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#or perhaps a threat
bestofanimaniacs · 1 year
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Tie-breaker Death Match!
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homkamiro · 7 months
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EVERYONE SHUT THE FUCK UP!!! I need to tell just how running blind fanfiction by @thetriggeredhappy fucked me up
I'm not joking when I say that this is my favourite fic ever made, I literally don't, everything about it is so perfect, so detailed and so emotional,, i cried a lot, i laughed a lot, and I was really amazed by some of the plot twitsts
EVERYONE needs to read it, and if you don't imma bust yo damn kneecaps
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thefirstknife · 6 months
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Speaking of weird things in the season already, I'm back with the obsession with names of things in the seasonal activity.
So in Riven's Lair, you get randomly assigned "missions" that change with each run. I believe there's five of them as I've played a lot of Riven's Lair so far and only got these five to rotate. Maybe there will be more in weeks to come!
Anyway, if you look in the top left corner when you start the activity, it will tell you the name of the mission you're on. The names that I've seen so far are:
Polysemy
Apophasis
Synchysis
Enthymeme
Tautology
Long post under:
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These aren't random words! They're all related to language and rhetoric, which makes sense with the Ahamkara theme as Ahamkara are very dependent on the way language is used around them.
Polysemy is when words or symbols are capable of having multiple meanings. Apophasis is when you speak about something by denying it or mentioning it by saying it's not required to be mentioned (def check examples on wikipedia if this is confusing). Synchysis is also a way of speaking in a way that deliberately messes up the order of words to confuse or surprise the person you're speaking to. Enthymeme is a type of an argument where you construct a sentence which tells some sort of a fact by omitting the way you came to that conclusion because the fact should be obvious on its own (again, check wiki for examples, it will be easier to understand). And tautology has a meaning in both language and logic; in language, a tautology is a statement that repeats something, adding redundant information and in logic, a tautology is a logical formula in which a sentence is constructed in a way that every interpretation of the sentence is true.
I doubt these words were chosen randomly and there might be more or perhaps more will cycle in during weeks to come. But even with just this, there's a pattern. I'm not sure which meaning of tautology is being used here; possibly the language one because it fits the rest, but the logic interpretation could also be possible.
The first week's mission was also specifically Polysemy:
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I assume next weeks we'll probably do other specific ones in some order, which would also mean there should be at least 2 more. I'm wondering if there's some sort of a reason why these specific words were chosen. Obviously they all relate to forms of speaking and language which is the primary way that Ahamkara use to affect reality; speaking in specific terminology and using particular phrases and language forms is important to them and when speaking to them.
But given the involvement of the Vex, it also reminded me of the lore book Aspect in which every chapter is named after grammatical, linguistic and logic terms. Aspect is also specifically related to the Black Garden and Sol Divisive. Not only that, but Aspect deals with, among other things, the fate of the Ishtar scientists and their copies in the Vex Network, and primarily uses Chioma as their main viewpoint, and the whole situation with Neomuna and Veil Logs has returned my interest in this lore book.
I feel like it isn't a coincidence that we've spent essentially the entire year reacquainting ourselves with Chioma and Maya and Ishtar as a whole only to bring back Sol Divisive and the Black Garden back in the final season in this way. As the Veil Logs told us, one of Maya's copies interfered with one of the logs, sending signals, and Chioma, at the end of her life, contacted the Vex presumably to be consumed by the network so she could possibly reunite with one of the copies of Maya in there.
This brought me also to the mysterious signal from Scatter Signal lore tab in which Osiris tracks down some sort of a signal that seems to be talking about the Vex, but spoken in a strange way. So I began thinking that this signal might be coming from Chioma, consumed by the Vex, from the Vex Network, reaching out to the man who's been studying her, living in Neomuna and researching the Veil for months. Specifically, the final Veil Log mentioned a few similar words and phrases being repeated. Specifically, when Osiris mentions that Chioma was researching "the entaglement of Light and Dark" and when Nimbus and Osiris discuss "parallel connections and parallel energy fields;" then in the Scatter Signal message there's mention of how, presumably, the Vex are trying to "move from parallel to entanglement." The Veil Log also talks about how the Witness can communicate through our Ghosts and how that connection might be going both ways; Scatter Signal also mentions "bridging communion with a Voice."
Copies of Chioma and the other scientists (with the help of Praedyth) once tried to use the Black Garden to send a message out of the Vex Network, detailed in Aspect. We don't know if they succeeded (at least in our current timeline). The Black Garden has been a big focus in Lightfall almost out of nowhere in such an immensely world-changing way (with the explanation of the Black Heart), and it will still be important this season with the exotic mission. It's a very pleasing loop of the story; everything started with the Black Garden in D1 and everything just before TFS might end with it. I'm also incredibly intrigued by the fact that the returning weapons from Undying (a season about the Sol Divisive and the Black Garden) have returned with a new perk called nano-munitions: very Neomuna-sounding name. Perhaps certain Ishtar scientists are influencing the Vex or extending a helping hand to us.
The questions that remain: how does this tie back to the Ahamkara? Why are the Vex interested in the Ahamkara? What do the Ahamkara have to do with the Black Garden? What's with all the strange language terminology that deals with double meanings and ways to confuse? Is it just regular Ahamkara shenanigans to trick us? To trick the Vex? Maybe both?
The point is, I don't think this is as simple as Riven just being sad that all the Ahamkara are dead and wanting to secure her clutch. Nothing is ever simple with the Ahamkara and nothing is ever simple with the Vex; and now we're dealing with both. And somewhere in all of this, there is also a concerning involvement of the Black Garden that connects to both of these elements. At the end of it all, there's us, who rely on this specific combination of elements to get through the portal, pursue the Witness and save the universe.
Spreading the brain worms to the rest of y'all to think about. If you spot any other mission names, feel free to share, though I think that if they happen, they might happen in the coming weeks. Also as I mentioned before, I know there's been leaks and lore tabs unlocking early on Ishtar: I've not seen any leaks or cutscenes and have not read any lore tabs that aren't explicitly visible in-game so if there's a really simple answer in that leaked material, I don't know about it and don't want to know about it so please don't spoil to me or to others!
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rcmclachlan · 21 days
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what if i put my life in your hands? what if i took your life in mine?
#okay look there's a reason i've been obsessed with this scene for 21 slutty slutty years#imagine for a second you're yue#your master—whom you loved more than your own existence—decided his work was finished and didn't need you anymore#and he pushed you into the dark where you slept for centuries until a little girl woke you up by sheer dumb luck#you now are trapped in this horrible new era where everything is too loud and too fast and too bright#you're also trapped in a body that isn't yours jockeying for room with a completely separate soul that you don't know or particularly like#and you're draining your meager stores of magic to the dregs in order to keep the two of you alive#under the surface of tsukishiro yukito you're drowning—and the both of you are fading away entirely#and then this boy#pulls you to the surface of yourself#and says with his whole heart 'i won't let you disappear'#he smiles at you and teases you and then pours his not inconsiderable power into you#and you take and you take and you take and he never says stop#he never says only a little but no more#he holds you close and lets you sup on the very marrow of his magic until there's nothing left and he's simply an ordinary human#and for the first time in centuries—perhaps ever—you feel full#when you finally step away and ease his unconscious body onto the bed as gently as you can manage#you murmur that you ought to thank him#but it's such an inadequate way to convey your gratitude#how do you give thanks for what you've made him lose?#you put your life in his hands and he cradled it as if it were precious... and then he gave you his own in return#in the world before this one you would have been as good as wed#you thumb the swell of his cheek and allow yourself one last look at your would-be husband#and then turn around to face the threat behind the door#as it creaks open to reveal a little body wracked with sobs you think you would face anything that would dare come for him or his sister#not because it is your duty as the guardian of the cards#but because you love them#touya/yue#ccs#yue
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ahsoka-in-a-hood · 6 months
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As someone raised to hand people even the bluntest knives hilt-first. the way I squint when I see lightsabers handed to someone the wrong way. please don't point the blade at the person you're handing it too. it's just not right.
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spacedlexi · 4 months
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i forgot how weird people get sometimes when you add minnie to clemvi situations :/
#she is NOT a threat to their relationship. she is barely a blip on the radar#shes literally just here to cause problems#vi makes it ABUNDANTLY CLEAR that clem is her top priority she is so disgustingly painfully in love with clem its embarrassing#like girl i never doubted you for a second dw 😭#but its like people want to see vi hate minnie.. like they cant grasp that shes moved on without her saying she hates her or smth#all the conflicting feelings are just so narratively juicy :) some people cant appreciate this it seems#and then theyll use it as an excuse to say clemvi sucks like okay everybody pack it up#people projecting their insecurities perhaps? (i know the answer)#and like even a captured vi who was manipulated into trusting minnie ends up getting her eyes burned out for it#like they both went down there but only vi got hurt?? and separated from minnie? hm interesting#clem fighting her own trauma of trusting the wrong people with vi continuously reassuring her nothings changed she loves her#clem would appreciate that. i definitely think shes fighting jealously demons but is just good at pretending she doesnt care#she makes too many Faces about it for me to think shes casual about the whole thing#but i think after their conversation in the dorms in ep3 clem isnt worried anymore. and vi proves she can trust her again and again#THEY LOVE EACH OTHER SO MUCH theyre disgusting its disgusting :)#minnie isnt a threat to their relationship shes just a threat to their lives :)#twdg#it speaks
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brother-emperors · 1 month
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I’ve mostly posted the parts of the modern AU that are filled with whimsy because the internet is in shambles but rest assured, the directors cut in my head has a hard MA rating
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misc-obeyme · 1 month
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Cw: threats, torture
Thinking about me threatening lower demons when they annoy me. I do this with my friends all the time, playfully of course (some threats being more threatening than others but you know). Barbatos and diavolo have walked in on this because a lower demon didn't want to do their part of the project.
Didn't even threaten them with the brothers or anything, just threatened him with torture and some other things. Torture methods are my hyper fixation so I know how to torture someone. Threaten them with a bloody angel and see the fear in their eyes. (I need help, I know).
Bows for barb
Oh I dunno, I think a lot of people have a fascination with torture. It's certainly something that's captured the minds of many people throughout history. Not just those who do it, but those who research it or write books about it, etc etc.
Not really a personal interest of mine, lol, but I don't think you need help necessarily. (I mean I don't know, maybe you do? I'm no expert.)
Anyway, I think the lesser demon's reaction is going to depend on your personal take on how regular those demons are. They don't really go into it in the game, so you get to come up with how you think they would deal with such things.
I kinda think the brothers have casually mentioned doing things like eating MC and whatnot before, even if they've never actually done anything along those lines. Which makes me think it might be normal for demons to kind of threaten each other with torture, you know? They're demons, right?
Now if you actually performed such torture techniques, they might start taking your threats more seriously.
I'm always going to be on the Barbatos training humans who are interested in torture idea. So if he hears you threatening torture, I think he'd ask you about it. Kinda like, Oh do you have an interest torture, MC? Especially funny if he asks you casually over tea lol.
Diavolo just kinda shakes his head like come on Barbatos you can't teach the human exchange student torture methods. That would not be appreciated by other humans!
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fluxedbuds · 1 year
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local dungeonmaster spotted at theme park
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Hello! Hope you don't mind the random ask 🥺 You said after the newest episode that Mushitarou is one of your favorite BSD characters; could you talk a little about your thoughts on him/why you love him/his arc? He's one of my favorites too, and it makes me so so sad how underrated he is, because imo he's one of the most well-written and tragic characters in the entire series, despite how little screentime (pagetime?) he gets :' ) I wish more people would talk about him. Really hope that changes after the next episode 💚
I honestly almost screamed when I got this ask YES I CAN TALK ABOUT MUSHITARO. I CAN TALK ABOUT HIM ALL DAY.
Ok well first of all he is the poor little meow meow. Pathetic scrunkly man. I'm sorry but you can't deny that it's true. Even in-universe, it's like he's the BSD world's chew toy. He keeps getting kidnapped by different organizations with like. No breathing room in between. Give him a BREAK. Funnily enough, I enjoy and usually like to poke fun at these kinds of characters, but they're not typically my favourites. Mushitaro is, by far, an exception to my usual favourite character types.
Second, I am a lover of bittersweet tragic storylines. Yeah. Honestly, the way the storyline built to the slow reveal - I knew immediately after Poe mentioned the water droplets that they were his tears, and I was starting to suspect what was really going on, but the way it was unraveled was so, so painful and beautifully done. Even knowing it was coming today when I watched the episode, it still hurt.
Thirdly, Mushitaro's circumstances raise some intriguing questions we still don't have answered. He was captured by the Seventh Agency and made to work for them with his ability - he considers them a worse alternative to Dostoevsky and refers to them as tyrants. (We also know of another shadowy organization that takes on ability users with useful skills for nefarious purposes, V. V also somehow managed to not be discovered by either the government or Ranpo in 13 years. I'm not saying there's a connection there but... but... there might be. 👀) Anyways, point is, there's stuff goin' on there. And I wanna know. (Also I like the motivation parallels with Ango very much.)
But most of all, I fully agree with you - he is very well-written. What I love most about his character is actually the way his narrative showcases what I believe to be some of the series' character writing's biggest strengths - to excellent (and heartbreaking) effect.
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Characters are often revealed to be quite different than what their initial introductions would suggest. Later revelations serve to recontextualize earlier character cues - these early cues are often misleading but not outright lies.
To be clear, this isn't a hard or particularly unique thing in character writing - in fact, this is... kind of a minimum requirement. Your audience should be able to go back after the fact and notice new things about characters that you only get on re-read. But I find BSD is interesting for this because these initial impressions don't frequently tell you what these characters actually value - the "establishing moments" are often incredibly misleading. Mushitaro is an excellent example of this.
The best part of the perfect murder arc is the way it slowly unravels piece by piece - and as it unravels, more and more, we get to see the real Mushitaro. He starts off with these terrifying facial expressions, bragging and boasting about how he is the "detective killer" and how none stand in his way, cackling like a shallow cartoon villain. There's not much there to suggest a deeper character. Then there's the first flash to Yokomizo's murder, and Mushitaro appears to revel in it and the idea that he can't be caught. Another flashback shows him making these arrogant demands of a literal terrorist, like all his tableware being silver and porcelain and having access to a library of occult books for his study. Ok dude. This all paints the picture of a selfish individual, primarily concerned with expensive things and money and image - all things that perfectly fit Ranpo's initial conjecture as to the kind of person behind the Kindaichi murder. And just like Ranpo later says, it's a little too perfect.
The reveal builds slowly but surely, and Mushitaro's built-up image as a dramatic, remorseless murderer crumbles. Because he didn't kill out of hatred at all. He killed Yokomizo because Yokomizo asked him to do so. Because this, and the legacy of a mystery that transcended fiction into reality, was his only friend's dying wish. It was enough for Mushitaro to delay his escape just to fulfill it - what Ranpo refers to as a kind of willing self-destruction.
What Mushitaro ultimately values then is honouring the wishes of those he cares about and repaying those he owes. He will take the secret of Yokomizo's ultimate mystery to his grave. He used what he likely thought were his last moments alive to grab the transceiver and warn Ranpo about the danger the Agency was in. He only decided to trust Ango after Ango admitted his use of the Seventh Agency was to honour Oda's memory and wishes.
So, going back and re-reading his intro again, it becomes more clear that he was suffering from a kind of cognitive dissonance. "But wasn't he just playing the role he was supposed to?" No. He wasn't. The first flashback to Yokomizo's murder is much more violent and ends with Mushitaro cackling and going into a full villain monologue when there is no one else around but him. There's no one to perform this role for - except Mushitaro himself.
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Both the killing and the ensuing grief stemmed from the exact same source - Mushitaro loved his friend deeply. But there is, I believe, no small amount of bitterness too, for the way they argued frequently, and the way his friend asked this of him. It's practically irreconcilable in his mind, and so Mushitaro leans into his role as the evil perpetrator who hated Yokomizo to such a degree that I honestly think he started to believe it - Mushitaro, with two narratives in his mind running parallel to each other that are fundamentally conflicting, tried to make a monster of himself. Insisted on being the monster, at least until Ranpo made it impossible for him to deny the true motive behind his actions - protecting his friend's last wish.
Fittingly for the climactic reveal of a mystery storyline that blurs fiction and reality, Mushitaro's real-life grief was his perfect fictional role's undoing.
Is he boastful? Arrogant? A bit of a coward? Absolutely. But Mushitaro is no monstrous villain - he is a man unable to confront his grief over his friend's death, and who, ultimately, doesn't intend any real harm.
Because other than Yokomizo, revealed as an agreed upon assisted suicide - Mushitaro never murdered anyone.
2. Characters are not cured of their pain and trauma. They continue to struggle with it during their development and it actively impacts the way they view and interact with the world around them.
Mushitaro's story is heavily themed around grief and his consistent denial of it's effects on him. At first, he denies by embodying the role Yokomizo wanted him to play - it seems to the point where he legitimately started to lose it. He's slipping when we first meet him. In a weird way, for as much as Ranpo tore his perfect crime apart... I feel like he also saved him, in a sense. The dissonance he was experiencing likely only would've gotten worse if he had not been forced to speak the truth aloud.
After that point... the denial focuses solely on the idea that Mushitaro doesn't miss Yokomizo at all. That he's doing just fine and Yokomizo should be jealous (he's far from fine; he doesn't even see a point in going outside anymore now that he won't be able to see his friend) and that he hated him (he doesn't. he never did. but he has to. he can't deal with it.).
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Another thing I really like about his arc is that Mushitaro's grief also clearly stems from the entire thing being traumatic for him - but neither Yokomizo nor Mushitaro are demonized or victimized for this; rather the situation is just shown as it is. It's nice, that the story allows the reader/viewer to draw their own judgements. Both had their reasons for their actions - Yokomizo was already dying and wanted to go out in a way that was meaningful to him, while Mushitaro chose to fulfill this wish in spite of the cost to him. They both mutually self-destructed, in a way.
The narrative doesn't frame either as the villain. It doesn't fully frame either in victimhood either. It's a tragedy all the same.
Mushitaro continues to see and hear Yokomizo wherever he goes, not because he can't get rid of him... but because he never wanted him to be gone in the first place. Stabbing me would hurt less I think. :/
3. Characters often grow and change before they consciously realize it or have any sort of "epiphany".
This ties in a lot with the ongoing theme of uncertainty, and I above all really like this aspect of the series. BSD has characters grow and change and try to be better, do better by themselves and others... without being sure of the outcome. Sometimes before they're ready to consciously admit a change is necessary. There are few epiphanies. The characters are forced to slog through hardship and only then suddenly realize how far they've come - for better or for worse.
Mushitaro does change, even in the short span of time he is a focus character. I love the first little signs of it too - Mushitaro, who doesn't even like mystery novels, uses a trick Yokomizo told him about to help himself, Atsushi and Kyouka escape. Look at him :')
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Afterwards, he starts to wonder if he can see Yokomizo whenever he enters a locked room - as in, if connecting to the memory of his friend through what he loved in life will mean that he keeps that memory alive.
And as annoyed as he is with Poe's attempts to get him to write a mystery... a part of him is happy to be around people that he could start to consider his friends. Enough that the Yokomizo he hallucinates wonders if maybe he doesn't need him there anymore. And finally Mushitaro bursts.
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But this is actually good. He's finally past that denial phase, the part that had him talking about hate when really he missed him all along. Thing is, he'd already been developing and changing by this point, in that he needed the growth to come to terms with this truth, and it was not the truth that drove the growth.
In a sense, Mushitaro working through his grief and uncertainty led him to a brighter outcome, one where he has more friends and can start anew. He lost the closest person in his life. But his arc continuously asserts that in spite of the fact that he will always miss his friend, Mushitaro himself is still alive. And he should live that life - both moving forward and keeping the memory of his friend with him.
Odasaku believed that writing a novel was to write people. Poe was so insistent on getting him to write because it's a way of seeing the people we want to see anytime we want.
What a beautiful character arc, that began with fiction as an escape from real-life pain, and concluded with fiction as a means to work through it and with it instead.
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Plus he's just such a funky little dude.
I. Love. Mushitaro.
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dutybcrne · 3 months
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Love the idea of Kae painstakingly learning Hilichurian, at first bc he figured it was another skill under his belt then bc talking with them made him curious abt them and their origin
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jimmyspades · 4 months
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James Spader is real and he is out there
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drksanctuary · 1 year
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Who’s the hottest girl in the world Desi Al it’s Desi Al! ~~
Sari not Sari (😜) guys but I am having too much fun drawing him.
Im especially proud of the Hecate pendant on his tikka.
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gambeque · 7 months
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eats u swallows u digests u even
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shattered-pieces · 2 months
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I have nothing but contempt for people who are in free countries yet support a dictatorship, support the war on a free country. I suppose russian propaganda has gotten to them here, but that's no excuse. They should know better. It's so obvious to anyone with half a brain who looks at the russian invasion that it's wrong and must be stopped. Russia is a huge country who attacked its smaller neighbor. No justification. Any "justification" is propaganda. It is merely a war of expansion.
Fighting against it is as morally right as fighting the nazis in world war II. Because russia is also doing nazi like things to pieple, not "just" bombing peaceful cities and killing civilians on purpose. It's committing grotesque war crimes. Just because Ukrainians dared to be free. Just because they dared to resist the russian machine that wanted to spread darkness and tyranny over Ukraine, not satisfied with keeping it in their own country.
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mokutone · 2 years
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page 1 | page 2 | page 3 | page 4 | page 5 | page 6 | page 7 | page 8 | page 9 | page 10 | page 11 (you are here) | page 12
image desc under readmore:
ID:
Panel one has a view into Kakashi's bedroom from just outside the open window. We look over the bed where Tenzō's Anbu mask is resting and past the flapping curtain, and see the spot where Kakashi and Tenzō are sitting. Tenzō, still crouched by the side of Kakashi's bed, is mostly hidden aside from the top of his head. Kakashi is sitting with a loose, tired posture, looking wryly out the open window. "And then you came to my apartment, " Kakashi says. "Maybe it felt safe and secluded enough to have your breakdown in. Which is flattering, but to be fair, my wards are usually immaculate."
The second panel, they are sitting, knees touching knees, facing each other. Kakashi's eyes are closed, like he's trying to force a smile, but not succeeding very well. He has one arm wrapped around himself. Tenzō is leaning forward towards Kakashi, eyebrows low over his eyes. "But I didn't plan—I didn't choose to do this, to feel this," Tenzō argues. "Who would?" Kakashi asks. He continues, "The only drawback of having trust, of having a place to be vulnerable, is that sometimes you'll have to be vulnerable in it, I guess. Hurts, huh?"
/end ID.
#my art#naruto#comics#yamato#tenzō#yamato tenzo#kakashi#im sooo pleased with the top panel. but i hate the second panel so much. the duality of a single comic page#in trying to remove himself from the subject hes speaking about (repression) kakashi uses very definite second person speech#even though he throws the word ''maybe'' or ''perhaps'' in there to indicate that he doesn't know tenzō's internal workings#to tenzō it sounds very much like ''you did this because you probably felt this. you did this about that..''#and tenzō is very much like ''I. NOT INTENTIONALLY? I PROMISE I DIDN'T PLAN THIS!''#tenzō feels like he's being assigned a greater agency than he felt. is i guess what im saying#if kakashi instead talked abt a situation where he acted similarly to tenzō its possible this might have given tenzō an opportunity#to understand his behavior through comparing it to kakashis. recognition of self through the other or w/e. BUT.#kakashis not a mental healthcare professional. hes ALSO just a traumatized kid. with bad coping mechanisms. trying his best.#tenzō is 13 here so kakashi is probably around 16#thats part of why i draw him as or mention thruout this comic that hes getting frustrated or uncomfortable#hes a kid! hes not good at this! he's just Unfortunately tenzō's best option for support at the moment. literally its either Kakashi#or going to the Hokage like ''hi Hiruzen I have concerns that I might be a danger and a threat to your village.''#''do you want me executed or banished? Really I insist it's your choice Hokage-sama. I'm really not picky."
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