the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
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A character looks straight into the camera and says "I'm not interested in romance" and people will still say "No, it's not confirmed they're aromantic!!!" "They could change their mind!!!" "it's a challenge for them to overcome!!!" "They'll have character development that makes them fall in love"
It's like they are given the most blatant answer to a character romantic orientation and they actively ignore it. all the while all it takes is subtext for people to speak as if it is fact for a character to be any other sexuality.
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absolutely insane that mike literally p a n i c k e d when will was like "well what about us?" because will wasn't even really making things gay he was honest to god just inquiring about the state of their estranged friendship and wondering why mike didn't make time to talk to him when they're supposed to be best friends but MIKE was the one having an aneurysm like "🏳️🌈⁉️ W H AT!!"
“WE'RE FRIENDS” “i know mike” “WE'RE!!! F R I E N D S!!” “right so why don't you call me — ” “I HAVE A GIRLFRIEND” “… that in no way answers my question"
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van helsing, immediately after meeting arthur: omg you are soooooo strong and manly and handsome *twirls hair* your blood must be the specialist and most powerful of them all 🥰🥰🥰 you are better in every way than my friend john, who is standing right beside me and can hear every word i say.
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man i can’t believe i tuned into the last of us tonight expecting “horrifying mushroom trauma round 3″ and instead i got “tender and moving gay love story about finding happiness amidst the apocalypse” instead
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Two statements can and should coexist:
1. The Hunger Games movie adaptations are kind of reproducing the very "violent spectacle as mass entertainment/fascist or capitalist propaganda" that the books are warning us about.
2. The books were always published for entertainment purposes! They're meant to be good and fun to read and gripping! It's okay to laugh when a character makes a joke! It's okay to enjoy watching the movies without following it with a Communist Manifesto-sized warning like we KNOW
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"I couldn't get the boy to kill me, but I wore his jacket for the longest time."
Richard Siken, "Little Beast", Crush
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being a companion's bf must be so annoying. like this is me, this is my girlfriend, and this is the alien from outer space who lives in a blue box and drags her around on fantastical, life-threatening adventures that she considers the single most important person in her life, above all others. her emotional support time lord, but also the guy who she's inexplicably & inextricably intertwined with on a level that you will never come to comprehend
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I really truly, from the bottom of my heart, hate you bitches so much, because on the tiktok of literally COCK AND BALL jokes w brittany broski, there were a few notes/messages like this:
And I KNOW you don't think anyone's going to check. You had someone go into your askbox and say "hiii brittany broski is shitty about palestine she's really ignorant :/" and you went oh omg I didn't know!! thanks for telling me!
So I checked! This is in reference to her talking in her podcast, because people were asking why she hadn't done any big press statements about Palestine, you didn't retweet this or that, you must not care, don't you care, what's your stance, etc etc please say more
OKAY COOL. So what's going on there? What did Brittany say on her podcast? Is she a Bad Person? Can I have some transcript, please?
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"Hey guys, before we get into this week's episode, I want to talk to you about the ongoing and prolonged suffering and loss of life in Gaza, in Israel, and the oppression of Palestinian people widespread. I don't ever want it to be a question that I would ever not be against the oppression of any group of people, that I would ever stand on the side of the oppressor."
"There was a lot of fear of misusing my platform." ... "I will admit that I was nervous to talk about it, because I don't want to say the wrong thing. And this is too fucking serious of an issue to misspeak, or to spread misinformation, or to speak over or for someone." ... "So I want to take a moment on my biggest platform- which is this podcast, to say that I stand with the people of Palestine, I stand for the liberation of Palestinian people." ... "Every day, to log on to social media, and be just inundated with graphic, unimaginable violence, and loss, and grief, it's just--There are no words." ... "And I feel helpless. That's part of it too, when you feel helpless, the last thing you want to do is talk to people about it-- but visibility is a resource in and of itself. And I can offer that."
... "The outpouring of rage and passion online, and anger at what's happening, I would argue needs to be dedicated and focused on our elected officials. We live in a democracy- albeit an inherently flawed one- we live in a democracy where we have elected officials who were elected and put in power to represent us, and if we feel misrepresented, if we feel underrepresented in foreign affairs? These officials have public phone numbers and emails. There are scripts available online to express your disdain and your rage, and unfortunately that's one of the only ways we'll see actionable change."
"If you expected more from me, it's a terrible feeling- but I don't want to center myself, this needs to be all eyes on Palestine right now, where the real activism is happening.
I would encourage you to follow journalists that are on the ground, people who are in Gaza, we need to be listening to them.
I would also hope that we're at a point in this conversation where I can express my desire to stand in solidarity with the people of Palestine and that NOT meaning or suggesting or condoning anti-Semitism of any kind. There's a rise of anti-Semitism and islamophobia in the United States and it's just-- it's disgusting, and it's scary, so I want that to be said too. I just wanted to share that I am experiencing part of this collective sense of helplessness and hopelessness-- but it DOESN'T HAVE to be hopeless.
I'm going to include a phone number in the description of this episode where, if you don't know the name of your senators or your Congressman, it's never too late to learn, and you can reach out to them."
_______
Hm. What a bitch!! Yeah, just so ignorant and uncaring. Obviously she's not keeping up with anything. Should've retweeted more shit ig!
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one of a kind living in a world gone plastic
baby you're so classic
@most-tragic-character-tournament
(all my thoughts in the tags)
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I've been seeing a lot of posts lately talking about how no one comments/reblogs/replies/etc anymore, and, as someone who comments regularly on a lot of fanworks, it sometimes makes me wonder if my efforts are worth anything. Then I remember how much happiness I get from comments on my own work/posts and how much the community of fandom can matter, and I remember the power that can be found in spreading joy instead of disappointment.
So -- to everyone who comments on fanfiction: thank you. You make the writing process worthwhile and so very rewarding. You make people happy every day.
To all the people who reblog art and gifsets and meta and anything else with enthusiastic tags: thank you. You make people smile and promote interesting conversations and make being on Tumblr so much more fun.
To anyone who sends people asks about their works, whether it's unprompted or part of an ask game: thank you. You give people reasons to talk about things they love and feel like a part of a community.
To the people who makes reclists: thank you. You give us more to read while showing the author how much their work is loved and appreciated, benefitting so many people.
To everyone who organizes events and groups and blogs and dedicated to fandom: thank you. You build community and love and excitement so effectively and it's wonderful.
To all the authors and artists who respond to comments and build community: thank you. You make people smile with your work and then again with your response.
To everyone who contributes to fandom and community in all the other beautiful, varied ways that I can't even begin to list: thank you. You are why we're here.
And, finally, to every writer, visual artist, gifmaker, cosplayer, maker of edits, writer of meta, or creator of art in any other form: thank you. Your work is wonderful and you make fandom what it is, regardless of who sees your art or how much response you recieve.
Keep going, everyone. You are a part of something beautiful.
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I become 300% more of both a lover and a hater when I'm on my period. just a time of the month when I have strong opinions I would say
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by far the worst take i've seen so far post-ep19 of Junior Year is that having a week-by-week live play would have allowed fans to essentially influence the direction of the story in the way they want it to go and that would have resulted in the cast being more sympathetic to the Ratgrinders (ie getting them a redemption arc)
why do you feel the need to try and control this story? YOU ARE NOT THE ONE TELLING IT. if you want to tell a story please go write your own, or go write fanfiction to cope or whatever but you don't get to say that the players are telling the story wrong when it's their story they are telling
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Something about the way people talk about Solomon's dismissal of his vulnerability rubs me the wrong way. (I don't have any specific examples, I'm just gonna hope you know what I'm talking about lol.)
I've never seen anything inherently mean, but I have seen comments that seemingly take offense to his "just kiddings" when he expresses his feelings, whether it's romantically or talking about past hardships... And I couldn't pinpoint what it was that confused me about the fandom's responses to that until now.
What Solomon is going through in moments like those is a trauma response. And yes, while trauma responses aren't always beneficial and can sometimes be hurtful to others or the person responding that way themselves, reacting with "negativity" to said responses just makes it worse.
Solomon has an avoidant attachment style, which means he struggles with opening up and being genuine in his feelings even if he wants to. I, myself, am the same way. More often than not, I also follow up a heavier topic with "I'm sorries" or "just kiddings." The thing about this, is it's not meant to be malicious. So, when I see people taking Solomon's comments as if it's a slight to them, I just...??
I can almost guarantee that if those comments where said to him right after he'd attempted to open up, even if it had good intentions, it'd probably make him want to close back up completely. Because there's no patience to his avoidance, no acceptance to why he behaves that way. There's just this perception of not being understood or that his feelings/thoughts aren't safe. It just feels like he's not allowed any grace.
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perhaps unpopular but while I do agree the EXU interlude likely killed some of the momentum, I also...don't mind that the party didn't talk much this episode? I feel like the start of the episode created an opening that not everyone took, though we did have some good moments, but also, for all I adore episode 2x30 and 1x69 re: wake of a character's death, and i do think 3x92's first half was very strong, it feels very right and in-character that Ashton isn't ready to talk about it (and that Dorian isn't really talking yet either).
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