I’ll never get over The Duffers preaching that Stranger Things is for the outcasts and the weirdos only to create the most queer coded neurodivergent freak of the show just to kill him off

sincerely hope crowfeather has a boring death offscreen and is never brought up again. thank you

i love how fraught and complicated discourse around various utena characters ‘dying’ is when anthy is literally stabbed to death eternally by a million swords imbued with human hatred. and then utena gets stabbed to death by them also. like. ‘death’ is incredibly interesting in rgu because most of the time it’s this ambiguous figurative thing that has interesting implications re: ohtori as a closed-off world one can escape. we are all trapped in our coffins. mamiya is the only named character with a grave. nemuro memorial hall functions as one all the same. ruka is implied to have died in the hospital— was he dead all along? who was the boy we saw for these two episodes? is this dead boy the same boy, or is this just another coincidence from the shadow girls, cutting like a knife? it’s heavily implied that akio and anthy murder kanae by poisoning her, adding to the previous implication that they were poisoning mr ohtori too, but there are no perceptible consequences of this. kanae’s absence is not felt. she’s fed an apple slice. what happens to the bodies? we know what happened to the 100 boys, but what about everyone else? and so on and so forth. ‘death’ is a tricky thing in utena, i think it’s constantly functioning on figurative and literal levels in very different ways for very different purposes. dios died. dios was dying. dios didn’t die. he grew up. etc etc

why does the pjo series have to unnecessarily villainize goddesses (hera & athena) or show them as silly ladies (aphrodite & demeter) BUT posiedon and apollo are somehow shown as the coolest/most likeable gods, even though arguably, they're right after zeus on terms of corruption?

ares shown as the worst god after zeus and hera amuses me. last time i checked, he was the patron god of amazons and literally killed a man for attempting to rape his daughter but guess who cursed women for rejection? apollo. guess who raped women when they said no (aside from zeus)? posiedon.

✖ @mistrdctr inquired: 55

spotify wrapped | always accepting ↳ 55. night channels - foxing

Her fault. Her fault. Her fault. He was going to die, and it was all her fault. Hands pressed desperately over his middle, trying to staunch the bleeding that flowed endlessly, Fox tried to save the life that was already slipping away between her fingers. Shredded muscle and sinew twisted with the tattered remains of his robes, weaving together around her incapable digits like a grotesque mockery of a cat’s cradle. Maybe with medical equipment, earthly objects from that life left behind, his life would be spared—but there was nothing. Nothing she could reach for or grab, no one to call, there was nothing she could do. The great Doctor Strange was dying and the world would be lesser for it.

“Please, please,” her arms were shaking as she begged for that tiny spark of something to appear. Concentrating, digging as deep as she could for any shred of healing power or magic or whatever it was. The shaking became worse. The edges around him, laying prone beneath her unlit hands, began to fade. Melting into a darkness she fought to keep back. Blood dripped from her nostrils, a splitting headache brought forth a spasm of pain, and still she tried. Frantic for anything and lacking in everything. There was no fighting the dizziness that sent the world around them spinning, meshing every color together until all she could see was black.

A deep red glow filled the space and from it walked a woman. Spine straight, moving unhurried to kneel beside the dying Strange. “We clung to our warp weighted loom,” she began softly. “By the time we were done, we were woven in. Such constriction from a self-made trap.” It was Fox and it wasn’t. She was different. Perhaps a little older, confident, oozing with the darkness of power, and looking down upon him with the softness of seeing an old friend. A hand, fingers sooty with darkness, rested over his wound. Again, a glow began, pulsing a deep orange where it had once been gold. The pieces of him that had fallen apart began to weave back together once more. Cells healing in a way that seemed wholly impossible.

With her other hand, she pushed the hair back from his brow. “And on these antlers, dry-rot cracks through.” As if he was crowned or meant to be. This Fox, she glanced to the other beside him. Unconscious and incapable. “I left myself too open for you,” she reflected before turning her attention back to him. “So, by now I know what decay is.” There was a sadness in the way she said it, as if all three had been connected in some mysterious way that had led her down the darker path. The corrupted path. Wanda Maximoff was not the only witch tempted by that which she could not have.

“I’ll lay on waves until the night channels end,” Fox stated, as if telling him where she would be. Where he could find the beginning to the end that would not come for him. Not now, at least. She leaned close to him, his body nearly healed completely beneath her hand. “Future love,” she whispered against the shell of his ear. “Don’t fall apart.” As quickly as she had come, she was gone. Disappearing into the fading glow like a figment of a twisted imagination.

Breathing into a paperbag thinking about the possibility of Elbaf digging the conflict from Water 7 back up again and maybe exploring some long-term repercussions of Luffy and Usopp’s fight that not even they themselves were aware of and and and and and-

LISTEN. the Water 7 Saga absolutely rewired the way I understood the crew and how each member views themselves and the roles they play. And it’s been some time since the Strawhat’s exploration of the New World has allowed them to really take time and consider themselves and each other like that again.

And Elbaf just sounds (MUAH) like such a wonderful opportunity to do exactly that, it sounds perfect, primarily in the way it ties all the way back to the Strawhat’s early days on the Grand Line. And when you look at the presence of the Giant Pirates in Little Garden and Enies Lobby, what they share is that both times the Giants Served the purpose mirroring the conflicts between the crewmates and highlighting the importance of loyalty and comradery. Shit writes itself. Come on Elbaf don’t let me down. Come on Usopp I know you can hit us with another world shattering arc just take the stage love.

it is with a heavy heart that i must announce. the five nights at freddy's movie was really good

sorry for how much of a behemoth this post is im fnaf autism just bear with me also i can't keep my thoughts straight for the life of me so this will be a bumpy ride. as an additional note i got very lucky and had literally 0 spoilers whatsoever for this movie, i haven't even seen the trailer

so first of all: i thought all the changes they made to the plot to make it work for a movie were good decisions, altho some of them did take a minute to actually feel like good changes lmao. once i thought about em a bit more though they made sense.

one of the things i really liked was that they also did include a lot of the things i wanted them to, or more specifically things that you're like "you literally can't have a fnaf movie without these, it just wouldn't be right", like we got mike schmidt, we got fucking VANESSA??? altho she might be in the trailer so that might not be the same reveal for yall as it was for me but still. they heavily alluded to vanny? (altho that's a part i'm kinda sad abt is they didn't /actually/ include vanny, vanessa just makes an offhand comment about how she "wouldn't be much help" if she was around afton and then. comes to help anyways and doesnt have any issues? lame they shouldve had him hypnotise her and then she fought her way out to help mike and abby. or alternatively they couldve used the family restructuring to make vanny be a result of afton giving vanessa osdd-2, like thats kinda functionally what he does with the mask anyways but this would make it more obvious).

also swinging back to changes they made that i liked!! VANESSA AFTON?? like this is the one that took me a while to get used to bc it feels like such a cliche from an outside perspective but it also kind of Super Isn't considering what the original plot is? like all the family restructuring they did makes pretty good sense to me, i do think it loses a bit of the weight having michael be Just Some Guy Whose Brother Happened To Be Kidnapped By Afton Forever Ago and now coincidentally has this weird guy offering him a job as a night guard, but also the og lore. absolutely would not fit into a movie lmao. so i like that they kept the characters everyone wanted around while also rearranging it to keep the spirit of "learning about all of this for the first time through the eyes of a security guard" you get from playing the games. it's fun for people who don't know the lore because it's easy to follow and it's fun for people who /do/ know the lore because they can pull apart all the differences.

oh right back to things they included that i wanted them to. we gotttt chica's cupcake murdering people, we got FUCKING MATPAT? SAYING THE ITS JUST A THEORY LINE? SOUNDING THRILLED OFF HIS ASS TO BE THERE??? i dont like the man and his opinions vis a vis addressing nonbinary characters but. goddamn was that a funny cameo. why couldnt you include markiplier too you fucking cowards. who said that. anyways. oh we kind of tangentially have a canon name for crying child? aka garrett? like idk this one could go either way because like. yeah he's mike's younger brother that died tragically and scarred him for life, makes sense that theyd be the same character in function but also it is technically a different family so who knows.

umm what else. oh this doesnt rlly fall into either category i just really liked it, the intro sequence for all the animatronics? showing what they can /really/ do with the breaking and entering dudes?? that was such a cool sequence i really liked the whole thing honestly. chica being introduced in the kitchen and the dude finding the cupcake then looking back and it's gone? bonnie in the supply closet? foxysprint??? AND FREDDY!! THE BITE!!! in case anyones reading this before watching the movie so they know what to expect: youll know when this moment is coming and if youre watching it at home with friends i HIGHLY recommend having the "was that the bite of 87" clip ready to play right after, they WILL lose their shit. i had it queued up from the very beginning of the movie cause i was like. they can't not include it /somehow/, it's the fnaf movie there has to be A Bite. and sure enough. oh also it's not at the same time but the golden freddy reveal is really good too, they did a good job of setting it up so even if youre already aware of golden freddy conceptually you still go "oh freddy's here? i mean i guess that makes sense he's the leader and all. or wait what happened to his eye why's he only got one? oh. oh i see. ohohohohohohohoho" 100/10. also very funny that they just straight up. MURDER THE AUNT? AND SHE NEVER GETS MENTIONED AGAIN SHE JUST IS DEAD??? the kid isnt like. hey what happened to aunt jane?? i get none of them liked her and with good reason but youd think at least one of em would be like "damn she sucked but she didnt deserve that, rip jane"

oh and the springlocks of course the springlocks. like as soon as we saw aftons name in the cast list we all knew he was gonna get springlocked, it's such a cherished memory for so many of us and there's no way in hell The Fnaf Movie™ wouldnt include afton getting springlocked, they just legally can't leave that out. and they do it pretty well too like yeah if you know what's gonna happen you can see it coming way ahead of time and it's kind of a slow crawl to get there but like. idk i think it still works pretty well. i don't personally like how long the actual springlocking itself took, i think they couldve milked that a little bit less cause i was under the impression that if one springlock failed they All Would Instantaneously And Your Flesh Body Will Become Occupied By A Full Endoskeleton. but no we just get very slow rib beartrap. w/e though still cool and again the leadup to it was really good even knowing exactly how it would end, like just the really slow shuffling of the animatronics towards him? like yeah it's slow and kinda tedious but its also like. theres literally nothing you can do, youre surrounded and defenseless and theyre infinitely faster and stronger than you and now they remember that you killed them. and you just have to sit there and watch them slowly slowly get closer all while trying to talk your way out of it knowing youre fucked. 10/10 they did that part well

oh and that also falls under changes i liked, i liked that instead of "afton tries to escape intangible ghosts by getting into old decrepit suit which then fails and kills him" it was "afton was already in the suit to do murders in and has brainwashed the bots to follow him" wait omg point postponed i just realized that part is from security breach. i thought vanessa was the only thing they brought over from that i didnt even notice that they werent doing the theyre-attacking-all-adults-indiscriminately thing goddamn. omg wait and the fact that the restaurants already closed in this one, it really is just a blend of all the games huh. scott do you see how much more coherent your plot couldve been if there wasnt So much going on. anyways. back to what i was saying. instead of "afton tries to escape intangible ghosts by getting into old decrepit suit which then fails and kills him" it was "afton was already in the suit to do murders in and brainwashed the ghosts into thinking he was their friend so they would help him do murders while possessing the robots. then they get their memories back and the robots turn on him and.. i think deliberately? set off the springlocks, or were just aiming to regular kill him and the springlocks failing was a happy accident? then the robots drag him away as they keep slowly one by one collapsing into him", like the first one made a lot of sense for the game and the timeline and the second one just feels right for this too. it's still his hubris that kills him, still his springlocks, it's just in one version the hubris is "trusting his springlock design to still work after however many years" and in the other its "thinking he has conplete control over the ghosts he killed", plus the ghosts finally get a bit more direct participation in his death than in the other version lol.

one change i did not like. forced het romance. like i dunno i guess im happy for them, both of those characters have certainly earned happy endings by this point so its nice they can get something cutesy. but also. like cmon man it's vanessa and mike do we have to do this she just got stabbed stop holding her hand

oh also this change wasnt really good or bad i just thought it was funny, vanessas a full on cop now? like i get they prolly just dont wanna have two security guards or something but i mean. it wouldve been really easy to just say she was the day shift guard? thatd explain why she had more information on the bots and the place's history than him, why she's always Around, it wouldve even flowed into the vanessa afton reveal pretty well too because like. yeah obviously a guy doing murders would want his main security guard to be someone he trusts and who better than his theoretically brainwashed daughter yknow? as it was she just kinda Showed Up Knowing Stuff And Ignoring Questions and later afton's like "you were supposed to be keeping an eye on him" but like of course Mike was getting dodgy about the weirdo cop loitering nearby for no reason, thats sus as hell lmao. vs "experienced security guard here to show you the ropes" he would have a much easier time trusting that she actually did have his best interests at heart. idk it just seemed like a weird change to me lmao

ummm oh my roommate pointed out the fact that when they tried to springlock abby the suit they were aiming for looked suspiciously like circus baby and abby and baby are anagrams so thats fun. it's hard to tell though if shes intended to be a rework of elizabeth or if vanessa's filling that role now. cause like on the one hand, michael's younger sister whose name is v close to baby, on the other hand, vanessa is afton's daughter. so idk i feel like it could go either way. if abby's elizabeth i guess that negates the thing about garret maybe being crying child's name bc then theyd prolly just be keeping mike's name the same. w/e

oh my god i completely forgot when i was talking about changes to the afton springlock thing, they had him deliberately put his mask on after the other springlocks started releasing and say the "i always come back" line, i thought that was an excellent touch. like he's actively dying a horrific death and is like. no no. im not leaving this bot. this shit is going to suck ass no matter what so i might as well do all i can to ENSURE my soul gets locked in this fuckin thing, go on stab me in the brain lets do this. i will however also say that having him say "i always come back"... before he's even come back the first time? is a little bit weird, i know thats another one of the "we have to include this in the fnaf movie" things so im not mad but just in the moment it def flows a bit weird. like mf you don't even have one example of that yet much less several to be saying "always" about

OH AND THE BIGGEST ONE. THE ANIMATRONICS. theyre so good. like im so glad they went all in on that, i think they probably knew that if there was one single thing they had to get absolutely 100% right to avoid a fan uprising it was those and by god did they deliver, theyre so big and so unsettling and so fun. chica's wink at abby was the best part of the movie no questions asked. or alternatively bonnie falling over after they built the fort. like theyre all just so good. OH MY GOD OR IN CHICA'S INTRODUCTION SEQUENCE WHERE YOU CAN SEE HER JUST. SCOOTING BY THROUGH THE VENT?? THAT WAS THE FUNNIEST THING OF ALL TIME HELLO???

god. but yeah i was honestly expecting it to be a lot worse than it was. also this mike is a bad brother/dad figure. but i guess in the games he also kind of is the pinnacle of bad brother so i mean it couldve been a lot worse. theres definitely some rough parts, i mightve mentioned this already but i felt like a few of the dramatic pause things were a bit too drawn out, like i said the springlocks locking is one good example of that but another that i REALLY found slow was like. in the opening we watch a guy get turbomurdered by the swirly blade mask and it takes. way longer than i feel like was necessary. also unnecessary: a jumpcut a second from scared eyes to swirly blades to hands fumbling and repeating during that. oh another thing that was weird to me, why was mike so insistent on sleeping specifically at night? to the point of deliberately sleeping on the job? like i get he wanted to revisit the kidnapping dream but like. presumably he could dream just as well during the day, no? done his night shift then once it was up rolled out a sleeping bag for a quick powernap before heading home? idk that just felt. forced to me

more random things, i am sad we didnt get a whiff of henry emily (my fringe theory was that their twist to change it from the games was they were gonna make henry be evil, rip to that idea) or the puppet/charlie, and kinda sad they changed the kid possessing golden freddy to be a boy like. we love cassidy and her Undying Rage Towards Afton's Soul smh why would you get rid of her. also loved balloon boy, kinda wish mangle had gotten like a similar level appearance but thats w/e. oh also while i did appreciate the low gore level there were also a few times where it was a bit weird how minor the injuries the dead people had were. like this man just had his face put in a blender mask and he just has like. some forehead gashes or whatever? he should look like someone stirred up jello

anyways with that gross thought i think i am out of things to say about the movie for now. if anyone else watched it already and somehow read all of this blease tell me your thoughts

it's easy and convenient to fall into this trope, and many of my favorite fics have fallen victim to it in some way or another, but readings of wx that imply or outright state that lwj saved wwx make me want to gnaw my arm off. because I feel like that's rly insidious and simplistic and does a great disservice to both of them and is missing the point of his character and of their relationship development. as teenagers, lwj wanted to be his savior, saw him struggling and demanded that he comply with lwj's own solutions, believing his path to be correct and his own judgements about wwx's situation (and body!) to matter more than wwx's own. and that's why they clashed so much - bc wwx refused to give up his agency or his autonomy, did not want to be treated as someone to be saved

and in canon, that was never his role anyway. he couldn't, and didn't, swan in to save wwx from all of the worst things that happened to him, and his methods for behavioral control - shame, judgement, commands - were repudiated in retrospect. wwx suffered, and was alienated from his loved ones, and died a horrible, violent death, and was not saved by anyone. postcanon, lwj is committed to trusting and believing in wwx rather than trying to stop him - he's listening rather than demanding

I hate this phrase but it's actually incredibly important that lwj didn't ever save wwx 'from himself'. of course, postres he does protect wwx - from jc, from dogs, from slander - but he never inserts himself as the hero in wwx's story, and he never tries to force his own judgements and opinions on wwx again, nor claim that his actions entitle him to anything. he doesn't solve the mystery alone, he doesn't defeat the big bad, and the final get-together is never framed as a reward for his actions. he offers support, comfort, physical aid, but wwx is still very much the main character in every way, and retains all his autonomy to drive the story forward and reckon with his past on his own terms. and this is exactly why they work postcanon in a way that they wouldn't have really worked in the flashback arc

in cql, this is more immediately apparent because lwj follows wwx's lead throughout the entire arc, offering trust and aid without condition or hesitation. but even in the novel, it comes through quite poignantly in the tree scene at lotus pier. wwx thinks that it's okay that he's going to fall. he's fallen many times before, and though it's hurt, he'd survived. but still, it would be wonderful for someone to catch him. and that's exactly what lwj does

thinking about my graphic novel series again. i have way too many thoughts about it

also given that the logic of said superiority authoriority is an entitlement to deny someone's personhood & use them as an object for your purposes, from obviously getting to direct what they must do & can't do, to enjoying whatever gratification from lashing out / demeaning which is also going to serve as an affirming exercise in authority when one can do that from an insulated elevated place....a crucial part of whatever form of this violence, from the most nanoscopic triangle in the sierpiński triangle pyramid scheme hierarchy, to the hypothetical largest (zoom in or out to whatever degree: the same shit also), being that indeed the superior parties need the deserved insulation from any Consequence to exerting their superior status, including indeed from having to witness the consequences For the "inferior" parties, such as whatever externalizations of suffering they recognize as such, which either (a) need to be put away (b) are manipulative performances or otherwise exaggerated (e.g. being a pussy / not even having the sense to realize how little suffering they're Really experiencing) or (c) can be fun to witness if you decide you enjoy that as an affirmation of power as per your ability to completely detach from any avoidance of causing pain, harming for its own sake, b/c you Can

all which is to frame how Interesting it is that after all those moments of going "well, they keep bothering with reaction shots of winston noticeably feeling hurt & expressing it, sometimes also verbally. it's like it could be setting up something" it set up Nothing; while once again just like has been done dozens of times a scene just Ends on winston being rejected &/or hurt, no resolution then, no resolution ever, and in the case of 7x03 was so significant an attack that just like in 4x11 when mafee gets to take out his own Loyalty Insecurity on winston while everyone else hangs around in tacit to overt approval, everyone just leaves the room & we get winston staying behind in the Most distant position aaand scene's over! thread's over! david levien get back here after you Liked that 4x12 livetweet of mine pointing out "so see & winston was right anyways??" like....that is: we are given the Perspective of someone who is also now Leaving winston behind, thus immune to the consequences of however that treatment could actually affect him or how he might struggle to deal with that now (who cares! the answer is: Alone) like Whatever, next time we see him he's completely fine now. and i'm just so happening to think that all the little moments of getting to see winston wither & withdraw & etc in reaction to being shitted on was also us being granted the perspective of Gratification that he's punished for speaking or existing or whatever, without it ever going anywhere or mattering beyond that instant. we too are the ones who surely get to relentlessly bully the autistic person & damn if we don't at least enjoy someone getting to go off the rails restoring their ego by doing absolutely whatever they want to him, which just so happens to be perfectly aligned with getting him Back In Line. pull yourself together winston! the only consequences you're experiencing we wanna deal with are the ones where you give us the algorithm we decided we want, actually. and now let's look across the rest of the season where the consequences for wags for being this way (or anyone else for standing by, ready to benefit, with philip bafflingly declaring as well how actually it was brutal in a good way) is approximately fuckall even as of course nobody's pretending he's one of the personal growth guys out here: rian is though, and didn't have to "grow" out of abusing winston or thinking that was fine & good or that of course she's inherently superior! and in the end we have more affection and interest for the Epic Asshole than their Cringe Targets

[Image ID:

Tags that read #reblogging this because I was instantly in love with August Heart the second I saw him #and now am looking up Manuel Lago #although unfortunately Manuel Lago seems to be a fairly common name. #really should have added 'comics' but well hon live and learn. #this is a not so subtle request for a primer #COUGH.

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@benbamboozled I have been summoned lmao

Manuel Lago was a character introduced in Brian Buccellato and Francis Manapul’s run for the New 52 Flash series in 2011. he’s there for a CRIMINALLY measly 5 issue arc called Mob Rule.

He’s repeatedly called Barry’s oldest friend — there’s all these flashbacks (THAT ARE CUTE AS HECK) that show Manuel and Barry’s history together, from first meeting in college right up until Barry’s gets struck by lightning. He goes MIA after that and the arc starts off with Manuel barging back in Barry’s life after all this time.

(lichrally flirting idk what to even say)

(AHHH Barry just looks so HAPPY to see him damnit)

He’s got a pretty wild backstory for a character who’s literally only there for 5 issues — his dad was killed in a plane hijacking so his natural course of action was to….join the CIA to track down the hijackers (a group called Basilisk). With the CIA he’s some sort of a deep state operative and subject to some experiments that give him a regenerating ability like a healing factor.

(That James Bond meets Batman line is the funniest thing in the world to me. No wonder Barry gets along fine with Bruce.)

he ends up getting captured by Basilisk after going rogue and they torture him for WEEKS by cutting off his hands and fingers. But those cut off pieces actually fully regenerate into straight up clones of Manuel and they start calling themselves Mob Rule.

(ITS SUCH A RANDOMLY METAL BACKSTORY LIKE oh yeah the dismemberment)

(In which manny is an absent father for his 52 clones)

(I honestly don’t even know what he was trying to do here. As far as he knows Barry is just a normal ass civilian how’s he gonna help you? He literally just wanted to see Barry)

I just really like his character bc I love the potential of what kind of friendship they must have had. They’re a bit of an odd couple but they consider each other ‘family’ and Barry’s actually knows and IS CLOSE WITH Manuel’s mom. The person Manuel calls when he’s got no one to turn to in a dangerous mission is Barry. When he thinks Barry’s dead, Manuel goes into a rage. So there’s this really close bond between that doesn’t get much spotlight besides those brief flashbacks that makes me so curious.

Honestly Manuel reminds me so much of that post that’s like men say they’re fighting their demons and then the demons are just bisexuality.

.

dagnabit loads of disjointed thought snippets about Haven and the Adversary but no ability to make them cohesive + leaving soon anyway

Worst idea: Death Note Daily.

January 17: The archrivals come face to face for the very first time!

[Absolutely nothing happens for two months, and when it does it's some shinigami you've never met before pining over some girl you've never met before]

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August 2: "Look, are you going to man up and investigate this or not?"

[Absolutely nothing happens for the next two months.]

October 1: "Guess what. I did it myself"

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C H A P T E R S I X T Y I N R E A L T I M E

Matsuda Touta is not actually stupid and this is a hill that I am prepared to die on.

the characterization of eddie is so weird to me.

like my first instinct is that he’s a little bitch, the man plays dnd, his whole cafeteria speech made me want to die of secondhand embarrassment, his whole character arc centers around him being a coward.

but then there’s the forest scene and like what. his scenes with chrissy are the only ones where i’m at all interested in him as a character, and i like him then, but the rest of the time i really could not care less.