Tumgik
#paul montague
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
The Way We Live Now (2001)
Episode 1
91 notes · View notes
riversofmars · 6 months
Text
Tumblr media
Happy Birthday to the one and only Paul McGann. My Doctor <3
169 notes · View notes
autismmydearwatson · 11 months
Text
Attention Transsexuals
You DO NOT have to bind/pack to be who you are
You DO NOT have to be on hormone therapy to be who you are
You DO NOT even have to define yourself with a clear-cut label to be who you are
But you DO have to:
Point out random fictional characters and say "that's gonna be me someday"
107 notes · View notes
silverfoxstole · 6 months
Text
Tumblr media
Paul McGann and Jaye Griffiths at the recording of Audacity back in March/April. From the Big Finish website.
28 notes · View notes
escapismthroughfilm · 2 years
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
#32
186 notes · View notes
nordleuchten · 8 months
Note
Hello! I hope you’re having a wonderful day.
I was wondering if you had any idea on where to look for informations about the Noailles family.
The only sources I could find was Adriennes biography, and Anything that had to do with Lafayette. So wondered if you knew of any other materials I could take a look at. (Maybe about Adrienne’s sisters, parents, or cosines, other relatives etc.)
Dear Anon,
I have to make a confession – the Noailles-family never has captured my interest quite *that* much and therefor my answer may be a bit limited. Then again, there has been a lot less published about the Noailles-family then about the La Fayette-family.
You mentioned that you had a look at biographies about Adrienne – I do not know which ones you consulted; maybe you already know some of the ones I am going to suggest.
La Vie de Madame de Lafayette is a book that Adrienne and her youngest daughter Virginie co-authored. Adrienne wrote the first half of the book about her mother, de Duchess d’Ayen, and Virginie wrote the second half about Adrienne and then went on to publish the book after her mother’s death. While La Fayette is mentioned in both parts, he is only a minor character in this book.
Anne-Paule-Dominique de Noailles, Marquis de Montague (the title varies sometimes a little depending on the edition and/or the translation) are the Memoirs of Adrienne’s second youngest sister. Anne survived both her sister Adrienne as well as her brother-in-law La Fayette and died in 1839. The book gives great insight into her life.
Madame de Lafayette and her family by Mary McDermont Crawford is an old book that deals in large part with the La Fayette-part of the family – but the Noailles-part is represented as well, even some of the more “minor” members of the family.
I also would suggest the Memoirs of the Comte de Ségur. Now, I do not use his Memoirs as often as I could, but since Ségur was a family friend both to the La Fayette’s as well as to the Noailles’ I believe that there should be something in his Memoirs.
I know that the Archive in Geneva has a few letters from and to the Duc d’Ayen and his second wife, Adrienne’s step-mother, but these letters are hard to access online.
Now, if you are really interested and do not mind a bit of digging, I can recommend the letters of La Fayette (especially the earlier letter that we have) and of John Adams (when he was ambassador in France). Both had a lot of contact with the Noailles and either wrote to members of the Noailles-family directly or mentioned incidents of the family live as well as, in Adams case, commenting on the family members and their behavior/opinions/etc.
It is not much but I hope that you can use this at least as a starting point. I hope you have/had a wonderful day!
13 notes · View notes
thedoctorwhocompanion · 3 months
Text
Reviewed: Big Finish's Eighth Doctor Adventures -- Audacity
Reviewed: Big Finish's Eighth #DoctorWho Adventures -- Audacity
As of writing this review, social media is awash with the expected snark, speculation, suspicion, simpering, snipping, and cynicism over the new Doctor’s new, new companion. It therefore feels pertinent, and positively cricket, to assess one of the new companions to the Big Finish Doctor Who collective. I aim to buck social trends and provide no snark, speculation, suspicion, simpering, snipping,…
Tumblr media
View On WordPress
3 notes · View notes
tickle-me-dalek · 6 months
Text
Tumblr media
OH MY GOD I CAN'T BELIEVE IT I AM SCREAMING!!!!!!!11
I am so incredibly excited I barely know where to start ahhhh!!
4 notes · View notes
oooilovethatmovie · 3 months
Text
Tumblr media
Romeo + Juliet
“No, sir, I do not bite my thumb at you, sir, but I bite my thumb, sir!”
“Maybe I’m just like my mother, she’s never satisfied”
“For never was there a story of more woe…”
Absolute favorite Romeo and Juliet ever. Amazingly translated visuals while keeping the original text relevant. Everything about this movie I will never get over.
When they pulled out a gun and called it a sword? I was done—and they hadn’t even introduced the infamous pair!
4 notes · View notes
hanitje · 1 year
Text
Tumblr media
Toll Trees
10 notes · View notes
marleneoftheopera · 5 months
Text
Holiday Audio/Video Gifts!
For the holiday season, here are some audio gifts from various shows and one Phantom video! The link to them is here and the info is below the cut:
Happy holidays and I hope you are all having time for some rest!
Audios
POTO
Jon Robyns, Paige Blankson, Joe Griffiths-Brown, Kelly Glyptis, Matt Harrop, Adam Linstead, Francesca Ellis, David Kristopher Brown, Maiya Hikasa August 22, 2023; London
Tim Howar, Harriet Jones, Nadim Naaman, Lara Martins, Nicholas Garrett, Arvid Larsen, John Ellis, Valerie Cutko, Kelsi Boyden March 19, 2023; Greece
Josh Piterman, Corinne Cowling (u/s), Danny Whitehead, Katy Hanna (u/s), Ross Dawes, Kris Manuel (u/s), Sophie Caton (u/s), Paul Ettore Tabone, Georgia Ware October 17, 2019; London ​Matinee.
Jeremy Stolle (u/s), Samantha Hill, Greg Mills (u/s), Michele McConnell, Richard Poole (u/s), Tim Jerome, Ellen Harvey, Christian Sebek, Kara Klein, Scott Mikita (u/s) March 9, 2013; Broadway Matinee performance.
John Owen-Jones, Deborah Dutcher, Matthew Cammelle, Bruce Montague, Charles Shirvell, Margaret Mary Kane (u/s), Janet Murphy, Jeremy Secomb, Lucy Middleton January 5, 2002; London
Love Never Dies
Tam Mutu, Celia Graham, David Thaxton, Daniel Dowling August 25, 2011; London Tam Mutu's last performance.
Les Miserables
Christopher Jacobsen (u/s Jean Valjean), Stewart Clarke (Javert), Katie Hall (Fantine), Will Callan (Marius), Lulu-Mae Pears (Cosette), Amena El-Kindy (Eponine), Luke Kempner (Thenardier), Claire Machin (Madame Thenardier), Dejan Van der Flyert (Enjolras), Alex Shaw (Gavroche), Clohe Sullivan (Little Cosette), Tom Hext (Grantaire/Majordomo), Adam Pearce (Bishop/Claquesous), Ellie Ann Lowe (Factory Girl), Jordan Simon Pollard (u/s Foreman/Bujon), Matt Dempsey (Bamatabopis/Lesgles), Annabelle Aquino, Hazel Baldwin, Emily Olive Boyd, Ben Culleton, Matt Hayden, Sam Kipling, Anouk Van Lake, Harry Lake, Ben Oatley, Jonathan Stevens, Phoebe Williams, Ollie Wray September 28, 2023; London 15,000th show in London and the 5th show for the new company.
Sunset Boulevard
Nicole Scherzinger (Norma), Tom Francis (Joe Gillis), David Thaxton (Max von Mayerling), Grace Hodgett Young (Betty Shaefer), Ahmed Hamaad (Artie), Tyler Davis (Sheldrake), Charlotte Jaconelli (Johanna), Jon Tsouras (Cecil B. de Mille) September 28, 2023; London
Rebecca
Laureen Jones (I), Richard Carson (Maxim de Winter), Kara Lane (Mrs Danvers), Sara Harlington (Beatrice), Neil Moor (Giles), Piers Bate (Frank Crewley), David Breeds (Ben), Alex James Ward (Jack Favell), Shrley Jameson (Mrs Van Hopper), Nicholas Lumley (Colonel Julian) September 27, 2023; Off-West End
POTO Video
Ian Jon Bourg, Olivia Safe (u/s), Kyle Gonyea 2001; Hamburg, Germany VOB files. One of the most legendary Phantom's opposite one of the youngest Christine's!
104 notes · View notes
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
The Way We Live Now (2001)
Episode 1
105 notes · View notes
flodaya · 2 months
Note
I get what you're saying about that role not fitting Tom, and that's not a slight against him at all, he's a good actor but not every actor can play every role. Matter of fact, I think the main reason Tom can't find success outside of spider-man is because he keeps taking roles that don't fit him and nobody is willing to be honest with him about this
hm that’s an interesting take (I hope in good faith)
I don’t think I agree, I just think he is not the best at picking projects, it’s less about the role but the writing in general, and to be fair to him tcr was really the first thing he signed on as an adult (Cherry and Uncharted was things he signed on before he really got that endgame fame iirc) and as much as critics disliked the show - which I disagree with but that’s besides the point - the role fit him really well and showed his range as an actor and everyone absolutely praised him for his performance, but again picking that project was already an uphill battle
(also finding success outside spidey meaning awards only because he is still making hella MONEY from even the most hated projects coughuncharted)
when I say I don’t think Paul would have fit him I’m not saying he didn’t have the ability to act the part but he’s not giving that haunted Victorian child messiahs vibe that is perfect for Dune
genuinely Romeo Montague is the perfect choice for Tom, tragic lover boy, I have zero doubt he’s going to absolutely kill it
28 notes · View notes
the-babygirl-polls · 5 months
Text
Babygirl Polls Lineup: Week One
Hello everyone! Here we have the lineup for the first week of the Babygirl Polls! Thank you so much for all your submissions!
Klarion Bleak (Young Justice)
Dante Sparda (Devil May Cry)
Ace Ukiyo (Kamen Rider: Geats)
Bro Strider (Homestuck)
Michael Schmidt (Five Nights at Freddy's)
Cole Brew (Rhythm Doctor)
Peppino Spaghetti (Pizza Tower)
Negan (The Walking Dead)
Todd (Not Me: The Series)
Dan (Not Me: The Series)
Sound (My School President)
Nuengdiao (Never Let Me Go)
Adolin Kholin (The Stormlight Archive)
Xue Yang (The Untamed)
Aaron Warner (Shatter Me)
Jean Descole (Professor Layton)
Curt Mega (Spies are Forever)
Klavier Gavin (Ace Attorney)
Ghost (Call of Duty)
Emperor Belos/Phillip Wittebane (The Owl House)
Wen Kexing (Word of Honor)
Miles Edgeworth (Ace Attorney)
Taichi Hiraga-Keaton (Master Keaton)
Akk Pipitphattana (The Eclipse)
Dean Winchester (Supernatural)
Bruce Wayne/Batman (The Batman (2022))
Kenzo Tenma (Naoki Urasawa's Monster)
Jason Todd/Red Hood (DC)
Usami Tokishige (Golden Kamuy)
Char Aznable (Mobile Suit Gundam)
Harry Du Bois (Disco Elysium)
Vegas (Kinnporsche: The Series)
Barry the Chopper (Full Metal Alchemist)
Khatha (Midnight Museum)
Ronald Lynch (Home Movies)
Ballister Boldheart (Nimona)
Rex Dangervest (The Lego Movies)
Emmett Brickowski (The Lego Movies)
Knife (Inanimate Insanity)
Nickel (Inanimate Insanity)
Balloon (Inanimate Insanity)
Nona (Locked Tomb Series)
Laudna (Critical Role)
Ryu Suyeol (Bad and Crazy)
Paul Matthews (Hatchetfield)
Gregory House (House MD)
Ingo (Pokemon)
L (Death Note)
Elijah Volkov (Camp Here and There)
Kevin (Welcome to Night Vale)
Yuma Kokohead (Master Detective Archive: Raincode)
Alex Horne (Taskmaster)
Vash the Stampede (Trigun, Trigun Maximum, and Trigun Stampede)
Greg Davies (Taskmaster)
Byron (Pokemon Diamond/Pearl/Platinum)
Shang Tsung (Mortal Kombat 1)
Garry (IB)
Homelander (The Boys)
Cardan Greenbriar (The Folk of The Air Trilogy)
Omega (Mega Man Zero)
Clive Rosfield (Final Fantasy 16)
Cassian Andor (Star Wars)
Ted Spankoffski (Hatchetfield)
Tang (Lego Monkey Kid)
Tomura Sigaraki (My Hero Academia)
Liam de Lioncourt (Monster Prom)
Matthew Patel (Scott Pilgrim Takes Off)
Ethan Winters (Resident Evil)
Kim Dokja (Omniscient Reader's Viewpoint)
Waver Velvet/Lord El Melloi II (Fate Series)
Dave (Dave and Bambi)
Yoo Joonghyuk (Omniscient Reader's Viewpoint)
Envy (Fullmetal Alchemist: Brotherhood)
Akira Nishikiyama (Yakuza/Like A Dragon)
Eddie Diaz (9-1-1)
Simon Petrikov (Adventure Time and Adventure Time: Fionna and Cake)
Sanji (One Piece)
Adrien Agreste (Miraculous Ladybug
Romeo Montague (& Juliet)
Luz Noceda (The Owl House)
Lance Dubois (& Juliet)
Francois Dubois (& Juliet)
William Shakespeare (& Juliet)
Chesed (Lobotomy Corporation)
Cesare (Bigtop Burger)
Morris (Stardew Valley)
Kinger (The Amazing Digital Circus)
Estinien Varlineau (Final Fantasy XIV)
Frederick Chilton (Hannibal)
Leon S. Kennedy (Resident Evil)
Jaskier (The Witcher)
Geralt of Rivia (The Witcher)
Radovid (The Witcher)
Trafalgar Law (One Piece)
Zagreus (Hades)
Shadow The Hedgehog (Sonic)
Sepiroth (Final Fantasy)
Vegeta (Dragon Ball Z)
Charlie Kelly (It's Always Sunny in Philadelphia)
Reverend Rod Putty (Moral Orel)
50 notes · View notes
romeoisalesbian · 11 months
Text
look man i just wanna ramble about romeo & juliet because it's a play that's near and dear to my heart
ok ok SO.
I feel like I keep seeing the take that Romeo & Juliet is REALLY about how dumb teens are and how their love was too impulsive and it's supposed to be a cautionary tale because their love gets them both dead.
And that's a fine takeaway I think! That's something you CAN get from the story. BUt I must confess it makes little sense to me.
I may be foolish, but I feel like everyone forgets about the whole familial conflict aspect of the play. like bro the first lines of the entire thign are like "hey guys there are these two families that ahte each other SO MUCH and they have FOREVER and now they're murdering each other." the first scene is about how the Montagues and the Capulets super duper hate each other so much so they're gonna square up in the middle of town with swords and shit after flipping each other off a few times
The turning point of the play, when it shifts from a silly romcom to a Balls Wrenching Tragedy, occurs firmly when Tybalt kills Mercutio.
THe actual romance aspect of the play is going FINE until this point! Romeo and Juliet the couple are pretty on the same page about everything happening in their relationship (even if that page is guided by impulse). Romeo is pretty jazzed at the start of the murder scene, and is in fact entirely unwilling to do the murder thing at all.
BUT! Tybalt is kinda a dick! And IS NOT willing to overlook the whole family-conflict-clown thing. And Tybalt's whole "i need to challenge romeo right this instant oh my god" impulse has very little to do with Romeo and Juliet's actual relationship. While a lot of adaptations have Tybalt see Romeo and Juliet being all Romantical at the party, textually Tybalt entirely is ready to brawl because Romeo showed up to the Capulet party at all and Tybalt is all Death Before My Rival Commits a Minor Social Faux Pas.
And Romeo murdering Tybalt and getting banished ALSO has little to do with Juliet or their relationship. His bro just died man. Yes it was stupid and impulsive, but man sometimes it's hard to keep your head on straight when your bestie just died (worth noting that Mercutio curses the family conflict itself when he dies!)
Like Romeo's issues all stem from that key interaction with Tybalt, who upholds the family conflicts above all else in every single scene he appears in.
Juliet on the other hand, is in the SHITTIEST situation. Her father is physically abusive towards her, and her parents are pressuring her to be married off to this random dude that is at best mostly well-meaning and adhering to general romance standards and at worst a massive creep (that's something that depends on acting and directing choices, I think. Paul Rudd Paris has never done anything wrong in his life). Juliet is trapped in this situation in which she is surrounded by pressure and abuse and familial conflict and death. It is reasonable to want to escape that at all measures, even if she acts impulsively and doesn't think through every single thing about the Friar's Genius Plan because god how could she in her circumstances?
If you're Juliet, your one escape from a shitty situation and environment is a boy who you firmly believe loves you, even if he has done some weird shit. If you're Romeo, your entire life has fallen apart because an ancient conflict resulted in your best friend dying and you getting banished for murder. What do you have to care for but someone who you think loves you and who you love amidst all the conflict?
To me, so much of the story hangs upon the familial conflict that the ending of the story is representative of a societal failure as opposed to a personal failure of our two leads.
No matter whether you see the relationship between local weenie romeo and local brain cell juliet as true love or as some passing fancy (i personally think it can be considered love but that's a different post for a different time, send me an ask if youre curious), it SHOUDLN'T end in several deaths and two suicides. The reason it does is because of a pointless family conflict our leads are brought up in.
63 notes · View notes
theghostparty · 3 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Roméo et Juliette: de la Haine à l'Amour - Redesign - 2024
If you missed part one with Roméo and Juliette, click here. Once again, long design explanation.
When designing Mercutio specifically, I turned very explicitly inwards in my belief that Mercutio is not a Montague and should not be tied to the Montagues solely. Furthermore, Mercutio has FAMILY--he's the Prince's cousin and if we want to get really semantic about it, he also has a brother, Valentine.
All this being said, in designing Mercutio, I needed to tie him to Le Prince (Escalus) and I did that mostly in dictating that these are the characters who are allowed to wear black, mostly black leather. It's a distinction that goes mostly unnoticed until its pointed out, but no other designs incorporate deep black tones. There's also this strong, olive green tone that borrows from the Montague palette and gold hardware that borrows from the Capulet palette. The Prince's family gets to straddle the line between both worlds.
I thought very texturally for the Montagues and Capulets, so in trying to give the Prince's family something distinct, I landed on this brushstroke texture to give all the leather and denim pieces a custom feeling.
In his Les Rois du Monde look (his base look--I imagine this explicitly directorial choice to have him and the Prince enter together at the top of Vérone and have Mercutio break away to join the Montagues), there is hints of this painterly texture in blue as opposed to the gold of the Prince. I wanted to feel like every alignment Mercutio has with the Montague family is an active choice on his part. I imagine him painted those swaths of blue himself. His trousers are a bleached faded, torn denim.
We see the true royal gold in Le Bal, like, I think it's just funny to think Mercutio already owned these trousers and said "Fuck it" and wore them to dress up in. His look is explicitly jester themed. It's a little bit "Earring Magic Ken Doll" coded, which delights me to no end.
This is also a good place to point out how fixated I became on closure methods in garments. In Roméo's initial design, there is a strong focus on zippers, Le Prince's jacket is held together with gold hook and eye tape at all the seams, and with Mercutio it's all about lacing.
Part of this is in reference to the explicitly gendered ideas around corsetry and playing with that in tandem with Mercutio's generally accepted queer readings. It's also an interesting metaphor to think about being bound--by duty, by honour, by friendship, by tradition--something that Mercutio is so explicitly caught in between in the Montague-Capulet feud.
His final look during Le Duel, is a take on a Jean Paul Gautier design, and is the most partisan look for Mercutio. Doffing his jacket exposes this soft satin and coutil corset top in the faintest hint of blue. A soft underbelly of allegiance that would take to stage blood SO well (and would make who ever was dressing and laundering this show absolutely hate me as a designer, but I digress).
I also think it makes him a nice mirror to Tybalt, who's overarching design element is gold chains.
Tybalt's design is wholly referential to Mark Seibert's Tybalt. Is it because I can never get that little gold and red cropped jacket out of my brain? Perhaps. But I also like to think that design for Tybalt acts as a reflection of Mercutio. The inherent softness assigned to the Capulet family's design (silks, velvets, chiffons) plays really nicely with how much machismo is implied in Tybalt's characterization.
During Vérone, we see him in a half doublet, likely of a low-pile velvet, a satin faced silk period shirt open in an absolutely impractical way, and a floral print denim trouser. I also gave him a little cuban-heeled boot. For fashion.
Tybalt is a good place to also point out that weapons are very intentionally placed in and out of scenes. Mercutio always has a dagger. Roméo leaves his behind during Aimer. Benvolio does not carry one. Tybalt has an ornately sheathed sword. There is this undercurrent of violence for these characters that is dressed up and dressed down, but persists.
In Le Bal, I really leant into the idea of chainmail for this character, in keeping with the concept of chivalry and Arthurian influences. There's a little bit of royal purple thrown in there for good measure as well as a jaw-bone mask that, at best, is foreshadowing and, at its shallowest, looks cool as hell.
During Le Duel, I wanted to strip our fighters down to exposed skin. A lot of this is to do with one of my favourite versions of this scene, Zeffirelli's 1968 Romeo and Juliet. What I love about the sequence is how it devolves from nobel duel to outright brawl--from a distance to something very close and personal. It's the type of step by step tension-building that I really enjoy: where there are moments (when they're just shouting words back at forth, when they're drawing their weapons, when Mercutio would doff his jacket, when Tybalt doffs his doublet) when the fight could have de-escalated. When they could have walked away. But of course, it's not the play if they do.
I just imagine seeing Mark Seibert and Bereczki Zoltán fight would be fun, ultimately.
And now onto Benvolio. I fixated on paring down his looks, and quite frankly, if it weren't for how much I enjoy his little twink clubbing outfit, I would have probably only given him one costume. My justification for this is that Benvolio gets to live. Ostensibly, he has a lifetime past this play of changing to do. I feel very strongly about the idea of Benvolio as a narrator, Benvolio as a passive presence that is forced to become active. He's not certain in the same way that Roméo and Mercutio are about love and hate. He literally spends a whole song stagnating and waffling on how the hell he's going to tell his cousin that his wife is dead. He runs around following their impulses, patching over their problems. I have a lot of feelings about Benvolio as a character.
He's really the softest of the Montague characters in textures: his doublet is torn and slashed denim, his shirt is some sort of billowy linen blend. He has a little bit of metal flair in the form of this thigh adornment, but really he's quite simple--and my comparison to Roméo and Mercutio, he's quite warm. That hint of magenta on Roméo is a full on feature on Benvolio.
I accept any and all slander about my choices for his Le bal look, but by god do I think it's silly and it brings me joy. Suit of armour under ripped green denim, a little navy ribbed singlet with a silver chainmail crop top over it? Lensless silver glasses frames? It makes no real sense, but I stand by my "We're sneaking into the Capulet's ball tonight with very short notice, here's what we can cobble together" reasoning.
19 notes · View notes