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#not like anyone will use this idea
korben600 · 1 year
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You know what would be peak cringe that could keep Twitter users off of here?
Anthropomorphized social media platforms.
Playing off of the old Tumblr X 4chan stuff, Tumblr used to be a bit of a crazy girl who went wild in her youth and had serious far right tendencies. But while 4chan OD’d on Nazism, tumblr weaned herself off of it, and after breaking up with Yahoo, and hooking up with Verizon who tried to turn her into a different more upright person, she finally settled for Automattic.
She was expecting Automattic to be her last BF, and that she’d run herself into the ground for them, but it turns out they’re not that bad and Tumblr’s been getting back their mojo.
Now Tumblr is the in-universe equivalent of a fandom old, running a coffee shop while everything else burns around them.
Major plot developments would be getting something approaching a sex life after Verizon tried to force her to be celibate, desperately begging Twitter to stay with her when she realized that Elon was even more abusive to Twitter than her last BF, and going to 4chan’s funeral/getting into fights with all of 4chan’s kids who drove him to an early grave.
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mutualcombat · 26 days
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SPIDERWEAVE GANG RISE UP
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novelconcepts · 2 years
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The defintion of hell is knowing a show is incredibly well-received in its first season, but if people don’t become machines churning out tweets, content, and rewatching 24/7, there’s no likelihood it’ll get a chance to tell its whole story. This shit is madness. Shows in different genres shouldn’t have to pit-battle for dominance. First seasons are MEANT to be baselines establishing worlds and characters, not complete storylines. The idea that this golden age of television has turned into “get it done in one or get out” is revolting.
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radiance1 · 9 months
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Alfred Pennyworth has in fact, perhaps, in the slightest of chances.
Picked up his Master's habit of collecting children as if they were on sale.
He was spending his time on one of those rare vacations he decided to take, it was nice, to relax with only the vague overhanging worry of something going wrong back at the manor that he's gotten very good at ignoring.
Only to come across a child bleeding out in an alley, heavily injured.
He would not be able to live with himself if he didn't at least try to help them however he could.
Such is how he acquired a child he later found to be a meta who whished to learn the ways of a butler.
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Danny had escaped from a GIW compound, after having been handed over by his family a while after his reveal. He felt, completely and utterly betrayed, when it happened. His parents, while hurt, he was at least capable of actually seeing them do it, but never would he have thought Jazz would do so as well.
They did it so happily, that he wondered if letting him go really was the greatest thing to happen to this family.
He chained, muzzled, all the ways to bind him they pulled all the stops too, knowing how dangerous he was. He wouldn't have even done anything then, too stunned by his families apart willingness at handing him over to the government.
He hated them.
He hated them so much.
The GIW facility was a terrible, cold, unfeeling place. One where they drilled thoughts into his head again and again until he found himself unconsciously repeating them when his head felt empty, one where his body gained a new mark day by day and pushed through tests, he had no clue of even hoping to comprehend what they would gain out of it.
It was a cold, unfeeling place. Placed in a cell of white and nothing else, with low walls and chains binding his body in place until the time came for another experiment.
It was a room he grew used to. One he even held some kind of strange, twisted affection for.
It was a room that held a tiny piece of safety, of rest. It was a room that taught him to hate.
A deep, powerful, disgusting, twisting hatred that crawled from the depths of his cells, corrupting his blood and carving itself deep into his bones. Forcing it's out of his pores until it practically oozed from his flesh.
It drowned his mind, tainting each and every thought, every memory, every dream, every waking moment until he could feel nothing but hatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehatehate.
When he was taken out of that he could feel nothing, with the drugs swimming their way through his blood that snapped the thin string keeping him between a person and an emotionless puppet.
He thinks that's what the GIW thinks he is.
And when he was placed back in that room, he could only hate.
It was a cycle. Stuck between feeling either nothing or hatred.
He hated feeling nothing, it made him feel like he wasn't real. Like it snapped the thread that held him between what a real person was and a dream.
So, he allowed himself to drown deep into his hatred. Until the white walls of his far to small room seemed to fade, until whatever sound he could have heard became nothing but dull noise.
Until the passage of time seemed to become just a blink.
He didn't know what day it was, when he saw it. Saw them. He didn't know the time, the date, the day, the hours. He knew nothing.
But he could recognize his family. Recognize one of the objects of his intense hatred that he forced his thoughts too. The people who willingly gave him up just like that and one of the causes for his current life.
He didn't know why they showed him them, he felt it some sick, utterly cruel joke. A joke he didn't know the punchline for, a joke the universe sent his way to make his life all the more miserable.
There were multiple of them. Multiple clones of his family. Som within test tubes, some being pulled out from the tubes, some walking around in lab coats. A waste of talent, they called it in his dad's case, a waste of intelligence in his mother's, and a waste of intellect in his sister's case.
His original family was already dead, he was told. Replaced by clones, clones that took over the legal decision to change his guardianship. Clones walking around twisting and desecrating his family.
'At least it was painless.' One of the clones said, talking with his mother's face. 'Far more than they deserved for having keeping a thing like him' spoken by his father's imposter.
The drugs pumping through his system to keep him calm, to keep him feeling nothing was suddenly pierced through by an intense feeling of horror, hate and self-loathing.
He should've known it wasn't his family. He should've done more! More to protect them! To keep them safe! The could've still been alive if he just knew.
In that moment, watching imposters speaking, walking, talking, breathing, with his families faces. He exploded. Exploded with a power fueled by nothing but his intense hatred for every. Single. Living being in this goddamn facility.
He killed whoever stood in his way. Managing to get his hands on relatively newly designed weapon, an ectoplasmic scythe (that also apparently could revert into an everyday item). Which he used to rip and tear throughout the entirety of the facility. He got injured, of course, he couldn't dodge everything, but he didn't care.
A body stuck between life and death, incapable of fully going one way or the other no matter what happened. Gifted supernatural powers fueled by wrath and twisting hatred and a weapon made by man yet in the range of the supernatural.
They didn't stand a change. He killed them all. No matter who it was, man, woman, clone. He didn't, couldn't care. He could only kill, only maim, only hurt.
And that's what he did.
It was then, when the facility was blanketed with silence tainted by despair, death and hysteria. When previously white walls were covered by blood, and the halls turned into rivers of blood and corpses. That he broke down, the overwhelming hatred he felt replaced by relief then sadness then self-loathing.
His family didn't give him up! But they were killed. Kill because of him. He couldn't stand being in this place, anymore. His body felt as if it were moving on unseen strings as it walked through the halls, the scythe shrinking back what it was when out of combat, his mind too occupied by thoughts and feelings.
It walked through a portal, one to the ghost zone, and then promptly into another portal and spat him out into an alleyway. Which he then promptly collapsed and curled into a ball, curing the shrunken scythe in his palm and he was out like a light.
A few days after he woke up, he found himself growing attached to the human that found him in that alleyway. An old man, maybe, but a nice one. He didn't want to meet anyone, besides that man, so he turned invisible when anyone else come into contact with him.
Alfred Pennyworth.
It was a name he clung onto mentally and a man he clung onto physically as well. He wanted to be like that man, someone so nice and caring, someone who didn't mind that he turned invisible at the sing of another person, who let him cling onto him both invisible and not whenever he wanted to.
He did panic when he heard Alred saying his vacation was over, and such that he had to leave. He didn't want to be left alone again, he didn't know what he would do if he was left alone again.
Until Afred said we were going home.
We. As in, him plus another. Alfred plus Danny.
Home.
Heat blossomed in his chest, seeming to replace the constant, low hum of hate sitting beneath him skin.
Home.
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hazel2468 · 5 months
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I keep seeing people bitching about "uwu when I say 'from the river to the sea' people say I'm calling for geeenocide! They say I'm antisemitic!" and like.
Maybe. instead of clinging to a phrase that a bunch of white leftists have co-opted because they think it sounds nice. And digging your little immature heels in. You should LISTEN when people tell you that yes. The phrase's FUCKING ORIGIN was a call for the eradication of Jews from the area known as Israel and Palestine. That NO, you cannot divorce it from those roots. YES, it IS still used to mean that TO THIS DAMN DAY.
And look. Maybe you DON'T think that Israelis should all be killed and/or exiled from Israel and Palestine. Maybe you DON'T think that the genocide of an entire people is the solution. Maybe you DON'T hate Jews and want all of us dead. And if that's the case? Great!
But how the FUCK are we supposed to tell the difference when you are using the EXACT same phrase as countless people who DO want those things. People who DO hate Jews, who ARE supportive of organizations that want to commit violence, people who SUPPORT what happened on October 7th?
When people tell you "hey, this phrase means something else, it has ALWAYS come from those roots, and using it is NOT OKAY because it is STILL used as a rallying cry for violence against Israelis and Jews worldwide", the way to react? Is NOT to fucking double down and use it.
Because that? DOES make you an antisemite. And if I see you using that phrase? Then I MUST assume that at best, you do not know what it means and have SOMEHOW avoided the countless Jews and non-Jews I have seen talking about it, or at WORST you actively hate me and want me and every single one of my people dead.
And frankly? You are not worth that risk to interact with.
Stop saying it. There are SO many ways to support Palestine, the Palestinian people, and their fight for rights, that do not involve spouting genocidal, antisemitic rhetoric. it is NOT HARD.
But apparently, some of y'all are insistent on being racist.
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wyvernspirit · 3 months
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I know most people want gentleman Husk to Angel
But I would like to argue back that gentleman Angel?? Kissing Husks knuckle after he gives him a drink? Making him a fully homemade (Italian) dinner with drinks? So many ideas I have
(the superior answer is that it's both of them in different ways at different times and everyone around them is honestly jealous) ((and wants them to finally kiss god dammit))
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lunarharp · 4 months
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more phoenix wright situations
#ace attorney tag#maybe i should tag this narumitsu or something. but i dont really care.#gearing up to rereading/illustrating bits of my fic i suppose...i think nick really is too dense to realise he's in love with edgeworth#without some scheming fop trying to intrude. i love villains like kristoph..villains can be fun..witnessing their pathetic folly..#or more like edgeworth would never have mentioned his feelings ever in his life if he wasn't sure phoenix reciprocates.#i want to see it this way because Falling in love during childhood with the person you're going to end up with. is not relatable#there have to be Situations that make you Realise.#as with orufrey i adore the idea of people not working out their romance with that person until their 30s+#but... i mean. even with orufrey i often think how alaira could be qifrey's ex. and oru having been pursued by noble fops through his work#there is that delicate sliver of time before orufrey start living together that such believable situations could have happened.#Then the relief of politely and amicably extricating themselves from those untenable situations#the idea of falling in love age 7 and saving your first kiss for age 35 or something is all very well but more relatable is#people realising how they really feel whilst trying something that ends up feeling wrong.#The comfort and joy of living with your dearest one as if it's platonic - much preferable to trying anything more with anyone else.#But i doubt i will ever portray that or mention it further. it is indeed very delicate to me.#and i really am an OTP FOR LIFE!!!!!!!!!!!!!! kind of person who can barely bear to consider this anyway...NOT a polyshipper i'm afraid !#so i wouldn't mind either if they do have their first kiss in their lives age 35 with each other either. I would not mind that at all.#i love bi/gay couples apparently... bi father figures & their grumpy gay men waiting for them to work it all out...#not used to using colour in comic-style drawings..or at all..so this is messy and awkward looking..but colour is refreshing#i imagine i will go back to witch hat art soon btw. my destiny in life.#i still remember writing my nrmt fic expecting to write their first kiss & then partway through twas like Umm No. They have kissed prior.#does that really line up with this comic though... i think i had their early dinner dates/first kiss BEFORE disbarment.#so i guess this comic doesn't line up with my ficverse.... No..... U___U Oh well. sorry kris! <3
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geodenes · 2 months
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can someone PLEASE be insane with me about them
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synonymroll648 · 8 months
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after fitz cools off a little bit about sophie and keefe being a thing, he should drop tidbits about keefe (mostly during trust exercises) that he thinks she might find helpful since they're dating.
the thing is, instead of just stuff like, 'keefe loves frogs, so he might appreciate a gift or trip related to them, idk' he also drops things like 'btw if you just hold his hand in your hands - specifically towards the back of his head, just behind his ears - while you're talking to him, he'll probably melt haha. also his scalp is sensitive, do with that what you will, but make sure you're gentle'.
bonus points if sophie asks keefe about why every single tidbit fitz gives is correct and he goes tomato red for the first time ever and sputters out something like 'i gave fitz the lord of the snuggles title based on personal experience - he's clingy when he's tired, ok?'
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crybaby-bkg · 5 months
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cw: this got long sorry 😔 but creepy/perv bakugou, recording, film major bkg x art major reader, masturbation, coercion, dubcon before it just becomes con, voyeurism/exhibitionism
as an art major, you typically did some works for a few students on campus; for their plays, as background pieces while they danced, a cover for their released songs. it wasn’t out of the ordinary for people to ask you to create something for them, and you enjoyed it more often than not. but, you weren’t usually the art itself.
Bakugou is a friend’s friend that you’ve seen a few times, ran into at the library or at coffee shops. he’s a film major, and always looks so unhappy about the whole thing, as if he didn’t choose it himself. you joke to Mina that you think he’ll graduate and become one of those directors that hate everything and yell at the actors constantly and later on get sued for being a dickhead. you never say it to him though—you’ve never spoken more than a couple words to the man.
it’s why it shocks you when he approaches you one day. it’s after one of your painting classes, and he stands outside the door with a frown and his hands shoved in his pockets, his eyebrows scrunched as if pissed at the mere sight of you. he asks you, in that low and gruff tone of his, if you could star in his final project for the semester. says it’s supposed to be a film made with this criteria and that, but, you’ve kind of checked out on the conversation after the first sentence.
“You mean, you want me to create something and that be the star of your film?” you ask him, feeling so intimidated at his stature. he always seems to loom, his hair shadowing the lights above, creates a cast over a portion of his face, makes his eyes look…unsettling. like they’re looking straight through your flesh, can find the marrow in your bones. he scoffs like you’ve offended him, rolling his eyes into his skull, mouth pulled tight.
“No.” his voice is firm, gaze concentrated only on you, like the halls are empty and you’re the focus of his lens. “I want you to star in it.”
his words confuse you—you’ve never presented yourself as an actor before, never alluded to wanting to be in the spotlight if not for what you create with your hands. but he shuffles on his feet, looks desperate even. there’s some hemming and hawing for a minute or so—why not choose Mina?—she’s busy—why choose me?—‘cause you’d be perfect for my short film—what’s it about?—you’ll find out once you get the script.
and even after you hesitantly agree and get the script—you still don’t understand what you’re doing. why you’re here, why you’re the only person, why it has to be a solo film, why there’s damn near zero lines in the entirety of the have-to-be forty five minute film.
the scenes are all so long, and maybe it’s because movies aren’t your forte or chosen major, but you just don’t get it. one scene; you’re staring at yourself in the mirror while Bakugou holds a small, black camera over your shoulder. he’s eerily quiet behind you, whispers out a faint fuckin’ go when you have to wash your face in the sink, makes you do it over because your movements are too jerky and unnatural.
the rest of the scenes go that way; you doing regular at home activities, being put under a lens, quietly barked at to do this and move that way and fix your hair and remember to frown.
“Isn’t there another way to film this?” you ask him on the fifth day of shooting in his spacious loft. there’s a bubble bath scene coming up, one you dont understand the importance of, but Bakugou tells you it’s the most necessary part of the entire thing.
“No,” he grunts out, looking at you from under his lashes as he sits on the lid of the toilet. “But I’ll make it soapy, so the camera won’t see much.” the camera? much? you weren’t worried so much about what the camera captured as you were the man behind it. he looks at you with such intensity, you feel naked already despite the robe you wear that’s suspiciously already your size.
he leaves the bathroom when you sink in the hot water, returns before you can say it’s okay, hears the water splashing and thinks that’s good enough. he kneels on the floor beside you, camera pointed directly in your face, makes your chest hot and your skin feel prickly. the scene passes on regularly enough; you run the water over your arms, tilt your head back as you sigh, whisper the few lines scripted, lean back and close your eyes, sigh again. it’s almost relaxing, makes you forget about the friend of a friend recording you naked right now. almost.
“Touch yourself.” Bakugou suddenly demands, hushed and quiet behind the camera. your eyes immediately shoot open, looking to him in question, how he’s eerily still in his spot hovering over you.
“Huh?” you ask, unsure if you heard him correctly, looking around the rounded lens in your face, trying to ignore the red blinking light. but Bakugou only frowns.
“It’s a masturbation scene. Touch yourself.” he repeats, voice louder, more demanding this time. your stomach twists at the thought of doing something so intimate in front of him. he’s a handsome guy, for sure, even made you consider asking him out after this, figured he was just serious about his work and awkward about certain things. but…something had been off about this entire thing since the start.
“But—but I don’t, I’m not,” you stutter, sitting up a little, the bubbles covering your chest starting to disperse with your movements. but Bakugou only sits a little higher on his knees, finally pulling the camera away from his face for the first time since he’s asked you to do this for him.
“You want me to fail?” he asks, booming voice eerily quiet in the silent bathroom, carmine eyes dull, shaded over with something terrible. “Then do it.” he tells you when you shake your head quickly.
you stare at him until he gets back into position again, camera back pointed at you. when he doesn’t say anything else, you swallow thickly, wondering if the art that will come out of this will be worth it. so you listen, sneak a hand under the water, start touching yourself in a way you never have in front of anyone.
is it bad to say that it’s exhilarating? being watched and recorded by someone who breathes so heavily every time your voice hiccups? being directed to touch your chest next when the suds start to disappear and your nipples start to peek through? is it bad that you want him to send you this portion of his film, only, just so you can watch yourself again and again? make a portrait of yourself with your fingers on your nipples and your knees raising from the water and your head thrown back from the intensity in oil pastels?
“That’s a wrap.” Bakugou announces when you finish, head spinning and still panting. you look over to him, how he closes the camera, the obvious bulge in his pants. “I’ll get you a towel.”
you wonder when’s the next time he’ll need you. or better yet—maybe he could be the star in your final drawing project? you had finished it already but, what was the harm in starting over with him as your muse? as naked as you are? camera not blocking his face so you can paint the similarities of his blushing cheeks and eyes when you direct him to look at you? to touch his chest? to play with himself just like that?
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losnordiquitos · 13 days
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did yuo know,,,,,april is autism acceptance month!!!!!!!! can we see sweden being autistic
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yaaaay, um !!! i feel like big part of sve being autistic is him being nonverbal/having selective mutism so i tried to give him an aac device for the drawing... happy autism acceptance month gang...
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starlitflowers · 6 months
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the reason essek is only mentioned twice in eots is not because he's not with caleb anymore, it's because they both refuse to acknowledge that theyre dating (yes they have kissed in front of the rest of tm9. yes they did call each other just friends 5 minutes later.) its been almost a decade theyre too far into the bit to stop now
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harbingersecho · 16 days
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grif's surgery but just a little more... obvious?
I actually rly rly ADORE frankengrif but I don't have an in-show reason why he'd have extensive long-term allogeneic skingrafts on his face 😔
#rvb#red vs blue#dexter grif#grif#*24#mine#art#cw wounds#Look I love biology stuff like this so I like researching what would be at least semi-plausible even if it's just for a dumb halo show that#makes 0 sense where CPR cures a headshot but i cant help it!!! and like the 'lazy' reason for it would be sarge is just crazy like that but#its not a good reason imo. and like the things he lists needing replacement are mostly internal and body parts which makes sense#considering how grif got injured by sheila like I could 100% see that rupturing organs and crushing his hand and there being burns etc#but like nothing points to grif needing any surgery above the neck and i dont think anyone mentions his face being different? i could#make up injuries for him but nothing in the show actually supports that he'd need grafts for anything but his body..#I'm SOO ready to be convinced otherwise btw like I said I want an obvious frankengrif to be true so bad !!#AGH would it be too insane of me to make like a surgery/injury overview thing for grif just so i can convince myself abt this idea...#i can bend to some fun stuff tho im not a total joykill u know! thats why i give his body the mismatched donor skin look despite allogeneic#grafts not being permanent w/ current tech. like it really doesn't matter if it's realistic or whatever but also Yes It Does.#and like during/after chorus would grey offer to 'fix' it? i imagine the feds could mesh a skin so they could use grif's own skin..#or like during rats nest when they got reassigned?
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sephirajo · 8 months
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teddyedwards · 1 year
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Here's my resignation, I'll serve it in drag! / All rock and roll is homosexual
Manic Street Preachers and My Chemical Romance on defying gender and sexuality norms
nicky wire photographed by mick hudson / gerard way at Riotfest / mama by mcr / born a girl by msp / richey edwards / gerard way by kenneth capello / frank iero / james dean bradfield / a version of reason by rob jovanovic / interview with gerard way / frank iero's pansy guitar / richey edwards fairy t-shirt
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hazel2468 · 8 months
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Something that I need people to understand, especially on this hellsite. Is that oppression does not depend on who you actually are.
It depends on how the world sees you.
If the world sees you as X identity. They will treat you as X identity, whether you are or not. If the world sees that you are not X identity, but they can use the oppression of X identity as a cudgel to make you act the way they want you to? They will use it.
Oppression is NOT dependent on who you actually are. It depends on how the world sees you. It depends on how people see you and what they decide to put on you because of that.
Oh. And when someone experiences a form of oppression that is NOT based in the reality of who they are? It's still that kind of oppression. It's not "misdirected"- it is still that kind of oppression being leveraged to maintain the current social climate.
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