysis
slitsfordan · 28 days
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DanandPhilCrafts + Fucked Up Queer Devotion + Christian Homophobia: An Essay
We’ve all been talking about the willingness of Dan and Phil to perform the ritual, we’ve all been talking about the intimacy of carving out your lover’s heart, but I have not heard anyone talk about the fucked up side of Dan and Phil’s (fictional) relationship with each other, and with Him, so here goes.
On the craft channel, Dan and Phil act overwhelmingly positive, like satanic children’s show hosts, but this is clearly a farce. We see them drop their smiles quite a few times during the crafting- most notably in Glitter Faces when Dan’s craft turns out wrong, and when Phil cuts Dan’s hand. “Don’t cry, craft” is directed towards the audience, but it seems Dan and Phil are following their own advice. Cults, after all, prey on vulnerable people. While they do seem scared of doing the ritual, and their involvement with Him, they are, however, definitely willing. In
The blood on Dan after he kills Phil is interesting; The handprint on his shirt isn’t a sign of a struggle, but rather Phil just grabbing his shirt- that’s pretty intimate, honestly. The blood on his face could’ve been caused by a bunch of things: blood splatter he wiped at? wiping at his face (eyes?) with a bloody hand? or Phil holding his face? (I like the third option) The blood on his nose might totally have been accidental, and just a thing that happened, but it could also be an allusion to the cat whiskers, in the spirit of bringing things back to the beginning and whatnot.
After the ritual is complete, there’s the obvious tarot symbolism. @freckliedan has a great post about this, but I’ve got more to add, so bear with me. Yes, Dan and Phil are framed as the lovers, but that’s not all. While the sexual deviance associated with the devil card has clear connections to queerness, it’s main association is usually unhealthy relationships and dependence. From this, and the obvious devotion displayed in the video, the craft versions of Dan and Phil are implied to be unhealthily dependent on each other, and devoted to the point of obsession. While the relationship certainly isn’t abusive, this obsession just isn’t healthy.
Furthering the unhealthy relationship idea is when Phil calls Dan “Sampson”. In the Bible or whatever (I’m not Christian sue me) Sampson topples these pillars, killing both himself and his enemies, which has a clear parallel to Dan’s stacked ingredients falling over, but the use of “folly” is interesting, and suggests a further connection. Sampson had married a prostitute, and she sold him out, basically, leading to his enslavement and later death. In this story, this is the clearest and most obvious act of folly by Sampson: marrying someone who he shouldn’t have, someone who it was taboo for him to be with. Connected to Dan and Phil, it suggests that their relationship is dangerous due to the social taboo, but it’s also implied that Phil will betray Dan. Perhaps we’ll see that in a 5th crafts installment, or perhaps it’s simply a commentary on being in a relationship with someone considered unacceptable.
Speaking of unhealthy relationships, that’s sure what they’ve got with Him! Leading up to the ritual, Dan and Phil are shown to be scared of Him, even though they call Him their friend. Dan’s head shake when Phil says “crafting has improved my life in numerous ways” is very telling. At the end, Dan’s shoulders tense at His first footstep, however, when He actually touches Dan, he doesn’t seem scared at all- forgive me for this next point, but from the way he kinda leans into the touch and tilts his head back, it seems more like he’s going for “turned on” rather than “scared”.
“Okay, cool” you say, “but what does it mean?” Well, Dan and Phil’s relationship in this series is not just about homoerotic undertones- this is an allegory for toxic queer sexual relationships. Why would they make something about toxic relationships when they’re in a healthy relationship? With the toxicity, and the power imbalances, and the satanism, Dan and Phil’s (fictional) relationship is a representation of Christian fears of queerness, and the supposed immoral/corrupting/anti-Christian effects of being in a queer relationship. The fear Dan and Phil show throughout the series is representative of internalized homophobia. They’re scared to align themselves with Him because it means accepting their own queerness. Dan shows more fear than Phil throughout the series (like after his glitter face turns out to be a pentacle) which parallels his real world internalized homophobia that he’s experienced. By holding hands with the devil (or baphomet?) standing behind them, Dan and Phil have embodied every conservative fear about queerness, but have come out on top. Through their YouTube channel, we get to do the same.
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terrestrialnoob · 2 years
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You know, Danny was probably exactly like Jazz before the accident. He probably also had straight A's, and did his chores, and was as perfect as he could be with the only difference being Danny had two friends more than Jazz. But after the accident, he started "slacking off", not doing homework or chores anymore. And his parents, in canon, write it off as "boys being boys". You know? He's got two whole friends, with one being a girl to impress, of course he's going to be irresponsible and distant from his family. If he slips too much, they'll give him a talking to and it'll put him back on track.
Except of course, we know they don't know how much he's slipping, and they don't know why his grades are falling or his chores are going undone. They think he's like his dad and just letting things go undone until someone else gets annoyed enough to force him to do it or do it for him. They think his priorities have shifted from Family to Friends, not Family and Friends to Entire World.
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starsintheparadox · 2 years
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It’s her smile. 
It’s always her smile.
It filled him with a warmth he hadn’t felt since long before he was Dan. Losing his parents hurt, losing Sam and Tucker too, but it was losing Jazz that truly broke him. Despite his anger, evil, and destruction that followed in his wake, he made damn sure to never disgrace her grave. He visited it regularly, and even once more before coming here. Now, she’s smiling at him. Such an innocent act, but full of such love and warmth and… God, he can’t breathe right. “Jazz, I-” The words stick in his throat. He wants to tell her everything. Who he is. Why he’s here. To run away, run far away, he’s too far gone and he can’t be stopped, and she should just go so even when he ensures that Danny becomes Dan, she is safe, somewhere. Even if it’s not here. Her smile drops from cheery to concern, but still a god damn smile! How could she do that, disarm him so? “It’s okay, Danny. I’m proud of you. Really, I am!” She stepped closer, in a seemingly comforting way. He felt like crying. He didn’t know, didn’t realize Jazz knew all this time. How could he? She hid it so well. The pain of losing her hit him all over again, so hard his grip on this form slipped and he transformed into his full Dan Phantom form. Her smile fell, now filled with fright. Of course. That’s what he did. Struck fear into those around him. A long, low sigh left him. “Your Danny is stuck in the Ghost Zone, years in the future.” He admitted, quietly. Almost like he was ashamed that she had to see him like this. It took all of his ghostly willpower to push that feeling back. A tiny, tiny part of himself realized if he really wanted his plan to work, he would have to get rid of Jazz. She presented a risk, a weakness to himself and now, she knew he was here and likely knew his plan too. As he raised a hand to strike, resigned to this reality, he… could not bring himself to strike. Not lethally. He leaned forward instead, his voice a low whisper. “You should leave town.” And he knocked her unconscious. He knew, deep, deep down, that this sealed his fate. She would wake, she would help her Danny, and he would be doomed. He also knew he didn’t have it in him to kill her, despite that being half his plan. He lifted her unconscious form, holding her closer to his chest than necessary. Sadness filled his expression. Turning invisible, he phased through the door and floated down the hall, into Jazz’s room and laid her on the bed gently. He looked forlornly at her sleeping form, a physical pain in his chest. Hah. He was a ghost. That shouldn’t happen anymore. And yet… he brushed some of her orange hair out of her face and kissed her forehead, before floating up and out of her room. 
Might as well try to finish what he started.
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thesoulspulse · 1 year
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mars-ipan · 2 years
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istg watching all these dnf twitchcon clips is giving me intense flashbacks to phan. girl help i’m in the fucking tranches
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phanchester · 9 days
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since there are so many data nerd phannies i decided to make a compilation of all the spreadsheets i could find - lmk if i missed any or if you want me to add any additional details <3
last updated: 29/04/23
actively updating spreadsheets
dan and phil uploads from 2021-2024
dan and phil’s upload schedule from all their channels with days and dates
amount of days in between videos in each channel
pie charts of days of the week they upload
made by @ahappydnp 
everything dan and phil related
all of dan and phil’s video links from all their channels from all their accounts (including super amazing project, snapchat, vine, tiktok and more)
all of dan and phil’s radio shows, including reuploads and playlists, as well as the dan vs phil, fan war and internet news if available for each show with misc clips and written recaps
all of dan and phil’s liveshows, including some written recaps and the app where it was originally posted
all of dan and phil’s vyous including the question they were answering
all of dan and phil’s collaborations and video features (even if they were in the background), including the channel they were originally uploaded on 
all of dan and phil’s interviews
all of dan and phil’s merch, including originally shop links and links to the phandom wiki which has further information
all of dan and phil’s professional photos as well as some fan photos, including the event, photographer and platform
the dates and statuses of each of these videos (lost, archived, unlisted or public)
made by @stillarchivingdnp
dan and phil 2024 upload stats
each of their 2024 videos with channel, upload date, upload time in uk, length, sponsor and editor/s (if applicable) with an accompanying colour-coded calendar
(for amazingphil videos) whether dan featured and (for dapg videos) whether it was gaming/talking and who tweeted it
interactive part where you can see the time period between two videos
averages, maximums and minimums for times between uploads, upload times and runtimes with accompanying graphs
percentage of videos with other editors, with pie charts for all channels and each channel
made by @dnpbeats
all or nothing: dan vs phil season 2
all of the games for season 2, with the year they played them and the results with and without all or nothing coming into play
how often all or nothing came into play and who suggested it
the general impact of all or nothing
made by @organized-chaotic-disaster
dan and phil saying “i love you”
when dan and/or phil said ily
the video and timestamp from when they said ily and whether it was prompted
pie chart of dan or phil saying ily
made by @ahappydnp
games where one of them decides the winner
date and link for each video
overall winner with the winner for each round
breakdown of the amount of times each of them have won each round and the percentage phil has won
made by @dnpbeats
dan and phil 2024 upload schedule
upload date for each video, with the day of the week and approximate time it was uploaded in cst, including the most common and second most common upload day for dapg
days between each upload, including the longest gap, shortest gap, average gap and first and second most common gap for dapg
a colour-coded calendar displaying the upload schedule for dapg and amazingphil
made by @kat-aa
completed spreadsheets
all or nothing: dan vs phil season 1 with a great accompanying document with further details and analysis of the data
all of the games they played, with the year they played them and the results with and without all or nothing coming into play
how often all or nothing came into play and who suggested it
the general impact of all or nothing
made by @organized-chaotic-disaster 
youtuber tours
(not necessarily dnp but it includes them!)
120 different tours, including the creators, names, dates, countries, links (if available) and producers (if applicable)
each tours’ venue capacity range, average and total attendance
individual tour show breakdown with city, state, country and additional notes
data on each venue’s capacity, number of tours, and which youtuber went to each venue
data on each country’s amount of shows, broken down into states and cities
made by @stillarchivingdnp 
gamingmas 2023 schedule
all gamingmas video titles from 2023
the time each video was uploaded in gmt
made by @cactuslester
spreadsheet screenshots in posts
listening trends in all or nothing
scatter graph for the correlation between track number and number of listens
analysis of the data
made by @serendipnpipity
analysis of dnp’s letterboxd ratings and movies with part 1 and part 2
(pt 1) rating distributions for all the movies they’ve rated, including details about which movies one rated higher than the other, and which movies they rated the same
(pt 1) a list of their five-star movies
(pt 1) a list of movies one logged but not the other
(pt 1) cute little misc notes about the specific movies and dates
(pt 2) ratings broken down into genre, studio and franchise with accompanying bar charts
made by @philsrosesweatshirt
views on post-hiatus dapg videos after specific time frames
i believe this is a work of progress!
video titles with the dates and months, along with details of whether they were sponsored or had external editors
view count after 24 hours, 48 hours, 1 week, 2 weeks, 3 months and 6 months
made by @goldenpinof
favourite dnp tour song statistics
years phannies started watching vs the year they joined the phandom represented in a bar graph
favourite dnp tour song in a donut pie graph and a bar graph
favourite song vs year joined represented in a bar graph
made by @serendipnpipity
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Dearest phandom, I think I'm slightly in love with you.
This huge wave of art, gifs, edits, analysis and fanfics for dnpc is making me so incredibly happy.
Thank you to all those of you who are making art and sharing your thoughts and to everyone who's discussing in the tags or maybe just reblogging posts and passing them on.
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serendipnpipity · 2 days
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Favorite DnP Tour Song Statistics
Settle round, little ducklings, do I have some statistics to share with you all!!
A grand total of 156 people participated in this survey, so thank you if you took the time to fill it out! 🧡
As a teaser, here’s a pie chart of the votes for your favorite song! We’ll be discussing this in depth in its own section but I know some of you f*ck vibe with pie charts more than the bar charts I use there…
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To give you a clear vision of what we’ll be looking at, here are the categories of the upcoming analysis:
Phandometrics (community growth on a viewership & fandom scale)
Favorite Song (general)
Favorite Song vs. Phandometrics (the main hypothesis!)
Honorable Mentions (fun little quirks I noticed along the way)
Ready? Time to read on.
PHANDOMETRICS
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Lag between year started watching -> year joined the phandom. This can be seen most obviously in the 2009-2015 portion of the graph, likely when the community was just building up. I went back to check individual points, and many people seem to join a year or two after starting to watch.
Three distinct peaks of phandom growth: 2015 (dnp popularity peak), 2019 (coming out), and 2023 (dnpg comeback, dnp renaissance). Pretty expected, but still cool to see!
The difference between the peaks when you look at viewership vs. phandom is interesting though! Especially 2019 seems to be a huge spike in viewership, but the phandom growth seems a little more gradual (maybe more people lurked at first, then joined the phandom in 2023 once they were more active?).
The 2012 peak is really interesting. Most popular year to start watching from this sample, apparently!
FAVORITE SONG
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"The Internet is Here" won 51.3% of the votes... which didn't surprise me all that much. It's iconic, okay?
II is about half as popular, and beyond the song qualities themselves, I wonder if a contributing factor to this pattern could be its lack of availability as an officially released song.
I think Everything's Fine is so low partially bc I closed the poll before WAD released to prevent the recency effect from skewing the data. (Especially because I thought we were getting "Everything's Fine (Acoustic)" smh.)
FAVORITE SONG VS. PHANDOMETRICS
By era...
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I had a hypothesis: based on the year you joined, which I now realize in my head wrongly equated with the year you were most active in, you'd be more biased towards the song of that era bc a) you were more likely to go to the tour or b) epic nostalgia hit.
Yeah, I was wrong.
When you group the eras you see that TIIH wins in almost every single group by a similar proportion to the total, which means this attitude is fairly evenly distributed amongst the phannies.
By year...
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Separating by year, you begin to see that, hold up, the hypothesis could have some merit! In either 2017 or 2018 on both graphs, the II finale actually does win.
The super high TIIH votes bleeding in from 2015/2016 and from 2019 seemed to mask this pattern.
HONORABLE MENTIONS
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I have no idea what happened here but both ways you slice it, Interactive Introverts was fighting for its life amongst the 2012 phannies???
We got three phannies that have been watching since 2009!! The fact that people have been sticking around so long (up to fifteen years!!! and this was only a sample of 156 of us!!!) is really heartwarming for me bc it's a testament to how strong of a community dnp have built their viewership to be.
At the end of the day, what can I say? That was a lot of statistics. I hope you enjoyed or took something away from this little survey. Lmk if you notice any other cool trends or have any theories on what the data means!
Thank you for listening to my yapping; have an orange heart.
🧡
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pseudophan · 4 months
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ok I've skipped through the video myself and yeah it's... maybe not really offensive but just kind of meh. it's told by an ex-fan so the general information is pretty accurate and it mentions some events I actually forgot (2015 restaurant engagement photo lmao) so it's fun in those aspects but it's pretty selective in presenting the Crimes of the phandom and doesn't really mention any of the positive things dnp themselves have said on the matter. and it's a video about how toxic the speculation about their relationship was but it goes out of its way to not be speculative/say anything concrete about the relationship out of respect so I think anyone watching it who isn't already well-versed in the phandom/dnp would leave it having more questions than answers
thank you for your research so we don't have to watch it, much appreciated. sounds about right for an ex phannie analysis tbh but i'm glad it seems a bit more balanced than some of the other videos out there. that being said though
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LOL
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slitsfordan · 27 days
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Slime in Slime (2024): An Analysis
Dan and Phil could’ve chosen literally any craft for the fourth installment in DanandPhilCRAFTS, and they chose slime. Surely this has to mean something, right? Right.
For any young person in 2015-2017, slime should bring back memories. It was everything and everywhere. Literally every single time I hung out with friends, they’d want to make slime. The use of slime in DanandPhilCRAFTS, and the age group of the majority of their fans, forms an association to this time period. 2015-2017 also happens to be when The Amazing Book is Not on Fire and Interactive Introverts were created, and one of the peaks of the DanandPhil™️ brand. It also happens to be around the time DanandPhil crafts was birthed. By calling back to this era in a craft video, and using the slime for ritualistic sacrifice, Dan and Phil are acknowledging the harm of the DanandPhil™️ era personas and the phandom perceptions. By pouring the slime into the fire, Dan is firmly establishing this era as a thing of the past, representing the authenticity of Dan and Phil in this new era.
Slime also has a clear connection to Slime and Sadness Cinnamon Rolls. This video shares satanic imagery with the craft videos, of course (Lucifer Lester moment) but the theme of authenticity is also present. The way Dan acts as Sister Daniel in this video was the largest display of gender nonconformity and horniness by Dan and Phil at this time. Halloween baking and authenticity also brings us back to Monster Pops, and the aftermath: the post-baking universe. This marked a shift in Dan and Phil’s content, where they began to cut less gay shit and horny shit from their videos (like Dan’s fake orgasm during the video). If you really wanted to, you could even consider post-baking to be the beginning of the softlaunch. Both of these are events in which the horniness of Dan and Phil’s content was ramped up, and honestly the slime video has so much phallic imagery with the knives, but it’s also a representation of less censorship (if you’d like to call it that) by Dan and Phil.
Through both of these associations to slime itself, Slime invokes moments in Dan and Phil’s history where their performing personas were dropped in favor of a more authentic representation of self, like when Dan and Phil drop the craft channel personas to perform the ritual. This does, of course, connect to their coming out, and the handholding in Slime- slime as an object is connected to their authenticity, and so is the video Slime.
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yonpote · 3 months
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qiriex · 4 months
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Why do DnP have such a large transmasc/lesbian following?
Hi! So I put out a general feeler post about this, and it seems like y’all are interested in a big ass post about Dan and Phil’s relationship with their LGBT audience. Click on the read more for a bit of unhinged analysis.
I have… a lot to say on this matter, and tbf I warned you it would be long. This will mostly be focused on the wlw (specifically lesbian) and transmasc experience with DnP. Before I get into it, I wanna state that I am NOT transmasc. I’m a he/they afab lesbian, but I am in no way talking over any transmascs who have differing experiences. This post will mostly deal with the AFAB experience, as I am not AMAB and can’t speak for our lovely transfems/enbies/cis men! I love you guys, and I would love to hear about your experiences too, though! I’m going to be using as much non-gendered language as I can, however I’m talking about some pretty gendered topics so bear with me. One more thing to note is that when researching this, I found a lot more examples of Dan shouting exact communities out. This is a post about them both, as they are both extremely important to queer communities! It’s just that Dan has generally done more press runs relating solely to his sexuality, so there is more content there. I’m sure I’m missing a lot, though, and if anyone has more Phil focused clips/screenshots I would love to link them here. This is very much a work in progress post, I’m sure I’ll be adding more later and if you have screenshots/clips/anything, my dms and my submissions are open! Okay, done with disclaimers for now, I think. This post will be split up into a few sections: DnP talking about the LGBT community (both pre and coming out), how they empower their wlw following, how they affirm transmasc identities and what they mean to the LGBT community as icons. I would like this post to be free of any in-fighting drama, both from the Phandom and LGBT side of things. We are all awesome! 
Dan and Phil are both queer men who came out after acquiring a large fanbase that was predominantly AFAB (love you transfems and cis dudes going strong btw). However, a community that started out as a common “fangirl” fanbase over the years has shifted into a predominantly LGBT fandom with a disproportionate amount of specifically transmascs and lesbians. The word fangirl was often thrown around as an insult to people like us back in the day, but I think it makes perfect sense that a group of disenfranchised, young, queer AFABs would be drawn to DnP. Both of them were, for obvious in hindsight reasons, vocal supporters of the community. I can’t find an unedited version of the clip, but this clip from 2017 is a great example of that. Correct me if I’m wrong, but not a lot of non-out YouTubers educated their community in the way that Dan does in this clip.  I think sometimes it’s lost to time how bad YouTube used to be, that 2013-2017 time period was peak anti-SJW era. As basic as what he said was, somebody with his level of influence taking the time to educate his audience on queer issues as a presumed straight man was very meaningful. This not only created a safespace for young, queer AFABs but also made their specific audience more saturated with us than your typical “straight” YouTuber of the day. Their audience shares more demographic similarities with someone like Tyler Oakley than someone like Zoella, which makes sense in recent years.
This tweet from Dan from before he was out displays my point perfectly. To my enby ass, things like this meant the world to me and I can imagine it’s much the same for my transmascs out there. Going back to the clip earlier, though, I think that how willing to break gender norms they both were had even more of an effect in attracting transmascs who hadn’t yet fully discovered themselves. This isn’t denying that a lot of transmascs who were already out were drawn to DnP! Most of my Phandom friends were actually transmen back in the day. However, I think in retrospect there’s a huge pipeline from going into the fanbase as a cis person to coming out of it as… not. It makes perfect sense to me that a generation of transmascs would be drawn to and model themselves after the two of them. Going back to the YouTube landscape of the time, even their contemporaries had a much meaner edge that DnP just never had. This unfortunately made them targets of their fellow “vaguely emo relatable YouTuber” scene; people like Shane Dawson and Onision immediately come to mind, at the time they would have been in a similar category but in retrospect are nothing alike. There was an air of cruelty that Dan and Phil never fed into, consistently remaining themselves. I think that as a baby transmasc, people who stayed loyal to their principals even when it wasn’t the cool thing to do was really empowering. In a time when my friends were all fans of LeafyIsHere, Dan and Phil weren’t afraid to be kind. To be soft, even with the context we have now of how scary that really was. After BIG/COTY dropped, it was easy to see why they were great queer role models.  But I’d argue that they’d always been this, even before we knew they were queer.
This one will be a little bit more personal, but I would like to start this section out with a personal anecdote. I grew up in a fairly liberal household, in which I was told being gay was just fine. However, my mother just so happened to use the word ‘lesbian’ as a descriptor for any woman she thought was “unsuitable”. Ugly, boyish, mean, it didn’t matter; to me, lesbian was an unmistakably bad word. I knew that the word didn’t mean that, but intrinsically I had never heard it as something positive until I heard Dan simply shout out the lesbians on a YouNow stream. Simple, right? Four years later, and BIG came out. I identified as a bisexual “who would never actually date a man ahaha” at the time, and it was life changing. Dan and Phil have frequently shouted out their lesbian fanbase over the years to the point where it’s developed into a bit of an inside joke. This is meaningful for a multitude of reasons, one of which being just how demonized not only the word but the group can be. Even when poking gentle fun, neither of them ever lean into hurtful stereotypes. I went to We’re All Doomed last November, and when Dan took his jumpsuit top off the audience screamed. He yelled into the mic “I thought you were all lesbians!”, to which the crowd screamed even louder. You can poke fun at each other without playing into things like the mean lesbian stereotype, for example, and I think it’s things like this which show that they have a genuine appreciation for their lesbian audience. I can only speak from my own experience when I say that I was originally drawn to them for their authenticity even in a hostile environment. I was a closeted lesbain who had grown attached to closeted gay men, because on a level I didn’t understand yet I related to them. It was a parasocial relationship that if I never had, I wouldn’t have come out. This section is a lot less objective than the others, because for me it’s impossible to look at this objectively. A lot of the reasons that transmascs would be drawn to DnP are why lesbians would, especially in a less than LGBT friendly era like the 2010s. They were never afraid to be perceived as weaker than their peers if that meant being kinder, and from a lesbian lens this wasn’t how I modeled my new relationship with gender off of but what I wished the world was like. I grew up with a deep, fundamental fear of men that is still there, but when I would watch actual sunshine Phil Lester and Winnie the Pooh ass Daniel Howell it made me realize that there are people out there who have your back.
I think this is where the conversation turns to now; we are mostly all adults, DnP have been out and proud for four years now. The pair have returned to YouTube (gloriously, might I add) and can talk openly about even the most mundane parts of being queer. Dan has been a very outspoken part of the community, doing a really lovely bit of standup about it. Watch it if you haven’t. I don’t think either of them are obligated to be spokesmen for the community, in a way I think one of the most powerful things they’ve done after BIG/COTY is to just continue living. Watching two queer people thrive how they have is incredibly important. They’re still just as great role models as they have ever been, just with nothing to hide this time. I think now that most of their younger fanbase has grown up, we’ve been very reflective of our past with the Phandom. Certainly not me (lie). It’s not a mystery to me, though, that two groups of closeted AFAB children would attach themselves to figures like DnP. The pair’s content encouraged a level of creativity, of believing in yourself against all odds that was and is unmatched to this day. We can moan about how much of a demonic fanbase we used to be, but the fact is that we turned out alright. People wonder why our fanbase feels like the most healthy parasocial family this side of Tumblr, and that’s because in a way we are. We were raised by these two British dudes to be how we are today; smart, funny and creative. All kids have a rough teenagehood, don’t they? It’s no wonder why queer kids would be drawn to a culture like this, one in which despite everything there is still hope that we will one day grow up to be our honest selves. Dan and Phil did, and so will we.
Thank you if you made it this far! I know this is a bit over sentimental, but they mean a lot to me. They did back in the day, and they definitely do now. Like I said in the beginning, feel free to add on. I would love to hear about this from a transmasc perspective, or any other perspective! I just love talking about these two lol. Love you guys.
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goldenpinof · 3 months
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about Dan's initial marketing strategy for wad: i think he (not only his management) wanted to appeal to a wider audience but with the content of the show it was not fully possible. there are too many phandom references and he talks a lot about his lore, it's not neutral enough (even though a lot of gay men could find his story relatable, I'm talking especially about the ending.) but also the promo was done mostly within our community, except for a few interviews. i would actually love to know how many people outside of the phandom saw the show and i mean total locals, not friends and families of phannies who were dragged along
i'd pay so much money for the analysis, Katie. ratio of demographics in general and by country/leg. new people/phannies, where people found out about the show, and etc.
the marketing was all over the place. those interviews, i don't think he even linked all of them to us, so they were for the locals. the things said in those interviews were also trying to appeal to everyone but also confirm his relationship with Phil. and it's like, if you know you know. but damn, it must be confusing for the outsiders.
on the other hand, if he wanted to push it more for the locals there would have been outdoor posters. was it just a money problem? idk. if i were him, i'd push in that direction, because digital was clearly not enough. and digital was for us more than for the locals (and still, there was not enough digital marketing if you ask me. the amount of promo we did within ourselves! especially in/for Europe, i think).
i'm not gonna write another essay, i just wanna say that, he either didn't get a new proofreader or is making posters himself. because, on boi, fucked up wad marketing is alive and well 😌 it's not that hard to ask someone to look at images for the 1st time and see if the text is centred. it's not that hard to check rulers in photoshop. and NOW these posters shouldn't be rushed, it doesn't make sense for them to be rushed.
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terrestrialnoob · 1 year
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Yo! Phandom, if you're interested in Batman crossovers, but don't know anything about the characters, here's a great playlist of the main batfam's character backstories and light analysis. The longest video is like 13 minutes
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half-deadfic · 7 months
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Q&A with Darth Frodo
Hey, everyone! Two years ago, this project started as a way to reach out to authors who had left some beloved projects unfinished, mostly to reach out to them and see how they were doing, show them appreciation, and see if they needed any support in case they wanted to finish their projects or just wanted to have fun sharing behind the scenes information and tips through a Q&A.
As a part of bringing this project half-back to life, I would like to present the first Q&A of this project, in this case with the one and only @darthfrodophantom, who returned after almost 10 years to the phandom to share the ending for "A Secret Uncovered".
Special thanks to @dp-marvel94 for the questions submitted!
If you want to find out other amazing authors participating, make sure to check out this recommendation list for the project!
❇️ About Darth Frodo ❇️
[AO3] [FFN] A multi-fandom writer who has also written for Danny Phantom since the show was still on air, Darth Frodo joined the phandom classics early in the Fanfiction.Net era with beloved works such as "Tortured Truth" (2006) and "A Secret Uncovered" (First published on 2006). The latter was left on standby as life happened, but Darth's desire to finish the story was always close to her heart.
Her love for identity shenanigans and the philosophical analysis behind characters also took her to explore other ideas and stories back in the day, but also recently as she returned to the phandom for events such as Ectoberhaunt or the DP Reality Trip AU Zine, for which she published delightful new adventures.
Now that she has rewritten all of her first vision for "A Secret Uncovered" and added an incredible ending and epilogue, we reached out to Darth with a few questions...
❇️ Q&A ❇️
Q: What inspired you to write your story ("A Secret Uncovered")?
Darth: Not sure if you’ve caught on to this based on pretty much everything I write, but I love identity reveal fics. I love the awkward tension that happens right before, during, and after the reveal. I love the moment where you just don’t know how it’s going to turn out. And I love watching the aftermath of the characters struggling to adjust. I really wanted to write an identity reveal fic on a huge level that involved everyone finding out, and it kinda went from there.
Q: Who is your favorite character to write and why?
Darth: I feel like I have to say Danny because he’s pretty much my POV of choice. His internal monologues are so fun to dive into because he’s witty and snarky, but he can also be so clueless sometimes. I love putting him into different scenarios and watching him struggle through them. But if I had to pick a character outside of Danny, I’d have to go with Jazz. I just feel like I get her. She’s the mom friend and the big sister who ‘s an overachiever, and I love that. Jazz can connect pretty obscure dots, be the emotional comfort, and a voice of reason, which are so helpful.
Q. Are there any characters or types of scenes (action, dialogue, ect) that you struggle to write?
Darth: I feel like I struggle the most with transitions. How do we move from one scene to the next and conveying what happened in the downtime we don’t cover? How do we give the readers a sense of the emotional or logistical events that happened without actually having to spell it all out, but also not make it too exposition heavy? I want to include the details, but I don’t want to bog people down with exposition and passive tenses. It’s contrary to that “show don’t tell” tenet of writing, but it’s also acknowledging that from an editing perspective, you can’t show every minute. (Of course this is now all you're going to pay attention to when reading my writing lol)
Q. This one is based on a screenshot I saw on tumblr of a tweet saying "writing a fic consists of having one scene you want to write and scrambling to come up with an entire plot just so you can write one scene." If this applies to your story, what is THAT SCENE for your fic?
Darth: I actually did! I literally pictured the scene where Danny walks into school that first day after his secret has been revealed and everyone stares at him and whispers about him and crowds around him. When I first thought of doing an “everyone finds out” identity reveal, this was the first scene that popped into my head, and everything else spun from that concept.
Thank you so much Darth for the time to reply to these questions.
To anyone reading, we'll bring back the Q&A part of this project before we reach the 20th Danny Phantom Anniversary, as a way to hear from beloved writers and celebrate our phandom.
Stay tuned!
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glassprism · 5 months
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what are some of your favourite questions you’ve ever received?
Honestly, some of my favorites are the non-Phantom asks. I like rambling about my side obsessions!
But for Phantom-y asks, I like the ones where I get to analyze something - just dig in really deep into some line or piece of blocking or prop and what it means and what it shows about the character. A lot of times I feel like I learn something from those asks too, just by trying to figure out; I'm also sitting there, going, "Huh, what does that thing mean? Why was it included?" If I can also break a few hearts along the way, all the better; I love coming to angsty conclusions using sheer, objective logic and analysis, it hurts so much more that way. Some examples might be this ask or this ask.
That being said, this ask might also be a top favorite, at least in part because I have no idea what I was thinking when I wrote what I wrote. Still don't to this day, really. Also, utterly adore every comment and tag on there that's just some variation of "GP WTF".
But I think my absolute favorites aren't actually asks, they were just... really heartwarming and inspiring comments that also hit personally? I have two, one of which I saved, the other unfortunately I lost before taking a screencap. The first was someone who said that they thought it was incredibly cool that I'm Asian and so respected (loved? feared?) in the phandom, since the asker is also Asian. And the other wanted to thank me about being open about being ace and never going on dates (still haven't been on one!) and that it helped them come to terms with their asexuality. That one was really beautiful and so affirming and I still have it to this day.
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