The tearsmith is seriously so rey and ben coded like omg

there's something to be said about gale telling peeta that katniss will choose the person she can't survive without - a sentiment that katniss notices lacks any mention of love or comfort or affection, only partnership and practicality. because survival is the basis of gale and katniss's relationship - their relationship is the product of an oppressive regime where so many people starve and die and suffer. they built a partnership out of pragmatic necessity - friendship and affection and yes, even love, did spring from that, but nevertheless, survival was the foundation for them, and the fact that the majority of their dynamic is spent in the woods and this is the only place gale sees her happy is symbolic of that.

but her relationship with peeta is extremely different. he gives her laughter and comfort and joy no matter where they are. he balances out the temperamental and volatile nature (a characteristic she shares with gale as a result of their conditions) with peacefulness and an appreciation for beauty and goodness. they have a trust and camaraderie and friendship that extends far beyond the need for survival, a bond that connects them beyond merely the need to stay alive and protect their loved ones. it is with peeta that she truly lives and laughs and loves and betters herself. peeta notices and brings out the most wonderful parts of her cold, dispassionate exterior (mockingjay, suzanne collins), gives her an appreciation for beauty in life (dandelion in the spring, the pearl on the beach, etc). he's the calmness and peacefulness that she needs to truly live and feel free and safe, while gale is violence and storms and outbursts (which she may agree with, but his tendencies to choose violence don't satisfy katniss's emotional needs in a relationship like peeta does).

to gale and katniss, love and relationships and friendships and human connection come second to practical concerns and the mere desire to simply not die. for peeta and katniss, love and life are about far more than just survival, which is why they share an emotionally charged connection that's stronger than what gale and katniss have.

2023 revival todd/lovett + touch

Chim chimney, chim chimney, Chim chim cher-ee, When you're with a sweep, You're in glad company

I have decided my fave kpop song is a garden song so I drew some stuff inspired by the mv (epilepsy warning)

so aisha just tweeted this....

and im looking at those last two emojis 😐😳....

and i remember that lou said this....

...and this....

...

...what does it MEAN??

more phoenix wright situations

*pats embarrassingly long playlist I made for my otp*

This baby can fit so many sad new Taylor songs in it

do you ship ravage and drift? you draw them a lot and they're always so touchy lol

nah. they're really touchy amicas, tho. probably because im always touchy with my friends and it just kinda rubs off on my art. ravage is my Me character so i do end up giving him traits i have. one of those is being touchy with people he cares about 🤷‍♂️. he's especially touchy with drift as when they were grouped together in the dead end (which is where they met in my brain), ravage spent a lot of hours curled up in drift's car alt with laserbeak and buzzsaw for shelter. that touchy aspect never really left their dynamic.

and besides,

drift/deadlock's candle has always been lit for someone else.

(plus an extra doodle of them)

my favorite part of mass effect is the plot

Darla/Angelus is also great because the show has a competing designated OTP and they exist to serve as contrast and hateful competition to THE ship. they are soulless monsters even by the standards of soulless monsters, they literally make the other soulless monsters go "yikes... your relationship seems not good maybe." but they love each other so fucking much. the writers can't help it. they are constantly trying to find their way back to each other. the way she hits him over a head with a shovel and leaves him to an angry mob while he tries to say he doesn't mind dying if it's with her AND the way they coo about it to each other afterwards. the way she takes him back against her better judgement because she missed him so so much but then kicks him out again later because he still can't be who she needs him to be. that's just how they say i love you.

I don't begrudge anyone their campaign preferences, and I think there's plenty of valid reasons to like Campaign 3 the best and this is not directed at people who are genuinely having a great time with it, but it feels like virtually all the nostalgia and wishful thinking I see surrounding Campaign 3 is screaming "you guys want Campaign 2." You want more slow travel and downtime and interparty conversations and slow-burn romance? You wish their main focus was fighting governmental corruption? You want a party that only semi-settles down at the end and keeps adventuring and remains very close? You're frustrated by how everpresent and overarching the moon plot is? You miss when they were just fucking around in a city? I genuinely believe you want Campaign 2, or at best you love a specific ship or a character from Campaign 3 but aren't happy about basically anything else, and would vastly prefer the tone and events and plot of Campaign 2. And I don't really care if you watch Campaign 2, or if you think I'm being annoying here; I simply genuinely believe you'd be happier watching Campaign 2 than Campaign 3 and are so deep in a sunk cost fallacy well you can't see it.

those yoga classes are really paying off, huh?

didn't make the cut for the full set but good on their own... this is soooo soft wow

do you ever think about Garak waking up and seeing Julian in that chair, uncomfortably crammed in and slumped over asleep, and wonder how he must've felt when he realized Julian wasn't going to leave