Tumgik
#peril is my blorbo
outmaww · 1 year
Text
Tumblr media
a few simple human designs for wings of fire! moon, winter, peril, and qibli! I also have kinkajou and turtle designs in the works <3
why is it a lineup? i might have future plans >:)
59 notes · View notes
birdclowns · 10 months
Text
Tumblr media
it's always tk, isn't it?
257 notes · View notes
crochetedblorbos · 1 month
Text
"Look, she's well steep."
Tumblr media
Character Name: Montgomery “Three-Card Monty” Barker
Fandom: Realms of Peril & Glory (@realmspod), Liminal London campaigns [Podcast]
Played By: Naomi Clarke (@naomithinksit)
Yarn Used: Hair: CraftSmart Value - Toasted Almond Skin: CraftSmart Value - Taupe Birthmark/Mouth: Caron Lava Cakes - Sour Cherry Tracksuit: Red Heart Super Saver - Spring Green Zipper: CraftSmart Value - Heather Grey Shoes: CraftSmart Value - Tomato Soles: CraftSmart Value - White
Basic pattern here.
Tumblr media
Monty, our beloved chicken nugget wizard. I fell in love with this kid pretty much from the moment I heard him (him being Naomi’s creation helped with that) and he’s just…adorable. And after Episode 4 of Loose Change (the fourth mystery), Great Googly Mooglies, that boy needs all the hugs. I hauled ass to get him finished in time for Episode 5 (I am writing this paragraph prior to actually finishing him, so we’ll see if I manage since it’s, uh, Sunday night). [Crafter’s note: I did not. I finished him two weeks later, in time for Episode 7.] He differs from the base pattern as follows:
Shoes: I actually used a different color for his soles this time! Like with Joseph’s, I did the soles in white, then switched to red for the body of the shoes. However, I did use white for the decreases at the toes in the first round of decreasing the shoes to give that white toe cap that’s so distinctive on Converse and Converse knockoffs (per Naomi, everything Monty owns is a knockoff). I also added an extra round of decreases to make longer flat tops to the shoes and skinnier ankles. The shoes went up to R9 like that, and then: R10: Ch 1, sc in front loops of first 5 sc, sl st in next 2 sc, sc in next 5 sc, sl st in first sc (12 sc).
Tracksuit: I asked on the Light & Tragic Discord, and Naomi was kind enough to inform me that Monty wears high-tops and tucks the hem of his tracksuit into them. I also wanted the pants to have a kind of baggy effect. So once I joined the tracksuit yarn, I chained 2, then did 2dc in the back loop of the first sc in R9, then dc in the back loop of the next 10 sc in R9, then 2dc in the back loop of the final sc in R9, sl st in first dc (15dc). I then continued as normal. I used the same method for his shirt as I did for Joseph and Gerry, just a bit higher up when I started the hemline. I also formed his torso the same way as I did Gerry’s—square most of the way up and then starting the decreases at the very end. Neither of these decisions were intentional, I just wasn’t paying attention to how many rounds I’d done. For the zipper, I tied three knots on top of one another to make a zipper pull, then embroidered in straight lines up and down either side of the zipper track before doing a cross stitch up the middle.
Head: Naomi said in S4E5 that Monty “had one of those big birthmarks” and I knew I had to include it. I didn’t really plan the defined edges of the birthmark, just changed color back and forth as seemed appropriate. Came out a bit Ziggy Stardust, but you know, it’s Monty. I also used safety eyes for him again. Think I put them in too far up too soon, because stitching around them was a pain in the ass, but it worked out.
Tumblr media
Hair: I, uh. Forgot to start adding his hair in as low as I usually do, so his hairline is a bit higher in the back than normal, which is one of the reasons there are no pictures from behind, the other being that for some reason the seam got really jagged up the back (I’m guessing I wasn’t counting carefully enough and my joins got off). I’d meant for him to have a textured stitch to his hair, but I got to that point while I was away from home and didn’t have my book with all the stitches in it with me, so I improvised. I gave him a fun little swoosh of hair at the front. Turns out I was overcomplicating things with Hux’s and Mini’s hair. There’s a legitimate stitch called the hair stitch or fur stitch that does exactly what I was trying for on them with significantly less stress, so I used that here for Monty. Gives him kind of a cheeky look and I love it.
Arms: I used the same method I used for Joseph. I only stuffed up to R20 so he would have a little more flexibility in the shoulders.
14 notes · View notes
ronnieroseart · 7 months
Text
Got a weeee bit too ambitious with this one and I had a bunch of stuff suddenly come up, but I managed to get it done!
Day 12: Ambush (with a surprise visit from Hide)
Tumblr media
22 notes · View notes
tuiyla · 11 months
Text
see that’s the thing I am a Faith defender but in the way that I of course don’t actually support A LOT of her actions and can understand if people struggle with her
but come after Willow? oh, oh no no. that’s the BtVS hill i’m dying on. do not dare interact if you’re gonna trash Willow. no Willow hate allowed whatsoever on this blog, in this house we love respect and support her. instant block
8 notes · View notes
silverskye13 · 30 days
Note
how do u write fighting or do u have any tips? i have an idea for a fanfic not mcyt related but im terrified ill write the fight scene poorly as it makes up a majority of the fic.
Fighting and fight scene tips! I have a couple I guess! The tricky thing is fight scenes are really subjective. It's hard to give a "and here's all the puzzle pieces you need for a good one" kinda answer. But I can at least tell you the stuff I think about while I'm writing.
You know the drill, writing tips under the cut:
1. Research
I feel like I put this on every tip list. Research the thing you're doing. The Internet is your greatest friend and confidante. Look up YouTube videos of fighting competitions. Look up the weapons your characters are using. Figure out how many bullets are in the magazine for the gun type your character is using. Research how far you have to be to survive that explosion. Figure out if the cool sword breaker was actually useful in combat and why. Get a reasonable measure for how much blood your blorbo can lose before they pass out. This will help you paint a clear picture for yourself about what needs to happen, and why. Your readers don't necessarily have to have that clear picture, but the more you, the writer, know, the more likely you are to write a consistent, understandable narrative.
2. Character POV is important!
What does your character even know about fighting anyway? <- the most important question to ask of your POV character. This establishes what your character can tell your audience about what's going on. Has your character never fought before? Are they familiar with the weapons used? Do they know counters for fighting styles? Do they even know how to throw a punch? Do they have a high pain tolerance? These things will inform how the character informs us, the readers, about what's going on. Generally speaking, lack of consistency is what makes fight scenes frustrating, in my opinion. Sitting there and going "hey wait, how did that teenager know better battle tactics than the general they're fighting?" Takes you out of the moment and ruins whatever cool thing that teenager just did. Going "hold on, what do you mean the sniper didn't realize he was out of bullets?" Does the same thing. Keeping the characters consistent stops your readers from questioning the validity of the scene.
3. What can your readers see, and is it the same as what the characters see?
Similar to above, but a little more meta. Fight scenes are often played for drama. You're putting the character in peril, and that peril is for a reason: to make the audience have an emotional response. Can the readers see an ambush because of your 3rd person omniscient perspective, but the characters can't? Is that a good thing? Will it ruin the shock and surprise of the ambush, or will it induce dread and up the stakes? The enemy has a poisoned sword. Is this obvious to the audience in a way that isn't for the character? This is playing with suspense in a fight, adding and subtracting stakes for the readers, and it needs to be balanced against what the characters know.
I'm mentioning this as a thing because revealing your hand to the audience can be a really interesting way to add suspense, but if the audience feels like a character should've been able to see it coming [ex. How come the assassin didn't anticipate someone poisoning a blade during a fight?] it ruins the immersion of the scene, and makes it feel like you the author are shoving the characters in a direction. Generally speaking if the readers can see the hand of the author moving, it breaks immersion.
[Notably, I don't write in 3rd person omniscient. I write in 3rd person limited. I don't often have a chance or reason to reveal information to the audience that the main character doesn't know, because the audience is observing the world through that character.]
4. What are the guys in the back doing?
Everyone knows the Main Character has to fight the Antagonist at some point, but normally the MC isn't alone. They have friends and allies, or their pet dog. They have a supporting cast, and that supporting cast wants to help the main character. So... where are they exactly? A pitfall I see in Big Final Fight Scenes pretty often is, the MC brings an army, or their crew, or their super friends or whoever, and yet somehow, they end up fighting the bad guy alone, and the writer just... Doesn't address the other people in the room. And you the reader are left going, "Wait, why is no one intervening?" This gets especially immersion breaking when the main character inevitably starts losing their fight [because drama, few fights are easy]. Our MC might die! Why is no one trying to run even a basic distraction on the Antag? This isn't to say you have to have your supporting cast get involved in the final fight -- sometimes you need that solo showdown! But you do have to have a convincing reason to keep the rest of the cast away. If we the readers are under the impression there's six other people in the room just standing there, because you the writer forgot they were there, it gets kinda awkward.
5. Zoom in! Feel it. Zoom out! See it.
Okay so, you now know: Basic information on how your character(s) fight, what your POV character(s) know, what the readers can see (either the same or different from your characters), and you know where everyone is and what they're doing. You have your god's eye view ready. How do you show it?
Zoom in, zoom out.
There is a balance to fight scenes, in about the same way there is a balance to an art piece. There is a foreground, middle ground, and background. Each have importance, each need focus. The foreground is what is happening immediately in front of your POV character, it's their thoughts, what their weapon feels like, any wounds they've taken. It's bullet time, and observations, and right in their face. The middle ground is the surrounding 5-10ft. It's the people beside them, it's what's just past their opponent. It's the rest of the room, or the sound just out of view, or the object just out of reach. The background is everything past that. It's distant explosions. It's their friend getting wounded. It's an archer on the next rooftop.
How much of that you want your audience to see, how you want to vary that, depends on what you as an author view as important. If you want to focus more on the character, their struggle, their opponent, you will write most of the fight scene in the foreground. Focus on what the character feels, the sensation of movement, the pain, fear, exhilaration. Focus on the words they're saying [or not saying]. Focus on what they know, what they're telling the audience. If you want to highlight the battle, how the main character is working in their surroundings, you will focus on the middle ground. This is what the character looks like from an outside perspective, how they fight against their opponent. This is them trying to reach an item, or shove their opponent into something. This is running, and kicking, and trying to figure out if your friend is still by your side. This is seeing your comrade go down out of the corner of your eye, or admiring someone's fighting style, or screaming orders at someone. The background is anything further away, a distant problem that is putting on pressure. A ticking time bomb. This is the building catching fire, the lightning in the storm overhead. This is superman fighting off the alien army while your MC is trying to kill the general. This is you reminding the audience the rest of the world hasn't stopped turning while the MC has been doing MC things.
Generally speaking, I like to move through all three spaces several times during a fight scene? The main character is hurting and holding onto their sword, and breathing is hard. The antag is pressing the advantage, trying to back them through the space. But they can't lose too much ground, because their friend is fighting the second antag over there, and they're bleeding from a fresh cut. They have to win, they have to escape, because the sound outside says the building is groaning on its foundation-- and the main character stumbles as the building rocks. [And I've just moved through all three types of ground, giving the audience a clear view of what's happening].
You don't have to bounce reliably through the space. Not showing the background for a long time means you can surprise your audience with a new hero or villain swooping in! Or leave us in suspense about that magic ritual we're supposed to be stopping. Not showing a middle ground side character implies your MC is so distracted they won't know their friend is hurt until it's too late -- etc.
If it helps, I like to imagine there's a little invisible camera panning around, taking dramatic shots of everything, like you're making a movie, and writing accordingly.
Uhm!! Hopefully that's helpful?
Some broader quick tips:
Fight scenes are very fast, and generally happen over a period of a few minutes. That time will feel significantly longer because it's jammed packed with Stuff Happening, but the fact remains, it's only a few minutes. Keeping the timing in mind helps you figure out if backup can arrive to help, or if it's reasonable for someone to miss the fight happening, etc,
On that note, if it's a battle specifically, battles [especially medieval ones] are short. They don't last all day, unless they're a siege, and even then, sieges are long periods of digging in and waiting with short clashes peppered around.
This might just be me, but try not to overuse metaphors? We get it. The swordsmen look like they're dancing. But not everything they do is graceful or dancer-y. Sometimes you can just say "and he punched him in the face." Unless your writing style is naturally super flowery, in which case, do continue. Consistency is key.
Do some basic research on wounds. Suspension of disbelief can only carry so far, and pain is genuinely debilitating. Also, yes coughing up blood is a very dramatic "the character is dying" cue, but in real life it only happens on very bad lung/throat wounds. If what you're writing is Super Realistic, maybe don't throw that in there.
Write confusion with care. You might not want your audience to know what's going on all the time, but if your audience genuinely can't figure out what's going on, why something is happening, or who it's happening to, you will eventually lose your immersion.
Write comedy with care. If your fight is non-serious, or if your character in a serious fight doesn't normally take things seriously, jokes are allowed to happen. But sometimes if you don't take it seriously enough, you will chop the knees off your drama. Maybe save some of the jokes for after the life-threatening battle is over.
I think! That's everything I can think of just now! I hope it helps :'D
79 notes · View notes
jo-harrington · 2 months
Text
So what kind of medal do I get in therapy this week when I talk about the realization that Eddie Munson is the first blorbo where my OC/Readers have saved themselves instead of being saved?
Store Manager moved away from home for her career, Knight ran away for her freedom. The Waitress decided that she was done pining for someone who wouldn’t want her. Port Geneva Reader finally decides she’s worthy of being the Main Character. Unnamed Futuristic Reader/OC (AU classified) does the unthinkable to save herself and others from peril.
When did I decide that I was tired of waiting to be saved and I was just worth the effort to save myself?
25 notes · View notes
thefloorscrubber · 3 days
Text
Click > His Teeth are naught but Fangs
Rating: Teen And Up Audiences
Archive Warning: Creator Chose Not To Use Archive Warnings
Category: M/M
Fandom: The Hobbit - All Media Types
Relationships: Bilbo Baggins/Thorin OakenshieldMinor or Background Relationship(s)
Characters: Bilbo Baggins, Thorin Oakenshield, Fíli (Tolkien), Kíli (Tolkien), Dwalin (Tolkien), Balin (Tolkien), Glóin (Tolkien), Dori (Tolkien), Nori (Tolkien), Ori (Tolkien), Bifur (Tolkien), Bofur (Tolkien), Bombur (Tolkien), Frodo Baggins, Hamfast Gamgee, Gandalf (Tolkien), Rivendell Elves, Elrond Peredhel, Lindir (Tolkien), Mirkwood Elves, Thranduil (Tolkien), Legolas Greenleaf, Men of Dale and Laketown, Bard the Bowman
Additional Tags: Alternate Universe, BAMF Bilbo Baggins, Sassy Bilbo Baggins, Bilbo Baggins Saves the Day, pretty much, Bilbo Baggins Destroys the One Ring, not a mary sue!, Young Frodo Baggins, Thorin Broods, Thorin Is Not Amused, (none of them are) Thorin Oakenshield Needs A Hug, Poor Balin (Tolkien), Good Friend Dwalin (Tolkien), Fíli and Kíli Are Little Shits (Tolkien), and that's why Bilbo loves them, Brothers Dori and Nori and Ori, Nori Being Nori (Tolkien), Dwarves are Damsels in Distress, Worried Dwarves, Overprotective Dwarves, Hamfast and Frodo are going too in this trip (and it's going to make things more harder /wink/), Fíli and Kíli are absolutely going to recruit Frodo to prank others, and Bilbo is absolutely going to (gently) berate them whilst he stops them, Tags May Change, Rating May Change/wink wink nudge nudge/ no promises :), I have no clue how this fic is going to end, by that I meant Idk if it's a good or bad ending, but most likely bad ending since I like angst, but I want my blorbos to live a happy and perfect life.., but I want them to suffer, no beta we die like Smaug
Language: English
Summary:
"It is unwise to force a tree to give its bark." His voice turned into a low echo. Their heads snapped immediately towards his direction, searching for the source of his voice. "If someone forced you to give your body, you wouldn't like it either, would you?"
Hobbits weren't the simplest of creatures. Though the only thing they desire is comfort and peace, if they do not find it, they will do whatever it deemed to achieve it.
So presume to the tale of Bilbo "Old Mad Baggins" Baggins, a Leaf from Yavanna, to a land he had long not laid eyes upon, and a journey of peril; one of which comes to a price to pay for something he hadn't felt ever in his life, whatever would be of him once he finds the Adventure to his Took?
Only the blind can see.
12 notes · View notes
Text
WIP Wednesday
Hi, hello. I haven't been active in a while. Truth is that I'm in my exam session, and a lot is happening in real life and I'm overwhelmed. However, @bostoniangirl21 tagged me last week and sharing my love for writing with you guys always puts me in a better mood! So here is a little snippet of Chapter 3 of 'Hymn of the High Seas' that I managed to write while I was still on vacation! Also, @sheirukitriesfandom tagged me to make some ocs with this picrew, and I'm using this post as a combo😆. Thank you guys so much for the tags, they really make my day <3 <3
I'm tagging @sheirukitriesfandom and @bostoniangirl21 back and also @bougainvillea-and-saltwater @kiir-do-faal-rahhe @dirty-bosmer @thelavenderelf @illumiera for either the wip, the picrew, both or none, whichever you want, of course. 💖💖
~
“IT’S HER! THE ONE WHO ESCAPED FROM STROS M’QAI! SHE FITS THE DESCRIPTION!” someone shouts, catching Signe’s attention and sending her mind spiraling into madness with fear, desperation and guilt of dragging Rhaim with her into this doom. Several Thalmor surround them, far too many to fight, even as a team. Signe’s letting herself get distracted, feeling almost paralyzed with fear. ‘Not them. I’ve dragged my crew into peril before we even set sail.’ she thinks, but her thought bubble is violently popped by arms capturing her, making her drop her scimitar to the ground. 
“WE’VE CAUGHT THE DISGUSTING WORM!” A Thalmor shouts right by her ear, so hard that it’s now ringing. “You’re ours now, disgusting, filthy Nord! TAKE THE REST OF THEM ALONG! More practice dummies for our torture adepts-” is all he gets to day before his head gets cut off, falling to the ground with a haunting thud, rolling somewhere away. The others have little time to react because blades cleave through them like a reaper's scythe through a field of fragile blossoms, leaving behind a trail of blood and death. Thalmor bodies start falling around them, setting them free, and in the end, a cloaked figure stands with two katanas unseathed and arms open. The cloak is not like the rest of the thieves', signaling that whoever this is, is not with the Guild. Like fine silk, black robes fall on broad shoulders. The figure raises his head, showing a glimpse of fair skin and pale, pink lips.
“They’re looking for you. Why?” he asks, voice deep and an accent that Signe’s never heard before.
“We escaped Stros M’qai.” She says, panting, and the man finally lifts his gaze, piercing grey eyes looking at her from under a fringe of fine ebony hair.
“Wasn’t hearing things after all.” he huffs, the faintest hint of a smile gracing his lips. “Come with me. All of you.” he says swiftly, and starts moving through the crowd.
The crew exchange glances, silent agreements quickly passing by each and every one of them, and Signe starts catching up to their mysterious saviour.
~
Hmmmm, who could this mysterious saviour be? A new oc that I'm obsessed with, of course! He's Akaviri, and his name is Renjiro. Unfortunately, he's only going to be a secondary character in HOTHS, but he will appear more times throughout the fic!
And for the picrew, I chose to make him!! Look at my boy!
Tumblr media
I have another oc that I made with this picrew, which is Edward!! He will be a crew member, and he's a sad blond blorbo (I have to have at least one sad blond blorbo in each project of mine apparently). Also, the hand that cups his face? It's a certain crewmate :D!
Tumblr media
15 notes · View notes
wolfeyedwitch · 4 days
Note
1, 16, 19
What are your favorite whump tropes? Caretaker new whumper! When the whumpee doesn't know/realize they've been rescued and just think they've gone from one whumper to another? That's my JAM. Misunderstandings, trauma, hurt/comfort, you have so many options for where to go with it!
16. Do you have any whump media recommendations (whump blogs, books, movies, etc.)?
19. Who are your favorite whump bloggers? Tag them!
I'm answering these together because they're connected! Most of the "whump" I see in mainstream media just goes from "hero in peril gets rescued in the nick of time" to "hero is now back at work like usual" which skips all the good parts! There's some amazing whump on Ao3, but that's highly fandom dependent, and also easy enough to search for by looking for "(insert blorbo of choice here) whump" in the tags.
The best whump I've seen is really here on tumblr, with some of the amazing writers here! I'm going to list a few of my favorites, but there's just so much good stuff out here.
@ashintheairlikesnow is amazing at BBU/pet whump and has many series that are focused on healing after that trauma. I have a special love for the Vampire Chris AU 🥰
@secretwhumplair has multiple amazing stories. The monster of Lindborough is finished and is some fantastic fantasy whump with a werewolf whumpee and whumper-turned-caretaker. I also really love Royal Arms and No Warrior.
@whump-tr0pes also has multiple amazing stories, but the one I've actually read all the way through (so far, though others are on my reading list!) is Lux in Tenebris. Demon whumpee, angel whumpers, angel and human caretakers. Lots of misunderstandings and religious trama
@whumpwillow has a villain whumpee story called Hazeshift and an urban fantasy whump called Demon's Haven, and I would absolutely recommend both.
There are so many good ones and I'm sure there are some amazing ones I can't think of off the top of my head, but I hope this gives you some ideas!
8 notes · View notes
cerayanay · 10 months
Text
As the #1 cassandra swift stan this episode was EVERYTHING to me! We got drama, we got her in unknowing mortal peril! All eyes were on MY GIRL this ep! It’s MY GIRL’S well being we’re risking the world for! Idgaf about anything but attention on my Blorbo. AND! AND! We got HER EX HUSBAND begging on her doorstep to take her back??? This is exactly what I needed! Now I just need her to kill willy, AS IS HER RIGHT!
51 notes · View notes
materassassino · 3 months
Note
Luke Skywalker, 7 & 8.
yesssss blorbo from my shows
7. What's something the fandom does when it comes to this character that you like?
Actually gives a shit about him (lmao Disney whomst). Sees him as rightfully gay. Remembers what he actually stands for. They give him something to do and they make him say the right things, always extending a hand to those who need it, never turning away from those in peril. They remember his core is kindness, that he's smart and resourceful and a little bit bratty.
8. What's something the fandom does when it comes to this character that you despise?
Either demonising him to the point of just completely misunderstanding him, ignoring him OR just... piles of OOCishness. If he starts crying in a fic I will back-button immediately. This is a man who shed a single, stoic tear over his own father's funeral pyre (yes, I have written him as crying... directly over Padmé's goddamn tomb after seeing her ghost). I really REALLY hate it when they compare him to Leia and laugh about him being a farmboy as if that's a bad thing and Leia wasn't handed over to actual royalty with every possible advantage in life and he was literally farming moisture from the air to survive. He's not fucking stupid.
Character ask game!
7 notes · View notes
space-writes · 7 months
Text
find the word tag
tagged by @ahordeofwasps, thank you! my words are care, call, center, and corrupt
i'm going to break tradition and search in my recently finished fic book, The Perils of Wanting because it's with my beta right now so i'm not allowed to edit it but it's rotating in my brain constantly
tagging @serenanymph @foxboyclit and @vollzz with the words pining, soft, awake, and open (fox i just want to see you post more writing ngl. am i fishing for blorbo snippets? maybe.)
care
Besides, he’d long ago proven to himself that care like that was beyond his capabilities.
call
“You’re not supposed to come in on red.” River ignored him and slipped into the playroom, nudging the door further open as he did. “My Master’s only gone with Ms Thorne for a minute, he’ll be back soon.” It still thrilled him to be able to call Rizeth that, and he tried not to smile like an idiot at the possessive delight that shot through him at saying it.
center (or centre, because i write in british english :p)
He followed her to the back room, whose walls were hung not with belts, bracers, and armour, but manacles, harnesses, and hoods. The same solid oak workbench still dominated the centre of the room, stained and scratched with age. Alys laid out the pieces she’d made for him and stood aside. One hand sat confidently on her hip while she chewed at the thumbnail of the other.
corrupt
nothing for this one
(also i know obedience doesn't have a taglist and sorry for unprompted tagging, but i also know not everyone from obedience-land follows this sideblog, so: @britta-ashcroft @exe-cutivebird @lawful-evil-novelist @everybodyloveshippos i figure you will enjoy these snippets)
13 notes · View notes
Text
this chapter has EVERYTHING. hot vampire women, dracula declaring he too can love, johnathan thinking about his own fictional blorbo, mortal peril, johanthan thinking about mina, homoeroticism, the words 'suck my blood' finally getting said, the list goes ON. 10/10 no notes
196 notes · View notes
moonlarked · 1 year
Text
Characters I have had connections/hyperfixations on throughout my life (aka my blorbos) in chronological order:
Firestar (warrior cats)
Moonwatcher (wings of fire)
Peril (wings of fire)
Percy Jackson (pjo)
Sophie Foster (kotlc)
Wanda Maximoff (mcu)
Sophie Foster (kotlc)
Horatio (hamlet)
33 notes · View notes
i-did-not-mean-to · 1 year
Text
Fic-year in review
Tumblr media
Thank you @cilil for tagging me. I've taken some days so think about it...so, here we go.
Tumblr media
Rules
post the top 5 works you're most proud of that you released in 2022 (not necessarily your most popular)
your top 4 current WIPs that you're excited to release in the new year
your top 3 biggest improvements in your writing over the past year
your top 2 resolutions (ways you wish to improve your writing/blog) for the new year,
and your number 1 favorite line you've written this year!
Tagging: @lordoftherazzles, @laurfilijames, @last-capy-hupping, @lathalea, @polutrope, @cuarthol, @heilith, @mismaeve, @scyllas-revenge and everyone else who wants to do this. (Again, I've tagged a few people who I think might tag all the others :) )
Tumblr media
Five works I'm proud of
The Silm/Hobbit crossover because it shows the change I've undergone this year. (Maglor & Ori)
Sic vita est because it is - in my opinion - one of the best representations of who I am as a writer. (genderbent Fëanorians, multi-ship)
Some say the world will end in fire because it was one of the hardest things I've ever written. (In-universe Russingon with a twist)
Blood because it is very different from what I usually write as well. (Vampire Elves)
Song as old as rhyme because it proves that I can update and adapt my HCs and the way I write characters according to new stuff I wanted to try out.
Tumblr media
Four new WIPs I am excited to release next year
My (as of yet) untitled MSV fic (I am sweating bullets over it, but I am giving it my best shot)
My art exchange fic with @sortumavaara (Glorestor)
My calendar fic for @frosticenow's calendar event
Different Disney/Musical AUs where I don't know yet which one will make the cut. Depends on how I feel and what people would want to see the most.
Tumblr media
Top three improvements
I've taken part in about every event I could get my hands on and I've worked hard on overcoming (or at least challenging) my profound fear of being impertinent by being everywhere all the time.
I don't know if that is an improvement (some people might disagree), but I've taken on a whole slew of new characters. I now write canon x canon, LGBTQ+, queer smut, and an alarming number of elves and Valar.
I have ventured into new (and sometimes uncomfortable) styles, genres, tropes this year. I've dared trying to write some really explicit smut and some profound angst for example.
Tumblr media
Top two resolutions
Actually finishing something (really, I just want to bring 1! of my longfics to a close without it fizzling out, lol)
Furthering my nefarious AU propaganda...and maybe letting people in on a broader All-Tolkien (timeline what timeline) AU where I get to play with ALL my blorbos.
Tumblr media
Favourite line
How easy it had been to give up the crown of fire and wrath and hand it over to temperate wisdom instead; he could never have been the king Fingon had become and his ultimate failure to defend the one who had shielded him through perils galore was a proof of his ineptitude too terrible to bear.
(I chose one at random, even though I dare say that my favourite line is probably: I love you)
Masterlist
Ao3
Lots and lots of love from me!
33 notes · View notes