#ollie's catalogue
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prettyboys prettygirls and prettyenbies welcome to day 7 we are a week in!!!! hooray here's your song its called INSECTS!!!!!!!
its very weird i highly recommend it
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yeah so the main characters are these four fucked up kids and-
#ollie rambles#homestuck sprite#sprite edit#tmc#the mandela catalogue#mark heathcliff#cesar torres#adam murray#jonah marshall#my art
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did i ever compile these sketches? bleh. theyre like from febuary.
#ollie rambles#my art#the mandela catalog fanart#tmc#the mandela catalogue#adam murray#ceaser torres#jonah marshall#yes hes s scene kid#mark heathcliff#adam tmc#mark tmc#jonah tmc
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God Hal is so pretty! How did the walking disaster get such lovely look, my friend?
hal used up all his luck being born unfairly pretty, it's why he flops so disastrously every single minute of his life </3
#asks <3#ty for the ask!!#he was lucky one (1) time#i think he would have been happier without the ring so im pretty sure that counts as his luck failing him yet again#kicking my feet i havent drawn him in like a billion years i miss him.....#ive been like. absymally busy with school (im taking two (2) labs atm) and also ive been spending my free time either#A: reading comics or B: cataloguing hal's GL runs in a google sheet in an attempt to make a reading guide i actually like#did u guys know there's a wikia page for ollies chili and it gives the recipe#apparently he uses raw chopped onions as a garnish and that's more distressing to me than the like 5 different types of chili powders
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In 2015 a young Jungkook posted this song recommendation on Twitter
I admit I had never listened to it until today when I downloaded Years and Years back catalogue.
When I tell you it hit me like a punch to the gut and made me tear up, this young man was feeling things and he had found the perfect song to shout it out.
If you haven't listened to it then do, Olly Alexander's voice is beautiful.
Let's not forget 2015 was the year we got this from Jungkook
The shy boy who couldn't maintain eye contact was suddenly looking into Jimins eyes, during a performance on stage. He was letting Jimin know his feelings, and Jimin was pleasantly surprised.
Full performance here where you can watch Jimin afterwards, he kept stealing glances at Jungkook, I think he had got the message.
youtube
2015 also gave us Jungkook struggling to keep his emotions in check when he was feeling jealous...I hate that word and it is too often used incorrectly with Jungkook but here I think it's right.
He was a mix of emotions, coming to terms with his feelings.
For a comprehensive run down of 2015 Jikook I recommend @kanmom51's Jikook through the year's timeline.
And this is Olly in all his confident queer glory in Tokyo recently
🌈🌈🌈🌈
💜💛🌈
#jimin#jungkook#jikook#park jimin#jeon jungkook#kookmin#jm#jk#olly alexander#years and years#Youtube
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intro post 2: electric boogaloo
i didn’t really fuck with the first one anymore.
we’re the orphic system!
COMMISSION INFO
the basics
-> this user is a system! call us orphic :]
oliver (he/him)
olly (she/they/fae/he)
vixy (they/she)
kumo (he/they) — current host
angel/dolly (she/myst/cele/ae/fae)
yuki (they/them)
^^^ member introductions — THIS IS NOT ALL THE HEADMATES, JUST THE ONES WHO HAVE INTRODUCED THEMSELVES^^^
-> our pronouns change! please ask.
-> the body is masc-presenting and i (oliver) am male.
-> the body is a minor!
sideblogs
prosekai roleplay ->
@tsukasa-tenma-officiall || tsukasa tenma roleplay blog
@akito-shinonome-official || akito shinonome roleplay blog
@saki-tenma-official || saki tenma roleplay blog
@mama-kamishiro || mamashiro shuffle au roleplay blog
@tfemme-toya-official || shuffle au toya roleplay blog
@girlboy-honami-official || shuffle au honami roleplay blog
ask blogs ->
@ask-ruikasa-official || ruikasa ask blog
@ask-polysekai-official || polycord + emunene + anhane + saki ask blog
co-run blogs ->
@pjsk-rp-lore || prosekai roleplay lore blog
@harmonic-depths-official || prosekai fandub — we’re the rui VA
@crumbling-sekai-official || prosekai au fandub — we’re the director
@proseka-headcanons || prosekai headcanons submission blog
other blogs ->
@wansho-wheretheydontgo || wondershow plushie blog
@olivers-garbage-mind || vent blog
interests
games ->
the legend of zelda: tears of the kingdom
project sekai: colorful stage
minecraft
iron lung
superliminal
fandoms ->
project sekai
the mystery flesh pit national park
the mandela catalogue (and other such analogue horrors)
notes
-> we block freely and without question
-> we block bigots and exclusionists
-> follows and likes will come from @tsukasa-tenma-officiall
-> we may not always participate in tag games
-> we may be slow to respond to asks on any of our blogs
-> we are PRO-ENDO
-> when referring to ourselves we may use “we/us” or “i/me”
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“How does one become and equerry anyways?”
In my head there is a catalogue of very handsome men in uniform that appears on someone’s desk every 2 years (there is reportedly a few months of on the job training before the formal role begins) and they all just sit around flicking through a catalogue of very handsome men and select them that way…
I will caveat that by saying Jonny in particular was known to the royals, as he was officer commanding of 5Scots who provide the ceremonial and guard duties of balmoral and holyrood when the monarch is in Scotland. During the funeral coverage he was interviews and said Liz invited him and his wife for a private dinner one summer where she had him cleaning the dishes with her. He must be held in some regard by the whole family which is cute!
aw I didn't know that about johnny! lowkey I do crack up thinking about Camilla picking Ollie ngl girly knew what she was doing
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REVIEWING THE CHARTS: 04/05/2024 (Taylor Swift, Tommy Richman, Kendrick Lamar's "euphoria")
Just a week after her album’s impact, Taylor’s been dethroned by… Sabrina Carpenter! She grabs her first #1 on the UK Singles Chart with the smash hit “Espresso” and welcome back to REVIEWING THE CHARTS!
content warning: language, Yeat praise
Rundown
As always, let’s start with the notable dropouts, which are songs exiting the UK Top 75 - that’s what I cover - after five weeks in the region or a peak in the top 40. Now this week, we bid adieu to: “The Tortured Poets Department” by Taylor Swift (it got three-song-ruled and dropped out from #3, more on that later), “act II: date @ 8” by 4batz featuring a remix by Drake (not his best week, more on that later), “Von dutch” by Charli XCX, “Kitchen Stove” by Pozer, “Whatever” by Kygo and Ava Max, “Murder on the Dancefloor” by Sophie Ellis-Bextor and FINALLY, “Lovin’ on Me” by Jack Harlow.
As for our gains, we see healthy boosts for “Pedro” by Jaxomy, Agatino Romero and the late Raffaella Carrá at #60, “Outside of Love” by Becky Hill at #54, “Evergreen” by Richy Mitch & the Coal Miners at #46, “The Sound of Silence” by Disturbed at #42 (yeesh), “These Words” by Badger and Natasha Bedingfield at #22, “I Don’t Wanna Wait” by David Guetta and OneRepublic at #20 - I guess obvious covers and remixes have a good week - then finally, a song hitting the top 10 I’m personally very happy with: “A Bar Song (Tipsy)” by Shaboozey at #6. #1 incoming? Please?
We also continue to see the rise or, rather, resurgence of Amy Winehouse’s catalogue due to the biopic, with “Valerie” with Mark Ronson at #38, “Back to Black” at #39, and a re-entry for “Tears Dry on Their Own” at #49, which peaked at #16 when Ye’s “Stronger” was #1 in 2007. On that same album, he says he hates Nazis, look how far we’ve come. Anyways, “Tears Dry” contains a sample of “Ain’t No Mountain High Enough”, made famous by Marvin Gaye and Tammi Terrell, which didn’t chart in its original form for the longest time here. It peaked at #6 in 1970 but only in the form of a cover by Diana Ross, whose version charted whilst Freda Payne’s “Band of Gold” was #1 - just shows that we don’t really remember the bigger hits of the time. The Boys Town Gang reached #46 with their cover in 1981, Whitehouse and Jocelyn Brown both charted with covers coincidentally in August of 1998 - they peaked at #60 and #35 respectively - and finally, the original first charted at #80 in 2013, amazingly still its peak, and briefly re-entered earlier this year. “Tears Dry” itself was sampled the last time Amy made the top 40 in 2023, with Skepta’s #28-peaking tribute “Can’t Play Myself”.
As for our top five this week, we start in the dregs with “i like the way you kiss me” by Artemas at #5, “Beautiful Things” by Benedict Cumberbatch at #4, “Too Sweet” by Hozier at #3, then of course Taylor Swift’s “Fortnight” featuring Post Malone at #2 and “Espresso” at #1. It’s an interesting one today, folks, with a lot of unique and frankly, fantastic stuff to cover, so let’s start with… Kygo?
New Entries
#75 - “For Life” - Kygo and Zak Abel featuring Nile Rodgers
Produced by Kygo, Nile Rodgers, Ollie Green and Franklin
I’m honestly a bit surprised Kygo is still notching chart hits, especially without a big name attached this time. Sure, Nile Rodgers is a legend, but he’s doing so much dance-pop garbage in his later years that I don’t think many people check specifically for his collaborations, so there’s got to be something in this that’s unique, right? Aaaaaaand it’s a sample. It’s a nostalgia bait sample of a 2000s EDM track because of course it is. French house act Modjo debuted with “Lady - Hear Me Tonight”, which spent two weeks at #1 in 2000 and is an absolute classic I still return to today, even if Modjo were basically a one-hit wonder. “Lady” of course is built on a sample of “Soup for One” by Rodgers’ own band CHIC, which comes from a 1982 soundtrack album, never charted and kind of been eclipsed by “Lady”, largely because the original is honestly pretty bad, uninteresting and surprisingly stiff for an 80s funk track, with some of the weakest and most slap-dash implementation of synths. “Lady” really took the best parts of that song - its undeniable guitar melody, that isn’t even put to great use in the original - and constructed an entirely new, incredible song out of it. So I can’t tell if it’s pathetic and desperate for Rodgers to try and reclaim it, or something that speaks to the power of musical transformation. Oh, what am I kidding? It’s Kygo, it’s just kind of boring. It’s a rote piano house track that goes for the same tropical atmosphere Kygo has been doing for years - a lot of the same festival synths are there, it’s all full of bubbly swooshing that actively sound like pastel colours. The only real hook of the song is taken from Modjo and re-sang by Zak Abel, with slight lyric modifications taken from the “I’m Good (Blue)” department of refusing to allow for fun in your dance songs, and even that just feels desperate. What did Nile Rodgers even do here, man? Sign a legal document saying you can use the hook? It’s not even his Goddamn hook.
#69 - “Solo” - Myles Smith
Produced by Peter Fenn
Myles Smith is a singer-songwriter I hadn’t heard of until today but has been active since at least last year and is making at least some consistent buzz so I was interested to see what his first slow-burning chart hit here has to offer and… are we just, IN, 2012, 2013 now? We had festival house with the last song, the next song is heavily Yeezus-inspired, and this is a full-on Aloe Blacc stomp-rock song. It isn’t bad either - I actually had to get used to hearing his richer voice on this kind of scattered clap-stomp-holler folk track, and whilst this is nothing unique given the solemn pianos, spattering of strings and of course, that jingling indie folk rolick, that doesn’t feel particularly organic on this one, it still is far from bad. The lyrics are somewhat generic but not in an awful way, and the “so low”/”solo” double meaning is somewhat clever or at least, would be if in the context of the song, they actually meant separate things. It’s a bit annoying that it’s the main conceit because both have negative connotations for Mr. Smith here, so it just feels like he’s repeating himself rather than elaborating on his feelings or presenting a dichotomy. I imagine it’ll be a lost on a few people due to botched execution, which bothers me because it was an active attempt at clever songwriting that gets kind of lost in sonic translation. This sounds like I’m picking apart the song’s flaws but it is really just a fine little woodlands jams with a great singer, infectious hook and by the end, a damn fine melodramatic string section. I can see it growing on me, especially due to its gorgeous outro, but for right now, I’m somewhat lukewarm, not going to raise a fuss if it ends up smashing though and in a Noah Kahan world, I suppose it’s quite likely.
#64 - “If We Being Real” - Yeat
Produced by Synthetic, Radiate, Fendii, LRBG, Perdu and Dreamr
So terrible news: I like Yeat now. I’m still not granting him his silly little umaluts, and I won’t go too in-depth here, mostly because there’s another song worthy of in-depth analysis, and every piece Yeat’s put out fits into the jigsaw of the album’s narrative as a whole… it would require a lot more time and space, and frankly words, that I’m willing to give #64. No track feels unnecessary on 2093, the atmosphere is consistent across all 24 tracks, and lyrically, it’s a concept album, which I would have never expected from Yeat and he pulls it off brilliantly both sonically and thematically without straining himself to areas he probably couldn’t reach like trying to be super lyrical or stepping away from rage pads. Given the album’s experimentation and length, I wasn’t surprised by the lukewarm commercial reception, but I did at least expect maybe the songs with Future, Wayne or Drake on the deluxe, to have charted by now, when this hasn’t even happened in the US. So when the penultimate track on an album that’s over an hour in its standard issue becomes his first solo hit in the top 75, I have to assume TikTok virality is involved.
Regardless, I’m glad it’s here because it’s brilliant. Sonically as a separate track, it’s one extended verse over a corrupted industrial beat that cracks in right after a mystical intro full of textured but meandering strings, that get swooshed out of existence by a cinematic, malfunctioning clunker incorporating Yeat’s inhuman ad-libs, manipulated behind vocal recognition, into infectious loops within the beat. This is one of few songs - another’s coming later - where I can understand the sheer amount of producers. Lyrically, the title refers to Yeat or more accurately, his psychopathic billionaire character, attempting to shed some of his CEO veneer and ultimately failing, adopting a lot of the violent, power-hungry rhetoric the rest of the album relies on, making it a pretty ironic and depressing title, especially when considering its place in the rest of the album, coming right before the… actually honest and heartbreaking closer, “1093”. In the backhalf of this album, Yeat’s bragging sounds increasingly monotone and routine, and him rapping in and out of distorted filters or going up and down from his traditional murmur to a choking yell, exemplifies how sick and tired he is of the lyfestyle he curated for himself. This song in particular ends with him barely on beat for a beat that doesn’t even really have a beat, becoming a factorial ambiance more so than anything coherently rhythmic. I have no idea why this song in particular is going viral - it doesn’t have a chorus or even really some of the catchier, more potent lyrics on the album, and its beat barely functions as such for the vast majority of the song - Hell, it’s not even one of the album’s integral moments like the opener, “Bought the Earth”, “ILUV”, “Shade”, “Riot & Set it off”, or really countless others, but I’m not complaining because the sound design, the care placed into thematic and narrative consistency, it’s all still here. This is a 10/10 album, and if this song gets more people to check it out, I really can’t be upset with that.
#58 - “Love Me JeJe” - Tems
Produced by Guilty Beatz and Spax
So what’s “Love Me JeJe” actually mean? Well, in Nigerian Pidgin, it means “gentle” or “tender”, and the use of a more regional term rather than the English actually contributes greatly to why I think this song works: Tems’ buttery voice has always been able to display both coldness and a sensual warmth, often at the same time, but on some of the bubbliest guitars I’ve heard over an Afrobeats rhythm since the genre started charting consistently, she’s fully in that second category. Hell, most of the lyrics are pretty basic here, especially the practically meaningless chorus, but that’s to its benefit because thinking too much about this song defeats its purpose: to be gentle. It’s a frankly adorable expression of love and care at its most optimistic extent possible. Despite the clean, tropical percussion, it still feels cute and homegrown. Hell, the second verse, after a nice back-and-forth choir vocal, even references the Nigerian electricity provider that’s apparently nationally infamous for its power outages, with the lyric comparing the love she feels with her partner to the feeling when electricity comes back on in the village and all her neighbours inform the locals. Combine that with how breezy this is, the easy-flowing bridge into an outro full of murmuring, chatter and reverb-drenched laughing, it just makes for a really cute, likeable song. Not necessarily what I expected out of a lead single from Tems, but a delightful surprise. Now to balance that with pure hatred.
#50 - “euphoria” - Kendrick Lamar
Produced by Cardo, Kyuro, Sounwave, Johnny Juliano, Yung Exclusive and Matthew “MTech” Bernard
There’s part of me that finds it quite funny that Drake gets into serious beef with an incredibly analytical and perfectionist rapper like Kendrick right after putting out his own exposé of himself. For All the Dogs is as much of a dissection of Aubrey Drake Graham, albeit perhaps unintentionally, as Kendrick or really anyone could perform, as long as you’re paying attention. It’s been like that (no pun intended) for a while, but his latest is the most obvious and desperate attempt at clinging to status and image that it places his insecurities fully on display. You could recite lyrics from that album on a jazz beat and call it a diss track, so the fact that Kendrick went back to back with damn near dissections of Drake’s paranoia - especially on the Instagram follow-up track he made that is chilling - as well as a myriad of different issues he has with Drake, simply because… well, he doesn’t fuck with Drake. One could argue that this feud is complex and storied, with so many different beligerents… but the motives behind it are genuinely a lot simpler than most rap feuds, and the diss tracks that are made from it are way more straightforward. They just outline the reasons they dislike each other, almost systematically, it’s genuinely refreshing, or at least a lot more than what’s going on with Quavo and Chris Brown, yeesh.
This track in particular is as calculated as can be, acting as a dissertation on why K-Dot doesn’t really like Drake too much. It’s condescending, damn near academic, with its smooth jazz intro and categorical shoot down of each possible avenue you could hit Drake from. We have sextuple entendres on this thing, a total of three beats, two of which are cheap-sounding but absolutely murderous drill bangers, and Genius annotations that rival War and Peace when combined. I’m not a lyrical expert, and there’s so much in here that I didn’t get until I was pointed towards that direction by Genius annotations, Reddit, X, or, embarrassingly, YouTube Shorts. You don’t need to research or analyse for this to hit hard though, there are plenty of lines that aren’t going over anyone’s heads… until you look into the exact way the bars are constructed and suddenly they have 20 double meanings and hidden easter eggs. This is really sheer venom, filled with so many layers that I wouldn’t be surprised if he genuinely wins a GRAMMY for it - and it would be in character considering Drake doesn’t even nominate his songs anymore. It’s already having an effect too, that 4batz album came out today, and he’s not signed to OVO as rumoured. Ye’s on the record… but not the already existing and heavily-streamed Drake remix. Already, he may be losing some of that prestige.
As far as it is sonically, it’s six minutes of murder, and Kendrick’s delivery is energised, violent, damn near deranged at times, to perfectly balance how, somewhat subtly through his meta commentary about his own bars and albums, the lyrics are basically an essay. It has an introduction, a conclusion, a hypothesis, written examples, he even presents counter-arguments and weaves them into his own analysis. By the time he was going extremely in-depth about his experiences as a father, and just repeating that Drake knows nothing about that, it almost felt like overkill. My personal favourite lines and ideas presented here are the concise slow dagger of the intro verse, the “Demun”/”throwaway” scheme, the voice and character he puts on between “Cutthroat business” and “I’ll explain that phrase” - he’s like a disappointed teaching assistant, obviously the YNW Melly line and its set-up, the incredible Daft Punk line that got a cackle out of me on first listen, then followed up by a mocking interpolation of one of Drake’s most revered songs, the straightforward rant about everything he hates that references an iconic moment of DMX’s trademark honesty (rest in peace), the “record” scheme in verse three, and when he started the fake Canadian accent, I just lost it. Drake’s biggest weakness here is that when he’s funny, I’m laughing at him, but when Kendrick’s funny, I’m laughing with him, and much louder. If he does respond, unless the man tells us that Kendrick’s whole life and career has been a farce, or he brings, like, the actual former President Obama on the track or something, I can’t see how it tops this. This is one of the best diss tracks ever in terms of sheer detail, and might honestly be one of the greatest throwaway rap singles period. It’ll be tough to beat.
#31 - “MILLION DOLLAR BABY” - Tommy Richman
Produced by Max Vossberg, Jonah Roy, Mannyvelli, Sparkheem and Kavi
This is the sudden breakout hit for Virginia rapper-turned-singer Tommy Richman, which actually comes in two versions on Spotify, the original and a more distorted “VHS” version. Also, this is brilliant. Sure, Richman just sounds like Brent Faiyaz, but a trend I haven’t been able to talk about on here necessarily but has been very exciting for me is the return of grittier, groovier synth funk and hyphy beats into underground hip hop and R&B, with this representing the more melodic end of that sound, which is typically restricted to Midwest and Dirty South rappers. The sound design on this one is actually even unique to that sound, starting with a bizarrely British-sounding Memphis rap vocal loop which I think isn’t a sample and is just him doing a bad impression, filtered below an infectious beat that actually took me by surprise. It even has cowbells and the type of punchy jabbing drums that I love from classic southern rap, but instead of the smooth-talking rappers you usually expect over this, we get a Brent Faiyaz impression that didn’t click with me until hearing this song. I never really got his appeal until I hear it over this and I start to realise the very distinct new jack swing element to his vocals, as he pretty seamlessly transitions from soulful double-tracked harmonies to much more rhythmic, half-rap flows. Now this ISN’T Brent Faiyaz… and I still don’t really like Brent Faiyaz, but hearing his wannabes I think helped me gather what was distinct about him, and the literal Richman North of Richmond here pitting his filtered splatter of vocal ideas and riffs over the beat in a very Devil-may-care fashion exemplifies the elements I do like about him, just with an instrumental that I personally like a lot more. Also, the VHS version is labelled as such but is really just like a bass-boosted version of the song that sounds like it was done in 10 seconds in Audacity, though the vocal mixing sounds a bit different too. I would love for someone to explain why that was the version I ended up adding to my playlist, because I couldn’t tell you.
#8 - “I Can Do It with a Broken Heart” - Taylor Swift
Produced by Jack Antonoff and Taylor Swift
I know I wrote my whole Taylor spiel last week, but I’m not bothered about this one at all, and I really did expect it to be a fan favourite, mostly because, as the one track I actually enjoy on the standard version, she’s having fun! The lyrics are actively vapid, which doesn’t feel like the intention when she’s singing over soppy adult contemporary but very much feeds into the almost childish character she plays here over synthpop with an actual pulse. The synths here sound like a theme park she’s taking the boy to, especially with the backing vocals and chatter samples implemented into the ambiance and classic Antonoff wonky synths - though some of this doesn’t even sound like it’s in his ballpark. Like were Marian Hill or Sofi Tukker ghost-producing this? Some of these loop choices and flashy sound effects are frankly ridiculous, in the best way of course because the song is camp and fun. Sure, some of Taylor’s lyrics still come off a bit awkward, mostly because of her choice of slower melodies sometimes clashing with the fast-paced patter of the synthscape, but that’s a nitpick. I do love this song, I think it’s fun, Hell, I think it’s funny which is something Taylor has always kind of failed to translate to me in the past, so that is something. I just don’t think we have the same sense of humour. Does she like Norm Macdonald? I don’t feel like she does. Correct me if I’m wrong, Swifties.
Conclusion
It should be incredibly obvious who gets Best of the Week, it’s Kenny, easily, with “euphoria”, and I’m sorry, Swifties, but Yeat better. “If We Being Real” takes away with the Honourable Mention pretty easily as well, though really, strong competition and strong week all around - Tems was close too. There can’t be a Dishonourable Mention in this climate so, Worst of the Week goes to Kygo and Zak Abel for “For Life” that “features” Nile Rodgers, it genuinely just is a lazy template of a song. As for what’s on the horizon, I’m not sure. Dua’ll have some impact, but outside of that, time may have to tell. For now, thank you for reading, long live Cola Boyy, and I’ll see you next week!
#uk singles chart#song review#pop music#kendrick lamar#drake#taylor swift#kygo#zak abel#nile rodgers#yeat#tommy richman#tems#myles smith
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Hi I just really wanted to thank you for getting me into RotTMNT! I first followed you for TF content and I kept noticing all the rottmnt stuff with some mild interest, but then you reblogged a gifset of Krang and Leo in the prison dimension from the end of the movie and I basically eyeball emoji'ed so hard at Krang's character design and kept thinking about it in the days after as you did more Krang posting that I ended up hunting the show down and watching all of it and the movie over the past couple weeks.
It was so much fun! I missed the TMNT craze growing up and kind of had this second hand image in my head of them either being really vapid, 90s cool kid "Woah!!! Cowabunga duuudes!!!! Pizza, yeah, kickflip ollie 360 wooooo! Gross out humor, fart.wav!!" stereotypes or edgy grimderp 2000s comic book super heroes, so the idea that the franchise could actually have complex characters and relatable themes and a cohesive, quality narrative kind of blew my mind. (Donnie, my beloved.)
(Haha, funny enough I think RotTMNT might have rehabilitated the TMNT franchise for me the same way TFP did to Transformers.)
So yeah, thank you! I'm really grateful to you for...I guess, enjoying something you like and sharing it around? Haha, it sounds a bit silly when put like that, but nevertheless. 💜
Oh my goodness, this iso heartwarming to read!! I'm so happy that what is essentially a running catalogue of my various obsessions led you to Rise! And what can I say...
there's a certain somethin' about him.
#I'm of the opinion that the ''something'' is ''whore energy'' but that's me#anyway this is so lovely to hear! thank you so much!!#asks#rottmnt
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Going around asking some bb blogs but
Do you got a favorite end credits scene? :3
OH TYSM FOR ASKING there r a lot of them i rly love but here's a top 5 (ordered but not definite if that makes sense?)
this post got long sorry
s9e12 the helen hunt - THIS ONE IS SO CUTE i love when they let bob dance in the end credits and i also love gene + bob moments bc we don't rly get those. and the way everyone gets involved?? perfection. love it. absolute peak
youtube
s12e11 touch of eval(uations) - probably my favourite in terms of music? especially since we barely get to hear calvin sing. also boblin dancing?? oh my god just look at them?? it's so good i love it
youtube
s13e13 stop! or my mom will sleuth! - gene and tina episode believers (me) will be so starved for content of just these two they'll cling to these end credits for their life
youtube
s9e15 the fresh princ-ipal - it's pesto in my pants cmon it's such a good song for no reason
youtube
s4e2 fort night - there r SO many cute details in this. andy and ollie sharing and louise making tina trade then feeling bad about it r personal favs
youtube
s10e15 yurty rotten scoundrels would be here too but i can't for the life of me find it uploaded anywhere. but i rly love the visuals in this one i love seeing them get creative w it. honestly probably a v close second favourite. sucks i couldn't find it uploaded anywhere (and my laptop is a BABY and doesn't like recording things. idk why so i can't even get the video myself)(i'm assuming bc the actual episode is v mid no one rewatches the episode enough to actually remember the credits)
also honourable mentions under the cut (there's a lot. like 45 episodes a lot. i got carried away and i really like the end credits leave me alone)
sorry for any overlays on the videos. i'm assuming it's so the uploader could avoid copyright
atp this list is just a personal catalogue. idk how it got so long i think i blacked out for 3 hours while writing this
s2e1 the belchies - i have no idea why jjr is animated so well here??
s2e4 burgerboss - i just rly like the music
s2e6 dr yap - probably the funniest end credits for me? it's definitely up there
s3e21 boyz 4 now - louise is just a girl god don't talk to me
s4e6 purple rain-union - this one's only here bc i rly like how gene and jen help louise onto the stage
s4e9 slumber party - one of my fav episodes i kinda have to put it here
s5e19 housetrap - why they don't let larry murphy sing more often is beyond me
s5e21 the oeder games - i mean cmon it's the oeder games
s6e3 the hauntening - it's just cute
s6e7 the gene and courtney show - courtney mentioned
s6e19 glued, where's my bob? - it's bad stuff happens in the bathroom. i can't leave it out
s7e8 ex machtina - tinimmy mentioned (in all seriousness jjr is animated v well in this sequence)
s7e16 eggs for days - teddy and linda singing god bless
s7e18 the laser-inth - BOB AND GENE MOMENT (also one of my fav episodes so it goes on here bc i'm biased)
s8e1 brunchsquatch - idc what anyone says i love this episode and i love that they made it (i do wonder if any of the ppl included r still actively in the fandom)
s8e4 sit me baby one more time - one of tina's best songs tbh
s8e5 thanks-hoarding - teddy and lin singing 10/10
s8e14 the trouble with doubles - good song and louise and gene r rly cute
s8e21 something old, something new, something bob caters for you - same as 0619 it's such a good song i can't just leave it out
s9e6 bobby drive - such a good song??
s9e7 i bob your pardon - another banger song
s9e9 UFO no you didn't - we need to see susmita more
s9e17 what about blob? - this song is so good the in universe characters don't get it
s9e22 yes without my zeke - i love when they experiment with the art direction
(there's a lack of s10 and s11 end credits uploaded to yt which SUCKS bc i rly like a lot of them so uh. use ur imagination)
s10e3 motor, she boat - gene fnaf jumpscare at the beginning but god i love louise's ears squashing down under hat 😭😭
s10e11 drumforgiven - gene is just so happy in this sequence god don't talk to me
s10e14 wag the song - one of the only times jjr sings the end credits song afaik? also love the limited colours
s10e21 local she-ro - cute linda and tina sequence
s10e22 prank you for being a friend - rudy is so happy here look at him
s11e1 dream a little bob of bob - TINA AND BOB MOMENT!!
s11e4 heartbreak hotel-oween - the way gene and louise peak out of the costume's window is rly cute
s11e6 bob belcher and the terrible, horrible, no good, very bad kids - good song
s11e11 romancing the beef - cute boblin moment
s11e12 gift card or card trying - BABY BELCHERS
s12e3 the pumpkinening - gene seeing lin and gayle dancing then going to join them is just rly cute to me
s12e4 driving big dummy - yk the drill by now, if larry murphy sings it goes on the list
s12e7 loft in bedslation - v cute sequence; when they both fall asleep while making it >>
s12e13 frigate me knot - so catchy for no reason??
s12e21 eighth grade runner - u know i love some creative end credits
s13e5 so you stink you can dance - the lyrics r so cute?? also jjr looks rly good in black he should wear it more
s13e6 apple gore-chard! (but not gory) - louise and jessica r just kids god i love this sequence a lot (louisica bias)
s13e8 putts-giving - the only way i can describe why i love this so much is that it itches a scratch in my brain i didn't know was there
s13e14 these boots are made for stalking - love when they let bob dance in the end credits
s13e16 what a (april) fool believes - this song is so gay for no reason "you've got the chain i yearn to yank" dude fuck off
s13e22 amelia - come ON it's AMELIA it has to go on the list
s14e5 bully-ieve it or not - definitely recency bias but i rly like the song
#i ended up having to limit the honourable mentions to 5 per season bc i was writing too much LMAO#tried to limit it to 3 but seasons 8 9 and 13 were testing me (i failed)#shoutouts to s7e13. s8e8. s8e12. s9e8. s9e16. and s9e20. gone to the episode per season limit#ik s13 has 6 but i genuinely cannot choose which one to cut#if any links go to the wrong episodes shhhh no they don't#asks#fangomango#bob's burgers#rambles
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k here's ur actual song for today
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rewatching tmc why did the ressurance notebook rip my haeart out and eat it in front of me. what the fuck
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early years are just full of shippabilities esp if you're into threesomes like, it's a treasure trove of people just flirting with one another and everyone's in on it and you get the sense that no one, not even radar, is deemed to be not a prospect which is a very fun vibe.
what if i catalogued all the ships i'm into in some way for these three seasons haha
couples
hawk/trap
hawk/frank
hawk/oliver
hawk/henry
hawk/margie
hawk/flagg
trap/calvin
trap/oliver
trap/kellye
trap/frank
trap/margaret
trap/ginger
trap/margie
trap/klinger
margie/edwina
margie/ginger
henry/klinger
klinger/kellye
frank/flagg
radar/sparky
throuples
hawk/trap/oliver
hawk/trap/ginger
hawk/trap/margie
hawk/trap/margaret
hawk/trap/calvin
hawk/frank/margaret
trap/oliver/ginger
quadouples.. ?
hawk/trap/frank/margaret
hawk/trap/calvin/ollie
i want that man gangbanged
trapper and/or hawkeye... like separately, or together, probably both
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Ep. 91. Has given me so many drawing ideas so I’m gonna catalogue them real quick so when I wake up tomorrow my 1 am thoughts aren’t just lost to the night.
Gillion leaning on chips shoulder while they’re looking at bounties bc Aw.
Gillion with the scars
Jay with wings (even if they aren’t new)
Chip High off his mind
and some nice little Gillion nightmare angst pieces.
also maybe the scene where chip grabs Gillions hands to put the bracelet on him
bc that shit hurt me
also just ollie
I love him.
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Intro Post !?
he/they🐛 05🖌️bio student🧪apple enthusiast🌏black✨
Hellooo, you can call me Plastikid or Ollie
(Plasti-kid if you ever need to say that aloud)
I just post things I find pretty and I'll do my best to link exactly where I got it from. If I don't link anything and "Origin Unknown" isn't tagged, then it's probably mine (like now)! Also my posts will be organised via tags! =:] (thats an alien btw)
I'm not a NSFW account but if you are, I won't judge. (Unless its ddlg and sexualised agere, pls go away.) And speaking of pls go aways and please interacts. CARRD! (Coming soon)
IN SHORT
Plastikid / Ollie
I am an adult and have adult things to do (I don't live on the interwebs)
Me and the block button are besties
CARRD
Photo heavy blog
TAG KEY
You probably noticed some very vague tags such as notebook and catalogue, here’s what they mean!
Notebook
Any post with subjects I want to keep tabs on
Catalogue
Any posts that would describe me or my blog, also the u is italicised because it’s the only way to see the tag when you search
Library
Any post with how to’s and other information
Blueprint
Any post with fashion or furniture I like
Radio
Any post with just music
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a little something...
November 3rd, 2008
So we totally shredded our faces…although now we’re left with a big gaping hole that tours with very awesome, incredibly witty and warm people tend to leave you with. It’s been a hard week recovering from the loss of our touring buddies. Ellen is getting through it with the help of Kinder eggs and the new series of Heroes and I’ve been distracting myself by watching the Stephen Fry program about America on iplayer. None of this helps enough.
We hope you managed to make it to one of the Shred Yr Face gigs. No Age and TNV are quite something live…The experience was catalogued to some extent on www.shredyrface.com
We’re off to Europe tomorrow (!) where we’ll be joined by our wonderful labelmates Sky Larkin and Lovvers and that’s definitely something to look forward to. Mostly because of the food. Ollie’s excited about apfel strudel, Tom’s excited over proper pizza and pasta, Gareth’s excited about the vegan restaurant in Munich, us girls can’t wait for the wealth of continental cheese and Neil wants to put on some lederhosen and have a big old knees up in a beer hall. So yeah, you better still love us when we’re fat.
p.s
some photos of the tour can be found here
and I (Ellen) completely cheated on this blog and whored myself out to Kruger because they pay me in pie here
(404)
I can’t believe you can be bought so easily Ellen. Note my disapproval. You could’ve at least shared the pie.
Oh and our new release is in shops now, not just internetland. It’s the prettiest thing we’ve ever seen and comes with lots of extra goodies….
xoxo
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